We’re continuing coverage of the Ultimate Everymen, and today, we travel back to December of 1983 to discuss the action Vietnam War thriller with our Patrick Swayze as well as Gene Hackman and a great ensemble cast in Uncommon Valor!
I’m delighted to have Scott & Steve from Dropping a Bruce & The Cheeky Basterds Podcast (both also on Last of the Action Heroes Podcast Network) with me today! Here's where you can find them:
https://www.facebook.com/DroppingABruce
https://www.facebook.com/cheekybasterdspodcast
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Hello.
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:Hello.
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:I'm Katie and welcome to Retro
Made, your pop culture rewind.
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:take another trip down lane.
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:today are continuing our coverage of
the ultimate everyman and we'll be
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:traveling back to December of 1983 to
discuss the action Vietnam war thriller.
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:With our Patrick Swayze, as well as
Gene Hackman, and I think a great
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:ensemble cast in Uncommon Valor.
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:I am delighted to have Scott
and Steve from Dropping a Bruce,
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:which is also on the Last of the
Action Heroes podcast network.
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:And the Cheeky Bastards podcast with
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:me today.
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:Are there any other shows?
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:did.
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:I get that right?
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:Scott: You did.
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:We have so the cheeky bastards is our
like main state name, but we are for that.
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:We're also the men of action from that.
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:So it's basically the cheesy
bastards with us, our name change.
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:And we too have that show on the
amazing last of the action heroes.
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:Katie: very nice.
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:Well, tell us a little more about you
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:guys and your show shows.
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:Scott: Well, we met it's a very long
way, but I had a show many years ago,
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:about three years ago called yeah.
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:Watch this or die.
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:And Steve was one of the few people
who ever reached out to us on the show.
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:when we were getting ready to bring
him on as a guest, my former co host,
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:he was about to have a second child.
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:And so life had kind of, sped up for him.
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:And I am.
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:So this is not normally where
you see my recording space.
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:I had to, my son has moved back in.
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:That's a lot of fun when
they leave and come back.
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:So I lost my office.
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:Katie: Mm-Hmm.
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:Scott: So now I record in my bedroom.
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:But so Steve had been reaching out.
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:And so I went on my own journey
and started the church of Tarantino
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:podcast, and Steve was my very first
guest and he was on so much in the
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:first season that we started talking.
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:And originally dropping a Bruce was
going to be a show we did together.
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:Honestly, the month we were getting
ready to start recording that Bruce
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:Willis announced to the world or his
family announced that he had aphasia.
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:so we said, man, I don't know that this is
the right time for me to start a podcast
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:talking about Bruce Willis's that he
only did for video release as he's just
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:been announced with having this horrible.
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:Memory disease.
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:So we were like, all right,
let's put a pin in that.
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:six months later, we opened up the
cheeky bastards and originally it was
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:just us kind of spewing our unpopular
opinions on certain films or certain
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:things that we did and didn't like.
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:And then we kind of changed it
over after the first season.
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:It started with us.
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:We talked a lot of shit about
Michael Bay, especially me.
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:I talked, we talked a lot of shit on me.
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:So we thought, you know what,
instead of just talking crap
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:about it, we'll start off season
two with an entire retrospective
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:look back at all 15 of his films.
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:So our first three episodes were, we
did with a special guest of ours, a
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:friend of ours, Petros Patsilovas, we
went through all 15 movies last summer.
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:Like we, it was a slog for all of us.
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:We watched all of them.
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:And we then did each episode.
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:The first was his good ones.
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:The second episode we did was
the five middle of the roads.
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:And the last were the ones we
thought were just pure dog shit.
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:And it was a lot of
fun, but it got Steven.
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:I think maybe we should just
lean into a action centered.
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:Philosophy of this podcast.
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:We were having more
fun talking about that.
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:So we kind of kicked off the new version
of the cheeky bastards are the men of
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:action with a Christmas spectacular
where we pitted against each other.
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:Fat man with Mel Gibson against
the amazing way that came out the
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:year before, but a violent night.
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:And so,
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:Katie: Night
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:Scott: oh, it was great.
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:We, we had a blast doing it.
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:And so from them, we have literally just
been taking action movies and trying
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:to find some kind of like maybe common
thread with them, but combining them.
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:So right now it's this, this season,
we've been doing a lot of like, looking
83
:at two Van Damme movies, two Seagal
movies, two sorts of things, that kind
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:of thing, put him against each other.
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:And that's been a lot of fun.
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:So obviously you've kind of talked
more as I have that, you know.
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:That head host that.
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:You know, I've
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:Steve: Never shuts up.
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:Scott: shut the fuck up.
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:I have that lead singer, American thing.
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:So sorry, Steve, you, you
jump in and fill in more gaps.
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:Steve: Well yeah, because I'd worked
in internet radio for about 10 years.
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:And then Spotify kind of blew up.
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:And it made what I was doing feel
a bit redundant, because basically
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:people had the entire history of
music at the click of a button.
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:Whereas before, we were sort of,
the network I was part of, We
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:were trying to show people more
obscure underground stuff, but
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:now everyone could listen to it.
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:So, yeah, so I was doing that and
Scott's show, Watch This or Die,
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:it sort of was starting at the
same time that I finished mine.
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:So I was, I was a listener basically.
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:And that's how I contacted Scott saying,
you know, I listened to your show and
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:that we had very similar tastes in film.
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:And so I was at a place where I still
wanted to be active in some way.
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:But what I was doing
was no longer relevant.
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:And then Scott just
came up with this idea.
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:You know, he was doing his Church
of Tarantino, which I, , he asked me
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:to be on the first episode, talking
about funnily enough, what was my
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:favorite Tarantino movie anyway.
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:So the first episode was
Reservoir Dogs, which is my
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:favorite Tarantino movie anyway.
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:We really hit it off.
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:And then started
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:spitballing ideas, basically.
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:And like he said, you
know, Dropping a Bruce.
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:Felt a bit in bad taste at the time.
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:And we went with the cheeky
bastards and now, Here we are.
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:Scott: We circled back
around a year later.
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:We really, we said, well, I
think there's enough time, right?
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:I think enough time has passed.
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:I think we
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:Steve: Yeah, yeah, yeah.
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:Well that was too good
an idea, what he had.
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:, This was his idea, and I was, I was
into it, so I love Bruce Willis, anyway.
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:But yeah, it was just like,
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:do you think that's a bit in bad taste
if we do, if we, because we're gonna
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:probably make fun of a lot of these films.
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:Katie: Mm-Hmm.
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:Steve: And I sort of thought, we both did,
we both thought, no, maybe we'll, so we
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:did The Cheeky Pass, and then like Scott
said, yeah, a year's passed, screw it.
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:Scott: Yeah.
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:Steve: Ah, let's go.
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:Scott: people forgot about it.
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:Don't worry about it.
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:We're
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:Steve: Yeah, yeah, so yeah, so
we're sort of a third of the way
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:through the journey, no, not even that.
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:Katie: Yeah.
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:No, I like, I especially like you pitting
the two movies up against each other.
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:Because sometimes
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:you,
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:it's like one movie's not quite enough
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:to, you know, like
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:Scott: Yeah, too.
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:too.
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:Steve: That's right.
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:Katie: In order to get us into the right
frame of mind for December of:
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:open the time capsule from that time.
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:Because this is, nearing the 30th
episode, we've covered a lot of this.
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:So with Kurt Russell
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:and
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:Scott: Mm.
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:Katie: movies from the 80s and
90s, I usually cover what was
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:going on in current events.
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:TV, music, et cetera.
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:We've literally covered December
of:
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:week, too, in the Silkwood episode.
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:Scott: Mm mm.
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:Katie: And then also some of the other
stuff from 83 in the Red Dawn episode.
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:So if you listeners have not
checked out Silkwood, I also covered
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:in Silkwood, Mama's Family and
Cabbage Patch Kids craze of:
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:So
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:check
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:Scott: Remember it well.
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:Katie: Have you guys seen Silkwood?
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:It's like one of those that
hardly anybody has seen.
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:It's
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:hard
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:Scott: No,
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:Steve: No.
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:Katie: hard to get your
hands on, is what I mean.
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:Steve: Yeah.
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:Scott: haven't.
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:Yeah.
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:Katie: to stream anywhere.
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:It's very good.
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:Because we've already covered
that, we're going to do
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:something a little bit different
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:Scott: Okay.
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:Katie: provided Scott and Steve a list of
some of the popular prime time TV shows.
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:Some serious finales?
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:What had premiered at that time?
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:Got you guys?
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:Scott: The date you're, this is released
was five days after my eighth birthday.
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:So I was born at the end
, but basically:
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:So when I saw two names on here, when I
saw the 18 and he meant I was instantly
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:transported back to the little boy.
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:And I remember He Man vividly.
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:I still have some of the action figures.
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:I've saved them for my son and I
held on to them also for when I
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:have grandkids, just so they can,
except they don't make good toys.
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:Anyway, they just really don't
make the kind of quality toys.
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:But I mean, He Man was like a G.
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:I.
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:Joe for me as well.
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:We come home every day from school
and you would just get in front of
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:the TV as soon as you got home and.
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:Pop this on.
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:And of course, I mean, Steve
being an English guy, this May,
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:this probably goes over his head.
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:'cause this isn't some of the thing that,
you know, obviously the same, we didn't
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:have the same upbringings or the same
stuff going on in each of our households.
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:But it's, and then the A team, of course,
I mean the, A team, funny, when I was
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:watching this movie, I couldn't think, but
Harken to the bit of the, a team feel of
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:Katie: Mm-Hmm?
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:Scott: the movie.
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:Like they just kind of, you
know, a, a team that, that comes
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:together, brought back together.
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:So I was like, wow, that feels
like, it's like we're just
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:missing the, a team theme here.
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:And it's kind of like a offshoot of the A
Team cause being so young, I, some of the
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:list, I mean, I would know Spectre Gadget
and all this other stuff, but the A Team
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:and He Man were prevalent in my life, Mr.
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:T, the, I mean, and, it's funny,
we look back now, but the A Team,
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:no, lot of shooting, and we've seen
this in just the shows we've done
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:for Bruce Willis, the Bullets don't
matter until bullets need to matter.
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:A lot of shooting going
on in the eight team.
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:A lot of fruit stands are
always getting run over
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:Katie: Oh,
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:Scott: the eight in these, in
these shows in the eighties.
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:if you were, if you were a purveyor
of fruits in the eighties, it was
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:a very precarious lifestyle to
have cause there was a good chance.
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:You were going to get hit in some kind of
chase there's a good chance your storage
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:was going to get run over by a car.
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:So, you know, it's just these great
moments of thinking back to, I know
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:it's like an old fuddy duddy when
you say things like this, but it was
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:like, so much a simpler time, but just
for me, it felt like a simpler time.
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:Cause when you're young, you have no cares
in the world, you know, for the most part.
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:And just to go back to these days of,
you know, just coming home, having a
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:snack, putting your feet up, watching
these shows, just enjoying being a kid.
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:Yeah, I mean, I wish I could go
back today to go back to the, to
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:the beginning of He Man and the
A Team being on at the same time.
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:Steve: Hmm.
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:Yeah.
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:Well,
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:Katie: sure if you guys were born yet.
