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POD: How to be a journalist from prison + union-busting updates
Episode 3016th May 2025 • RANGE • Range
00:00:00 00:56:31

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This week Erin was flying solo on the radio, but Val and Hedge were there in spirit.

We have an interview with Christopher Blackwell, an incarcerated journalist in Washington discussing with Val and Hedge the challenges and dynamics of reporting from prison. The conversation covers a lot of ground: the limited technology available to even type and research stories, the dehumanization of incarcerated folks, how we can build community in prison and outside and more.

Then Erin fills us in on the latest news this week, including an update on union busting at Planned Parenthood, the new rent stabilization laws in Washington and the Strippers' Bill of Rights.

03:20 Interview with Christopher Blackwell Begins

31:59 The official cost of Union Busting at Planned Parenthood

38:46 Rent Stabilization Legislation

45:27 Strippers' Bill of Rights

Transcripts

Speaker:

Hey y'all, it's Erin.

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This week I was unexpectedly all by

my lonesome, so I played an interview

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between Erin Hedge, Valerie Oser and

Christopher Blackwell, an incarcerated

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journalist who spoke with them on the

realities of reporting from incarceration.

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And then I spent the last 20 minutes

talking, pretending that I was sitting

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next to my best friend, filling them

in on what had happened this week.

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So if you're not already tired

of my voice, you're about to be.

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All right, this is Free Range, a

co-production of KYRS and Range Media.

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And for the very first

time I'm flying solo.

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So you're gonna have to give

me a little bit of grace here.

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Um, but I'm excited to share a

couple of things with y'all today.

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Um, earlier this week our reporter, Erin

Hedge and our editor Valerie Oser, sat

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down for a conversation with Christopher

Blackwell, an incarcerated reporter.

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Um, I'm gonna go ahead and play some

of the footage from that interview,

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which I think is pretty interesting.

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It's one of the things we've been

navigating as a news outlet, um, how to go

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about reporting with incarcerated writers

who often have limitations in technology,

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um, in the time they can spend.

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I mean, hedge was telling me, I think,

on the radio show that in order to

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communicate with incarcerated writers

that he's co-written stories with.

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There is a really harsh character

limit on the, uh, system that

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you can communicate through.

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So he'll have to send drafts of stories

back and forth in like 500 word chunks.

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It can sometimes be like an eight part

email, uh, just trying to share a draft

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with edits, and then you get charged

for each of those messages you send.

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So it can be kind of a, a complicated,

um, even expensive process just to

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communicate with incarcerated writers.

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But at range we really think it's

important to empower people to tell

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their own stories and to work with

people who have firsthand knowledge

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of some of the topics we're covering.

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So I'm gonna go ahead and

get that recording queued up.

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Uh, and you know, after that I think

I'm going to run through some of

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the stuff that I've been covering.

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I'm just gonna pretend.

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You know, I've never done this by myself,

so I think I'll just pretend that I'm

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talking to a good friend out there or a

roommate and trying to explain the news.

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So we've got about 27 minutes of a

interview with an incarcerated writer.

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A I didn't,

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it's Val and Aaron here.

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We're trying to get in touch

with Christopher Blackwell, who

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is an incarcerated journalist.

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So Chris writes about, like, you, you

had a question about like what kinds of

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things he, he writes, he writes about

like a pretty wide range of issues.

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Mm-hmm.

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Um, including like environmental stuff

at prisons and like, um, yeah, he's,

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he's mostly concerned with prison reform.

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Mm-hmm.

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And specifically like how to.

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Essentially like reduce the prison

population, which is basically like

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trying to let people out earlier

than they're supposed to be in for.

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Yeah.

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We're trying to interview about what it's

like to be an incarcerated journalist and

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one of the things that we're experiencing

right now is he tried to call and I got

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a message from him, but not an actual

call because the technology that they use

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to, um, allow incarcerated journalists

to call civilians is real glitchy.

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We are experiencing it

in live time people.

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Yes we are.

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This is fun.

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Okay, so I'm gonna jump in here to let

you know that for about nine minutes

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and 47 seconds, Val and Hedge are

jumping through all of these hoops with

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this securest technology, trying to

get a hold of Christopher Blackwell.

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Um, you know, as much as I wanna fill

dead air here, I don't think any of

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us wanna listen to nine minutes and

45 seconds of technology issues.

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Might be having you pulling

your hair out on your drive.

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So we're gonna jump to the moment

they get Chris on the phone.

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Hi Chris.

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Hi,

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Chris.

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You there?

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Yep.

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Uh, it would help if I merged.

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I just, I I was talking

to the empty zoom room.

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I forgot I didn't merge you in.

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No, I, I almost hung up too.

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Hey, thanks for bearing with us, Chris.

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Valerie, how's everybody doing?

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Well, how are you?

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I am good.

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I'm good.

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I will only, I have till about 3 35.

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Okay.

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Okay.

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Because actually my, my tablet

phone's messed up, so I'm in

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the day room on the phone.

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So also, you'll probably have

to forgive a little melody, but

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good to be here with you, Eric.

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Cool.

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Good to meet you, Al.

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Yeah.

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Yeah.

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And real quick, um, Chris,

is it okay that we record?

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Oh, yeah.

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You're good.

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Okay, cool, cool, cool.

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I figured, but, uh, just wanna make

sure we're in a two party consent state.

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Okay.

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So we've got, um, we've

got about 22 minutes left.

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Mm-hmm.

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If you gotta get off at 3 35,

thanks for letting us know.

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Yeah.

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Um, yeah, and you and I can catch

up about, uh, look to justice stuff

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later on if, if we need to do that.

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Um, but thanks so much for,

thanks so much for doing, agreeing

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to do this interview with us.

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We think it's, um, we think it's

important for people to know

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it's like to be, you know, an

incarcerated journalist, activist.

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Mm-hmm.

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Yeah.

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So you wanna go first, judge?

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Yeah.

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Yeah.

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No.

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Okay.

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So, um, can you tell us, I

mean, like, you and I have been

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chatting for a few months now.

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Uh, I think, um, but just tell

us, can, can you just start real

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basic, like, what got you into

journalism as an incarcerated person?

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Well, that's, you know, you, you

want to see something different.

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Mm-hmm.

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Right?

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You wanna have a voice, you want to

see the system operate different.

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You wanna see it operate in a

way that it's not causing harm.

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Mm-hmm.

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And I've been in prison

for 22 years, right?

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Mm-hmm.

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But I've only been writing and

publishing since around:

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So I went through college, I learned

all this stuff, and then I was like,

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how do I express this to people?

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How do I show people what's going

on inside so we can start to change

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some of this and actually build a

system that is releasing people that

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are better off in society, right?

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That are adding society.

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And that was like the spark of like

wanting to share that and wanting to

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share that through personal stories.

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Like humanizing stories is something

that we always talk about, right, Aaron?

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Like how do we tell something in a

way that humanizes the people we're

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talking about so that we can change

the way we think about these things?

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Mm-hmm.

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And these structures that aren't

extremely harmful and obviously have been

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harmful for hundreds of years and are

built off things like slavery, right?

