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Kat Q on Following Your Passion
Episode 393rd April 2024 • Film Center News • Derek Johnson II and Nicholas Killian
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Nicholas And Derek interview actress Kat Q. We ask about her life and how she changed from a STEM major to moving out to LA. Listen in to find out more!

Transcripts

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This is Film Center.

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Your number one show for real entertainment industry news.

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No fluff, all facts.

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Now, here are your anchors, Derek Johnson II and Nicholas Killian.

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Hey, welcome to Film Center, I'm Derek Johnson II.

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I'm Nicholas Killian.

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And today, Nicholas, we have a very special guest.

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We have a very special guest.

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Would you like to introduce yourself?

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Sure.

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My name is Cat Q, or I go by Cat Q.

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She goes by Cat Q.

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That's her stage name.

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It is.

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Oh yeah.

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It was recommended to me by a casting director.

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What he recommended it?

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What do you mean?

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I was an intern at a casting studio with the purpose of

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Oh, she has the insights then.

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Yeah.

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Ha.

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I was just trying to get whatever knowledge I could.

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And the deal was that if I worked for free for three months, I would get a sit

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down with the one of the owners, which was a casting director at the time.

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And she just told me, she's look you have an ethnically ambiguous look.

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Lean into it when they see your full name on the paper.

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They don't know how to feel about it They're gonna look at you and

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then it's gonna be a mixed bag.

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You're cat cute.

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You show them what you are inside You know what?

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There's so much truth to that.

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I first of all, one of my friends Anatoly Pancheco He was in Infinity

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he was in the League of Bureaus.

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It's like in Morocco right now Anyway, so he had a very had the same thing

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happen to him almost well almost so he worked at a casting company for

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Four months, three, four months.

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And then they allowed him to audition for them for something, but yeah, it was

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pretty cool, but they had the same thing.

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Cause his name's Anatoly Panchenko.

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Very obviously Russian Ukrainian sounding.

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Yeah.

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And me and him, I remember we used to stay up nights and be like, he's okay,

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what's the American version of Anatoly?

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I was like, it's Anthony.

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But I was like, so we were like, A hair away from like changing his name to

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Anthony Wolfe, but then he was casted So I was like, Oh, now we're good.

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Now we're good.

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What before getting to, to, to all the stuff, what made you say Oh, I'm

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going to, we'll get to that later.

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So Cat Q, where are you from?

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I'm Colombian.

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So I just had the.

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hesitation of when people ask me where I'm from I've been in,

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or I grew up in a lot of places.

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Like I, I was raised in Columbia, South America, in Cali.

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Very warm in weather and warm environment.

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Like everyone, the neighbors and the neighbors, son, daughter, mom, always.

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And then I went back to New Jersey.

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That was my first, that's where I learned English.

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And then I went down to South Carolina and by I, I mean my family.

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And right.

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How long were you in Columbia?

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I was there until I was about seven and a half, eight years old.

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Oh, Hey, those are all the formative kid years.

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Yeah.

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You know what I'm saying?

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Yeah.

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Those are all the formative kid years.

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Yeah.

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So what made you, so what made your family come to America?

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Better life, better quality of life.

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And before my full family moved over.

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We had some aunts, my great grandmother had been in America and Puerto

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Rico, she worked all her life.

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And they just, yeah, it's just, there was this very specific time

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in Columbia that was very rough.

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And a lot of people just started automatically migrating out of there.

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And what about South Carolina spoke to you guys?

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She went to New Jersey first.

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New Jersey, yeah.

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Hold up.

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Alright, if we're thinking of all the states in America to

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learn English from, New Jersey.

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That's a harsh that's like you didn't dip your toe into the pool.

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You got thrown into the deep end, New Jersey Man, do you have

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beef all time with New York?

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That was that must been interesting It was and it's hilarious because I

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have a lot of we have a large family So I grew up with just cousins all

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the time Yeah, and they're also they already had spoken English.

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They already learned so, they're Jabbing at you, they joke in and poke

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and I'm like, I need to understand.

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So it's an emphasis to get to learning faster.

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I also just really like languages.

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Oh, that's cool.

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And I took to it very quickly.

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And yeah, that was What other languages do you know besides English and Spanish?

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So I speak Spanish and English fluently.

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I speak French conversationally.

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Oh!

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And I'm learning Russian.

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She speaks French.

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Oui, je peu de français.

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I speak a little French myself, croissant à la mode.

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Oui.

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Eiffel Tower, paris.

