On the third track from In Outer Space, Sparks take a sharp stylistic turn with “Prayin’ for a Party” — a brightly lit, guitar-forward slice of early-80s party rock that feels deliberately uncomplicated and almost startlingly un-Sparks-like. After two tracks dominated by programmed textures and synth sheen, this is where the album suddenly lets some rock air in, even if only briefly.

Musically, it leans hard into the era: chugging guitars, a bouncy groove, and a chorus that sounds purpose-built for teenage bedrooms and weekend optimism. It’s upbeat, simple, and intentionally lightweight — the kind of song that feels less like commentary and more like participation. That straightforwardness extends to the lyrics, which tell a literal, almost naïve story about praying not for salvation, but for permission to stay up late and go to a party. For Sparks, that lack of irony is the real curveball.

We talk about why this track often divides listeners. There’s no sense of satire or hidden bite here, something Ron Mael himself has acknowledged — insisting the song isn’t a put-down or a joke, even while half-suspecting he might be missing one. The result is a rare Sparks moment that sounds earnest to a fault, and one that many fans quietly skip without much regret.

Never released as a single, never covered, and barely played live outside the full-album performances decades later, “Prayin’ for a Party” stands as one of In Outer Space’s true outliers. It’s not a disaster, but it is a fascinating misfit — proof that Sparks could convincingly try on almost any style, even when it didn’t quite feel like home.