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157 | PR isn't just for big brands - with Lucy Werner
Episode 15719th February 2026 • Women in The Coaching Arena • Joanna Lott
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PR doesn’t belong to big brands with big budgets – it belongs to anyone willing to be clear, human, and seen. Joanna Lott is joined by PR specialist, author and founder of Hype Yourself, Lucy Werner. Together, they explore how PR, storytelling and visibility can work for small businesses and coaches, without hype, pressure, or pretending to be someone you’re not.

Timestamps

[00:00] Why PR isn’t about big brands

[04:12] What hyping yourself actually means

[10:35] Building your PR foundations

[18:40] Pitching with clarity and confidence

[26:15] Relationships over quick wins

[34:50] PR, income streams and long-term growth

[42:10] Staying human in an AI-heavy world

This episode is for coaches and small business owners who want more visibility and credibility without losing their integrity or sounding like everyone else.

Choose one place this month where you’ll share your story clearly and let the right opportunities find you.

Useful Links

Jo’s Guest Speaker: Lucy Werner, founder of HypeYourself

Learn about The Business of Coaching programme

Signature Solution Course

Download the Free Digital version of Coaches' Planner (NEW edition 2026)

Free Essential AI Toolkit – 2 Must-Have Prompts for Coaches

How to secure more coaching clients' free training

Download the 12 ways to get clients now

Connect with Jo on LinkedIn

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If you found this episode of Women in the Coaching Arena helpful, please do rate and review it on Apple Podcasts or Spotify.

If you’re kind enough to leave a review, please do let Jo know so she can say thank you. You can always reach her at: joanna@joannalottcoaching.com

Enjoyed This Episode?

Don’t Miss the Next One! Hit subscribe on your favourite podcast app to be notified each time a new episode of Women in the Coaching Arena.

Transcripts

Speaker:

Today I'm really excited to welcome

Lucy Werner, who is a PR specialist,

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author and founder of Hype Yourself.

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I am a paid member of Lucy's newsletter,

which is called The Hype and really

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excited to have pitched Lucy as the

first person that I've really pitched

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to have on my podcast to talk to you

today about using PR, storytelling, and

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smart self-promotion in your business.

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So, Lucy, my motto is honesty, not hype.

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So it's really interesting that your

business is called The Hype, but clearly

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when I talk about honesty not hype,

I'm meaning hype within the coaching

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business industry where people kind

of go six figures in five minutes,

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but obviously hyping yourself is

exactly what I'm passionate about so

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really excited to have you on today.

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Thank you so much.

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And I love like the disclaimer

of without the hype, but we've

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got somebody from The Hype here.

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But yeah, to me, like the hype, and

hyping yourself doesn't necessarily

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have to be this jazz hands, you

know, all singing, all dancing.

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If you are listening on audio, I'm

waving my hands up in the air right now.

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I think it's really finding a way

to promote yourself in a way that

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feels good to you and that's gonna

look different for everybody.

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And it doesn't have to

just be, look at me.

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Exactly.

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I'm sure everyone will

be relieved to hear that.

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So tell us a bit about you and how you

got into PR and what you're doing now.

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Yeah, thank you.

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So, in a nutshell, I actually started off

in PR when I was 17 on work experience.

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And I really wanted to be a journalist

and or a writer growing up and that kind

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of got knocked out of me academically.

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Then I discovered PR.

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I didn't even know really what it

was, and I was suddenly like, oh, I

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actually get to chat to journalists

and I'm coming up with story ideas.

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So it was kind of all of

the bits that I liked.

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So half of it was kind of the

creative side of generating.

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The ideas and the other bit was the

kind of strategic, making sure it

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was aligned with the business goals,

putting the actual plan together.

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So I did a degree in media and culture

studies, and then it took me a while

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to kind of land in a PR agency.

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I was in-house for.

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Mr & Mrs Smith, the luxury travel

guide, when it was a scrappy startup.

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If you can believe it, you wouldn't

be able to believe it now, but I think

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it was like an office of 13 in Clapham

when I started, before it became the big

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luxury travel house it is now in Chi.

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And I worked in advertising and

then I kind of worked my way through

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different PR agencies and then

finally settled on my own in:

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Because I was getting to that point

a which I think for a lot of people

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who become self-employed, a, we

started to become a bit disillusioned

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of the companies we're working in.

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And at that point, my clients

were alcohol, e-cigarettes.

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Poker, you know, all the good things.

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And I thought, I'm not feeling like the

soul work that I wanted to be doing.

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And at that time I was meeting a lot

of cool entrepreneurs in London who are

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building brands or doing pop-up events

who couldn't afford big PR agency budgets.

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So I thought, I'm gonna start up a

boutique PR agency for smaller outlets.

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And that kind of naturally led

to me studying PR books because

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I was back to the shop floor.

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So again, like many people who are

self-employed now, we quite often train

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in one area in our corporate careers

and then we suddenly get promoted.

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And the bit that we love doing,

we are not doing anymore.

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So I went back to reading PR books

thinking I need to learn how to sort of

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actually pitch to a journalist again.

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And most of the books were

either written by men or they

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were written by journalists.

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Not people who'd worked in pr.

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And for me there was a whole

strategy piece missing of aligning

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it with your business goals and

knowing what your key messages are.

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And this whole strategic piece that

was missing outside of this is how

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you write an email to a journalist.

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So I wrote my own book and on that journey

I started to discover the world of the

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individual solo preneur, self-employed,

small business owners, freelancers.

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I think we all have a different name

for how, what we call ourselves and.

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Even then, my boutique agency

wasn't affordable for them.

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So I started playing with this

sort of DIY arm of like courses,

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workshops, never really kind

of settled on the right medium.

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And then fast forward, I moved to

France four years ago and I had a

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third maternity leave and had stopped

all my client work and thought,

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right, what do I really wanna do?

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And because I had time and space

here to really think, okay,

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i'm gonna gamble on a pivot.

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I decided I was gonna start this

paid newsletter business model.

