The band The Alphabet Rockers consists of lead members Kaitlin McGaw and Tommy Shepherd, and a multi-racial group of children who are also involved in writing and performing.  They write about their real lived experiences and their desire to live in a world where everyone belongs.

[accordion] [accordion-item title="Click here to read the full transcript"] Jen Lumanlan  00:02 Hi, I'm Jen and I host the Your Parenting Mojo podcast. We all want our children to lead fulfilling lives, but it can be so   Jenny  00:10 do you get tired of hearing the same old interests to podcast episodes? I don't really But Jen thinks you might. I'm Jenny, a listener from Los Angeles, testing out a new way for listeners to record the introductions to podcast episodes. There's no other resource out there quite like Your Parenting Mojo, which doesn't just tell you about the latest scientific research on parenting and child development but puts it in context for you as well, so you can decide whether and how to use this new information. I listen because parenting can be scary and it's reassuring to know what the experts think. If you'd like to get new episodes in your inbox, along with a free infographic on 13 reasons your child isn't listening to you and what to do about each one. Sign up at YourParentingMojo.com/subscribe. You can also join the free Facebook group to continue the conversation. Over time you might get sick of hearing me read this intro so come and record one yourself. You can read from a script Jen provided or have some real fun with it and write your own. Just go to YourParentingMojo.com/RecordTheIntro. I can't wait to hear yours   Jen Lumanlan  01:33 Hello and welcome to the Your Parenting Mojo Podcast. Today we are going to do something I think that we've never done before. I don't believe we have had Grammy-nominated people on the show before so I'm excited for that. We are welcoming Tommy Shepherd and Caitlin McGraw who are co-creators of the Grammy nominated Alphabet Rockers and they have quickly become an important voice for today's youth curating content centered on children's voices and social justice issues like racism and gender inclusion. Their Grammy-nominated album “Rise Shine #Woke” inspired kids to stand up to hate and they have a second Grammy-nominated album “Love” which lifts up the voices of trans-two-spirit and gender nonconforming communities. They recently received a third Grammy nomination for “Shine” (melanin remix) featured on all one tribe, which is nominated for a best children's album. And now they've now written a picture book called You Are Not Alone, which empowers kids to love themselves and their identities stand up to hate, and have each other's backs no matter what. And the book looks at how children can feel others because of their race, gender, culture, and other factors and how they can navigate discrimination, and find strengths from their friends and allies. Welcome, Tommy and Kaitlin, so great to have you here.   Tommy  02:39 Thank you happy to be here.   Kaitlin 02:42 Let's go   Jen Lumanlan  02:41 All right, so I think the first thing that struck me when I was listening to your work is there are not so many intergenerational bands out there. How did you get started? And why did you choose music as your mechanism to get these ideas out into the world?   Kaitlin 02:55 Yeah, well, we had been working in the schools independently and when we came together with alphabet rockers initially, actually, it was, you know, kind of subversive, we knew that hip hop was a cultural space for belonging, actually, and for expression. And so we were bringing hip hop into the schools in a way that we felt really served all children and quickly realized that articulating and being very specific with the adults about what inclusion is required all framework, so we shifted our mission statement, and since 2015 we have been making music intentionally that makes change. So each song holds a question that our children pose to us that we see as community agents for change and we work in community to kind of find a musical response and heart-centered space to share.   Jen Lumanlan  03:48 And so we're here with the two of you today, but you are not the entirety of Alphabet Rockers, right? Yes, I should make that clear for folks who don't know you.   Tommy  03:55 Sure, yeah. We have a huge team who we are really about our collectivity, a lot of minds come together to conceptualize a lot of minds coming together to actually hold down the business part of things. We have a team that really is about keeping us on our toes with our affirmations and with our [unintelligible]. And we have team members that are also leading like Caitlin and I and other youngsters they lead you know, and leadership changes and leadership actually a thing that we really thrive on because we play follow the follower most of the time.   Jen Lumanlan  04:29 Yeah, and so when we're watching an Alphabet Rockets recording, one of the things that we see most of, is children right? It’s children singing and often singing about themselves and how they show up in the world. How does that all work?   