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FEATURE: Queue Points - Slow Jams Can Heal Us
Bonus Episode1st May 2024 • Stitch Please • Lisa Woolfork
00:00:00 00:56:31

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Just as sewing helps heal us, so does music. As Lisa takes a moment to catch up on some self-care the Stitch Please Podcast is proud to present Queue Points and an episode of their Slow Jams Can Heal Us series:

Slow Jams, Intimacy and Lyrics That Touch the Soul (Guest: Latrice Sampson Richards)

In this episode of Queue Points Podcast, DJ Sir Daniel and Jay Ray are joined by special guest Latrice Sampson Richards. The conversation focuses on the themes of lyrics and intimacy in music, exploring personal and societal healing through slow jams and other styles of music. Latrice shares her thoughts on the emotional connections that music can foster, and the ability to help us collectively heal. The three share lyrics that have shaped their lives, revealing the deep connections they have with music and its power to express complex emotions.

Tune In To Our “Slow Jams Can Heal Us” Series: https://qpnt.net/slowjamsseries

Listen to “Lyrics & Lessons” by Latrice Sampson Richards: https://qpnt.net/lsrlyricsplaylist

Latrice Sampson Richards Bio

Latrice Sampson Richards is an award-winning podcast producer, host, and speaker with a 14-year background as a dual-licensed mental health counselor. With an in-depth understanding of the human experience, Latrice creates content that blends thoughtfulness, healing, and entertainment, resonating deeply with audiences. Latrice has elevated the podcasting landscape by creating opportunities for podcasters and brands to connect with their audiences via immersive live events and shows through her production company, Pod Melanin. Her work is marked by collaboration with renowned brands such as Afros & Audio, Black Podcasters Association, Black Podcasting Awards, Women of Color Podcasters, Black Women Stitch, She Podcasts, Libsyn, Acast, and The Qube. She has curated live podcasting events and shows nationwide, serving as a catalyst for authentic connection and community building.

Follow Latrice Online

Instagram: http://instagram.com/latricesampsonrichards

Linkedin: https://www.linkedin.com/in/latrice-sampson-richards-54481224b/

Website: http://latricesampsonrichards.com/

Email: support@latricesampsonrichards.com

Topics: #SlowJams #SlowJamsCanHealUs #BlackPodcasters #BlackMusic #MusicPodcast

Become a Queue Points Insider: https://qpnt.net/insiders

Get More In Queue Points Magazine: https://qpnt.net/magazine

Subscribe & Review Us on Apple Podcasts: https://qpnt.net/applepodcasts

Review us on Podchaser: https://qpnt.net/podchaser

Subscribe on Spotify: https://qpnt.net/spotify

Follow Us On Social Media

Facebook: https://facebook.com/queuepointspod

Instagram: https://instagram.com/queuepointspod

Twitter: https://twitter.com/queuepointspod

TikTok: https://tiktok.com/@queuepointspod

Follow DJ Sir Daniel On Social Media

Facebook:  https://facebook.com/djsirdaniel

Instagram : https://instagram.com/djsirdaniel

Twitter:  https://twitter.com/djsirdaniel

Mixcloud:  https://mixcloud.com/thesirdaniel

Follow Jay Ray On Social Media

Facebook:  https://facebook.com/jayrayisthename

Instagram : https://instagram.com/jayrayisthename

Twitter  https://twitter.com/jayrayisthename

Opening Theme: Music by Danya Vodovoz

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Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.

Instagram: Lisa Woolfork

Twitter: Lisa Woolfork

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Transcripts

Jay Ray:

Hey, Hey, y'all this episode of Queue Points may

Jay Ray:

contain explicit language.

Jay Ray:

Listener discretion is advised.

Jay Ray:

Hey, what's up good people.

Jay Ray:

It's Jay Ray, the co host of QPoints.

Jay Ray:

And I wanted to come to you because there are two really important

Jay Ray:

ways that you can support our show.

Jay Ray:

One is by subscribing to it, wherever you listen to, or watch your podcast.

Jay Ray:

QPoints is pretty much everywhere.

Jay Ray:

The other thing that you can do is you can visit us on Apple podcasts.

Jay Ray:

On Spotify and on pod chaser, and you can leave us a star rating,

Jay Ray:

please rate us five stars because you know, you love Q points and on Apple

Jay Ray:

podcasts and on pod chaser, you can actually leave us a written review.

Jay Ray:

It's not required, but it really does help to spread the word about the show and it

Jay Ray:

helps people to discover it as they're looking for new podcasts to listen to.

Jay Ray:

We're always appreciative of you supporting QPoints.

Jay Ray:

We thank you so much for all that you've done for us so far and enjoy the show.

Jay Ray:

DJ Sir Daniel: Greetings and welcome back to another episode

Jay Ray:

of Queue Points podcast.

Jay Ray:

I am DJ Sir Daniel.

Jay Ray:

And my name is Jay Ray, sometimes known by my government as Johnny Ray

Jay Ray:

Cornegay, the third what's happening.

Jay Ray:

Good people.

Jay Ray:

DJ Sir Daniel: As you know, Queue Points podcast is the podcast dropping

Jay Ray:

the needle on black music history.

Jay Ray:

And this episode is going to be like no other.

Jay Ray:

And you are pre you are in for a treat because we have

Jay Ray:

a special guest this evening.

Jay Ray:

But before we do that, Jay Ray, please, please let the people know.

Jay Ray:

Well, no, before we do we.

Jay Ray:

Do that.

Jay Ray:

Let the people know how they can get ahold of that really dope

Jay Ray:

sweatshirt that you have more because you saw what I had last week.

Jay Ray:

I was rocking mine last week.

Jay Ray:

I was rocking a t shirt, but you got the hoodie and the hoodie is flip fly

Jay Ray:

and you can still get away with hoodies now, even though we're in spring.

Jay Ray:

Yes.

Jay Ray:

So weirdly.

Jay Ray:

Okay.

Jay Ray:

Before I get into that.

Jay Ray:

So up here, up North, it suddenly went back to winter.

Jay Ray:

I don't know what happened in the last couple of days, but it's certainly

Jay Ray:

like third in the thirties again.

Jay Ray:

So this hoodie is real, real important, but yo, check it out.

Jay Ray:

For those.

Jay Ray:

Those of you that are watching, y'all see the freshness, right?

Jay Ray:

This is our Slow Jams Can Heal Us hoodie.

Jay Ray:

And the conversation that we're going to have tonight, right, is part

Jay Ray:

of this line of conversations that we'll be having all year about the

Jay Ray:

importance of slow jams and black music.

Jay Ray:

And you can get yourself a hoodie, the t shirt like Sir Daniel had on during the

Jay Ray:

last show, mugs, bags, check out the bag.

Jay Ray:

The bags is so fresh.

Jay Ray:

You see this?

Jay Ray:

DJ Sir Daniel: The bags, posters, buttons.

Jay Ray:

There's posters back here in the cut.

Jay Ray:

You could get all of that.

Jay Ray:

If you go to store.

Jay Ray:

cuepoints.

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com.

Jay Ray:

And here's the other plus of doing that.

Jay Ray:

Like we talked about at the top of the show, where you can subscribe

Jay Ray:

and you can leave us a review and you can do all of that stuff.

Jay Ray:

Amazing.

Jay Ray:

That is all completely free and we would love it.

Jay Ray:

If you did all of those things, if you want to keep these, these lights on, you

Jay Ray:

see these red lights back here in front behind the Sade and behind the Sir Daniel

Jay Ray:

there, you can go to our store and shop.