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I'm lucky, I do have other income streams

I've built up from being a self-employed

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person and from hyping myself.

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So I had that as the backup and I've given

myself three years to try and replace

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my agency income from the newsletter.

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So each year it's incrementally growing

to be the majority part of my income.

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But for now, it's still

a work in progress.

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And then essentially the newsletter is

a weekly prompt or a personal essay or,

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a resource to help you hype yourself.

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And then I do a bimonthly directory

of newsletters and podcasts and other

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people who are looking for guests.

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Because I think one of the hardest

things is actually the ti the time

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to research where can I push myself.

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So I try and curate, or I also

curate like public opportunities

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as well because there's lots out

there and just like nudge my paid

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readers, like here's how you do it.

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And then we do a live class every month

as well, which can be anything from

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me talking about how to pitch to a

journalist, to how to get paid as public

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speaker, how to teach a workshop really

well, because a lot of us has an amazing

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expertise, but we don't actually know how

to package it up into something sellable.

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All kind of things in the realm

of hyping yourself, which for me

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is everything you do in the public

eye, it's not just getting in a

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newspaper or writing a press release.

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So yeah, that kind of leads us up to date.

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Yeah, totally.

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And I think the approach you take

with your newsletter is something

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that attracted me to contact you

because you actually said, my plan

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for this year is to speak on podcasts.

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So I think you also mentioned another

podcast interview I listened to

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that you think we should put it out

there in the world and then we start

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to attract those opportunities.

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'cause we are super clear on what we

want and even you outlining there that

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you want to grow your business and this

is your goal for the next three years

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to, you know, have that newsletter as

the part of it is you just claiming

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exactly what you want and hopefully

therefore attracting it your way.

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Yeah, that's the goal.

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That's the goal.

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Watch this space, Joanna.

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Watch the space.

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Hopefully that is the goal.

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Love it.

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So many of my people are starting out

maybe, or even, years into business like

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I am, but still not really focused on PR.

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It's not something I have

personally prioritized yet, as

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many of my listeners may have.

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Not either.

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What would you say to someone who's just

starting to dip their toe in thinking?

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Should I do this?

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But is anyone really gonna be

interested in what I've got to say?

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Yeah, sure.

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I think the, for me it's the really

unsexy basics, like I would say,

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have a media toolkit, which can sound

a bit dramatic, but let's just say

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you do land a massive podcast or a

speaking gig or a press opportunity.

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These are things that you

are gonna be asked for.

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So I'd have an updated

bio of about 150 words.

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So if you haven't looked at your

biography anytime recently, get that

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up to speed, and get some headshot,

whether that is just you on your iPhone.

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Taking portrait and landscape shots, I

always say take a landscape shot, not of

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a landscape of you in the landscape mode.

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Because if you are pitching to be on an

online newsletter or an online article

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or press article, even if it appears in

print, you quite often end up dominating

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that article and being the thumbnail.

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So it's a really easy hack.

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Get some more bang for your buck.

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And your one liner, which I

think a lot of people try and

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make work really hard for them.

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I see this actually quite a lot in the

coaching space specifically because maybe

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they're trying to coach two or three

different types of audiences and they're

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trying to fit that all in in one sentence.

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Or it's, you know, they do coaching,

but they're also an author and they're

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also a speaker, and they're also a

retreat host and they're also I don't

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know, a brand ambassador for somebody

or something, and trying to get that

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all up front whilst to you can feel

incredibly important, to the person on the

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other side it can be difficult to read.

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And another reason why I think having

a simplified one-liner of what you do

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is important is because a journalist

or a researcher for a corporate company

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who's looking to book some talent, do

a corporate gig or an individual who's

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looking for a specialist in that area

is gonna be doing a Google search.

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And when we have multiple job

titles across our different.

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Social media channels, like

maybe you've got a LinkedIn

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and an Instagram and a website.

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It's harder for Google to find

you if you've got different

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bios all over the place.

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So you wanna have it

simplified and matching.

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And it's also the same for chat GPT now.

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So increasingly I'm having my

audience, my paid readers telling me.

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They're getting clients, booking

them through searching for that sort

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of service on chat, GPT and chat.

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GPT is looking for the same patterns.

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You know, as Google.

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It wants you to have the same

paragraph about yourself or the

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one liner across everywhere.

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So getting those nuts and bolts,

they, it seems like, well,

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I'm not really doing anything.

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I'm not speaking to anybody, but it's

actually, really getting, so the, the

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foundations of your PR house, if you were

like, you need it there to be able to, to

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do the next stages of your PR building.

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So I would start with that.

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Yeah, totally.

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And another thing I heard you say

once is that it's a long-term game.

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So in other words, like put your

effort into building relationships

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versus just, being selfish and

just going, I wanna put be in this.

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Like, how can we put

the other person first?

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Tell us more about how we can build

those relationships with people.

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So I'll give you a case study for myself.

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So I really wanted to be on this

creative, podcast called The Future.

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It has millions of followers.

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And to be honest, I kind of thought,

I don't know if I can ever get on

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something like that, but I do like

to set an outrageous goal for myself.

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And they had an Instagram channel

where at that time they were inviting

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collaborators to give a piece of advice

that was running as a carousel post.

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So I turned notifications on for that

Instagram account for about six months.

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And then I was being

flown to LA for an event.

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And I knew that the founder was gonna

be there, so I took a copy of my book,

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I bought a copy of his book, asked him

to sign it and do a photo with me, and

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then gave a copy of my book and didn't

say anything else, didn't pitch, just

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left it as a relationship, warmer.

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And then he just thanked me

'cause I gave him a gift.

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You know, everybody else is there going,

oh, I wondered if, whereas I just was

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like, here's a gift, and just left it.

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And then he invited me onto the

podcast and I ended up teaching for

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his academy, which was kind of really

where I wanted it to end up anyway.

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I didn't want to do the

podcast to get clients.

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So that was probably a year in the making

of sort of stalking and commenting.

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But there'll be other things, like I

will research topics that I think could

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work for me, or I read the news a lot.