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:You know, I
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:know
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:Guests,
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:Scott: that.
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:Well, thank you.
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:Steve: Yeah, I was,
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:Katie: Steve?
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:Steve: I was,
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:Scott: He,
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:Steve: I was 13
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:Scott: 30.
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:You
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:Steve: in 1983.
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:Scott: wrong.
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:I'm sorry.
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:You said 30 wrong.
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:Ha, ha,
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:Steve: me cry.
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:Katie: look a lot younger than
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:you
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:Steve: Well, thank you very much.
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:But yeah, I was edging towards 13
and a lot of the shows you gave us
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:in the list, I wasn't familiar with.
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:That,
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:Katie: uk
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:Steve: exactly.
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:So,
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:Scott: More like you can't.
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:Sorry.
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:Steve: Oh, that's pretty good.
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:Scott: Thank you.
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:Steve: It's pretty good for you.
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:Yeah, so a lot, I mean, obviously,
you know, things like Chips, The A
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:Team, TJ Hooker, stuff like that.
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:You know, we'd only just, in 1983 in the
UK, we'd only just got four TV channels.
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:So, you know, the UK shows took
precedent and there were, you know,
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:some of them were on, you know,
obviously the A team was huge.
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:Yeah, so I did say to Scott
earlier, a lot of these shows,
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:Katie: Oh,
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:Steve: I didn't really, I remember, I
remember getting to, you know, films,
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:things like He Man, Inspector Gadget.
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:I'm nearly 13, so I'm already feeling a
little bit too old for that sort of thing.
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:Katie: Yeah.
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:Steve: also, when I obviously at
that time, the video, the home
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:video boom was, you know, the
whole VHS rental market was huge.
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:So I was really already
steeped in movies at that age,
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:you know,
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:Katie: Mm-Hmm?
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:Steve: not to be boring about it, but
my dad, he worked in a hi fi store
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:and we were one of the first people
to get a VHS, to get a video recorder.
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:Katie: Well, I was gonna
say:
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:We didn't have a VCR
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:Steve: Yeah, see, we did.
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:So
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:Scott: he couldn't watch
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:Steve: yeah, you know,
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:Scott: he could record if he could,
you know, he had the opportunity.
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:Steve: So at that time we just
started getting, you know, video
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:was just starting to take off and.
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:My dad used to bring home
some crazy movies, because
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:the knowledge wasn't there.
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:We, you know, we didn't obviously,
obviously have the internet then, so.
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:I get to see some crazy
movies when I was young.
301
:I was, films like Shogun
Assassin and stuff like that.
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:I was, my dad just brought them home.
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:He didn't know what they were.
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:He just put them on and we'd all just sit
there, like blood spurting everywhere.
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:When you sent that list
and I saw the, I saw Taxi.
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:I was just like, Mary Lou Hannah.
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:She was like my, sort of
one of my first crushes.
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:But yeah, so a lot of the shows, apart
from the A Team, Chicks, kind of,
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:Katie: Yeah,
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:Steve: I'm not familiar with.
311
:Katie: well, to be fair, these are
a lot of these are before my time.
312
:I've never seen Dallas or dynasty.
313
:I'm familiar with them.
314
:Same with Simon and Simon,
Falcon Crest, Knott's Landing.
315
:I know of them, but I've
literally never seen them
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:Scott: Those are all those like.
317
:They're almost, they were almost
like the nighttime version of the
318
:soap operas we had here in America.
319
:I don't know if you had soap operas
over there in UK or not, Steven, but
320
:Steve: Yeah, well not,
321
:Scott: the, it's like the, you
know, like those are like the
322
:daytime ones, but these are like
the really prestigious night ones.
323
:You know, I remember my parents
watched Dallas dynasty, Falcon
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:crest, like these are all, all
325
:terrible shows.
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:It was yes.
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:Katie: yeah, it definitely was.
328
:Yeah.
329
:Scott: Big time soap operas at night.
330
:Basically what is what those five,
these four shows you have on here were.
331
:Absolutely.
332
:Steve: think at that time,
at that particular time, we
333
:didn't have soap operas, yet.
334
:Katie: Oh,
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:Steve: Not quite.
336
:Not
337
:Scott: I mean, you had Masterpiece
338
:Steve: would have been imports.
339
:Yeah.
340
:Yeah They would have been imports.
341
:They would have been that I think
there was some Australian ones And
342
:obviously I remembered I remember
I totally remember Dallas Dynasty
343
:Falcon Crest because my mum used to
watch them and maybe I'd get to sit up
344
:and watch like Dynasty or something.
345
:I remember who shot Jr.
346
:I remember,
347
:Scott: Yeah, that was a big moment.
348
:Steve: I remember.
349
:It was a the Ewings, the one who
they made out that she was dreaming
350
:the whole, the whole season was her
having, I can't remember his name.
351
:The one who came back,
352
:Scott: know what you mean, yeah.
353
:Steve: Jr's brother.
354
:So I can remember all that.
355
:Not vivid, you know,
not, not like vividly.
356
:I, I just sort of, you know, memories
of being able to sit up a little
357
:bit late and watch something and not
knowing what the hell was going on.
358
:I
359
:Katie: I do kind of miss the times
of, it did seem like a simpler time.
360
:I don't know.
361
:Was it because I was a kid, but
I do think the internet was such
362
:a massive shift that pre internet
really was a simpler time, like more
363
:Scott: Oh, it was.
364
:Well, I
365
:Steve: we talk about all the time with
my friends when we're about when we talk
366
:about music, especially when we're like,
you know, you just go to the record
367
:store and your new your favorite band
would have a new album out and you didn't
368
:even know there was going to be one.
369
:Katie: Yeah.
370
:Steve: just, you couldn't, you weren't
waiting for albums to come out or
371
:necessarily new films to come out either.
372
:You were just.
373
:They would just be there one day.
374
:Scott: yeah,
375
:Steve: It was an amazing time.
376
:Scott: and you'd be like,
Oh, shit, Empire Strikes Back
377
:Steve: Yeah, exactly.
378
:Yeah.
379
:Yeah.
380
:Yeah crazy.
381
:Scott: And plus, you
had to be informed, too.
382
:So, nowadays, I don't think
on the internet you have
383
:to be informed or anything.
384
:You can just say whatever the Fuck
you want anything stupid and you
385
:just throw it out there and you
don't even have to be informed.
386
:But if you were going to talk about
these shows or TV, you know, I know
387
:we've cut back on bullying in all the
countries, but there was something about
388
:the intelligence bullying where you'd
say, you know, you'd be talking about
389
:what we could be about He Man and you,
and so I'm like, Oh yeah, I watch He Man.
390
:And they'd say something like,
you didn't fucking watch He Man.
391
:You know what the fuck you shut up.
392
:You're like, shut the fuck up, Todd.
393
:You know what I mean?
394
:Can I, when I'm talking to you,
you know what you're talking
395
:Steve: Ah,
396
:Scott: know,
397
:Steve: poor Todd.
398
:Scott: you can have these
conversations with people and you
399
:would have to have a knowledge.
400
:You have to bring some kind of
knowledge to each conversation and not
401
:just be like, that's fucking stupid.
402
:Send, you know, and without ever
watching it, you know what I mean?
403
:Oh, there's a black guy in the show.
404
:Send, you know, they're
like, wait a minute.
405
:What do you, have you watched Mr.
406
:T, have you watched any of these things?
407
:I miss those times because.
408
:While they were simpler, but you also
had to educate yourself because you
409
:were afraid to look like an idiot
in front of people and you wanted
410
:to be in the know back then, right?
411
:If
412
:Steve: Hmm.
413
:Scott: something, you, Steve
knows about Jr being shot.
414
:I know about it because.
415
:I never saw it, but I remember TV guide.
416
:It was all anyone could talk
about when that season ended.
417
:And I remember when the TV guy
came out to, you know, announce the
418
:new seasons coming out, my parents
would have it and on the front.
419
:They knew the first episode who shot Jay.
420
:They're finally going to find out
after an entire summer of waiting, who
421
:shot Jr tonight at 10 o'clock on CBS.
422
:You know, that kind of
423
:Steve: I, I mainly remember who
shot, JR I think is I brought my dad.
424
:A mug with I Shot JR on it for
his birthday when I was a kid.
425
:Katie: What was the collective experience?
426
:Scott: The water cooler
moments as they talk about.
427
:Steve: Yes, that's right.
428
:Katie: disparate now.
429
:I think it's time before we get
into the movie Uncommon Valor.
430
:I always ask my guests a couple of
questions because this season is
431
:focused on both Patrick Swayze and Kurt
Russell, I call the ultimate everymen.
432
:Do you guys have any like thoughts
or fandom about either Kurt
433
:or Patrick that come to mind?
434
:Scott: So, yes, for me, it's Kurt Russell.
435
:As a young boy growing up in central
New York, we had a channel out
436
:of New York City called WPIX11.
437
:When cable finally kicked in.
438
:And so my first introduction to either
one of these gentlemen was, Snake
439
:Plissken from escape from New York.
440
:And
441
:Katie: covered
442
:Scott: I'm at an age now where I'm
thinking about possibly getting an
443
:eyepatch just to have an eyepatch.
444
:Cause no one has made the eyepatch
look fucking cooler than Kurt
445
:Russell did as snake Plissken.
446
:And I remember just thinking.
447
:he was the coolest fucking guy,
the way Kurt Russell commanded
448
:that role walked across the screen.
449
:And I understand he's, you
know, he's in the thing as well.
450
:And he's great, but I still think that
snake Plissken role is such an iconic
451
:moment, especially Gen Xers, like as a
Gen Xer, especially as a young kid, very
452
:impressionable at the time, snake Plissken
was the coolest motherfucker around.
453
:I was like, Oh, he's so cool.
454
:You know, cause normally your parents
are like, Oh, you're going to shoot
455
:your eye out kid kind of thing.
456
:I'd be like, Well, I
would get an eye patch.
457
:You're kind of like, I mean,
it works for snake bliskin.
458
:It's going to work for me.
459
:So yeah, I just think,
460
:Katie: need the
461
:hair
462
:though,
463
:Scott: well,
464
:Katie: You need the
465
:Scott: this is true.
466
:This is, this is very true.
467
:I, you know, but
468
:Steve: That was brutal.
469
:Scott: no, but it was fair.
470
:It's a fair assumption.
471
:I don't have the hair, but
472
:Katie: on, you guys.
473
:I'm
474
:Scott: I think, I
475
:Steve: Hey, over here.
476
:Scott: and an eyepatch.
477
:It does still, I mean it's not
Snake Pliskin, but it's maybe his
478
:Steve: I tell you what, you're
absolutely right though.
479
:Escape from New York.
480
:Scott: yep
481
:Steve: changed my life.
482
:That, as a young like I say, I got
into films quite early and, and
483
:Escape from New York was one of them.
484
:And like I said, you know, my
dad bringing movies home and,
485
:you know, Escape from Alcatraz.
486
:I'm sure that's no different
to Escape from New York.
487
:And suddenly, I mean, that's a,
you know, even now, I mean, I watch
488
:Escape from New York still now.
489
:And that's a scary movie in moments.
490
:There's some, that's quite a dark film.