Kaitlin 04:42 It's a great question for each song has their own journey. So some songs do hold private conversations we've had with kids and families. The song you are not alone, for example, was a private conversation with a transgendered boy who shared what inclusion would look like for him in school and he had written something on a wall. We do a lot of anonymous sharing as well, whether it be now virtually actually it works really well, kids can write their ideas into songs without us even knowing who wrote it. But at the time in person, he put it up and posted it on the wall and said, “I need friends that have my back note, even when I'm not in the room.” And it really, kind of like broke us open a little bit to look at what's the space we want to create for this child and with this child, because at that time, his family had done everything they could since he was a baby to, you know, kind of create the path forward together and they didn't have this piece, they didn't have the musical information that would say, “Okay, like, we know what the truth is in our hearts, we know what's right in our heads, and we don't have the spiritual connection, the culture to walk in where we can share with someone without articulating every piece of it.” And so that's kind of what we did is we wrote that story with him at the center and with his family at the center, and the song that came out of it was really about the world we want to live in. It may not exist yet, but we want to be in a world where your friends have your back, no matter what. It goes right into the book as well. It's like we just published a book by that name too, You're Not Alone, where it's like, “Oh, look, you know, they don't say my name correct at school but my friend always corrects people,” and we're looking for that, we're looking for that bravery from any age, not just.   Tommy  06:24 And the really interesting part about it is that the young people you've heard sing the songs are singing from their perspectives, but it's from that perspective that Kaitlin is speaking of, they identified with these stories, and with these interviews that we had, they identify, so it almost seems like they are coming from their own perspectives, you're gonna get some of that this year, some of them like coming from their own perspectives this year, however, they really just identified with not being alone with knowing that they're not alone in these feelings, all of them.   Jen Lumanlan  06:55 Yeah, and I was watching last night, one of the videos on your website about the work that you've done in classrooms, and was just struck by how intentional the whole exercise that you go through with children to work together with them for an hour. I mean, it's an hour. It's a short length of time and creating a song with them in that time, and that they come out of this understanding a bit more about the importance of being heard, and having that experience of having been heard. That's the secret sauce, right?   Kaitlin  07:26 Yeah, there's a lot of secret sauce happening, like some of that is just like, how are we still compadres business partners, like, 10 years still got stuff to process still in it like a quest, you know? And it's a question and we're still in it together. You know, that video of us writing with kids is actually from Mylan Elementary School, which is where we really started our whole initiative because, at the time, there wasn't brave space talking about anti-racism, and we were at the front of it in terms of the tools that we had. So when kids were writing their songs, and we really listened to what does bias feel like to you what is unfair to you? And sometimes what they talked about, you know, what you think would be like a hot topic, and sometimes it was. Sometimes they would talk about how it's not fair that people when they pollute in the ocean, it affects the world, there was a stretching for us of like, “Yeah, cause sometimes people will talk about changing the world is just about trash and animals, when we were really looking at our humanity. And so we wanted to make sure kids had a space where humanity was the why. It wasn't the convenience of things that adults felt kids could fix, which is like, let's recycle and pick up trash, it was like, “No,” but look at the space we hold together. And that all happened in that video you saw on our website.   Tommy  08:42 And the cool part about that process, too, is that we spent probably 90% on the journey of getting to a song and 10% of actually putting the song together and making it happen and practicing with them. That's kind of how we kind of do it, It's really about them getting there. And then we just put it together and it happens, you know,   Kaitlin  09:02 isn't that kind of how we write songs? I mean, it's like the process is the product.   Jen Lumanlan  09:08 Yeah, and I was thinking, you know, why music? why choose music to get this message out? And something that I read somewhere on your site, just made it click for me like anti-racist work is so often seen as something that happens up here and our heads, right? And you know, the whole White supremacist-based idea of anything that happens up in your head is valuable and important and good, and anything that happens in your body is sort of irrelevant at best. And you wrote about reconnecting those two, can you speak a little bit about how you use music to really connect thinking and knowing about anti-racist work?   Kaitlin  09:39 Yes. The biggest thing. And we keep coming back to it right because we feel like kids, they're actually, they're thinking here actually in their hearts first, and adults are jammed up. So when people say, “Oh, these topics are too big for kids,” it's like are they actually though because their hearts are so open, and so the weaving the music actually just creates an earworm of love of connection of validation of celebration, of advocacy, it just keeps going in and out.   Tommy  10:07 It's reminiscent of a cycle. Keeps feeding itself.   Kaitlin  10:11 When we first started doing the racial justice music in particular, there were a lot of people who were like, “Oh, don't do it, don't do it, you're gonna mess up, you're gonna make somebody feel alienated, you're gonna isolate people.” And you know, even trusted advisors were like, “You be careful because you have the risk of doing what White people have done with civil rights learning,” and just made it just feel yuck, you know, make somebody feel like they don't belong with just one simple word, the word choice you use. When we talk about the 90% process, that's where we do all of the rigor and the song is clarity. We're not experimenting with children. We are sharing clarity.   