One of the greatest discoveries of life is finally understanding who you really are. From the time we are born on this planet , most of us struggle to find our identity. Who we are we really? What is our innate talent?What do we really like?
In his episode our guest James Jones will share his story and what he discovered on his journey through this thing we call life.
"TonyTidbit: A Black Executive Perspective" - Elevating Conversations on Race, Leadership, and Diversity in Corporate America
TonyTidbit: A Black Executive Perspective
Episode Title: The Road From Me to Me... and Ultimately Me
Guest: James Jones
Bio: James C. Jones is a Certified Executive Coach (credentialed by the International Coach Federation) and a Diversity, Equity, and Inclusion (DE&I) Consultant. His approach focuses on achieving individual and organizational talent development goals by applying research-based methodologies. He emphasizes creating sustainable change by aligning identity, strengths, motivational needs, self-awareness, values, and leadership acumen.
Host: Tony Tidbit
Episode Overview:
Key Points Discussed:
Tony's Tidbit:
TonyTidbit: A Black Executive Perspective website
https://podcast.ablackexec.com/episode/the-road-from-me-to-me-and-ultimately-me
© 2024 A BLACK EXECUTIVE PERSPECTIVE LLC. All rights reserved. No part of this podcast may be reproduced without prior written permission. For permissions, email podcast@ablackexec.com
a black executive perspective whether you're aware
of it or not it's a topic that is often avoided
::we'll discuss race and how it plays a factor
and how we didn't even talk about this topic
::cuz we were afraid a black executive perspective
but a big part of it was understanding that this
::is who I am and I want to really spend some time
and some courage around understanding that and and
::going as deep as I can with this this is what I do
what's the alignment that's possible because there
::always going to be tradeoffs there there're always
going to be aspects of myself which I need to I'll
::be required to to place aside for a moment it's
welcome to a black executive perspective podcast a
::safe space where we discuss all matters related to
race especially race in Corporate America I'm your
::host your guide your Sensei Tony tidbit and you
know one of the things I I struggled with in my
::life is really trying to figure out who I really
am you know and I think that's a journey that all
::of us go on from the time we come into the world
we really try to figure out who we are what we
::like and it's a struggle and obviously there's a
conflict from you know what we think Society wants
::us to be what our family wants us to be and I was
no different right I remember my mother telling
::me something when I was a kid and she you could
be you good at math you could be an accountant
::so I was like I'm going to be an accountant right
however at the end of the day it's important that
::we have the self-discovery in terms of who we
really are and a lot of times we think it has
::to do with you know our titles at work or you
know the different accomplishments that we had
::as well as our failures and we know that's not
entirely the case so today our guest James Jones
::will share his story and what he discovered on
his journey through this thing we call Life Jim
::welcome to a black executive perspective podcast
it's great to be here buddy I'm so excited that
::you're here and especially we're going to talk
about you know self-discovery and um you know it's
::something that we struggle with I still struggle
with I think you know most people very rarely you
::know people understand who they are why they're
on this planet what they're supposed to do so I
::really appreciate you coming on and sharing your
story and providing some insights to our audience
::so before we get into the heavy stuff my friend
give us a little background on you well what
::shall I say I'm a an executive coach a certified
executive coach and Dei consultant I live in New
::York City and Brooklyn more precisely in bedy more
precisely than that um yeah I've been here now for
::off and on for any number of years I've lived
abroad uh but my my my my my path always took
::me back to Brooklyn so here I am oh so Brooklyn is
the key though right so why do you say your path
::always took you back to Brookland well I was born
in St Louis Missouri quite frankly and uh went to
::school in Boston in Cambridge at Harvard and uh
came to New York initially to go to juliard in the
::American Opera theater and pths took me away from
New York after that I won a full bright Fellowship
::I went to Europe I was there for about five years
or so came back lived in Brooklyn again in fact
::in the same building I'd lived in before and uh
then I moved out to Seattle came back to New York
::lived in the same apartment building I lived
in before so I'm a real homing pigeon I think
::and um yeah and here I am could I leave Brooklyn
now I probably could but I take Brooklyn with me
::I think wherever I went well W listen when you
keep coming back to the same place you're right
::it's part of who you are indeed no go ahead what
you gonna say I said indeed it is yeah it's part
::of who you are right so and look I'm from Detroit
Michigan I still I live in Connecticut but I still
::read Detroit news and Free Press every day still
keep up on everything going on in Michigan so
::definitely relate to that however my friend you've
had a very you know and you just spoke to it at a
::high level you've had a very uh unique journey
I mean St Luke leis juliard Harvard you didn't
::say it but Colombia uh executive life coach so I
mean that's a lot that's that number one that is
::outstanding which is awesome however why don't
we we back up a little bit you know because I
::love to hear you know from St Louis to juliard
is is you know I don't think those two words go
::together okay so tell us a little bit give us
a little bit you know from your background in
::terms of you know where you started in St Louis
and you know to the next levels in terms of how
::you got out I think mine was sort of the classic
social studies story I came from a single parent
::household I had 11 brothers and sisters a single
mother not an unusual tale to be told in many of
::our cities at a particular era um I was the
seventh of 11 children spent most of my time
::my earlier years with my grandmother quite frankly
and that was sort of I think where my core values
::I thought were beginning to be sort of sown I
was a very shy young person uh my mother had
::a a rough mouth let's just say and she took no
prisoners and I always sort of cowed from that
::my grandmother was a very sort of saintly woman
said well you got to understand your mama she
::got to go out and work every day and so I want
you to be a good Christian boy Jimmy Jones and
::understand and one day I uh I got a I was in music
always I always sang and I got a a scholarship to
::go to a a music school in Illinois Illinois
