I’ve got one more holiday movie for ya… Today, we’re heading back to 1989 and spending the holidays with the Griswolds. National Lampoon’s Christmas Vacation is one of those movies that somehow gets funnier—and more relatable—the older you get. From family chaos and workplace letdowns to the impossible pressure of a “perfect” Christmas, this episode is all about why this movie still hits decades later, and why it’s never really left the seasonal rotation.
Reminiscing with me today is returning guest, Doug Greenberg. You can find him on Frank Stallone - Who is this Guy? And you heard it first here: He may resurrect Rocky Minute (where they analyze the Rocky movies one minute at a time) soon!
Please get in touch to tell me what you think: RetromadePodcast@gmail.com
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Hello.
2
:Hello, I'm Katie, and welcome to
Retro Made Your Pop Culture Rewind.
3
:I've got one more holiday movie
for you today we're gonna head back
4
:to 1989 to spend the holidays with
the Griswolds National Lampoon's.
5
:Christmas Vacation is one of those
movies that somehow gets funnier
6
:and more relatable the older
you get from family chaos and
7
:workplace letdowns to the impossible
pressure of a perfect Christmas.
8
:This episode is all about why this movie
still hits decades later and why it's
9
:never really left the seasonal rotation.
10
:My guest today is Doug Greenberg.
11
:Doug, thank you for joining me
for season two of Retro Made.
12
:How are you doing?
13
:Doug: Hey Katie.
14
:I'm doing great.
15
:Thank you so much for having
me, especially for this one.
16
:I was shocked when you gave
me the list of what was left,
17
:that this was still on there.
18
:I don't know how this wasn't
one of the first picked up.
19
:Katie: There's a couple that I'm
surprised, I am now nearing the end.
20
:And there's a couple, more unknown ones.
21
:But yeah, it's, there
have been a few surprises.
22
:Doug: Well, , I will say when
you did send me the the list,
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:it was earlier on in the year.
24
:It wasn't exactly Christmas season,
so maybe people weren't jumping
25
:at Christmas movies just yet.
26
:Katie: yeah,
27
:Doug: You know?
28
:And even me, when, when I picked
it, I was like, I love this movie,
29
:and I, I can't wait to cover it.
30
:But, you know, it's like the summer.
31
:I don't have that Christmas feel yet.
32
:So, but here we are.
33
:Here we are
34
:days before.
35
:Katie: Christmas as when you listen
to this, Christmas will have passed,
36
:but as we're recording it, Christmas
is in a few days and we'll talk about
37
:it when we get into the episode.
38
:But Doug what's new, what's going
on in your world of podcasting?
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:Doug: My only real active regular
podcast right now is the one I do with
40
:Ryan, the Frank Stallone, who is this
guy podcast where we do a deep dive
41
:into Frank Stallone and kind of try to
figure out what's going on behind that
42
:psyche of his, like he's, he's a little
he's a little out there, you know,
43
:Katie: Really you don't say
44
:Doug: I, I I sure do.
45
:It's, yeah.
46
:So we pour through like his Instagram,
his his interviews that he's done like
47
:over the past, you know, decade at least.
48
:He's quite an eccentric character
you know, from, from living in his
49
:brother's shadow to trying to make it
on his own merit in a music career.
50
:So it's, it's fun to, to
dive deep into who Frank is.
51
:Katie: That's a very
generous way of putting it.
52
:Doug.
53
:That's kind of you.
54
:Doug: Yeah.
55
:Yeah, he's, he I guess the, lately,
I guess more so, than earlier he's
56
:gotten more into politics, which
that stuff kind of gets old and
57
:boring and he's far too angry.
58
:So, we kind of breeze past a lot of that.
59
:So we tried to get into, I mean, a while
back he was talking about workouts and
60
:you know, going on dates and everything.
61
:So that's the fun, Frank.
62
:That's the, we, we don't like Angry Frank.
63
:Angry Frank is, you know, he's better left
64
:somewhere back in the seventies.
65
:Katie: shadow.
66
:He's living in that
shadow and he hates it.
67
:Doug: Yeah.
68
:He really does.
69
:He, he kind of blows it off and he
will never admit it, but, it kind
70
:of peaks out from time to time.
71
:We get deep.
72
:We get deep, we analyze everything that
Frank says, so, yeah, check us out.
73
:Katie: And it's called, name the
podcast again, the title of it.
74
:Doug: F Frank Stallone, who is this guy?
75
:Katie: Check it out, everyone.
76
:All right.
77
:Now, Doug, this is your first time
on season two for John Hughes.
78
:We have a wheel of trivia
categories to spin.
79
:The new version of the time capsule.
80
:And we're gonna open the
time capsule from:
81
:And I will tell you guys, if you're
listening, if you want more pop
82
:culture trivia from 1989, check
out the , uncle Buck episode.
83
:That was also from 89.
84
:Doug: Okay, good.
85
:I'm, I'm very intimidated
by this segment, by the way.
86
:I suck at this game.
87
:Katie: Oh, I bet you'll be, I think people
say that and then they're more surprised.
88
:So
89
:Doug: was around, I was, I
was alive in, in, in:
90
:Katie: yeah.
91
:Doug: a lot of this hits home.
92
:Mm-hmm.
93
:Katie: Let's see, what category of
pop culture are we gonna come to?
94
:Okay.
95
:We have VHS vault.
96
:I'm gonna give you clues unless
you guess them out of nowhere.
97
:The top video cassette rentals in 89.
98
:So you're gonna Blockbuster
or whatever your, your local
99
:video store was in, in 89.
100
:Doug: So these are probably
movies that were new in 88.
101
:Right.
102
:Katie: That's a fair assumption.
103
:Doug: Okay.
104
:Katie: Okay.
105
:Anything coming to mind?
106
:Doug: Uh, 88 I think.
107
:Beetlejuice Goonies, I think was 88,
108
:Katie: Good guesses.
109
:Good guesses.
110
:Doug: I don't know.
111
:I'm drawing a blank.
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:I'm not good with ears.
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:Katie: Here's your clue alone.
114
:Warrior faced towering odds.
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:Doug: Oh die Hard.
116
:Katie: Yes.
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:Die hard.
118
:Doug: All right.
119
:All right.
120
:to a good start.
121
:Katie: you are off to a good start.
122
:I just remember, did you ever watch
friends like Joey and Chandler?
123
:Doug: Oh, big.
124
:I was a big fan of friends.
125
:Katie: was an episode where
they're , super into die diehard,
126
:and they're like, well, what
else would you wanna watch after?
127
:Diehard too?
128
:And they just,
129
:Doug: Yeah.
130
:Katie: into it.
131
:Okay, the next one, a band of rebels
defied authority on horseback.
132
:Doug: Band a horseback throws me.
133
:Katie: Ryan's a big fan of this
134
:Doug: it's a Western.
135
:Oh, young
136
:guns.
137
:Katie: Yeah.
138
:Doug: Okay.
139
:That's actually a lot earlier , than
I remember young guns being.
140
:Katie: You thought it was in the nineties
141
:maybe?
142
:Doug: I did.
143
:I did.
144
:I mean, younguns two perhaps.
145
:Katie: Yeah.
146
:There was also like a young
writer's TV show that sometimes I
147
:conflate with young guns, and that
might've been in the nineties.
148
:I don't know.
149
:Doug: Yeah, Ryan would've
got that right off the bat.
150
:So,
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:Katie: Well, you're doing well.
152
:Okay, next
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:Doug: all right.
154
:Katie: An underworld conspiracy
unfolded in ink and paint.
155
:That's kind of
156
:Doug: say, and under
157
:Katie: an underworld underworld
conspiracy unfolded in ink and paint.
158
:That's a
159
:Doug: That's, that's
rattling me in, in pain.
160
:Katie: It is.
161
:It is animated
162
:Doug: I'm not getting it.
163
:Katie: Jessica Rabbit, like a sexy.
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:Doug: Jesus.
165
:Yeah.
166
:Who framed Roger Rabbit?
167
:Katie: Yeah, that was a hard one.
168
:Like that, that clue
169
:Doug: Ink and Paint.
170
:Yeah.
171
:That was, man.
172
:Yeah.
173
:I wish, I wish the, the cl I, I'm a
huge fan in, in fact me and Ryan had
174
:talked about you know, me doing a Robert
Ekka podcast somewhere down the line.
175
:Katie: I'm obsessed with Robert Ek
176
:Doug: are you?
177
:Katie: yeah, I love, I love
all his, I'm, I'm a big fan.
178
:Like I didn't realize it until now.
179
:I'm like, oh my God, I
love all of his movies.
180
:Mm-hmm.
181
:Doug: I know when you look
at his, at his filmography.
182
:Obviously Roger Robinson EK is
film, so, I should have gotten that.
183
:Yeah.
184
:I wish the clue was a
little more, you know,
185
:Katie: Usually I will say it's, this
is unusual because normally the clues
186
:are like far too easy, I think, and
187
:Doug: Yeah.
188
:Oh
189
:yeah.
190
:Yeah.
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:Katie: All right, next one.
192
:Prehistoric Lost Travelers
sought a Mythical Haven,
193
:also animated.
194
:Doug: Oh wait.
195
:Pre mythical haven.
196
:That's not a,
197
:oh man.
198
:The dinosaur
199
:Katie: Mm-hmm.
200
:Yes.
201
:It's so cute.
202
:It's
203
:Doug: Yeah.
204
:With the, the, the one dinosaur dies
and everybody, it's, you know, very sad.
205
:What the hell's it called?
206
:I keep wanting, say land of a loss, but
207
:Katie: it it's the land.
208
:Doug: land before time.
209
:Katie: before time.
210
:Very good.
211
:Very good.
212
:Okay.
213
:All right, last one.
214
:This is interesting.
215
:There must have been, I,
well, I won't say too much.
216
:Okay.
217
:A timeless tale.
218
:Found New Life half a century later.
219
:So this was a re-release of the movie.
220
:Must have been a recent
re-release of an old classic.
221
:Doug: Half a century.
222
:So 50 years before 88 would've been 38.
223
:Not a Wizard of the Wiz,
224
:Katie: You were on the
right track earlier.
225
:Doug: the Wizard of Oz.
226
:Katie: Wizard of Oz.
227
:Doug: So, oh, wait, so what was the, oh,
it, the Wizard of Oz was re-released.
228
:Katie: It must have been
229
:Doug: Oh.
230
:So, oh, the original must
have been re-released.
231
:Oh.
232
:Maybe for 50th
233
:Katie: for the 50th anniversary.
234
:Yep, that's exactly, it
235
:Doug: Oh.
236
:I thought like a,
237
:Katie: In
238
:Doug: like the Wiz was
like a re-imagining of it,
239
:Katie: it was, yeah.
240
:Doug: but, Oh, okay.
241
:So the re-lease of the, oh, that makes
242
:Katie: Mm-hmm.
243
:Mm-hmm.
244
:Doug: Okay.
245
:Katie: You did very good, Doug.
246
:Let's see what other
247
:Doug: helped me, you helped
me a lot on that one.
248
:Katie: Let's see.
249
:We come to say
250
:Doug: say what,
251
:Katie: which is popular
sayings slang terms,
252
:stuff like that.
253
:Doug: Catchphrases kind of
254
:Katie: Yes.
255
:Oh, I didn't know.
256
:This coined in 1988.
257
:This euphemism refers to the use
of the expletive starting with F.
258
:Doug: I mean, there's only one.
259
:Katie: Yes, but it's a
euphemism for the word.
260
:It's like this is a slang term apparently.
261
:That was coined in 88.
262
:So it was popular in 89.
263
:I didn't know that it was coined in 88
264
:Doug: Hmm.
265
:Katie: on f blank.
266
:Doug: fuck Buddy.
267
:Katie: Well, that too that probably came
beforehand before 19 in the eighties.
268
:F bomb is the answer.
269
:Doug: oh F Oh, just the letter F.
270
:Katie: F bomb.
271
:Doug: Oh, yeah, yeah.
272
:All
273
:Katie: of saying like
274
:the actual word, fuck.
275
:An, you know, like
276
:Doug: It would call be called the F-bomb.
277
:Yes.
278
:Yes.
279
:Okay.
280
:All right.
281
:All right.
282
:That, wow, that's interesting.
283
:Katie: First recorded in 1987.
284
:So this was popular in 89.
285
:This term described the act of sitting
around and watching television all day.
286
:Doug: Couch, potato
287
:Katie: Couches, correct?
288
:When it's a different word.
289
:Doug: couch.
290
:Katie: Like a verb couch.
291
:Doug: Oh.
292
:Couch surfing.
293
:Katie: Yes.
294
:Couch
295
:Doug: Couch surfing.
296
:Okay.
297
:Katie: Mm-hmm.
298
:Doug: All right.
299
:Katie: Now this one, it says, this
term popularized in 89, refers to
300
:taunting or boastful comments made to
intimidate or provoke . An opponent
301
:often in like sports and stuff.
302
:Doug: Like a dis
303
:Katie: Yes.
304
:It's um, trash talk.
305
:Yep.
306
:Doug: Oh.
307
:All right.
308
:All right.
309
:Katie: Yeah, yeah.
310
:Alright, I think we have
time for one more category.
311
:You're doing very well.
312
:Doug: That was a tough,
that was a tough category
313
:Katie: Was, I know I, there's a few more
and I was like, let's, let's move on.
314
:What do we have here?
315
:. Big screen time machine.
316
:So similar to VHS Vault,
except this is the, the top
317
:movies at the theater in 1989.
318
:Doug: All right.
319
:Katie: I'm looking to see
if you guessed any of them.
320
:Doug: Batman?
321
:Katie: That's the number one.
322
:Batman didn't even need a clue.
323
:Doug: No, that that
one I, I remember well,
324
:Katie: Yeah, that, that
did encompass like 89.
325
:That was like a whole big thing.
326
:Okay.
327
:A globe trotting academic followed
in his father's footsteps.
328
:Again, it's a little cryptic
because otherwise it gives it away.
329
:I will say it's a sequel
330
:Doug: Indiana Jones,
331
:Katie: and which,
332
:Doug: Oh.
333
:The last Crusade.
334
:Katie: yes.
335
:Yes.
336
:Mm-hmm.
337
:This next one is also a sequel, a
Reckless Partnership Thrived Amid Chaos.
338
:Doug: Reckless partnership.
339
:Not a lethal weapon.
340
:Was it
341
:Was it lethal Weapon two?
342
:Katie: Two.
343
:Yep.
344
:We, the Weapon two.
345
:Doug: Alright.
346
:Katie: Let's see here.
347
:An infant had a lot to say.
348
:Doug: Yeah, baby, look who's talking?
349
:Katie: Yes, you're, yeah,
350
:Doug: was one of my favorites, man.
351
:That was one of my favorites.
352
:Katie: I really liked it too.
353
:I really liked John Volta,
I guess at that time maybe.
354
:Doug: yeah, yeah, he was,
he was very funny in that.
355
:Katie: Mm-hmm.
356
:Charming.
357
:Okay.
358
:There's one more, and I loved this one.
359
:An invention turned a backyard
into a perilous landscape.
360
:Kids movie.
361
:Doug: Backyard.
362
:Oh honey Ash shrunk.
363
:The kids.
364
:Katie: Mm-hmm.
365
:Mm-hmm.
366
:Doug: Yes.
367
:Katie: Yes.
368
:Doug: You know, I I think, I think,
369
:what were they?
370
:It was Batman, Indiana Jones.
371
:Katie: Letha weapon.
372
:Look who's talking.
373
:Doug: And honey, I shrunk
the outside a lethal weapon.
374
:I saw all four of the other ones
in the theater when I was a kid.
375
:Katie: You know, I,
yeah, I think I did too.
376
:Doug: I was a huge Indiana Jones fan long
before that, so that was just perfect.
377
:Yeah.
378
:So I remember vivid memories of that.
379
:Good stuff.
380
:That
381
:Katie: thank you for playing.
382
:Are you in the mood now for 1989?
383
:Doug: It brings me back, let's go.
384
:Katie: Alright.
385
:Before we get into the movie this
season, I'm covering John Hughes.
386
:So I was curious if you have any
particular thoughts about him in
387
:general, or, when you realized that he
was responsible for all these iconic
388
:movies from the eighties and nineties.
389
:Doug: Yeah.
390
:I've seen a lot of them
growing up, loving them.
391
:Not even realizing John Hughes, you
know, there was one man behind all of
392
:the movies that I loved in my youth, you
know, I mean, you know, I didn't see the
393
:Breakfast Club when I was eight years old.
394
:But, you know, the older I got, I saw that
Ferris Bueller, you know, was very early
395
:Katie: Mm-hmm.
396
:Doug: you know, loved that stuff.
397
:But all, all those kind of
movies like just struck me in
398
:a, in a certain way and then.
399
:You know, realizing it was John
Hughes that was behind them all.
400
:I was like, oh, I guess, I guess
I'm a John Hughes fan, you know?
401
:And, those are the ones
that he was directing.
402
:Now the other ones that he wrote you
know, that he didn't have a directing
403
:hand in, but he was still behind.
404
:A lot of those, I fell in love with
two, and I was like, and when I
405
:realized, honestly, I didn't realize
a lot of them, he was responsible for,
406
:until I'm listening to your podcast.
407
:And I was like, wow, wow, wow.
408
:And it's, you know, it's just all,
you know, I'm, I'm a John Hughes fan,
409
:without even realizing John Hughes had
his fingerprints all over so many of
410
:these iconic movies from those days.
411
:Katie: Same.
412
:There've been several surprises.
413
:But, but yeah, I think
Breakfast Club, 16 candles.
414
:Those are the ones I really, that come
to mind when I think of John Hughes.
415
:Doug: Yeah.
416
:But he, but the, the other ones
that he wrote and produced and stuff
417
:like this, for example, you know, he
didn't direct it, but he is behind
418
:it, you know, fully, has his hands
elbowed deep in, in this story.
419
:And I mean, that's
this, this is a classic.
420
:Katie: It is.
421
:And so speaking up, shall we get into
National Lampoon's Christmas vacation?
422
:Doug: Can't wait.
423
:Katie: So this was released
st,:
424
:And I don't think I realized,
but it's not surprising.
425
:I just took note of that.
426
:The principle of photography started in.
427
:My neck of the woods in Summit County,
in the mountains like Breckenridge
428
:and Silverthorne and Frisco.
429
:And then they moved, the scenes
at the Griswold house are
430
:actually on a set in Burbank.
431
:But
432
:Doug: Right.
433
:Yeah.
434
:In fact, their, their house and the house
next door have been in TV shows and movies
435
:like, you know, for years before this.
436
:Katie: yeah, I think one of my, I
think Margo and Todd's was like all
437
:the lethal weapon movies, wasn't it?
438
:Murtaugh's House, I wanna say.
439
:Is that
440
:Doug: Yeah.
441
:In fact, I saw an interview with Chevy
Chase where he said that they moved the
442
:toilet from a member lethal weapon when
the toilet blows out of his, out of his
443
:win, there was a bomb in the toilet.
444
:I dunno if you're, I mean, it's
an iconic lethal weapon scene.