Jay Ray:

It helps us to be able to do all the things that we do with Queue Points.

Jay Ray:

DJ Sir Daniel: Amazing.

Jay Ray:

Again, thank you listener for joining us again for another um,

Jay Ray:

episode of Queue Points podcast.

Jay Ray:

Um, unfortunately we do have to say goodbye to another legend.

Jay Ray:

We want to pay homage to the, to an iconic force in the music of gospel.

Jay Ray:

Sandra Crouch passed away not too long ago.

Jay Ray:

Sandra Crouch is of course the twin sister to gospel giant.

Jay Ray:

Andre Crouch, twin sister.

Jay Ray:

And she recently passed away.

Jay Ray:

Um, you know, sending much love to our friend Kipper Jones.

Jay Ray:

Cause that was, um, his aunt and uncle.

Jay Ray:

And now, you know, I spoke to him and he was like, you know, now my aunt

Jay Ray:

and uncle are back together again.

Jay Ray:

So sending much love to uncle Kipper and all the members of the Crouch family.

Jay Ray:

But J Ray, Sandra and Andre really changed the face of gospel music.

Jay Ray:

Sandra Crouch.

Jay Ray:

Was an enormous singer of in her own right musician.

Jay Ray:

People don't know that she played tambourine on the Jackson five

Jay Ray:

records on some Jackson five records.

Jay Ray:

And she sang, she brought all of, she brought a lot of her

Jay Ray:

brother's songs to life, but.

Jay Ray:

They have such a legacy and part of that legacy is this, is it

Jay Ray:

within the songwriting and lyrics?

Jay Ray:

And that's what we're going to talk about on this episode of Queue Points.

Jay Ray:

We are discussing lyrics and specifically Lyrics and intimacy, um, because

Jay Ray:

as Jay Ray mentioned, we are on, we are on a Slow Jams can heal us kick.

Jay Ray:

And part of that, that campaign is to rediscover what we're not saying to each

Jay Ray:

other or why we're not able to say to each other through the music anymore.

Jay Ray:

The music was a way for people to, to put.

Jay Ray:

Words to how they were feeling when they couldn't do it.

Jay Ray:

So there might've been a song that you could use to express

Jay Ray:

your feelings to someone.

Jay Ray:

And it's not necessarily as nice anymore.

Jay Ray:

So we're going to, it's not.

Jay Ray:

So we're exploring that and helping us tonight is a very special guest, Jerry.

Jay Ray:

Okay, guys, we've been really, really, really excited about having this guest

Jay Ray:

on because she is so accomplished.

Jay Ray:

Mm hmm.

Jay Ray:

DJ Sir Daniel: And Jerry is actually going to run down like her resume and run

Jay Ray:

down the pedigree because we are super honored by who we're being joined tonight.

Jay Ray:

Jerry, take it away.

Jay Ray:

Absolutely.

Jay Ray:

Um, as Sir Daniel said, we, uh, Met this person actually a couple of

Jay Ray:

years ago now and have been really excited to have her on the show.

Jay Ray:

But I want to read the bio of Latrice Sampson Richards.

Jay Ray:

Latrice is an award winning podcast producer, host, and speaker with

Jay Ray:

a 14 year background as a dual licensed mental health counselor.

Jay Ray:

With an in depth understanding of the human experience, Latrice creates

Jay Ray:

content that blends thoughtfulness, healing, and entertainment,

Jay Ray:

resonating deeply with audience.

Jay Ray:

Latrice has elevated the podcasting landscape by creating opportunities

Jay Ray:

for podcasters and brands to connect with their audiences via immersive

Jay Ray:

live events and shows through her production company, PodMelanin.

Jay Ray:

Her work is marked by a collaboration with renowned brands, such as Afros and

Jay Ray:

Audio, Black Podcasters Association, Black Podcasting Awards, Women in

Jay Ray:

Color Podcasters, Black Women's Stitch, ShePodcasts, Lipsyn, Acast, and more.

Jay Ray:

And the cube, she has curated live podcasting events and shows nationwide

Jay Ray:

serving as a catalyst for authentic connection and community building.

Jay Ray:

So listen, if we was in person, we would say get on your feet, stand up.

Jay Ray:

Welcome to Queue Points Latrice.

Jay Ray:

Samson Richards,

Jay Ray:

DJ Sir Daniel: Put your hands together.

Jay Ray:

Come on now.

Jay Ray:

Y'all can do better than that.

Jay Ray:

You can

Jay Ray:

Latrice Sampson Richards: Yeah.

Jay Ray:

DJ Sir Daniel: than that.

Jay Ray:

Come on now.

Jay Ray:

What's happening in the

Jay Ray:

Latrice Sampson Richards: Y'all sure know how to make a

Jay Ray:

girl feel good about herself.

Jay Ray:

I was listening to that resume and I was like, damn, who that girl is?

Jay Ray:

And I wrote the damn thing.

Jay Ray:

Listen.

Jay Ray:

it's you

Jay Ray:

Latrice Sampson Richards: Okay.

Jay Ray:

I'm so excited to be here with y'all tonight.

Jay Ray:

This has been a long time coming.

Jay Ray:

Uh, and so I'm, I'm just super duper excited to be here with y'all.

Jay Ray:

Um,

Jay Ray:

DJ Sir Daniel: The feeling is mutual.

Jay Ray:

We're so happy to have you here Latrice to discuss this, um, to discuss this

Jay Ray:

topic about lyrics and how they affect us.

Jay Ray:

And, Why are people apparently so afraid of intimacy anymore?

Jay Ray:

Latrice Sampson Richards: I think Most people, there's a

Jay Ray:

lot of different reasons, right?

Jay Ray:

Everybody has a different reason as to why they may struggle with intimacy.

Jay Ray:

But I think that if we really took a step back and looked at the total sum

Jay Ray:

of those reasons, it really comes down to the fact that intimacy has not been

Jay Ray:

a positive experience in their lives.

Jay Ray:

Right.

Jay Ray:

So the intimacy that they have experienced has been difficult for them.

Jay Ray:

It has hurt physically, spiritually, emotionally.

Jay Ray:

Um, they, the, the people that they thought they could trust, the people

Jay Ray:

that they thought were supposed to take care of them did not.

Jay Ray:

Um, the people that they loved, that they trusted.

Jay Ray:

Whether they chose to love or they were just, you know, supposed to love

Jay Ray:

just cause that's what it, that's what it is, um, ended up failing them

Jay Ray:

in some way, shape, form or fashion.

Jay Ray:

Um, and so people struggle with intimacy because their experience

Jay Ray:

of intimacy has been negative in some way, shape, form or fashion.

Jay Ray:

Right.

Jay Ray:

And so in order for us to, to get on the other side of that, we, we have to

Jay Ray:

one speak it, we have to acknowledge it.

Jay Ray:

We have to say, you know, that person that, that I was, I

Jay Ray:

thought that I could trust.

Jay Ray:

I put my trust in that person.

Jay Ray:

I stepped out on a limb and I took a chance on on loving that person or,

Jay Ray:

you know, This, my family, this, my blood, the people who were divinely

Jay Ray:

charged with the responsibility of taking care of me, they failed me.

Jay Ray:

And that's fucked up

Jay Ray:

Mm-Hmm?

Jay Ray:

Latrice Sampson Richards: is fucked up that I had to go through that, right?

Jay Ray:

Like just call it out and acknowledge that this is why I am struggling

Jay Ray:

with intimacy because you cannot address the thing until you.