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So then so you're coming from Colombia, you move around a

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little bit in the United States.

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When did you know that you wanted to start acting?

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Funnily enough I remember, the earliest memory of ever even thinking about what

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is acting, that is an actor, or they're pretending is not real, is novelas.

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I would, my mom would tell me, Tell us, bedtime is at 7 p.

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m And she closed our bedroom door and you know puts us to bed Yeah,

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and I would hear the TV come on and I know that starts at 7.

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She's watching our stories.

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Yeah, so I would crack the door open and I would just sit there like that

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and always these ridiculous stories and things like that, but I found it Very

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Like a way to a place to Put something.

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I don't know.

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I found it very Unless you escape.

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Yeah.

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Yeah First saw it and then so when I was growing up I would for some reason tell

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my mom like I want to be an Actress or I want to be a dancer, but we didn't have

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money for either one of those things Yeah, so I don't know why where when

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she would be she's a wonderful mother.

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She would always be like, yes.

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Yes, that's Great.

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Oh, she was supportive.

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Yeah, she was.

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Yeah.

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She never ever told me you're crazy.

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You're like, that is so wonderful to hear.

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We have so many stories on the show.

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We have so many sad stories on the show.

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That is great to hear.

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All right.

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All right.

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So a lot of people who listen to the show, a lot of them are already in the industry,

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but there's some people who want to get into the industry and guys be listening.

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See, look, some people do care.

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Sometimes.

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Somebody.

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Some people's families do care and they do want them.

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And she didn't have any money to back up the fact that she was supporting me

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emotionally, but she kept telling me yes.

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Even when we were in New Jersey, she took me a couple of times to like these, those

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things they do at the malls where they're like, come and be seen by whatever agency.

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Like a little fake runway thing or whatever.

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And they, but they tell you that it's that's how you get

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into any kind of the world.

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Placed in the right street, but she was just looking for a way to do it

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without having money So we went to a couple of those that sounds so sweet.

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Yes.

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Yeah, she's guys gonna make me cry, but She then just kept doing that and feeling

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that emotional part for me even though we didn't have money and to the point

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where When I got to high school I realized if I'm gonna be able to go to college

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because we don't have money I have to be on top of my game with grades and I

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was just a nerd like I just buckle down.

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I got good grades the whole way through and I was gonna I was when I had my pick

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of colleges I was like now I can actually study what I said I wanted to so I told

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myself that I would but at the same time they don't give you financial aid when

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you say I want to be an actor I very much I told the University of South Carolina

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that I wanted to be a double major in biology and theater and The amount of

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people that looked at me with these sad little eyes that were like, Oh, you poor

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thing, you don't know what you're doing.

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They said it was difficult.

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It was, nobody does double majors.

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People get too stressed.

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When I was in, when I was in undergrad, something that I thought was really great.

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So my uncle, I love my uncle, but he didn't go to college,

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but he's like very street smart.

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This one was going to Florida state.

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He was like, Because I was playing on double majoring myself.

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I was going to go to I was thinking about doing politics and Coming to seeing

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my stem research right a stem degree.

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So he was like Why don't you just choose the one that makes the most money and then

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spend all your time doing the other one?

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Then you won't be in class.

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You just don't do what you feel like doing it and I was like

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why didn't I think of this?

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This is why you gotta talk to your elders sometimes, Yeah, so you were

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Ella majoring in biology and theater and I'm pretty sure they thought,

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oh, she wants to teach fist to dance.

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Of course.

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This is what Leading to no it actually Because I most of my financial like it was

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all scholarships or grants And technically it ended up that I was being just paid

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to go to school at that point But it was solely it was mostly because of the

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biology portion And so I had to keep up with like lectures everything the grades

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had to be almost perfect To the point where there was a moment where I got to

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see somewhere I don't remember what class it was and I almost cried and freaked

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out because I was like losing my life.

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Yeah Which is not as healthy I see now but I came to a point where

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I was so busy Doing like I think it was population science math

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problems Pages of math problems.

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Yeah, they're working on them and I enjoyed that work But I was like,

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this is not what I want for the rest of my life yeah, not and I was at

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that point I had gone through I was supposed to be the vice president of

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a sorority Oh, you joined a sorority.

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I was starting at the first chat where I was like, oh They might not like that.

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I'm saying I was helping because I came over here.

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But it was like the first chapter in the university of South

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Carolina of a Latina sorority.

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Oh, very interesting.

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I'm part of her fraternity myself and something that.