445
:But the toilet ends up landing, it blows
out of the house landing on the front
446
:lawn, and it was like a landmark kind of,
you know, just leaving the toilet there.
447
:But when this, when they
started filming this, they had
448
:to move the toilet, obviously.
449
:So they moved it behind the
bushes of the Griswold house.
450
:And when Chevy Chase fell off the roof on
that one scene, he landed on the toilet.
451
:Katie: No way.
452
:I didn't know that.
453
:Good tidbit.
454
:It is rated PG 13.
455
:It's a 7.5
456
:IMDB rating, which is really high.
457
:As I'm doing more movie reviews,
I would say that's pretty high.
458
:It's gone on to become a Christmas
classic, but it originally,
459
:I guess, had mixed reviews,
460
:Doug: Even now, I, I hear people
say that it's not that great.
461
:I don't know if it's like an
oversaturation thing and it's
462
:just been, done to death.
463
:But, I mean, is this like a
regular watching experience
464
:for you Every Christmas.
465
:Katie: I think so more lately.
466
:And obviously I think like doing
the podcast I have a sharper eye
467
:and I watch things in a different
way than perhaps I used to.
468
:And I notice that until I'm really
paying attention and taking notes
469
:on a movie that I missed some stuff.
470
:But I did notice a lot of things.
471
:I find this movie so much
more relatable as an adult.
472
:Like then as a kid, a lot of the
stuff that I find hilarious now,
473
:I'm like, I, it didn't, didn't
quite catch me when I was a kid.
474
:So maybe, maybe people are like
just remembering that it wasn't that
475
:funny 'cause they were a kid and,
476
:uh, I don't know
477
:Doug: Well, you kind of empathize with
Clark and Ellen at this stage in life.
478
:Right.
479
:Katie: exactly.
480
:Doug: their point of view of it,
especially Clarks like, it's, it's wild.
481
:Katie: Exasperation.
482
:I'm like, I get it.
483
:You know, when he kicks
everything and goes
484
:nuts with the, when the lights don't work.
485
:Like I, I'm like, I feel you, Clark,
486
:Doug: Yeah, you, I told you before
we started, I was putting together
487
:my daughter's kitchen set, and I'd
be lying if I said I didn't get, get
488
:a little Clark Griswold while I was
putting it together here and there.
489
:Katie: all those pieces
490
:Doug: Yeah.
491
:it's dropping screws, screw roll
rolls under the the cabinet, and I'm
492
:like, God dammit, you know, getting
pissed off and yelling and yeah.
493
:So me, me and Clark are simpatico
494
:at this point in life.
495
:This has been a regular watch for me
since it came out, me and my brother
496
:are really close and we have two cousins
who are about the same age as us.
497
:Very, very close with them.
498
:And starting very early on in our our
lives, we used to get together just
499
:a week or two or you know, sometime
in the month of December to spend a
500
:weekend at, at one one of our houses
and just watch all our favorite
501
:Christmas movies, Christmas cartoons
and we've carried it on to this day.
502
:We still do it and we involve our kids in
it and mean now it becomes more of like,
503
:'cause my brother moved to Massachusetts
and my cousins are scattered all
504
:throughout like New Jersey hours away.
505
:So, it's usually like the one time a
year where we can all get together.
506
:So it just becomes more like catching
up and like hanging out than it
507
:does watching the Christmas movies.
508
:Although we do still put them on.
509
:But they're more in the background.
510
:But I mean, we grew up sitting in
front of the TV watching this stuff
511
:for hours and hours and hours.
512
:We're talking like the classic
cartoons and all the classic
513
:movies that you can think of.
514
:And this one was
definitely in the rotation.
515
:Still is, but it, it wasn't just
limited to that get together.
516
:I watched this probably 5,
6, 7 times every Christmas.
517
:Katie: Really?
518
:5, 6, 7 times I
519
:Oh, okay.
520
:Wow.
521
:Doug: I've, I've seen this hundreds,
hundreds of times in my life.
522
:Katie: I didn't realize that
you were such a fan like that.
523
:I didn't know that.
524
:And that, okay.
525
:Helpful to know.
526
:Also, I love your tradition with
your brothers and your cousins.
527
:That's, that's really sweet.
528
:Doug: it was, we always, you know,
dreamed that we'd involve our kids
529
:too, so we're not, like, our kids
couldn't give a shit about the movies.
530
:They just hang out and they
go . Putts around town or whatever.
531
:Like now they're, they're teenagers,
but yeah, but we, I mean, it was
532
:always revolved around the movies.
533
:Now it's, you know, there's
alcohol involved and
534
:Katie: I mean, of course.
535
:Doug: back then we were kids.
536
:It was just like, it was
about the movies, man.
537
:It was
538
:Katie: Mm-hmm.
539
:Oh, the simpler times.
540
:That's really sweet.
541
:I like all those Christmas memories and
I, I guess I felt watching this again,
542
:we'll get into the cast and the director
and stuff, but since you brought that
543
:up rewatching it last night, it really
took me back to Christmas as a kid.
544
:The way their families get together
and wearing festive clothes and the
545
:big decorated tree in their downtown.
546
:And then going to the mall
to buy presents and all the
547
:Christmas trees and decorations.
548
:Christmas was so magical when you're a
kid and it's just a little different as
549
:an adult, you know, we've been beaten down
by, the hustle and bustle of modern adult
550
:life it's been helpful to watch some of
these Christmas movies to help, you know,
551
:kind of help me get back into the spirit.
552
:Doug: Yeah.
553
:Nowadays it's a rat race, you know?
554
:And the second Thanksgiving ends, it's
like you snap your fingers and Christmas
555
:is here, but when we're kids, it's
like the second Thanksgiving ends, you
556
:start preparing for Christmas, you're
like, when is Christmas gonna come?
557
:We forgot that some, somewhere,
558
:somewhere along the lines.
559
:It, it, you know, we,
we forgot to enjoy it.
560
:And every year me and my
wife even talk about it.
561
:Like we, we try to slow down and, and like
get ourselves into the Christmas spirit.
562
:You know what I mean in
fact, you'll like this.
563
:We enter a house lighting
competition every year.
564
:And I, yeah, yeah.
565
:I'll, I'll share a picture of my
house in, on your retro made page.
566
:But
567
:I do like a, I do my roof,
like the griswolds with,
568
:I line
569
:Katie: that's awesome.
570
:Because that's become a thing
too, like you griswold to your
571
:house, like it's like a verb now
or a thing that people talk about.
572
:Doug: I always wanted to my, my whole
life, and I was married previously, and
573
:my ex-wife, she never let me go all out.
574
:But my current wife, she's all about it.
575
:She loves it.
576
:Yeah.
577
:She loves it too, so
578
:Katie: Do you have a and Todd next door?
579
:Doug: No, every our,
our neighbors are great.
580
:Yeah.
581
:Everybody's though I haven't
launched a gutter, icicle through
582
:their window or anything like
583
:Katie: No, no city power
outage because of your house.
584
:Doug: No, not yet.
585
:Not yet.
586
:My, my power of my house has gone out
once or twice, but not, not citywide.
587
:Katie: And I hope that you don't
have 10 plugins into one outlet
588
:Doug: Oh, no,
589
:no.
590
:no.
591
:That's what caused the powder
outage outage in my house,
592
:so I had to spread it out.
593
:Katie: Oh, amazing.
594
:You guys tell me if you're the type
of Christmas person that, goes big
595
:with your house decorations, I have a,
596
:Doug: Yeah, sure.
597
:The
598
:Katie: LightUp things.
599
:Yes.
600
:Yeah.
601
:Send me your pictures.
602
:Email me retro made podcast@gmail.com.
603
:I'll
604
:Doug: There you go.
605
:All right.
606
:Katie: page.
607
:But like you said, Doug.
608
:John Hughes did not direct this movie.
609
:Jeremiah s Cheick did, are
you at all familiar with him?
610
:Doug: No, and I didn't really
look into him much beyond that.
611
:Katie: Well, lucky for you.
612
:I did.
613
:Doug: it's almost as if it's your job.
614
:It's your mandate, you know?
615
:Katie: he's a Canadian director.
616
:Movies you would know
him from Benny and June
617
:and He got a Ra nam for directing the
Avengers, not the Marvel Avengers,
618
:but apparently, I don't know if you
recall, there was a movie called The
619
:Avengers from 1998 with Sean Connery.
620
:So he directed that got Ra
621
:Doug: Hmm.
622
:Katie: for it, res Now for it.
623
:And then we talked about him last
season on my Kurt Russell and
624
:Patrick Swayze season, because he
directed Tall Tale, which is a very
625
:lesser known Patrick Swayze movie.
626
:Doug: Mm-hmm.
627
:Katie: the nineties.
628
:Now, I don't know if you've heard the
stories, but originally Chris Columbus
629
:of Home Alone he quit the project after
he realized very quickly that there was
630
:no way that he was gonna have a good
working relationship with Chevy Chase.
631
:Literal quote from him says, there's no
way I can make a movie with this guy.
632
:First of all, he's not engaged.
633
:He's treating me like,
shit, I don't need this.
634
:I'd rather not work again.
635
:I'd rather write.
636
:Doug: That's such a shame
because it's, it's a, a very
637
:common story about Chevy Chase.
638
:So I mean, you know, if you hear
enough of it, you gotta know it's true.
639
:Katie: Where there's smoke, there's fire.
640
:Doug: the problem is he is such a
brilliant comedic actor that, I mean, his,
641
:his career could have been miles and miles
better than what it turned out to be.
642
:It was just insufferable to work with.
643
:Katie: It's really unfortunate.
644
:But yeah, poor Beverly DeAngelo, I mean,
she put up with him for several movies.
645
:Doug: I.
646
:Katie: So Cheick got this because
after Columbus pulled out, then they
647
:tried to enlist John Hughes to direct.
648
:And then also they tried to get
George Roy Hill, who did work
649
:with Chubby Chase on Funny Farm.
650
:He directed Funny Farm.
651
:Doug: Actually he would, he
was recommended by Chevy Chase.
652
:Katie: that's right, you're right.
653
:Yep.
654
:And then ch Chase also proposed bringing
Harold Ramis in because he directed the
655
:original National Lampoon's vacation.
656
:But he was already obligated.
657
:He was doing Ghostbusters
two, so he had to decline.
658
:And so that's how we have Jeremiah
as Cheick as our director here.
659
:Doug: Interesting, interesting.
660
:I wonder like how his name came out or if
it was just a 'cause Harold Ramis, Chris
661
:Columbus and oh, John Hughes himself.
662
:There's a couple in there that, that
have a connection , to this world.
663
:And then Jeremiah Cheick
comes outta nowhere.
664
:Katie: A little bit.
665
:Yeah.
666
:Yeah.
667
:I mean, we'll pay you money.
668
:You just gotta put up with
this guy, take it or leave it.
669
:Doug: Yeah.
670
:Yeah.
671
:Right.
672
:Katie: And I'm sure you know, as a big
fan of the movie, John Hughes used to
673
:write for National Lampoons magazine.
674
:This was a story that
was called Christmas 59.
675
:And then it was published in the
magazine, the original vacation movie.
676
:Also based on uh, Lampoon's
magazine article called Vacation 58.
677
:Doug: Now, do you know vacation 58 was
based on a John Hughes childhood memory?
678
:I don't know.
679
:Was this, was Christmas of 59
based on that same thing, or was
680
:it just kinda invented story?
681
:I don't mean to put you on the
682
:Katie: Yeah, I don't know.
683
:I, I I could venture to guess that
this was kind of based, I think that
684
:Hughes bases a lot of characters
scenes comedic happenings based
685
:on, experiences that he's had.
686
:But, that's just my guess.
687
:And did you notice that the label on
the movie reel that Clark finds in
688
:the attic was labeled Christmas 59,
689
:Doug: Absolutely.
690
:Katie: but what year did it actually show?
691
:It wasn't 59.
692
:Like when
693
:Doug: Was it 55?
694
:Katie: yeah.
695
:Yeah.
696
:All right.
697
:Excellent.
698
:Doug: Because it, oh, somebody's holding
up a sign in the in the, the, the
699
:Katie: Yep.
700
:Yeah, something like that.
701
:Yeah.
702
:Now, in terms of the cast,
we'll see if you get this Mr.
703
:Christmas vacation.
704
:This movie has four, four Oscar nominees.
705
:Doug: Oh man.
706
:Katie: Can you name them?
707
:Doug: I'm gonna guess that uncle
Lewis, I don't I forgot his real name.
708
:I'm thinking he was one.
709
:Katie: You are right.
710
:William Hickey.
711
:Who plays Uncle Lewis.
712
:Yep.
713
:Doug: I know was, was may Quiel.
714
:Was she ever nominated
715
:Katie: No not that I
716
:Doug: Juliette Lewis.
717
:Katie: Lewis.
718
:Yes.
719
:That's okay.
720
:Two more.
721
:Doug: Man, Randy Quaid, I
don't think was ever Chevy.
722
:Chase was Never Beverly DeAngelo?
723
:No.
724
:Not the kid.
725
:Not Johnny Ecky.
726
:Was he
727
:ever
728
:nominated?
729
:Katie: you were, on a line of
thought and you were right.
730
:So Randy Quaid, it came
up in that episode.
731
:'cause I was so shocked
because I'm like, what?
732
:What movie was Randy Quaid nominated for?
733
:An Oscar for the last
detail, which I've not seen.
734
:Doug: Yeah.
735
:All right.
736
:All right.
737
:All right.
738
:Good for you.
739
:Randy Quaid.
740
:Katie: the last one is Diane Lad.
741
:Doug: Oh, yeah.
742
:Okay.
743
:Katie: Mm-hmm.
744
:Doug: right.
745
:Who was like eight years
older than Chevy Chase.
746
:Yeah.
747
:And played
748
:Katie: Playing his mom.
749
:Playing his mom.
750
:Yeah.
751
:Speaking of her.
752
:so obviously, so we have Chevy Chase
and Beverly DeAngelo are reprising
753
:their roles of Clark and Ellen.
754
:We have new kids, which is the shtick,
which I think is the smart thing
755
:since they couldn't keep the original.
756
:Just change 'em every time.
757
:Is Juliette Lewis is Audrey.
758
:And Johnny Galecki is Rusty Griswold.
759
:Everybody probably knows Juliette Lewis
and Johnny Galecki Big Bang Theory.
760
:He was probably where he got really
famous, but I know him best because he was
761
:David on Roseanne and I loved Roseanne.
762
:Doug: Yep.
763
:Katie: I read a very, very, very
accomplished and well-known Alister
764
:auditioned for this part, but
they didn't think he was right.
765
:They thought he was far
too not silly enough.
766
:Like he was too
767
:Doug: the rusty part,
768
:Katie: For Rusty?
769
:Mm-hmm.
770
:Doug: Alister.
771
:So you had to be a teenager at this point?
772
:Katie: Mm-hmm.
773
:Doug: Cory, not Cory Feldman.
774
:Is he in like
775
:that kind of
776
:Katie: No, no.
777
:He's Oscar bait type actor.
778
:Doug: Leonardo DiCaprio?
779
:Katie: Yes.
780
:Isn't that interesting?
781
:Like those two
782
:Doug: That is,
783
:Katie: like
784
:Doug: no, that would've been, that
would've been an interesting role for him.
785
:I remember.
786
:Do, do you remember him on growing pains?
787
:Katie: Yes, I absolutely do.
788
:Doug: Yeah.
789
:Yeah.
790
:I Maybe He could have pulled it
791
:Katie: he, I mean, like
792
:Doug: It would've been a different, yeah.
793
:Yeah.
794
:It would've been a different
portrayal of it, of
795
:Katie: definitely I could see though,
I, I feel like I read something like
796
:the, one of the casting people was
like, he just is a little too serious
797
:or not lighthearted enough or something.
798
:So I liked Johnny Gil in this.
799
:Doug: Yeah.
800
:I thought he was
801
:Katie: two favorite.
802
:These are my favorite
versions of Audrey and Rusty.
803
:Doug: Oh, totally.
804
:Yeah.
805
:Yeah.
806
:I love these two as Audrey and Rust.
807
:Katie: But getting back to Diane
Lad, who plays Clark's mom, Nora,
808
:she was nominated for three Oscars
known for her roles in Wild at Heart.
809
:Alice doesn't live here anymore,
which has come up a lot.
810
:That must I, I've not seen that movie.
811
:Have you?
812
:Doug: No, no, I never really heard of it.
813
:Katie: I hadn't either until doing the
podcast, but I feel like it's come up.
814
:It must be a very good, well-known
movie and also she was in Chinatown.
815
:She played the mother of another one of
my ultimate every men from last season.
816
:She, She, played Patrick
Swayze's mom in fatherhood.
817
:Doug: Hmm.
818
:Do you
819
:No, but I'm aware of it.
820
:Have you, so do you recognize
her from, it was like, is she
821
:Katie: She plays very different from this.
822
:She's not a great mom.
823
:Like Patrick didn't grow up well,
or I can't, whatever his name was.
824
:Jack, maybe.
825
:What was his
826
:name in that movie?
827
:His mom's kind of like, she,
she lives at the casino.
828
:She does like,
829
:Doug: Oh,
830
:Katie: you know, they pull scams
on people, so she's more like,
831
:Doug: Like a grifter.
832
:Katie: yeah so she, she doesn't
have a grandma look to her.
833
:She has like that sexier.
834
:I think she smokes.
835
:She's in the casino like that,
836
:Doug: Was she recognizable?
837
:Katie: yeah.
838
:Yeah.
839
:Yeah.
840
:I think
841
:Doug: because she's such a, like
a sweet lady in this, you know,
842
:it's, it's tough to picture her as
like a, you know, a hard ass mom.
843
:Katie: I feel like she's usually
like a sexier role than this, so I
844
:think this is more out of character
from what I know her from, I guess,
845
:but yeah.
846
:But you grew up, like this is
your movie man, so you're like,
847
:Doug: Oh yeah.
848
:This, this is my only Diane Lan.
849
:Katie: that's Clark's mom, Diane l
850
:Doug: Yeah.
851
:Yeah.
852
:Katie: His dad is played by John Randolph.
853
:He is like a, you'd know his face.
854
:He's a Tony Award-winning character actor.
855
:But I read that he was very into
social activism in the forties and
856
:fifties, which caused him to be
blacklisted During the McCarthy era.
857
:Doug: No kidding.
858
:Katie: Yeah,
859
:Doug: Sort of shit's
been going on forever.
860
:Katie: yeah, yeah.
861
:And then at some point, somebody e
eventually reintroduced him and he had
862
:a second shot because he has nearly 200
acting credits dating back to the forties.
863
:Doug: Wow.
864
:Katie: Do you know him from anything else?
865
:Doug: I can't say I do, but
I mean, I, I'm, you know, I'm
866
:not like a big old movie buff
867
:kind of guy, so I, I wouldn't know
stuff from like the sixties or whatever,
868
:Katie: I mean, unless it's like
a super classic movie I read this
869
:little tidbit is interesting.
870
:He originally played Frank
Castanza in Seinfeld,
871
:I guess the episode
872
:Doug: what?
873
:The pilot.
874
:Katie: Well, it says the
episode, the Handicap Spot.
