Welcome back to "Unlocking Your World of Creativity." In today's episode, we delved into the world of music composition and performance with the talented Amy Brookes, drummer, vocalist, keyboardist, and percussionist of the band Low Tide Levee.

Here are five key highlights from our conversation (plus you'll hear clips from 3 of her songs):

**1. The Genesis of Low Tide Levee:**

Amy shared the band's origin story, dating back to 2012 when she, along with her husband Sasha and friend Chris, reformed a musical project. She transitioned from being just a drummer to a songwriter and vocalist, a pivotal moment that shaped the band's unique sound.

**2. Creative Process and Musical Essence:**

Amy revealed her creative process, often starting with a melody or phrase that encapsulates the essence of the song. She discussed the collaborative dynamics within Low Tide Levee, highlighting the contributions of guitarist Harold and the recent addition of Dustin Newman, enhancing the band's sound.

**3. Overcoming Creative Obstacles:**

We explored the challenges Amy faced while seeking a guitarist and the sometimes awkward process of finding creative collaborators. Despite initial setbacks, Amy persisted, receiving affirmation from a reputable PR company and media outlets during the album rollout.

**4. Confidence and Sharing Your Work:**

Amy shared her journey of gaining confidence to share her music with a broader audience. The affirmation from external sources and positive feedback during the album release bolstered her belief in the value of Low Tide Levee's music.

**5. Nurturing the Creative Flame:**

In closing, Amy emphasized the importance of treating creative creations like children, believing in them, and constantly refilling the creative well. She highlighted the significance of finding what inspires and fuels one's creativity, ensuring a continuous flow of ideas.

**Pull-out Quotes:**

"I have to be the singer. I can't find someone else to be the singer, but I love being the drummer. So what did I do? I learned to do both at the same time, which was a brand new thing and really fun, really exciting and fulfilling."

"You have to believe in your creation. I feel and in a way that's almost like faith, you just keep going no matter what."

"There's something about, for me, it's going out in nature, but, you have to discover, I think, for yourself what fills your creative well, but to keep doing that through the process, because that's what keeps that flame of inspiration, I think, lit."

In conclusion, Amy Brookes provided valuable insights into her creative journey, the challenges she faced, and the perseverance required to bring her music to the world. To experience the unique blend of blues, psychedelic rock, and funk, check out Low Tide Levee's music and stay tuned for more creative insights on "Unlocking Your World of Creativity."

Amy's Website

@lowtidelevee on Instagram

Amy's Facebook page

Amy on YouTube

Thanks to our sponsor ExactRush

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Copyright 2024 Mark Stinson

Music tracks are copyrighted, provided by the artist, and used with permission.

Amy, welcome to the show.

Thank you.

Thanks. Amy is a drummer, vocalist, keyboardist, percussionist, in a band called Low Tide Levy. And Amy, I love the name of this band, first of all, and your roots in Berkeley and the sound that you've got. Tell us a little bit about the genesis of the band. Sure.

It started actually a while ago.

And it was really new for me to be writing songs that weren't just instrumental. So that was a big shift for me and really exciting. And I also, I had done singing, but this was like also an awakening of my voice of finding more power in my voice than I knew that I had. And so I felt so strongly connected to these songs that I felt that I can't be.

I have to be the singer. I can't find someone else to be the singer, but I love being the drummer. So what did I do? I learned to do both at the same time, which was a brand new thing and really fun, really exciting and fulfilling. And so I think I can't remember exactly when low tide came to me, but it just I wanted something that.

And, um, this is a long story, but now I'm a piano teacher and a musician, but I've been a musician my whole life. So it wasn't like something big. I wasn't hit by lightning and could suddenly do music like I've been doing my whole life. But I feel very connected to the ocean and very passionate about Doing what we can to be stewards of the ocean and just all the life in it is fascinating to me.

oF just uncovering, going through a process of like personal growth and healing and uncovering a lot of stuff,

the outcome of all this is terrific. I love when I read it combines blues, psychedelic rock, funk and definitely that 70 sound a real driving base, underneath it all it's got a great sound and, but also I guess underneath that.

Production, if you will, is the song itself, and you've been writing music and composing music. You said, even since a child, I love this kind of it came to me in a shower moment that, song.

Yeah.

Yes. Where do you feel the song begins? You're writing. Are you hearing the song in your head in this psychedelic rock format?

I would say what I hear like in my head, cause I do hear things and then they're born that way. I'll hear a melody. Sometimes it's with a word. It's often with a few words, like a phrase. It's like a phrase with a melody.

It's often the seed of how that song starts. And really the way I feel about the, as the subsequent creation is that I'm opening myself to it as if it's already there and I'm just finding it. Does that

make sense? Yes. The essence of the sort of phrase or the message that you want to get out.

Yes.

And then when you get together with Sasha and Chris and start jamming on the song again, let us into the room a minute, give us a glimpse of how that's working.

So this, this started a while ago, so I'm like dusting off the cobwebs of my mind, but I still remember it really well because it was just such an exciting time for me.