Jay Ray:

Or can first acknowledge that it is a thing that needs to be addressed.

Jay Ray:

Wow.

Jay Ray:

Latrice, yes to all of that and what's, what I love about your response is

Jay Ray:

it also explains why , having songs that feed us these lessons are really

Jay Ray:

important because here's the thing.

Jay Ray:

I can, I know for a fact that I learned lessons in love and life.

Jay Ray:

Because of the music I was listening to it wasn't I was too young to know

Jay Ray:

what it all meant in some cases, right?

Jay Ray:

But when I got there, I was able to put like, Oh, that's what that feeling is that

Jay Ray:

that's what that song was talking about.

Jay Ray:

And.

Jay Ray:

Even those moments in songs where you just like, no, I played

Jay Ray:

this song because I need to.

Jay Ray:

It takes me back to a point in time where this song is the

Jay Ray:

thing that comforts me when I go through a situation like X, right?

Jay Ray:

Nerd out

Jay Ray:

Latrice Sampson Richards: That is biologic.

Jay Ray:

That is how human beings function, right?

Jay Ray:

So, I, I'm not going to nerd out completely on y'all.

Jay Ray:

I mean,

Jay Ray:

DJ Sir Daniel: No, please, please, please give it to us.

Jay Ray:

Come on.

Jay Ray:

Why we got you here?

Jay Ray:

Latrice Sampson Richards: Okay.

Jay Ray:

I'll be

Jay Ray:

DJ Sir Daniel: Why are you?

Jay Ray:

Why we got you here?

Jay Ray:

You got to do it.

Jay Ray:

Come on.

Jay Ray:

Latrice Sampson Richards: Listen, but the, the long and short of it is that

Jay Ray:

in the, in the study of memory, right, because there's an entire study of human

Jay Ray:

memory and how do we form memories?

Jay Ray:

How do we decide what memories need to be kept and what memory?

Jay Ray:

Because think about.

Jay Ray:

You experience millions of stimuli a day

Jay Ray:

Mm.

Jay Ray:

Latrice Sampson Richards: from touch, feel, smell, sight, taste,

Jay Ray:

Mm hmm.

Jay Ray:

Latrice Sampson Richards: at all times, you are taking in

Jay Ray:

information, at all times, okay?

Jay Ray:

That's a lot of shit to process.

Jay Ray:

You can't remember all of it.

Jay Ray:

You know what I'm saying?

Jay Ray:

It is just not, it's, it's, it's not logical.

Jay Ray:

It's not feasible.

Jay Ray:

The brain is not built.

Jay Ray:

Like that, right?

Jay Ray:

And so what our brains do for us is they essentially Categorize the things that

Jay Ray:

we're taking in, and they categorize in order of importance, and that order is

Jay Ray:

based on first and foremost survival,

Jay Ray:

Mhm.

Jay Ray:

Latrice Sampson Richards: right?

Jay Ray:

What are the memories that I need to pull up immediately in a

Jay Ray:

life or death situation, right?

Jay Ray:

So that's what we call instincts.

Jay Ray:

Yes.

Jay Ray:

DJ Sir Daniel: Yes.

Jay Ray:

Latrice Sampson Richards: Then, you know, love and belonging,

Jay Ray:

relationships, connection.

Jay Ray:

And then we look at, you know, self actualization and, you know, the higher,

Jay Ray:

it's Maslow's hierarchy of needs.

Jay Ray:

Look it up.

Jay Ray:

Okay.

Jay Ray:

It's foundational.

Jay Ray:

Okay.

Jay Ray:

Um, and it, it really, people need to know it, people, we need to understand

Jay Ray:

it so we can give ourselves a break.

Jay Ray:

I mean, let's just be real.

Jay Ray:

So the memory research shows that.

Jay Ray:

Memory can be altered with the addition of sound, right?

Jay Ray:

So memory can be altered.

Jay Ray:

So what can, you can be conditioned to react a certain way, to respond

Jay Ray:

a certain way, to recall a certain message by hearing a certain sound.

Jay Ray:

That can be a song, that can be a bell, that can be, you know, yelling,

Jay Ray:

Mhm.

Jay Ray:

Latrice Sampson Richards: Because over time we start to generalize.

Jay Ray:

these things, right?

Jay Ray:

So that's the, you know, that's the nuts and bolts of it.

Jay Ray:

That is like the ridiculously simplified version of that.

Jay Ray:

Right.

Jay Ray:

But I share that to say that

Jay Ray:

DJ Sir Daniel: I'm sorry,

Jay Ray:

Latrice Sampson Richards: come on, because black folks is having a

Jay Ray:

hard time letting go of the aura,

Jay Ray:

are ha Baby, it is a sh The kids is out here struggling.

Jay Ray:

They like, I wanna step in the name

Jay Ray:

of

Jay Ray:

Latrice Sampson Richards: a

Jay Ray:

I'm like, Don't play

Jay Ray:

Latrice Sampson Richards: a part of our lives.

Jay Ray:

He done been at our weddings.

Jay Ray:

He done been at our funerals.

Jay Ray:

You know, he done been at our, we graduated to the aura.

Jay Ray:

You know, all of, all of the major moments of our lives.

Jay Ray:

He was

Jay Ray:

Right!

Jay Ray:

Mmm.

Jay Ray:

Latrice Sampson Richards: to get rid of him is is it almost feels like getting

Jay Ray:

rid of all of our happy memories, all of the things that bring us joy, all

Jay Ray:

of the things that bring us peace.

Jay Ray:

You get what I'm saying?

Jay Ray:

Because in our minds, those, the lyrics, the songs, the vibrations, the

Jay Ray:

tunes, the tones, it is intertwined.

Jay Ray:

Like there is no separation in that memory.

Jay Ray:

Does that make sense?

Jay Ray:

It really does and that gets to the complexity of even the conversation

Jay Ray:

that we're having here because The lyrics are one thing and then you have

Jay Ray:

all the stuff that surrounds it, right?

Jay Ray:

I know for a fact that the songs that mean the most to me the first note Is

Jay Ray:

going to be like nope, that's it and You kind of know even when you hear something

Jay Ray:

new that you've never heard before That when it's going to do that to you, right?

Jay Ray:

Because there is something in that vibration In that tone that you like,

Jay Ray:

I don't know what they about to do but that that first bar just Sent me in so

Jay Ray:

I'm a wait and see what's next.

Jay Ray:

And sir, Daniel, that actually brings up an interesting point for you as a DJ.

Jay Ray:

I'm sure that's part of it, right?

Jay Ray:

Cause you know, pretty quickly, how quickly do you know if a song is about

Jay Ray:

to, to, to hit for you as a DJ or not?

Jay Ray:

How quickly do you

Jay Ray:

DJ Sir Daniel: Like within the first four counts, like you just,

Jay Ray:

there's just certain things you can, well, I'll speak for me.

Jay Ray:

Like I can pick, I pick up on a vibration of a song and I can already tell, okay,

Jay Ray:

this is going to make me happy, or this is going to make me want to take a beer

Jay Ray:

bottle and smash it over somebody's head.

Jay Ray:

And there are.

Jay Ray:

Much more songs now that lead to the latter of what I said, you know,

Jay Ray:

that make you want to, uh, crack bottles over people's heads more

Jay Ray:

than to kiss and hug on somebody.

Jay Ray:

And, you know, I think, I don't know.

Jay Ray:

It's that vibration, uh, within the intentions of what people,

Jay Ray:

how people create their music now.