Wesleyan University I'll never forget and for
::my family that was really something someone going
to college the first in Generations but then out
::of the blue some dude showed up at my high school
and he said I got called to the principal's office
::and this man said I'm a recruiter from Harvard
and I said how do you spell Harvard sort of
::thing for whatever reason he saw something in
me that uh he decided to groom me and took me
::to Harvard I got into Harvard and uh the po
music school got sort of tossed to the side
::there were many people who had grown up with
me singing who that was a grave mistake and
::who knows in your life you look back and you
say what's an error what was sort of sent by
::the the universe for me to pursue well hold on
one second because you just hold you went from
::you you I mean buddy that's a lot so let's
back up a little bit okay so 11 siblings yes
::how is that and you're number seven okay so
tell me a little bit you know single parent
::household in St Louis 11 kids Your mother
tell us a little bit about that experience
::ah what can I say about that I think you again
I don't want to generalize but being one of 11
::it was almost like being an only child
in that my older siblings were so much
::removed from me and the younger so much removed
until much that I was likely to have to contend
::with i i contended with if you will as as a as
a single entity having said which very loving
::household without a doubt we were not kissy Huggy
people by any stretch of the imagination but food
::was on the table such as it was and to me that's
love do you know that was my mother love language
::you had the you had the light on and you had food
on the table you go somewhere else for hug sort
::clear around that that's awesome you know I'm not
not sure that works for everyone as well as it did
::for some but uh looking back and you know they
say you what is it you you experience forward
::but you learn backwards there was a point in my
experiencing forward that I arrived at a learning
::moment I thought ah I get it now I recall one day
when I was uh one evening when I was in sort of my
::second semester of being a a sophomore at Harvard
I called my mother in the middle of the night
::and she said James Clarence she always called me
James Clarence said mother and I was such a snotty
::little thing I called my mother this little black
boy from St Louis calling his mother mother hello
::that should tell you something right away I said
mother I get you do you know what she said to me I
::knew you would and she hung up on me and that was
the beginning of a whole new relationship with it
::didn't need more explanation it needed nothing I
got it I also developed a very bad mouth because
::of so when you said you got it are you saying
that you understood the responsibility and all
::the things that your mother did to bring you
guys up is that what you're saying or what is
::it something different 100 % I understood her
I I began to empathize with this woman and her
::struggles and and the kinds of decisions she was
making and priorities she was setting which in
::my little corner I didn't get as a growing child
for perhaps someone more aware than I might have
::gotten it sooner but the moment I got it I've
never looked back from it I can tell you that
::well I and I think I think we all at some point
most kids struggle with that right and I think
::that's one of the main things that parents always
try to you know wake their kids up in terms of do
::you know what this takes to do right it money is
not growing on trees I have to go out and you know
::do whatever I need to do to take care of you so I
think you know we I think I can hear my mother in
::my ear saying that Double A's looking nod in his
head his parents said the same thing to him so and
::you know what and I'm saying the same thing to my
daughters right now all right so so it's something
::that we all you know we all struggle with but it
was great and and even though she probably you
::was a short uh short um answer I'm pretty sure
she was appreciative that you at least reached
::out and said hey I finally figured it out this
answer was it was it was short in terms of the
::number of words she used but it was decades
in depth believe me there was no need for any
::more we understood from that moment and again that
understanding never ever left me and it never left
::that relationship so that's awesome so so seven of
11 matter of fact buddy that's I love it no wonder
::7 11 so you you get no wonder blessed so how did
you seven out of 11 uh siblings um how did you get
::involved in music where did that come from can I
was you know singing as a a young child I sang in
::local choruses and all of that and someone as a
some member of the church in fact as a gift they
::said they were going to give me three months of
voice lessons I was like 15 or so my voice voice
::hadn't changed yet but I went to this fellow who
ended up becoming quite a famous vocal coach in
::New York uh his name was Orin Brown and he took me
on and at the end of the three months he said my
::gift to what's going on with your people as he
puts and I'll never getet will be to make sure
::that you get the best that I can offer you and
no one's going to have to pay the the you know
::the put money in the till for that and I stayed
with him until again I went from there to Harvard
::when I graduated from Harvard by then he had gone
to juliard as a teacher and you know got accepted
::into juliard and I joined him there too so wow
so let's back up a little bit he he said that I
::want to make sure your people um Can maximize
and I'm I'm I'm paraph paraphrase it maximize
::your opportunity is that what did he mean by that
gosh I don't want to speak for him let me tell
::you what I what I lived from that okay was that
you are a young poor black talented intelligent
::I suppose at least that was his perspective and
this is my contribution if you will to what was
::beginning to be a nent aspect of the the struggle
the you know the people are people black people
::demanding voice and all of that and his way of
and I don't mean to speak for him this was his
::contribution I hope he also saw talent to me so
well I would I mean I mean and I'm pretty sure
::he did because eventually you ended up going to
juliard and stuff that I don't think he just you
::know slid you in the back door and said you know
yeah so I'm pretty sure he saw the talent let me
::so what what type of music so you said choir so
what what type of music was were you singing aha
::when I went to Harvard I was an English major but
by end of my sophomore year I was already singing
::professionally around around Boston and by the
time I was at the end of my junior year I think
::I was spending 75% of my time performing I was an
opera singer singer and uh that's what I was doing
::and so the path to juliard was already being sort
of paved so the moment I graduated I went to New
