Shownotes
“The bulk of my work comes out of this place of the explosive female body and really meditating on that and looking at that. The body has always been my deepest interest, and painting the figure, and that has been the case for many, many years. And so when I started to think about family building and my reproductive health and my fertility, just even the inkling of those thoughts, the work started to become infused with these images of motherhood of the reproductive female body. Because it represents so much: there's so much richness there for me in terms of how we talk about the female body, in terms of its messiness and its inability to be contained.” - Alexandra Carter
Welcome back to Postpartum Production! We are thrilled to begin Season 3 of the podcast, and to be in community with you once again. Season 3 further examines the intersection of Birth and Creativity, and what better person to start the season than Alexandra Carter, an artist focused on fertility, maternity, and the monstrous feminine, and who, when we held this conversation, was just weeks from giving birth to her second child.
Alexandra’s recent solo exhibitions include “Monstrous Mothers” at the Middle Room in Los Angeles, “Bumps and Grinds” at Rogers Gallery in Las Vegas, “A Sense of Heat in Her Brain” at Luna Aeneas Gallery in Los Angeles, “Berries for BowBow” at Radiant Space in Los Angeles and “Tether,” which was a duo show at Oolong Gallery in Solana Beach, California.
In our first episode, Alexandra and Kaitlin discuss:
- Alexandra’s journey as an artist and how that has tandemed with her motherhood journey
- How she is preparing for her second birth, both as a human and as an artist, and how it compares to that of her highly-medicalized first pregnancy
- The meaning of the “explosive female body,” a subject much of Alexandra’s work focuses on
More about Alexandra:
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