Jen Lumanlan  10:50 And how does that come out as you're writing a song with children? How are you sharing that clarity?   Kaitlin  10:50 Well, they have it.   Tommy  10:56 Yeah, they have it. A whole collage of words gets written on a board in the classroom and we collectively decide what's the most important jewels of all of these words, and then we expand from there, “Well, words are rhyme with these words, and what can we say about this word that involves another word that we use,” we find out what's important to them and then we just use that, and they become choruses, and they become verses, and then they become part of them after we're gone.   Kaitlin  11:23 Yeah, recently, we were in Virginia, and we were going to kick off a residency by writing a song with some children. And there was a protest at the same time of us because they were afraid of critical race theory, I believe was the guys that never use those words, and also, they're transphobic, and there's a bunch of things. We said, “Come in, sit down, listen, we're not going to kick you out, we're not here for that. We're not going to call the police. You can sit in here and protest. This is a program for children and their parents. Now in that brainstorm the kids, we wanted to talk about power, when we know how we're powerful. This has been a part of our journey during the COVID pandemic is let's recenter so we really know what we do got because so much has been taken when we know our power, and we recognize each other's power. That's the spark. So these kids were like, they came up with probably 50 words about power, spark, energy, and the kids who didn't want to speak could create dance moves. So like when we talk about the affirmations, the movement spaces like we don't use one way to write a song, we don't criticize people for spelling, for phrasing, for rhyming. I'm the worst at rhyming. I love loose rhymes we call them, so why not? Right? Why not demystify the artistic process and give everyone access that's breaking up WHITE supremacy too.   Tommy  12:47 Yeah, and there are even occasions where there's a student who doesn't even want to do the dance or the rap or the nothing, but they want to push the button to start the music, they want to stop it when it's time to stop it, they want to reset it, you know what I mean? They want to do that stuff. They want to help move the chairs so we can make space, you know, they want to do that there for that too. Jen Lumanlan  13:08 So, what happened with the protest?   Kaitlin  13:11 What happened with it? Nothing. But we're going back there in a couple of months, and I'm sure they will have regrouped and come harder.   Tommy  13:17 We spent a little bit of time I believe, I think we both spoke it's after it was over about spending a little bit of time like wondering like, like, “How am I gonna get you like, how am I gonna sting you?” You know what I mean? And then like, that faded after we got so engaged with the kids. Like we kind of forgot about that elephant in the room that was like ready to scrutinize us. Kaitlin  13:34 Yeah, we gave him a chance to share their ideas. They pass.   Tommy  13:39 Yeah, every time this circle came around to their time, we were like, “Here's another opportunity. You can do it. Oh, okay, no. Next time, we're like, here's your opportunity. Oh, okay.   Kaitlin  13:47 Because that's what happens in class too. We're not going to hold any expectation that lingers, right? Because everybody can evolve in a moment and the culture of assigning a role to a child in the classroom is White supremacy culture, because every child is capable of shifting and growing, and it's often the eye of the beholder and missing the clue.   Tommy  14:09 Just because it didn't happen for you last time doesn't mean it might not this time, right?   Jen Lumanlan  14:13 Well, let's hold out hope for those protesters, and what might shift for them next time. Kaitlin  14:19 That's right.   Jen Lumanlan  14:20 There's hope for all of us maybe. So your work really focuses very intentionally on centering children's experience. Why do you think that that is so important as we work towards creating a culture of belonging?   Tommy  14:32 I can say, this is for a long time I've really have been interested in the human experience and as a human, I have been a child before, and I've been in places where I'm like, “Oh, you know what? When I get older, I'm gonna do this. And when I get older, I'm gonna do that. And when I do this and that,” what I really starting to understand about being a teenager about adolescent, about being a little over 18, all those things, their experiences, their human experiences, we're not trying to do at that age is here a bunch of all these cautionary tales, like don't do this and don't do that, because I've been there before, you know what I mean? Like, really just like, we need to be there to help guide that human experience versus dictate it or structure it or all of those things. I gotta say, I'm still like, not the strictest, but my son, he got rules, but at the same time, like letting him have his human experience and letting him have mistakes, let him make him because as a teenager, he makes them. That's really what I'm personally interested in. I know Kaitlin is too, but she's probably got more to say about it.   Kaitlin 15:34 Listening sometimes when we're together, I actually, just listen, they're my parenting coach. So I have a two and five-year-old, and how they are coming up, I mean, I don't want to...