::York so how did you get into Opera I don't know
because usually people usually people say they
::start singing in the church they you know stuff
to that nature and then they go off and start a
::group Opera how were you exposed to Opera when you
were a kid tell us a little bit about that not at
::all not at at least until I got to high school
I guess something in the quality of my voice um
::suggested that it was a voice particularly when
my voice changed that was developing into um what
::someone heard as having operatic qualities about
it really you I don't want to make it any more
::romantic than that is what it is I will tell
this anecdote my voice actually changed the at
::one night when I was on stage to be more correct
about that my voice had changed when no one had
::heard me sing and I'll never forget singing Some
Enchanted Evening on this big stage with all these
::people and my teacher was booming in the in in
in in the in the in the background and when we
::finished singing the piano was playing I turned
to the audience and I said now I'm going to sing
::this to you in my other voice Meanwhile my teacher
fainting backstage and I sang the whole thing over
::again in Baron oh my God so you were so so now you
and again I'm ignorant to Opera to be you know my
::mother she grew she was from Long Island she you
know she exposed me to classical music she used
::to love classical music I don't know oper the
only thing I know about Opera is when I was a
::kid watching Bugs Bunny Looney Tunes and Elmer F
was saying Kill the Wabbit kill I mean that's all
::I know right so so tell us because I you know I
number one it's and again I'm this is my ignorance
::so i' love for you to educate me and maybe other
people who who are not aware of Opera so yeah how
::did you get exposed to Opera again it was just
the fortunes of of being around people who had
::themselves that exposure and who invited me in
again you know coming from where I came from I
::was not likely to have much exposure to it but
you know very early on I was placed in gifted
::programs and in in in M years where people could
could sponsor that type of exposure so I was very
::fortunate that was that's a blessing right to be
able to be exposed and not only be exposed be able
::to actually participate and become really good at
it which you did okay um so did you envision at
::this time frame that you were going to this was
going to be you know we talk about identity and
::Discovery and all this did you envision that you
would be and you traveled around and you actually
::went to plays and performed you know around the
country and I think you also went to to Paris
::and performed there right did you think that this
was going to be your you know career I didn't you
::know to mean there was nothing else but music
but Opera and even though I majored in English
::at at Harvard I never lost the slightest thought
but what I would be an opera singer and I still
::identify as an artist wearing corporate drag if
you will very much I know my sensibility I own it
::so going to Harvard was that what was it because
of music how did that opportunity become real I
::think it became I got the opportunity because of
I was something different you know God knows I'm
::not a great intellectual but I was smart enough
you know I could pass the very basics of getting
::in and I had the music and I suspect that those
who were making those selections thought that was
::different to invite into Harvard I can imagine so
so what was the feeling single black kid growing
::up in St Louis now going to one of the most
prestigious universities in the world world how
::how did that did that ring did did you were like
wilded by it or was it was just a regular thing
::oh you know I can look back on it now and come up
with all kinds of descriptors which uh perhaps I
::weren't feing at the time it was you know culture
shock you know being dirt poor all of a sudden
::being around people who had $150 million you know
trust funds there was no connection I could make
::with any of that and nor did I have to struggle
with that connection because I was protected in
::a sense I was cocooned because of Music quite
frankly Harvard took care of me without a doubt
::without a doubt I never had the slightest want for
four years neither money for going home or going
::on trips I went on world tours and all of that and
again coming from a family of 11 you know kids of
::an uneducated mother so it's extremely fortunate
I'm a horrible School chauvinist I'm not a snob
::about where I went to school but I definitely
wear the Crimson I do so you know they just had
::the Harvard Yale game uh last week though do you
ever go to you ever go to the Harvard Yale game or
::what are you don't want are you ready to get off
the podcast I said y the har jail game to be seen
::not for were they doing something else out there
but celebrating me how's that for ego I love it
::I love it well look that's that's part of going
to to going there right is because it's part of
::now and again we're talking about identity and
self-discovery and stuff of that nature so that
::that is um that is awesome so how in in terms you
were you said you protected you had a cocoon I
::did which was great did you interact with the
other student body and if you did what was the
::and you said hey I'm an opera singer I'm on the
choir and obviously the the black population at
::Harvard I can imagine you know when you went
there was was minimal right so what was that
::experience like it was again I was so protected
I I don't want to take any credit to myself but
::I called there was a picture on the front of the
Harvard Crimson which was our local you know the
::Harvard's newspaper and I was standing next
to the president of the Harvard who had gone
::to a conent which I was in the night before and
stopped to speak to me on Harvard Yard is where
::the Freshman live and the Crimson captured a
photo of it and they said Jimmy Jones with a
::friend I was obscenely popular and I want to say
that now because I want to then peel back that to
::speaking of identity I was extreme really horribly
popular Harvard has what they call the only at the
::time the only four elected positions Harvard had
was what they call class Marshals and they for the
::last 100 years or so had always been the wealthy
white athlet athletes I was number two wow made
::all the papers it was the first time Harvard
that had a black um person in in in that role
::and I just got as a class Marshall it was just
one of those things in fact in my graduation the
::four bus were sing together and I was wearing
a red something other and one of the the the
::Harvard Lums some government official came to
me he said we invited you here and you you're
::such a rebel wearing all of that red he did not
know that I was a class Marshall and and let me
::stay with that for one more tony I announ these
things not as any way it it was a fortune I I I
::I Grew From that but it took years to peel
