This week on Home In Progress, Dan opens with a story about a flaming microwave, a snowbank, and a pair of whitey tighties -- and turns it into a genuinely useful guide on getting smoke smell out of your home. He's then joined by Jeff Mot, manager of the Lakewood RepcoLite, to talk about a car show and ice cream social coming to that store on July 18. Then Dan picks up where last week's bathroom lighting conversation left off, diving into something almost nobody considers: what the color on your bathroom walls is doing to your face in the mirror every morning. He closes with a Hannah SpaghettiO story that leads directly into the case for handy paint cups and pails -- both on sale through the end of June.
Dan's daughter punched an extra zero into the microwave and walked away. Twenty minutes later, Dan spotted smoke, ran into the kitchen, found something spinning around with actual flames coming out of it, grabbed the microwave, ran outside barefoot in his underwear, and threw it into a snowbank. In Zeeland. Around 10 at night. The kids have loved that story ever since.
The aftermath is what the segment is actually about. The smoke smell wouldn't leave. Day after day, it just sat there. If that's happened to you, here's how to actually fix it.
Step 1: Ventilation and filtration.
Open windows, run exhaust fans, use box fans to push air out. If the smoke moved through the HVAC system, replace the furnace filter -- smoke particles can get pulled into the return and stay there. A portable air cleaner with a HEPA filter helps pull fine particles out of the air. Do all of this first, but understand that ventilation alone almost never fully solves a smoke smell.
Step 2: Wash everything.
The key thing to understand: smoke isn't just something floating in the air. It's made up of tiny particles and oily residues that land on every surface in the room -- curtains, upholstery, carpet, cabinets, walls, ceilings, clothing, all the little cracks and crevices. That's why airing the place out isn't enough. You have to physically remove the residue.
Start at the source. If it was a microwave fire, unplug it, remove everything removable, and wash all of it separately. Then spread out: walls, ceilings, cabinets, doors, trim, light fixtures, switch plates, top of the refrigerator. All the surfaces that don't normally get cleaned. Smoke residue is oily, so one pass usually isn't enough -- clean, rinse, change the water, and go again.
Cleaners: A mild Dawn dish soap solution works well on painted surfaces. Krud Kutter and Champion are solid degreasers for non-painted areas. After washing, OdoBan (O-D-O-B-A-N) is a cleaner and heavy-duty odor neutralizer that can knock out what remains. Vinegar, baking soda, and activated charcoal are supporting players -- not substitutes for actually scrubbing everything down.
Cigarette smoke is a different conversation -- Dan plans to cover that in a future episode.
Dan is joined by Jeff Mott, manager of the Lakewood RepcoLite, to talk about a car show and ice cream social coming to the store.
Date: Saturday, July 18 Time: 11:00 a.m. to 2:00 p.m. (Note: flyers say 11 to 1 -- it's 11 to 2) Location: Lakewood RepcoLite
Jeff has been trying to get Dan to host a car show for roughly five years. He owns a 1966 International Scout and grew up around old cars. The event is part of RepcoLite's Summer Stops program -- different events at different store locations throughout the summer, built around community and getting to know customers and contractors better.
The Corvette Club will be there with vehicles ranging from brand-new to 1950s and '60s models. Jeff is also welcoming any old cars, trucks, and motorcycles. The appeal of a show like this, Dan has come to understand, is the stories that come with the vehicles -- the restoration history, cars passed down through families, little museums on easels in the parking lot. That part Dan can actually get into.
Admission: Free Ice cream: Free, while supplies last, with toppings Bring a classic vehicle: No registration required -- just show up and they'll direct you. If you want to give them a heads-up, call 616-393-0025. Directions note: Road construction on Lakewood Drive limits access to westbound traffic from 120th. You can get in, you can get out, but plan accordingly.
Dan will continue reminding listeners as July 18 gets closer.
Last week's show covered bathroom lighting and how a poorly lit mirror can make you look worse than you are. Dan adds a second layer: the color on your bathroom walls.
He sets it up with a moment from his own week. Walking through the warehouse where he works, he noticed an entire section had gone pink. Bright pink panels had been moved into a spot where they were catching the sun and reflecting it everywhere. Nothing had actually changed -- it just looked that way.
Your bathroom walls do the same thing, every morning, to your face. The color reflects back onto your skin while you're standing at the mirror. Most people have no idea it's happening.
Photographers call it color cast. Whatever color surrounds you gets cast onto you. Photography studios often paint their walls flat neutral gray to avoid adding a false tint -- they want the true skin tone, then they warm it up with lighting from there. Makeup artists watch for this constantly. A colored wall, a bright shirt, anything nearby can throw a tint onto a face and change the whole look.
Bathrooms are especially susceptible because of the combination: small space (you're close to the walls), you're staring into a mirror, and bathrooms tend to be among the more brightly lit rooms in the house. All of that means more wall color gets bounced back at you.