491
:Yeah, Kurt Russell just, he's, I mean,
he still is, he's just, he is a mark of
492
:quality, that guy, you know, even Captain
Wrong, okay, I won't have the bad words,
493
:Katie: Another eye patch.
494
:He
495
:Steve: there you go, see if it, if it,
496
:Scott: a little looser brother, it's just
497
:Steve: if it works, if it works, it works,
you know, yeah, it's always a sign of
498
:like, yeah, if Kurt, if Kurt Russell's
in the movie, you know, and still now,
499
:you know, you look at Bone Tomahawk,
500
:Scott: Bone Tomahawk,
501
:Steve: Eight, it's
502
:Scott: Proof,
503
:Steve: Yeah, but in your previous
one, you know, Breakdown, I mean,
504
:Scott: Oh,
505
:Steve: the thing, obviously, but
Breakdown, I mean, what a movie that
506
:is, you know, he's, and you're right
with the everyman thing, you're
507
:totally right about that, because, in
Breakdown, he's just a regular Joe,
508
:Katie: Got
509
:Steve: yeah?
510
:yeah?
511
:he's just a bit, but, when shit gets
real, he, and you know he can pull it
512
:off, that's the thing, that's the clever
thing about him, he can play a meek guy,
513
:you know, But when the shit hits the
fan, he can really switch it on as well.
514
:And, and he's just so believable.
515
:He's got that presence where
he's just so believable.
516
:So yeah, like Scott escaped
from New York for me.
517
:And because of our video certification
system, we had in the UK, me
518
:watching the thing was, unlikely,
but somehow I managed to see it,
519
:but a big trouble in little China.
520
:Scott: yes, Jack Burton.
521
:Katie: I
522
:Steve: It's all in the reflexes.
523
:So yeah, you're right.
524
:I totally, I totally agree with you
that every man thing is your spot on.
525
:Scott: I think Patrick was more of a,
you know, we got to see him a lot in
526
:kind of like the combination roles.
527
:You know, he's in the Outsiders, right?
528
:So he's the older, so you're
like, Oh, he's pretty cool.
529
:He's in Red Dawn.
530
:You're like, Oh, but again, in an
ensemble cast, I really feel like for
531
:me, And I wasn't a huge fan of, you
know, dirty dancing that, that just did
532
:as a teenage boy.
533
:It didn't, it didn't hit you.
534
:It just didn't land.
535
:However, however, point break on the
other hand, that was for me, I was
536
:like, this dude's pretty fucking cool.
537
:Like for me, point break was really
that breakout moment where Swayze
538
:was no longer, I know he's still
in with a kind of an ensemble cast,
539
:but he really stood out as being
a really great, likable villain.
540
:And I don't know.
541
:There's something I just love point break.
542
:And I know something
543
:Katie: was
544
:spectacular in that.
545
:Scott: and point break.
546
:I mean, he acts Keanu Reeves off
the screen and no disrespect to Mr.
547
:Keanu Reeves, but he's acting
everyone in that movie off the screen.
548
:And I was like, man, this dude is amazing.
549
:So.
550
:And you're right.
551
:He also then pops up and a lot of people
forget he pops up again, many years
552
:down the road, but in Donnie Darko
553
:Katie: Is
554
:Scott: the
555
:Katie: Mm-Hmm.
556
:Scott: the, supposed, you know, speaker
that's trying to motivate people,
557
:but also may also be a pedophile.
558
:And it's kind of like a
very shocking turn for him.
559
:And so, so he is very he's very
flexible in his ability to his
560
:actions, especially as he got
further down the line in his career.
561
:But I think for me, Kurt made the
biggest impact because of who he was.
562
:had such an iconic moment in that.
563
:And then for, you know, for, from that
moment on, it's anything Kurt Russell's
564
:in, I mean, he's in a tank on cash.
565
:We forget that we forget tango and cash.
566
:Come
567
:Steve: You're not going
to get much better.
568
:Katie: episodes.
569
:It was like my third
570
:Steve: Great.
571
:Scott: look at a lot of these
shows and we look back at them.
572
:You go, all right.
573
:At the time they were great.
574
:But when I was a kid, tangled
cash was, was brilliant.
575
:I fucking loved it because that was
the greatest thing I've ever seen.
576
:Katie: a good, it's not a great
577
:Scott: No.
578
:Now when you look back at it.
579
:Katie: Yeah.
580
:Yeah.
581
:Scott: Yeah,
582
:Katie: so fun.
583
:Yeah,
584
:Steve: Swayze.
585
:I don't know.
586
:I mean, I love the Outsiders to this day.
587
:I think I mainly remember
him from Red Dawn.
588
:Katie: really?
589
:Steve: Yeah, that was you
know, it's another John Milius.
590
:It's got to be a crossover too.
591
:Katie: Yep.
592
:Steve: Dirty Dancing.
593
:Yeah, I, I wasn't, that wasn't for me.
594
:And in fact, I still haven't seen it.
595
:Scott: really?
596
:Katie: no,
597
:you
598
:Steve: I don't know what you mean,
but but I was just going to say,
599
:Scott: it.
600
:Like I get, I mean, I totally
get why I get the appeal.
601
:I get the appeal for, for women.
602
:I mean, I'm not going to be foolish.
603
:It's like the appeal for Salma
Hayek and from Dusseldawn.
604
:I think everyone understands why the men
enjoy Salma Hayek and from Dusseldawn.
605
:I totally understand why the women enjoy.
606
:Katie: What about roadhouse
607
:you
608
:Steve: Patrick, that's where,
that's where I was, that's, that's
609
:where I was then going, actually.
610
:Roadhouse is an incredible film, really.
611
:I mean, it's just an action,
612
:Katie: it's
613
:Steve: you know, it's just
614
:Katie: Like it got a lot.
615
:I covered it obviously and a
bonus episode on the remake.
616
:It's not gonna get me started.
617
:But It wrote as it's one of those
movies that kind of has a, the
618
:moniker of like, it's so bad.
619
:It's good.
620
:But it's actually really good.
621
:Like when we covered it and broke
it down, it's a great movie.
622
:Scott: got a great
623
:Steve: totally delivers.
624
:Totally delivers.
625
:And,
626
:Scott: that's
627
:Steve: you know, Sam
Elliot as well, I mean.
628
:Scott: that's why the remake
falls badly is there's no.
629
:Supporting cast.
630
:There's no amazing cast of characters
that you're like, Oh, these guys are like
631
:the true Swayze's the star, but there's
so many great characters in that movie.
632
:And even the villains are good villain.
633
:And I,
634
:Steve: absolutely.
635
:You've got Ben Gazzara in Roadhouse.
636
:I mean,
637
:Katie: Yeah.
638
:For me, that's the biggest difference and
I hate, I really dislike the CGI fights.
639
:Scott: Yeah.
640
:Steve: thing.
641
:And also Colin McGregor's the only
one who knows what movies he's in.
642
:Katie: Yeah.
643
:Scott: But
644
:Steve: You know,
645
:Scott: he knew he couldn't play
the same character as Patrick.
646
:So he had to completely go in
a completely different way.
647
:He could not play it the cool fucking guy.
648
:But I, I told this to Steve, the funny
thing about some of these movies from
649
:the eighties and nineties is that.
650
:Is a lot of these movies, it was like,
they were telling stories of these
651
:undergrounds that were real, that we
didn't know about like the way they
652
:talk about them as bouncers, as if
there's this underground society.
653
:I know who the note, like
there's like a ranking system.
654
:The number one bouncer is this guy.
655
:Here's
656
:Steve: I thought that was an
American thing that was totally real.
657
:Scott: people are driving around
like in for still loans, like over
658
:the top truck drivers driving across
America, just arm wrestling each other.
659
:It's so many things that I thought,
660
:Steve: are you crushing me with it?
661
:Scott: quicksand here in America.
662
:Like all these things we thought
were real never happened.
663
:So it was very disappointing
when I got to be older,
664
:Katie: Mm hmm.
665
:Agreed.
666
:Well, thank you guys for that.
667
:One final question.
668
:Do you think that Patrick
and Kurt look alike at all?
669
:Steve: I do.
670
:Scott: I,
671
:Steve: they got that, that chiseled kinda,
672
:Katie: Mm hmm.
673
:Steve: It's the chin man, I got that,
674
:Scott: they were younger, maybe,
maybe as they were younger, like
675
:their younger roles, but now
they've gotten, well, obviously Mr.
676
:Swayze
677
:Steve: I was gonna say they
don't look alike now man,
678
:Scott: bad, but even if Swayze
was, was alive, I do believe.
679
:They definitely have
grown different looking.
680
:Because Kurt Russell can pull off
a fucking facial like no one else's
681
:business you know, Tom Selleck pulls
off the mustache, Kurt Russell can
682
:pull off the mustache, the mutton
shops, the beard, the whole thing,
683
:Kurt Russell has some of the greatest
facial hair in the history of cinema.
684
:Steve: Yeah.
685
:Scott: when they were younger, I could
see a Patrick Swayze, like if Patrick
686
:Swayze was born now, he would be a
very convincing stand in as a new
687
:snake plus can, like they were going
to remake it, which they almost did.
688
:Thank God they haven't.
689
:But if they were, you could go, yeah,
young Patrick Swayze could absolutely
690
:100 percent give the snake plus can look.
691
:Steve: Kind of that all american kind of
692
:Katie: Mm hmm.
693
:Steve: thing.
694
:Yeah, I think they do.
695
:Katie: Yeah.
696
:All right.
697
:Well, should we get into
the movie Uncommon Valor?
698
:it was released December 16th, 1983.
699
:It is an R rated movie.
700
:Now, it got a 6.
701
:3 on IMDb, which, you know
how I feel about that.
702
:A quick description of the movie before
we get into the cast and everything.
703
:those of you who, you know, maybe it's
been 30 years, I'm 40 years, maybe
704
:since you've seen this movie, or if
you haven't seen it at all, 10 years
705
:after his son went MIA in Vietnam, U.
706
:S.
707
:Marine retired Colonel Jason Rhodes,
assembles a private rescue team to find
708
:Americans held in POW camps in Laos.
709
:So, Ted Kochef was the director.
710
:Does he sound familiar to anyone?
711
:Steve: He is with me.
712
:He's familiar with me
for another film as well,
713
:Katie: Weekend at
714
:Steve: Wake.
715
:No, there's a film he made in the
early 70s called Wake and Fright, which
716
:is an Australian movie, and that is
Apparent Scorsese was a fan it's about
717
:an English teacher who, who goes off
the rails on a, on a sort of vacation.
718
:Well, he's a teacher in Australia,
he's got a short vacation where he's
719
:meant to meet his girlfriend and
he just gets progressively drunker
720
:throughout the movie and falls in
with some real shady characters.
721
:That was hard to see for years, but thanks
to Blu ray that's now available too.
722
:But, but yeah, obviously First Blood.
723
:Waking Fright came, although
it's an earlier film, that wasn't
724
:even available until later,
725
:Katie: Got
726
:Steve: First Blood.
727
:Yeah,
728
:you can see why he was the choice
729
:to direct Uncommon Valor.
730
:Katie: immediate, like it
was a consecutive film,
731
:both covering like Vietnam.