Jay Ray:

And Latrice, you actually, you backed that up just now by,

Jay Ray:

by speaking about, um, how.

Jay Ray:

How sounds can, can bring up memories and whatnot.

Jay Ray:

And I think what's happening is a lot of, maybe a lot of musicians are trying to

Jay Ray:

process, trying to process through their music and they're making music that we,

Jay Ray:

and maybe we just have a whole generation that is trying to process the traumas that

Jay Ray:

they've experienced through their music.

Jay Ray:

And we're, and they're just hitting us like with all the

Jay Ray:

trauma and none of the joy.

Jay Ray:

Latrice Sampson Richards: Yeah.

Jay Ray:

Well, and we, but we've seen that throughout history.

Jay Ray:

You know, we have seen that throughout history.

Jay Ray:

Look how well documented the civil rights movement is.

Jay Ray:

The civil rights movement is very well documented.

Jay Ray:

It's in the music.

Jay Ray:

It's in the movies.

Jay Ray:

It's in the television shows.

Jay Ray:

It's in the pictures, the fashion, right?

Jay Ray:

It's, it's in.

Jay Ray:

Every single aspect of creativity, there is some aspect of the

Jay Ray:

civil rights movement and I would even say the 70s as a whole.

Jay Ray:

The 70s is one of my favorite generations.

Jay Ray:

I feel like, yeah, like I just, I just, it speaks to me.

Jay Ray:

You know what I'm saying?

Jay Ray:

Um, but the, what was being created at the time is a direct

Jay Ray:

reflection of the sentiment of the people who were creating it.

Jay Ray:

That's what the people was going through at the time, right?

Jay Ray:

This goal was about trying to find joy.

Jay Ray:

Because everything was so fucked up and it was so much tension and it was so much.

Jay Ray:

So the disco people was like, fuck all that.

Jay Ray:

I'm just going to live.

Jay Ray:

I'm just going to be in joy and peace.

Jay Ray:

And I'm just going to be like, yeah, let's do this.

Jay Ray:

Right.

Jay Ray:

But then you also have.

Jay Ray:

You know, you got that, you know, power to the people kind of music as well.

Jay Ray:

You know what I'm saying?

Jay Ray:

Like you got the, the tracks like Nina Simone, who, you

Jay Ray:

know, is like Mississippi.

Jay Ray:

God damn.

Jay Ray:

I don't even know if that was the sixties or the seventies,

Jay Ray:

but you get what I'm saying?

Jay Ray:

Like the, it is chronicled in the music, what the people were.

Jay Ray:

Expressing at the time.

Jay Ray:

And so it kind of becomes like a time capsule in its, in its own way.

Jay Ray:

And I think that's what we're seeing right now.

Jay Ray:

You know, The world is on fire.

Jay Ray:

People are struggling.

Jay Ray:

People are struggling emotionally.

Jay Ray:

People are tired.

Jay Ray:

People are burnt out.

Jay Ray:

out that everybody's on edge.

Jay Ray:

Everybody's scared.

Jay Ray:

We rubbing pennies together.

Jay Ray:

Rob and Peter trying to pay pal, you know, it's, it's a hard time right now.

Jay Ray:

And we're seeing that I think come out in the music, but

Jay Ray:

we're also seeing let's heal.

Jay Ray:

Let's love less, you know, we the shit, you know, like a, like, don't

Jay Ray:

let's let us not forget who we are.

Jay Ray:

Keep your head up.

Jay Ray:

You know, like we getting both sides of that.

Jay Ray:

And.

Jay Ray:

I think it's, it's also a time capsule of what's going on right now.

Jay Ray:

I feel like this is a good time to talk about, what do you

Jay Ray:

think to talk about some lyrics.

Jay Ray:

To talk about songs?

Jay Ray:

DJ Sir Daniel: Like, I am very curious.

Jay Ray:

I'm very curious to hear from both of you about a lyric that just

Jay Ray:

shot an arrow through your heart and just never, never left you.

Jay Ray:

Like, it doesn't, it doesn't necessarily have to be a ballad or slow jam, but it's

Jay Ray:

something when you, when you, when you.

Jay Ray:

When you faded out the music and you filtered out the music, there

Jay Ray:

was something about that lyric that just stuck with you and whoever

Jay Ray:

wants to go first, go first, matter of fact, ladies first, Latrice.

Jay Ray:

Latrice Sampson Richards: I have two.

Jay Ray:

So what are we going to do?

Jay Ray:

Like a little round table.

Jay Ray:

Y'all want me to give y'all mine right now?

Jay Ray:

You can give me If I do one and you do one?

Jay Ray:

How's that How's that feel?

Jay Ray:

Okay.

Jay Ray:

Latrice Sampson Richards: Well, okay.

Jay Ray:

First of all, it's not fair.

Jay Ray:

I know we're asking you to To do the impossible.

Jay Ray:

Latrice Sampson Richards: It's not fair because I was just like, what

Jay Ray:

are they even talking about one song?

Jay Ray:

Like, what are you serious right now?

Jay Ray:

Like, are you serious for real?

Jay Ray:

But it did send me down the rabbit hole because I'm like, okay, if I

Jay Ray:

have to, if I can only choose one song, then it, you know, obviously

Jay Ray:

it needs to be the song that.

Jay Ray:

I think has had the biggest impact on my life and I am very

Jay Ray:

clear on what song that is.

Jay Ray:

So I'm going to share my one song.

Jay Ray:

How long is a lyric?

Jay Ray:

You can You want to give us the first The first The first verse?

Jay Ray:

Latrice Sampson Richards: No, not the first verse.

Jay Ray:

I want to give the last verse and the chorus.

Jay Ray:

do Do your thing.

Jay Ray:

That's

Jay Ray:

Latrice Sampson Richards: Okay.

Jay Ray:

All right.

Jay Ray:

So the, my song choice.

Jay Ray:

is I Choose by Thee, India Iree.

Jay Ray:

Mhm.

Jay Ray:

Latrice Sampson Richards: hits on my top list, okay?

Jay Ray:

But this is actually my, like, favorite song of all time.

Jay Ray:

Um, and, you know, I'll, I'll do the lyric first and then I'll talk about

Jay Ray:

a little bit of briefly about why.

Jay Ray:

So this is, I want to say this is the last verse.

Jay Ray:

Yes, this is the last verse of the song and then it closes out with the chorus.

Jay Ray:

So she says, From this day forward, I'm going to be exactly who I am.

Jay Ray:

I don't need to change the way that I live just to get a man.

Jay Ray:

No.

Jay Ray:

I even had a talk with my mama and I, and I told her today,

Jay Ray:

I'm grown from this day forward.

Jay Ray:

Every decision that I make will be my own.

Jay Ray:

And hey, I choose to be the best that I can be.

Jay Ray:

This is the chorus now.

Jay Ray:

I choose to be courageous in everything I do.

Jay Ray:

My past don't dictate who I am.

Jay Ray:

I choose because you never know where life is going to take you and

Jay Ray:

you can't change where you've been.

Jay Ray:

But today I have the opportunity to choose.

Jay Ray:

I used to have guilt about the way things, about why things happen the way they did,

Jay Ray:

because life is going to do what it do.

Jay Ray:

And every day I have the opportunity to choose.

Jay Ray:

DJ Sir Daniel: Mic drop, mic drop right there.