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I think this is really underrated.

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There's lots of, don't read the news,

don't consume, you know, just create.

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So I have Apple News as a subscription

on my phone and it knows what I like now.

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So I'm, you know, I'm interested in

first person stories and personal

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essays and opinion articles.

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So I noticed the other week there was a

series about people who've moved abroad

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and so I then pitched to that because I

knew, well, I've got a story angle here.

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So actually that was a cold contact.

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It was a generic email address.

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It was something like Money at Telegraph.

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You know, it wasn't, it

wasn't an actual person.

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And I just am really specific in

the subject line, like pitch for

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families who've moved abroad.

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And then I just write a couple of

bullet points, not, I think a lot

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of people get really into this, oh,

I'm asking something from somebody.

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I need to be like, Hey, how are you?

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I loved your article.

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And no, I, with journalists,

the inboxes are so busy.

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Just get straight to

like, what is the story?

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And I would say this applies

to being on a podcast or

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collaborating with brands as well.

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Like what?

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What is in it for them?

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And then I got the interview.

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I thought it was a really nice example

actually, that people sometimes

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think, well, it's easy for you

to get press Lucy because you've

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been doing PR for like 20 years.

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But actually most of my press

doesn't come from people I know.

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It just comes from the right

story over the right contact.

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So for me, even if I don't have

that relationship with that person,

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either I'm gonna try and cultivate

it, or I'm just writing the pitch

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really succinctly about this is

what the benefit is to your reader.

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This is what my credentials

are, this is what the story

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is, because I think sometimes.

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Particularly the Brits.

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We either go a bit Hugh Grant for weddings

in a funeral, bumbly like, sorry to

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bother you like, and we kind of waffle

around all these, all the sort of things

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that I could maybe talk about or do.

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We don't really get to the point.

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And I do think Americans

in particular are great.

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You know, they, they call it the

elevator pitch and they know, you know

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that right out there straight away.

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I mean, we don't even call

it an elevator, you know?

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We're like, it's a lift.

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It's just bringing us up to me.

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So I think getting straight to the

point of this is what my story is,

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this is what the angle could be.

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And actually that's the bit that

takes the largest amount of work,

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which I think people underestimate.

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They just sort of think, oh.

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I don't know the person or I need

to research the right person.

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It's actually, once you know who

the right person is writing the

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pitch that's relevant to them.

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Exactly.

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So we've got the media kit, we've

got a pitch to make it interesting

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and useful for the other person.

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Where else do we need to start?

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I think it's really important to start

with what are your business goals?

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Are you trying to get press

because you want kudos?

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Like, do you wanna just be able to say

to your peers, oh, I've appeared in this

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publication because actually getting in

national press is lovely, but it's not

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necessarily gonna be the silver bullet

to sales that you are gonna be expecting.

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So if you are really time poor,

I'm gonna be thinking two things.

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One is like, what are my business goals?

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What am I trying to do?

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Am I trying to.

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Sell a corporate workshop.

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Am I trying to get a brand partnership?

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Am I trying to get a

sponsor for my podcast?

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Am I trying to get more

one-to-one clients?

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Am I trying to sell a retreat,

whatever that is, and then think

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about the most effective way

that you can be reaching that.

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So maybe you're really good at

speaking, maybe you prefer writing.

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Maybe you'd like to do creative

silly stunts and be a bit

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imaginative and play with it.

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Maybe the whole thing feels

really uncomfortable and you

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really don't wanna do it.

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So you wanna just maybe collaborate

with some of your peers to do

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something like an online forum.

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Like an online chat, something like that.

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So finding the medium that you

feel comfortable doing for your

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promotion is the most important.

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So I can say for me personally,

that public speaking or workshops

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works really well to convert

people to join my paid newsletter.

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Same with podcasts, because I

think podcasts are really intimate.

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Like we're quite often listening

to them whilst we're cooking our

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dinner or we're in the bath, or

you know, we're driving in the car.

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So we are in that intimate space.

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So the listener, hopefully listener,

hi on the other side, is feeling like

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they're getting to know me and have

that emotional connection to me, and

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not everybody is gonna want to read.

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You know, a long press

interview or watch a video.

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Um, so for me, I'm focusing on podcasts

because as much as I like to do public

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speaking and workshops, I have three

children under the age of eight.

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I'm in rural France.

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There's only so much time I

have to be out in the public

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domain outside of where I live.

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So it is also for me about fitting

it around the time restraints

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that I have and working that way.

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So, yeah, I think it's just getting

really comfortable and confident

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and knowing what works for you.

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Some of that's gonna be

testing and learning as well.

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So some of the biggest podcasts

I've been on, which maybe have

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had like millions of subscribers,

hasn't done that much, whereas other

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times, a really small podcast that

is a complete match in audience

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size has worked really well for me.

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Like I have one podcast.

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It was a book writing podcast, and

I was talking about how I failed

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to become a Sunday Times bestseller

and what I learned in that journey.

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And that led to some corporate paid work.

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It led to, me selling a lot of one-to-one

mentoring, which I don't tend to talk

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about those sides of my business, but

they are obviously other revenue streams.

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But those opportunities landed

in my inbox because I was talking

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about trying to sell my book.

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Totally.

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it's not always the size, not

that my podcast is super small or

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anything, but it is like how warm,

how much they trust you as well.

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I think, you know, that's an

ego thing as well for people to

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remember that, you know, it's so

hard to not use vanitry metrics.

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If somebody follows us on Instagram

and they've got hundreds of thousands

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of followers, our Instagram should be

like, this person's following me, and

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their numbers are huge, but actually

i've seen it even with people doing

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stories about my books or talking

about other things, more often than

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not, if it's a smaller audience, they

actually tend to be more engaged and

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it tends to be more niche as well.

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So when you know who your ideal client is,

it's much easier for you to then match it

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against what it is that you like doing.

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Yeah, totally.

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If we are thinking, how are we

gonna be genuinely interesting?

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Like who really cares

about our personal story?