732
:So
733
:Steve: Yeah.
734
:Katie: He also directed Winter People
starring Kurt Russell, which I haven't
735
:covered yet, but I will on this season.
736
:The writers I found interesting.
737
:We have Joe Gaten.
738
:He's known for Western TV series, Hell on
739
:Scott: Mm hmm.
740
:Mm
741
:Katie: And then the other writer
is Wings Houser, which first of
742
:all, what a great name, Wings.
743
:Scott: hmm.
744
:Katie: Wings Houser.
745
:He's Cole Houser's
746
:Scott: Yes, we've had Cole
on the last episode of season
747
:one for Dropping a Bruce.
748
:He was in reprisal.
749
:Steve: Ooh,
750
:Katie: Kohlhauser quite a bit.
751
:I unfamiliar with Wingshauser
at all, but he had some like
752
:TV episodes where he acted in.
753
:Did you guys watch the show Roseanne
754
:Scott: Yes, I've seen Roseanne Yes,
755
:Katie: Well, do you remember when
they had a neighbor, his name was
756
:Ty and he had two daughters and then
they like go on an RV trip together.
757
:Anyway, the neighbor Ty.
758
:Scott: his wings.
759
:Katie: wings.
760
:Yeah,
761
:Steve: right.
762
:Ah, well, I read a quote from
Moinshauser, because he got story credit
763
:in the end, I think, not screen time.
764
:Katie: correct.
765
:That's correct.
766
:He was also an associate producer
on this film as was John Milius.
767
:It
768
:Steve: Yeah,
769
:Katie: y.
770
:Steve: well, this is the quote
I found from Wingshauser.
771
:John Milius is a scumbag
right wing bastard and I
772
:can't wait for his day to die.
773
:That, that son of a bitch.
774
:The guy who got the
writing credit was a punk.
775
:I don't think he's sold anything since.
776
:I have and he's a joke.
777
:So, a little bit bitter, I think.
778
:Yeah.
779
:Scott: they sell it
780
:Steve: Yeah, so he's not
a fan of John Milius.
781
:Yeah, so he, he got
screwed over, apparently.
782
:Scott: big fan of John the head
of the John Willis fan club wings
783
:Steve: Scumbag right wing bastard.
784
:, Katie: the big name for this movie
is actually Gene Hackman who plays
785
:Jason Rhodes, which I just couldn't
get behind him being named Jason.
786
:Doesn't
787
:Scott: right, he
788
:Steve: not really a
789
:Scott: Jason.
790
:He
791
:Steve: Not really a tough guy name.
792
:Katie: No.
793
:And it's like a newer name
for somebody born in what?
794
:The thirties?
795
:Steve: Yeah, true.
796
:That's a good point, actually.
797
:Yeah, good point.
798
:Katie: But Gene Hackman he was, he
actually did serve in the Marine
799
:Corps in real life apparently.
800
:It's an ensemble cast.
801
:Patrick Swayze plays Kevin Scott
in this and at this time, so 83.
802
:This is very early in Patrick's career.
803
:was coming off of The Outsiders and
would go on right after this to do
804
:Grandview USA and Red Dawn in 1984.
805
:Covered Red Dawn and Grandview
USA is yet to be covered.
806
:But prior to that he was
in a lot of TV movies.
807
:He was also a dancer in
the video Rosanna by Toto.
808
:Did you guys know
809
:Steve: I never knew that.
810
:Katie: I didn't either, but I, I
wanted to bring up his very 1st
811
:movie role ever was in 1979 he was
in a movie called skate town USA.
812
:You guys heard of
813
:Scott: I have heard of
814
:Steve: Nope.
815
:Nope.
816
:Katie: dirty dancing on skates,
but it's why it's wild and crazy.
817
:Marine McCormick is then it's got in it.
818
:Scott: Scott Bale.
819
:Katie: It's a wild ride and I,
I covered it and so you guys,
820
:if you haven't listened to that
episode, it's, it's a fun 1.
821
:Steve: I will.
822
:Katie: you that.
823
:Yeah.
824
:Steve: I'll check it out.
825
:I
826
:Katie: What did you guys think
of Robert Stack as McGregor?
827
:Steve: only know him from Airplane.
828
:Scott: thing.
829
:So, you know, from airplane, I know from
it was an unsolved mysteries over here,
830
:soon as I saw it, I was like, Oh
shit, we got to solve a mystery.
831
:Like something, there's a mystery here.
832
:Robert's tax, but the Dallas who
disappeared, why they disappeared.
833
:He was so underused.
834
:I felt also in this film, but again.
835
:That's probably because I'm looking
at it through the eyes of remembering
836
:him through unsolved mysteries.
837
:So,
838
:Katie: mysteries.
839
:Scott: you know, so
840
:I'm like, wait a minute, why is
Robert stack not more important in
841
:this film than he, than he truly is.
842
:So it was weird to see him, you
know, cause when you see someone
843
:post what you remember them for
and you forget, oh my God, they
844
:had a life before they did this
thing, you go, oh, Robert stack.
845
:I'm like, huh.
846
:that voice, that voice of his, he
was perfect for unsolved mysteries.
847
:I mean, he was good in this.
848
:He's only unscreened,
maybe, maybe four scenes.
849
:because
850
:out of the blue,
851
:out of the blue, Gene calls him that one
time and that's the first time you see
852
:him, he tells him to keep sending the
money, because for a while you kind of go,
853
:how is Gene Hackman affording this shit?
854
:You know what I mean?
855
:Steve: Yeah.
856
:Scott: kind of like,
who's bankrolling this?
857
:Like, is he selling drugs too?
858
:Like, how?
859
:And then you find out, you know,
kind of through that, probably
860
:some of the stuff lost in editing
because, you know, back in the 80s,
861
:you didn't have three hour movies.
862
:You, made your two hour movie and
move the fuck onto your next project.
863
:That was it.
864
:So I'm sure we lost a
few things that got cut.
865
:And then he's shows up again,
out of the blue, holding that
866
:clipboard with the timer.
867
:At one point I was like, when
did they invite him to this?
868
:Sometimes he just popped up.
869
:You're kind of like, that's the
unsolved mystery is when's Robert
870
:Stack going to pop up in this movie?
871
:Katie: mysteries in this.
872
:Yeah.
873
:So he he's, yeah, he's like
an oil tycoon or something.
874
:Scott: Yes.
875
:Katie: bankrolls this
876
:Scott: It makes, it
877
:Steve: Because his son is,
because his son was over.
878
:Scott: Oh
879
:Steve: Yes, I, I kind of liked that.
880
:I thought that,
881
:Scott: First,
882
:Steve: right,
883
:Scott: that, well, his, then Gene
884
:Steve: that Gene Hackman's But,
885
:Scott: and they're unable to make it to
886
:Steve: but I, I thought that was
a pretty good, you know, beat.
887
:Good little story beat there
that explained a lot and
888
:was easier to swallow.
889
:Katie: though.
890
:We'll get to it later, but we only
find that out at the very end we, cause
891
:this whole time, and I had a theory
about who he was, but this whole time
892
:we're like, why is he so invested?
893
:Or at least I was, cause we don't find out
894
:Steve: No, you're right.
895
:Katie: I was like, why is he so
invested in this, this, mission?
896
:Scott: He
897
:Steve: Yeah.
898
:Scott: something about to Gene's
character about bring them home.
899
:So I assumed at that moment, the
only reason he's paying for this is
900
:that his son was also over there.
901
:I didn't know that that was the gentleman
shot in the beginning until we get
902
:to the end, like you said, but I, I
had assumed when he said that, I was
903
:like, okay, one of them over there.
904
:Yeah.
905
:One of the four guys that apparently
they'd seen at this prison was going
906
:to be Somehow his son to oh, you know,
had to be somehow, otherwise he's
907
:just not bankrolling it or anything.
908
:I was like, well, that may be
Robert stacks is like a grandfather.
909
:Like I couldn't figure it out
because Gene Hackman's 94.
910
:Now
911
:he,
912
:Steve: I know.
913
:Scott: I saw a picture and he doesn't
look anything like himself anymore.
914
:I can't believe
915
:Steve: No.
916
:Scott: he was 1930, but 94.
917
:It's
918
:Katie: I was
919
:guessing at his
920
:Steve: Yeah, I mean
921
:Scott: that made him 50.
922
:You're right.
923
:It made him 53 in this film.
924
:Steve: I mean, I've seen I've
925
:Katie: Yeah.
926
:Scott: Steve, you're
927
:Steve: Oh, man!
928
:Scott: Jason Rhodes!
929
:Katie: You
930
:Steve: No um, but Well, I saw
But I, I mean, to be clear, I
931
:saw Uncommon Valor pretty much
around the time that it came out.
932
:Maybe a couple of years later.
933
:But I saw it a lot of times.
934
:I probably, yeah, like I said
earlier, I've seen it about ten times,
935
:but I haven't seen it for years.
936
:That was so familiar with me when
I watched it again the other day.
937
:That was like, I could, I could
remember everything about it.
938
:So it must have made a
massive impression on me.
939
:The man on a mission thing to a, obviously
to a kid who's like 13, probably,
940
:resonates or just fills your head with
you know, I, I mean, Red Brown, the
941
:Katie: Blaster.
942
:Steve: I, I, that really, I loved him
in this when I, because when I watched
943
:it again the other day, I was like,
this is the guy, I, he was my favorite
944
:character in the movie, you know,
945
:Katie: I really liked most of them.
946
:Steve: Well, no, I mean, no,
I mean, you know, Fred Ward.
947
:I mean, I love Fred Ward.
948
:Scott: I like
949
:Randall Tex Cobb, he,
950
:Katie: Yeah.
951
:Steve: well,
952
:Scott: I
953
:Steve: well, you know,
954
:Scott: most of us know him,
especially when you're younger,
955
:you know, him from raising Arizona.
956
:And so
957
:Steve: the Lone Biker of the Apocalypse.
958
:Scott: And she
959
:Steve: Yeah.
960
:Scott: so when I saw him
again, then he's dance.
961
:I'm like, I was like, this is
962
:Steve: Yeah.
963
:Well, that's it.
964
:Well, that's the thing that, you know,
watching Uncommon Valor again reminded
965
:me of when I watched Raising Arizona
and when he came on I was like, It's
966
:the guy from Uncommon Valor, and I've
got, you know, give him props, he's a
967
:quick fighter for a big guy, you know,
when he kicks, when he beats up Patrick
968
:Swayze, I mean, he's doing all these
flying kicks and stuff, he's, sorry,
969
:Scott: Spoiler alert.
970
:That's the Uncommon Valor part.
971
:That's good.
972
:Steve: but yeah, yeah but yeah, Red
Brown was just, I thought he was awesome,
973
:and you know, I didn't know who he was.
974
:But I just thought he was great.
975
:Scott: Does anyone know, did Adidas
get some kind of sponsorship?
976
:Because
977
:Steve: I've got that written.
978
:Scott: they were working out like,
979
:cause
980
:Steve: Yeah,
981
:Scott: the military and I was like, we
never, and again, no, they weren't in the
982
:military at the time they were doing their
extra training was like Adidas sneakers.
983
:Don't seem like the best fit to go on.
984
:when we get overseas, when
they land, the only person that
985
:were in them is Gene Hackman.