back a lot of that to discover my identity
::at the core of that and that was work and that
was pain but I'm I'm I'm grateful that impeding
::it back I was able to hold on to what for me
I value from that experience but believe me
::it took some peeling back indeed it did so when
you say it took some peeling back what do you
::mean by that can you share a little bit more yeah
if I can um when I went to juliard that was sort
::the beginning of it I was in the American Opera
theater there right up to Harvard that was my
::first time having to confront that I really didn't
have the emotional maturity that perhaps I would
::have developed had I gone to a state school
or whatever I'd been so protected by Harvard
::and it its traditions and it's money and all
of that and now I'm thrown into the pot with
::you know hardworking opera singers who you know
you know take no prisoners and I had I did not
::have the emotional um solidity to be able to to
confront that in in a way that was anything but
::painful it was a very difficult time for me and
I ended up leaving juli art after a year make a
::long story very short even though I went back
later to complete um you that operatic program
::I just didn't have the maturity emotional
maturity emotional uh in int intelligence
::whatever you may call it to confront New York
and what it meant to be a young black person on
::the streets of New York I had nothing to prepare
me for that nothing wow and and and and which is
::interesting because growing up poor in St Louis
which your mother probably was scrapping you know
::just to be able to take care of you and your and
your and your siblings um and then I mean that
::takes a lot of that's an attitude itself right in
terms of scrapping in terms of you know whatever
::comes up going she's going out slaying lions
and then coming home and and taking care of
::you guys so none of that kind of passed on to you
if I'm hearing you correctly because you were jet
::not jettison you were you know uh taken into the
bosom uh because of your talent into Harvard and
::very well protected if I'm hearing you correctly
and everything was taken care of for you and then
::after you graduated now you're out on the street
and it's every man for himself very much right
::and and you're having a a hard time dealing with
that is that what I'm hearing totally you are and
::I think you say none of it was passed on it was
passed on the growth was about clearing out the
::debris of har and any number of other things and
again you know I'm a huge Harvard uh devote but
::that aspect of Harvard if you will and that type
of cocoon it took me some time to sort of clear
::that aside to understand exactly what was at the
core of what my mother taught me and what was that
::what was that Decor that she taught you a kind
of self-reliance under extreme circumstances I'm
::not telling a tale that you know we we've not all
experienced it time but it just took me a longer
::while perhaps to get there and to understand
that at the end of the day what you are who
::you are what you value has got to be where you
where you where you plant your flag nothing else
::will will work and I'm not clear that I got that
right long time that day you know that telephone
::call to my mother was the beginning of that right
but it took me a while to just to connect the dots
::if you will right right and you know I I it's
it's it's interesting the way you position that
::because I you know and if thank you for sharing I
think that's a struggle we all and maybe not into
::your um particular story but I think you know a
lot of times you know you could it for you to be
::able to to to self-reflect and really like you
said peel the onion back and really look deep
::within in terms of yeah I went here I had this
opportunity um but the end of the day it's not
::really all who I am right it's it's an experience
I take some stuff out of it it helped me open in
::some areas it helped me grow but in other areas
it didn't help me grow is that what I'm me are we
::on the same page my friend we are maybe a slight
Nuance of difference would be a slight shade of
::difference between it all helped me grow got
I just had to come to a better understanding
::of of self-awareness around how the crevices
I was creating for myself and the things that
::really were leveraging growth you know and I don't
mean to speak in sort of coaching terms but that's
::really came down to and again I'm talking you know
experience forward learn backwards it took a lot
::of I'm continuing on I'm on that learning curve
still but you come to this point where you go
::okay guess what you still got stuff to figure
out cotton you want you still got to go out
::tomorrow and pick some more and little by little
your your your bag will be as full as it's going
::to be and if it's not who you going to blame not
your mother not Harvard not anybody else I don't
::mean to be flip around it but I really do feel
that way no no no I love that I mean and and look
::I think that is awesome you were saying a minute
ago that you were in juliard you went to juliard
::and then you left all right you didn't finish you
came back and finished later what what happened
::there I went downstairs one day at jewelry yard
feeling miserable about something and uh and uh
::I was at a a news kiosk and this man know you're
in New York some dude walking up to you that you
::know you wonder what's going on there and he said
are you an actor I said no I'm not an actor you
::know I go to juliard he said I'm a director and
I'm doing a play off Broadway called shoes I'll
::never forget it and boy when I pick when I
think of one of the roles you dead on for it
::I said well I'm not an actor he said would you
come down anyway and and talked to us so I went
::down and you know they hired me to do this play
it was an Off Broadway play equity and I quit
::juliard the next day wow again I had no emotional
intelligence I had no way of of thinking through
::these things with any type of real strategy it
felt good to do it and not done it so you quit
::juliard to do this off Broadway play on a wh and
an agent saw me in the play loved me signed me on
::and and again came to another Crossroads sent me
out to to uh uh Indiana as a guest artist to do
::a play there to start a play there and to give
lectures and all that and whilst I was there uh
::they learned they they knew I had sung I was
asked to sing at someone's home at some sort
::of dinner party at that dinner party was this
woman who was a conductor from New York and she
::said oh no you need to be on the operatic stage
do you know I got back to New York and I went
::to my agent and I said uh I don't want to do this
anymore he said dude you ever hear thing called a
::contract but she was kind enough to let me go and
of course by the time I reached out to this woman
::who said I'm going to make your career she said
no I don't make careers of only big people so was