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Mm-hmm.

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So how do we revamp that and

rethink these structures?

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And I think that writing offered that.

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Writing gave me the opportunity

to tell people's stories, who

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couldn't tell it for themselves.

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Mm-hmm.

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And also to share and tell my story

so I could begin to let people kind

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of see how these systems function

and how easy it is for someone to

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get put on a trajectory where they

end up in prison or incarcerated for

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most during the rest of their lives.

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Hmm.

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And when you say that you went to college

and everything, were you doing college

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through, uh, like in while in prison?

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Or was this before?

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Oh, yeah.

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Yeah.

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I definitely wasn't in

college before prison.

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Yeah.

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Okay.

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I probably would've changed

the trajectory of my life.

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Yeah.

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But no, I, I was blessed to be at a

prison at the Monroe Correctional Complex.

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Mm-hmm.

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The Washington State Reformatory,

where we had University Beyond Bars,

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which was a nonprofit organization that

literally was raising all the funds

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before pay grants and they from private

donors and foundations and bringing

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education in, bringing educators from

the University of Washington, Seattle

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University, evergreen University.

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Wow.

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And coming in and teaching

us credit based classes.

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Huh.

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You know, and, and for me that was

hard 'cause I had dropped outta school.

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Mm-hmm.

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You know, I dropped out in early ninth

grade, but I literally quit participating

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in about fifth and sixth grade.

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Mm-hmm.

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So my level of math and reading

and writing was like crazy bad.

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Yeah.

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And I struggled so hard just to get

to do algebra and things like that.

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The poor guys, they helped me

learn through this process.

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And the teachers that volunteered their

time, like, you know, God saved them

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because they really went through a lot

and, and specifically that's because like.

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You grew up in a community that was

really beset by a lot of like, very

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troubling social circumstances, and

can you talk a little bit about that?

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Right.

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So I grew up in Tacoma, Washington.

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I grew up in the nineties, um,

obviously in the early two thousands.

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And I grew up on the Hilltop

area in Tacoma, which, you know,

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is, is in downtown area, Tacoma.

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Everybody knows it is, you know,

probably one of the, you know, most

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violent neighborhoods, especially

during that time in our state, you

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know, um, it's, it's rough, right?

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You grow up in a way where you're

basically living in survival mode.

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Mm-hmm.

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So it's not like, oh, I'm just

trying to get by and go to

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school and do this in life.

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It's like, no, how do I

freaking survive daily?

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Like how do I get them the

poverty that we're living?

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'cause my mom is a single parent,

you know, that ran from an abusive

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relationship in Oregon with my dad,

you know, and moved up here, you

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know, and we're trying to survive.

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She's working two jobs,

so she's not really home.

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I'm out in the streets, you know, my

only role models are drug dealers.

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Right.

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They're the only successful people I know.

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Mm-hmm.

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And you're just surrounded by violence.

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Yeah.

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You know, when you grow up in a

space like that, you know, there's

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two things that you know for sure.

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The system and the police are not

there to support you or help you.

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They're there to manage you and often

take you away to be incarcerated at times.

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Right.

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Because you have practices of

things that are far different than

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they would be in any other places.

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I was actually introduced to

the Carceral system for having

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a gram of weed at the age 12.

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Oh wow.

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From that day on, I never

got out of the system.

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I was always on probation.

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I was always in the juvenile

system, you know, and it just

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perpetuated and snowballed and

snowballed until eventually, like

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I cause extreme, serious harm.

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Mm-hmm.

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You know, it took someone's

life in a drug robbery.

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Right.

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Just something I need to be accountable.

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And it's something that's like, you know,

this is at my hands, but also it's also in

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our state's hands and our society's hands

that we allow children to be raised in

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such environments where they're literally

trying to survive day in and day out.

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Mm-hmm.

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And at what point as a society, like do

we have to take responsibility for those

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communities that are suffering in that way

and start to rebuilding and reshift them

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communities to be in a much better place?

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That's, that's the environment I was in.

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Right.

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Yeah.

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So what kind of reporting do you do?

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Like, do you do column based

reporting or do you work on like

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more straight news type things?

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I've read, I do it all.

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Okay.

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Because I've read some of

your work and I do it all.

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It's not all, I made it a.

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Right.

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And I made it a point to do that.

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Mm-hmm.

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Right.

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You know, when I started writing,

it was a personal essay and

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then Covid happened to hit.

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Mm-hmm.

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And I was the first person

that was incarcerated and write

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a piece about Covid inside.

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Okay.

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You know, and then I wrote

about 30 pieces about Covid.

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Right.

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What we were experiencing,

how things were going down.

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I wanted to be documented, right?

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Mm-hmm.

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I wanted to make sure in history that

people had something to turn back to and

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say, this is what's going on, this is what

happened, at least in Washington State.

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But then I got to a point to where

I was like, man, I want to make

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sure I'm not pigeonholed as someone

that's just writing about Covid.

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Mm-hmm.

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In prison because other journalists

don't have access to it.

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Yeah.

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So I started working with other

journalists that were investigative

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journalists and learning how

to do some of that, right?

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Like how to dive, be how

to do public disclosures.

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Mm-hmm.

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Um, you know, how to do interviews

better and stuff like that.

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And I started working with them,

you know, sometimes I would

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partner, they would teach me a lot

and, and mentor me in that space.

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And then, you know, as, as time

progressed, like I learned how to

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tell stories in very different ways.

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Right.

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Sometimes it's best to do it through

personal stories and other times it's

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best to do it through an investigation

and show people that this is an actual

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harm that's happening or something that

people are experiencing on the inside.

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So how do you get, like, those ideas

for stories are, are they usually

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issues you observe yourself or are

other inmates like telling you tips?

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Like how do you navigate that

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one?

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I've never used the

word inmate or offender.

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Oh, sorry.

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Now I always try to educate

people on this and it's okay.

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It's okay, right?

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Like, this is something we've

done in mainstream media.

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But we should never label someone.

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When we label someone, we

literally make them objectified

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and create them as an other.

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Mm-hmm.

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So I always try to veer away

from that and don't feel like

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that's anything to do with you.

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Mm-hmm.

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Because you have been

literally brainwashed to talk

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about people in that way.

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Mm-hmm.

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Because that's what our

media, our media does, right.

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Yeah.

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So, um, but yeah, so like,

I I, the stories just come.

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Mm-hmm.

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You know, it's your daily life.

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It's something that you see.

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It's, it's harm that happens.

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Right.

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It's when a, a person I see being taken

advantage of, you know, I recently

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wrote a book Ending Isolation, the case

against Solitary Confinement with a law

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professor friend of mine De Deci, and Dr.

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Terry Cooper was the leading expert on

solitary reform and Quanetta Harris.

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Mm-hmm.

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And we literally did that because

I sat in the hole, you know, on

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a false investigation where I've

seen this 19-year-old kid getting

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abused and treating bad by staff.

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Mm-hmm.

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And I was like, this is crazy.

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We need to show people what this is.