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Any tips on how we get the confidence

or how we find the angle that might

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actually be useful for someone?

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I tend to say to my audience,

put yourself into three buckets.

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So.

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Number one is business expertise.

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So obviously I'm here today.

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I can talk to you about PR tips or

how to go any newsletter or how to

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promote a book, those sort of things.

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And that's great, but in the

world of chat, GPT and ai, that

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information can also be served up

very easily by researching on that.

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So actually telling stories of

transformation of your clients,

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your own personal transformation as

anecdotes within the business expertise

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realm, I think works really well.

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And then you don't have to turn

the torch on what you've done.

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You can turn the torch on other people,

which I think is really helpful.

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:

Then I have what I call

the human interest column.

351

:

So if you are wondering like what is

the human interest thing, you can either

352

:

sort of Google first person stories or

real life stories or the opinion columns.

353

:

If you Google how to write an

opinion piece for the New York

354

:

Times or the Financial Times.

355

:

All that information's there.

356

:

And that's normally somebody talking

about their personal response

357

:

to something that's happened

or that something is topical.

358

:

And then last but not least,

we have like passion points.

359

:

So sometimes people kind of ignore

what they do as a hobby or what

360

:

they might do in their spare time.

361

:

That actually can be really

interesting as a topic.

362

:

Podcast and then you

are cross pollinating.

363

:

So for example, you could argue

that I am a PR coach, so I'm now

364

:

appearing on a podcast for coaches.

365

:

I rarely go on podcasts for PRS because

I don't wanna speak to other prs.

366

:

I want to speak to small business owners

and self-employed people, but I have a

367

:

sort of specialist subject in relocating

to France, or I really love like Studio

368

:

Ghibli films or I love Repo's Drag Race.

369

:

So I would quite happily go and talk

about those things on, you know, with the

370

:

fandom of those things as well, because

there could be somebody in those spaces

371

:

that are interested in talking to me.

372

:

And I think a really great example

that I've used in the last week was

373

:

the Brooklyn Beckham story, because

yes, that appeared as news, but then

374

:

off the back of that we had experts.

375

:

From an opinion piece, talking about it

like they were either legal experts or

376

:

family, lawyers, branding, PR people.

377

:

So that was, there was that as the kind of

business expertise, but we also saw people

378

:

talking about it from the human interest.

379

:

So lots of family estrangement

stories, lots of people.

380

:

My mum ruined my wedding, my

mother-in-law ruined my wedding stories.

381

:

And if we then move from opinion to

the experts, the opinion and the human

382

:

interest, and then to the passion points.

383

:

There's just people talking about wedding

etiquette and wedding stuff in general.

384

:

That could also hook off that.

385

:

So for me, that's why I say like read

and have a look to see what's happening.

386

:

Because quite often a popular TV show,

remember Adolescents last year, like

387

:

everybody had something to say about that.

388

:

So it, depending on what your

area of expertise are, it's likely

389

:

that something in popular culture

can be a news hook for you.

390

:

So then if you don't wanna talk

about yourself, you don't have

391

:

to, you can just give your opinion

about what's happening culturally.

392

:

And it's then timely.

393

:

The other phrase I use quite a lot is

show a bit of ankle, which is you don't

394

:

need to reveal everything about yourself.

395

:

You know, I have very strict

guardrails for myself of what

396

:

I do and don't talk about.

397

:

So yes, I talk about being a mother of

three children, but you don't know their

398

:

names, you don't see their faces, you

don't see typically inside my house.

399

:

You see the view from my garden

because that's me kind of doing

400

:

my daily gratitude for myself.

401

:

So I'm like, look, I live by the

mountains, even though I've find it really

402

:

hard sometimes, that's a reminder for me.

403

:

And there are certain topics that

are all brands who were asked to

404

:

collaborate with me, and I have to be

like, no, that's not a right fit for me.

405

:

Like, I remember having a

brand come and partner with me.

406

:

One was a global sex toy brand and

another was a dry cleaning um, it was

407

:

like a bedroom dry cleaning service.

408

:

They actually arrived at the same

time, but they're not linked as

409

:

businesses that maybe they should be.

410

:

And I was like, I teach small business

owners how to hype themselves.

411

:

Like this is not.

412

:

There's no way I can take that

money and in good consciousness

413

:

talk about these things with my

audience 'cause it doesn't fit.

414

:

But then I do work with Adobe Express

'cause I'll talk about how I can,

415

:

save time or I use their branding

tools to get my work out there.

416

:

So with me it's having integrity of

the work that you want to talk about

417

:

and the work that you promote as well.

418

:

And last but not least, I

think if you have a win.

419

:

There's this kind of LinkedIn speak that

we have, like I'm excited, I'm delighted.

420

:

I'm thrilled to announce, which is fine if

you speak like that, but most of us don't.

421

:

So I think really staying true to

how you talk, which can be hard,

422

:

but if something good happens to me.

423

:

I really think about how would I

be telling my best friend this?

424

:

How would I be telling my

husband this or my kids this?

425

:

Like how would I be explaining what it is?

426

:

And often I will share the journey

of, you know, how it got here.

427

:

So.

428

:

A great example is gonna be like when

I share this podcast episode, I'm not

429

:

gonna be like, Hey, I'm on this podcast.

430

:

I'm gonna be like, Hey,

Joanna's one of my paid readers.

431

:

She saw that I was gonna be

trying to get on more podcasts in

432

:

2026, so she actually invited me.

433

:

I actually am the first person

she's invited on, so it's a win-win.

434

:

Here's the chat, which is so much more

interesting than I'm on Joanna's podcast.

435

:

So true.

436

:

And it sounds so obvious, but honestly,

it's so easy to forget, isn't it?

437

:

And I think that's why you are

so successful, because you really

438

:

do share your journey so much.

439

:

And in your newsletter you

talk about those daily moments.

440

:

So tell us more about how you

prioritize being real versus AI.

441

:

That's a really good question.

442

:

You know, for me, AI is

like a virtual assistant.