::all cocktail talk meanwhile I had no nothing to
go on but that was literally how I sort of went
::back to Har then I had decided I was going to
run away to England and go to the Royal Academy
::of Music that that's how I made decisions I'm
going to do it so I did it I went to England I
::sort of went to the door of the Royal Academy
of Music or Royal conservative I start i' like
::I'd like to go to school here I'd like to learn
here they said sir that's not how we do things
::you you'll have to wait for the regular audition
season I said no but you really must hear me say
::they heard me they accepted me I got a great job
there in like two days being a uh an assistant
::to a fellow who was in The Diplomatic Corp but
who also had gone to Harvard that was that con
::that that connection there I got chicken feet two
days before I was supposed to start my program at
::the Royal conservatory and I came and I quit
everything and came back to America can you
::believe that I had auditioned for the Curtis
Institute of Music in Philadelphia for their
::Opera program they were already auditioning people
to take the place of the one I had abandoned and
::they let me in anyway that sort of got me back
into the Opera totally nonsense you wouldn't want
::to write about it well I mean but to be fair and
again the way I'm the what I'm hearing is is is
::seems like a lot of things came easy for you no no
they didn't they came stupidly for me well I mean
::but but to be fair though you're making decisions
people you know I mean Harvard hey you're a great
::singer juli art you know your your your coach is
go you go there right then you all of a sudden
::get an opportunity to be on stage and you get an
opportunity to and so you're making decisions just
::based on what's coming up right in your life
versus having any type commitment or strategy
::or anything like that I have the clarity of mine
now to recognize I wasn't making decisions I was
::rolling with the punches as a were and I'm not
clear that would have should have could that it's
::pointless to do that but as I've gotten older and
worked with other people I recognize that there's
::a big difference between making a a a thoughtful
decision and just saying okay today and for many
::years that's what I was doing not doing myself
you know I I'm grateful for all those experiences
::but I also recognize that a lot of that was just
stumbling through so what what woke you up what
::made you you know have this Epiphany in terms of
you know what I'm just you doing stuff on a whim
::I need to you know be a little bit more serious
concrete I need to understand more about me what
::what was the Epiphany what was the turning point
I'm not clear I've ever had one after five years
::and I was singing a lot though you know you know
you sing some you you know you're impoverished
::for the next four months you sing some more sort
of thing when I I came back to New York I thought
::I should and I wanted a plan B I was at least
smart enough to think that I wanted a plan B
::not incidentally something I would recommend for
committed artist you don't need a plan B all your
::plan is here it's in that music but I wanted a
plan B that was the downside of having gone to
::a place like Harvard you know somebody had a an
American Express card and I wanted one of those
::sort of things so I got into Columbia into their
business school although they were not going to
::accept me because they said well you're uh your
your your your your thinking is fine but their
::Mass skills are suffering would you be willing
to delay to defer coming to Columbia for a half
::a year and take I don't know what it was calculus
I said God no I definitely won't get in after that
::we'll take him anyway my game plan was to go to
Columbia get an NBA hahaa and then put that in my
::back pocket and go back onto the operatic States
that's literally what I thought I would do City
::Bank had other plans for me they said well that's
really great you go and S it to met all you want
::but we want those student loans to begin in the
month so that's how City B bang had a different
::plan they want their money Che so I had to get
a job so and the rest is history and here I
::am so listen so when you say the rest is history
because you got your NBA uh uh at Columbia I did
::and then you transition into HR am I correct
so that was pretty much prob I was going to
::be able to do I had no Finance skills or or any
of that sort of thing or strategy skills and I
::I shouldn't do myself I should do myself some
purpose I you had an instinct around you know
::what HR was about at the time so it made sense
that I would get an HR job yes wow and then so
::so let's let's just back up a little bit right
we're talking Opera we're talking Harvard we're
::talking you know a stage actor we're talking you
know traveling around the world singing with and
::and NBA in Colombia and now you're going to
be in Corporate America doing HR so so tell
::us a little because I mean that that's a that's
a different little little journey there the only
::that hadn't changed as much as it might was Jim
Jones unfortunately like how so to me being in
::HR was you know being in corporate was you had
a Coach bag you were Gucci you know you had uh
::Brooks Brothers tassel loafers you had suspenders
and a and a self-tied bow tie and you wore a
::Burberry that's what I thought you were supposed
to do oh I looked the part very much but I but
::again I I still didn't I didn't recognize that
now now I do didn't have that type of of of of
::awareness breath of experience that would protect
me that would guide me through successfully a lot
::of those early experiences in Corporate America I
was not successful at that point in my career in
::Corporate America not at all so you and again
I I I I love your fashion um um ideas I mean
::when I first got the corporate America I had a
cheap suit I had some shoes that needed to be
::shined you know I had a Raggedy belt okay and
so so your your your idea of corporate America
::from a fashion standpoint is woo I I love it I
love love it you were saying though you still
::you know wasn't um and I want to use the word
complete you still didn't have a understanding
::of what it took to become successful in Corporate
America so so where did you find that how did you
::find yourself because you know and look the the
gym I met you know and in full transparency um
::you know I went to namic Executive leadership
uh development program uh at the University of
::Virginia at Darden School of Business um which
was an eight-month program which was great and
::then I think um one time one day they came in
and said you're gonna meet this guy named Jim
::Jones James Jones and he's a life coach executive
coach and you know uh we have I think we have a
::couple of them so we're going to split him up
he's going to work with some of you guys and
::somebody else is going to work with some of the
others I ended up getting the Short Straw yeah so