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Like we loved partying with the the Latin fraternities and sororities

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because they can all dance.

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No, there's no, no offense to some of the Caucasian fraternities and sororities.

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But like usually had no idea how to dance and usually there's like

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a huge discrepancy in the DJ to choose right Usually there's a huge.

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That's always the first thing.

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Why are you staring at me?

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Everything Listen, I have no, I can't dance, but I have no problem making

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a fool of myself on the dance floor.

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See, I I've seen Nicholas dance.

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He can dance.

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He just, does it in his own way.

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I'll give him that much.

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That's being nice to say he can't dance.

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But so you did all of that at university, and then you're like, okay, you know what?

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I didn't finish.

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Oh, you didn't graduate.

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I actually, I, when I was, going through that, the moment that I

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realized that the sorority life wasn't quite for me, or at least that one

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I didn't really like some of the ways that the, what are they called?

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The bigs were talking to the way that some of them were interacting with each other.

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I just I don't know.

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I don't, I didn't like it because the whole idea behind that one sorority was

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that they were very much emphasizing like the education part of it, being

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together in that and celebrating we're just learning and things like that

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wasn't the core of it as I found out, but because of that, I went through

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the big, this big shift in my life.

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It was very intense.

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I had to move out of campus.

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I was by myself.

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I was just very isolated and it actually, I thank God that happened

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because it allowed me to see exactly what I didn't want for my life.

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And also, then I had to have that moment, which I know I heard in an interview from

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you of okay, I'm gonna call my mom first.

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Yeah.

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. Yeah.

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And then I'll talk to my dad, . My mom, the mom always feels like

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the softer blow, doesn't it?

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Yeah, it always does.

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Yeah.

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Because I'm like, at the very least, even if she's upset she's always gonna do that.

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She's oh and then, and my dad is a sweetheart too, but I feel like

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he, his reaction, his immediate reaction when I called him and I was

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like, Hey, there's, so I found, wow.

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I'm gonna backtrack a little bit because this is actually quite significant

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and if he ever hears this, I want him to . There's a guy in my high school.

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who I saw once in a play.

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He's this, he was big.

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He was this big guy.

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And he was amazing, phenomenal actor, phenomenal singer.

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I don't know where he gets his voice from.

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And he just stuck with me.

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And when I saw him share on Facebook one day, I'm going to these

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auditions being held in Atlanta.

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Atlanta was like three hours from my family.

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And I was like, wait a minute, he's going to move to LA, go become

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this and do that with his life.

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And we went to the same high school and we live like same origin story.

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Yeah.

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And I'm like, I, and I'm sitting here.

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So I immediately went cool, let's see if I can go into these.

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What is audition?

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I to do.

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And then I saw that it just so happens that I think it was a couple of months

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away from when I was sitting there looking at it, that AMDA conservatory that I

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went to here they were having auditions in Atlanta and they just required

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for you to do Typical two monologues.

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The monologue.

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The comedy, the drama monologue.

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But at that time I'd never done a monologue So I'm sitting there

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like I don't even know what I was looking for I just knew like this

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is this shift was happening and I'm like, I need to do something.

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So when I call my dad I'm like, I Think I want to go Try this audition.

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His immediate response was, I thought you liked animals because

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my track was to go from biology to veterinary school and stuff like that.

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The track that you tell to lie to other people.

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Ah, the lie track.

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It's so much fun because you get to say that you're going to do anything.

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Anything.

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'cause you don't have to, you don't have to don follow through on any of it.

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You're looking at the other classes they're like, oh yeah, I'm, they're like,

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oh, so what are you, what you studying?

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'cause I studied also political science when I was in school and they were

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like, oh, why did you, when to college?

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Oh, why are you studying?

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Oh, I'm gonna be, a mayor one day.

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I just, my goals is to be a mayor of, Tallahassee.

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Yeah.

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, Tallahassee, Florida.

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Yeah.

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The capital of Florida.

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That's unappreciated people don't even know what's the capital of Florida.

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They think it's Orlando or Miami, but it's not.

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It's this border town next to Georgia.

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So your your dad's reaction to you wanting to be an actress was.

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He was a little, I think, nervous because we, they don't have money.

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You know what I mean?

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We never had money and I don't say, how are you going to do this?

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Yeah.

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I didn't, I don't want to say that in a boohoo way.

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I meant more so like they.

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just, they were genuinely curious.

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Yeah.

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And also they're realists, they've been through so much and they had already

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switched countries and things like that.

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So he's you gotta do something, you gotta prepare somehow.