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So I just took the opportunity

where I was forced to be in solitary

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confinement and I took it like

a, a, a journalist report, right?

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Mm-hmm.

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Like I had been sent over

to Iraq or something.

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Mm-hmm.

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And I took that time to just document

every single thing I was seeing.

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And that's where a lot of it comes from.

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And definitely guys like hit me

up, I gave hit up all the time.

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Mm-hmm.

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Like, Hey, you should

write a story about this.

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You should do this.

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'cause often you have to

explain to people mm-hmm.

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Like, well, is this happening?

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Can we show this?

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Can we prove this?

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You know, all these journalistic things.

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And they're just like, uh, no.

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And I'm like, well, we're not gonna

be able to publish a story because

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like, we have to have all that,

all the elements of it, right?

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Mm-hmm.

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But tell some of these stories or, you

know, we totally more humanize than ones.

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And then of course, like, you

know, publishers will reach

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out quite often and have ideas.

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Mm-hmm.

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You know, the New York Times has reached

out a couple of times with like great

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ideas, a great friendship with an editor

there, Glen Fox, you know, incredible.

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And she's always like, Hey, we should

tell some about this In the system left.

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Do you have any ideas or do

you have an idea about like, if

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you were thinking about regret,

like what would that look like?

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Mm.

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You know, so it's always, I, it's

just you're around us all the time.

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It's just like taking the

time and effort to share that.

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Yeah.

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You, you just mentioned a little bit

about, you know, some of the, some

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of the difficulties of, you know,

reporting while being imprisoned.

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Um, yeah.

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What, what, what are the, what are the

advant because, 'cause I think that

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like, I, I've done some work with, uh,

your colleague Kevin Light Roth, and he

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has access to places that I don't have

access to and then I have access to.

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Things that he doesn't have access to.

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Can you talk a little bit about what are

the advantages of being an incarcerated

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journalist and what are the drawbacks

and what makes the job difficult?

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What makes it worth it?

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Right.

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Well, I mean, what makes it worth

it is you get to share what the

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world, what's going on, right?

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Mm-hmm.

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We get to set the records straight.

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Often narratives are pulled from

one side, and I think that's one

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of the most important things.

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The second, and equally is important,

is that we're getting to humanize

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individuals who are inside and reminding

people in society that we are all in

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the same thing together, or just people

that have made very bad choices and be

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accountable to those choices, right?

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And be remorseful, but also we need to

be reminded that we are a part of society

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and we need to rely on the people of that.

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Um, the drawbacks is technology, man.

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Mm-hmm.

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Like, you know, like you're

strict about technology.

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No internet, no nothing.

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Mm-hmm.

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Any of that stuff is wiped out.

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Everything we do, even writing our

stories on the tablets, they do give us.

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Imagine typing every story

you have on your iPhone.

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That's how I write every

story I've ever written.

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I, or you can write it and

then send it out to someone

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else and name them, type it.

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I, I noticed when, when Kevin Ke, Kevin

has published a couple of stories with

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us and when he sends his stories, when

paragraphs are all numbered and is, is

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that just because like it's easier to

like share the, the story that way through

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those, those limitations of technology

that like, you know, we have Advan,

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the advantage is like Google Docs out

here and we can edit it in real time.

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But is it like, is that, is

that one of the reasons I think

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that's like kind of illustrative?

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Right, right, right.

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That's like something we

came up with a long time ago.

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It's smart.

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I think it was me and actually Jessica

Schulberg, who's at the Huffington Post.

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We were writing this article

about solitary confinement.

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We were going back and forth and

we were like, this is a nightmare.

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Yeah.

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Like we need to find a way

'cause we can't cut and past.

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Right?

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Yeah.

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I was like, we need to find

a way we can number these.

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Or, or something.

404

:

So I can be like, Hey, in paragraph three,

I think we should work on this sentence.

405

:

Mm.

406

:

Yeah.

407

:

You know?

408

:

And then we just kind of

conceptualize that idea.

409

:

And it's something that, you know, I've

been thankful to be able to pass on

410

:

to guys who are doing the same work.

411

:

Right.

412

:

'cause it makes it doable.

413

:

And there is a beautiful thing about

the symbiotic relationship between a

414

:

reporter out there and a reporter in here.

415

:

Because like you said, we

both have different accesses.

416

:

Mm-hmm.

417

:

But we also learn off of each other

when we do this work together.

418

:

Think about all the things we've

learned about each other just over the

419

:

couple months we've worked together.

420

:

Right.

421

:

Aaron?

422

:

Yeah.

423

:

I think about how important that

is that we each teach each other

424

:

so much when we're doing this work.

425

:

And again, it always goes

back to this, and that's why I

426

:

always think about it, humanize.

427

:

Mm-hmm.

428

:

You humanize people, you look

at people different inside.

429

:

You learn about things

that you didn't know.

430

:

And I learn about things in

society that I didn't know.

431

:

Right.

432

:

Which allows me to have the empathy.

433

:

And not just be charged or feeling

some kind of way because of the

434

:

system and the oppression that

we experience in these systems.

435

:

You, you, you talk, you've

talked a lot, um, during this

436

:

conversation about humanizing people.

437

:

Mm-hmm.

438

:

And, you know, I, I think that like,

one of the things you really emphasize

439

:

when we're talking is that you, you

wanna bring people, you talk about

440

:

events that you organize where, you

know, there's, there's, there's judges

441

:

and people who have murdered people in

the same room and they're just getting

442

:

to know each other as human beings.

443

:

Um, which means like, you don't just

do journalism, you do a lot of like

444

:

community building and organizing.

445

:

And I'm kind of wondering, like,

this is something that I ask you

446

:

sometimes, um, like, do you ever sleep?

447

:

Yeah.

448

:

I think my wife thinks I need to

start doing more of that as well.

449

:

Yeah.

450

:

Um, man, it's,

451

:

I took a human life.

452

:

Hmm.

453

:

Every day I think about that.

454

:

Right.

455

:

Yeah, I know you do.

456

:

It's not a day that goes by and I'm not

gonna think about that individual that I

457

:

took from his family, from his community.

458

:

So to me, the only thing I can

do is give a life of service.

459

:

But we say that we owe a debt to society.

460

:

Is that debt for me to sit in prison

and play cards and lift weights, or

461

:

is it for me to actually give and,

and, and reinstate some kind of effort

462

:

back into my community and the people.

463

:

Right.

464

:

And that's what I see.

465

:

So, you know, the work becomes it.

466

:

Don't get me wrong, it's stressful.

467

:

Yeah.

468

:

But at the same time, the driving

forces, it's that, that life of service.

469

:

Right.

470

:

That's what I'm giving back

for the harm that I caused.

471

:

'cause that's all I can do.

472

:

Mm-hmm.

473

:

There's nothing else you

can do when you take a life.

474

:

Mm.

475

:

So for me, that's how I think about it.

476

:

You know?

477

:

And, and so it, it leads me to

being able to do all this work

478

:

and it's deeply passionate.

479

:

That I can help people become,

other people can become

480

:

leaders in this space, right?

