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Time to 1.5 | Extra 1 | A Conversation with Rebecca Solnit
Bonus Episode31st July 2024 • Threshold • Auricle Productions
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Hi everybody.

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It's Amy Martin, and I'm really

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excited to tell you that season

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five of threshold will be coming

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out later this year.

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More on that soon- ish.

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But I'm also excited about what we

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have to share with you today.

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This is a conversation I had

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recently with author Rebecca Solnit.

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I imagine a lot of you are already

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familiar with her work.

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She's written more than 20 books.

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Her essays are frequently published

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in major newspapers and magazines.

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She has a column in The Guardian.

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She has the kind of mind that

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refuses to be siloed.

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In one essay, she might move from

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family dynamics to global politics

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to ecological crisis.

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But two themes emerge repeatedly

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in her work.

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Her fierce commitment to justice

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and her refusal of cynicism.

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She has a unique ability to braid

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the two together.

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She's a blunt truth teller

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and also a dogged defender of

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possibility and promise.

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One powerful example of this is her

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essay entitled, "Difficult

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is not the Same as Impossible."

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Here are some excerpts from the

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first few paragraphs:

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"It is late.

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We are deep in an emergency,

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but it's not too late because

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the emergency is not over.

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The outcome is not decided.

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We are deciding it

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now.

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An emergency is when a stable

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situation destabilizes.

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When the house catches fire, or

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the dam breaks or institution

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implodes.

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When the failure or sudden change

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or crisis calls for

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urgent response,

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it's when it becomes clear that the

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way things work is

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not how they're going to be.

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An emergency can involve terrible

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loss, or it can bring about

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magnificent transformation.

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And while it's unfolding, the

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outcome can be impossible to

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foresee.

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Or it can depend on what you

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and we do.".

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I spoke to Rebecca Solnit in April

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of 2024.

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I want to talk with you

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about the earth, about the natural

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world in lots of different ways.

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But I guess to start with, I just

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need to acknowledge that I kind of

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hate the words the natural world,

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because as soon as we say them, or

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nature or the environment,

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we've immediately set up this

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conceptual divide of there's

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us, and then there's everything

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else, just like the most

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narcissistic framing ever.

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And, and yet these

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are the concepts.

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You know, I've inherited this is the

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language we have.

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And so I'm curious how you

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think about how we talk

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about this thing we call the natural

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world.

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One thing that your question brings

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up that I find so interesting

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is 30

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or so years ago, people

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often talked about nature and

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culture as though they were equal

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and separate spheres.

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And that has changed

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profoundly. I think indigenous

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and environmental perspectives

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have reminded us that nothing

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is outside nature.

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We can never be independent of

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nature.

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So I actually think your question

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opens up the fact that we've changed

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that a lot. More and more, we

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recognize that human beings

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are biological creatures,

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not separate from the rest of living

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nature and the inorganic

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nature we depend on beyond

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that. And that shift has actually

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been one of the really exciting

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things I've seen in my life.

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And truly, when

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I started trying to think

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about the natural world creatively,

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intellectually, politically,

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I was surrounded by people

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who really talked about, you know,

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nature is almost optional,

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or a place you could step into and

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step out of.

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It was this finite place with

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a beyond to it.

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I remember somebody saying, you

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don't understand us in New York.

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Nature is in the past tense.

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And I used to say, if

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you're holding one of those paper

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cups of coffee, people in New York

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were always holding the papers

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from trees. The water is from your

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Adirondacks Watershed Preserve.

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The milk is from a pastoral

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landscape. The coffee is from

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a tropical landscape.

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Just that cup of coffee is four

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different natural landscapes

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in your hand going into your

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biological body.

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So learning to see the systems

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and to think of the world in terms

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of systems, I think has really

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undone the nature culture binary,

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as has acknowledging the presence of

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indigenous people

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who weren't at war with nature

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and trying to live outside it the

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way industrial civilization so

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often has.

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So that's what that question brings

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up for me, that I think is actually

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an interesting starting point of

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how much, although the words

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remain the same, the way

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we use them in the way we think has

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actually changed so

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much in my lifetime.

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For the better, I think.

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Yeah. And I think the reason I

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wanted to start with language is not

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because I'm interested in trying

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to find like, perfect terms

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because no such thing exists,

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but because I'm interested

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in the concepts behind them and what

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they lead us to and what they close

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off. And, that's

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something that I hear you

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so eloquently make the case for in

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your work is that thoughts matter.