::I got Jim and it was one of the greatest
experiences the greatest thing that that
::that happened to me I mean I learned so much
from you you helped me understand my identity
::issues my sensitivity struggles and stuff to
that nature so when I hear your story which
::is great right and then I'm hearing that Tony
I was just I didn't even I was just doing stuff
::based on a whim I was didn't have no emotional
you know uh uh sophistication when it came to
::emotional intelligence I wasn't mature enough
you know I came to Corporate America and really
::didn't understand success and then I sat here and
learned and and a bunch of my classmates you know
::Nicole uh excuse me Danielle Scarboro you know
you know Nicole husband Sean they all love you
::we all have learned a lot from you so I want to
dive into that you know you said hey I wasn't
::ready to become successful what what what what
took you to that next level oh gosh that's so
::hard to answer because again there was not sort
of a wake it was not like the time you know the
::telephone call to my mother I think over time
you s of wake up or you go you know uh forever
::to sleep sort of thing and just coming coming to
terms with my own authenticity if that makes any
::sense um coming to terms with my own need to to
connect with what I was doing connect Who I Am
::with what I was doing and those are not the same
things always uh and being at at at peace around
::all of that again it's a rich process I can't say
that I'm there every day but I think I'm pretty
::close to being there for the most time even was
just an an acceptance of that and also being in
::a in a in in even in a corporate environment where
I felt validated I felt yeah grounded and all of
::that and it was simply my time to be there and
and and and have that experience to me so when
::you say validated what what what what was the when
you say validated like what do you mean validated
::for you what does that mean well I don't want to
get too raw for your audience there but no no no
::no this is a black executive perspective we want
to get wrong I I I don't don't play basketball
::and and all that things and I know I talk funny
and I read Jane Austin novels and all of that and
::you know and and and and and in my mind feeling
okay with all of that not only okay with it but
::feeling that okay this is my Center this defines
me here it is take it or leave it can I shift and
::speak French if you speak French of course I can
but at the end of the day I'm going to go back
::to being Jim Jones and it's going to be a welcome
to you to join me there but I won't I won't there
::aspects of myself I was no longer willing to
to to to to sacrifice for that and I think I
::must have been doing that again hindsight's 2020
did I come to that in the middle of the night one
::day but over time uh I had to recognize that oh
I was going to die quite frankly that I needed to
::make some to take a stand around my identities
as it were you know there are several and and
::and and be okay around those and I am that is
awesome my friend and listen I know you know as
::I'm listening to you I get goosebumps I'm you
know know the audience there's a all there's a
::plenty of people who've been in that situation I
can speak for myself you know I always felt that
::I I needed to you know be somebody else to be
liked to be accepted to to to be successful and
::and I struggle just being me you know people see
me as this gregarious you know fun you know high
::energy and at times I am that right but there
and you and I chat you've helped me with this
::and there's times I'm just quiet I'm shy I don't
want to say nothing to nobody I don't want to be
::B and you know I had to accept that so let me ask
you this you know there's a lot of professionals
::that deal with with that that really peeling
back the onion to see not only who they are
::but to accept who they are what recommendations
would you have for them and again I don't want to
::be arrogant enough to to say to someone do this or
do that uh because I don't think it's that easily
::packaged number one but a big part of it was
understanding that this is who I am and I want
::to really spend some time and some courage around
understanding that and and going as deep as I can
::with this this is what I do what's the alignment
that's possible because there always going to be
::tradeoffs there there always going to be aspects
of myself which I need to I'll be required to to
::place aside for a moment it's when it's becoming
um a function of of placing aside and forgetting
::it and not going back to it and not reconnecting
with it that I know I'm in trouble and you will
::be in trouble black white or indifferent that
will happen and the pain will become such it
::can't balance it that's when the stress becomes
distress and again I spoke of speaking French and
::France it's you know yeah a lot of these things
are part of your tactic I know that tomorrow in
::order to be accepted by this audience and
validated by these particular circumstances
::and and to be able to have that Propel me towards
my goal my business goals I need to wear Burberry
::I need to wear telop it doesn't mean I'm not
being who I am it's saying this is a strategy
::this is a tactic it's when the tactics and and the
strategies overtake your sense of of of well-being
::that you're in trouble and it can happen I'm not
saying on any given day but over time you can be
::so consumed by you know the the the aspect of it
all so if I'm hearing I hate to simplify it but if
::I'm hear I'm hearing a b a word balance right
because at the end of the day we you know let
::me back up for a second sure what I'm hearing
is the I'm me well let me use me as example so
::Tony there's you are you however there's times
where you need to from a strategic standpoint be
::able to do this right because this audience needs
you to be this all right the challenge is is nine
::times out of 10 we get Lo we we we lose balance
where now where I'm I'm placating this audience
::to be this I become that all the time and I
forget my Center in terms of who I really am
::is that what I'm hearing Jim I definitely that's
a part of it Antonio part of me is the work of
::that Center and and that's where the real work
goes on once you're there and understand that
::and are are are are living in that Center of of
values and and and and and your pain and whatever
::it may be you can do all the rest of that because
that's what you do I'm going across to this place
::now what do I need to be successful there you've
always got a you you always got a a choice then
::that's the other part of you will always have
a choice now it's easy for me to sit here in my
::Brooklyn living room and talk about my choice and
you've got two girls to put through College as it
::were but it's always a choice and there's always
going to be a premium there's always going to be
::a premium there'll be a price tag on making some