Jay Ray:

And you know, India has always been prolific, but talk about why I think,

Jay Ray:

I think it's pretty self explanatory why that means a lot to you, but

Jay Ray:

please break it down for us, for the

Jay Ray:

Latrice Sampson Richards: It means a lot to me because

Jay Ray:

DJ Sir Daniel: Okay.

Jay Ray:

Latrice Sampson Richards: a life lesson that you get to choose to, you

Jay Ray:

get to choose no matter what it is.

Jay Ray:

If it's relationship, you don't have to wait for somebody to choose you.

Jay Ray:

You get to choose to, if it's a career decision, you don't have

Jay Ray:

to wait for them to choose you.

Jay Ray:

You get to.

Jay Ray:

Two, you get to choose to say, I am not engaging in this and you get to choose

Jay Ray:

to say, I am going to engage in this.

Jay Ray:

It is a choice.

Jay Ray:

And I think a lot of times myself, you know, I'm a very emotional person.

Jay Ray:

I mean, I don't already dropped a tear tonight.

Jay Ray:

Y'all crying.

Jay Ray:

Okay.

Jay Ray:

I'll be crying.

Jay Ray:

It is what it is.

Jay Ray:

Okay.

Jay Ray:

it took me a long time.

Jay Ray:

To be okay with that, the fact that that's who I am and to not feel shame or guilt

Jay Ray:

around that and feeling like I had to be who other people needed me to be in order

Jay Ray:

to be in relationship, in order to be loved, in order to be accepted, in order

Jay Ray:

to be understood, et cetera, et cetera, et cetera, in order to just not be alone.

Jay Ray:

You know?

Jay Ray:

And And this song came to me in a time in my life where I was for the first time in

Jay Ray:

my life on an intentional healing journey, you know, like intentionally trying to

Jay Ray:

take the reins of my life and heal myself.

Jay Ray:

And so hearing that message that I get to choose.

Jay Ray:

It was just, you know, it was, it was profound.

Jay Ray:

And so it is, uh, you know, it's kind of like my motto is how I live my life.

Jay Ray:

And it's, um, I tell it to people all the time, like you get to choose to,

Jay Ray:

Yeah.

Jay Ray:

Latrice Sampson Richards: you don't, you don't have to just let life do

Jay Ray:

whatever they want to do to you.

Jay Ray:

You get to choose how you feel about it.

Jay Ray:

You get to choose how you respond to it.

Jay Ray:

You get to choose whether or not it, it gets to exist in your life.

Jay Ray:

Wow.

Jay Ray:

Wow, wow, wow.

Jay Ray:

Thank you.

Jay Ray:

Latrice for sharing that, um,

Jay Ray:

listen.

Jay Ray:

Radio BSOTS Ad: There are two types of people in the world, those

Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

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Jay Ray:

You can find Radio BSOTS wherever you listen to podcasts.

Jay Ray:

For more information, visit the website at BSOTS.

Jay Ray:

com.

Jay Ray:

That's B S O T S dot com.

Jay Ray:

So the song I picked, uh, two songs and I could have picked more, but

Jay Ray:

I'm like, I'm going to pick these two.

Jay Ray:

And the way I selected my songs was I went to my last FM profile.

Jay Ray:

So for at least for probably almost the last decade, I've been on

Jay Ray:

occasion tracking what I listened to.

Jay Ray:

So I've had like 20, 000 tracks of songs.

Jay Ray:

Um, Over time.

Jay Ray:

And so what it, what it did, what it does is it tells you like, okay,

Jay Ray:

here's who you have listened to, like the most, or here's what you play.

Jay Ray:

So anyway, uh, my most listened to artist, I think I may have mentioned this

Jay Ray:

on the show when we talked about this artist, but it's the foreign exchange.

Jay Ray:

So I was like, I do listen to a lot of foreign exchange.

Jay Ray:

So I went back into the catalog and the first song I selected.

Jay Ray:

It's such a beautiful piece.

Jay Ray:

It's called the city ain't the same without you.

Jay Ray:

It was written by Fante.

Jay Ray:

Um, the lyrics are by Fante and it was produced by Nicolay.

Jay Ray:

So the duo, the song was actually sung by Yaza Ra.

Jay Ray:

Shout out to Yaza Ra for her brilliance.

Jay Ray:

Um, but I'm going to read this beautiful first verse that Fante wrote.

Jay Ray:

Latrice Sampson Richards: Mm-Hmm.

Jay Ray:

It was cold outside so I thought I'd get away To the one place

Jay Ray:

where I'd be warm Spent my last few dollars on a ticket to fly Oh, I'ma

Jay Ray:

take a jet plane to carry me straight to your arms And when the wheels touched

Jay Ray:

down, I called for you Said, baby, I'm here all for you And you let me know

Jay Ray:

that you were with her And it made me wonder, baby, are we still in love?

Jay Ray:

And then I thought to myself, maybe we never were.

Jay Ray:

This song like that, that, that, that's the opening of the song.

Jay Ray:

There's, and the music bed is just kind of, Yazzara's voice and the keyboards.

Jay Ray:

There's no rhythm section yet.

Jay Ray:

So she's singing these words.

Jay Ray:

Almost like she's talking them and then it goes into and I've got my and I've

Jay Ray:

only got myself to And I've only got myself to blame for painting these skies

Jay Ray:

with your name and it's a cry and shame The city ain't the same without you and

Jay Ray:

This song I love a good Um love song This is about heartbreak, but it's also this

Jay Ray:

person having this realization about the, the, the experience they were having.

Jay Ray:

And they're reminiscing about this love lost.

Jay Ray:

this love gone.

Jay Ray:

And, um, and that's okay.

Jay Ray:

Like there's no positive resolution to this.

Jay Ray:

This person's in a city to see someone that is not seeing them.

Jay Ray:

And, um, I am always moved.

Jay Ray:

Every time I hear it, um, it gave me some more language, you know, these

Jay Ray:

songs we go through things in life and you're like, Oh my God, I know.

Jay Ray:

I don't know this feeling, but I know what this would feel

Jay Ray:

like, you know what I'm saying?

Jay Ray:

Latrice Sampson Richards: emotion is universal and that

Jay Ray:

is another basic human truth.

Jay Ray:

Emotion is universal.

Jay Ray:

A smile is a smile.

Jay Ray:

In America, it's a smile.

Jay Ray:

In Japan, it's a smile In Afghanistan, it's a smile.

Jay Ray:

Anywhere, Antarctica, wherever, wherever you go in the world,

Jay Ray:

okay, anywhere on this planet, a smile means the same thing, right?

Jay Ray:

So emotion is universal.

Jay Ray:

We may not have the same experiences, but we understand the emotion of it all.

Jay Ray:

Mm-Hmm.

Jay Ray:

Latrice Sampson Richards: And I think that's why music allows us to come

Jay Ray:

together, because it communicates.

Jay Ray:

Emotion, and we all understand emotion.

Jay Ray:

Mm-Hmm.

Jay Ray:

? Latrice Sampson Richards: Yeah.

Jay Ray:

DJ Sir Daniel: Y'all got it.

Jay Ray:

Ooh.

Jay Ray:

Y'all doing it.

Jay Ray:

Let me tell you something.

Jay Ray:

Everybody we're ministering on this episode of Queue Points.

Jay Ray:

You see how quiet it got?

Jay Ray:

Everybody's just processing everything.

Jay Ray:

And no, but, and that's what a good lyric will do to you.

Jay Ray:

It will resonate with something within you.

Jay Ray:

Latrice Sampson Richards: Mm

Jay Ray:

DJ Sir Daniel: so, um, I'm going to go to the seventies.