986
:He's
987
:Steve: I've got that.
988
:Yeah, that's what.
989
:Yeah, you beat me to it.
990
:Yeah.
991
:Scott: must've got, they
were really in on the game.
992
:Katie: it was a major product placement
because not only did they have Adidas, all
993
:of them had Adidas on but different ones
994
:Scott: Yes.
995
:Oh, yes.
996
:Steve: Yeah.
997
:Katie: And, but they were, the rest of
their outfit was the standard, like.
998
:Scott: Yes.
999
:That's what I was saying.
:
00:42:14,088 --> 00:42:14,398
I was like,
:
00:42:14,533 --> 00:42:15,183
Katie: wearing their boots?
:
00:42:15,758 --> 00:42:16,118
Steve: Yeah.
:
00:42:16,138 --> 00:42:18,478
Scott: they changed because it must
be some kind of clothing thing or they
:
00:42:18,488 --> 00:42:19,808
had like maybe separate themselves.
:
00:42:19,808 --> 00:42:21,868
Like they were like the the
village people, because they were
:
00:42:21,868 --> 00:42:23,768
in their green olive drab stuff.
:
00:42:23,768 --> 00:42:26,828
They normally, when they're training, they
get over there and they're dressed like
:
00:42:26,828 --> 00:42:31,048
fishermen or they're dressed like this
guy's a coach and I have a soccer team,
:
00:42:31,058 --> 00:42:32,128
like they all had a different outfit.
:
00:42:32,198 --> 00:42:33,838
I was like, wait a minute.
:
00:42:34,878 --> 00:42:36,358
We all just train in the green.
:
00:42:36,358 --> 00:42:37,718
So why are we not going over?
:
00:42:38,088 --> 00:42:39,608
It seems like that's a better camouflage.
:
00:42:39,608 --> 00:42:39,888
They're kind
:
00:42:40,098 --> 00:42:41,918
Steve: But like you, but
:
00:42:41,988 --> 00:42:42,378
Scott: jacket.
:
00:42:43,178 --> 00:42:46,098
Steve: like you say, through the
entire siege at the end, Gene Hackman's
:
00:42:46,108 --> 00:42:47,438
wearing, still wearing his Adidas.
:
00:42:47,548 --> 00:42:48,418
Scott: Adidas, baby!
:
00:42:49,028 --> 00:42:50,548
I kick ass when he's in Adidas, huh?
:
00:42:52,133 --> 00:42:54,053
Katie: Let's get through
the rest of the cast
:
00:42:54,153 --> 00:42:58,223
. So, Fred ward, he is so handsome in this.
:
00:42:58,373 --> 00:43:03,233
He is just that he is that plays
always like that kind of a role.
:
00:43:03,243 --> 00:43:05,403
He is that ruggedly handsome dude.
:
00:43:05,813 --> 00:43:09,903
He plays Wilkes in this funny
enough, he's in 2 other movies.
:
00:43:10,138 --> 00:43:14,458
It's covered in, in my Patrick Swayze
and Kurt Russell season Silkwood.
:
00:43:14,498 --> 00:43:16,298
He was in Silkwood with Kurt.
:
00:43:16,658 --> 00:43:18,458
Also in Swing Shift with Kurt.
:
00:43:19,118 --> 00:43:19,648
Breadboard.
:
00:43:20,188 --> 00:43:21,358
Steve: I think, I've seen Swing Shift.
:
00:43:21,388 --> 00:43:21,818
Is that, is
:
00:43:22,258 --> 00:43:22,608
Katie: Goldie
:
00:43:22,928 --> 00:43:23,578
Steve: Hawn in that?
:
00:43:23,708 --> 00:43:28,408
Scott: I feel like Fred Ward was on
the precipice of them pushing him,
:
00:43:28,418 --> 00:43:29,428
especially in Hollywood, to be something.
:
00:43:29,468 --> 00:43:31,008
Because he was in Remo Williams,
which was supposed to be
:
00:43:31,008 --> 00:43:32,488
like this action movie thing.
:
00:43:32,728 --> 00:43:33,368
Steve: I've seen that.
:
00:43:33,555 --> 00:43:36,523
Scott: was It felt like
he was this close, right?
:
00:43:36,533 --> 00:43:39,173
I feel like he was being
pushed into the Kurt Russell,
:
00:43:39,523 --> 00:43:40,083
Patrick Swayze,
:
00:43:40,453 --> 00:43:41,663
but just never made it.
:
00:43:41,703 --> 00:43:45,133
Like it just ends up being a really
good character actor or a guy you
:
00:43:45,133 --> 00:43:50,033
go, I remember him, but he never,
maybe it was because Remo Williamson
:
00:43:50,123 --> 00:43:55,133
wasn't successful, but it just felt
like he was in line to be that guy.
:
00:43:55,563 --> 00:43:57,913
And then just never made
it unfortunately for him.
:
00:43:57,913 --> 00:43:58,913
He's, he's the Rick
:
00:43:58,948 --> 00:43:59,098
Steve: He,
:
00:43:59,293 --> 00:44:00,533
Scott: of this piece of what we're talking
:
00:44:00,538 --> 00:44:01,488
Steve: he was in Tremors.
:
00:44:01,518 --> 00:44:03,018
He was in Tremors though, which is,
:
00:44:03,063 --> 00:44:04,083
Scott: he hasn't been in some good stuff.
:
00:44:04,113 --> 00:44:04,533
I'm just saying,
:
00:44:04,543 --> 00:44:05,823
Steve: No, no, I know, no.
:
00:44:06,473 --> 00:44:10,013
Scott: the guy as opposed to Oh my
God, I know that guy type of guy.
:
00:44:10,053 --> 00:44:10,293
Steve: Yeah.
:
00:44:10,303 --> 00:44:12,463
He's more of a character
actor type, isn't he?
:
00:44:12,463 --> 00:44:13,043
So, yeah.
:
00:44:13,353 --> 00:44:13,523
Scott: Yeah.
:
00:44:13,523 --> 00:44:14,033
Patrick should
:
00:44:14,123 --> 00:44:14,903
Steve: I love him, love him.
:
00:44:14,903 --> 00:44:15,763
Scott: to be on this episode.
:
00:44:15,773 --> 00:44:19,193
He's supposed to be Kurt Russell and
Fred Ward and not Patrick Swayze.
:
00:44:19,203 --> 00:44:20,083
And unfortunately
:
00:44:20,153 --> 00:44:20,443
Katie: no,
:
00:44:20,473 --> 00:44:22,203
Scott: Swayze danced his way past
:
00:44:22,383 --> 00:44:25,603
Steve: I can imagine Fred Ward in Dirty
Dancing, even though I haven't seen it.
:
00:44:25,743 --> 00:44:26,963
Scott: could, neither could Fred Ward.
:
00:44:27,703 --> 00:44:28,253
Katie: no.
:
00:44:28,463 --> 00:44:30,653
Patrick is like an amazing athlete.
:
00:44:30,873 --> 00:44:31,033
Yeah.
:
00:44:31,073 --> 00:44:31,593
Scott: Oh God.
:
00:44:31,593 --> 00:44:31,893
Yes.
:
00:44:32,073 --> 00:44:32,753
Katie: he's so good.
:
00:44:33,223 --> 00:44:35,963
So Red Brown, I did not know him from
:
00:44:36,258 --> 00:44:36,378
Scott: mm.
:
00:44:36,418 --> 00:44:36,678
mm.
:
00:44:37,633 --> 00:44:39,613
Katie: So he plays blaster
to your point, Steve.
:
00:44:40,053 --> 00:44:40,623
Steve: Sorry, yeah.
:
00:44:40,953 --> 00:44:42,963
Katie: Randall techs Cobb
:
00:44:43,068 --> 00:44:43,778
Scott: Mm hmm.
:
00:44:43,968 --> 00:44:44,058
It's
:
00:44:44,193 --> 00:44:45,403
Katie: the crazy one.
:
00:44:45,638 --> 00:44:46,308
Scott: amazing.
:
00:44:46,533 --> 00:44:47,143
Katie: the group.
:
00:44:47,543 --> 00:44:49,723
Noted that he was in Kickboxer.
:
00:44:50,643 --> 00:44:51,583
Steve: Yeah, yeah, you're right.
:
00:44:51,583 --> 00:44:53,203
Yeah, he's a, he's a, and a boxer.
:
00:44:53,503 --> 00:44:56,433
I think he beat Leon Spinks in
a boxing match as well, so he's
:
00:44:56,463 --> 00:44:57,763
Katie: actual real
:
00:44:57,933 --> 00:44:58,383
Steve: yeah, yeah,
:
00:44:58,503 --> 00:45:03,423
Katie: real life, but he plays, he
plays the gruff type, con man type
:
00:45:03,938 --> 00:45:04,573
Steve: yeah, yeah.
:
00:45:04,733 --> 00:45:05,613
Katie: Every, in everything.
:
00:45:06,083 --> 00:45:09,813
Did you guys recognize Harold
Sylvester from anything?
:
00:45:09,813 --> 00:45:13,603
He plays Johnson, one of the
helicopter pilots, the black guy.
:
00:45:14,543 --> 00:45:15,343
Did you recognize
:
00:45:15,478 --> 00:45:15,638
Scott: This
:
00:45:15,643 --> 00:45:16,633
Steve: A familiar face.
:
00:45:16,633 --> 00:45:16,963
But
:
00:45:17,173 --> 00:45:17,373
Scott: face.
:
00:45:17,413 --> 00:45:20,473
And that sounds terrible, but if a
familiar face, especially considering
:
00:45:20,613 --> 00:45:24,633
the timeframe we're in, so there
would be a standard, I know this is
:
00:45:24,633 --> 00:45:27,433
going to sound terrible, but it'd
be a standard set of like black
:
00:45:27,453 --> 00:45:31,843
actors that you would see traveling
hrough the same movies in the::
00:45:31,883 --> 00:45:33,673
And, and even in the TV shows, right?
:
00:45:33,673 --> 00:45:34,563
Like a Mr.
:
00:45:34,563 --> 00:45:35,993
T's a, a unicorn.
:
00:45:36,063 --> 00:45:38,953
He's someone who comes out of
nowhere and rises to stardom,
:
00:45:38,953 --> 00:45:40,383
but there would be your standard.
:
00:45:40,383 --> 00:45:40,763
Okay.
:
00:45:40,763 --> 00:45:41,453
We're going to use.
:
00:45:42,133 --> 00:45:43,693
Place him in this spot.
:
00:45:43,973 --> 00:45:45,023
It's yeah, exactly.
:
00:45:45,023 --> 00:45:46,373
You're choking black guys in this film.
:
00:45:46,373 --> 00:45:52,443
And he filled that role, especially one
who doesn't have the air like a a Denzel
:
00:45:52,553 --> 00:45:54,943
came to be, or even Lawrence Fishburne.
:
00:45:54,943 --> 00:45:57,193
Like he, you know, those
guys wouldn't be just.
:
00:45:57,383 --> 00:46:00,523
Pigeonholed in because they were such
great actors, not that this gentleman
:
00:46:00,523 --> 00:46:04,373
wasn't, but he would have been a guy who
was like, okay, and so is not available.