481

:

That they can have platforms.

482

:

I'm not the anomaly.

483

:

I'm not the only person that can

get published in the New York Times

484

:

and you know, co-found and build

an organization like I was able to

485

:

do with, you know, my wife Chelsea.

486

:

Right?

487

:

Like other people can do that.

488

:

There's a hundred more look

to justice organizations

489

:

that can get built out there.

490

:

We just have to water those seeds.

491

:

So for me, I think

that's the effort, right?

492

:

That's the work that we're doing.

493

:

We're laying foundations for people

to really build and change our

494

:

society if that's what we want to see.

495

:

Mm-hmm.

496

:

Otherwise, shit, we're just warehousing

people like a can on a shelf.

497

:

Yeah.

498

:

And if that cans dented when we

put it on the shelf, would we be

499

:

surprised when we come to take it off

10 years later that it's still ded?

500

:

Of course.

501

:

It's didn't do anything to it.

502

:

So I find that comfort in that.

503

:

That's my comfort.

504

:

That's the driving force is

knowing what we're doing.

505

:

Again, humanizing the people

that are a part of it, society.

506

:

We're not casting people off who

are incarcerated to an island

507

:

that'll never be seen again.

508

:

Mm-hmm.

509

:

We're putting them in a facility

and returning them to the community.

510

:

How are we gonna return them?

511

:

How do we want them to return?

512

:

Mm-hmm.

513

:

That takes work.

514

:

And it's a lot of narrative change, right.

515

:

Because we've been brainwashed and fear

mongered for so long that a lot of people

516

:

will have us believe that just locking

someone up for a life for a long sentence

517

:

is gonna change and fix everything.

518

:

We've been doing it forever.

519

:

Mm-hmm.

520

:

We've been tough on crime for isn't

working, it's obviously not working,

521

:

so we gotta do something different.

522

:

I, I, I wanted to point out that,

um, you mentioned your wife Chelsea,

523

:

you, you're talking about Dr.

524

:

Chelsea Moore, who's a, she's a, I

think she's a community organizer

525

:

with the A CLU in California.

526

:

Is that correct?

527

:

I just wanted to point out who she was.

528

:

No, no, no, no.

529

:

She's the director.

530

:

She's the director of our

policy at the Washington ACL U.

531

:

The Washington ACL U.

532

:

Oh, sorry.

533

:

Thank you.

534

:

Thank you so much.

535

:

Um, back to, yeah.

536

:

She's a policy badass.

537

:

Yeah, she's, I've spoken to her before.

538

:

She's extremely intelligent.

539

:

I was super impressed

when I talked to her.

540

:

Yeah.

541

:

Um, so I had a quick question

also about, um, like sourcing.

542

:

Um, so like,

543

:

uh, how do you find

sources on while inside?

544

:

Like, are you able to interview

outside sources and then if your

545

:

sources are also incarcerated?

546

:

Um, and, and you've talked a lot

about humanizing, so like, do their

547

:

charges ever affect how you view

their reliability as a source?

548

:

Um, if they are incarcerated,

because that's something that

549

:

we face out here, uh, you know,

the public tends to discredit.

550

:

People who are incarcerated

in general, you know?

551

:

Right.

552

:

Mm-hmm.

553

:

Because that's what we've been,

you know, like, like I was saying,

554

:

that's what we've been taught to do.

555

:

Mm-hmm.

556

:

I don't ever do that.

557

:

Mm-hmm.

558

:

Mm-hmm.

559

:

If I deserve, not deserve,

I don't want to say deserve.

560

:

If I want to be given forgiveness for

this serious harm I caused, then why

561

:

would anybody else not be welcome to that?

562

:

Mm-hmm.

563

:

Or have that opportunity.

564

:

Right.

565

:

So for me, I don't, I don't

pay attention to that man.

566

:

You know, it's hard, like,

there's definitely things

567

:

that are hard to stomach.

568

:

Mm-hmm.

569

:

I mean, and that's just

being honest, right?

570

:

When you think about someone

that, you know, harmed a child

571

:

or something, that's not easy to,

it's not an easy pill to swallow.

572

:

But at the same time, the more

we ostracize them and demonize

573

:

them, the more they will continue

to do what they do because they

574

:

will never feel like they belong.

575

:

Mm-hmm.

576

:

So for me, I feel like we want

people to belong in society.

577

:

There's this thing that happened

when I was, when I was just under

578

:

18, I was in the juvenile facility.

579

:

Excuse me.

580

:

They had built this bootcamp,

it was called Camp Outlook.

581

:

They were gonna run juveniles through it.

582

:

If you did four months in

there, you could go home.

583

:

Um, you know, early on your sentence,

you couldn't have more than a year.

584

:

They came and asked me.

585

:

I was the first group to go in there.

586

:

I was like, yeah, I'll do that.

587

:

Hell yeah, I'll do that.

588

:

Look, go a little bootcamp and I

get to go home that much early.

589

:

Let's do it.

590

:

So I go there, I learn all this

stuff, you know, which ran by real

591

:

drill instructors from the Army,

the Marines, and stuff like this.

592

:

It was the first time I ever

had structure in my life.

593

:

I thrived there immediately,

leaving that place.

594

:

I went and tried to enroll in the

Army, greens, the Navy, and got

595

:

told no by every one of 'em for

nonviolent felonies I had as juvenile.

596

:

Oh.

597

:

Immediately I felt like I

didn't belong in society.

598

:

Mm.

599

:

And went right back to what I knew, went

right back to the block, went right back

600

:

to selling drugs, and went right back to

all the harm and the bad things that I

601

:

was causing other people in my community.

602

:

Because I didn't feel like I belonged.

603

:

So I think about that every time when

someone tries to ostracize or push

604

:

someone to the side, I'm like, that's

gonna make that person cause more harm.

605

:

Mm-hmm.

606

:

The only way for us to stop doing

that is to show them that they

607

:

have a spot in this society.

608

:

And I think that that's

the most important thing.

609

:

Right.

610

:

So people are gonna do that out there,

but it's on us, especially as journalists.

611

:

Mm-hmm.

612

:

How we perpetuate that and

how we tell those stories.

613

:

I've done stories where they're like,

Hey, we want to do the opening paragraph

614

:

with, you know, the life you took and,

and talk about that person and, and you

615

:

know what their family went through.

616

:

And I'm like, hold on a minute.

617

:

We're writing a story about a Raven that

I have a relationship with in prison.

618

:

We're not even talking

about the Carceral system.

619

:

Yeah.

620

:

Why would we fire this

piece off with that?

621

:

And I'm like, do you do this with

every journalist you work with?

622

:

Do you find the worst thing

they ever did in their life?

623

:

And you start their every

story off with that.

624

:

And not to mention.

625

:

Do you even think that we're probably

causing this individual's family harm

626

:

by having to read this every time

at the front of every story I write?

627

:

Mm-hmm.

628

:

Why would we wanna do that?

629

:

What benefit is it?

630

:

And then I think, and I remind

myself, it's trauma porn, right?

631

:

Mm-hmm.