443

:

It's never gonna be doing the lion's

work, it's never gonna be generating

444

:

my newsletter copy from scratch.

445

:

But I might go in and say,

can you give this a subedit?

446

:

We actually had, in one of the live

calls that's in the archive on the

447

:

paid newsletter was with a journalist

from Forbes and she specializes in AI.

448

:

She has an AI coaching business as well.

449

:

She gave this really great example of.

450

:

If there is a journalist that you know

you wanna pitch to, or if there's a

451

:

podcast that you know you want to be

on, cut and paste the last 20 titles

452

:

of the episode or of the articles, and

then put your story in and ask it to

453

:

help you put a tailored pitch together.

454

:

And I think using it like that

and then writing it in your own

455

:

words so it's not, all EM dashes,

um, is a nice thing to do and I.

456

:

I'm very, uh, in a gray area of ai.

457

:

I'm not massively pro it.

458

:

I'm not massively against it.

459

:

I'm still very much playing with it.

460

:

So I quite like to do actually

my manifestation boards with it.

461

:

So I'll be like, here's a

photo of me put me on a.

462

:

Private jet on my way to

do a public speaking gig.

463

:

Or put me in a bookshop signing

copies of my next fiction book

464

:

with a queue of people in the room.

465

:

And so I kind of use it to create,

visual prompts for me as well.

466

:

So I have like a mood board

of different AI visuals.

467

:

I think the trick with AI as well,

particularly when it comes to press

468

:

pictures, is also journalists sometimes,

like Jodi for example, she would told

469

:

us in the chat, she uses AI to filter

all of the press requests she gets.

470

:

So she's giving a prompt to ai, say like,

what are the most unusual stories here?

471

:

So I see a lot of particularly women

who will say, oh, well my story is I

472

:

had a corporate job, then I had a baby.

473

:

I had to quit, and so I

set up my own business.

474

:

I'm like, unfortunately,

that is most women I know.

475

:

Like that's not an original piece.

476

:

Sadly.

477

:

I wish it was.

478

:

I wish it was unique.

479

:

It's actually a very typically global

thing, so then it's putting the spin

480

:

on it of you know, I was on maternity

leave and actually I was at my gym

481

:

class and it was the person next to

me who said this, and that's what

482

:

prompted me, set up my new business.

483

:

And it's just getting that

alternative narrative in there.

484

:

I think so many people want, and

I wish it worked this way as well.

485

:

Their work to speak for themselves and be

like, yeah, but I just do excellent work.

486

:

That should, should be enough.

487

:

And it can be, it absolutely can be.

488

:

But then there's no pipeline or

guarantee of anybody else discovering

489

:

you that if you then run out of word

of mouth within your your network,

490

:

you do start to get a bit stumped.

491

:

So I think being able to talk

about why you've done the things

492

:

you've done in your business.

493

:

Is the kind of antidote to AI

where it's just, here's how you

494

:

do this, here's how you do that.

495

:

Because we can just Google that.

496

:

Yeah, totally.

497

:

And it brings me back to a really cringe

moment when in COVID I wrote a book called

498

:

Your Dream Job Toolkit, and my cousin

is a producer for BBC Radio London and

499

:

said, I'll get you on what's your angle?

500

:

And I said, well, it's COVID,

everyone's losing their job.

501

:

She didn't say boring to my face, but

it certainly wasn't an interesting

502

:

enough angle, it just being COVID

and people losing their jobs.

503

:

So at the time I didn't

understand angles clearly.

504

:

Now I would know to come up

with something more interesting,

505

:

but yeah, kind of cringe.

506

:

No, it's not cringe I think if you don't,

you don't know what you don't know.

507

:

And to you, when you are working on

it, you're like, oh, this is the thing.

508

:

And then, you know, if you do,

then go, okay, but what do I offer?

509

:

What's my angle that

nobody else could have?

510

:

And sometimes that does overlap.

511

:

Like there are a lot of other prs for

small business owners out there who

512

:

are teaching or other PR newsletters.

513

:

But then I also have the but I've moved

abroad and I have three children and I've

514

:

gone from corporate to solopreneurship

and I also have grown my income by

515

:

exploring these other revenue streams.

516

:

So it's the whole picture together

that makes wanting to work with me

517

:

different to some of my peers who are

just as great, who are just as amazing.

518

:

They will just have a different

flavor palette to one I'm offering.

519

:

Yeah.

520

:

Such a good reminder.

521

:

So you've mentioned different

income streams a few times.

522

:

Tell us more about how PR can help

to fill those other income streams.

523

:

Yeah, so I think one of the things

that I've really realized is if

524

:

we don't tell people what it is

we do, they can't buy from us.

525

:

So I'm a real big fan.

526

:

I'm gonna get to the income streams.

527

:

I promise I'm getting there.

528

:

But like I'm a big fan of having a

ways to work with me pinned post on

529

:

your social media or on your LinkedIn

or you know, even right up top on your

530

:

website because it can often be, so,

clear to us how you can work with us.

531

:

But if you imagine you are a restaurant

and somebody walks past and you're not

532

:

there, you need that menu in the shop

window so that if they wanna come back

533

:

later, they know what it is that they can.

534

:

And I think for me, I knew I wanted

to get out of one-to-one client work.

535

:

I wanted to get out of the retained

agency model and I was scaling up

536

:

with freelancers for bigger projects.

537

:

And what started happening is every

time I try to dabble in building

538

:

this other arm of my business.

539

:

I would feel the need to support it by

taking on another client, and then I'd

540

:

be taking on a team and then all of a

sudden I was like, hold on a minute.

541

:

I've suddenly grown into a

micro agency again, which is

542

:

not what I meant to be doing.

543

:

So like when I set up my business,

I had three months savings in the

544

:

bank and I was like, I've three

months worth of income, covered.

545

:

I was like, I'm gonna give myself a run of

three months to try and make some income.

546

:

And that was to get my own clients

but I had the backup plan of if I

547

:

can't get my own clients, I can either

freelance with some other PR agencies,

548

:

or I'll go back into agency land.