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Ideas matter.

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What we believe in matters.

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It's not trivial.

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And it made me wonder if you feel

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like that concept

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itself is under threat.

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If you feel like it has to be

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defended like that.

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The idea that beliefs matter

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is something that people don't

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believe anymore.

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I think it is

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somewhere between threatened and

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forgotten.

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I think we live in a world in

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which a lot of social media, news

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media, etc.

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have a really short term time frame.

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For example, last week

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the president canceled more student

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debt.

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There's a way

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you can tell that story where it

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happened last week, a very

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powerful man gave it to us out

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of his own free will.

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There's another story you can tell.

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Where in 2011,

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a bunch of people gathered at

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Zuccotti Park to start

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Occupy Wall Street, which became

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a national and international

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movement focusing on economic

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injustice and really reframing

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it in moral terms,

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economic terms, imaginative

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terms, and very powerful new ways.

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Out of that came a movement for debt

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abolition, focusing on medical

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debt, housing debt, and particularly

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student debt.

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The student debt abolition movement

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informed the public of how

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destructive and corrupt

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and manipulative that system

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was.

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So if you take the long term

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perspective, which I'm often arguing

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for with the sense that hope

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and memory are so connected,

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you can see this began as an idea,

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a shift in values, a grassroots

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campaign.

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What begins as books, stories,

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slogans often ends

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up as, you know, laws,

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policies, actual forests

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protected, shifts

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in how we think, how we

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act, how we legislate,

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who we protect, what we

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consider normal.

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And so much of my work has been

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tracing that larger process.

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How did this thing that ended up

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as legislation, as law, as

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the protection of this population

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or this environment, how did that

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begin in the margins, in the shadows

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with one person, a few people,

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a grassroots movement that was seen

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as extreme,

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unrealistic?

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Ridiculous.

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How did something migrate from

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the margins to the center,

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from a radical idea to the

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way we all think?

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I and there's a point at which women

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having the vote, the abolition

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of slavery, the protection

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of the environment were all seen as

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these kind of radical, disruptive

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ideas in the same way that

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the end of the fossil fuel industry

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is. So we're constantly

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changing, which is another thing

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that's invisible when you have this

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short term perspective.

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So just that whole path of change, I

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think is tremendously important.

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And in the world of short term

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ideas, tremendously

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under-recognized, so much

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of my work has been trying to give

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people back the full

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trajectory, which I think gives us

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confidence that what we

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do matters, a kind of orientation

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we can't have otherwise,

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and a sense of hope.

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Yeah.

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And and I think one of the things

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that does is

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it locates us within a

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problem or within a quest

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in a really important way.

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I feel like in a Paradise Built in

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Hell, but other books as well,

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you do this great job of

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encouraging us to

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think about what we're thinking

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about ourselves and how that

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has such an impact on outcomes.

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And I guess when it comes to

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climate, I'm curious, what beliefs

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do we have that are slowing us down,

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or what's one belief that's really

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slowing us down that we could get

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rid of, and another that you would

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really like to see more people take

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up?

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Well, the way I see it is right

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now, we have a lot of scientists,

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deeply engaged people, climate

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organizers, activists,

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climate journalists, etc.

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who understand the situation very

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well. And the only thing impeding us

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is the fact that we need to be more

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powerful than the fossil fuel

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industry and the other

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vested interests trying to

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delay, slow down, deny

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what we need to do.

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Around the periphery are a lot of

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people who are less well informed.

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Often they have factually

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wrong ideas, but they often also

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have outdated ideas.

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There was a point at which we didn't

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have the solutions.

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When leaving.

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The age of fossil fuels behind was

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impossible.

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One of the shocking things, I think,

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because it's so wonderful that so

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under-recognized, is that wind

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and solar were really primitive,

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expensive, inadequate technologies

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at the turn of the century.

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We really didn't have

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what we needed to leave

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the age of fossil fuel behind.

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We've had an astounding energy

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revolution.

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And, you know, I did an anthology

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with my coeditor, Thelma Young,

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Lieutenant, to a book called Not Too

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Late because literally a lot of

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less informed people think it's too

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late. It's not too late.

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Every 10th of a degree of warming,

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we can prevent every good

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climate solution.

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We can implement matters.

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I think a lot of people think in all

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or nothing terms, if we can't save

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everything, we can't save

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anything.

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You know, the perfect, I say

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often, is the enemy of the good,

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often a very loud and aggressive

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enemy of the good.