Jay Ray:

Um for my lyric and It's from the voices of east harlem

Jay Ray:

Mm-Hmm.

Jay Ray:

DJ Sir Daniel: and it's a song called right on be free And i'm just

Jay Ray:

going to read to you the the first.

Jay Ray:

Um the first bar Um, I want to go where the north wind blows.

Jay Ray:

I want to know what the falcon knows I want to go where the wild goose goes High

Jay Ray:

flying bird, high flying bird, fly on.

Jay Ray:

I want the clouds over my head.

Jay Ray:

I don't want no store bought bed.

Jay Ray:

I'm going to live until I'm dead.

Jay Ray:

Mother, mother, mother, mother, save your child.

Jay Ray:

Ride on, be free.

Jay Ray:

Ride on, be free.

Jay Ray:

I don't want no store bed right on I want the clouds over my head, be free.

Jay Ray:

And it's, it's really simple what that song is about.

Jay Ray:

Of course, it was, um, recorded in the early seventies.

Jay Ray:

And of course, you know, we were coming, you know, Like in truth,

Jay Ray:

you talked about the, um, the, the black power movements of that time.

Jay Ray:

And of course, but the, the world specifically our country was struggling,

Jay Ray:

was being strangled by the Vietnam war was strangled by poverty, um, unemployment,

Jay Ray:

all the things that you can think of that we're still dealing with here.

Jay Ray:

We're not dealing with that now, but there's something about

Jay Ray:

that lyric that speaks to my.

Jay Ray:

Desire for escapism or, and my desire for change and transformation.

Jay Ray:

And so that spoke to me and it spoke to my, um, just my capacity to dream

Jay Ray:

Latrice Sampson Richards: Mm

Jay Ray:

DJ Sir Daniel: to, to, to, to, to, to want more.

Jay Ray:

And that's why that, that speaks to me.

Jay Ray:

And it, you know, things like those, and those are the types of song

Jay Ray:

lyrics that really speak to me.

Jay Ray:

And if somebody is really like singing it.

Jay Ray:

And really doing it like the vocalist was doing it.

Jay Ray:

If you look, there's a live performance by the voices of East Harlem.

Jay Ray:

They went to a prison

Jay Ray:

to, to perform this song.

Jay Ray:

These are kids.

Jay Ray:

And when I tell you, they were singing their faces off and they were

Jay Ray:

singing light, they were singing, like the rent was past due and like

Jay Ray:

they hadn't eaten in two weeks.

Jay Ray:

I mean, they were singing.

Jay Ray:

And so

Jay Ray:

Latrice Sampson Richards: They was sangin

Jay Ray:

DJ Sir Daniel: it and the, and there's, there's something about

Jay Ray:

that that's just undeniable to me and will always resonate with me.

Jay Ray:

And so that's just, that's a lyric that I wanted to share with you and

Jay Ray:

the listeners, just to get a little insight into Sir Daniel a little

Jay Ray:

bit, because, and, and I love that about how all of all three of us came

Jay Ray:

with something completely different.

Jay Ray:

You know, we got unrequited love.

Jay Ray:

We've got, um, self love.

Jay Ray:

And then we have imagination, imagination, and wanted to be free.

Jay Ray:

And all of them coincide with each other.

Jay Ray:

Right.

Jay Ray:

If I take control, I choose, I can choose to take those steps to help me be free.

Jay Ray:

Yeah.

Jay Ray:

Mm-Hmm.

Jay Ray:

DJ Sir Daniel: And you know, unrequited love.

Jay Ray:

Let's not even talk about it.

Jay Ray:

I don't even want to go down that route because that's the thing.

Jay Ray:

That is definitely a thing.

Jay Ray:

But Jerry, we're.

Jay Ray:

Let, let's get Latrice to do one more because she is our guest and we go

Jay Ray:

and we go close it out after Latrice hits us with her next favorite lyric.

Jay Ray:

Latrice Sampson Richards: OK, so, since I can only do one more,

Jay Ray:

But here's the thing, Latrice, so we can include your other ones in

Jay Ray:

our newsletter, so then our folks who are part of our newsletter can get it.

Jay Ray:

Latrice Sampson Richards: you know what I was thinking, too?

Jay Ray:

I was thinking that maybe we could do a Spotify playlist.

Jay Ray:

Of course.

Jay Ray:

Absolutely.

Jay Ray:

Latrice Sampson Richards: We can do a Spotify

Jay Ray:

DJ Sir Daniel: in our language.

Jay Ray:

Yes.

Jay Ray:

Latrice Sampson Richards: and y'all can go and add that playlist to your

Jay Ray:

list and you can see what lyrics Treece has gained lessons from.

Jay Ray:

Absolutely.

Jay Ray:

Yes.

Jay Ray:

Mm-Hmm.

Jay Ray:

Latrice Sampson Richards: this one I'm throwing in here, right, is not, not

Jay Ray:

necessarily like in my top 10 list, but I, I genuinely believe, I genuinely believe

Jay Ray:

that we Can and should stretch ourselves musically because I think it helps us

Jay Ray:

to understand and or discover new parts and pieces of ourselves, of who we are.

Jay Ray:

Nobody is all one thing.

Jay Ray:

Nobody is all, you know, a certain kind of way.

Jay Ray:

The reality is that we are multifaceted individuals.

Jay Ray:

That is who we are as humans.

Jay Ray:

And so we have to have some diversity in our musical selection that

Jay Ray:

feeds the different parts of us.

Jay Ray:

Yes,

Jay Ray:

Oh, I want to know what this is

Jay Ray:

Latrice Sampson Richards: all in agreement with that.

Jay Ray:

DJ Sir Daniel: I'm ready for it

Jay Ray:

Latrice Sampson Richards: That being said,

Jay Ray:

I want to know what Latrice about to

Jay Ray:

Latrice Sampson Richards: my second song choice is Love Me by Lil Wayne.

Jay Ray:

DJ Sir Daniel: didn't see that one coming hit us with it.

Jay Ray:

Latrice Sampson Richards: I think this is the chorus.

Jay Ray:

This is the first chorus, or it's just the chorus.

Jay Ray:

Whatever.

Jay Ray:

Lil Wayne says, Yeah, long as my bitches love me.

Jay Ray:

I could give a fuck about no hater, long as my bitches love me.

Jay Ray:

Yeah, yeah, yeah, yeah.

Jay Ray:

Eardrummers.

Jay Ray:

Yeah, I could give a fuck about no nigga, long as my bitches love me.

Jay Ray:

Love me.

Jay Ray:

Listen, that's a word.

Jay Ray:

Okay?

Jay Ray:

That's a word.

Jay Ray:

Because, and I'm being for real, we laughing, but I'm being for real.

Jay Ray:

I get a physical reaction every time I hear Lil Wayne say that line.

Jay Ray:

Long as my bitches love me.

Jay Ray:

Because at the end of the day, it don't matter who else fuck with you.

Jay Ray:

If the people you fuck with, fuck with you.

Jay Ray:

Don't matter what nobody else got to say, long as my bitches love me,

Jay Ray:

Mhm.

Jay Ray:

Latrice Sampson Richards: I give a fuck about what you gotta say, I give a fuck

Jay Ray:

about how you feel because the people who know me, the people who appreciate me, the

Jay Ray:

people who love me, as long as they fuck with me, then I'm going to be all right.

Jay Ray:

DJ Sir Daniel: Silence.

Jay Ray:

Latrice Sampson Richards: And I think it's important for us.