549

:

So I always, in everything I

do in my life, I always have

550

:

a plan B and plan C there.

551

:

And then when I moved to France,

I was like, okay, I've got this

552

:

opportunity to start again.

553

:

And so you might be going, well, why did

you give yourself three months the first

554

:

time around in three years this time?

555

:

And I guess the difference was, is that

I had these other income streams, some

556

:

of which I cultivated, some of which

came naturally, but that gave me the

557

:

freedom to play around with what I wanted

to be the dominant side of my business.

558

:

So for me, growing different

income streams is really important.

559

:

And I also, I've spoken about in the past,

I don't speak about as much now, but one

560

:

of my children was born with a congenital

heart defect, and I was expecting us.

561

:

It hasn't happened yet.

562

:

Maybe it never will, but we

were expecting to have some

563

:

more open heart surgery for him.

564

:

So I also wanted to have a bit more

of a flexible working model in place

565

:

so that I could press pause rather

than have all this work lined up.

566

:

So there was kind of the personal

and the professional reasons why

567

:

I wanted different income streams.

568

:

So it started with,

dabbling in online courses.

569

:

And then I actually, when

I was writing my book.

570

:

The book in a way was a source of income.

571

:

It's not a huge source of income, but I

would say over a couple of years that's

572

:

generated maybe about 15,000 pounds,

like over three to four years, but it's

573

:

opened doors to other opportunities.

574

:

So a lot of people might read the

book and then book me for a one to

575

:

one coaching call, like one off.

576

:

Or I've had like brands come or workshop,

workspaces, accelerators, universities

577

:

who've then asked me to come in and

talk about the themes around the book.

578

:

So the book was actually a really good

kind of calling party to other things.

579

:

My issue with online courses

is if they're evergreen.

580

:

Which is a little bit like my

newsletter now, you have to find

581

:

that energy to always be selling.

582

:

And when you open and close it, it can

also be quite draining to have this big

583

:

launch moment and this big closing moment.

584

:

And I think we don't always give

ourselves enough time to do it.

585

:

And I do see a lot of people in the

service based world, giving so much

586

:

trying to sell that when they actually

then have to deliver the actual learning

587

:

part of it, they're quite burnt out.

588

:

So I think they're trying to find a way

of selling that course or the evergreen

589

:

model that you know, it can be hard.

590

:

And actually for me now, I do have the

newsletter all year round, but I plan

591

:

out my year and I'm like, these are

the key moments that I'm gonna push.

592

:

So maybe there's a freebie, maybe

there's a great live class coming

593

:

up, or like I give myself key

moments, but I'm really gonna push

594

:

at this time so that I still have it.

595

:

Same with my book as well, even the books,

six years old now, so I still do okay.

596

:

This is gonna be, a week where I

do a lot on the book just to remind

597

:

people and to get it back out there.

598

:

But actually I think again, it is

back to this audacious goals thing.

599

:

I think I started off just being

like, I wanna get on big podcasts.

600

:

Who's got a podcast?

601

:

Do anyone in my audience have a podcast?

602

:

I did a call out in the newsletter

saying I wanted to do more, workshops and

603

:

then people came back to me from that.

604

:

I had, this epiphany last year that

I actually live in a part of France

605

:

where there's loads of retreats.

606

:

And instead of having to put on my own

retreat, I could maybe guest speak at

607

:

somebody else's so I could still get to

explore different parts of France, but

608

:

just show up, do my thing and, and leave.

609

:

And that led to.

610

:

An American reader, connected me

with somebody else he knew who

611

:

was doing a retreat in Provence.

612

:

So I got to do a guest

after dinner talk last year.

613

:

Obviously now I do my own, creative

writing retreats, which that came

614

:

about because when I first moved

to France, I did a phone call with

615

:

another self-employed woman who

had moved to France and we were

616

:

just sharing tips on doing it.

617

:

And then she runs these coworking,

holidays in the summer for

618

:

families where you get three

hours free childcare every day.

619

:

And we were just chatting and I said, oh,

I want to do more in France, but I'm not

620

:

French enough to do it in French yet and I

don't wanna be too much in the expat land.

621

:

And she was like, actually, we wanna

do a creative writing retreat here.

622

:

Do you wanna do something here?

623

:

And so think sometimes just

kind of telling people,

624

:

this is what I'd like to do.

625

:

It's really underestimated as a PR tool.

626

:

So for me it's, it just gives you that

freedom and flexibility to use your

627

:

skills in a different way whilst you

maybe wanna change your business model

628

:

or do something else, with your work.

629

:

Yeah, I think it's a real skill

that you've got to be able to

630

:

just keep sharing what you want.

631

:

And even the example of how you got

into this podcast, for example, you

632

:

know, most of us just don't think that

way of like, oh, how did that happen?

633

:

Let me tell the story.

634

:

Any tips on how we can remember those

moments enough to communicate them?

635

:

I guess I think about any PR

moment as like the Holy Trinity.

636

:

Most of us focus on the end

and then you do it once.

637

:

Whereas I'm very much like, this

is the pre, so this is like what's

638

:

happening behind the scenes.

639

:

This is the during, so, I nearly took

a photo of myself before the session.

640

:

I was like, no, I'm gonna wait

till Jonathan, I'll take a photo

641

:

so I can take it on Instagram.

642

:

Just to be like, this is what

I've done for the last hour.

643

:

Then there's after.

644

:

And I think people are so guilty of

sharing once, maybe feeling a bit

645

:

awkward about sharing or don't really

know how to share it, and then you

646

:

never see the light a day ever again.

647

:

So actually I think it's really

nice to have moments to be like, oh,

648

:

actually, a year ago I did this, or six

months ago I did that and reshare it.

649

:

And the likelihood is even if you campaign

on a bit of promo, it's unlikely that

650

:

your audience is gonna see it all anyway.

651

:

I also think it's actually getting really

comfortable with repeating yourself, which

652

:

as mothers we should be quite good at.