632

:

It's the thing that we've, we, we've

used in our media and society to get

633

:

people to engage and they just want

to indulge more and more and more.

634

:

Mm-hmm.

635

:

So we gotta do that, right?

636

:

That's our job to stop that.

637

:

And that's why don't use

labeling language, right?

638

:

Mm-hmm.

639

:

These people, first language,

because we're talking about people.

640

:

So we want to humanize those people and

talk about 'em as what they are people.

641

:

One, sorry one day.

642

:

Christopher, when we have more time,

I would love to talk to you more

643

:

about like crime coverage in general.

644

:

I used to be a crime and

breaking news reporter in

645

:

Southern California, so mm-hmm.

646

:

Um, I have lots of

feelings about trauma porn.

647

:

Interesting time.

648

:

Yeah.

649

:

Yeah.

650

:

No, we can connect anytime Tyler.

651

:

Mm-hmm.

652

:

You can reach out to me anytime.

653

:

Cool.

654

:

Aaron has my contact information.

655

:

We can always set up a

time, you know, I find these

656

:

relationships extremely valuable.

657

:

Mm-hmm.

658

:

You know, Aaron's been really honest,

like, Hey, this is not my space.

659

:

And I'm like, oh, that's dope.

660

:

We're gonna learn a lot together.

661

:

You know what I mean?

662

:

And I think that's how we

get to a healthy place.

663

:

Right.

664

:

We have a lot to teach each other.

665

:

Mm-hmm.

666

:

And there, there's a reason

why we cross paths and there's

667

:

a reason why we do this work.

668

:

And I think by us doing that, not only

will we learn a lot from each other,

669

:

but we learn, uh, we learn things that

we can share out in our networks and

670

:

in our community and in our writing and

the professional careers that we have.

671

:

Um, do you have a quick

time for one more question?

672

:

Yeah.

673

:

Okay.

674

:

Come on.

675

:

Um, so this is kind of

a logistics question.

676

:

Um, so surviving on the inside

obviously costs money just like

677

:

surviving on the outside, except,

you know, in jail it's legal mm-hmm.

678

:

To pay incarcerated

people next to nothing.

679

:

So are you able to get paid for

your freelance journalism work,

680

:

or are there specific laws around

that that, uh, dictate if like a

681

:

news organization can pay you or,

or another incarcerated journalist?

682

:

Well, I definitely do and mm-hmm.

683

:

In Washington, we don't

have those laws, thankfully.

684

:

Okay.

685

:

Because, you know, they are

extremely dehumanizing mm-hmm.

686

:

And crazy that we could tell

someone that they couldn't be

687

:

paid for their created property.

688

:

Mm-hmm.

689

:

Um, so we don't have that issue.

690

:

Okay.

691

:

Um, so I think that, you know, we're,

we're really blessed to not have those

692

:

issues in this state, but there are

states that are dealing with that.

693

:

Okay.

694

:

There are many states across

the country where prisoners and

695

:

people in jail cannot get paid.

696

:

Right.

697

:

Yeah.

698

:

So, but they're exploited for

their creative properties.

699

:

Yeah.

700

:

Now they're has to do things all the time.

701

:

It's one of the big things that

I've always had an issue with.

702

:

It's not, you know, sometimes the tell

people's mad about the money, but it's the

703

:

fact that you didn't even offer or ask.

704

:

Mm-hmm.

705

:

Like, you just expect people

to just do all this labor.

706

:

You'll, you'll reach out to

incarcerated people mm-hmm.

707

:

And expect them to completely create

something and, and like really

708

:

redevelop something that you're doing

in your organization or something.

709

:

And you wouldn't even think that

you should have probably asked

710

:

that person, Hey, is there a way

I can compensate you in some form?

711

:

You have one minute left.

712

:

Oh.

713

:

Because that's something we would

do with anybody on the side.

714

:

Mm-hmm.

715

:

You know, on, on the outside.

716

:

So.

717

:

Okay.

718

:

And like getting back to humans.

719

:

But I can do this again later.

720

:

Okay.

721

:

But you can always connect again.

722

:

You can do many interviews.

723

:

Yeah.

724

:

I don't mind doing this stuff.

725

:

I love doing it.

726

:

No problem.

727

:

I just wanted to clarify that because know

we can get you to reach out to me here

728

:

or whatever, and yeah, I'm just grateful

to be able to do this with you guys.

729

:

Awesome.

730

:

Thank you so much for

talking to us today, Chris.

731

:

This is awesome.

732

:

Thank you so much for this conversation.

733

:

Let's touch base soon.

734

:

Okay.

735

:

All right.

736

:

I think it might be, it might, it might

have gone, the caller had hung up.

737

:

Okay.

738

:

So as you can tell at the end of

that interview, um, the communication

739

:

system at the prisons are very,

very strange and mercurial.

740

:

Um, it'll just cut you off when

you hit a certain time limit.

741

:

Um, sort of dropped the

call with no notice.

742

:

That's what happened

at the end of that one.

743

:

Um, so anyways, I thought that

was a really insightful interview

744

:

between Christopher Blackwell, who's

an incarcerated journalist who's

745

:

been published in acclaimed papers

across the country, um, and Erin

746

:

Hedge and Valerie OER here at Range.

747

:

Okay.

748

:

So I've never really flown solo by

myself like this before, and we've

749

:

got another 23 minutes to fill.

750

:

So I'm a yapper and I'm just gonna do my

best to pretend like you, the listener

751

:

or sitting here in the studio with me,

and I'm going to tell you about all

752

:

the news that's happened this week.

753

:

Um, one of the stories that range put

out yesterday actually was a piece that

754

:

I have been following for a long time.

755

:

I think I've talked about it

on the radio before, actually.

756

:

It's kind of my, my little

obsession right now.

757

:

I get into these reporting.

758

:

I don't know, I just, I'm like a bulldog.

759

:

I sink my teeth into it and I

can't really let it go, but.

760

:

I've been looking into union

busting at the local Planned

761

:

Parenthood, which is ostensibly a

pretty progressive organization.

762

:

Um, but we got ahold of some documents

last year that showed that they had filed

763

:

a contract with the government that,

um, you, you have to like, disclose if

764

:

you have these sort of labor contracts.

765

:

Um, and they had filed a contract

with a union busting firm

766

:

at the rate of $425 an hour.

767

:

That was in early November.

768

:

Uh, at the end of every fiscal year, these

companies have to file documents that show

769

:

just how much money they spent on these

contracts over the course of the year.

770

:

And we recently got a

hold of that document.

771

:

So if you were wondering how much

Planned Parenthood of Greater Washington

772

:

and North Idaho spent on union busting

last year, I have the answer for you.

773

:

It is over $15,000, um,

$15,570 to be exact.

774

:

And you know, one of the comments I

had gotten on this story on Reddit, I

775

:

think was, well, that's pocket change.

776

:

That's barely any money at all.

777

:

And I do have a, a bit

of a response to that.

778

:

First of all, do we just let people

do a little union busting as a treat?

779

:

I don't, I don't think so.

