Host Edith welcomes editor Jennica Dotson to discuss how she became an editor through internships and on-the-job learning, and to explain the differences between developmental editing (big-picture plot, structure, character, and worldbuilding), line editing (stylistic, line-by-line refinement, often including some copy work), and copy editing (grammar, punctuation, and typos). Jennica recommends discovery calls, approaching editors with a completed draft, letting manuscripts rest, revising before line edits, and staying open to edits while keeping authorial voice. They discuss time pressures in traditional publishing, expectations for more polished submissions, and the importance of language consistency (American vs British English). Jennica shares why she specializes in fantasy, notes trends like romantasy and misclassification issues, highlights indie publishing’s willingness to take risks, and describes how freelancers find clients through organizations and networking. She recommends “The Last Night at the Telegraph Club” by Malinda Lo.

00:00 Welcome and Guest Intro

01:41 Becoming an Editor

02:57 Editing Types Explained

05:13 Offering Multiple Services

06:57 Preparing for an Edit

10:51 Handling Feedback and Revisions

13:24 Why Editing Takes Time

14:47 Traditional Publishing Pressures

17:12 American vs British English

21:59 Fantasy Niche and Specialization

26:01 Editor Challenges and Switching Off

29:47 Strange Manuscripts and Genre Talk

31:56 Holmes From Hudson

34:07 Retellings New Perspectives

34:55 Fantasy Trends Romantasy

38:02 Gender Marketing Bias

40:22 YA Themes And Limits

42:43 Indie Publishing Daring

46:17 Getting Seen Marketing

50:08 Recent Read Recommendation

53:31 Community And Editors

56:49 Wrap Up And Farewell

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