In episode three of our Manhunt series, we delve into two films that helped redefine and revive the genre of pursuit. From South Korea, Memories of Murder (2003), a haunting and postmodern crime drama. From the United States, The Bourne Identity (2002), an adrenaline-fueled yet grounded spy thriller.

Special Guest: the talented John Brooks from the great 1999 Podcast which covers all the films from that seminal year of film.

Crime stories hinge on a denouement of justice. When that justice is denied, the audience is often left in suspended emotional agitation. We want to believe that violent crimes are always solved, and the villainous perpetrators are caught. That order is restored. Yet, reality dictates a much less clear cut finale to crime stories. Memories of Murder explores this ambiguity in its depiction of a real-life serial killer case, where answers are elusive, and the moral certainties dissolve in a haze of bureaucratic stagnation, intellectual flaccidity, and craven dispositions. Director Bong Joon-Ho crafts a deeply unsettling vibe where the boundary between good and evil fades, exposing the futility of the hunt and the flawed nature of those involved.

In contrast, The Bourne Identity is sleek, fast-paced, and decidedly straightforward. This chase movie skips across Europe with the hunter and hunted dichotomy awhirl. Director Doug Liman invokes the stacco precision of a spy thriller but interweaves melodrama with Jason Bourne's fractured psyche. In many ways, Bourne is more indebted to the dutch-angled noir tradition than its most obvious predecessor, James Bond. With its relentless action and tightly wound narrative, the film strips away the nuance of morality found in Memories of Murder while delivering a linear yet captivating tale of survival, deception, and revenge.