875
:I don't know if that was the pilot
or not, but he was replaced by Jerry
876
:Stiller and his scenes in that episode
were then refiled with Stiller as well.
877
:So it must have been
878
:Doug: I wonder if that, that's gotta
be, on the internet somewhere, right?
879
:That would be, that would
be interesting to watch.
880
:I mean, you can't, you can't, like
Jerry Stiller is Frank Stanza.
881
:You can't picture anybody else.
882
:Katie: Also Jerry Stiller as Carrie's mom
883
:Doug: Oh, Arthur Spooner.
884
:Katie: Yeah.
885
:Yeah.
886
:Doug: That's one of my favorite
887
:Katie: Carrie's dad.
888
:I know.
889
:I I really like that one too.
890
:And John Randolph's wife, Sarah
Cunningham, died of an asthma attack
891
:at the 1986 Oscar telecast ceremony.
892
:Doug: Wow.
893
:Right there in the theater.
894
:She had a asthma attack.
895
:Katie: It says telecast ceremony.
896
:So I'm not sure what that means,
but like at the Oscars, she died.
897
:Doug: wow.
898
:Katie: Mm-hmm.
899
:Doug: Wow.
900
:Katie: That's, that's sad.
901
:Doug: yeah.
902
:Interesting.
903
:Katie: Are you familiar with art
Ellen's dad Played by EG Marshall.
904
:Doug: The only thing I, I know him from
is he was the president in Superman.
905
:in, yeah.
906
:the the, the, Christopher Reeves Superman.
907
:Katie: Was he?
908
:I haven't seen that in so many years.
909
:Doug: I've probably seen
him in other things, but
910
:Katie: He's known for 12 Angry Men.
911
:And he won two Emmys for his role
in a:
912
:you've never seen called The Defenders.
913
:He played Dr.
914
:Arthur Thurmond in the nineties TV series,
Chicago Hope, and he played Joe Kennedy
915
:in the 1983 miniseries called Kennedy,
916
:Doug: Hmm.
917
:Katie: EG Marshall.
918
:Doug: You know, if, if I would've
thought harder, I probably would've
919
:guessed him as like an Academy
Award winner at some point,
920
:Katie: He
921
:has this, uh, he has a definitely a look.
922
:He kind of reminded me of one of my
grandpa's, . Something about his face.
923
:It's kind of like an old
man look from the eighties.
924
:I don't know
925
:what that means, but,
926
:Doug: he, it, it, he reminded me
of my grandpa in a way of, of his
927
:like dismissiveness of, of Clark,
and, you know, anything fun.
928
:Falling asleep, you know, everywhere.
929
:So,
930
:Katie: oh, they both fall asleep.
931
:Both of the grandpas they're speaking
of which they were watching a
932
:parade or there was a parade on tv,
933
:what parade were they watching?
934
:Doug: I don't,
935
:Katie: to be the Macy's, right?
936
:Doug: yeah, it, it couldn't have been,
it was a couple of days before Christmas.
937
:It had, I mean, and there,
there were Chicago suburbs,
938
:so it had to be like a local
939
:Katie: Unless they taped
the Macy's day parade.
940
:But yeah, it could have just been a taped
941
:Doug: Yeah.
942
:Katie: a, a, a local, it looked
943
:like the Macy's Day parade,
944
:Doug: it did with the balloons
and everything, and they make a
945
:mention of the balloon like flying
away or something like that.
946
:Katie: They do.
947
:That's right.
948
:Doug: don't know what
other parade has balloons.
949
:Katie: Chicago, probably Chicago
has big parades, ala Ferris
950
:Bueller, so I don't know,
951
:doris Roberts plays Ellen's mom,
Francis, and she was really funny.
952
:She's a funny lady.
953
:Doug: She is.
954
:And she plays a character and everybody
loves Raymond that I, you're supposed
955
:to despise and mission accomplished.
956
:'cause you know, the, the overbearing
mother character, I understand
957
:and I kind of hated her for that.
958
:But I mean, it's a character,
but, she's hilarious.
959
:She's a funny, comedic actor.
960
:Katie: She really is.
961
:So yeah, she's obviously known
for everybody loves Raymond, for
962
:which she won several Emmys and
I never saw these two TV shows.
963
:I, I've definitely heard of
them, but she was nominated for
964
:her role in Remington Steel.
965
:Did you ever watch that TV show?
966
:Doug: No, but back when I was doing
Rocky Minute, a lot of the Rocky
967
:characters back in the seventies
were Remington Steel people,
968
:you know, like side characters and stuff.
969
:Yeah.
970
:Katie: A lot of accolades
for Doris Roberts.
971
:She won an Emmy for her
role in Saint Elsewhere,
972
:Doug: Oh, okay.
973
:Katie: which I've heard of but never seen.
974
:Doug: That's what, that's
a like a serious show.
975
:Right.
976
:It's not, not a comedy,
977
:it's, it's about a hospital.
978
:Katie: it is, yeah.
979
:Yes.
980
:No.
981
:I'm thinking of General Hospital.
982
:I think it's a, like a drama series that's
983
:Doug: Yeah.
984
:I want, I can't imagine her
as like a dramatic actor.
985
:Katie: don't
986
:know.
987
:I didn't, yeah, I didn't note like who she
played, but, but she won an Emmy for her.
988
:Whoever she
989
:Doug: she must have been, yeah, she
must have been in it quite a bit then.
990
:Katie: Mm-hmm.
991
:Now we have cousin Eddie and cousin
Catherine Eddie's wife back by the same
992
:actors, Randy Quaid and Miriam Flynn.
993
:And he was not in European vacation.
994
:Mm-hmm.
995
:And people missed that.
996
:I guess there was feedback
like, where's Cousin Netti?
997
:We like Ca Netti.
998
:So who's brought back?
999
:Because fans really were disappointed
and I think this movie really, I mean,
:
00:40:26,806 --> 00:40:28,666
I can't imagine it without c Katti.
:
00:40:28,876 --> 00:40:29,386
Can you?
:
00:40:30,009 --> 00:40:32,169
Doug: No, he is this movie.
:
00:40:32,169 --> 00:40:36,849
He is everything funny about this
movie, like all the, the iconic
:
00:40:36,849 --> 00:40:40,449
things, the shitters full, you know,
like everything comes back to him.
:
00:40:41,349 --> 00:40:47,589
Um, yeah, I think they, saw what he did
for this movie and they kind of went to
:
00:40:47,589 --> 00:40:52,789
the well, a little too much because he was
in Vegas vacation, which Vegas vacation
:
00:40:53,269 --> 00:40:55,279
in and of itself was kind of like a flop.
:
00:40:56,089 --> 00:40:59,269
But then they, they went on and they
made like a Christmas vacation too,
:
00:40:59,959 --> 00:41:02,569
which was revolved around cousin Eddie on
:
00:41:02,569 --> 00:41:02,989
an, on an
:
00:41:03,019 --> 00:41:03,649
Katie: you are right.
:
00:41:04,039 --> 00:41:04,849
Yes, you're right.
:
00:41:04,849 --> 00:41:05,599
Did you watch it?
:
00:41:05,599 --> 00:41:05,749
Have
:
00:41:05,809 --> 00:41:06,889
Doug: I've never seen that.
:
00:41:06,889 --> 00:41:08,029
I had no interest.
:
00:41:08,029 --> 00:41:09,109
I knew it was gonna be bad.
:
00:41:09,109 --> 00:41:11,659
It was like a straight
to video kind of film.
:
00:41:12,379 --> 00:41:12,889
So
:
00:41:13,339 --> 00:41:16,829
Katie: But if you're Randy Quaid, I
mean, I'm taking these roles all day.
:
00:41:17,309 --> 00:41:18,779
I, yes.
:
00:41:18,809 --> 00:41:19,139
Yeah.
:
00:41:19,139 --> 00:41:22,039
I mean, what else is he, , it's
not like he's Leonardo DiCaprio,
:
00:41:22,339 --> 00:41:23,209
Doug: No, I know.
:
00:41:23,209 --> 00:41:25,549
And, and nowadays I don't think
he's doing much of anything.
:
00:41:25,549 --> 00:41:27,409
He is, he's gone off the deep end
:
00:41:27,949 --> 00:41:28,249
Katie: Yeah.
:
00:41:28,249 --> 00:41:31,569
I feel like I've heard he's a little,
a little, a little not quite all.
:
00:41:32,634 --> 00:41:32,644
Yeah.
:
00:41:32,644 --> 00:41:32,909
Mm-hmm.
:
00:41:33,444 --> 00:41:34,614
That's a nice way of putting it.
:
00:41:35,124 --> 00:41:38,304
Now Miriam Flynn is a Hughes
go-to, you know how the directors
:
00:41:38,304 --> 00:41:41,034
and writers a lot of times and
producers have their go-to people.
:
00:41:41,454 --> 00:41:45,234
She was obviously in all the
vacation movies, but also Mr.
:
00:41:45,234 --> 00:41:47,034
Mom also written by
:
00:41:47,304 --> 00:41:47,979
Doug: Oh, yeah.
:
00:41:47,979 --> 00:41:48,219
Yeah.
:
00:41:48,219 --> 00:41:49,469
She was one of what's her name's,
:
00:41:49,784 --> 00:41:50,234
Katie: friends.
:
00:41:50,234 --> 00:41:50,654
Yep.
:
00:41:50,984 --> 00:41:54,624
And national Lampoons class reunion.
:
00:41:54,804 --> 00:41:55,854
She was also in that.
:
00:41:56,064 --> 00:41:57,024
Doug: I don't think I saw that
:
00:41:57,279 --> 00:42:00,759
Katie: I guarantee you haven't,
I feel like I'm one of like
:
00:42:00,759 --> 00:42:01,799
four people who's seen it.
:
00:42:02,449 --> 00:42:02,739
Doug: okay.
:
00:42:03,459 --> 00:42:03,999
Katie: So yeah.
:
00:42:04,849 --> 00:42:06,619
Now, now Todd and Margot.
:
00:42:06,619 --> 00:42:10,199
They're the neighbors, the
uppity like yuppie, uber
:
00:42:10,199 --> 00:42:11,919
modern, house from the eighties.
:
00:42:12,369 --> 00:42:12,669
Uh.
:
00:42:12,954 --> 00:42:13,614
Yes,
:
00:42:13,909 --> 00:42:14,419
Doug: Uhhuh, huh?
:
00:42:14,634 --> 00:42:19,714
Katie: so Julia Louie Dreyfuss AK
Elaine Bennis plays Margot, and her
:
00:42:19,714 --> 00:42:25,267
husband Todd is played by Nicholas
Guest, and I didn't know who that was,
:
00:42:25,477 --> 00:42:28,217
but he is Christopher guest's brother.
:
00:42:29,252 --> 00:42:31,487
Doug: I did not realize
that for the longest time.
:
00:42:32,402 --> 00:42:34,412
I mean, it makes complete sense.
:
00:42:34,482 --> 00:42:38,442
You know, they have the same last name
and they sort of resemble one another.
:
00:42:38,442 --> 00:42:38,742
So it
:
00:42:38,877 --> 00:42:40,257
Katie: Do they, I I
:
00:42:40,257 --> 00:42:40,737
wouldn't have,
:
00:42:41,502 --> 00:42:47,232
Doug: Well it, Christopher guess from like
Spinal Tap, you know, he looks younger
:
00:42:47,232 --> 00:42:49,062
and, and he kind of like resembles,
:
00:42:49,182 --> 00:42:51,162
Nicholas guessed in
this film a little bit.
:
00:42:51,162 --> 00:42:56,202
So I, I, I could definitely see how
they could be brothers and yeah, it, I
:
00:42:56,202 --> 00:42:57,702
didn't realize that for the longest time.
:
00:42:57,702 --> 00:43:02,112
, They're great as that snobby,
they don't even seem like they
:
00:43:02,112 --> 00:43:03,792
fit in like a suburban area.
:
00:43:03,792 --> 00:43:05,232
They, they're like city folk.
:
00:43:05,487 --> 00:43:08,967
Katie: I think they're, I feel like
they're the, the couple who moved to
:
00:43:08,967 --> 00:43:10,977
the suburbs and they hate it there.
:
00:43:11,547 --> 00:43:12,207
You know what I mean?
:
00:43:12,207 --> 00:43:13,707
They're like, why did we move here?
:
00:43:14,074 --> 00:43:16,924
Two things, my brain is going in in
two different ways, but regarding
:
00:43:16,924 --> 00:43:21,304
Nicholas Guest, he is a former
National Lampoon group member.
:
00:43:21,454 --> 00:43:22,144
So it kind of
:
00:43:22,144 --> 00:43:23,584
tracks that he got in this role.
:
00:43:24,084 --> 00:43:27,534
And I don't recall, I watched
MacGyver growing up, but I
:
00:43:27,534 --> 00:43:29,214
don't recall a robot in it.
:
00:43:29,754 --> 00:43:32,184
But I guess there was, because
:
00:43:32,304 --> 00:43:32,994
he,
:
00:43:33,234 --> 00:43:33,774
Doug: robot.
:
00:43:34,224 --> 00:43:37,674
Katie: in nine episodes, he was
the robot's voice in MacGyver.
:
00:43:37,734 --> 00:43:42,624
So at least nine episodes had, maybe it
wasn't like a visual robot, maybe it was
:
00:43:43,134 --> 00:43:45,834
like, like I, I don't know,
somebody tell me, somebody remind me
:
00:43:45,834 --> 00:43:46,074
what the
:
00:43:46,134 --> 00:43:48,594
Doug: uh, like Kit and night Rider,
:
00:43:48,654 --> 00:43:50,004
kinda like just, you know.
:
00:43:50,004 --> 00:43:50,514
Katie: feel like.
:
00:43:51,084 --> 00:43:54,324
But I have this weird, because I
haven't seen this a thousand times.
:
00:43:55,252 --> 00:43:57,742
In my head, he was David Deney.
:
00:43:58,777 --> 00:43:59,677
Doug: Oh,
:
00:44:00,472 --> 00:44:03,442
Katie: I don't know why, like if
I, if someone asked me before I
:
00:44:03,442 --> 00:44:07,942
re-watched this yesterday, who played
Todd, I would've said David Deney.
:
00:44:08,182 --> 00:44:08,932
Anybody else?
:
00:44:09,007 --> 00:44:09,277
Doug: That's.
:
00:44:09,292 --> 00:44:09,592
Katie: why.
:
00:44:09,592 --> 00:44:10,702
I don't know where that comes from.
:
00:44:11,332 --> 00:44:17,512
And then the last cast member to, to
chat about is May Quest, who plays Aunt
:
00:44:17,542 --> 00:44:19,912
Bethany Clark's 80-year-old senile aunt.
:
00:44:21,767 --> 00:44:26,092
It was her final film, and of course,
Doug, what do we know her from?
:
00:44:27,082 --> 00:44:27,862
Doug: Betty Boop.
:
00:44:27,982 --> 00:44:28,462
Katie: Yeah.
:
00:44:28,572 --> 00:44:33,232
Her career began in:as the voice of Betty Boop.
:
00:44:34,312 --> 00:44:35,212
Doug: That's amazing.
:
00:44:35,312 --> 00:44:36,932
How, how long she was in the game.
:
00:44:36,932 --> 00:44:39,212
I didn't realize this
was her last film either.
:
00:44:39,212 --> 00:44:40,022
I mean, it makes sense.
:
00:44:40,022 --> 00:44:42,902
She, how do you know what
her age was at this time?
:
00:44:43,592 --> 00:44:44,192
Katie: 81.
:
00:44:44,192 --> 00:44:47,792
I think she was one year
older than her character.
:
00:44:48,422 --> 00:44:52,862
Doug: and I think she was
like 20 years older than the
:
00:44:52,862 --> 00:44:54,002
guy that played Uncle Lewis.
:
00:44:54,002 --> 00:44:55,922
I think he was just in his sixties,
:
00:44:56,582 --> 00:44:56,702
Katie: right.
:
00:44:57,002 --> 00:44:57,222
Yep.
:
00:44:57,332 --> 00:44:57,722
Doug: that.
:
00:44:58,442 --> 00:45:03,852
A funny tidbit about may Quiel
and, and her re recitation
:
00:45:03,852 --> 00:45:05,472
of the pledge of Allegiance.
:
00:45:06,517 --> 00:45:11,267
She left out the part where it says, under
God she's the only person that leaves out.
:
00:45:11,327 --> 00:45:13,367
'cause everybody stands
up or not stands up.
:
00:45:13,367 --> 00:45:16,847
But everybody at Uncle Eddie,
cousin Eddie's the only one idiot
:
00:45:16,847 --> 00:45:19,697
that stands up and, and puts
his hand on his, on his heart.
:
00:45:19,977 --> 00:45:22,017
But they all recite the
pledge of Allegiance, but
:
00:45:22,067 --> 00:45:25,397
she's the only one that leaves
out the words under God from One
:
00:45:25,397 --> 00:45:27,347
Nation under God, indivisible.
:
00:45:27,457 --> 00:45:34,347
Because that was an added to the
pledge until::
00:45:34,347 --> 00:45:38,637
said the pledge, you know, dozens
of times without using those words.
:
00:45:38,637 --> 00:45:41,307
So it was just like natural to her.
:
00:45:41,622 --> 00:45:44,142
Katie: Yeah, if you ask me to
recite the pledge of Allegiance,
:
00:45:44,142 --> 00:45:45,372
it, you don't even think about it.
:
00:45:45,422 --> 00:45:48,722
It's an automatic, so for her growing
up, it was an automatic for her to
:
00:45:48,722 --> 00:45:51,092
not use the under God, because that
:
00:45:51,092 --> 00:45:51,752
was added later.
:
00:45:52,172 --> 00:45:52,652
Yeah.
:
00:45:52,742 --> 00:45:53,132
Yeah.
:
00:45:53,462 --> 00:45:54,272
That's how old she is.
:
00:45:54,672 --> 00:45:57,042
And I also didn't know that
that wasn't added until later,
:
00:45:57,042 --> 00:45:58,332
but that totally tracks.
:
00:45:58,677 --> 00:46:00,237
Doug: I didn't either, but yeah.
:
00:46:00,672 --> 00:46:01,092
Katie: Yeah.
:
00:46:01,842 --> 00:46:06,402
The music here, there's
a few interesting things.
:
00:46:06,462 --> 00:46:10,542
So did you notice any music missing
from this That's in the others?
:
00:46:11,524 --> 00:46:12,844
Doug: Oh, the holiday Road song?
:
00:46:13,219 --> 00:46:13,459
Katie: Yeah.
:
00:46:13,459 --> 00:46:15,229
Lindsey Buckingham's holiday Road.
:
00:46:16,309 --> 00:46:18,229
Doug: Is that, that's in all
of the other ones, right?
:
00:46:18,604 --> 00:46:23,374
Katie: yes, he, they asked him,
they wanted him to, they offered
:
00:46:23,374 --> 00:46:26,164
the opportunity to write the theme
for this movie, but he declined
:
00:46:26,644 --> 00:46:29,854
'cause he didn't wanna get typecast
as the soundtrack musician.