Two jobs, not one. Most of the time, when choosing a paint color, you ask how it will look in the space. In a bathroom, you have to ask a second question: how will I look in it? A moody charcoal or a deep, trendy green can look beautiful on the walls and still make the person standing in the room look a little unwell. The room can be magazine-worthy and the color still be wrong for you. That's a distinction people almost never make.
Yellow and yellow-green. Especially anything with green in it. Reflects a sallow, slightly sickly cast onto skin. Cancels out the natural pink and red tones that make a complexion look healthy and awake.
Strong reds. A bold red throws a heavy warm cast over everything, including your face. The stronger the color, the more tint it pushes around.
Gray. This one surprises people. Photography studios use gray walls because gray tells the truth -- no invented tint. But without warm lighting aimed at you, that truth isn't always flattering. Gray tends to drain warmth out of a face and leave it looking flat and washed out. Given how long gray has dominated bathroom design, a lot of people may be dealing with this every morning without knowing it.
For anyone who wears makeup, a bad wall color doesn't just affect how you look -- it affects what decisions you make getting ready.
If the wall casts a color onto your face while you're applying makeup, you're working with inaccurate information. Say the wall makes you look sallow and tired -- you compensate, adjust your color, add more than you normally would. But you're correcting for a problem the room invented. You walk outside into real daylight with makeup calibrated for a wrong starting point, and nothing looks right. Everyone else sees what's on your face. You were perfectly matched for your bathroom wall. That's the mismatch.
Soft, warm neutrals. Warm whites, soft peach, muted pink, warm beige. These reflect a gentle warm glow onto skin that flatters nearly everyone. It's like standing in good morning light.
Muted nature colors. Soft blush, powder blue, quiet sage. Nothing loud or saturated. Muted is the key word.
Powder blue. Works well as a pale, soft tone. Push it darker or cooler and it starts chilling skin down -- you look pale and cold. Keep it soft.
Dusty lavender. Often flattering because of the pink component in it. Go too purple and it gets cold fast.
Warm earth tones. Terracotta, soft clay. Very forgiving on skin.
The lighting reminder. Color and lighting are a team. A warm-ish light on a flattering wall color gives you something close to your actual face rather than the room's version of it. Both elements matter and need to be addressed together.
The bottom line on bathroom color: you're choosing for the room AND for yourself. It's about how the space looks and how you look in it. How your makeup turns out. How you feel walking out the door.
When looking at paint chips for a bathroom, add a second question to the usual one. The first: does this look good in my space? The second, the one most people skip: how am I going to look in this?
To answer the second question, test. Benjamin Moore color samples run about six dollars and give you enough paint to brush out a large section on the actual wall. Put it up, stand in front of it, and look at yourself in the mirror. See what the color does to you, not just to the room. Check it morning light, midday, and at night before committing.
Dan's daughter Hannah, around age two or three, had been sitting on his lap after dinner while he finished eating. He poured himself a glass of water from the pitcher on the table. Hannah talked. He drank. At some point he realized he was chewing. He held the glass up and found gray, murky water with things floating in it -- something that looked like a meatball fragment, something that was almost certainly a SpaghettiO. The pitcher handle had small orange handprints on it. The rim had orange lip marks. Hannah had drunk from the pitcher twice. Twice was enough to completely contaminate the water.
The paint point: If you cut in by carrying the gallon or quart can and dipping your brush back into it every time, you're doing the same thing. One dip after the brush picks up a spider web, dirt, or debris -- especially outdoors -- and all the paint in the can is now contaminated. You'll find out when you start rolling the big areas and strange things are coming out of the finish.
The fix: pour a small amount of paint into something smaller and work from that. If what's in the cup gets contaminated, it's just a cup -- not the whole can.
Handy paint cups and handy paint pails are both on sale at RepcoLite through the end of June.
Cups -- smaller, less expensive, good for lighter work. Pails -- hold up to about a quart; liners are available for easier cleanup.
Both have a comfortable grip -- the pails have a strap, the cups have a handle. Both beat working from a quart or gallon can that wasn't designed to be held while painting.
The standout feature: a built-in magnet that holds your brush when you set it down. The brush stays put instead of sliding into the paint. Dan says it doesn't sound like a big deal until you've used one.
Stop in at any RepcoLite location, grab a few. Inexpensive, and they solve a real, annoying problem.
Lakewood RepcoLite Car Show and Ice Cream Social
Summer Stops -- Events at various RepcoLite locations this summer. Ask in any store for details.
Home In Progress is on the air every weekend and available anytime at repcolite.com -- click the On the Radio tab on the homepage. Dan also posts episode content on Facebook and Instagram throughout the week.
Home In Progress is brought to you by RepcoLite Paints and Benjamin Moore. People often think of paint as just another line item on the supply list. But everything you do, every hour of prep, every stroke of the brush, comes down to the quality of what goes on the wall. The paint is the project. Make sure it's the best.
Home In Progress | RepcoLite Paints | Sponsored by Benjamin Moore