:
00:46:04,393 --> 00:46:05,363
Who's next on the list?
:
00:46:05,373 --> 00:46:08,293
I know all the words coming out
sound terrible, but that was the
:
00:46:08,293 --> 00:46:09,883
times that they were in and he would
:
00:46:10,003 --> 00:46:10,753
Steve: that was the times.
:
00:46:10,753 --> 00:46:10,963
Yeah.
:
00:46:11,003 --> 00:46:11,973
Scott: person on the list.
:
00:46:11,983 --> 00:46:13,523
They'd be like, yeah, he'll
fit the role perfectly.
:
00:46:14,213 --> 00:46:14,713
Katie: He's like
:
00:46:14,713 --> 00:46:14,783
a
:
00:46:14,838 --> 00:46:14,968
Scott: We're
:
00:46:15,183 --> 00:46:15,603
Katie: actor.
:
00:46:15,603 --> 00:46:17,233
He had a ton of credits.
:
00:46:17,263 --> 00:46:18,123
A lot of TV.
:
00:46:18,123 --> 00:46:27,323
But, he played Bundy's friend
Griff in Married with Children.
:
00:46:27,573 --> 00:46:27,723
Steve: Wow.
:
00:46:28,868 --> 00:46:29,238
Scott: not.
:
00:46:29,258 --> 00:46:29,628
Yep.
:
00:46:29,793 --> 00:46:30,703
Katie: That's who he is.
:
00:46:32,088 --> 00:46:33,118
Scott: What a show that was too.
:
00:46:33,148 --> 00:46:33,808
Oh my God.
:
00:46:34,913 --> 00:46:35,673
Katie: Al, not Ted.
:
00:46:35,858 --> 00:46:36,278
Scott: I mean, sorry.
:
00:46:36,278 --> 00:46:36,758
Yeah, Al.
:
00:46:36,758 --> 00:46:37,248
Yeah, yeah, yeah.
:
00:46:37,508 --> 00:46:37,918
Ted.
:
00:46:38,408 --> 00:46:39,588
Different kind of shoe salesman.
:
00:46:39,933 --> 00:46:42,153
Steve: He was Ted Bundy,
Bundy's that best friend.
:
00:46:42,743 --> 00:46:44,333
No wonder his career didn't take off.
:
00:46:45,873 --> 00:46:47,293
Katie: Tim Thomerson.
:
00:46:47,323 --> 00:46:48,213
That's quite a name.
:
00:46:48,223 --> 00:46:50,963
He plays charts, the
other helicopter pilot.
:
00:46:51,103 --> 00:46:51,883
Steve: Part part.
:
00:46:51,913 --> 00:46:53,003
Katie: familiar character actor
:
00:46:53,238 --> 00:46:53,748
Scott: Yeah.
:
00:46:53,748 --> 00:46:54,428
What else has he been
:
00:46:54,443 --> 00:46:58,043
Steve: He used to be a, he used to be a,
he used to be a standup comedian as well.
:
00:46:58,043 --> 00:47:02,283
I think I, I read a bit about him
before he was, I love that guy.
:
00:47:02,343 --> 00:47:07,233
He's, there's a eighties
like B movie called Trances.
:
00:47:08,123 --> 00:47:13,103
where he played a detective who has to
go, I think he has to go forward in time.
:
00:47:13,573 --> 00:47:14,593
to solve a crime.
:
00:47:15,133 --> 00:47:18,123
And I used to, I like, that was like
a familiar video rental in the 80's.
:
00:47:18,143 --> 00:47:22,983
I think the tagline was, his
name is Jack Death in trances.
:
00:47:22,983 --> 00:47:28,563
And, and the tagline was, Jack Death is
back and he's never even been here before.
:
00:47:29,113 --> 00:47:29,513
I just remember,
:
00:47:31,013 --> 00:47:32,033
Katie: You do a good movie guy
:
00:47:32,043 --> 00:47:32,343
voice.
:
00:47:32,448 --> 00:47:34,338
Steve: But no, so I love that guy.
:
00:47:34,338 --> 00:47:37,058
And, and that's probably, I saw
him first and definitely saw
:
00:47:37,058 --> 00:47:38,728
him first in Uncommon Valor.
:
00:47:38,808 --> 00:47:39,858
Scott: Can't seem to pinpoint it.
:
00:47:40,198 --> 00:47:40,988
He's one of
:
00:47:41,023 --> 00:47:43,433
Steve: Bit of a Thomas
Jane of his time, Scott.
:
00:47:43,578 --> 00:47:44,248
Scott: a Thomas
:
00:47:44,633 --> 00:47:46,933
Steve: One of my, one
of my favorites, sorry.
:
00:47:46,968 --> 00:47:48,158
Katie: yes, this sounds familiar.
:
00:47:48,158 --> 00:47:49,538
I don't know where I heard that from.
:
00:47:49,728 --> 00:47:51,968
Scott: You know, he's, you know
why I think he was in a bunch of
:
00:47:51,968 --> 00:47:53,518
Hawaii, five, Oh, Mark and Mindy.
:
00:47:53,518 --> 00:47:55,388
He did a lot of eighties TV shows as
:
00:47:55,613 --> 00:47:56,963
Steve: Ah, right, okay.
:
00:47:57,798 --> 00:47:58,198
Scott: especially
:
00:47:58,353 --> 00:47:59,913
Steve: I only saw Jack dead.
:
00:47:59,913 --> 00:48:00,403
That's
:
00:48:00,648 --> 00:48:03,088
Scott: see him in these shows and
you go, oh yeah, that guy, but
:
00:48:03,358 --> 00:48:03,858
Katie: Okay.
:
00:48:03,898 --> 00:48:04,668
Scott: just that guy
:
00:48:05,438 --> 00:48:06,798
he becomes Jack death in::
00:48:08,538 --> 00:48:10,108
Oh, he's also an iron Eagle.
:
00:48:10,118 --> 00:48:10,848
That's another one.
:
00:48:11,138 --> 00:48:12,278
Steve: Top Gun rip off, right?
:
00:48:12,358 --> 00:48:14,618
Oh,
:
00:48:14,633 --> 00:48:16,063
Scott: a Top Gun rip off, basically.
:
00:48:16,163 --> 00:48:18,293
Steve: Actually, have
you ever seen Near Dark?
:
00:48:19,143 --> 00:48:20,683
The vampire movie?
:
00:48:21,393 --> 00:48:24,113
Yeah no, sorry, no, he's
in that, he plays the
:
00:48:24,153 --> 00:48:24,373
Katie: Okay.
:
00:48:24,643 --> 00:48:25,923
Steve: Dad of the League character.
:
00:48:25,923 --> 00:48:27,933
It's like a vampire love story thing.
:
00:48:28,363 --> 00:48:31,733
That's got a bit of a cult following,
but he's been, you know, he's one of them
:
00:48:31,733 --> 00:48:36,783
guys, he just crops up in things and, you
know, he's got that, that vibe about him.
:
00:48:37,943 --> 00:48:41,113
Katie: Quan He Lim
hopefully I am pronouncing
:
00:48:41,113 --> 00:48:41,633
that correctly.
:
00:48:43,173 --> 00:48:44,433
He plays Jiang.
:
00:48:44,643 --> 00:48:45,343
Jiang.
:
00:48:45,913 --> 00:48:48,183
He, and he's great in this.
:
00:48:48,213 --> 00:48:48,953
I liked him a lot.
:
00:48:48,963 --> 00:48:50,233
I liked this character.
:
00:48:50,583 --> 00:48:55,263
He's most known, apparently, for
playing Lieutenant Tanaka on Magnum P.
:
00:48:55,263 --> 00:48:55,693
I.
:
00:48:55,798 --> 00:48:56,968
Scott: Oh, Jesus.
:
00:48:57,903 --> 00:48:58,373
Steve: Right.
:
00:48:58,923 --> 00:49:02,403
Katie: Yeah, then Kelly
Junkerman plays McGregor's kid.
:
00:49:02,723 --> 00:49:07,203
Todd Allen plays Rhodes's,
Jason Rhodes's kid, Frank.
:
00:49:07,213 --> 00:49:12,803
That's, he's the whole reason for this
mission is to, to save Jason's son.
:
00:49:12,833 --> 00:49:14,703
I feel like their names
need to be swapped.
:
00:49:14,743 --> 00:49:16,933
I feel like and Jason,
:
00:49:17,353 --> 00:49:17,843
Steve: Yeah.
:
00:49:17,963 --> 00:49:18,393
Yeah.
:
00:49:18,543 --> 00:49:19,323
Katie: Jason's the young guy
:
00:49:19,473 --> 00:49:19,773
Steve: Yeah.
:
00:49:19,773 --> 00:49:20,003
Yeah.
:
00:49:20,003 --> 00:49:20,583
You're right.
:
00:49:20,631 --> 00:49:21,898
Scott: heh heh heh heh heh.
:
00:49:21,898 --> 00:49:22,405
Mm hmm.
:
00:49:22,405 --> 00:49:22,658
Django
:
00:49:23,523 --> 00:49:25,653
Katie: Todd Allen was also in Swing Shift.
:
00:49:26,513 --> 00:49:26,693
I'll
:
00:49:26,823 --> 00:49:26,983
Steve: Yeah.
:
00:49:27,173 --> 00:49:27,563
Katie: but he was
:
00:49:27,563 --> 00:49:29,253
in wide Earp and
:
00:49:29,568 --> 00:49:30,688
Scott: Unchained.
:
00:49:31,018 --> 00:49:31,538
Yeah.
:
00:49:32,543 --> 00:49:33,023
Steve: Wow.
:
00:49:33,203 --> 00:49:37,053
Katie: So the wife of Jean Hackman
is played by Gail Strickland.
:
00:49:37,793 --> 00:49:42,563
She in this a fair amount,
but she does not speak in this
:
00:49:42,563 --> 00:49:44,443
movie, no speaking role for
:
00:49:44,448 --> 00:49:44,743
her.
:
00:49:44,753 --> 00:49:45,173
Steve: Hmm.
:
00:49:45,623 --> 00:49:47,338
Katie: And then Jane Kme as
:
00:49:47,933 --> 00:49:48,383
wife,
:
00:49:49,558 --> 00:49:50,098
Scott: Yes.
:
00:49:50,128 --> 00:49:50,748
Yes.
:
00:49:50,928 --> 00:49:51,218
Mm hmm.
:
00:49:51,218 --> 00:49:51,808
Mm
:
00:49:52,793 --> 00:49:55,703
Steve: I recognize that, but
I didn't notice it from that.
:
00:49:56,343 --> 00:49:59,623
Katie: The, music was quite good.
:
00:50:00,773 --> 00:50:04,393
But I, I don't know if I would
have pinpointed who it was.
:
00:50:04,403 --> 00:50:05,763
It's James Horner,
:
00:50:06,523 --> 00:50:07,003
Steve: Right.
:
00:50:07,078 --> 00:50:07,398
Scott: have either.
:
00:50:07,673 --> 00:50:10,263
Katie: Award winning James
Horner, Horner for he must've
:
00:50:10,273 --> 00:50:11,673
worked with James Cameron a lot.
:
00:50:11,803 --> 00:50:12,673
Titanic.