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One of the narratives I hear a lot

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around climate is the tension

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between doing things fast

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and doing them fairly, kind of

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framed as there's people over here

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who want to do decarbonization

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as fast as they possibly can.

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There's people over here saying,

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yes, but we need it to be inclusive.

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We need it to include indigenous

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rights, human rights more broadly,

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justice.

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And I'm seeing more and more a

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story of like, which one are we

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going to choose?

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And I.

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I always react against

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binaries like that.

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And yet I have myself reported

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on some cases where

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there is some real tension between

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larger justice issues and climate

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issues. And I wonder what you think

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about that framing overall

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and kind of how you relate to

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to those sorts of questions.

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I think that there are lots of

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individual situations in which

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groups are pitted against each

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other. More vulnerable and less

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vulnerable groups, whether it's

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around extracting materials

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are and manufacturing them for

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renewables or where they get

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cited, etc.

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but often it's the other way around

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and, you know, there's money to

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be made in siting solar and wind

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on your property.

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And a lot of native reservations

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are eagerly taking it up.

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And the Navajo reservation has

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a lot of people who've never had

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electricity because they're so

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remote.

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So I think it's it's sometimes a

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false binary and a and that also

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a lot of times it's just a question

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of whether you do those things, but

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how you do those things.

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And we I think we can do those

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things fast and we can do them

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right. But I also think underlying

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that, we're constantly being

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given a narrative of scarcity.

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Underlying that is the idea that we

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live in an age of abundance and what

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climate requires offices,

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austerity, sacrifice, renunciation.

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And I think you can turn that upside

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down in so many ways.

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We live in an era of austerity.

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The wealthiest 1% of human beings

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have a bigger climate impact than

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the poorest 66%

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of humanity.

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So it's not all of us benefiting

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from this environmental destruction.

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And what we actually need to do for

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the climate could bring on an

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age of abundance.

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You know, I think we're really poor

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right now and hope were

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poor and relationships were poor

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in social trust and solidarity.

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What we actually need to do

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in the big picture, I

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think, benefits everyone in

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a lot of different ways.

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And we need to see that

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we can do what we need to do in

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solidarity with farmers

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in Bangladesh, with indigenous

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people in the Arctic, with

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indigenous people in the tropics,

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with island dwellers in the South

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Pacific.

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And that, in a sense,

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despair giving up for

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those of us who have options is a

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form of loss of solidarity

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as well as often the

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result of conclusions

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reached from misinformation,

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disinformation, or

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lack of careful enough attention

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to the information that what we do

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right now matters.

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We'll have more with Rebecca Solnit

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after this short break.

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Welcome back to my conversation with

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author and activist Rebecca Solnit.

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One of her most influential books

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is A Paradise Built in Hell,

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published in 2009.

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In it, she examines the behavior

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of communities ravaged by disaster,

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fires, earthquakes, terrorism.

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And she makes the case that these

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catastrophes can open

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up opportunities for people to

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discover strengths in themselves

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and the people around them that they

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didn't know they had.

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I wanted to explore this paradox

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with her in this time of

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multiple intersecting disasters.

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I mean, there's so many different

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dimensions of it.

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We're now recognizing that the

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natural world is indeed fragile,

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and we've broken a lot

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of it in ways that are dangerous.

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But I think there's a narrative

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about human fragility that is not

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helpful.

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If you believe you're terribly

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fragile, you may respond

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to harm in a different way.

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If you believe that your trauma is

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your identity, it's very

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hard to say, well, I got over that

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trauma, you know,

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and I think there's a way that

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trauma is often made into

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a kind of badge legitimizing

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you. We're in a world.

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We're in a I'm in the progressive

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world. I think we're very suspicious

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of power.

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So a lot of people run around

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pretending they don't have power,

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that they're they're oppressed and

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not the oppressor.

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And I think it's possible, actually,

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to have power and try and use

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it for good.

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And knowing what power you have is

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really important so that you can

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use it. You can be a

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creative, constructive participant.

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But my friend Roshi Joan Halifax

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talks about post-traumatic growth

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that often the most difficult things

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that happen to us shape

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us. But what we do with those

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experiences is partly up to us.

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They can give us deeper empathy for

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other people.

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To who these things happen.

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They can make us more politically

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engaged.

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They can make us find our own

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strength and resilience.

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And I think that often

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repair, regrowth,

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regeneration, resilience

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are possible.