of those adjustments to be successful in corporate
::there'll be a premium on getting two um Imes in
in in in self-investigation what's the price teag
::I'm willing to pay right right so you know you've
worked at um you've been an executive coach um um
::life coach for for years now yes and obviously
every human being is different and you work
::with a lot of people what some of the things that
you've seen or you worked with you can keep it at
::a high level that you know professionals struggle
with in terms of corporate America and their and
::their uh centered self I'm going to repeat myself
here the the what I do versus who I am conundrum
::simplifying something that can be really really
wrenching for people it really can again of old
::Stripes you know black white gay Strait you called
it that what I do versus who I am and is the is
::the is the sacrifice to do this such that I am uh
annihilating who I am that's all you got the end
::of the day I'm being incredibly simplistic and
perhaps that's I'm being so simplistic because
::that's all I have to offer what I do who I
Who I Am where can those L what's the work
::of getting those as much align as I can because
some that you have any control over what you do
::have control over is to spend the the time to go
deep and have the courage to say what I am this is
::who I am this is where I live and to say and you
know what I'm going to find an appropriate way of
::sharing some of that with AA with those people I'm
going to mechanism for bringing the what I am to
::what I do It's Tricky just strategic and tactical
around it you know but I love that though because
::what you're saying is is that um it's important
to yeah I I I got to do what I got to do but if
::I can start bringing who I am to what I'm to do
what I got to do then I'm not going to get lost up
::in terms of what I got to do what I got to do my
Center is still going to be there and it's going
::to be actually spilling over in terms of what I do
what I got to do what I got to do correct I would
::say that more of what you are shows up anyway it
just may be a blind spot and you want to again
::manage the narrative you want to understand what
that's all about what's showing up about me that
::U others are experiencing and I want to understand
what that experience of them is all about and of
::course you're going to get lost but you'll be
able to find your way back because you'll know
::where you need to be and it's incredibly hard
work and never never stops and something is
::always derailing you from that that course of
accent so let me ask you this in terms of you
::know I I remember when you and I were chatting and
uh I was telling you a story and I was saying you
::know one of the things I always struggle with
um is that I expect people to treat me the way
::I treat them right if I'm doing the right things
to those individuals they see it and I'm expecting
::in return that they do the exact same thing and
then I was looking for a sympathetic ear because
::I was like this should be just this should be
just simple right and I was explaining that to
::you and you looked at me and said Tony you can't
control what they do to you right can you talk
::a little bit about that because I thought that
was eye openening for me well you just said it
::Tony there good luck with your expectations but
it's also who that said I'm also not responsible
::for what you think about me either so there
Comes This Moment you go you know I'm doing
::as best I can and it's authentically as I can
and as in alignment with our goals and our our
::our our our shared outcomes as I can beyond that
okay and again I'm being overly overly simplistic
::because I have nobody to take care of but me and
my you know my Whole Foods Bill and those other
::considerations and complex aspects of Life all
kick in but still at the end of the day this is
::it I'm doing as best I can I'm as confident as
I can I'm as authentic as I can and again what
::I hoped we picked up on was that you've said it
as well as I could possibly you have no way of
::knowing what I perceive from you you have no way
of knowing what I need from you unless we built
::the kind of relationship and I've understood
myself well enough and I'm courageous enough
::with myself that I say Tony this is what I need
from you the moment Look to You to satisfy that
::need I'm in big trouble your dear wife your lovely
children double A none of us can do that for you
::that core need you have to do for yourself it's a
lonely place to be but that's all you got because
::the moment you get to that place where you take
responsibility for those core needs the rest is
::going to fall into place it's going to fall into
the place it was meant to fall into right right so
::in other words you know be satisfied with what
you do who you are and don't worry about what
::other people do and or more importantly what they
don't do do you mind if I give a different slight
::shading to that please please my friend about
satisfaction be sure of the work you're doing
::to be as much Tony Franklin as you can the most
authentic Tony Franklin the most self-aware Tony
::Franklin the most grounded Tony Franklin that
you can be the other has to at the end of the
::day take care of itself it may not take care of
itself in the way that you might have you know
::put in your you know your fiveyear plan but Tony
it's all you got the the the other side of that
::is just a lot of pain it may be an extra trip
to to uh Martha's Vineyard but what you got at
::the end of the day and again I'm not knocking any
of that those are wonderful things to have this
::is the man with the Burberry remember that it's
is it really worth the the the the the the wear
::and tear on you on your relationships on your
sense of selfworth maybe I say that because I
::never had those things but uh not you know you
know the the the Martha's Vineyard at home but
::uh I I can't I have to believe that that's where
it starts and that's where that's that's what the
::journey is all about going from you to you I read
in a book somewhere a quote that I thought was so
::powerful is who am I and what would it take to
be I am that was powerful stuff very powerful
::that is powerful and and and and piggybacking on
that the road from me to me and ultimately to me
::how do you how do you define that what does that
mean I don't know it sounded good when I wrote
::it you know what I mean Jane Austin that day and
I thought that's kind of cool hey hey so are you
::smart if I put it like that so are are are you
are you no matter what you went through or no
::matter what I go through or no matter what
doublea goes through or our audience the the
::journeys the ups and downs the indecisions the
decisions that's you absolutely is and that's
::a lonely thing sometime to accept but it still
is what it is it still is what it is and again
::you want love in your life you want Connection in
your life you want access to others in your life
::of course and have them access to you but at the