780

:

I don't, I don't think

that's fair to workers.

781

:

Uh, no matter how much money you're

spending on union busting, it's

782

:

still probably too much money.

783

:

But when you really look at the

numbers, I think that $15,000 is

784

:

more significant than it might seem.

785

:

At face value first, of course,

it was $15,000 for the entirety of

786

:

2024, but when you look at when the

contracts were filed, it's got that

787

:

early November, uh, stamp on it.

788

:

So really Planned Parenthood spent over

$15,000 on union busting in just 49 days

789

:

from November to the end of December.

790

:

All of their 2024 spending was

done in the last two months.

791

:

Um, and that amounts to $317 a

day on a union busting contract.

792

:

I did a little rough math.

793

:

Um, of course they don't respond

to requests from comment from me,

794

:

but they have to file all of this

documentation with the government.

795

:

And, um, ProPublica, which is another

journalism outlet, I quite enjoy, kind

796

:

of collates all of these forms on their

website, including the nine 90 forms.

797

:

And so I have planned Parenthood's

form from:

798

:

where I'm getting a lot of this data.

799

:

Um, and as of 2023, they had, I

think it was 198 employees on staff.

800

:

So essentially for what they spent

on union busting in two months or 49

801

:

days, they could have paid employees

like a bonus of 80 some dollars.

802

:

Um.

803

:

Pulling these numbers

off the top of my head.

804

:

I have them written down somewhere.

805

:

Uh, it also, if you extrapolate

this out for:

806

:

contract that Planned Parenthood

signed didn't have an end date on

807

:

it, nor did it have a spending cap.

808

:

So I think it's a pretty fair

assumption that they're continuing to

809

:

pay for those union busting services.

810

:

And if they continue at a rate of

$317 a day through the entirety of

811

:

2025, that would be an additional

$115,705 on union busting.

812

:

Um, when we published our initial

story back in December about

813

:

that first document we found that

disclosed the $425 an hour contract.

814

:

We continued reporting on this for a

couple of months, and one of the things

815

:

we found was that Planned Parenthood

was avoiding calls for accountability

816

:

from some of their major donors.

817

:

Some of these people had given

hundreds of thousands of dollars.

818

:

One person we talked to had given

half a million dollars, and they were

819

:

horrified to find out that Eastland Carl

Eastland, the CEO of Planned Parenthood

820

:

of Greater Washington in North Idaho

was paying for union busting activities.

821

:

Um, Carn Nielsen, a major

donor who gave $300,000 for the

822

:

construction of PP Gwynne's.

823

:

Spokane campus told me back in March

that the idea that the staff are trying

824

:

to unionize and eastlands trying to

break that just is not acceptable.

825

:

I'm appalled at what they're doing

and trying to silence all this.

826

:

Nielsen and other donors tried to get

ahold of anybody at Planned Parenthood.

827

:

Um, they both called Carl Eastland.

828

:

I think one of the other donors we talked

to called, uh, the board president.

829

:

They sent emails to any contact

info or any contacts they

830

:

still had at the organization.

831

:

And it was radio silence.

832

:

Um, and these are people who have donated

a lot of money, which is not to say

833

:

that they get to have any control over

a nonprofit's operations, but it is

834

:

to say that they wanted accountability

and they wanted to know that the

835

:

money that they donated was not being

spent on union busting activities.

836

:

Nielsen, who I just quoted from, had

written Planned Parenthood into her

837

:

will, and when she was ghosted by

Planned Parenthood, after she reached

838

:

out to inquire about union busting, she

ended up writing them out of her will.

839

:

For this story, I also called Planned

Parenthood, um, called the contacts

840

:

that I had there and tried to get

comment and did not hear back.

841

:

Um, on the last story, I was able to get

a hold of the board president for about 30

842

:

seconds until I told him what I was doing

and what I was asking questions about.

843

:

And then he started saying, hello, hello.

844

:

Like, he couldn't hear me and maybe he

couldn't, but I immediately called back.

845

:

He didn't answer.

846

:

I called back a third time.

847

:

He didn't answer.

848

:

I called back an hour later

and again, he didn't answer.

849

:

So I'm pretty skeptical as to

whether or not he could hear me.

850

:

So that was the piece that I

put out yesterday on the latest

851

:

update in the local Planned

Parenthoods Union busting saga.

852

:

Um, I would tell you, you could call

in and ask questions, but you know,

853

:

I'm by myself, so can't really answer

the phone and also I don't know

854

:

how, um, it's a little complicated.

855

:

Let's see other news

that happened this week.

856

:

Um, you know, governor Bob Ferguson

has been signing a lot of bills that

857

:

passed the legislature into laws.

858

:

Uh, one of his most recent pieces of

legislation that he signed was for rent

859

:

stabilization, which is an issue that

I covered a couple weeks ago in depth.

860

:

Um, the original version of

rent stabilization was quite

861

:

a bit stronger than what ended

up passing and becoming law.

862

:

Um, it, it was just a lot.

863

:

It, it, so rent stabilization

sets a cap on how much landlords

864

:

can raise your rent per year.

865

:

So if you're living in a house and you

pay a thousand dollars a month, um.

866

:

Without rent stabilization, your landlord

can come to you with a new lease and say,

867

:

okay, well the market's changed and I am

charging you $1,500 a month next year.

868

:

So if you wanna stay in this place,

um, you have a week or two to

869

:

decide if you're staying or find a

completely new pace, place to live.

870

:

And, um, if you wanna stay,

you have to pay $1,500.

871

:

And it can be really jarring for

people, um, to kind of find that out

872

:

with not a ton of notice that their

rent is going up by a massive amount.

873

:

Um.

874

:

Here in Spokane, we have a local remedy

to that where landlords have to give

875

:

a 180 day notice if they're going to

be raising your rent by more than 3%.

876

:

Um, my on the fly math is like notably

bad, but I think, uh, that would be if

877

:

you were paying a thousand dollars a month

and your landlord wanted to raise your

878

:

rent by more than $30, they would have to

give you a 180 day notice here in Spokane.

879

:

So anyways, we've got this rent

stabilization bill that wants

880

:

to set a cap on how much your

landlord can raise your rent.

881

:

The original draft was to set that

cap at 7%, so a thousand dollars rent.

882

:

Your landlord wants to

raise your rent by $70.

883

:

That's the maximum

amount they can raise it.

884

:

Um, I really should, uh, get my

phone out really quick and make

885

:

sure that that is indeed a 7%.

886

:

Um.

887

:

7%.

888

:

Uh, but essentially it would cap that your

landlord would not be able to raise your

889

:

rent by more than that in any given year.

890

:

Now, that doesn't necessarily

control the market in the same

891

:

way that rent control does.

892

:

Um.

893

:

Because if you move out of a unit

that you were paying a thousand

894

:

dollars a month for, I just checked

my math that I'm correct, it is $70.

895

:

But if you were paying a thousand

dollars a month for a unit and you

896

:

move out in between tenants, a landlord

can jack that straight up to:

897

:

without any kind of notification.

898

:

And so the next tenant that

wanted to rent that unit would

899

:

have to pay that new number.