:
00:46:29,854 --> 00:46:29,884
I,
:
00:46:30,424 --> 00:46:36,124
Doug: Oh yeah, that's, I mean, what,
what are they really known for?
:
00:46:36,124 --> 00:46:41,494
Otherwise, you know, Lindsay Buckingham
isn't exactly a a household name in
:
00:46:41,614 --> 00:46:42,574
Katie: what's the one,
:
00:46:42,884 --> 00:46:45,074
at that time, no, but
wasn't he Fleetwood Mac
:
00:46:46,214 --> 00:46:47,084
Doug: is No.
:
00:46:47,084 --> 00:46:47,594
Is it?
:
00:46:47,774 --> 00:46:49,094
Katie: I think so.
:
00:46:49,424 --> 00:46:51,404
Am I completely off my rocker?
:
00:46:51,704 --> 00:46:52,544
Doug: hold on.
:
00:46:52,854 --> 00:46:55,084
If that is, that, that's big if true.
:
00:46:55,354 --> 00:46:57,941
Let's see the guitarist
vocals for rock band.
:
00:46:57,941 --> 00:46:59,651
Fleetwood Max, son of a bitch.
:
00:46:59,651 --> 00:47:00,401
You are right.
:
00:47:01,946 --> 00:47:02,576
Katie: Yeah.
:
00:47:03,806 --> 00:47:05,066
So I don't know if
:
00:47:05,076 --> 00:47:06,006
Doug: Wow.
:
00:47:06,216 --> 00:47:08,226
So maybe not a big solo career, but
:
00:47:08,436 --> 00:47:09,366
Katie: Yeah, yeah.
:
00:47:09,636 --> 00:47:13,566
And maybe he was trying to make a
bigger solo career, and therefore
:
00:47:13,566 --> 00:47:17,256
that's why he didn't want to get
typecast as a soundtrack musician.
:
00:47:17,616 --> 00:47:18,126
Doug: yeah.
:
00:47:18,156 --> 00:47:21,156
Listen, I'm gonna need you to go
and erase all the, the ignorant
:
00:47:21,156 --> 00:47:23,586
shit I just, I just said Right.
:
00:47:23,586 --> 00:47:24,246
Edit all that
:
00:47:24,246 --> 00:47:24,696
Katie: see.
:
00:47:24,696 --> 00:47:25,296
We'll see.
:
00:47:27,101 --> 00:47:32,356
Um, but the composer
here is Angelo Bar Menti.
:
00:47:32,896 --> 00:47:33,046
Doug: Oh,
:
00:47:33,711 --> 00:47:34,606
Katie: I, I like it.
:
00:47:34,606 --> 00:47:36,466
I like I'm guessing he's Italian.
:
00:47:36,706 --> 00:47:37,396
Doug: Italian.
:
00:47:37,756 --> 00:47:39,466
We know how you feel about Italians,
:
00:47:39,616 --> 00:47:40,816
Katie: yes, it's true.
:
00:47:40,816 --> 00:47:42,046
I am Angelo.
:
00:47:42,496 --> 00:47:43,636
Doug: ones named Stallone.
:
00:47:45,446 --> 00:47:48,441
Katie: Yeah, I like the dark
features and all that jazz.
:
00:47:48,801 --> 00:47:51,141
So he's not known for comedies.
:
00:47:51,141 --> 00:47:57,197
This Angelo, he was hired because
Cheick wanted specifically to have
:
00:47:57,197 --> 00:47:59,357
someone who hadn't done a comedy before.
:
00:47:59,927 --> 00:48:03,547
And I don't know why 'cause no, they were
like, nobody could have imagined him doing
:
00:48:03,547 --> 00:48:09,037
this kind of a score because he is most
known for his works with David Lynch,
:
00:48:10,027 --> 00:48:10,867
Doug: Oh, really?
:
00:48:11,047 --> 00:48:14,587
Katie: example like Blue
Velvet Mulholland Drive.
:
00:48:14,887 --> 00:48:18,847
And he won a Grammy for composing
the theme for the TV show.
:
00:48:18,847 --> 00:48:19,897
Twin Peaks.
:
00:48:21,787 --> 00:48:21,847
Doug: Hmm.
:
00:48:21,877 --> 00:48:22,147
It's an
:
00:48:22,297 --> 00:48:22,957
Katie: who Angelo.
:
00:48:25,567 --> 00:48:26,707
Doug: I do it again.
:
00:48:26,707 --> 00:48:29,587
I like, I like that sounds,
sounds really authentic.
:
00:48:30,332 --> 00:48:34,292
That, that, that's an interesting
tactic to hire somebody specifically
:
00:48:34,292 --> 00:48:36,452
who doesn't do comedies to do a comedy.
:
00:48:36,452 --> 00:48:36,782
It's,
:
00:48:36,827 --> 00:48:37,007
Katie: Yeah.
:
00:48:37,007 --> 00:48:38,087
Why do you think that was?
:
00:48:38,762 --> 00:48:39,512
Doug: I don't know.
:
00:48:39,512 --> 00:48:44,392
To, I mean, I, I understand the, the
idea of maybe getting like a fresh take
:
00:48:44,392 --> 00:48:46,852
on a comedy from a composing standpoint.
:
00:48:46,852 --> 00:48:50,452
But I would think you want somebody who,
:
00:48:52,522 --> 00:48:54,232
who like knows how to do that.
:
00:48:54,742 --> 00:48:56,957
'cause I mean, if you don't know how
to do that and you, and you're all,
:
00:48:56,962 --> 00:48:59,512
all of a sudden tapped to score a
comedy, now you gotta do a whole lot
:
00:48:59,512 --> 00:49:01,192
of research on how to score a comedy,
:
00:49:02,317 --> 00:49:02,857
Katie: Yeah.
:
00:49:03,187 --> 00:49:06,577
Unless they were trying to get
some of that, like touching,
:
00:49:07,387 --> 00:49:09,847
like wholesome, like Christmasy.
:
00:49:10,732 --> 00:49:11,212
Doug: Okay.
:
00:49:11,327 --> 00:49:13,907
Katie: That's just my guess, but yeah,
I thought that was really interesting.
:
00:49:14,486 --> 00:49:17,666
Doug: you know, something though
John Williams, who's one of the
:
00:49:17,666 --> 00:49:23,086
most famous composers of all time
composed the score A Home Alone.
:
00:49:23,416 --> 00:49:23,986
Katie: Mm-hmm.
:
00:49:24,166 --> 00:49:25,846
Doug: Obviously you've,
you've done that one before.
:
00:49:26,326 --> 00:49:29,146
And so he's not like a typical comedy.
:
00:49:29,491 --> 00:49:33,301
Composer, but you know, I mean,
that's John Williams though.
:
00:49:33,301 --> 00:49:34,831
You can't compare anybody.
:
00:49:35,251 --> 00:49:37,261
You can't compare bad Mente to John
:
00:49:37,426 --> 00:49:41,266
Katie: that, that was a really touching,
like the theme from Home Alone is a
:
00:49:41,266 --> 00:49:44,146
really, like touching, you
know, it's not like a comedic
:
00:49:44,146 --> 00:49:45,996
song, it's to get you feels.
:
00:49:46,521 --> 00:49:46,911
Doug: Yeah.
:
00:49:46,971 --> 00:49:50,511
But then, you got like the, the
burglars theme that's comedic.
:
00:49:50,511 --> 00:49:55,241
You got like the Mickey Maing effects
that are that's like when Mickey Maing
:
00:49:55,241 --> 00:49:58,731
is like, when you emphasize like an
action that happens you know when
:
00:49:58,731 --> 00:50:02,541
somebody falls on the ice and you
hear the, as they fall, like that's
:
00:50:02,601 --> 00:50:05,451
like Mickey Maing that action anyway.
:
00:50:06,081 --> 00:50:09,711
But that's that's all part of
like comedy composing, right?
:
00:50:10,761 --> 00:50:11,871
I would think so.
:
00:50:11,901 --> 00:50:15,931
But does somebody who, who doesn't
normally compose comedies know that stuff?
:
00:50:15,931 --> 00:50:16,471
I don't know.
:
00:50:16,756 --> 00:50:18,376
I mean, it works.
:
00:50:18,421 --> 00:50:19,246
I mean, I have
:
00:50:19,246 --> 00:50:19,396
no
:
00:50:19,396 --> 00:50:22,006
complaints about the music
and Christmas vacation.
:
00:50:22,006 --> 00:50:22,156
I'm,
:
00:50:22,561 --> 00:50:26,201
Katie: This is not a David Lynch show, so
this is the first time I've come upon him.
:
00:50:26,711 --> 00:50:30,761
Usually there's a handful that
directors or writers kind of have
:
00:50:30,771 --> 00:50:31,881
their people that they work with.
:
00:50:31,881 --> 00:50:37,291
But anyway this was made for
$25 million and it grossed 73.3
:
00:50:37,291 --> 00:50:38,191
million.
:
00:50:39,091 --> 00:50:43,141
Which actually was the highest
grossing film in the series?
:
00:50:44,101 --> 00:50:45,046
Doug: Was it really,
:
00:50:45,301 --> 00:50:45,901
Katie: I guess.
:
00:50:45,931 --> 00:50:46,201
Yeah.
:
00:50:46,411 --> 00:50:46,771
I
:
00:50:46,816 --> 00:50:49,516
Doug: so that's that's three
times the budget roughly.
:
00:50:49,516 --> 00:50:50,476
That's, I don't know.
:
00:50:51,736 --> 00:50:56,732
Is that, that's, it doesn't seem like
a lot, is what I, is what I'm saying.
:
00:50:57,456 --> 00:50:57,756
I don't know.
:
00:50:57,756 --> 00:50:58,836
Maybe, maybe comedies.
:
00:50:58,836 --> 00:51:00,606
Comedies don't gross a whole lot anyway.
:
00:51:00,711 --> 00:51:01,371
Katie: yeah.
:
00:51:01,841 --> 00:51:05,051
Almost 75 million I
guess that for a comedy.
:
00:51:05,861 --> 00:51:07,211
And that's the $89
:
00:51:08,216 --> 00:51:09,026
Doug: that's true.
:
00:51:09,116 --> 00:51:09,356
Yeah.
:
00:51:09,356 --> 00:51:09,776
Okay.
:
00:51:09,836 --> 00:51:10,256
All right.
:
00:51:10,376 --> 00:51:11,186
I'm being ignorant.
:
00:51:11,631 --> 00:51:15,421
Katie: No, I, had similar thoughts
and it debuted at number two at
:
00:51:15,421 --> 00:51:20,041
the box office opening weekend
behind back to the Future part two.
:
00:51:20,686 --> 00:51:21,466
Doug: Hmm.
:
00:51:22,201 --> 00:51:25,501
Katie: And then it eventually topped the
box office charts in the third week of
:
00:51:25,551 --> 00:51:28,641
its release and remained in the number
one position for a few weeks, I think.
:
00:51:29,061 --> 00:51:29,421
Um, But
:
00:51:29,436 --> 00:51:29,916
Doug: to the future.
:
00:51:29,916 --> 00:51:30,546
Two and others.
:
00:51:30,546 --> 00:51:31,026
The Mecca film.
:
00:51:31,866 --> 00:51:33,096
Katie: Yes, that's correct.
:
00:51:33,516 --> 00:51:36,696
Even actually regarding zumeka,
the back to the Future films
:
00:51:36,696 --> 00:51:37,836
aren't even my favorites.
:
00:51:37,836 --> 00:51:38,796
Like I like his other.
:
00:51:38,796 --> 00:51:39,486
Doug: Wow.
:
00:51:39,486 --> 00:51:39,936
Yeah.
:
00:51:40,176 --> 00:51:41,226
Oh, there, there's so many.
:
00:51:41,856 --> 00:51:42,936
Katie: romancing The Stone's one of
:
00:51:42,996 --> 00:51:44,046
Doug: Well, yeah.
:
00:51:44,046 --> 00:51:44,406
Yes.
:
00:51:44,406 --> 00:51:44,976
Yes.
:
00:51:45,036 --> 00:51:45,606
Yeah.
:
00:51:45,756 --> 00:51:45,996
Mm-hmm.
:
00:51:47,706 --> 00:51:48,846
We'll talk about this later.
:
00:51:49,686 --> 00:51:56,736
Katie: Doug, you clearly have a strong,
solid history with Christmas vacation.
:
00:51:57,706 --> 00:52:00,826
What's your elevator pitch for
your thoughts on the movie?
:
00:52:02,281 --> 00:52:03,061
Doug: Oh man.
:
00:52:03,421 --> 00:52:06,391
It's based around the holidays
when, you know, everything's
:
00:52:06,391 --> 00:52:10,081
chaotic as it is in and of itself.
:
00:52:10,141 --> 00:52:15,171
And Clark is a guy who, if it
can go wrong, it will go wrong
:
00:52:15,171 --> 00:52:16,791
and in spectacular fashion.
:
00:52:18,021 --> 00:52:23,071
So, sit back for all the thrills
of the, the holiday season and join
:
00:52:23,071 --> 00:52:28,351
the Griswold family on their, on
their journey for a staycation.
:
00:52:28,351 --> 00:52:29,071
This isn't a real
:
00:52:29,071 --> 00:52:29,791
vacation.
:
00:52:29,791 --> 00:52:30,211
right.
:
00:52:30,211 --> 00:52:30,331
They
:
00:52:30,421 --> 00:52:31,111
Katie: is,
:
00:52:31,531 --> 00:52:32,071
Doug: it's staying at
:
00:52:32,071 --> 00:52:32,431
home.
:
00:52:33,571 --> 00:52:36,901
Katie: It's one of two Christmas
themed movies released in 89
:
00:52:37,081 --> 00:52:38,671
that featured Johnny Galecki.
:
00:52:40,471 --> 00:52:41,581
Can you think of the other one?
:
00:52:41,861 --> 00:52:45,401
t to a matinee of this movie,::
00:52:45,506 --> 00:52:47,006
Doug: it and I'm gonna get so mad 'cause
:
00:52:47,411 --> 00:52:50,501
Katie: It's not one that will
come to mind, but once I say
:
00:52:50,501 --> 00:52:51,461
it you'll be like, of course
:
00:52:53,216 --> 00:52:53,306
Doug: I
:
00:52:53,411 --> 00:52:53,711
Katie: give
:
00:52:54,146 --> 00:52:54,446
Doug: of him.
:
00:52:54,446 --> 00:52:54,596
What
:
00:52:54,671 --> 00:52:55,481
Katie: Prr.
:
00:52:56,276 --> 00:52:57,866
Doug: Oh, the, the, yeah.
:
00:52:58,016 --> 00:52:59,306
The reindeer movie.
:
00:52:59,786 --> 00:53:00,296
Yes.
:
00:53:00,386 --> 00:53:03,536
Oh, wait, was he, he was the,
the voice of one of the, was he
:
00:53:03,536 --> 00:53:05,336
a voice or was he actually in it?
:
00:53:05,831 --> 00:53:06,341
Katie: I don't know.
:
00:53:06,341 --> 00:53:06,761
I don't know.
:
00:53:06,761 --> 00:53:07,541
It's been a long time.
:
00:53:07,691 --> 00:53:11,041
But I think Sam who played like
the dad or the grandpa was like,
:
00:53:12,586 --> 00:53:13,786
Doug: oh God.
:
00:53:14,556 --> 00:53:15,846
Katie: Oh my gosh, I wish my brain worked.
:
00:53:15,906 --> 00:53:18,216
He was in Roadhouse with
Patrick Swayze what's his name?
:
00:53:18,666 --> 00:53:19,116
Doug: Elliot.
:
00:53:19,206 --> 00:53:19,476
Sam
:
00:53:19,536 --> 00:53:20,016
Katie: Elliot.
:
00:53:20,526 --> 00:53:21,696
Wasn't he in Prancer?
:
00:53:22,299 --> 00:53:22,509
Doug: yeah.
:
00:53:22,809 --> 00:53:26,454
From, I mean, if it wasn't
him, it was, you know what?
:
00:53:27,459 --> 00:53:29,349
let's let's stop all the guessing games
:
00:53:30,182 --> 00:53:31,142
Katie: I didn't realize Johnny
:
00:53:31,262 --> 00:53:32,102
Doug: That was 19.
:
00:53:32,912 --> 00:53:33,062
Katie: Yeah.
:
00:53:33,062 --> 00:53:34,622
he was like hot, I guess at this time.
:
00:53:34,622 --> 00:53:36,422
'cause he was also on Roseanne?
:
00:53:37,232 --> 00:53:37,562
Doug: Yeah.
:
00:53:37,562 --> 00:53:39,992
That, and that was big around this time.
:
00:53:40,042 --> 00:53:40,762
Standby.
:
00:53:41,782 --> 00:53:43,102
Sam Elliot Sure.
:
00:53:43,102 --> 00:53:43,612
Was.
:
00:53:43,642 --> 00:53:44,062
Cloris.
:
00:53:44,062 --> 00:53:44,752
Leachman.
:
00:53:45,442 --> 00:53:46,492
Abe Vigoda.
:
00:53:46,762 --> 00:53:48,922
Katie: Oh, I need to re-watch Prr
:
00:53:49,132 --> 00:53:49,522
Doug: cow.
:
00:53:49,522 --> 00:53:49,822
Yeah.
:
00:53:49,942 --> 00:53:50,842
Oh, John Ecky.
:
00:53:50,902 --> 00:53:51,472
Billy Quinn.
:
00:53:51,472 --> 00:53:52,612
He wasn't a, he was
:
00:53:52,612 --> 00:53:52,702
a
:
00:53:52,792 --> 00:53:53,662
Katie: one of the kids.
:
00:53:53,842 --> 00:53:54,532
Doug: Yeah.
:
00:53:56,182 --> 00:53:56,662
All right.
:
00:53:57,442 --> 00:53:57,592
Yeah.
:
00:53:57,592 --> 00:53:58,852
I'm gonna watch Prancer.
:
00:53:58,942 --> 00:54:01,262
Katie: Yeah, animal movies get me though.
:
00:54:01,382 --> 00:54:02,942
So I feel like it was a sad one.
:
00:54:03,662 --> 00:54:04,202
Doug: Yeah.
:
00:54:05,342 --> 00:54:08,612
Especially around this time when the
lamb, before time was killing off
:
00:54:08,702 --> 00:54:10,022
Katie: Oh yes.
:
00:54:10,532 --> 00:54:11,282
Oh my God.
:
00:54:12,092 --> 00:54:14,042
So we kind of alluded to it.
:
00:54:14,042 --> 00:54:16,642
You were just like putting
together a kitchen set for your
:
00:54:16,642 --> 00:54:18,622
daughter and all your lights.
:
00:54:19,082 --> 00:54:21,152
So I feel like you can
really relate to Clark.
:
00:54:21,659 --> 00:54:25,379
At what age do you think Christmas
vacation stops being a comedy and
:
00:54:25,379 --> 00:54:27,029
starts feeling like a documentary?
:
00:54:27,764 --> 00:54:28,514
Doug: Ooh, man.
:
00:54:28,559 --> 00:54:30,089
Katie: What, what hits
really close to home?
:
00:54:30,089 --> 00:54:32,879
Like what happening to Clark?