I brought, I would bring the songs and say, Hey guys, what do you think? And we just exactly what you said, we're jamming on it, and they're doing things that are adding to the creation, the bass, the guitar in ways that to me just seemed when it happened, my God, this is exactly what it was, what my vision was, I, although I didn't quite know it, it filled it in and I knew it was right.

So I'm hearing it in my head. I'm asking Sasha to try to play it because he plays guitar, but not quite the, to the extent of like being the guitarist. And plus we need a bass player and he's a great bass player. But we worked together a lot, fleshing out things so he can, I'll say Oh, what if we did it with this kind of texture?

And he might say let's add this in. Here's a sus. Core. That's probably not a thing anyone knows because listening, I don't know, but it's, just little tweaks harmonically that express the song and it's, so it's collaborative in that way, and that, which is one of my favorite things, like to collaborate creatively is the best.

Work to me the best

Yeah, he did. Yeah, for sure. He. He's you'll hear him on rules of the game.

So he has this really cool solo on rules of the game. And we have now have a different guitarist though, because for Harold, like it was just like he just works a lot and he just didn't really have time, to do it and we wanted to get. More serious. And so we found we've been playing with Dustin Dustin Newman for about a year and it's just taken a while for everything to gel, but it's finally feeling wow, we can really kick some ass.

And so like I'm hoping really soon, like after the wedding that we can start gigging because I'm, I think it's going to be awesome. Awesome.

That's cool. Now, so between the jam sessions and actually releasing the music are you playing the music live first? Are you going straight into the studio trying to get it recorded?

How's it developing

Yes. Okay. anD he, that's where Harold lives, actually. So he had some good connections and we had quite a few gigs through his connections. And then I think what happened was, yes we had a gig at this pizzeria and Chris, the original guitarist, he's also does producing. Not professionally at this point because he, like it's a long story, but he does it more on the side now.

And he came to our gig and I was really, flattered cause he had to go, an hour and he's got two, he's got kids and I just thought, Oh, he's not going to come, but he came and he really loved it. And he said, wow, you guys have come so far. I want to produce your album. And I had been wanting to do it and had been seeking out some producers, but I had really had a bad experience.

Yeah, that's not where we're at right now,

right?

Yeah. So this was like a dream come true when he said, I want to produce your album. And so we did that like he we worked together. It was a long project. It was a lot of work. But really exciting work because I could, I could see the trajectory and I had also the opportunity to really hone in on exactly what like guitar tone that I wanted, because I never felt like it was quite rocking enough.

That's how the songs, ended up the way they are now.

Yeah. While keeping the vision. Yeah. This is the sometimes challenge we hear from artists and bands. It's as we go and the more people contribute and the more quote unquote help that we get sometimes we drift off purpose or off vision.

Were you able to maintain and keep it a steady keel?

Yeah, I was. And that was a big reason why I was so excited to work with Chris because he's he was in the beginning of the band. He understood my vision, and he wanted to make that happen. So like a lot of producers, at least from what I hear. May have, a big ego about like their sound and they want to like, make it sound like them.

That's how it's supposed to sound.

I know for all of us, whether we're authors, painters, sculptors or any kind of creative, sometimes we get to the end and we go it's still not right. And, the bit of perfectionism comes in. When did you know, we're going to hit the send button, so to speak, that this is it.

We're closing it.

I think, I went through everything in an initial sort of scan, and I wrote lots of notes on this point, like at 27 seconds or three minutes, here and all of these things. I'm very detail oriented. So we went through all of those. And it was hard because we weren't working.

You have to have good speakers. We got actually special monitors to hear through it. So we could say, Oh, we're listening together. And we say, I say, wait a minute, like the sound here isn't right. We need to fix that. And then he could do something and then play it back and I could approve it.

So that's how we ended up, ultimately, Finally, Zeroing in, narrowing in on what the final product wasn't at some point, there, there's still maybe just a few little things that I still hear and I'm like, yeah, but I just realized, like I need this needs to be done and it's close enough and no one's going to know except me and that's okay.

It's just small little things and I, that's okay. Like I've made my piece. Yes. I love

How did the synergy start to come together?

So

we're going to get the music out.

Yeah. Yeah. Yes. Ultimately it wasn't like I was being a dictator or something, it was just, there were, a few times where I said this, it's gotta be this way, and generally it was. We all came to an agreement. It wasn't like there was a big disagreement that I had to, go against.

As their particular, way they thought it should be generally we would just came to the same place through maybe a little, discussion, healthy, fun, little

negotiation, but mainly persuasion. I love that, the other part of the process, then, the music's done.

So that, that is, has been a tough process and I am, I'm doing my best, but it's it takes a while to build.

I'm realizing that I just really. ultimately need to keep doing a small amount of effort that's sustainable and be really patient and not expect like some big, thing to happen. Cause it's just so unrealistic. Some people want to go viral, and then through social media and that could be great.

It also sometimes doesn't work because sometimes it's viral for a reason that doesn't really represent the music. And so people might. And then it doesn't mean they're going to be a fan, and what I really want is to build like fan base. So my approach has been like, I worked with a PR company to roll out the release, like one song at a time and and then the album, so we had three singles.