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First.

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. And so I talked to him a little more and he's the one that ended up taking me to

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the audition to to audition for amda to.

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And when I came out the door, he was like a little kid.

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He was like, how did it go?

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How did it go?

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I'm like, I thought you didn't want me here.

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, . He's tell me everything.

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Yeah.

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And so ever since then, I think he saw how much it meant to me to So you got in?

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Yeah, I did.

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I did.

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Yeah.

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How was how was that?

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It was great.

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I had never been in an environment where.

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I was solely focusing on that.

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Like I was always doing some math problems, some biology

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lectures, some chemistry thing and doing acting as a hobby.

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And now it's no, I would go home and study, but instead of

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studying for my finals, I was over there memorizing 12th night.

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And it was cause it was my first time reading like this

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play in this way or whatever.

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And it was just, it was great.

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It was great.

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And it was weird because I had never been in that environment.

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I got introduced to the tension or the kind of cattiness of,

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this is a performing arts school.

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Yeah!

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And So Nicholas, you have more experience in this area.

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So what you're saying is that you found out how two faced people could be.

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No, I didn't say that.

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You found out.

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Look, this is our show.

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We can say what we want.

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Not necessarily two faced, more so this need to have this

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front of this is who I am.

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When in reality, I was walking in I don't know, I've never been to the state.

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I've never been to the city.

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I've never been in the school.

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I've never had theater friends.

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I've never, I didn't grow up in the theater world.

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I haven't been doing play since I was 12 and I felt very much, and it might also

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be just me being self conscious at the time, but it felt very much Oh, like they,

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everyone here thinks I don't belong here.

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But then, the way the school set it up, they had this orientation

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and it just so happens Immediately I glommed on to this one girl.

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She's from Argentina, Buenos Aires, phenomenal musical theater.

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She's a singer, but her dad and my mom met at the parents orientation

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and my, me and her met, and then when we joined up, we're like, oh, great.

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We're going to be roommates.

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Oh yeah, done deal.

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My, I had my mom and another mom, her mom, her daughter.

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was from Alabama.

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So they like, globbed on to each other and became real good friends.

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Oh!

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To the point where they where the moms tried to conspire together

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to get us to become a couple.

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That's hilarious.

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Did you?

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No!

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laughs They didn't conspire well enough.

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No because I was talking to my mom years later and cause they, they're

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still friends to this day, right?

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It's didn't been, years.

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They found out the moms broke out the blueprint.

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And all right, they would have legitimate conversations going.

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Okay.

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I like you and I like your son.

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How do we get them together?

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Yeah.

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And.

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I was not in it in the slightest.

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Looking back on it, did you think of any moments where like being

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her, we're in this situation together that we would normally

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never have been in the same place.

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No.

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Because I didn't allow it.

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That's what the issue was.

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I was not interested in the slightest.

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But anyway yeah, it's, the thing is, you know this just as well as we do.

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The industry, the entertainment industry, attracts pretty much

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the most broken of people.

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And I think the most common thing that happens is they expect they

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expect what they want to fulfill them.

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To fill that hole of whatever it might be.

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Yeah.

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And so the thing is also sent.

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I can't let you know that I'm vulnerable.

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I can't let you know that I need something from this goes against the work, right?

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Exactly.

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Because that is what's preventing you from putting out such incredible work.

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But at the same time, all three of us in this room can think about at least

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10 times where we've been screwed over.

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So it's a paradox of, I'd love to be vulnerable, but I can't tell

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you that I'm vulnerable because then you're going to screw me over.

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It's very quite interesting.

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I think that it's a little bit different from my experience.

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Cause you guys went to acting schools.

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There was an acting wing in the school that I went to, but with filmmaking,

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it wasn't like, Oh I would say there's a little vibrato, but it's more

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like everyone just being Kanye West.

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Everyone there was like, Oh, I'm a genius.

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Oh, everything I've made up, it's just genius.

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Oh, you should look at this.

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I wish I had that confidence.

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Yeah.

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Everyone there was just, they all just thought they were geniuses.

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I did not know.

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I went there to do like costuming and I ended up doing not that.

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But.

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. So you here in la?

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. And one thing that's really interesting about the current landscape is that

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there is some complaints from some audiences that are like, okay, we see

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literally the same actors in every movie.

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Yeah.

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There is not a movie out there where like finally we see some new faces

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unlike like you would've seen, back in the early thousands where it's oh, okay.

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Like for example an Harry Potter.