end of the day it's all about the work you doing
::about Tony Franklin about dable a about Jim Joe
just all we got it's not always a scary thing to
::have to to contemplate but there it is let let
me let me throw this at you one of the things
::that we struggle with uh and you said this word
a few times um self-aware a self-awareness one
::of the things that we struggle with there's
a lot of people who are not self-aware Ware
::or they when they look in the mirror they are
self-aware but they don't like what they see
::oh and not that right and then they go back to
going back to your point about being who you
::need to be for a certain audience they rather
being that Arena yeah versus being in their
::own looking in the mirror Arena what would you
say to those individuals okay I'm I'm just not
::want to give advice because I struggle I get
it I get it I get it it's it's it's again to
::repeat myself it's all you got it's all you
got and if you can do play that other do that
::other thing without causing yourself infinite
pain great be successful there but at the end
::of the day what do you have to go back to
what is the work you've done to say I live
::here and I'm grateful for living there ah yeah I
mean listen it it can be yeah well you know what
::at the end of the day I think you know and
that's why I'm so excited that you're here
::just being able to reflect look back I mean you
sharing your story today and you're like look it
::took me years to look back and say I wasn't
here or I wasn't ready for this or you know
::I was making decisions based on this or calling
your mother up and saying hey guess what I know
::I'm gone I know I'm you know a grown man now and
living abroad or whatever but guess what I just
::want to let you know I got you I know what you
were going through I know what you were dealing
::with right so I guess those light bulbs uh come
up uh you know come bright at some point in our
::lives and more importantly when they do come
bright we acknowledge them yes well my friend
::go ahead finish your thought you want to make
sure when you get back home you are there for
::you how about that that is that is awesome so
tell me what the future holds for you huh don't
::know future defined in what I'll have for dinner
this afternoon or I'm a coach as I say I love my
::work uh you know we we're always hoping for you
know that next fascinating interesting contract
::we all do that we may say we don't but we do but
I'm very grateful uh so one of the things you and
::I I wanted to ask you about this and I forgot you
were able to meet James Balwin is that correct I
::did tell us tell us about that experience when the
last time I went to Europe to stay any period of
::time I'd gone over I already knew that I was going
to go back to business school but I had uh I some
::producers came over from Paris and they were
looking for and I heard about this through you
::know my former Arts uh Network they were looking
for a young black African-American male who spoke
::fluent French and who had a background in music
I thought I got this y'all and being New York of
::course you go and there's a there's a there's
a line five you know five blocks long of all
::descriptions and you go how you gonna be black
but you know what you hire me and I'll figure
::that out and I'm not mad at somehow got job
he said it was a line so long all the way down
::New York not know that that's that whole acting
World anyway I I did get that role so I went over
::to Europe and was there for six months in Paris
narrated a a show called The Gospel Caravan and
::uh James bwood had written it in conjunction with
a French author by the name of malol Y and it was
::about the history of gospel music and they so
they had brought up all these gospel stars and
::who through through music told the story of gospel
and I narrated it in French so that was wow and he
::came to some of the early rehearsals he did
indeed did you guys hang out at all oh yeah
::right I mean you made it you were right there
I figed that you would be able to hang out with
::him I don't think
::so very funny oh well look my friend
it's been a blessing to have you on um
::final thoughts for the audience
where do you want to leave the
::audience know be you cuz ain't nobody else out
there has occupied that particular booth well
::I can tell you this you were you tonight and
really appreciate it you've been a blessing in
::my life and I can imagine to countless hundreds
of others you've really touched a lot of people
::in terms of helping them self-identify deal
with the minutia that we all deal with in our
::head so I love you a lot you you I'm a big fan
of yours and listen if somebody's listening to
::this and they like hey I love I would love to
connect with Jim Jones and sit down and just
::you know chat about you know myself and Corporate
America and how I can you know take my game to the
::next level where would they be able to reach
you probably the best is at LinkedIn James C
::Jones and you'll see my company name there and
reach out I would love to have that conversation
::well I hope they do um because at the end of the
day you like I said are fantastic I'm glad we're
::friends as it's been a blessing my friend so
thanks a lot for appearing and sharing your
::story as well as you know a lot of great uh
antidotes and Solutions on a black executive
::perspective podcast thanks to you both God
bless have a wonderful holiday awesome thank
::you so I hope you enjoyed today's episode the
road from me to me and ultimately to me with
::Jim Jones he was fantastic outstanding loved
that he shared his story and then obviously
::he talked about the self-discovery that he had
um which was great so based on that I'm going
::to go into Tony's tidbit and today's tidbit is
by Miles Monroe the greatest discovery in life
::is self-discovery until you find yourself you will
always be someone else always be yourself and that
::was by Miles Monroe so thanks again for tuning
in to another uh episode of a black executive
::perspective podcast please go to our website at a
www a black executive perspective podcast to sign
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our monthly newsletter soon please leave us a
::review how did you like this episode how did you
like Jim do you have additional questions for Jim
::please don't hesitate to give us a rating and if
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::Tony tidbit be for our great guest Jim C Jones
our executive producer doublea I'm Tony tidbit
::I love you a lot we talked about it now we're
out thank you for tuning in to this episode of
::Tony tidbit a black executive perspective and
for joining in today's conversation with every
::story We Share every conversation we Foster
and every barrier we address we can ignite the
::Sparks that bring about lasting change and this
carries us one step closer to transforming the
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