:
00:50:12,998 --> 00:50:13,678
Scott: Aliens,
:
00:50:14,343 --> 00:50:14,763
Katie: Yeah.
:
00:50:14,933 --> 00:50:16,423
Oh, that Avatar.
:
00:50:17,073 --> 00:50:20,893
And then like Un American Tale,
Braveheart, A Beautiful Mind Field
:
00:50:20,893 --> 00:50:23,093
of Dreams, Apollo 13, tons of stuff.
:
00:50:23,433 --> 00:50:26,673
Steve: Can I just quickly
go back to the cast?
:
00:50:27,133 --> 00:50:27,963
Katie: Yes.
:
00:50:29,373 --> 00:50:29,803
Did I miss
:
00:50:29,948 --> 00:50:30,068
Steve: a,
:
00:50:30,338 --> 00:50:30,478
Scott: Oh
:
00:50:30,753 --> 00:50:34,413
Steve: there's a no, there's a,
not, not really No, but you, but
:
00:50:34,923 --> 00:50:35,793
I'll explain.
:
00:50:35,803 --> 00:50:36,403
Katie: Okay.
:
00:50:36,453 --> 00:50:37,443
Steve: I'll be very quick though.
:
00:50:37,473 --> 00:50:41,863
'cause it, it's got a
very early role for Mr.
:
00:50:41,863 --> 00:50:44,413
Michael Doff, the American Ninja
:
00:50:44,773 --> 00:50:44,923
Katie: He
:
00:50:45,073 --> 00:50:45,583
Steve: we just
:
00:50:45,683 --> 00:50:46,243
Katie: down.
:
00:50:46,778 --> 00:50:47,568
Steve: So on the
:
00:50:47,598 --> 00:50:48,908
Scott: Our next episode coming out in
:
00:50:49,088 --> 00:50:52,618
Steve: on the next, next episode of the
cheek of the cheeky bosses men of action,
:
00:50:52,618 --> 00:50:57,498
we do beast master and Avenging force
:
00:50:57,498 --> 00:50:58,078
Scott: force.
:
00:50:58,368 --> 00:50:58,678
Steve: and mr.
:
00:50:58,678 --> 00:50:59,758
Dudikoff.
:
00:50:59,758 --> 00:51:00,878
So
:
00:51:01,293 --> 00:51:04,933
Katie: Beastmaster was one of
those that was like on TBS or
:
00:51:05,148 --> 00:51:05,528
Scott: Yep.
:
00:51:05,773 --> 00:51:06,133
Katie: Saturday
:
00:51:06,298 --> 00:51:07,108
Scott: we discover that
:
00:51:07,738 --> 00:51:08,528
Steve: Yeah
:
00:51:08,728 --> 00:51:10,978
Scott: channel has a
nickname for what it was on.
:
00:51:10,978 --> 00:51:14,628
HBO is, Hey, Beastmasters on
TBS is the Beastmaster channel.
:
00:51:14,628 --> 00:51:17,788
It's like, so all these, the
Beastmaster days is amazing.
:
00:51:17,798 --> 00:51:20,218
Steve: But yeah, no,
I was yeah, I'm a bit.
:
00:51:20,218 --> 00:51:22,453
I'm a bit of a Michael Dudikoff fan.
:
00:51:22,453 --> 00:51:23,933
So, I'm sorry, I just wanted to,
:
00:51:24,363 --> 00:51:24,883
yeah, I just,
:
00:51:25,003 --> 00:51:25,673
Katie: He, I
:
00:51:25,728 --> 00:51:27,578
Scott: had a poster from
above his bed as a young boy.
:
00:51:28,463 --> 00:51:30,043
Steve: that was over,
that's actually over there.
:
00:51:31,898 --> 00:51:34,308
Katie: So this movie, I
was kind of surprised.
:
00:51:34,348 --> 00:51:37,338
It didn't cost more because
of the practical effects, like
:
00:51:37,338 --> 00:51:38,498
all the explosions and stuff.
:
00:51:38,928 --> 00:51:39,478
It costs.
:
00:51:39,918 --> 00:51:43,368
Somewhere between 11 and $14
million, depending on the source.
:
00:51:44,138 --> 00:51:49,768
And then it grossed 30.5 million
worldwide, which is pretty
:
00:51:49,773 --> 00:51:50,218
good.
:
00:51:50,378 --> 00:51:51,158
Steve: really would have been a hit.
:
00:51:51,428 --> 00:51:52,438
Scott: Christmas time, right?
:
00:51:52,438 --> 00:51:53,618
Like it comes out at Christmas time.
:
00:51:53,798 --> 00:51:54,468
Steve: True, yeah.
:
00:51:54,598 --> 00:51:57,238
Scott: not exactly a family
friendly movie, you know, Hey,
:
00:51:57,428 --> 00:51:58,808
Katie: hey, here's some Vietnam War for
:
00:51:58,938 --> 00:51:59,788
Scott: exactly.
:
00:52:01,628 --> 00:52:05,518
Katie: Okay, you guys, I had
not seen this movie before, so
:
00:52:05,678 --> 00:52:06,428
Scott: had not either.
:
00:52:06,818 --> 00:52:07,558
Me as well.
:
00:52:07,868 --> 00:52:08,398
No.
:
00:52:08,508 --> 00:52:10,978
He and I kind of talked about
this before we recorded with you.
:
00:52:11,478 --> 00:52:13,418
I was a big Vietnam war fan.
:
00:52:13,418 --> 00:52:14,608
Like I probably got into it.
:
00:52:15,533 --> 00:52:19,983
Around the time when obviously platoon
comes out and then you've also got a
:
00:52:19,993 --> 00:52:24,033
full metal jacket coming out There's
hamburger hair like the late 80s where
:
00:52:24,033 --> 00:52:26,963
it felt like it was safe to start
making Vietnam movies because we're
:
00:52:27,113 --> 00:52:29,973
moving away from the actual of the war.
:
00:52:30,403 --> 00:52:32,123
So I became enamored with it.
:
00:52:32,123 --> 00:52:33,023
Born on the 4th of July.
:
00:52:33,023 --> 00:52:34,213
Like I loved them.
:
00:52:34,413 --> 00:52:37,393
This is one of the ones I had
heard about, but never got to.
:
00:52:37,703 --> 00:52:40,873
And so when I was talking with Steve about
what episode we movie we should do with
:
00:52:40,873 --> 00:52:42,473
you, he was like, let's do Uncommon Valor.
:
00:52:42,473 --> 00:52:42,913
I was like, you know what?
:
00:52:42,963 --> 00:52:43,723
I haven't seen it.
:
00:52:44,153 --> 00:52:45,653
So Vietnam, let's do this.
:
00:52:45,693 --> 00:52:46,693
The, this is kind of in my wheelhouse.
:
00:52:46,723 --> 00:52:48,143
I want to see something
that I haven't seen.
:
00:52:48,483 --> 00:52:50,803
You know, we could talk to death
about stuff I've already seen, but
:
00:52:50,803 --> 00:52:53,433
it'd be fun to be able to go and
watch something with fresh eyes
:
00:52:53,843 --> 00:52:54,863
and bringing nothing to it.
:
00:52:54,963 --> 00:52:55,283
So.
:
00:52:55,688 --> 00:52:55,818
Yeah.
:
00:52:55,818 --> 00:53:01,678
This is my first time as
well as it was yours, but
:
00:53:02,998 --> 00:53:04,608
Katie: Multiple viewer, Steve.
:
00:53:04,868 --> 00:53:05,828
Steve: Yeah, well,
:
00:53:05,928 --> 00:53:08,758
Katie: guys, your overall thoughts like,
and do you feel differently watching
:
00:53:08,758 --> 00:53:11,068
it now as you remembered it, Steve too?
:
00:53:11,068 --> 00:53:13,008
No,
:
00:53:13,078 --> 00:53:17,748
Steve: a lot, like I said, I remembered
so much about it, that was quite bizarre.
:
00:53:17,868 --> 00:53:22,368
It's a lot less gritty, gritty
than I thought, than I remembered.
:
00:53:22,618 --> 00:53:25,688
It's not a particularly
bloody film or anything.
:
00:53:26,218 --> 00:53:30,298
It is, It kind of made sense, it's
the kind of film you would be able
:
00:53:30,298 --> 00:53:31,708
to sit down with your dad and watch.
:
00:53:33,078 --> 00:53:33,968
You know, that was,
:
00:53:33,968 --> 00:53:34,168
Katie: it.
:
00:53:34,698 --> 00:53:40,128
Steve: yeah, it's not quite
a nasty sort of brutal film.
:
00:53:40,448 --> 00:53:45,718
It's quite emotional at the end, obviously
but I think it suffers a bit in the same
:
00:53:45,718 --> 00:53:50,598
way that, Like the, like the Man on a
Mission movie say, The Dirty Dozen, right?
:
00:53:50,638 --> 00:53:54,738
Which, everyone loves The Dirty
Dozen, and the cast is incredible.
:
00:53:55,198 --> 00:53:58,638
But there's at least an hour in the middle
of The Dirty Dozen where nothing happens.
:
00:53:59,338 --> 00:54:03,808
So, it's kind of, you're, you're
seduced by the cast, you know, you've
:
00:54:03,808 --> 00:54:08,268
got Telly Savalas, John Cassavetes, Lee
Marvin, Charles Bronson, so on, so on.
:
00:54:10,258 --> 00:54:12,098
You're, you're remembering
that they're in it.
:
00:54:12,513 --> 00:54:17,653
But the film itself, like I say,
it's a bit of a slog to get through.
:
00:54:17,813 --> 00:54:24,273
And I did find in this movie, I found
it, it's, the mission itself is like
:
00:54:24,273 --> 00:54:25,783
the last 10 minutes of the movie.
:
00:54:26,503 --> 00:54:29,483
Whereas in my mind, I remembered
it being an action fest.
:
00:54:30,568 --> 00:54:34,598
Katie: Well, because I think the
reason for that was because the
:
00:54:34,608 --> 00:54:39,368
middle of it was them training and
practicing and doing like the dry run.
:
00:54:39,493 --> 00:54:40,753
Steve: Right, there's a lot of that,
:
00:54:41,058 --> 00:54:42,978
Katie: they were doing the mission
:
00:54:43,503 --> 00:54:44,083
Steve: but not.
:
00:54:44,083 --> 00:54:46,673
Yeah,
:
00:54:46,728 --> 00:54:48,278
Katie: Yeah,
:
00:54:48,353 --> 00:54:48,583
Steve: so,
:
00:54:48,718 --> 00:54:50,908
Scott: there's a lot of Patrick
Swayze either crying about
:
00:54:50,908 --> 00:54:53,168
to cry or being very angry.
:
00:54:53,258 --> 00:54:55,068
It was a lot of Patrick Swayze went from
:
00:54:55,133 --> 00:54:55,553
Steve: but,
:
00:54:55,788 --> 00:54:56,668
Scott: I'm tearful.
:
00:54:56,708 --> 00:54:57,758
Cause you don't accept me.
:
00:54:58,178 --> 00:54:58,718
I'm angry.
:
00:54:58,718 --> 00:54:59,448
Cause you don't accept me.
:
00:54:59,448 --> 00:55:01,148
It was like a lot of Patrick Swayze.