:
00:54:33,669 --> 00:54:35,829
You relate to the most now as an adult?
:
00:54:36,959 --> 00:54:41,394
Doug: The, the thing that would've
set me off the most is doing
:
00:54:41,394 --> 00:54:44,514
all that work on the lights and
plugging it in, and they don't work.
:
00:54:45,384 --> 00:54:47,484
That, that right there,
that's, that's the moment.
:
00:54:48,984 --> 00:54:51,234
That's, the crossroads,
like how do you handle this?
:
00:54:51,234 --> 00:54:56,004
Do you flip out like Clark or do you
just say, okay, I'm gonna just go check
:
00:54:56,064 --> 00:54:58,854
25,000 light bulbs to make sure they work?
:
00:54:59,769 --> 00:55:01,809
Katie: We're led to believe,
he did already do that.
:
00:55:01,809 --> 00:55:02,889
We checked him out, didn't we?
:
00:55:02,889 --> 00:55:03,429
Russ?
:
00:55:03,714 --> 00:55:06,774
Doug: Yeah, but then he goes
back again and, and re-do 'em.
:
00:55:07,524 --> 00:55:09,924
And, and the, the the problem
was a, A light switch.
:
00:55:10,764 --> 00:55:12,144
A light switch in the garage.
:
00:55:12,774 --> 00:55:13,104
Yeah,
:
00:55:13,119 --> 00:55:13,629
Katie: gag.
:
00:55:13,669 --> 00:55:18,129
Doug: Now there's, I I, I'm sure in your
quest for trivia, you, you came across
:
00:55:18,129 --> 00:55:23,299
these two tidbits too, but a when he
flips out and he punches the santa and
:
00:55:23,299 --> 00:55:27,009
the, and the reindeer, he broke his
finger punching the santa in the face,
:
00:55:27,889 --> 00:55:28,579
Katie: I did see
:
00:55:28,879 --> 00:55:30,529
Doug: and they use that take for it.
:
00:55:31,309 --> 00:55:31,579
And,
:
00:55:31,804 --> 00:55:32,524
Katie: kicking it.
:
00:55:32,584 --> 00:55:33,034
Of course.
:
00:55:33,049 --> 00:55:34,429
Doug: yeah, because he broke his hand.
:
00:55:34,624 --> 00:55:35,104
Katie: yeah.
:
00:55:36,859 --> 00:55:40,359
Doug: And when the lights actually
do work, the extension cords
:
00:55:40,869 --> 00:55:46,269
were like, there was some safety
protocol that was overlooked.
:
00:55:46,599 --> 00:55:50,534
And every time he connected the two
extension cords, he got like a, a
:
00:55:50,539 --> 00:55:53,739
really v violent electrical shock.
:
00:55:54,249 --> 00:55:54,669
Katie: Jolted.
:
00:55:54,809 --> 00:55:56,124
Oh really?
:
00:55:56,559 --> 00:56:01,409
Doug: And it ha and it happened like 10
times before, before they realized what
:
00:56:01,409 --> 00:56:05,879
was going on, and like his arm went numb
and like he couldn't feel his fingers
:
00:56:06,809 --> 00:56:11,069
for a while for like hours, you know,
like he, he really got a violent shock
:
00:56:11,234 --> 00:56:13,724
Katie: maybe this is
karma for being kind of a
:
00:56:14,189 --> 00:56:14,579
Doug: Yeah.
:
00:56:14,579 --> 00:56:15,209
Maybe.
:
00:56:15,269 --> 00:56:15,809
Maybe.
:
00:56:15,809 --> 00:56:16,289
Yeah.
:
00:56:16,424 --> 00:56:16,844
Katie: dunno.
:
00:56:16,844 --> 00:56:16,864
I dunno.
:
00:56:18,599 --> 00:56:22,979
So I think one of his coworkers even
calls him like, are you the last true
:
00:56:22,979 --> 00:56:24,989
family man or something on earth?
:
00:56:25,589 --> 00:56:26,219
Doug: Yeah.
:
00:56:26,279 --> 00:56:26,489
Love
:
00:56:26,549 --> 00:56:26,849
Katie: and
:
00:56:26,899 --> 00:56:31,999
and then Ellen in bed, she's like,
you know, Clark, you, you know,
:
00:56:31,999 --> 00:56:35,209
maybe don't set your expectations
so high, yada, yada, yada.
:
00:56:35,609 --> 00:56:39,059
So is he the most optimistic
family man of all time, or a
:
00:56:39,059 --> 00:56:41,399
walking cautionary tale or both?
:
00:56:42,359 --> 00:56:48,319
Doug: I love right from the beginning,
from vacation, he is the most optimistic.
:
00:56:48,319 --> 00:56:51,439
Like he loves his family so much
and he wants to give him these.
:
00:56:53,044 --> 00:56:57,664
And, , this is another area where me and
Clark are like right here, like some potty
:
00:56:57,664 --> 00:57:02,354
go, because I love to give my
family these experiences and
:
00:57:02,354 --> 00:57:03,704
to make everything memorable.
:
00:57:04,304 --> 00:57:08,534
I can't say things go wrong on the
level where, where it goes wrong
:
00:57:08,534 --> 00:57:11,264
for Clark, but I get it, man.
:
00:57:11,314 --> 00:57:17,014
Like he, he wants, it's easy to fly
somewhere and go to Disney World or Wally
:
00:57:17,014 --> 00:57:19,414
World and you know, have this vacation.
:
00:57:19,924 --> 00:57:23,824
But he wants to drive because it's
like all part of the experience, right?
:
00:57:24,404 --> 00:57:27,374
He just wants to spend time with his
family and give him this grand vacation.
:
00:57:27,614 --> 00:57:30,854
And everything you can
possibly imagine goes wrong.
:
00:57:31,784 --> 00:57:32,774
And that's like it.
:
00:57:32,864 --> 00:57:36,284
Same thing with European, same thing
with this, same thing with Vegas.
:
00:57:37,004 --> 00:57:38,174
You know, we're not talking about Vegas.
:
00:57:38,574 --> 00:57:41,064
But this he, he is the most optimistic.
:
00:57:41,844 --> 00:57:45,954
Wholehearted like every, like he
feels with his whole chest, you know?
:
00:57:45,954 --> 00:57:48,404
Like he really wants to
he's doing this outta love,
:
00:57:48,684 --> 00:57:51,304
Katie: It is coming from
such a wholesome place.
:
00:57:51,494 --> 00:57:51,784
Yeah,
:
00:57:52,064 --> 00:57:52,484
Doug: Yeah.
:
00:57:52,484 --> 00:57:53,894
But nothing goes right.
:
00:57:53,954 --> 00:57:54,764
Nothing goes right.
:
00:57:54,824 --> 00:57:57,224
And he, and he loses it, which I get.
:
00:57:57,284 --> 00:57:58,334
I get that, man.
:
00:57:58,784 --> 00:58:01,274
You're just, you're just doing
everything you can to, to keep this
:
00:58:01,274 --> 00:58:04,034
together and everything is going wrong.
:
00:58:04,589 --> 00:58:06,569
Katie: So he's a lovable
hero, Clark Griswold,
:
00:58:07,004 --> 00:58:07,694
Doug: Totally.
:
00:58:08,294 --> 00:58:08,834
Yeah.
:
00:58:09,014 --> 00:58:13,934
Chevy Chase, asshole Clark Griswold,
he is, he is the cat's pajamas,
:
00:58:16,049 --> 00:58:16,889
Katie: The cats pajamas.
:
00:58:17,039 --> 00:58:18,179
I don't think I've heard that.
:
00:58:18,569 --> 00:58:18,929
I like it.
:
00:58:18,929 --> 00:58:19,619
I'm gonna use it.
:
00:58:19,979 --> 00:58:20,489
Uh,
:
00:58:20,684 --> 00:58:21,134
Doug: You know that
:
00:58:21,149 --> 00:58:21,929
Katie: reason, yeah.
:
00:58:22,269 --> 00:58:25,909
You're right, I think a lot of parents
feel that way around the holidays.
:
00:58:25,909 --> 00:58:26,629
They go by quick.
:
00:58:26,629 --> 00:58:31,529
You wanna, make me memories and
experiences and it, and a lot of times
:
00:58:31,529 --> 00:58:35,939
it's unmet, like maybe something didn't go
wrong, but it's like unmet expectations.
:
00:58:37,499 --> 00:58:41,619
And here with him, it's not only
with his family, it's at work and the
:
00:58:41,619 --> 00:58:45,789
holidays in general with everybody
coming and I think maybe that's why
:
00:58:45,849 --> 00:58:51,639
it aged so well and is again, as an
adult I find it so much more relatable
:
00:58:52,276 --> 00:58:56,656
Doug: When you have unexpected family that
are coming into town, like you, you don't
:
00:58:56,656 --> 00:59:00,376
account for this, but then, you know,
your wife says, my parents are coming.
:
00:59:00,376 --> 00:59:01,516
How do you say no to that?
:
00:59:02,266 --> 00:59:05,736
And then Eddie shows up outta nowhere
alright, like, how do you say no to that?
:
00:59:05,916 --> 00:59:06,426
You know?
:
00:59:06,546 --> 00:59:07,686
Katie: He is there, I mean
:
00:59:07,776 --> 00:59:08,256
Doug: Yeah.
:
00:59:08,256 --> 00:59:08,496
Yeah.
:
00:59:08,496 --> 00:59:09,126
He just shows
:
00:59:09,186 --> 00:59:13,956
Katie: at least planned their trip,
but why did they come so early?
:
00:59:14,316 --> 00:59:16,806
They come like a week
before Christmas, right?
:
00:59:17,226 --> 00:59:18,306
Doug: Yeah, yeah, yeah.
:
00:59:18,306 --> 00:59:20,586
And he says that they're not
leaving until next month.
:
00:59:21,006 --> 00:59:21,066
so
:
00:59:21,936 --> 00:59:23,826
Katie: Oh yeah.
:
00:59:24,006 --> 00:59:26,526
Doug: you know, don't fall in
love with the rv 'cause we're
:
00:59:26,526 --> 00:59:27,786
taking her when we leave next
:
00:59:27,831 --> 00:59:28,311
Katie: Yeah.
:
00:59:28,881 --> 00:59:31,281
The grandparents come
earlier than him, but
:
00:59:31,331 --> 00:59:34,931
I don't know if family spent more
time together back in the day, but
:
00:59:35,831 --> 00:59:37,661
like a week and a half with someone.
:
00:59:37,661 --> 00:59:38,801
That's a long time.
:
00:59:39,206 --> 00:59:42,696
Doug: that is, you could, make an
argument for a couple of days, but Yeah.
:
00:59:42,696 --> 00:59:44,136
You're talking like a week.
:
00:59:44,886 --> 00:59:45,066
Yeah.
:
00:59:45,066 --> 00:59:45,696
That's wild.
:
00:59:45,906 --> 00:59:51,306
Also, when Eddie pulls into town, that
scene has one of the funniest comedy lines
:
00:59:51,336 --> 00:59:54,126
in movie history as far as I'm concerned.
:
00:59:54,816 --> 00:59:54,876
Uh.
:
00:59:56,031 --> 00:59:58,601
When when Eddie asked
Clark, are you surprised?
:
00:59:58,721 --> 01:00:02,081
And Clark says, if I woke up
tomorrow morning with my head to
:
01:00:02,081 --> 01:00:06,311
the carpet, I wouldn't be more
surprised than I am right now.
:
01:00:06,821 --> 01:00:08,291
Katie: I thought you were going.
:
01:00:08,951 --> 01:00:09,701
That's true.
:
01:00:09,941 --> 01:00:10,751
That is true.
:
01:00:10,751 --> 01:00:14,891
But so he shows up, not just us
cousin Eddie and his wife, but they're
:
01:00:14,891 --> 01:00:17,471
two kids and they're a Rottweiler.
:
01:00:18,251 --> 01:00:18,701
Doug: Mm-hmm.
:
01:00:18,702 --> 01:00:18,712
Mm-hmm.
:
01:00:19,496 --> 01:00:22,916
Katie: He says, I never caught this
as a kid, but I was like, what?
:
01:00:22,976 --> 01:00:26,336
That's a, he is alluding to
the fact that he wants some
:
01:00:26,336 --> 01:00:27,986
alone time with his wife in the
:
01:00:27,986 --> 01:00:28,676
rv.
:
01:00:29,426 --> 01:00:32,936
He says, get the rubber
sheets and gerbils out.
:
01:00:33,416 --> 01:00:33,706
Doug: yeah.
:
01:00:34,196 --> 01:00:34,556
Katie: What?
:
01:00:35,846 --> 01:00:36,656
Oh my God.
:
01:00:36,656 --> 01:00:40,696
That must've been like, in
the rumors of, remember the
:
01:00:40,696 --> 01:00:42,016
rumors of, uh, yeah.
:
01:00:42,106 --> 01:00:42,166
Yeah.
:
01:00:42,421 --> 01:00:42,841
Doug: Yeah.
:
01:00:43,486 --> 01:00:43,776
Yeah,
:
01:00:45,841 --> 01:00:48,421
yeah, But as a kid, it, it's
like it flies right by you.
:
01:00:48,421 --> 01:00:48,751
Like what?
:
01:00:48,751 --> 01:00:49,591
Gerbils Okay.
:
01:00:50,251 --> 01:00:50,671
But yeah.
:
01:00:51,781 --> 01:00:52,591
That's wild.
:
01:00:53,476 --> 01:00:53,896
Mm-hmm.
:
01:00:54,296 --> 01:00:57,976
Katie: I gotta say well actually to go
back, so we, we talked about this a little
:
01:00:57,976 --> 01:00:59,806
bit in the European vacation episode.
:
01:01:00,436 --> 01:01:02,536
But this is the third movie in the series.
:
01:01:02,536 --> 01:01:04,726
But it wasn't originally supposed to be.
:
01:01:04,816 --> 01:01:08,116
It was initially, the third
film was supposed to be National
:
01:01:08,116 --> 01:01:11,866
Lampoon's Australian Vacation,
but they scrapped that.
:
01:01:12,196 --> 01:01:16,516
And I guess Chevy Chase later
expressed regrets about that.
:
01:01:17,026 --> 01:01:17,506
Um,
:
01:01:17,626 --> 01:01:21,616
he said about not making, he said, I,
I wish we would've made more of them.
:
01:01:22,906 --> 01:01:23,266
Doug: I ever
:
01:01:23,416 --> 01:01:28,796
Katie: did do Vegas vacation, but they
were like other ideas that they had were
:
01:01:28,826 --> 01:01:31,646
Yugoslavian Vacation, Hawaiian Vacation,
:
01:01:31,946 --> 01:01:33,656
Swiss family Griswold.
:
01:01:34,166 --> 01:01:39,066
And then Beverly DeAngelo joked about
Hey, we could do vacation on Mars.
:
01:01:39,066 --> 01:01:39,606
Why not?
:
01:01:41,256 --> 01:01:44,286
Doug: I heard they had an Easter
and Thanksgiving vacation.
:
01:01:44,346 --> 01:01:45,126
They, they had
:
01:01:45,126 --> 01:01:47,226
a lot of these ideas.
:
01:01:47,722 --> 01:01:49,642
Katie: I mean, maybe if
you're easier to work with,
:
01:01:50,242 --> 01:01:51,232
Doug: yeah, maybe.
:
01:01:51,232 --> 01:01:51,712
Yeah.
:
01:01:51,742 --> 01:01:52,222
Yeah.
:
01:01:52,252 --> 01:01:53,722
We can blame that on Chevy Chase.
:
01:01:54,352 --> 01:01:54,862
Katie: I sure
:
01:01:54,982 --> 01:01:58,342
Doug: It's, it's probably good
that we don't have all of those.
:
01:01:58,372 --> 01:01:58,852
'cause
:
01:01:59,107 --> 01:02:01,762
you go to the well one too many times.
:
01:02:02,242 --> 01:02:03,802
Katie: so is Christmas vacation clear?
:
01:02:03,802 --> 01:02:06,262
Is this your, your favorite
of the vacation movies?
:
01:02:06,982 --> 01:02:07,402
Doug: Yeah.
:
01:02:07,402 --> 01:02:11,332
I, I am a huge fan of the first two also.
:
01:02:11,382 --> 01:02:13,362
A lot of people don't
like European vacation.
:
01:02:14,142 --> 01:02:15,882
I love European vacation.
:
01:02:15,912 --> 01:02:17,082
It's so quotable.
:
01:02:17,082 --> 01:02:17,262
It's
:
01:02:17,707 --> 01:02:18,127
Katie: Mm-hmm.
:
01:02:18,677 --> 01:02:18,967
Yeah,
:
01:02:19,152 --> 01:02:19,302
Doug: the
:
01:02:19,572 --> 01:02:21,432
Katie: I'd forgotten about
it, but yeah, I liked
:
01:02:21,492 --> 01:02:21,672
Doug: it.
:
01:02:21,852 --> 01:02:22,392
Katie: as well.
:
01:02:23,172 --> 01:02:24,402
Doug: They're, they're both very good.
:
01:02:24,492 --> 01:02:25,032
Very good.
:
01:02:25,032 --> 01:02:28,362
This is my favorite, but I,
I do, I'd love the first two.
:
01:02:28,632 --> 01:02:31,302
Vegas I've seen a few times and
I could take your leave, but
:
01:02:32,047 --> 01:02:34,692
Katie: I maybe saw it once,
I recall nothing from it.
:
01:02:35,202 --> 01:02:35,802
Doug: Yeah.
:
01:02:35,862 --> 01:02:38,232
Well, your your buddy from Dutch is in it.
:
01:02:38,312 --> 01:02:38,852
Katie: Ed O'Neill.
:
01:02:39,302 --> 01:02:39,752
Oh, Ethan
:
01:02:40,082 --> 01:02:41,042
Doug: Ethan, yeah.
:
01:02:41,042 --> 01:02:41,492
Yeah.
:
01:02:41,602 --> 01:02:41,752
Yeah.
:
01:02:41,752 --> 01:02:43,342
I wish that O'Neil was in it.
:
01:02:43,732 --> 01:02:43,942
Yeah.
:
01:02:43,942 --> 01:02:44,152
He's
:
01:02:44,167 --> 01:02:44,707
Katie: O'Neill.
:
01:02:45,487 --> 01:02:46,147
Oh, okay.
:
01:02:46,147 --> 01:02:47,377
Maybe I haven't seen it.
:
01:02:47,557 --> 01:02:48,787
Okay, got it.
:
01:02:49,777 --> 01:02:54,547
I think also, so Christmas movie always
adds a little that, that helps the movie.
:
01:02:54,547 --> 01:02:56,077
You know, we all have sweet memories.
:
01:02:56,427 --> 01:03:00,407
There's a lot of comforting carryovers
too that kind of add to this.
:
01:03:00,437 --> 01:03:01,157
A cozy feeling.
:
01:03:01,157 --> 01:03:04,897
Brings me back, like I said, to a more
innocent childhood Christmas time.
:
01:03:05,307 --> 01:03:07,497
They have the wood paneled station wagon.
:
01:03:07,497 --> 01:03:11,067
It's just an updated version,
like the late eighties version.