And I worked really hard doing this calendar for social media that was given to me by the PR firm. And I first I thought. Oh, wow. They're doing it for me. This is great. But then it was, it turned out it's just a lot of work for me to create a lot of posts on Instagram, Facebook, Tik TOK, which I never thought I would do.

And so I've been doing that, but I there's so much, only so much I can do. And it's a tremendous amount of time and work. And I also end up pouring a lot of my creative energy into these posts and. They, it's not necessarily bringing in the benefit that is, makes it worth all of that time and energy.

So I'm changing my approach a little bit so because I want to spend that creative time and energy on my music rather than I

was going to ask, there's only so much creative gas in the tank. Yeah. And how are you finding that balance?

It got a little out of balance for a bit, I would say, with the rollout of the album.

And It was a crazy amount of work. Like the creative part is easy and fun for me, but it's more the technical part that was hard because I was required to use a new software that I had never used by the company that's doing the reproduction. And it was really unintuitive to learn

for me. You had a learning curve on that.

Yeah. Yeah. And I also had to learn how to work with their templates and that's some, a whole process that I've never done. And I didn't really have much help. So it was a lot of like guessing and doing tutorials and all these things and wondering, can I really do this? Is this going to work?

I appreciate you giving us that backdrop because sometimes again, we imagine, hey, I wrote some songs, I recorded them, I launched the album and everything was, the yellow brick road.

But you've given us a glimpse of some of the obstacles and potholes along the way, or I must ask you, Amy, sometimes we creatives have. Writer's block is a different thing than what I'm thinking about. Maybe it's the doubt. Maybe it's the, yeah, is this all worth it? Or am I worthy enough? Why aren't the sales coming in or whatever?

We start questioning ourselves. How do you manage these thoughts?

tHat's a tough one. Yeah,

I would sound like you're a therapist for a second there. How are you managing this negativity, but it's more learning from you, you

know, yeah. Yeah. I would say that, in the process of like just making the songs not having put it out yet.

Is this something only I think is cool, or do other people also respond? And, The truth is that if I respond, there's value to it, and that's good enough, but I do want it to land with other people. Otherwise, I'm not going to put all the effort to get it out there. So that is important.

And it's not something that, I can think, Oh yeah, of course it will. But really when push comes to shove I don't know until I do it if that's going to happen. And the, at first in the process, it was hard because I was trying to find a guitarist and I was doing band mix, which is like a dating site, but for like band finding band members.

Maybe it, that was part of it, but they just like. ghosted me. And I just thought, oh wow, it must just be really bad, but I, I just kept going. I was like I'm still going to try. I'm not going to give up, that would be crazy after all of this work. And I still believe in it.

And then when I did the PR company that I worked with, they're, they don't just accept anyone. They hear your music and they've got to think this has value for us to invest this time in this client. And so that right there was just a great affirmation. And then beyond that they submit my work to the media outlets for getting, little articles of, about the singles.

So I'm going to keep going and that gave me just more confidence, to be strong about because it takes a lot of strength, I think, to keep putting yourself out there. Because this process I have to continually every social media post really, I'm playing our music on it.

I have to put myself out there and say, I have something of value to share with the world. Will you listen,

Yes. So it's great to get those external validations, but to have that self confidence to know that your music is good is also foundational. Yeah,

I think you need both.

Like you need some support from the world and then you need your own internal kind of rudder and flame. That's just knows to keep going and yes.

I think. Yeah,

awesome. I think so, too. That's good.

We'll put all that you listed all your social media. We'll put all those in the show notes so people can find you on everything from Instagram to Tick Tock. Like you said, Awesome. Yeah, it all points in between.

Get on our mailing list. And get

on that mailing list.

Amy, as we close, just to wrap up our discussion on even our topic, unlocking the world of creativity, when you really were thinking about, I've got to unlock my creative juices here and get these songs up and out all the way through the production, what insights or lessons would you share with our listeners about that process and how that worked for you?

I, I feel and in a way that's almost like faith, you just keep going no matter what. And then I would say another thing is, as you're going to keep refilling your creative well, so to speak. So that's something that as a phrase that Julia Cameron came up with, I don't know if you're familiar with the artist way, which was something I did a long time ago.

It was very helpful to me. And so I think of that often and I know exactly what she means. There's. There's something about, for me, it's going out in nature, but, you have to discover, I think, for yourself what fills your creative well, but to keep doing that through the process, because that's what keeps that flame of inspiration, I think, lit, so that you can, and you can keep receiving more creative ideas of how you can learning.

Birth your creation, so to speak. Yes.

Can't thank you enough for being on the show.

All right. Wonderful. It's been really fun.

Yeah. All the best on the future work too. Look forward to seeing you out on the road and hearing more new music from you. And listeners, come back again. We've stamped our creative passport in Berkeley today. But we're going to continue our around the world travels, talking with creative practitioners as we have today about how we get inspired, but also then how we organize those ideas, and then how we gain the confidence in some of the connections we need to launch our work out into the world.