900

:

This just protects tenants who are

living there and continuing leases.

901

:

So the original pitch was a 7% cap

that got softened down to a 7% plus

902

:

inflation or 10% cap, whichever is less.

903

:

So the version of the bill that got

signed into law recently would say that

904

:

if you were renting a thousand dollars

a month unit and your landlord wanted

905

:

to raise your rent by more than, um, a

hundred dollars, they could not do that.

906

:

It also, I don't remember the percentage

off the top of my head, but it does

907

:

include a notification clause of 90 days.

908

:

So if your landlord is going to raise

your rent by a certain percentage, I

909

:

wanna say it was anything more than 5%.

910

:

Anything more than 3%, maybe they have

to give you a 90 day notice so that

911

:

you can start looking for a new place.

912

:

There's some other stuff in there as well.

913

:

There's a few exceptions

that got written in for new

914

:

constructions are exempt from this.

915

:

Um, like I mentioned, there's no limit

for that between period, so a landlord

916

:

can jack up the rent to whatever

they want to in between tenants.

917

:

So it's not really, um, controlling

the market per se, as it is just

918

:

protecting individual tenants.

919

:

And, you know, we heard from renters

rights advocates who were really pushing

920

:

for a stronger version of this bill.

921

:

Uh, and at the end of the day, there

just wasn't the support, especially

922

:

in the Senate to make that happen.

923

:

The version that passed the house was more

aggressive and had firmer protections.

924

:

So I don't think this is a

fight that is going to go away.

925

:

I don't know that people consider

it a firm victory for renters.

926

:

I think it's maybe a first step

forward and continuing to lobby,

927

:

um, both of Spokane's House of Reps.

928

:

Uh.

929

:

Or both of Spokane's

representatives, Natasha Hill

930

:

and Tim Ormsby were in support of

the stronger renter protections.

931

:

They were big advocates for it.

932

:

Um, and so actually I think Natasha

Hill was a sponsor on a couple

933

:

of housing related bills intended

to increase housing supply.

934

:

Uh, I think she was on the one

intended to increase density of

935

:

construction on transit lines.

936

:

And so Spokane has a pretty, pretty

strong pro housing, pro renter

937

:

delegation down at legislation this year.

938

:

Um.

939

:

I will link a story about what

ended up in the final version of

940

:

the law in our page on KYR s.com,

941

:

so that you can take a little sneak

peek at that, figure out what to expect,

942

:

figure out what to hold your landlord

accountable to in case you maybe have,

943

:

um, a rent raise and you think this might

be illegal and you wanna check in on it.

944

:

And I'll also, um, I'll dig up my old

story on the local regulations as well

945

:

and throw in a link to that so that

you know, if you're in Spokane City

946

:

limits, there are additional protections

that you are subject to as well.

947

:

So that was one story

that happened this week.

948

:

Um, wow.

949

:

I really am yapping.

950

:

Let me see what else we

posted on our website.

951

:

Um, you know, the other big thing that.

952

:

I've been working on is a piece on the

Stripper's bill of Rights, and this is

953

:

another one of my little, like obsessions.

954

:

Um, I cover city hall, but I'm

also a labor rights reporter.

955

:

And what that means is that I seek

out and write pieces that center the

956

:

struggles of the working Washingtonian,

um, that help us move towards

957

:

collective power building for workers.

958

:

And you can definitely see that

thread in my stories about union

959

:

busting and poor labor conditions.

960

:

But I think, um, the stories

that I am most excited about

961

:

are my coverage on sex workers.

962

:

I've written a few pieces.

963

:

One of the ones I'm most proud

of was my story on the Stripper's

964

:

Bill of Rights last year.

965

:

You may not know this, but Washington has

some of the most, or I should say, had

966

:

some of the most draconian laws when it

came to regulations around strip clubs.

967

:

So until, um, early 2024, what those laws

looked like in Washington were really

968

:

strict zoning laws about where strip

clubs could and couldn't operate, which

969

:

ultimately lent itself to very few clubs.

970

:

I think in 2024 there was only 11

strip clubs in the entire state

971

:

of Washington, and that number

might have came from before.

972

:

Deja Vu Club here in Spokane, which

was actually the only strip club in

973

:

the entire eastern Washington, closed

down, um, at the tail end of:

974

:

And so we've got this.

975

:

There are club owners that

have like a monopoly on clubs.

976

:

It's really hard to open a new club,

and that creates this, this market

977

:

that gives club owners a lot of power.

978

:

On top of that, until recently, Washington

did not allow alcohol service and clubs.

979

:

You might be thinking

that's a really good idea.

980

:

When people get drunk, they might get

handsy, they might make dancers unsafe.

981

:

Like I can see where that

regulation came from.

982

:

But when we actually sat down

and interviewed dancers here in

983

:

Washington, they were overwhelmingly

pushing for that law to change,

984

:

pushing for a path for clubs to be

able to apply for liquor licenses.

985

:

This was for a couple reasons.

986

:

First, um, if there was liquor service

available in clubs, it's being served

987

:

by somebody with a mask permit.

988

:

Somebody who is qualified to do that.

989

:

Somebody who, you know, whose job it

is to keep their finger on the pulse

990

:

of whether or not somebody is too

intoxicated to behave themselves,

991

:

too intoxicated, to be safe.

992

:

And a lot of times people

want alcohol in strip clubs.

993

:

So when alcohol service was banned,

dancers told me that people would

994

:

just get hammered at the nearest

bar, or they would take shots in

995

:

the parking lot before they came in.

996

:

And so that would result in people

being really intoxicated really

997

:

quickly to the point of unsafeness.

998

:

And it was nobody's job

to keep track of that.

999

:

Um, and so dancers found

themselves in unsafe situations

:

00:48:42,917 --> 00:48:44,537

with intoxicated patrons.

:

00:48:45,362 --> 00:48:49,502

The other reason is the profit

model for dancers in Washington.

:

00:48:49,922 --> 00:48:54,332

Strippers in Washington are,

um, independent contractors.

:

00:48:54,362 --> 00:48:58,682

And so kind of like how, um, your

tattoo artist might rent their booth

:

00:48:58,682 --> 00:49:03,782

space from a tattoo parlor, or maybe

the person who cuts your hair rents

:

00:49:03,782 --> 00:49:10,352

their chair at a salon dancers rent

club time, or they call it stage fees.

:

00:49:10,562 --> 00:49:14,972

Um, so you basically pay a fee to

use the stage on any given night.

:

00:49:15,452 --> 00:49:15,932

Um.

:

00:49:16,892 --> 00:49:20,222

And this means that club owners

were almost exclusively making

:

00:49:20,222 --> 00:49:22,322

their money off of dancers.

:

00:49:22,472 --> 00:49:27,032

Dancers would come in, they'd pay

their stage fee, they'd dance, and

:

00:49:27,032 --> 00:49:30,332

then there's also services that

customers could add on on top of that,

:

00:49:30,332 --> 00:49:32,342

like private shows or lap dancers.

