The Transcript

4 Writing Lessons I Learned from This Depressing Music Project

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Demian Farnworth: Howdy, and you are listening to Rough Draft, your daily dose of essential web writing advice. I am Demian Farnworth, the Chief Content Writer for Copyblogger Media. I also happen to be the host of this show.

Thank you for listening, and thank you for sharing the next few minutes of your life with me. And hey, because this is episode 90, let s do something a little different today.

Just a little different. Let s talk music.

Tell me if you recognize any of these names: The Antlers. Real Estate. Tune-Yards. M83. Beirut. Wye Oak. Feist. Tom Waits. The Head and the Heart. James Blake. Radiohead.

If you do recognize any of those names, then I can probably predict this about you: you prefer music on the margin over music in the mainstream.

And you had your ear to the ground in 2011.

If you don t, and prefer mainstream over the marginal, then you at least recognize two names: Tom Waits and Radiohead. I tell you why that s important in a few minutes.

Back in 2012, I d been building playlists of the best albums of each year. Here s how that process was working.

I sort through the annual “best of” lists at Paste, Pitchfork and Rolling Stone. I scan the lists, read the short descriptions of albums that look promising, listen to a few tracks, then dump all the albums I think I might like into a Spotify playlist.

Over the course of a week or more I start to delete bands I don t like. In the end there might be ten or twelve bands left. Or less.

After starting in late November with the year 2012, I ve only made it back to 2010. This is time-consuming but there was a real interesting side result of this project especially as I reached back to later years (three years ago is really not that long ago)

is a feeling of despair.

Where are these bands now? Beirut. Wye Oak. Feist. Have they fallen apart? Are they working on a new project? Are they even alive (overdosing on drugs is an occupational hazard)?

The despair comes from the sense that if you do not have a new album out then you do not have attention.

True, some bands spend their time in between records touring, which is just another form of promotion.

But the activity has to be endless.

Another effect of listening to all these bands is that I realize how good they are. Clearly some are better than others, but for the most part they are all very good.

For example, in my 2012 bucket of albums the stand out is alt-J s “An Awesome Wave.” Almost every single song is good and some are just simply great.

Most records, on the other hand, might have six good songs, maybe less, one great. Still, they are all really good songs by talented musicians. Otherwise they wouldn t be on a best album list of the year.

It s no secret competition in the music business is stiff. How many bands recorded albums each year? Easily hundreds, if not more. There is no way to keep up with them. And some bands may be great, but simply get lost in the clutter.

Isn t that depressing?

This situation is identical to writers and books. Thousands of books published each year only a handful are stand outs. Furthermore, only a handful will have ten thousand readers. The rare will sell hundreds of thousands. The rarest, millions.

Switch “blogs” for “books” and the problem goes supernovae.

The making of books indeed causes sorrow, especially for those who get lost in the clutter. It is threatening seeing all of that competition but even more sobering realizing how easily books or music can be forgotten.

This is where Tom Waits and Radiohead come in.

One of the reasons that singer/songwriter and that English rock band are recognizable (in other words, popular) is because of their legacy. They have a long track record of getting it done.

Some of it is sub par, but as a general rule most of it is good. And then there are the exceptional records.

So there are four lessons here.

1. Keep producing. More than likely you won t create the perfect album or the sublime book the first time around. Nor the second. Or third. But maybe on the fourth or fifth you strike gold.
2. Stop comparing yourself to the charts. Or you ll get depressed. See the above 600 words.
3. Put fame in perspective. In one or two generations JK Rowling and Stephen King will be footnotes in literary history. If they are lucky. You and I, if we are lucky, will be the footnotes to the footnotes of someone who was semi-famous. The lesson in a lesson is this: be a great lover of people at the expense of writing. Not the other way around.
4. Enjoy. And I say it again, enjoy. If you suffer from an intractable drive for supremacy as I do, then on occasion you ll have to slap yourself. You ll have to slap yourself to bring yourself back to your senses and live in the present. To live in the moment of creation. And relish the people around. Because it doesn t last.

Let me repeat: just keep on trucking, because even if you never strike gold a reliable track record might get you the lifetime achievement award. And that s nothing to be ashamed about.

In the end you have to ask yourself this question: would you prefer to be remembered as the one hit-wonder or the one with a substantial body of work?

I vote for the second. You?

Take care, and see you at episode 91.