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I have heard people on the

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frontlines of climate being tired

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of being told that they're resilient

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because it can seem like, suck it

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up, you know, ignore

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the damage.

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And there's a huge amount of damage,

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whether it's child abuse or climate

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devastation, that we need to do

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everything we can to prevent

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from happening.

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But we also need to recognize

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that when damage

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is done, there's often many roads

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forward.

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Sometimes I see the

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what feels to me like a kind

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of a fetishization of

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of the fragility that we have,

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though just attaching to it as an

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identity, almost as a reaction,

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especially in the U.S., against

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centuries long denial of

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vulnerability.

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You know that we have this history

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of like always having to

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position ourselves as, you know,

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the biggest, the toughest, the

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strongest, the hero.

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But what I'm trying to figure out is

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how can we create a space where

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we can recognize how vulnerable

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we are, how vulnerable

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we're making ourselves by

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disrupting the climate, among other

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things, without kind of falling

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into a cult of fragility.

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And that's the place where I feel

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like your work directs us toward as

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some kind of third space where

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we can say and see

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the losses, the damage, the

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vulnerability, be honest about it.

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But then where we can

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be generative, where new stories

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can grow and where that's not

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where we just stay stuck.

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How do we start imagining

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new stories to come out of that

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space that are neither the

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apocalypse or utopia,

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but something more realistic

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and has more, more possibilities?

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And I grew up in an era where women

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were told to just suck it up, and

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you had no sense of humor if you saw

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thought being groped, harassed,

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threatened, stalked, even

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raped, wasn't funny.

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And, you

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know, be cool, and

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don't make waves, etc..

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So I think it's, you know,

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really important to recognize

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these things are terribly harmful.

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They're not okay.

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And to hear those stories, one of

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the most influential things in this

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regard is a very powerful piece,

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the nature writer environmental

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writer Barry Lopez wrote in

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the LA weekly in the 1990s.

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He grew up in the San Fernando

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Valley, just north of LA proper,

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with a single mom, passionately

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in love with the landscape and

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horrifically traumatized by

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a friend of his mother's, pretending

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to be a doctor who sexually abused

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him for years and terrorized

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him to keep him silent

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and filled him with deep shame as

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well as the physical and psychic

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abuse.

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And so Barry, who was

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a friend of mine and a

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huge influence on me earlier

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with his book Arctic Dreams and some

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of his other writing, did some

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remarkable things in this story.

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And the two that I

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think really matter in this context

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was one he talked about what

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helped him survive.

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It wasn't just that a terrible thing

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happened to me, but that

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his homing pigeons, the landscape,

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his ability to roam through it

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freely on his bicycle, the

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joy he took in that open water and

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land really

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lifted his spirit at a time

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that his spirit was also being

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crushed.

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And he was also

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telling us that, speaking

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from the position of someone who

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grew up to be a remarkable

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and gifted writer who had in

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many ways a rich and meaningful

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life, full of adventures,

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contact conversations, deep

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relationships to indigenous people

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in the Arctic and elsewhere, to

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scientists, to animals,

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to the natural world.

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An enviable life in many respects,

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and I think he was trying to say in

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that that it can damage you,

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but it doesn't end your life.

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It does terminate you.

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I think he acknowledged that there

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are many kinds of suffering

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all around and that,

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you know, girls and women

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particularly experienced sexual

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abuse.

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But, you know, so do boys

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and sometimes men.

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And so also saying, my, my

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suffering is not unique.

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And to see it in the framework

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of empathy,

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I think is really important.

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It makes it less lonely.

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So many people have had this

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experience.

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We need to recognize it happens

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a lot, and we're hearing

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it in other ways now with the

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stories about,

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Native American and,

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First Nation boarding schools in the

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U.S. and Canada, the sexual

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abuse there.

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So Berry did those two things,

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recognizing that the

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terrible things that happen to you

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don't stop the wonderful

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things that happen to you, which can

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help you deal with those other

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things, and that it doesn't

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make you unusual.

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It makes you part of, tragically,

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a very large, part

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of the population.

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So I think that framework is really

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useful.

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And I'm not saying that there isn't

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real oppression and it's tremendous

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around transphobia, homophobia,

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ableism, racism,

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misogyny and, you

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know, ageism and a host of other

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things, but

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just that every story we tell

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has consequences.

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And finding our strengths,

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I think, can be a tremendous

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blessing for

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our inner psychic lives

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and for our ability to participate.