Jay Ray:

To be reminded of that, because we spend a lot of time trying

Jay Ray:

to get people to choose us.

Jay Ray:

We spend a lot of time trying to convince people, and I'm talking to myself as

Jay Ray:

much as I'm talking to anybody else.

Jay Ray:

We, I spend a lot of time, right?

Jay Ray:

Well, I can't say a lot because I be learning the lesson, but I used to

Jay Ray:

spend a lot of time trying to get people to just accept me for who I am and to

Jay Ray:

be okay with the reality of who I am.

Jay Ray:

And this song reminds me that it don't matter if they do or they

Jay Ray:

don't, because the ones who fuck with me, they fuck with me for real.

Jay Ray:

And as long as I got them, I don't need none of that other stuff.

Jay Ray:

I'm going to be okay.

Jay Ray:

I have my community.

Jay Ray:

It's small, but it is mighty.

Jay Ray:

DJ Sir Daniel: Um,

Jay Ray:

Latrice Sampson Richards: And that's all that I need to live.

Jay Ray:

This life, you know, so Lil Wayne is a prophet

Jay Ray:

Yes.

Jay Ray:

Latrice Sampson Richards: out here in these streets

Jay Ray:

long as my

Jay Ray:

DJ Sir Daniel: you took me, you took me back to, there was a spot I used to DJ

Jay Ray:

and, and there were dancers and they used to like, they liked to dance to that song.

Jay Ray:

Latrice Sampson Richards: Yes,

Jay Ray:

DJ Sir Daniel: I hadn't thought about that song since

Jay Ray:

Latrice Sampson Richards: other thing though, right?

Jay Ray:

Cause on top of all of that, like Jill Scott did the interview.

Jay Ray:

We was talking about Jill Scott interview earlier.

Jay Ray:

Jill Scott did the interview with Jemele Hill.

Jay Ray:

I haven't watched the full interview, but on Jamel Hill's unbothered podcast,

Jay Ray:

she just did an interview with Jill Scott and Jill Scott is saying,

Jay Ray:

talking about intimacy and stuff.

Jay Ray:

And she's saying like, yes, I am the woo woo girl.

Jay Ray:

You know, like I am definitely the woo woo and the crystals

Jay Ray:

and you know, I'm the, you know, natural girl, mother, mother to the

Jay Ray:

DJ Sir Daniel: God is all

Jay Ray:

Latrice Sampson Richards: shit.

Jay Ray:

But also sometimes I just want to fuck.

Jay Ray:

Yeah, right.

Jay Ray:

DJ Sir Daniel: And I felt

Jay Ray:

Latrice Sampson Richards: Sometimes I just want to be a nasty bitch, okay?

Jay Ray:

Sometimes I just want, my, my line sister sent me a meme one time that said I just

Jay Ray:

want to do hood shit with my friends.

Jay Ray:

And I mean, it's a thing.

Jay Ray:

It's a thing.

Jay Ray:

DJ Sir Daniel: we, we are multifaceted people.

Jay Ray:

We're not one dimensional.

Jay Ray:

We are not

Jay Ray:

Latrice Sampson Richards: You know?

Jay Ray:

and we need to be allowed, given the room to be able to be those things.

Jay Ray:

Latrice Sampson Richards: Yes.

Jay Ray:

And to your, to your point, when you have folks in your life, that's

Jay Ray:

like, I see all, I see all of Latrice.

Jay Ray:

I see all of Sir Daniel.

Jay Ray:

I see all of Jay Ray and I'm in, and, and I fuck with them

Jay Ray:

Latrice Sampson Richards: Yes.

Jay Ray:

DJ Sir Daniel: the long

Jay Ray:

the long way.

Jay Ray:

Latrice Sampson Richards: The long way.

Jay Ray:

can I bring in, I want to bring in a lyric from that came in from the chat

Jay Ray:

and I want to make sure that we do that before we, before we leave out tonight.

Jay Ray:

Mark McPherson shout out to Mark.

Jay Ray:

I saw Mark.

Jay Ray:

On Monday in person, Hey Mark, um, Mark, uh, picked one of the most

Jay Ray:

beautiful songs, just my imagination by the temptations and the lyric,

Jay Ray:

isn't that a beautiful song?

Jay Ray:

And just these lyrics each day through my window, I watch her as she passes by.

Jay Ray:

I say to myself, self.

Jay Ray:

Even though that's not in the lyric here, but that's what happens.

Jay Ray:

So you're such a lucky guy to have a girl like her.

Jay Ray:

Okay, I'm not gonna sing.

Jay Ray:

It's truly a dream come true out of all the fellows in the world.

Jay Ray:

She belongs to me, but it was just my imagination running away with me.

Jay Ray:

It was just my imagination running away with me.

Jay Ray:

Latrice Sampson Richards: Mm hmm.

Jay Ray:

DJ Sir Daniel: taste of J racing and then everything to come

Jay Ray:

I love that song.

Jay Ray:

DJ Sir Daniel: on y'all.

Jay Ray:

Latrice Sampson Richards: he a good man.

Jay Ray:

Savannah.

Jay Ray:

Thank you.

Jay Ray:

Latrice

Jay Ray:

Latrice Sampson Richards: a good man.

Jay Ray:

Savannah.

Jay Ray:

DJ Sir Daniel: Let's trees.

Jay Ray:

We have thoroughly enjoyed you on this episode of Queue Points podcast.

Jay Ray:

Before we get up out of here, please, please, please let the

Jay Ray:

people know how they can get more of you, how they can contact you

Jay Ray:

and find out about your practice.

Jay Ray:

And of course, listen to your podcast.

Jay Ray:

Latrice Sampson Richards: Absolutely.

Jay Ray:

Thank you all so much for having me.

Jay Ray:

I have thoroughly enjoyed myself.

Jay Ray:

Um, my cheeks are literally hurting cause I've been smiling

Jay Ray:

the entire time, um, which is always like a plus and a positive.

Jay Ray:

I do a lot of interviews, you know, um, and they don't always.

Jay Ray:

But I have thoroughly enjoyed myself today.

Jay Ray:

Um, I love y'all so very, very much.

Jay Ray:

And, um, I'm just, you know, so now like next step is we got to work.

Jay Ray:

together for real, for real.

Jay Ray:

We got to do something for real, for real.

Jay Ray:

Um, so y'all, you know, we're gonna see what comes out of that.

Jay Ray:

But thank you so much for having me.

Jay Ray:

Um, I can be found.

Jay Ray:

I spent most of my time on instagram.

Jay Ray:

I'm not gonna lie.

Jay Ray:

Although, um, that's not really saying much because I do not post that much.

Jay Ray:

I'm gonna be honest.

Jay Ray:

Um, but if you want to keep up with me and what I got going on, Instagram

Jay Ray:

is the best place to do that.

Jay Ray:

Um, and you can follow me on Instagram at Latrice Sampson Richards.

Jay Ray:

Um, I have also a tick tock, uh, that I, you know, been kind of

Jay Ray:

dipping into the tick tock streets.

Jay Ray:

Uh, you know, they look like they trying to ban it or whatever, but we're

Jay Ray:

gonna see what happens, uh, with that.

Jay Ray:

But you can find me on tick tock at rich by marriage.

Jay Ray:

Um, Which I think I'm going to change that soon.

Jay Ray:

I think I'm gonna change it over to Pied Melanin, um, which

Jay Ray:

is the name of the company.