:
01:03:12,037 --> 01:03:15,007
The pretty young woman that
he attempts to flirt with it.
:
01:03:15,007 --> 01:03:15,307
There.
:
01:03:15,517 --> 01:03:21,427
There's that in this one as well,
speaking of which, I don't remember
:
01:03:21,427 --> 01:03:24,997
her lifting her skirt completely up to
show that there's no underwear lines
:
01:03:25,357 --> 01:03:26,587
just out in the middle of the mall.
:
01:03:27,052 --> 01:03:30,832
Doug: I know this is things that
would never happen in real life, but,
:
01:03:31,417 --> 01:03:32,737
Katie: You think she closed the sale?
:
01:03:32,797 --> 01:03:34,237
You think she got the sale on that?
:
01:03:35,132 --> 01:03:39,212
Doug: Up until Rusty showed up,
but yeah, I think Rusty ruined it.
:
01:03:39,887 --> 01:03:40,157
Katie: Oh
:
01:03:40,352 --> 01:03:43,792
Doug: I, I have a bit of trivia
that that would interest you and
:
01:03:43,922 --> 01:03:48,872
goes back to our union for the
first, for your first season of
:
01:03:48,977 --> 01:03:49,517
Katie: oh
:
01:03:49,952 --> 01:03:52,232
Doug: Mm-hmm.
:
01:03:52,532 --> 01:03:54,602
The pickup truck from the opening scene.
:
01:03:55,462 --> 01:03:57,827
Katie: I, I couldn't believe when I
saw that, I was like, what are the
:
01:03:57,827 --> 01:04:00,827
odds that Doug was my guest on both
:
01:04:00,932 --> 01:04:06,567
Doug: I know how hilarious did we
mention that when we did Overboard?
:
01:04:06,727 --> 01:04:07,657
Katie: I think so.
:
01:04:07,657 --> 01:04:10,257
'cause when I saw it,
something clicked with me.
:
01:04:10,257 --> 01:04:11,637
And it's also in they live,
:
01:04:12,507 --> 01:04:16,437
so I, I think we did talk about it, that
the light blue truck is Dean's truck,
:
01:04:17,007 --> 01:04:17,877
Doug: yeah, yeah.
:
01:04:17,907 --> 01:04:18,297
yeah.
:
01:04:18,927 --> 01:04:19,137
Mm-hmm.
:
01:04:19,346 --> 01:04:20,037
Katie: it's the.
:
01:04:20,727 --> 01:04:21,387
The dudes that are
:
01:04:21,417 --> 01:04:22,527
Doug: The hillbillies.
:
01:04:23,127 --> 01:04:23,457
yeah.
:
01:04:23,457 --> 01:04:24,177
To tailgate 'em.
:
01:04:24,851 --> 01:04:25,601
you know what's funny?
:
01:04:25,701 --> 01:04:31,041
I remember when we recorded that episode,
my, my first daughter was like, just born.
:
01:04:31,041 --> 01:04:32,121
She was like newly born,
:
01:04:32,961 --> 01:04:34,151
and now she's two and a half.
:
01:04:34,966 --> 01:04:35,801
It's, it's,
:
01:04:35,861 --> 01:04:36,131
and I
:
01:04:36,191 --> 01:04:37,211
Katie: been that long?
:
01:04:37,301 --> 01:04:37,571
Oh my
:
01:04:37,751 --> 01:04:39,701
Doug: It's, yeah, yeah, yeah.
:
01:04:39,701 --> 01:04:40,481
It's wild.
:
01:04:41,621 --> 01:04:42,881
Katie: It really is.
:
01:04:43,421 --> 01:04:46,841
Doug: When they say life goes by
fast, man, it's Ferris Bueller said it
:
01:04:46,991 --> 01:04:49,991
Katie: If you don't stop and look around
every once in a while, you may miss it.
:
01:04:49,991 --> 01:04:50,891
Doug: There we go.
:
01:04:50,981 --> 01:04:51,641
There we go.
:
01:04:51,971 --> 01:04:52,271
Yeah.
:
01:04:52,271 --> 01:04:55,181
I thought I knew you liked that
trivia and I I enjoyed it too.
:
01:04:55,451 --> 01:04:55,991
Katie: Yes.
:
01:04:55,991 --> 01:04:57,371
Thank you for bringing that up.
:
01:04:57,801 --> 01:05:03,301
Well, speaking of car hijinks the vacation
movies always have that element of it.
:
01:05:03,301 --> 01:05:05,251
And you know, it was certainly here too.
:
01:05:05,251 --> 01:05:09,121
They fly over some snowbank and
perfectly land at the tree lot or
:
01:05:09,121 --> 01:05:10,591
wherever they're gonna get their tree.
:
01:05:10,871 --> 01:05:13,361
I guess my point is I like
all the comforting carryovers
:
01:05:13,907 --> 01:05:18,607
Doug: One of the things I love about Clark
too is like downplaying you know, the, I
:
01:05:18,607 --> 01:05:20,617
meant to do that kind of attitude that he
:
01:05:20,617 --> 01:05:23,287
has, you know, like the 50 yards.
:
01:05:23,287 --> 01:05:26,887
In the original vacation, and this
like when after they launch over that
:
01:05:26,887 --> 01:05:29,857
snow bank and he crashes through the
sign and they kind of skid to his
:
01:05:29,857 --> 01:05:31,327
side, he goes, oh, we made good time.
:
01:05:32,452 --> 01:05:33,096
Katie: Good point.
:
01:05:33,096 --> 01:05:36,517
Yeah, it's those little, it's those
little things I think that really
:
01:05:36,517 --> 01:05:38,327
elevate movies in general, but
:
01:05:38,657 --> 01:05:42,647
Doug: Yeah, but that's, I mean, that
it, and bring it back to John Hughes,
:
01:05:42,647 --> 01:05:48,677
that takes clever and brilliant
writing, and John Hughes just a master.
:
01:05:49,517 --> 01:05:51,077
Katie: He, he definitely is.
:
01:05:51,767 --> 01:05:55,617
I also, 'cause I'm just like a
grumpy woman I work in corporate
:
01:05:55,617 --> 01:06:01,767
America so I loved, I like live
vicariously through Clark which,
:
01:06:02,007 --> 01:06:03,567
what he's able to do in this movie.
:
01:06:04,107 --> 01:06:10,827
But what's the story like, were bonuses
a, do people get bonuses anymore at all?
:
01:06:10,977 --> 01:06:15,747
And clearly back in the day,
they were so big that you could
:
01:06:15,747 --> 01:06:17,667
put a pool in your backyard,
:
01:06:18,477 --> 01:06:24,057
Doug: I I, that always rattled me,
like, how much is, are these bonuses
:
01:06:24,117 --> 01:06:28,877
and that, and when in the end when he
gives him a 20% raise on his bonus you
:
01:06:28,877 --> 01:06:34,361
know, Clark passes out because it's
such a, I tried to do the math and I
:
01:06:34,361 --> 01:06:39,641
was thinking like, back then, if his
bonus was like $10,000 at the end of
:
01:06:39,641 --> 01:06:42,731
% on that would be::
01:06:42,731 --> 01:06:47,111
Is that pass out kind of
money, like a $12,000 bonus
:
01:06:47,141 --> 01:06:50,051
or are we talking like 50,000?
:
01:06:50,366 --> 01:06:54,526
Katie: I think we're talking more
because he's expecting the bonus and
:
01:06:54,526 --> 01:06:59,716
so he's already put down a deposit
on the pool, which he says is $7,500.
:
01:06:59,746 --> 01:07:01,486
That's $89.
:
01:07:02,236 --> 01:07:06,646
So I feel like that would
be the equivalent of like a
:
01:07:06,646 --> 01:07:08,116
hundred thousand dollars pool.
:
01:07:08,796 --> 01:07:09,246
Doug: Back then.
:
01:07:09,856 --> 01:07:10,576
Katie: No, now,
:
01:07:11,339 --> 01:07:13,469
meaning if 7,500 was the deposit.
:
01:07:13,469 --> 01:07:16,349
That's prob some percentage of the total.
:
01:07:16,694 --> 01:07:17,324
Doug: Yeah.
:
01:07:17,864 --> 01:07:19,184
I've priced in ground pools.
:
01:07:19,184 --> 01:07:21,434
It, it's about 90 to a hundred grand now.
:
01:07:21,989 --> 01:07:27,659
Katie: Okay, so, so his bonus is enough to
put a pool in and he says, I'll fly y'all
:
01:07:28,064 --> 01:07:29,684
Doug: yeah, that's, that's another thing.
:
01:07:29,684 --> 01:07:32,449
If there's enough leftover, like
what, what are we talking About here?
:
01:07:33,279 --> 01:07:36,969
Let's do some, we're gonna do some,
'cause we, we, we want answers, right?
:
01:07:37,019 --> 01:07:39,209
Katie: I don't have a pool in
my yard, so I don't know what
:
01:07:39,209 --> 01:07:44,189
percentage you have to put down,
but I, I mean, 7,500 is a lot in 89.
:
01:07:44,474 --> 01:07:44,894
Doug: yeah.
:
01:07:44,894 --> 01:07:47,739
Usually with, like construction
projects, you'd have to put
:
01:07:47,739 --> 01:07:49,869
down a third for a deposit.
:
01:07:50,469 --> 01:07:51,099
Katie: Okay.
:
01:07:51,656 --> 01:07:57,896
So the pool would've ended up
costing like $23,000 and $89.
:
01:07:59,066 --> 01:08:01,076
If, if, if you put down a third
:
01:08:01,781 --> 01:08:07,241
Doug: So a hundred thousand in
today's money would've been 37 plus in
:
01:08:07,241 --> 01:08:08,951
::
01:08:08,951 --> 01:08:09,821
89.
:
01:08:10,706 --> 01:08:11,096
Katie: that kind of
:
01:08:11,351 --> 01:08:11,591
Doug: Yeah.
:
01:08:11,591 --> 01:08:11,771
Like,
:
01:08:11,936 --> 01:08:12,356
Katie: Yeah.
:
01:08:13,571 --> 01:08:14,021
Doug: Yeah.
:
01:08:14,096 --> 01:08:16,616
Katie: a, that's a big bonus,
I guess, is where I'm, I'm
:
01:08:16,841 --> 01:08:18,430
Doug: That it, it's, yeah.
:
01:08:18,430 --> 01:08:23,770
So, so if he was talking about having
money left over to fly people out, fly.
:
01:08:23,981 --> 01:08:24,671
That's another thing.
:
01:08:24,671 --> 01:08:25,901
Flying people out.
:
01:08:26,696 --> 01:08:30,126
Katie: I guess maybe airfare wasn't,
who knows what the story was in
:
01:08:30,276 --> 01:08:35,256
Doug: So I had, so we're talking
like 50 grand maybe as a bonus.
:
01:08:36,066 --> 01:08:37,685
So he must have been making,
:
01:08:39,066 --> 01:08:39,246
Katie: I
:
01:08:39,366 --> 01:08:40,296
Doug: that's just a bonus.
:
01:08:40,296 --> 01:08:42,456
2, 200, 300 grand a year.
:
01:08:43,109 --> 01:08:46,738
Katie: I mean, they, they live in a
nice house in a Chicago suburb, so
:
01:08:47,068 --> 01:08:50,189
May and I don't think Ellen works, so.
:
01:08:50,609 --> 01:08:51,149
Doug: Yeah.
:
01:08:51,149 --> 01:08:51,779
Yeah,
:
01:08:52,384 --> 01:08:52,783
Katie: I guess.
:
01:08:54,029 --> 01:08:54,538
Doug: man.
:
01:08:54,797 --> 01:08:55,636
Must have been good to be the
:
01:08:55,877 --> 01:08:56,447
Katie: house,
:
01:08:56,506 --> 01:09:00,756
Doug: That makes sense then why he's
so irate he's like, did the bonus come,
:
01:09:00,756 --> 01:09:01,867
did anything come for me in the mail?
:
01:09:01,867 --> 01:09:04,176
He's so expecting this bonus.
:
01:09:04,867 --> 01:09:08,117
I guess I'm thinking it's
like $200, like that's what
:
01:09:08,252 --> 01:09:09,362
Yeah, I know, I know.
:
01:09:09,362 --> 01:09:11,282
I've never gotten a bonus before.
:
01:09:11,282 --> 01:09:15,542
, So the bonus is, is big and like
you said, he counts on it every
:
01:09:15,542 --> 01:09:19,922
year and he gets a enrolled in
a jelly in a month club instead.
:
01:09:21,051 --> 01:09:21,341
Katie: yeah.
:
01:09:21,917 --> 01:09:26,375
So speaking of that, that
aspect of it, the corporate.
:
01:09:26,899 --> 01:09:29,420
Bullshit that he puts
up with at the office.
:
01:09:29,930 --> 01:09:35,809
And as an adult having been beaten
down by it all, when he, like all the
:
01:09:35,809 --> 01:09:38,779
lackies of his boss kind of walked
by him, he's like, Merry Christmas,
:
01:09:38,809 --> 01:09:40,069
happy Hanukkah, happy holidays.
:
01:09:40,380 --> 01:09:41,130
Go fuck yourself.
:
01:09:41,130 --> 01:09:42,420
Just like nonchalantly.
:
01:09:42,420 --> 01:09:44,040
I loved that.
:
01:09:44,220 --> 01:09:44,670
Doug: Yep.
:
01:09:45,059 --> 01:09:46,770
Katie: Or your kiss my ass or something.
:
01:09:47,300 --> 01:09:49,760
Doug: Tho those are the guys that
he could get away with telling
:
01:09:49,760 --> 01:09:52,700
to go fuck themselves, you know,
like he can't say that to Mr.
:
01:09:52,700 --> 01:09:53,270
Shirley,
:
01:09:53,715 --> 01:09:56,540
but he could say that
to all, all his lackeys.
:
01:09:56,540 --> 01:09:56,900
Yeah.
:
01:09:57,540 --> 01:09:58,590
Katie: But it does work.
:
01:09:58,590 --> 01:10:02,520
He literally kidnaps and tells
off his boss and it works.
:
01:10:03,600 --> 01:10:05,520
Doug: Well, he doesn't
technically kidnap him.
:
01:10:05,820 --> 01:10:06,420
Cousin Eddie
:
01:10:06,420 --> 01:10:06,990
does.
:
01:10:06,990 --> 01:10:07,170
Katie: net.
:
01:10:07,170 --> 01:10:09,090
He does regardless.
:
01:10:09,090 --> 01:10:11,850
It's so the police and
the SWAT team show up.
:
01:10:12,210 --> 01:10:13,559
Doug: Yeah, yeah
:
01:10:13,990 --> 01:10:15,520
Katie: do you have thoughts about that,
:
01:10:15,570 --> 01:10:15,960
Doug: yeah.
:
01:10:16,020 --> 01:10:16,710
Hilarious.
:
01:10:16,710 --> 01:10:21,630
And, and the way it worked out and the
way they, they did it was, it was perfect.
:
01:10:21,630 --> 01:10:22,200
It was brilliant.
:
01:10:22,200 --> 01:10:22,860
The way they did it.
:
01:10:23,460 --> 01:10:27,120
They originally wrote the ending
where like, Clark ended up going
:
01:10:27,120 --> 01:10:32,555
to jail because of the kidnapping
and test audiences hated it.
:
01:10:32,559 --> 01:10:34,775
It, it got pan so hard.
:
01:10:35,015 --> 01:10:39,725
So they called everybody back to redo the
ending, where like everything worked out.
:
01:10:40,115 --> 01:10:42,155
And it was beautiful
the way it worked out.
:
01:10:42,155 --> 01:10:43,655
That's the only way it
should have worked out.
:
01:10:44,295 --> 01:10:46,184
They did it the first time and, you know.
:
01:10:46,530 --> 01:10:50,100
In a regular vacation where
they kidnapped what's the name?
:
01:10:50,100 --> 01:10:50,340
Mr.
:
01:10:50,340 --> 01:10:50,820
Wally?
:
01:10:52,020 --> 01:10:52,559
Katie: Yeah.
:
01:10:52,710 --> 01:10:52,920
In
:
01:10:52,920 --> 01:10:56,620
vacation and very similar test audience.
:
01:10:57,640 --> 01:10:59,080
Test audiences didn't like that.
:
01:10:59,080 --> 01:11:02,890
Like Christie Brinkley's character
in that turned out to be Mr.
:
01:11:02,890 --> 01:11:03,940
Wally's daughter.
:
01:11:04,390 --> 01:11:05,970
So , they re reshot that.
:
01:11:05,970 --> 01:11:10,270
And so they used the same idea
then in this one where he actually
:
01:11:10,270 --> 01:11:14,230
does kidnap the guy or hold him
hos hold him hostage or whatnot.
:
01:11:14,230 --> 01:11:14,320
Not,
:
01:11:14,770 --> 01:11:15,130
Doug: yeah.
:
01:11:15,130 --> 01:11:17,470
So, I mean, go what works?
:
01:11:17,470 --> 01:11:20,440
Like everything worked out in the original
vacation, make everything work out.
:
01:11:20,490 --> 01:11:23,190
Katie: In this, we get the
happy ending despite the fact
:
01:11:23,190 --> 01:11:26,430
that the house is completely
destroyed by the end of the movie.
:
01:11:26,830 --> 01:11:30,520
Everybody's just like super
happy and celebrating anyway, so
:
01:11:30,640 --> 01:11:34,040
Doug: know, you know who I really
kind of, aligned with in that it was
:
01:11:34,040 --> 01:11:35,570
the cops working on Christmas Eve.
:
01:11:36,155 --> 01:11:36,934
Katie: That's what I want.
:
01:11:36,934 --> 01:11:37,385
I know.
:
01:11:37,385 --> 01:11:40,835
And it's not just, it's like the
whole police force in this town,
:
01:11:40,895 --> 01:11:42,545
seemingly, and the SWAT team.
:
01:11:42,800 --> 01:11:44,120
Doug: Yeah, everybody shows up.
:
01:11:44,690 --> 01:11:45,559
But yeah, , it sucks.
:
01:11:45,559 --> 01:11:46,730
We're taking time away.
:
01:11:47,150 --> 01:11:49,160
I'm for your fans that don't know.
:
01:11:49,160 --> 01:11:53,600
I'm a police officer also, and I
have to work Christmas Eve this year
:
01:11:53,720 --> 01:11:54,380
at night, you?
:
01:11:54,380 --> 01:11:55,250
know, it's, yeah.
:
01:11:55,250 --> 01:11:55,760
Yeah.
:
01:11:55,840 --> 01:12:01,630
But if I can take part in a
Griswold style kidnapping house
:
01:12:01,680 --> 01:12:03,120
storming, I would love that.
:
01:12:04,110 --> 01:12:05,010
As long as it worked out in
:
01:12:05,030 --> 01:12:05,309
Katie: Interesting.
:
01:12:05,340 --> 01:12:05,700
Doug: Right.
:
01:12:06,290 --> 01:12:06,580
Katie: Yeah,
:
01:12:06,700 --> 01:12:09,015
I was curious this is why I'm
not a police officer, because
:
01:12:09,015 --> 01:12:10,905
I'd be like, can nobody call?