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Not only him, but like the whole cast, you had no idea who these people were.

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They were kids.

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That's true.

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But at the same time, even the adults were playing some, like some of the roles

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who had not really seen them before.

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That comes down to money nowadays.

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Everything is so risky and the studios are like, we have to make

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this our, it's our, but right.

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So in this current landscape, what do you think is your what is your

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opinion or how do you think that.

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Studios can possibly more your uncomfortable, opening

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up to newer cast members.

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How they can become more comfortable?

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Yeah, more comfortable.

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I think they don't need to be comfortable.

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I think you're supposed to lean into the uncomfortable.

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I think the point is to make them uncomfortable.

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I think that the idea that we need, that they need to, yeah, I'm sorry.

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I think the idea that they should be comfortable at all is, I think, ridiculous

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because we The artists are, like you said, going through pain and actually,

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it's funnily enough, before I came here, I was listening to an interview by, with

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Shakira and she goes, artists have this luxury of transforming pain into something

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else, but People providing the money.

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Yes.

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They're giving that support for us to give the platform to the artists, but

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they're not the ones digging through that.

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They're not the ones going through the experience.

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Very true.

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They shouldn't.

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Why are they comfortable?

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We're not comfortable down here sweating.

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That's, I think it's silly that we think of the business side of art in that way.

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Like it should somehow reflect.

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The art yeah goes to that dogmatic structure of this is how we do

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business and we must get the money Yeah, it's quite interesting.

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I like so I used to work in development and some of the We did our packaging.

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The first thing I always want to say is oh who's in it?

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They'll say it.

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No, they'll say is it paid for first?

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Ironically when we have projects they'll say is it paid for meaning that?

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Oh, Are you going to need money for this?

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And then they say, Oh, who's in it?

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And a lot of times we, I worked at a hot pot productions.

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And at the time we had like a lot of newer faces and stuff like that.

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We were trying to put out and they'd always go, okay, you know what?

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We'll work a deal.

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We'll say we'll get X amount of new people, but then we need X

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amount of like famous people.

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And then, eventually what they always do is Oh, we need less and less

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like new people until eventually.

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No one's there's no new people, right?

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So something that I think is quite interesting especially about what you're

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saying is that you know They should sweat too and I they I don't really

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mean that people that Like stuck in the middle There are some like assistants

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or some people who are like they're like juniors or oh I just have to make

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sure I do good In fact Nicholas and I talked about this on a previous episode

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in which some executives just to keep their jobs Give you terrible notes on

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purpose You What just because yeah, just so they could justify them being there.

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Yeah, like For example, I yeah, we I've had I've written some scripts

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and had projects that are made that they were like, oh I just have to

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give a note because I'm a junior exec.

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My senior exec boss is here.

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So I need to make sure that I look like I know what I'm doing.

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So I'm going to tell you things to purposely mess up what you're doing.

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No integrity.

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No integrity.

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The thing is I haven't spoken in 15 minutes.

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So I look like I'm stupid.

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Yeah.

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So I look like I'm, I look like I'm idiot or I haven't spoken at all

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during this meeting because I have no idea what I'm talking about or what I

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would say, but my boss is right here.

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And he's not paying attention to the person up there presenting or the

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creative, he's looking at me like.

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Do you deserve to be senior?

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Why do I have you on as my junior executive if you've

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offered nothing this whole time?

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And if I have no I'm white, right?

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If people didn't know already, I'm white.

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We're doing the project we're currently doing right now.

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If I were to sit here and try and give you notes on that, just to

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justify to the upper management, just so it looks like I'm doing my

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job, but it would be counterintuitive to making the project successful.

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And a lot of times, there are very rare instances in which

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they give notes that are good.

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Not like useful.

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No, I will say in these specific instances, sometimes executives do give

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notes that are good, but usually in my experience has always been other artists

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that give me the best notes because they're the ones actively doing it.

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But from a more personal place, as opposed to this is what it says in the binder.

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Yeah, exactly.

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Exactly.

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And sometimes it's sometimes I give very rarely, they'll have one W where

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you'll just end up magically working.

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One of my favorite stories about the magical.

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Note that actually did work that the executives will ride until the wheels fall

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off for the next 100 years is one choice.

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Yeah, it was a Batman.

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Yeah.

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In Batman Beyond this guy was like, oh, one executive's oh, Batman's old.

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We don't like that We need to freshen up Batman and they're

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like people like Batman man.

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I don't know.

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That's a good idea He goes.

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No, he needs to be a teen.