653

:

Because, you know, we're constantly

putting coat on, put your shoes, you

654

:

know, I think we underestimate the

importance of repetition and to you.

655

:

I remember the first time I started doing

podcast, I was like, I'm just telling

656

:

the same story every time, but actually.

657

:

I'm gonna go back to my idol Ru Paul.

658

:

Now if you go, if you lo watch any

press interview with RuPaul from

659

:

RuPaul's Drag Race, it is the same

stories like he will tell a story about

660

:

his sisters and sitting down in the

garden and getting a blanket out and

661

:

them saying to him, this is a picnic.

662

:

So you feel like you get this insight

into his life, but it's the same story.

663

:

Doesn't matter if he's on masterclass or

he's on an American newspaper interview.

664

:

So I think there's this sort of element

of as well in protecting yourself and

665

:

having these guardrails of knowing, okay,

these are the sort of stories that I'm

666

:

happy to talk about and these things

over here are private and just for me.

667

:

Yeah.

668

:

Love it.

669

:

And it's so true.

670

:

There's a podcast I listen to and this

woman says the same phrases in nearly

671

:

all of her episodes and I love it 'cause

I get to say it out loud in the car.

672

:

I'm like, I know.

673

:

I know what's coming next.

674

:

You get quite excited about

knowing the phrases, so it is a

675

:

great reminder about repetition.

676

:

So do you think anything has

changed in pitching for PR

677

:

versus say, five years ago?

678

:

Yeah, I would say.

679

:

A few things.

680

:

One is that the press landscape has

shrunk even more like traditional press.

681

:

I see a lot more freelancers now,

which again, I think it's even better

682

:

for us as individuals because we can

find freelancers a lot more easily, or

683

:

freelancers are putting call outs, a

lot more for requests for information.

684

:

So I think that's one of the things.

685

:

The second thing I would say is, with the

rise of Substack and beehive and ghost,

686

:

this kind of independent media newsletter

territory, I would is not to be slept on.

687

:

I think if you don't have a pitching

to be an other people's newsletter

688

:

strategy, you should definitely

consider it because the reach from a

689

:

newsletter is often a lot higher than

the engagement rate on social media.

690

:

For example, my open rate on my

free to read newsletters, 50%.

691

:

Whereas the engagement rate on my

Instagram, on a great day will be 2%.

692

:

Most of the time it's at 1%, but

the audience is the same size.

693

:

And actually, I saw a talk

at Cannes Lions last summer.

694

:

There was a guy there called Sun

Yi who runs a, an agency in the US.

695

:

He also works in storytelling

and brand building.

696

:

And he said, one newsletter subscriber is

worth a hundred of social media followers.

697

:

Because the credibility of the

newsletter subscriber and the

698

:

quality of that person is much

better than a social media follower.

699

:

So if, for example, you were thinking,

alright, I'm just gonna try and do an

700

:

IG Live, for example, or a LinkedIn live

with 10 people who've got 10 K followers,

701

:

well, you could find 10 people with

a thousand readers on beehive and get

702

:

the same amount of reach, if not more.

703

:

Gosh, mind blowing.

704

:

So tell us more about why you

decided to prioritize this in

705

:

your business, your newsletter.

706

:

It was the passion really.

707

:

You know, right back to my origin story.

708

:

I wanted to be a journalist.

709

:

I wanted to be a writer.

710

:

, That was always my, my medium of

choice and to be honest, now there is

711

:

probably a bit of, I use it as a bit

of a creative outlet for me as well.

712

:

So it's never just.

713

:

Here's how to do this.

714

:

It's, there's always a personal

anecdote in there from me or from

715

:

somebody else again, because I

think that goes against anti AI.

716

:

But because I also personally

love storytelling, I've

717

:

been doing it for 20 years.

718

:

So, um, I love bringing stories into

what is quite a snake oiled industry

719

:

and dispelling the myths around it.

720

:

But like I said, you know, I always

got the, the multiple plans in my head.

721

:

So actually before I started it

as a paid model, I had a free

722

:

newsletter for five years where I

rate something once a month for free.

723

:

And then in that pregnancy, before

I launched a paid model, I wrote,

724

:

I think I tried to write a hundred

articles in three months on Medium.

725

:

And what was really nice about

that is like the kind of MVPing of

726

:

the product, like just the minimum

viable like product testing.

727

:

And what was really interesting

to me was it wasn't the press

728

:

pieces or how to get PR pieces

that were performing really well.

729

:

It was the ones where I was talking

about my entrepreneurial journey

730

:

or sharing how I had made income or

sharing how I had landed my book deal,

731

:

that most people were engaging with.

732

:

And that was a real light bulb moment

for me that sometimes we try so hard

733

:

to sell a product or a service and it

feels like pushing water up a hill.

734

:

So when you test something and it goes

really well, I think that's a really

735

:

good signal that that's something you

should then continue doing and like

736

:

a case in point, like I told myself a

story that I live in rural France, that

737

:

I don't have a French network, that

I don't even really have an English

738

:

self-employed network near my house.

739

:

So I couldn't do a retreat at my house.

740

:

I had to do it where I knew

somebody else had a retreat.

741

:

And then I decided before Christmas,

I wrote it down in a newsletter.

742

:

I want to do a day retreat at my house.

743

:

One person on Instagram sent me a

story and said, oh, if you do it at

744

:

your house, she's in Paris, so if

you do it at your house, I'll come.

745

:

And I thought, I didn't know if she

will or not, but you know what, I'm

746

:

just gonna put it up on my website.

747

:

And I did maybe four Instagram stories

and I sold all five spots in five days.

748

:

And nobody's local.

749

:

I've got one from Lisbon, one

from the uk, two from Exxon

750

:

Provence, and one's from Paris.

751

:

And it really sort of showed me.

752

:

You know, you really told yourself

you wouldn't be able to sell a

753

:

product like that, even though that's

something you really wanted to do.

754

:

'cause I don't have to leave my house.