:

00:49:32,732 --> 00:49:37,442

And then dancers had to pay

fees for those services as well.

:

00:49:37,652 --> 00:49:42,212

So if a dancer's getting paid a hundred

dollars by a customer, a club might

:

00:49:42,212 --> 00:49:46,712

take $50 of that depending on what

their rate is or what their rent is.

:

00:49:47,552 --> 00:49:52,742

And this profit model created a situation

where club owners were incentivized to

:

00:49:52,742 --> 00:49:55,052

make their monies off of dancer's backs.

:

00:49:56,147 --> 00:49:59,927

Dancers had been lobbying for these

laws to be changed in Washington.

:

00:49:59,957 --> 00:50:02,867

They said, especially for folks

who lived in Seattle, it was more

:

00:50:02,867 --> 00:50:07,187

profitable to drive the couple of

hours over to Portland dance on stages

:

00:50:07,187 --> 00:50:08,987

in Portland and then drive back.

:

00:50:09,287 --> 00:50:13,577

Um, I've been interviewing, I think

I've interviewed her like five times,

:

00:50:13,817 --> 00:50:19,337

a dancer that lives here in Spokane,

but exclusively dances outta state.

:

00:50:19,337 --> 00:50:22,037

She travel dances in Wisconsin.

:

00:50:22,037 --> 00:50:24,467

She went down to Vegas for the Super Bowl.

:

00:50:24,917 --> 00:50:28,817

Um, and it just is more profitable

than trying to make a career here

:

00:50:28,817 --> 00:50:31,847

in Washington because of the way

our profit structure is set up.

:

00:50:32,267 --> 00:50:34,412

And so last year in:

:

00:50:35,252 --> 00:50:39,122

Dancers organized through this group

called Strippers or workers that was sort

:

00:50:39,122 --> 00:50:44,072

of a labor collective of dancers across

the state that were really organized in

:

00:50:44,072 --> 00:50:48,632

the way that they pitched legislators, in

the way that they explained how necessary

:

00:50:48,632 --> 00:50:52,922

and important it was for something to

change with Washington's laws around this.

:

00:50:53,342 --> 00:50:54,992

They were ultimately successful.

:

00:50:55,172 --> 00:50:58,472

Uh, the stripper's Bill

of Rights passed in:

:

00:50:58,772 --> 00:51:04,712

About half of it went into effect in

June of:

:

00:51:04,712 --> 00:51:07,802

st,:

:

00:51:08,522 --> 00:51:11,852

And so I did some reporting and a

story that's going to come out this

:

00:51:11,852 --> 00:51:17,822

afternoon, I think, on how well the

implementation of that bill has gone.

:

00:51:18,812 --> 00:51:19,832

Spoiler alert.

:

00:51:20,372 --> 00:51:25,742

Uh, it sounds like club

owners in Seattle have.

:

00:51:26,057 --> 00:51:29,387

Instead been looking for

loopholes in the legislation.

:

00:51:29,717 --> 00:51:33,527

So some dancers told me that they're

actually making a lot less than they

:

00:51:33,527 --> 00:51:37,727

were before the bill passed because of

what's called a revenue share model.

:

00:51:37,967 --> 00:51:42,437

Where instead of, um, charging

dancers for stage fees, the amount

:

00:51:42,437 --> 00:51:46,547

they could charge dancers was capped

in this new legislation at 30% or

:

00:51:46,547 --> 00:51:48,887

$150 a night, whichever was less.

:

00:51:49,337 --> 00:51:55,337

Um, they're now taking the money upfront

from the customer and then paying out

:

00:51:55,337 --> 00:51:58,547

dancers their share of the revenue.

:

00:51:58,877 --> 00:52:04,367

And this way it's not a fee, but they're

able to take as much of the money as

:

00:52:04,367 --> 00:52:07,067

they want without it being called a fee.

:

00:52:07,367 --> 00:52:11,597

And so dancers say that even in clubs

that have gotten their liquor licenses,

:

00:52:11,987 --> 00:52:17,447

it just seems like club owners are trying

to double dip, um, make money off alcohol

:

00:52:17,447 --> 00:52:20,297

sales and make more money off of dancers'.

:

00:52:20,297 --> 00:52:24,617

Laborers and dancers are really the one

getting the short end of the stick here.

:

00:52:25,442 --> 00:52:29,312

So I looked into, you know, how the

implementation of this bill is going,

:

00:52:29,732 --> 00:52:36,182

and also maybe some signs for hope,

some more organized labor from dancers

:

00:52:36,182 --> 00:52:40,772

who are pushing legislators to close

the loopholes in this legislation.

:

00:52:41,192 --> 00:52:45,332

Um, some stories from dancers who

are still looking to open their

:

00:52:45,332 --> 00:52:49,832

own clubs in Washington, trying to

figure their way around complicated

:

00:52:49,832 --> 00:52:52,622

zoning laws to open their own spaces.

:

00:52:52,622 --> 00:52:55,442

That would be stripper

owned, stripper managed.

:

00:52:55,772 --> 00:52:56,192

Um.

:

00:52:56,582 --> 00:53:03,932

And a dancer who throws their own shows in

Seattle with a really fair profit model.

:

00:53:04,262 --> 00:53:09,002

Um, they said that dancers can perform

just one set in one of their shows and

:

00:53:09,002 --> 00:53:16,622

come away making between, I think they

said 250 and $350 for like one set of

:

00:53:16,622 --> 00:53:21,092

dancing without having to do any lap

dances or private shows without having

:

00:53:21,092 --> 00:53:26,972

to give a cut to any club owner, which is

an extremely good rate for their labor.

:

00:53:27,332 --> 00:53:28,652

Um, so I think that while.

:

00:53:29,732 --> 00:53:32,702

You know, I think, uh, one of the

dancers I interviewed said like, club

:

00:53:32,702 --> 00:53:34,592

owners are gonna act like club owners.

:

00:53:34,592 --> 00:53:36,782

And that's definitely the case.

:

00:53:36,782 --> 00:53:40,532

There's, there's a lot of people

who just try to make as much money

:

00:53:40,532 --> 00:53:46,712

as they can, um, take as much from

laborers and workers as they can.

:

00:53:46,982 --> 00:53:51,752

But there's also a lot of hope, a

lot of reasons to stay optimistic.

:

00:53:52,172 --> 00:53:57,152

And I think, I really hope that

people read this story and start to

:

00:53:57,152 --> 00:54:01,382

see sex workers in a different light

start to value their labor and think

:

00:54:01,382 --> 00:54:05,762

of them as workers just like you and

I, who are united in the struggle

:

00:54:05,762 --> 00:54:11,192

for power and accountability and

fair wages, good working conditions,

:

00:54:11,252 --> 00:54:15,062

safety, the ability to build a life

for ourselves and our families.

:

00:54:16,082 --> 00:54:18,122

And that gets us to the end of our time.

:

00:54:18,122 --> 00:54:20,282

I hope you're not too

tired of my voice already.

:

00:54:20,842 --> 00:54:24,442

This is Free range, a co-production

of KYRS and Range Media.

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