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He has to be cool.

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And also he needs to have a girlfriend and they're like What?

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And also, Batman, originally, it's just not in it.

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It's just like he's like a descendant of this person.

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And they're like, I don't know about that, man.

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He goes, alright, cool.

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You know what?

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I guess you're going to have Batman in it.

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But just so you know, I like Spider Man.

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And they're like, what?

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This is true.

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It's huh?

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What do you mean?

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What does it have to do with anything?

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And he's make him like Spider Man.

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And then, yeah, no, that's it.

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Cool Batman, teen.

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He needs to have a girlfriend.

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Though Batman's there, and then future Spider Man.

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Go ahead, go.

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And the team of artists are just so good at what they do.

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It actually ended up working out.

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They interpret, they interpreted it at its highest level that they could have.

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So for an actress such as you, such as yourself, you have this

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hardworking background, right?

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How does that translate into how you prepare for roles?

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Just give me like the goosebumps because it's my favorite part.

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Yeah.

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Because it's like I, I was obsessed with science and like the scientific

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process and the fact that you can break things down, figure out how they work,

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go back to the cellular molecular, like every, just the essence of everything.

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And then I also, after Amda I am currently in Playhouse West

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where they practice Meissner.

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And it's very much focused on listening and what's in front of you

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and playing off the other person.

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Essentially the other actors do your work for you when you really connect to that.

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Like drawing them out too.

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Yeah.

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And it just makes everything more grounded.

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But that is, because of that, for example, the last thing I would do, again I'm

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gonna say this first because I hesitate always to talk about anything about

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process, because I'm not like, this is the way that you're supposed to do it.

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No, everybody has their own way.

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But I'm and I'm still even discovering what I do.

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But my favorite part is breaking everything down, going from, Initially,

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what it is whatever resonated with me from when I read it as my boyfriend

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puts it as like a newspaper, you read the script like a newspaper for facts,

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what's the story, what is this, does it even connect with something in here?

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When it does, I go back in, and then I start looking for, okay, what is the

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author's point of view, where is this person coming from, and why do they care?

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Which is why when I told you I saw the one.

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But it's, The last thing I even worry about is memorization.

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Because for me it's the work, the intention of the human being, the soul.

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Once you get the core right, the rest of it will fall into place.

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Yeah.

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And I think that's the same with anything.

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When you care about the why more than who or me or whatever.

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Or the superficial stuff.

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Yeah.

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I think it just naturally starts melding together.

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And also it More specific, more specifically bringing the

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director's vision to life, I think.

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You know what's quite interesting just to speak about breaking you down science

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wise, I'm the only person I know who studies scripts within an Excel sheet.

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Like, when I read a script, I don't want to break it down.

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Tell me more.

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Please.

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Yeah I so I'll look at a script that I really like, and when I

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break it down, I really study.

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And this is a super simplified version because my Excel sheets are pretty

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large, but I will literally make a column that says for characters,

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I'll make another column for like intention, I'll make another column

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for this character intention setting on character, meaning that how is the

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character using the setting, like the action space and stuff like that, and

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I'll basically start like numbering them.

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Okay, this character isn't here.

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This character isn't this one.

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Okay and the scene lasted for a page and a half.

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What happened in this page and a half scene?

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He started in this emotional state, and then it went into

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this emotional state at the end.

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Do you do that as a writer, director, or actor, or just any time with any script?

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Any script.

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I do it with all my scripts.

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With all scripts that I write, or scripts that Because it gives you a more

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Broad view of what's actually going on.

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It's almost like you're seeing this the storytelling structure.

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Yeah Yes, essentially and what makes good seems good.

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So It's been so great having you on the show.

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Thank you.

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Yeah.

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Thank you so much for coming.

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Yeah, so Where can people follow you?

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I am on Instagram as cat Q or am I the What is it called?

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The handle, the handling.

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KQ.

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Yeah.

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I know so much about Instagram.

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KQ, U I C E.

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And then that's pretty much it.

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Cause you can see me on whatever screens up next.

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No.

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Yeah.

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Great.

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Thank you for coming guys.

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This has been film center news.

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My name is Derek Johnson.

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The second Nicholas Killian.

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And we're here with cat Q and we'll see you next time.

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See you.

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This has been Film Center on Comic-Con Radio.

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Check out our previous episodes@comicconradio.com.

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You can follow the show at Film Center News on all major social media platforms.

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Tune in next Wednesday for a fresh update.

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Until next time, this has been Film Center.

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