:
01:12:10,905 --> 01:12:11,660
I don't wanna do anything.
:
01:12:11,790 --> 01:12:16,800
Doug: No, in, in, in reality, Katie,
that's how I feel like it's, it's
:
01:12:16,800 --> 01:12:18,570
Christmas, just everybody get along.
:
01:12:18,930 --> 01:12:23,880
But the holidays are some of the, the most
volatile times a year, believe it or not.
:
01:12:23,910 --> 01:12:28,500
'cause you got families who don't
like each other to begin with that
:
01:12:28,500 --> 01:12:31,830
are forced to get together for the
holidays and you mix alcohol and
:
01:12:31,830 --> 01:12:36,210
everything and it's, it, it gets pretty
pretty crazy during the holidays.
:
01:12:36,893 --> 01:12:37,823
Katie: I can imagine that.
:
01:12:37,823 --> 01:12:40,883
Well, I do hope that you have a
really uneventful Christmas Eve
:
01:12:41,573 --> 01:12:42,263
Doug: Thank you.
:
01:12:42,293 --> 01:12:42,833
Me too.
:
01:12:43,043 --> 01:12:43,523
Me too.
:
01:12:44,843 --> 01:12:49,240
Katie: Did you notice so cousin
Eddie and Clark are drinking
:
01:12:49,240 --> 01:12:50,920
eggnog together in the living room.
:
01:12:50,950 --> 01:12:52,570
They have like festive outfits on.
:
01:12:52,809 --> 01:12:56,830
He's wearing a, like a dark
dickie under a white sweater.
:
01:12:56,830 --> 01:12:58,890
First of all love it, Dickies.
:
01:12:59,460 --> 01:13:02,490
If you're younger than, I don't
know, some, some age, you don't
:
01:13:02,490 --> 01:13:05,640
know what a Dickie is, but it's
like a faux turtleneck, and
:
01:13:05,640 --> 01:13:06,930
you could totally see that.
:
01:13:06,930 --> 01:13:08,070
There's no shirt under there.
:
01:13:08,610 --> 01:13:09,030
Doug: Right.
:
01:13:09,330 --> 01:13:09,750
Yeah.
:
01:13:10,020 --> 01:13:13,740
And you know, it, all the hundreds of
times that I've seen this, it took me a
:
01:13:13,740 --> 01:13:19,650
long time to recognize that, but it's,
yeah, it's just like a black square on
:
01:13:19,650 --> 01:13:21,120
his chest under the white turtleneck.
:
01:13:21,510 --> 01:13:23,309
That's just, that's just the Dickie,
:
01:13:23,603 --> 01:13:24,023
Katie: you're right.
:
01:13:24,023 --> 01:13:24,503
Cousin Eddie.
:
01:13:24,503 --> 01:13:25,223
There's so many things.
:
01:13:25,433 --> 01:13:29,023
Well, so they're drinking eggnog
out of mugs from Wally World.
:
01:13:30,013 --> 01:13:32,233
I'm sure you've picked up
on I didn't pick up on that.
:
01:13:32,233 --> 01:13:32,558
Yeah, yeah.
:
01:13:33,373 --> 01:13:37,452
Doug: I've, years ago I tried to get my
hands on some of those, but they were
:
01:13:37,452 --> 01:13:42,553
so stupid, expensive, just like a set of
those mugs, because they, I mean, they
:
01:13:42,553 --> 01:13:47,463
don't make 'em, you know, it's just like
a kind of a movie kind of prop thing.
:
01:13:48,413 --> 01:13:50,963
Katie: Did you recognize Eddie's
shoes that he is wearing?
:
01:13:51,908 --> 01:13:55,298
Doug: The white shoes from the original
vacation that he gave to Clark.
:
01:13:55,988 --> 01:13:56,708
Katie: Yeah.
:
01:13:57,098 --> 01:13:58,418
Yeah, of course you did.
:
01:13:58,418 --> 01:13:59,678
You've seen this a hundred times.
:
01:13:59,678 --> 01:14:00,758
Of course.
:
01:14:01,478 --> 01:14:03,608
Doug: I mean, Eddie could rock
the shit outta those white shoes.
:
01:14:03,608 --> 01:14:04,268
I don't know.
:
01:14:04,268 --> 01:14:05,588
I don't know how you feel, but
:
01:14:06,258 --> 01:14:07,698
Katie: I think he might be my favorite.
:
01:14:07,698 --> 01:14:10,938
I do kind of love Ellen's, stress
smoking in this, everybody's
:
01:14:10,938 --> 01:14:13,368
got their own little, the
:
01:14:13,368 --> 01:14:14,748
characters are fleshed out.
:
01:14:15,588 --> 01:14:19,445
Well, I feel But I think
I think this is elevated.
:
01:14:19,445 --> 01:14:21,005
We need Randy Quaid.
:
01:14:21,005 --> 01:14:22,085
We need Cousin Eddie
:
01:14:23,015 --> 01:14:27,184
Doug: You know, and also going back to
the clever writing of John Hughes in
:
01:14:27,184 --> 01:14:32,195
that, that scene with that, the eggnog
scene, you got Snots, the dog is drinking
:
01:14:32,195 --> 01:14:33,485
all the water outta the Christmas tree.
:
01:14:34,010 --> 01:14:37,790
Which in turn dries out the tree
throughout the next couple of days,
:
01:14:37,790 --> 01:14:41,270
which adds to the flammability of it.
:
01:14:41,930 --> 01:14:43,970
So when the tree goes up in flames, right.
:
01:14:43,970 --> 01:14:46,790
It's because the dog keeps
drinking water outta the damn tree.
:
01:14:47,523 --> 01:14:48,903
Katie: I mean, just put more water in it.
:
01:14:48,903 --> 01:14:50,013
Keep putting more water in it.
:
01:14:50,013 --> 01:14:50,193
But
:
01:14:50,553 --> 01:14:50,793
Doug: Yeah.
:
01:14:50,793 --> 01:14:53,253
But if the dog's drinking it, like
how, you know, you can't keep up.
:
01:14:53,283 --> 01:14:53,763
Katie: point.
:
01:14:53,853 --> 01:14:54,603
That's true.
:
01:14:54,663 --> 01:14:55,202
That's true.
:
01:14:55,563 --> 01:14:58,233
I, I didn't recall the dog.
:
01:14:58,633 --> 01:15:02,173
And I like a, I love a big dog,
so I really liked Snots the Dog.
:
01:15:02,493 --> 01:15:06,353
Doug: Did you did you like Ellen's
interest in his set of testicles
:
01:15:07,643 --> 01:15:10,673
when they show up and, and
Eddie goes you've never seen
:
01:15:10,673 --> 01:15:11,843
a set on a dog like this.
:
01:15:11,843 --> 01:15:14,483
And Ellen, Ellen takes
like a, a curious glance,
:
01:15:14,693 --> 01:15:15,833
Katie: totally missed that.
:
01:15:15,883 --> 01:15:16,783
Doug: Watch it again?
:
01:15:17,483 --> 01:15:18,743
Ellen Shame.
:
01:15:20,843 --> 01:15:22,643
Katie: Also, that's Ellen's dog.
:
01:15:22,702 --> 01:15:25,783
That's DeAngelo's dog
and the cat's her cat.
:
01:15:26,008 --> 01:15:26,878
Doug: The cat's, her cat.
:
01:15:26,908 --> 01:15:27,533
I, I
:
01:15:27,538 --> 01:15:30,118
just, I just learned that
when I was doing research.
:
01:15:30,118 --> 01:15:30,448
Yeah.
:
01:15:30,478 --> 01:15:30,838
Yeah.
:
01:15:31,093 --> 01:15:32,053
Katie: I absolutely love that.
:
01:15:32,263 --> 01:15:34,663
I completely forgot
about this squirrel scene
:
01:15:35,488 --> 01:15:36,478
Doug: Oh, the squirrel scene.
:
01:15:36,478 --> 01:15:36,868
Yeah.
:
01:15:37,393 --> 01:15:39,493
Katie: I did find it a
little bit odd though.
:
01:15:40,033 --> 01:15:43,633
The, I mean, you don't want the squirrel
in your house, like clearly you need
:
01:15:43,633 --> 01:15:47,973
to get it out of your house, but
the family seems oddly afraid of it.
:
01:15:48,633 --> 01:15:50,313
It's not a snake, it's a squirrel.
:
01:15:50,559 --> 01:15:50,850
Doug: Yeah.
:
01:15:51,165 --> 01:15:55,725
I, if you see like a wild critter running
around inside your house, it's kind of,
:
01:15:56,145 --> 01:15:57,795
because I mean, your dogs run around you.
:
01:15:57,855 --> 01:15:59,085
You can tame, you know, you can
:
01:15:59,190 --> 01:16:01,110
Katie: but there, it's
not a wild creature.
:
01:16:01,335 --> 01:16:04,125
Doug: yeah, like a wild animal, you
kind of, I mean, maybe they go over
:
01:16:04,125 --> 01:16:09,705
the top Also, I, I mentioned one of the
funniest lines in comedy, film history.
:
01:16:10,275 --> 01:16:11,985
Can I mentioned another one,
:
01:16:12,495 --> 01:16:15,105
A Lewis line, another like this.
:
01:16:15,885 --> 01:16:21,390
John Hughes is such an amazing writer
when, when aunt Anthony's sitting there
:
01:16:21,390 --> 01:16:22,770
and she's like, do you hear that sound?
:
01:16:22,770 --> 01:16:25,710
And he goes, you couldn't
hear a dump truck driving
:
01:16:25,710 --> 01:16:27,330
through a nitroglycerin plant.
:
01:16:28,215 --> 01:16:28,995
Katie: Uncle Louis,
:
01:16:29,220 --> 01:16:29,610
Doug: Yeah.
:
01:16:29,655 --> 01:16:30,645
Katie: say Yes, I did
:
01:16:30,755 --> 01:16:36,740
Doug: He says that to her like, like
just to, you know, connect just a way of
:
01:16:36,740 --> 01:16:38,570
saying you're deaf, you can't hear shit.
:
01:16:38,710 --> 01:16:43,059
You know, to, to use that metaphor
was just, I mean, the writing,
:
01:16:43,120 --> 01:16:44,830
God can't say enough about it.
:
01:16:45,100 --> 01:16:45,850
Katie: You're right.
:
01:16:45,910 --> 01:16:49,059
There's a lot, just little, little
things like remarks that people
:
01:16:49,059 --> 01:16:52,720
say, as a, nonchalant thing that
they say, like a throwaway, but
:
01:16:52,720 --> 01:16:54,610
it's, it you, if you catch them.
:
01:16:55,180 --> 01:16:58,370
Uncle Louis and Aunt Bethany
apparently were based on George Burns
:
01:16:58,370 --> 01:17:02,383
and Gracie Allen and they wanted
George Burns to play Lou Lewis.
:
01:17:02,878 --> 01:17:04,963
Doug: I that, I think
that would've been great.
:
01:17:04,963 --> 01:17:05,773
That would've worked.
:
01:17:06,463 --> 01:17:07,603
Katie: It definitely would've worked.
:
01:17:07,663 --> 01:17:09,433
I, I do really like the guy.
:
01:17:09,473 --> 01:17:13,433
He's Uncle Lewis in this and I really
like his characterization of him, but.
:
01:17:13,613 --> 01:17:14,153
Doug: Agreed.
:
01:17:15,353 --> 01:17:15,743
Agreed.
:
01:17:15,773 --> 01:17:19,613
I think George Burns could have done
it, but I mean, after seeing it so many
:
01:17:19,613 --> 01:17:23,813
times with Uncle Lewis', uncle Lewis,
you know, it's, it's hard to imagine
:
01:17:23,813 --> 01:17:27,233
somebody else, but George Burns kind
of like, and I think he might have
:
01:17:27,233 --> 01:17:29,213
been closer to make quest's age too.
:
01:17:29,693 --> 01:17:31,103
Katie: Yeah, a hundred percent.
:
01:17:31,103 --> 01:17:34,163
Yeah, because he lived to be like
over a hundred, I feel like, didn't
:
01:17:34,163 --> 01:17:34,463
he?
:
01:17:34,973 --> 01:17:35,452
Yeah.
:
01:17:36,070 --> 01:17:37,990
Chevy Chase this is another little thing.
:
01:17:38,090 --> 01:17:40,430
His fingers keep getting stuck
on the pages of the magazine.
:
01:17:40,430 --> 01:17:43,610
He's flipping through when they're in
bed and then they get stuck on Ellen's
:
01:17:43,610 --> 01:17:45,410
hair because the tree was so sappy.
:
01:17:45,740 --> 01:17:47,330
Like just little things like that
:
01:17:47,390 --> 01:17:49,370
are really nice touches.
:
01:17:49,670 --> 01:17:53,190
But the people magazine that he
was flipping through the person
:
01:17:53,190 --> 01:17:55,050
on the cover was Jeremiah Cheick.
:
01:17:56,220 --> 01:17:56,309
I
:
01:17:56,309 --> 01:17:57,600
Doug: Another, another
:
01:17:57,600 --> 01:17:57,720
Katie: have.
:
01:17:58,665 --> 01:18:01,785
Recognize I wouldn't, I mean, I would
never have recognized him, but yeah,
:
01:18:02,430 --> 01:18:07,270
Doug: doesn't that the guy kind of has
like a Hitler vibe to him, doesn't he?
:
01:18:07,540 --> 01:18:09,130
The guy on the cover of the magazine,
:
01:18:09,385 --> 01:18:12,355
the mustache and the Yeah,
it's a people magazine.
:
01:18:12,745 --> 01:18:16,825
You know, you probably should have
made it like Forbes 'cause people's,
:
01:18:16,825 --> 01:18:18,715
like fam famous people, you know, like
:
01:18:19,720 --> 01:18:23,460
Katie: Well, speaking of magazines too,
so both of the grandpas so the, the
:
01:18:23,460 --> 01:18:26,490
grandparents stay in the kids' bedrooms,
:
01:18:26,780 --> 01:18:27,200
Doug: mm-hmm.
:
01:18:27,570 --> 01:18:32,317
Katie: And one of the grandpas is in
Audrey's room is reading her magazine,
:
01:18:32,317 --> 01:18:34,717
her Sassy magazine with a flashlight.
:
01:18:35,357 --> 01:18:40,187
And then the other grandpa, they're
on bunk beds in Rusty's room, and
:
01:18:40,187 --> 01:18:43,007
there's a, like a model on the ceiling
or whatever, and he's just like
:
01:18:43,007 --> 01:18:44,687
looking up at it like he's in heaven.
:
01:18:44,987 --> 01:18:45,527
Doug: Yeah.
:
01:18:45,767 --> 01:18:47,837
He's got the poster taped to his ceiling,
:
01:18:49,577 --> 01:18:52,697
Katie: He also had a poster
of tortoises having sex.
:
01:18:54,257 --> 01:18:54,437
Did
:
01:18:54,437 --> 01:18:54,737
you?
:
01:18:54,857 --> 01:18:55,127
Doug: God.
:
01:18:55,192 --> 01:18:56,237
I, I never, I
:
01:18:56,477 --> 01:18:59,777
Katie: I know I wouldn't have ever caught
it until, like I said, doing the show,
:
01:18:59,777 --> 01:19:03,437
I am just really paying attention and
I was like, what the fuck is going on?
:
01:19:03,677 --> 01:19:07,232
There's a tortoise
humping another tortoise a
:
01:19:07,517 --> 01:19:09,467
a poster in Rusty's room.
:
01:19:09,827 --> 01:19:11,982
Doug: I mean, rusty is a
young, teenage, teenage boy.
:
01:19:12,522 --> 01:19:12,822
You know?
:
01:19:13,202 --> 01:19:14,462
It is one thing on his mind.
:
01:19:15,227 --> 01:19:18,197
Katie: Indeed, one more
bit of trivia for you.
:
01:19:19,037 --> 01:19:20,687
Brian Doyle Murray,
:
01:19:21,122 --> 01:19:21,541
Doug: Mm-hmm.
:
01:19:21,617 --> 01:19:26,657
Katie: who plays Clark's boss in this
was in the other vacation movies as well.
:
01:19:27,293 --> 01:19:31,013
So the first one he played
the clerk at Camp Comfort,
:
01:19:31,077 --> 01:19:31,498
Doug: mm-hmm.
:
01:19:32,403 --> 01:19:35,383
Katie: Or maybe not in European,
but those two where the Griswold
:
01:19:35,383 --> 01:19:36,702
stopped to stay on their way.
:
01:19:37,193 --> 01:19:37,373
Doug: Yeah.
:
01:19:37,373 --> 01:19:39,563
He was spitting watermelon
seeds in his hand.
:
01:19:39,968 --> 01:19:41,168
Katie: Is he okay?
:
01:19:41,708 --> 01:19:42,368
Yeah.
:
01:19:42,428 --> 01:19:43,088
Yeah.
:
01:19:43,657 --> 01:19:45,758
So this is Bill Murray's
brother, Brian Doyle Murray.
:
01:19:46,157 --> 01:19:49,458
He was the priest in 16 candles
when the sister gets married.
:
01:19:49,458 --> 01:19:54,588
So we talked about him in that episode,
but he appears significantly older
:
01:19:54,588 --> 01:19:57,588
than Clark, as Clark's boss in this.
:
01:19:57,988 --> 01:20:00,178
But he's actually two years
younger than Chevy Chase
:
01:20:00,793 --> 01:20:01,393
Doug: Wow.
:
01:20:01,452 --> 01:20:02,113
No kidding.
:
01:20:02,383 --> 01:20:03,013
No kidding.
:
01:20:03,520 --> 01:20:03,730
Yeah.
:
01:20:03,730 --> 01:20:07,660
He's in so much, he's in everything.
:
01:20:08,267 --> 01:20:10,007
He's a great comedy actor too.
:
01:20:10,022 --> 01:20:12,812
Katie: is, I kind of forget
about him, but Yeah, he is,
:
01:20:13,487 --> 01:20:15,677
Doug: He, he's got that
unmistakable voice,
:
01:20:16,787 --> 01:20:21,967
so like he, his appearance might change,
, but he sounds the same in everything.
:
01:20:23,032 --> 01:20:25,612
Katie: Is that his natural voice
or is he kind of doing a little
:
01:20:25,612 --> 01:20:27,802
extra thing to sound like that?
:
01:20:27,802 --> 01:20:28,162
Is that
:
01:20:28,162 --> 01:20:30,052
Doug: he he might put it on a little bit.
:
01:20:30,052 --> 01:20:30,772
I don't know.
:
01:20:30,862 --> 01:20:31,462
Yeah.
:
01:20:31,943 --> 01:20:32,484
Could be.
:
01:20:33,445 --> 01:20:36,195
Katie: I wanna hear your final
thoughts or if you have other favorite
:
01:20:36,195 --> 01:20:37,665
parts that we haven't gotten to.
:
01:20:38,355 --> 01:20:42,765
But I, again, I feel like as a
kid, I didn't quite appreciate the
:
01:20:42,765 --> 01:20:50,115
characters of Margot and Todd and
now as an adult I to, I they are,
:
01:20:50,985 --> 01:20:52,695
they're a needed addition to this.