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We're going to take another short

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break and then come back with the

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rest of my conversation with Rebecca

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Solnit.

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In her book Men Explain Things

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to Me. Published in 2014,

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Rebecca Solnit wrote, "I'm

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grateful that after an early life

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of being silenced, sometimes

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violently, I grew up to have

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a voice.

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Circumstances that will always buy

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me to the rights of the voiceless."

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Rebecca describes herself as a

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battered child.

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She says she spent long hours

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outdoors, in part to escape

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the violence in her home.

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Her other refuge was books.

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I was always in love with stories as

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soon as I was a person who had

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language.

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As soon as I learned how to read

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early in first grade,

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books became so magical because

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reading was the ability

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to unlock the treasures

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within every book.

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And I pretty quickly decided

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that first year that I wanted to

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write books, but I didn't really

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think about what that meant.

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It was my final career choice

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that I'd never really wavered

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from.

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Nobody around me when I was growing

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up had big ambitions for me.

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I was often told that I wasn't going

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to amount to much,

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and that I should aim low and my

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ambitions.

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My mother would.

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Even when I was getting awards,

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you know, in my 40s, my

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mother would say, this is all such

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a surprise. You were just a mousy

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little thing.

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And.

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Thanks, mom.

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Yeah. And,

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you know, so it's been surprising.

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It's been it's been complicated.

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I have to remind myself that most

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people on earth feel

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under-recognized and unheard,

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and that there are

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ways in my personal life I can feel

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that way. But as a, you know, as

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a writer who gets platforms

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like The Guardian newspaper,

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Harper's Magazine,

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at, this podcast,

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I am very well heard in other

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ways, and I have a lot of

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credibility which young women

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often don't have and I didn't have

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as a young woman.

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I feel that it also

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imposes tremendous responsibility,

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you know, and that I must use my

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superpowers for good.

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Well, I know we need to head towards

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wrapping up, and I want to bring us

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back to climate.

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You're such a great storyteller, and

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you also have so many things to say

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about why we need

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better stories, different stories.

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And I think one of the real

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challenges of the climate crisis is

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the challenge it presents.

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On the story front.

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I think for a lot of people, it

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feels a little bit like sitting

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through the worst doctor's

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appointment in the world where they

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know there's a bad diagnosis

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coming, but it seems to take like

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decades to just

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just tell me the thing.

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I feel like that might be one of the

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reasons why people tend to gravitate

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toward an apocalyptic narrative is

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it's just like it's easier

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to know something.

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So I will imagine everything

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crumbling.

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Societies falling apart and

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everyone, you know, going after each

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other in the most terrible way.

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Because at least then I have

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something to like hold on to.

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And not just this what is happening.

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It's so disorienting.

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And yet that isn't going to solve

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it. We can't just sit here and keep

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reimagining the apocalypse.

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And I just want to read back to you

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a sentence that you said that I

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think really gets to the heart of

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the matter. You said.

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We're not very good at telling

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stories about 100 people doing

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things, or considering that the

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qualities that matter in saving a

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valley or changing the world

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are mostly not physical courage

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and violent clashes, but

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the ability to coordinate and

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inspire and connect with lots

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of other people and create stories

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about what could be and how

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we get there.

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I so agree with you.

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And I also think those are stories

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that are harder to tell.

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Those are stories that are not going

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to get you a Netflix deal.

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So, how

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do we tell those stories in ways

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that really reach a lot

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of people?

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I think they're told in a lot of

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nonfiction books.

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One that comes to mind is my friend

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Adam Hochshield's Bury the Chains,

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about how a dozen Quaker men

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in the 1770s decided

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to try and abolish slavery in the

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British Empire, which for

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an already marginalized religious

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minority could seem completely

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ridiculous. But one of them lived to

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see it through.

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And, of course, enslaved and

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formerly enslaved people and other

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people were already trying to do

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that. But we do need those

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stories, because we're besieged with

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superhero stories in

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which most of us are ordinary

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rabble. We're powerless, we're

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selfish, we're petty, we're

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short sighted.

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If we're not actually

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venal. We also see this in stories

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about disasters and the terrible

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Hollywood disaster movies.

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So we need the ubermensch, the

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superhero who's exceptional

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to save us. And he's usually some

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muscly young dude

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who's also a loner,

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you know, some kind of Superman,

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Batman, Spiderman figure.

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And the truth is, the world is

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changed by people

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who in some sense are very ordinary

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but are very stubborn.