Jay Ray:

I am working on the Pied Melanin website, but in the meantime you can find my old

Jay Ray:

website, which is not fully updated.

Jay Ray:

So keep that in mind when you go to the website, it's not fully updated.

Jay Ray:

It's in the process.

Jay Ray:

of being updated and changed over.

Jay Ray:

And that's Latrice Samson Richards.

Jay Ray:

com.

Jay Ray:

Um, and, uh, I do live event consultations, planning execution.

Jay Ray:

I literally, one of my clients texts me today and she was like,

Jay Ray:

Hey, are you available for June?

Jay Ray:

Um, you know, it's like wanting to get on the calendar and things like that.

Jay Ray:

I got some really amazing events that.

Jay Ray:

I'm planning and working on, like I was telling y'all before last year,

Jay Ray:

um, it was just, it was the most difficult year of my life, hands down.

Jay Ray:

Um, when my dad passed and, uh, I had all these plans of things that I wanted

Jay Ray:

to do, and it just shut that down.

Jay Ray:

You know, it just.

Jay Ray:

it just really shut that down.

Jay Ray:

So I'm on the other side of that now.

Jay Ray:

And, um, I'm really excited to finally be like pressing gas on all of the things

Jay Ray:

that I've been telling y'all was coming for the last two, two years, two or three

Jay Ray:

years, um, that kind of got derailed.

Jay Ray:

So just, you know, be on the lookout for all of the things.

Jay Ray:

And, uh, yeah, that's, that's it.

Jay Ray:

I do respond to DMS.

Jay Ray:

Um, so if you want to work with me, you can always just

Jay Ray:

jump into DMS on Instagram.

Jay Ray:

Listen Latrice, we will absolutely be right there

Jay Ray:

supporting Latrice Samson Richards.

Jay Ray:

Um, you, you, the work that you do is incredibly important and just you as

Jay Ray:

a, a human being are just, I remember sitting in that room in Philadelphia.

Jay Ray:

And we hadn't met yet, but I remember it was somebody giving a testimony

Jay Ray:

and you just spoke life into that person from your seat in the audience.

Jay Ray:

And I'm like, we got to work with her.

Jay Ray:

I

Jay Ray:

DJ Sir Daniel: yep.

Jay Ray:

It's true.

Jay Ray:

Latrice Sampson Richards: Yes.

Jay Ray:

Yeah.

Jay Ray:

I mean, because I just feel like it don't cost you nothing

Jay Ray:

to be a decent human being.

Jay Ray:

And my goal.

Jay Ray:

In life is to make sure that anybody who experiences me, no matter how long, if

Jay Ray:

it's for this hour and a half, that, that we've been talking tonight, if this is the

Jay Ray:

only contact you ever get with me for the rest of your life, I want for you to come

Jay Ray:

away from that experience, feeling like your life has been made better in some

Jay Ray:

way, even if it's just for that moment.

Jay Ray:

You know what I'm saying?

Jay Ray:

Like that, that is the goal.

Jay Ray:

And so, you know, I, I just, I appreciate y'all and I love y'all.

Jay Ray:

I love the people and the people love me back.

Jay Ray:

So it's a, it's a mutually, it's a reciprocal relationship, you know,

Jay Ray:

it's a reciprocal relationship.

Jay Ray:

And, um, yeah, I love y'all.

Jay Ray:

Thank

Jay Ray:

y'all.

Jay Ray:

you too Latrice.

Jay Ray:

DJ Sir Daniel: is real.

Jay Ray:

J Ray, share some love with our listeners and let them know.

Jay Ray:

Um, just remind them how they can keep up with us.

Jay Ray:

And so that they can get more, uh, they can find this show

Jay Ray:

with Latrice and others like it.

Jay Ray:

So

Jay Ray:

So y'all are doing the most important thing.

Jay Ray:

If you can hear our voices, if you could see our faces, that is amazing.

Jay Ray:

Go ahead and hit the subscribe button so that you can subscribe and know when the

Jay Ray:

new stuff from Queue Points is coming up.

Jay Ray:

And if they have a notification bell or anything like that, go ahead and hit that.

Jay Ray:

If you, um, want to do us a solid, please share the show with your

Jay Ray:

friends, your family, your colleagues.

Jay Ray:

If you like Queue Points and you really enjoy what we do over here,

Jay Ray:

chances are the people that are close to you will really like it too.

Jay Ray:

So we would love it if you could share it.

Jay Ray:

Those things are absolutely free.

Jay Ray:

The other free thing that you can do is join our mailing list and our newsletter.

Jay Ray:

If you visit magazine.

Jay Ray:

Queue Points.

Jay Ray:

com, you can join for absolutely free.

Jay Ray:

And if you want to go a step further and get really cool merch, like

Jay Ray:

the Slow Jams Can Heal Us line.

Jay Ray:

We have our Stop Tweeting, Start Wrapping shirts.

Jay Ray:

We got all types of stuff out there that you can buy at the Queue Points store.

Jay Ray:

And that can be reachthatstore.

Jay Ray:

Queue Points.

Jay Ray:

com.

Jay Ray:

Bye.

Jay Ray:

Y'all have been, y'all have been falling through the store.

Jay Ray:

We've been watching the orders come through and come in and go out.

Jay Ray:

We appreciate that so much.

Jay Ray:

We even got, yo, we got our bags over there.

Jay Ray:

I'm gonna show you the bag again.

Jay Ray:

Cause this bag so fly.

Jay Ray:

This is our record shopping bag.

Jay Ray:

You can fit 26 albums in here, y'all.

Jay Ray:

Latrice Sampson Richards: Oh, that is a very specific number.

Jay Ray:

it is very, I count it.

Jay Ray:

You can fit 26 albums in here and we got three of them.

Jay Ray:

So we got this the slow jabs can heal us in a couple others.

Jay Ray:

So

Jay Ray:

Latrice Sampson Richards: Well, I need to get me a shirt.

Jay Ray:

I'm gonna have to, let me get my life together.

Jay Ray:

Let me get

Jay Ray:

DJ Sir Daniel: we got

Jay Ray:

We got you

Jay Ray:

Latrice Sampson Richards: Yes.

Jay Ray:

And y'all sign up for that newsletter.

Jay Ray:

So y'all can get that Spotify

Jay Ray:

list.

Jay Ray:

Yeah.

Jay Ray:

Yes,

Jay Ray:

DJ Sir Daniel: what the lady said.

Jay Ray:

That was the lovely Latrice Samson Richards.

Jay Ray:

I am DJ Sir Daniel,

Jay Ray:

And my name is jray.

Jay Ray:

DJ Sir Daniel: and this is Queue Points podcast, dropping the

Jay Ray:

needle on black music history.

Jay Ray:

What do I wait?

Jay Ray:

I almost forgot my, my lines to the people, Jerry.

Jay Ray:

you didn't even say it.

Jay Ray:

Yes.

Jay Ray:

We have to

Jay Ray:

DJ Sir Daniel: So I got to hit him.

Jay Ray:

With the lyrics that you heard tonight, this means even more

Jay Ray:

in this life, you have a choice.

Jay Ray:

You can either pick up the needle or you can let the record play again.

Jay Ray:

I'm DJ sir.

Jay Ray:

Daniel.

Jay Ray:

That was Jay Ray.

Jay Ray:

Our lovely guest Latrice Samson Richards.

Jay Ray:

This is Queue Points podcast, dropping the needle on black music history.

Jay Ray:

We will see you on the next go round.

Jay Ray:

Peace.

Jay Ray:

Peace

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