:
01:20:52,695 --> 01:20:56,445
I love the neighbor aspect and who
they are, who the neighbors are.
:
01:20:56,835 --> 01:20:58,965
Again, the characters are out.
:
01:20:59,640 --> 01:21:03,400
Doug: Yeah, it's, they're, they're like
the B plot, you know, the neighbors.
:
01:21:03,970 --> 01:21:09,130
And it's, it from time to time, like, I,
I wonder if like, my neighbors secretly
:
01:21:09,130 --> 01:21:13,720
hate me because of whatever shit, because
of my, my kids running around or whatever.
:
01:21:14,200 --> 01:21:16,200
And but they're, I
mean, they're hilarious.
:
01:21:16,350 --> 01:21:18,470
They're great for the
b plot of this movie.
:
01:21:19,010 --> 01:21:21,925
But they don't ever
like get over on Clark.
:
01:21:22,105 --> 01:21:25,855
You know, Clark always, always has
like a witty comeback, the snippy
:
01:21:25,855 --> 01:21:28,945
comeback, the, you know, where are you
gonna put a tree that big bend over?
:
01:21:28,945 --> 01:21:34,165
And I'll show you, you know, like,
it's not like they never demean Clark,
:
01:21:34,165 --> 01:21:35,755
where he like, seems less than them.
:
01:21:35,755 --> 01:21:40,375
So he's, he's always kind of on par with
them, you know, usually when you have
:
01:21:40,375 --> 01:21:44,585
like an antagonist , they'll have one
up on the protagonist at some point.
:
01:21:45,515 --> 01:21:49,205
But they're, they're always, like Clark
is, is inadvertently making their,
:
01:21:49,205 --> 01:21:54,395
their life miserable, you know, with
the ice through the window and the,
:
01:21:54,395 --> 01:21:58,205
the, the, the, the spotlight shining
in their room, in their bedroom.
:
01:21:59,045 --> 01:22:00,425
Katie: The tree, I feel like there was
:
01:22:00,635 --> 01:22:01,715
Doug: The tree, yeah.
:
01:22:01,715 --> 01:22:05,135
When he, after the tree burnt down,
he went and cut down a tree in
:
01:22:05,135 --> 01:22:08,675
his own yard, and when he cut that
down, it fell through their window.
:
01:22:09,095 --> 01:22:12,335
You know, it's, I mean, and again,
the great writing when they're
:
01:22:12,335 --> 01:22:13,835
like, should we have gotten a tree?
:
01:22:13,835 --> 01:22:16,145
Like it's Christmas Eve, where
are we gonna find a tree?
:
01:22:16,325 --> 01:22:18,365
And here comes a tree,
crash it through the window.
:
01:22:18,415 --> 01:22:19,075
They're great.
:
01:22:19,105 --> 01:22:22,525
They're a great comedy foil,
but you know, if, if, if not
:
01:22:22,585 --> 01:22:22,825
Katie: wet?
:
01:22:22,825 --> 01:22:23,335
Todd?
:
01:22:23,845 --> 01:22:24,270
Doug: Oh yeah.
:
01:22:24,510 --> 01:22:25,110
Right, right.
:
01:22:25,885 --> 01:22:26,095
Yeah.
:
01:22:26,095 --> 01:22:28,405
It's, it's the you know, the
icicles, the perfect weapon.
:
01:22:28,405 --> 01:22:28,645
Right.
:
01:22:28,645 --> 01:22:30,080
Because after our mals,
there's no evidence.
:
01:22:31,645 --> 01:22:33,965
But yeah, they're like outside of them.
:
01:22:34,145 --> 01:22:36,785
You wouldn't have any antagonist really,
:
01:22:37,415 --> 01:22:37,745
except
:
01:22:37,745 --> 01:22:38,255
Katie: I guess.
:
01:22:39,005 --> 01:22:39,365
Doug: Yeah.
:
01:22:39,455 --> 01:22:39,815
Oh yeah.
:
01:22:39,815 --> 01:22:40,175
True.
:
01:22:40,505 --> 01:22:40,655
Katie: Or
:
01:22:40,775 --> 01:22:42,125
Doug: But Clark's own bad
:
01:22:42,184 --> 01:22:42,755
Katie: family?
:
01:22:42,785 --> 01:22:42,995
Yeah.
:
01:22:42,995 --> 01:22:45,485
His, yeah, his, his family showing up.
:
01:22:45,545 --> 01:22:49,735
Like all of the things they go to the
store, he doesn't have Randy Quat cousin
:
01:22:49,735 --> 01:22:51,265
Eddie doesn't have presents for his kids,
:
01:22:51,265 --> 01:22:54,775
but he puts like five bags, five like 40
:
01:22:54,775 --> 01:22:55,195
Doug: dog food.
:
01:22:55,375 --> 01:22:56,260
Katie: of dog food in the
:
01:22:56,605 --> 01:22:59,425
Doug: Old Roy, that's the Walmart brand.
:
01:23:00,325 --> 01:23:05,335
But, uh, one thing Ben, like I know,
I know Chevy Chase is, is a tall guy.
:
01:23:05,335 --> 01:23:06,715
He's like six foot five.
:
01:23:06,835 --> 01:23:10,105
And in that you could really tell
like they're Randy Craig must
:
01:23:10,105 --> 01:23:12,085
be obviously is a big guy too.
:
01:23:12,115 --> 01:23:14,515
'cause they're like eye to eye
in, in that, that scene, like
:
01:23:14,515 --> 01:23:16,255
they're just a couple of big dudes.
:
01:23:16,680 --> 01:23:17,210
Katie: They are.
:
01:23:18,309 --> 01:23:21,530
Well, Doug, I could probably
go on for like two more hours
:
01:23:21,530 --> 01:23:24,650
talking about Christmas vacation,
like all the, it's super funny.
:
01:23:25,050 --> 01:23:26,850
What did we not cover?
:
01:23:26,880 --> 01:23:29,070
What comes to mind that
:
01:23:29,850 --> 01:23:30,300
Doug: man.
:
01:23:30,575 --> 01:23:30,585
Katie: it.
:
01:23:31,590 --> 01:23:35,520
Doug: The well, something o
obviously the scene in the attic
:
01:23:35,700 --> 01:23:37,680
is, is like a touching scene, right?
:
01:23:38,130 --> 01:23:38,340
Right.
:
01:23:38,340 --> 01:23:42,320
Up until the point where he falls, you
know, through the, when doors opens
:
01:23:42,320 --> 01:23:43,940
the, the thing and he falls down.
:
01:23:44,480 --> 01:23:48,700
But I, I love that scene simply
because of the song by Ray
:
01:23:48,700 --> 01:23:50,900
Charles the Spirit of Christmas,
:
01:23:50,915 --> 01:23:52,355
Katie: Oh, it was so good.
:
01:23:52,355 --> 01:23:52,775
Yes.
:
01:23:52,775 --> 01:23:53,195
I've,
:
01:23:53,345 --> 01:23:54,095
yes,
:
01:23:54,890 --> 01:23:59,090
Doug: And I like, I have it on, on my own
Christmas playlist because it's, it's such
:
01:23:59,090 --> 01:24:02,720
a, it's, it's nostalgic because it, this
movie, but it's like a really pretty song,
:
01:24:03,335 --> 01:24:07,985
Katie: It is, and I feel like it's not on
a lot I, I don't, I don't hear that a lot,
:
01:24:08,270 --> 01:24:08,690
Doug: no.
:
01:24:09,110 --> 01:24:13,100
If you want to hear it, add it, add it
to your own Christmas playlist, 'cause
:
01:24:13,100 --> 01:24:13,700
it it is.
:
01:24:13,965 --> 01:24:16,005
It, evokes that feeling to me, you know?
:
01:24:16,875 --> 01:24:21,825
Also the sledding scene, I know it's
like an iconic scene, but one of the
:
01:24:21,875 --> 01:24:26,065
the things that I noticed throughout
the years is, you know, as like they,
:
01:24:26,395 --> 01:24:29,215
they'll show the hill that he's about
to go down, and then he goes to sled
:
01:24:29,215 --> 01:24:31,135
down the hill, and it's like pew, right?
:
01:24:31,135 --> 01:24:34,585
Like a, like a light that
just shoots down the hill.
:
01:24:35,125 --> 01:24:40,465
If you look before, before he
actually goes, they show the hill
:
01:24:40,465 --> 01:24:43,555
a couple of times and you can see
the charges running down the hill.
:
01:24:44,065 --> 01:24:47,915
There's like, there's Three lines
of like explosive charges that run
:
01:24:47,915 --> 01:24:50,165
down the hill in, in the exact line.
:
01:24:50,165 --> 01:24:51,735
That's that's the explosives that
:
01:24:51,735 --> 01:24:52,425
go off.
:
01:24:53,025 --> 01:24:53,985
Katie: good eye
:
01:24:54,015 --> 01:24:56,795
Doug: But yeah yeah, I tell you,
you see it hundreds of times.
:
01:24:56,795 --> 01:24:58,595
That's the stuff that you pick up
:
01:24:58,745 --> 01:24:59,225
Katie: pick.
:
01:25:00,215 --> 01:25:03,705
I guess one to your point about
the attic scene, it's the attic,
:
01:25:03,705 --> 01:25:05,085
so it's not like a complete like.
:
01:25:05,775 --> 01:25:06,434
Floor.
:
01:25:07,245 --> 01:25:11,715
And so he steps through breaking
through the ceiling into Rusty's room.
:
01:25:11,715 --> 01:25:13,755
So he's stuck up there,
the door gets closed.
:
01:25:13,755 --> 01:25:17,715
So I was like, why doesn't
he just get out now that way?
:
01:25:18,660 --> 01:25:22,230
Doug: I always wondered that too, that
the, well, I mean, he's only like knee
:
01:25:22,230 --> 01:25:27,840
deep, so I mean it's, especially if he's
as tall as he is, maybe it's difficult to,
:
01:25:28,170 --> 01:25:28,980
to squirm.
:
01:25:29,160 --> 01:25:30,600
But I mean, you already broke the ceiling.
:
01:25:30,600 --> 01:25:32,250
Why don't you just break
a little bit more of
:
01:25:32,355 --> 01:25:32,745
Katie: Say?
:
01:25:32,745 --> 01:25:33,945
That's what I was thinking too.
:
01:25:34,005 --> 01:25:35,355
But then where's the grandpa gonna sleep?
:
01:25:35,355 --> 01:25:36,165
I don't know where all these
:
01:25:36,180 --> 01:25:36,240
Doug: Yeah.
:
01:25:36,495 --> 01:25:37,065
Katie: sleeping.
:
01:25:37,140 --> 01:25:37,350
Doug: Right.
:
01:25:37,530 --> 01:25:38,580
You just gotta look in the hole.
:
01:25:39,015 --> 01:25:43,785
Katie: Where are, where are
um, rusty and Audrey sleeping?
:
01:25:44,445 --> 01:25:44,925
Is
:
01:25:45,990 --> 01:25:48,600
Doug: in maybe a guest bed, but
I mean, they're sleeping together
:
01:25:49,155 --> 01:25:52,275
Katie: Wouldn't it make more sense then
if there was a guest room to put one
:
01:25:52,275 --> 01:25:56,145
set of grandparents in there and have
Audrey and Rusty sleep on the bunk beds?
:
01:25:56,745 --> 01:25:59,955
Doug: Or are they in Audrey's room?
:
01:26:00,525 --> 01:26:03,495
Katie: 'cause another set of grandparents
are in Audrey's room, so the kids'
:
01:26:03,495 --> 01:26:05,355
rooms are taken by the grandparents
:
01:26:05,745 --> 01:26:06,225
Doug: Hmm.
:
01:26:06,765 --> 01:26:07,815
Yeah, I don't know.
:
01:26:07,815 --> 01:26:08,055
That's a
:
01:26:08,085 --> 01:26:11,085
Katie: and so there has to be,
unless there's a basement or
:
01:26:11,085 --> 01:26:11,955
something, I don't, I don't know.
:
01:26:11,955 --> 01:26:13,005
Or a pullout couch or
:
01:26:13,065 --> 01:26:13,480
Doug: Oh, maybe.
:
01:26:13,510 --> 01:26:13,800
Yeah.
:
01:26:13,805 --> 01:26:13,965
Yeah.
:
01:26:13,965 --> 01:26:15,135
Maybe a pullout couch.
:
01:26:15,495 --> 01:26:15,705
Yeah.
:
01:26:15,705 --> 01:26:16,845
Maybe they're sleeping on, yeah.
:
01:26:16,845 --> 01:26:19,395
The logistics of it,
you know, aren't clear.
:
01:26:19,395 --> 01:26:19,755
But yeah.
:
01:26:19,755 --> 01:26:20,775
Maybe a pull out couch.
:
01:26:20,775 --> 01:26:22,095
That makes a a lot of sense.
:
01:26:22,305 --> 01:26:24,315
Put Rusty and Audrey on the, on the couch.
:
01:26:25,088 --> 01:26:26,077
Katie: What are your closing thoughts?
:
01:26:26,077 --> 01:26:28,898
I know this is putting you on the spot and
that's hard because you love this movie
:
01:26:28,898 --> 01:26:30,338
so much and you've seen it so many times.
:
01:26:30,338 --> 01:26:34,638
But, thank you first of all for
joining me for this super classic,
:
01:26:34,638 --> 01:26:38,268
I had such a fun time re-watching
it and talking about it with you.
:
01:26:38,478 --> 01:26:40,248
So thank you for joining me for it.
:
01:26:40,638 --> 01:26:43,878
What are your closing thoughts
on Christmas vacation?
:
01:26:44,568 --> 01:26:46,568
Doug: man, I can't say enough about it.
:
01:26:46,568 --> 01:26:50,827
It means outside of just like the
entertaining and comedic factor of it,
:
01:26:50,827 --> 01:26:56,318
the, the movie means a lot to me because
of, you know, how I came up watching it.
:
01:26:56,618 --> 01:26:56,978
Right.
:
01:26:57,098 --> 01:26:59,558
So, yeah, it's hilarious.
:
01:26:59,558 --> 01:27:03,098
And, and still, after all the times
that I've seen it, I still watch these
:
01:27:03,098 --> 01:27:06,128
parts and I'm describing these lines
to you and I can't even get through
:
01:27:06,128 --> 01:27:09,708
the line because I'm laughing already,
but that's I still laugh at the stuff
:
01:27:09,708 --> 01:27:11,058
that you're supposed to laugh at.
:
01:27:11,298 --> 01:27:14,657
And even, even some of that, like
subtle stuff, like the lines that,
:
01:27:14,688 --> 01:27:16,577
that I noticed that you may have not.
:
01:27:17,298 --> 01:27:20,205
But it means a lot to me in a lot of ways.
:
01:27:20,475 --> 01:27:20,745
Right.
:
01:27:20,805 --> 01:27:25,335
And it's, I, I don't, I don't
plan on ever stopping to watch it.
:
01:27:25,335 --> 01:27:28,965
I, I hope that my kids, but like
my, you know, my teenagers, my boys,
:
01:27:29,595 --> 01:27:32,655
they know it, they watch it, but, you
know, not the way that I did growing
:
01:27:32,655 --> 01:27:32,925
up.
:
01:27:33,915 --> 01:27:37,245
So, I mean, my daughters, I got a second
chance on them, so hopefully they'll,
:
01:27:37,245 --> 01:27:38,865
they'll appreciate it the way that I do.
:
01:27:39,300 --> 01:27:40,770
Katie: Fingers crossed, Doug.
:
01:27:41,220 --> 01:27:44,595
Yeah, and remind us where we can
find more of you in your work.
:
01:27:46,065 --> 01:27:48,885
Doug: Well, the main project I'm
working on is with our buddy Ryan.
:
01:27:49,005 --> 01:27:51,165
I do the Frank Stallone podcast.
:
01:27:51,165 --> 01:27:53,445
It's called Frank
Stallone, who is this guy?
:
01:27:54,295 --> 01:27:57,985
And I know some people may
know me from Rocky Minute.
:
01:27:58,225 --> 01:27:59,535
That was my my podcast.
:
01:27:59,535 --> 01:28:05,445
I started many, many ages ago, another
life ago before my divorce and, you
:
01:28:05,445 --> 01:28:07,035
know, my remarriage and everything.
:
01:28:07,545 --> 01:28:11,145
And, I do plan on revisiting that.
:
01:28:11,535 --> 01:28:15,705
I don't know if I'm gonna, I I, I'm
still, because the girls are, you
:
01:28:15,705 --> 01:28:19,455
know, once, once they get into like,
school age, you know, and, and they
:
01:28:19,455 --> 01:28:22,425
don't take up so much of my free time.
:
01:28:22,905 --> 01:28:26,535
I can start podcasting on my
own again and, you know, editing
:
01:28:26,535 --> 01:28:27,885
on my own and shit like that.
:
01:28:27,885 --> 01:28:29,125
So, I don't know.
:
01:28:29,125 --> 01:28:31,045
I, I'm, I may, just start over
:
01:28:31,945 --> 01:28:33,355
I may just start over from the beginning.
:
01:28:33,355 --> 01:28:33,745
Yeah.
:
01:28:33,880 --> 01:28:34,510
Katie: doing it
:
01:28:34,510 --> 01:28:35,590
minute by minute though.
:
01:28:35,815 --> 01:28:36,595
Doug: minute by minute.
:
01:28:36,610 --> 01:28:37,270
Katie: Yeah.
:
01:28:37,270 --> 01:28:37,750
Okay.
:
01:28:37,750 --> 01:28:39,820
Well stay tuned
:
01:28:39,955 --> 01:28:41,365
Doug: it here first, folks?
:
01:28:42,040 --> 01:28:43,270
Katie: Yeah, no, it's super funny.
:
01:28:43,270 --> 01:28:47,470
I mean, I can never get enough
rocky coverage, so I welcome
:
01:28:47,470 --> 01:28:48,970
it with open arms, Doug.
:
01:28:49,855 --> 01:28:51,805
Doug: Well, you'll be a
frequent guest on it, trust
:
01:28:51,820 --> 01:28:52,510
Katie: Awesome.
:
01:28:52,570 --> 01:28:53,200
Awesome.
:
01:28:53,230 --> 01:28:58,526
Well, I really did, really enjoyed my
rewatch last night of Christmas vacation.
:
01:28:58,526 --> 01:29:03,386
I, I think partially because I relate to
it so much more now as an adult and I'm
:
01:29:03,386 --> 01:29:06,146
catching things I didn't in prior viewing.
:
01:29:06,146 --> 01:29:08,156
So super fun rewatch.
:
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This is your last holiday
movie coverage, everyone.
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It's our wrap on Christmas
vacation and I do think that it
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perfectly captures the stress.
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The absurdity and the weird
comfort of the holidays.
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So thank you for spending part of
your season with us, and I will
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be back soon with another rewind.
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In the meantime, help spread the word
to help the show grow by sharing,
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01:29:30,296 --> 01:29:32,366
commenting, subscribing, and reviewing.
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01:29:32,756 --> 01:29:35,036
And until next time, be kind.
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Rewind.