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And as that sentence from the

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essay, when the hero is the problem

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describes, the skills

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are often the ability to,

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you know, organize your skills to

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inspire, motivate people, help

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them find common ground, help them

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find hope and power, and engage

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and do the work and see that that

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the work will take us where we want

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to go.

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That's not the story we hear.

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But as for the fatalism,

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there's two things about that.

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There's one that's specific to

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climate, which is I spend

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a lot of time reading what climate

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scientists and climate activists

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have to say.

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None of them are despondent.

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None of them have given up.

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All of them recognize we're in a

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very grave and dangerous situation.

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All of them recognize that

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we're in a what I call the decade of

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decision. What we do right now

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matters tremendously, not

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for the next 10 or 100 years, for

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the next 10,000 years,

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and that the difference between the

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best and worst case situation

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is profound for many places,

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many species, many human

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populations.

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They also recognize that we

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can't save everything.

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But that doesn't mean we can't save

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nothing, that there

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will be inevitable losses.

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But there's also a lot

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that can be saved and protected

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if we do what we should do.

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But then there's a larger context I

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want to talk about.

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There's a book by the Buddhist

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teacher Pema Chadron

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called Comfortable with Uncertainty,

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which I find such a powerful title

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because actually, where most of us

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are not very comfortable with

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uncertainty, we want

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to know what's going to happen.

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And I find that people get attached

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to dumber ism, defeatism,

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despair, cynicism

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as a form of certainty.

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Oh, we can't possibly win.

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It will never work.

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We're all going to die.

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There's nothing we can do.

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For those of us who live fairly

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safe and comfortable lives, it

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means nothing is demanded of us.

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If we give up, we relatively safe

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people just have to stay home and be

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bitter and cynical.

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Which is, I don't think, a

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particularly pleasant job, but a

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really easy one.

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And so I see this tendency

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that comes, I think, from two big

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habits in American

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storytelling, one of which is

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a false story about the nature of

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power that it resides in a very few

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individuals who are rich or

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famous or hold political

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positions.

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But we have innumerable examples

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the civil rights movement, the

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abolitionist movements, the women's

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movement, the environmental movement

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showing that we

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ordinary people as

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grassroots movements, civil society,

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are so tremendously powerful.

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People often have a very short term

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version of how change works, and

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I call it instant results

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guaranteed, or your money back,

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like those like those silly mail

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order products and advertisements

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in my youth, you know, they really

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think if you have a protest on

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Tuesday and all the politicians

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don't say we were wrong and

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you were right, and you're getting

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exactly what you asked for right

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away, they think that if you don't

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get that, you don't get anything.

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There are so many movements

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that accomplish incredibly

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important things.

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It often takes a long time.

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It took 11 years to stop the

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Keystone XL pipeline.

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All those 11 years, people told

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us we were wasting our time.

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We would never win.

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And there were 11 years in which we

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didn't win.

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Harvard finally divested from

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fossil fuels. For ten years, the

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student movement looked like

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it was losing because it hadn't won.

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And then they won.

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You spent a lot of time not

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achieving your goal before you

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achieve your goal.

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Change takes time.

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It doesn't happen in predictable,

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linear ways.

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Sometimes it's like tension building

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up to the earthquake.

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So change often happens

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in indirect and unpredictable ways.

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It often takes a while.

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It often happens because of people

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who are dismissed and trivialized.

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And so we need good stories

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about change in power, which

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give you a different

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kind of certainty, the certainty

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that you don't know what's going to

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happen. But at least you have some

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really good models and templates

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from the past.

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And so I think uncertainty

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can actually be

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indistinguishable ultimately

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from possibility.

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It's possible that terrible things

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will happen.

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It's also possible that wonderful

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things can happen.

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We are making the future in the

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present. So what we do now

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and in the near future matters

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tremendously for the long term.

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I think there's hope in that.

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There's power in that, and there's a

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real understanding that

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uncertainty is a

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blessing and not a curse.

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And so we also need good stories

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to do that.

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Well, Rebecca Solnit, thank you

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so very much for your time

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and all your thoughts and all your

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work in this, the skills in the

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imaginative space that you are

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bringing to to this really

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intense time in human history.

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I know I personally have benefited

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so much from your work and will

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continue to.

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You're welcome.

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As do millions of others.

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This episode was edited by Erika

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Janik with help from Sam Moore.

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The music was by Todd Sickafoose.

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Special thanks to Ben Trefny from

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KALW in San Francisco.

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