755

:

I still can pick my kids up from

school after the day's finished.

756

:

You know, all these things

that actually stay easy for me.

757

:

But I had told myself, no, I

can't sell something like that.

758

:

I don't have the audience

to sell something like that.

759

:

And then I put it out there and I did.

760

:

And I think there's a real

lesson there for anybody.

761

:

If you want to try and sell something

a bit different within your service,

762

:

just to test it and tell people

that you're testing it, you know, I

763

:

put it out there as a pilot price.

764

:

Tell people that you're

trialing something.

765

:

That's what I did with the

paid newsletter as well.

766

:

I was like, you know,

I'm gonna try doing this.

767

:

This is the pilot price

that I'm offering it on.

768

:

If you wanna come, and I became a Substack

bestseller at that time I was on Substack.

769

:

I'm now on my own.

770

:

But at that time I became a

Substack bestseller in six weeks,

771

:

which I could never have imagined.

772

:

I thought maybe I'll get like 10 people.

773

:

Yeah.

774

:

Super inspiring.

775

:

And again, it's just the thread that's

run through the whole thing is just

776

:

keep sharing what you're doing in real

life moments, and I love the before

777

:

middle and after to try and help us

remember what those moments are as well.

778

:

So if people are now thinking,

I'd love to focus on PR, what

779

:

would be their next steps?

780

:

What to come and follow me.

781

:

Oh, yeah, yeah.

782

:

Come and follow you is

the perfect next step.

783

:

Yeah.

784

:

So where can they find you?

785

:

But also in summary, where

would you recommend beginning

786

:

if someone wants to get into PR?

787

:

So in summary, I'd say get your,

get your media toolkit ready.

788

:

Get your foundations in order.

789

:

So get your bio, get your headshot, get

your one liner, get yourself matching

790

:

across all social media channels.

791

:

Make sure it's super clear.

792

:

Make sure you know what it

is that you are selling.

793

:

What's your hero product?

794

:

What are you selling right now?

795

:

Not 10 things, not 20 things like

two to three things max, that you

796

:

hero things that you are selling.

797

:

Get that pinned across your social media.

798

:

And then know what your

business goals are.

799

:

And give yourself a media list of like,

okay, here's 10 podcasts I'm gonna pitch

800

:

to, here's 10 newsletters I'm gonna pitch

to, here's 10 newspapers or magazines

801

:

that I'm gonna study for the next couple

of months, just to get a feel of what

802

:

are the stories that they're writing and

where could I fit in that world, I think

803

:

look can be said for doing research.

804

:

Spend your time doing the research.

805

:

That's the hard bit.

806

:

You could just slap the paint

up on the wall of your house.

807

:

But actually the best bit is when you

peel the wallpaper off and you sand it

808

:

down, you get all the prep work done.

809

:

So you need to be

thinking of it like that.

810

:

And enjoy it.

811

:

Like try and find a way

to have a good time.

812

:

'cause when you have a good time,

we have a good time with you.

813

:

Right?

814

:

Nobody wants to watch somebody trembling

on stage, reading off bits of paper.

815

:

And don't get me wrong, I definitely

throw a bit of a Robbie Williams.

816

:

Adele.

817

:

Every time before I go on stage,

I start like cursing something

818

:

like, why am I doing this?

819

:

Even sometimes with my own group on a

monthly live when I'm teaching, I love the

820

:

feeling after teaching that I've helped.

821

:

But in that prep time before, I'm

constantly like, why am I doing this?

822

:

I hate it.

823

:

I can't do it.

824

:

I'm coming out in like red

patches all over my body.

825

:

But I do love it at the same time.

826

:

But ultimately you've gotta find

a way that feels, feels good to

827

:

you, and don't be scared to ask.

828

:

Like the small business world is

a really, really supportive space.

829

:

But you have to ask and you

have to be prescriptive.

830

:

And actually this is good life advice.

831

:

I'm not very good at taking either.

832

:

When you are very specific and

this is the help I need, then

833

:

people know how they can help you.

834

:

And I think especially

when we're self-employed.

835

:

You know, our work is so

intertwined with our life.

836

:

And, you know, as women sometimes

we're also not great at accepting

837

:

help without thinking we, we've got to

return the favor now, but I think, you

838

:

know, just having that confidence to

say, this is the audience I'm trying to

839

:

reach, and I'd love to be on a podcast.

840

:

Does anybody have one?

841

:

Worst thing it can happen.

842

:

Nobody responds.

843

:

Love it.

844

:

Thank you so, so much.

845

:

So tell us more about how we can find you.

846

:

Either your free or your

paid newsletter or socials.

847

:

Thank you, Joanna.

848

:

I thought you, you could see

the hype for me, can't you?

849

:

Yeah, I can.

850

:

I'm part of Lucy's paid

newsletter and I love it.

851

:

What works for me is making

a project for a quarter.

852

:

So for example, I made a quarter of, I'm

gonna be podcast guesting this quarter.

853

:

I made another quarter LinkedIn focus.

854

:

So I dunno why I am scared to make pr,

PR really, really going into your world

855

:

now I have your amazing newsletter.

856

:

I'm gonna need to hunt Joanna

down and be like, where are you?

857

:

Why aren't you in class?

858

:

But you can catch all the classes on

replay and it's all on hypeyourself.com.

859

:

Then the newsletter is

there as the hype community.

860

:

Or if you want a gentle way to

start, you can just buy my book Hype

861

:

Yourself, which has it all in there,

how to put a media toolkit together.

862

:

And I also have a lot of free to read

articles as well, so you can have a

863

:

dig about on the site and you can see

what's free to read or what's paid.

864

:

And if you really wanna hang out,

I've still got some spaces for

865

:

my creative writing retreat in

September, in the middle of France.

866

:

You can get a train from

Paris or you can fly.

867

:

So come and come and hang out.

868

:

Love it.

869

:

Thank you so, so much, Lucy.

870

:

I cannot wait to listen to this back.

871

:

So much gold.

872

:

I need to write notes next time.

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