:
00:55:01,643 --> 00:55:01,903
Was a
:
00:55:02,043 --> 00:55:02,513
Steve: yeah.
:
00:55:02,693 --> 00:55:04,953
But I think, but he does
get an arc, doesn't he?
:
00:55:04,953 --> 00:55:05,653
He does get a good arc.
:
00:55:05,663 --> 00:55:05,883
Scott: does.
:
00:55:05,883 --> 00:55:06,243
Yes,
:
00:55:06,308 --> 00:55:08,198
Steve: You know, that does all
sort of come together when he's
:
00:55:08,198 --> 00:55:10,988
running over the hill going, I'm
gonna kill you motherfuckers, man!
:
00:55:11,018 --> 00:55:13,398
Like at the end, like when he goes
running over that hill and you're
:
00:55:13,398 --> 00:55:15,618
like, well, finally he came through.
:
00:55:15,688 --> 00:55:20,748
So it was, it does do his
fair share of crying and
:
00:55:21,193 --> 00:55:22,263
Scott: very emotional.
:
00:55:22,308 --> 00:55:22,818
Katie: crying
:
00:55:22,823 --> 00:55:26,393
Scott: If you look at his eyes, he's
always on the verge of tears in this film.
:
00:55:26,453 --> 00:55:29,933
Katie: because he, so, so
you guys, he, the other guys
:
00:55:30,093 --> 00:55:30,283
Scott: Yeah.
:
00:55:30,283 --> 00:55:31,773
They've been in the nom and he hasn't.
:
00:55:31,773 --> 00:55:31,823
Yeah.
:
00:55:32,243 --> 00:55:35,233
Katie: He hasn't, he was too
young and he is very young looking
:
00:55:35,233 --> 00:55:35,353
in
:
00:55:35,448 --> 00:55:36,018
Scott: He is
:
00:55:36,283 --> 00:55:37,923
Katie: like in real life, like 29
:
00:55:38,183 --> 00:55:38,363
or
:
00:55:38,588 --> 00:55:39,478
Steve: yeah, yeah,
:
00:55:39,723 --> 00:55:43,653
Katie: very young, he is sort
of like, he's the straight,
:
00:55:43,683 --> 00:55:47,153
like very proper military man.
:
00:55:47,233 --> 00:55:48,263
That's going to help them train.
:
00:55:48,263 --> 00:55:52,463
He knows all the, so he's the outsider
and he can't get their respect until.
:
00:55:53,238 --> 00:55:54,108
Gene Hackman
:
00:55:54,358 --> 00:55:54,808
essentially
:
00:55:54,818 --> 00:55:55,458
Steve: you're right.
:
00:55:55,518 --> 00:55:55,828
Katie: they're
:
00:55:55,908 --> 00:55:56,648
Steve: Yeah, you're right.
:
00:55:56,668 --> 00:55:57,338
Katie: you doing this?
:
00:55:57,338 --> 00:55:58,378
What, what's in it for you?
:
00:55:58,698 --> 00:56:00,978
And Gene Hackman's well,
his dad's missing too.
:
00:56:00,978 --> 00:56:02,278
Oh,
:
00:56:02,468 --> 00:56:05,798
Scott: that they in the movie because
when he shows up I'm like, there's no
:
00:56:05,798 --> 00:56:10,328
way he was in Vietnam, too And then when
and I was like, oh no, please don't tell
:
00:56:10,328 --> 00:56:13,568
me he's like some special forces guy
I mean, I mean, he's the guy's gonna
:
00:56:13,568 --> 00:56:16,958
retrain you and when they said that he
hadn't been and he was too young I was
:
00:56:16,958 --> 00:56:20,308
like, oh I was like, thank you It's cuz
you know modern movies sometimes we try
:
00:56:20,318 --> 00:56:23,178
to shoehorn a character because he's
cool You're like, there's no fucking way.
:
00:56:23,178 --> 00:56:24,138
He was in that war.
:
00:56:24,288 --> 00:56:24,618
He was
:
00:56:24,898 --> 00:56:28,828
Steve: I cheat, I cheated the draft
when I was four years old or something.
:
00:56:30,348 --> 00:56:32,408
Katie: but I love how they
show him like ironing.
:
00:56:32,458 --> 00:56:32,798
Their,
:
00:56:32,798 --> 00:56:35,398
training sequences are
in, they go to Galveston,
:
00:56:35,708 --> 00:56:36,048
Scott: Hmm.
:
00:56:38,418 --> 00:56:44,008
Katie: What the exact replica I loved
that somehow they were able to exactly
:
00:56:44,008 --> 00:56:47,548
replicate the POW camp in Laos in Texas.
:
00:56:47,588 --> 00:56:48,168
And that's where they're
:
00:56:48,398 --> 00:56:51,228
Scott: Well, the reason was, is because
they had the same crew who built,
:
00:56:51,518 --> 00:56:52,598
who built the set over there.
:
00:56:52,818 --> 00:56:53,218
I'm just kidding.
:
00:56:53,518 --> 00:56:55,568
I, I said to my kids all the
time dad, why'd that happen?
:
00:56:55,568 --> 00:56:56,348
I go, it was in the script.
:
00:56:56,748 --> 00:56:59,538
Like I said, it's the worst, but
because it was in the script,
:
00:57:01,348 --> 00:57:02,668
yeah, that was, it was interesting.
:
00:57:03,098 --> 00:57:07,118
And like what Steve says is do
get a buildup and it does take
:
00:57:07,118 --> 00:57:08,988
a long time to finally get to.
:
00:57:09,848 --> 00:57:14,088
actual events and if you know, films
long enough, you know, that no matter
:
00:57:14,088 --> 00:57:16,518
what they're training for, it's not
going to work out like we already
:
00:57:16,518 --> 00:57:20,848
know, you know, if you watch enough
movies, you go this, this sequence
:
00:57:20,848 --> 00:57:23,548
that they're doing here is not going
to play out in the end of the film.
:
00:57:23,548 --> 00:57:25,978
We're going to, yeah, it's going to
go, it's always going to go awry.
:
00:57:26,708 --> 00:57:28,048
Steve: It's a pretty explosive.
:
00:57:29,368 --> 00:57:33,328
Finale though with the, with the
whole bridge that in Red Brown guys,
:
00:57:33,338 --> 00:57:33,868
Scott: was the best part.
:
00:57:33,868 --> 00:57:34,978
I mean, to me, that was one of my
:
00:57:35,188 --> 00:57:36,148
Steve: that's not the best part.
:
00:57:36,238 --> 00:57:37,018
Scott: that coming because.
:
00:57:37,338 --> 00:57:40,968
:yeah, that's the thing we do, but
:
00:57:40,968 --> 00:57:43,288
::
00:57:44,038 --> 00:57:44,368
Steve: Mm-Hmm.
:
00:57:44,438 --> 00:57:48,938
Scott: the only thing I think is
interesting is it kind of shows
:
00:57:48,948 --> 00:57:53,638
what directors have carte blanche
in Hollywood and what ones, even
:
00:57:53,638 --> 00:57:56,608
if they made a successful film,
still don't have full carte blanche.
:
00:57:56,608 --> 00:58:01,198
Because if you don't tell somebody
who directed Uncommon Valor.
:
00:58:01,453 --> 00:58:02,683
And who director first blood.
:
00:58:02,763 --> 00:58:04,053
And you say, Hey, what do
you think of these movies?
:
00:58:04,873 --> 00:58:10,173
completely two different movies, different
tones, different styles, everything.
:
00:58:10,203 --> 00:58:11,863
And you would be like, it's
always the same director.
:
00:58:11,863 --> 00:58:13,253
You'd be like, there's no fucking way.
:
00:58:13,263 --> 00:58:14,093
It's that same director.
:
00:58:14,373 --> 00:58:16,683
If you could, you can kind
of see like a Scorsese movie.
:
00:58:16,683 --> 00:58:17,073
You go,
:
00:58:17,433 --> 00:58:18,253
that's a Scorsese film,
:
00:58:18,318 --> 00:58:18,708
Katie: station.
:
00:58:18,713 --> 00:58:19,043
Scott: You know what I mean?
:
00:58:19,043 --> 00:58:19,913
And then you say the guy, Oh yeah.
:
00:58:19,913 --> 00:58:20,833
He also did weekend at Bernie's.
:
00:58:20,863 --> 00:58:21,933
You go, he did what,
:
00:58:22,698 --> 00:58:22,918
Katie: Yeah.
:
00:58:23,073 --> 00:58:23,493
Scott: know what I mean?
:
00:58:23,493 --> 00:58:25,773
You're like first blood
and weekend at Bernie's.
:
00:58:25,773 --> 00:58:27,283
And that's a big bridge to jump
:
00:58:27,588 --> 00:58:30,558
Steve: Makes total sense to
me on a, on a narrative level.
:
00:58:30,563 --> 00:58:30,888
Yeah.
:
00:58:30,888 --> 00:58:36,238
I mean, but I think that goes to,
I mean, I'm to Hazard a guess.
:
00:58:36,328 --> 00:58:42,258
I think that goes to show how
involved Stallone was in the
:
00:58:42,258 --> 00:58:44,628
making of First Blood, perhaps.
:
00:58:44,728 --> 00:58:45,448
Katie: Stallone at
:
00:58:45,518 --> 00:58:46,058
Scott: A hundred percent.
:
00:58:46,058 --> 00:58:46,288
Yeah.
:
00:58:46,398 --> 00:58:46,848
Steve: Yeah.
:
00:58:46,938 --> 00:58:47,198
Scott: right.
:
00:58:47,888 --> 00:58:48,338
Steve: Yeah.
:
00:58:48,398 --> 00:58:48,788
So,
:
00:58:49,358 --> 00:58:51,698
Scott: But you know, just,
it's just like, even tonally,
:
00:58:52,138 --> 00:58:52,528
Steve: Hmm.
:
00:58:52,618 --> 00:58:52,828
Yeah.
:
00:58:52,828 --> 00:58:53,458
Yeah, yeah,
:
00:58:53,588 --> 00:58:54,128
Scott: the same thing.
:
00:58:54,128 --> 00:58:55,898
Cause once again, it's
not a Vietnam movie.
:
00:58:56,178 --> 00:58:57,728
It's a post Vietnam movie.
:
00:58:58,008 --> 00:59:01,458
And we're like, first bud is talking
about what it's like for that soldiers
:
00:59:01,458 --> 00:59:05,338
just come home and how they were
not treated like the, you know, now
:
00:59:05,338 --> 00:59:09,708
everyone's every veteran is amazing
for Americans now, but back then
:
00:59:09,788 --> 00:59:11,458
they weren't, they did not like them.
:
00:59:11,458 --> 00:59:13,448
They were baby kills and
they, they spit on them.
:
00:59:13,498 --> 00:59:15,588
So that was what Stallone's
character was going through.
:
00:59:15,918 --> 00:59:16,188
And then
:
00:59:16,303 --> 00:59:16,603
Steve: yeah.
:
00:59:16,603 --> 00:59:17,143
Well in,
:
00:59:17,198 --> 00:59:20,218
Scott: about the real thing about how
kind of the, they felt the government had
:
00:59:20,288 --> 00:59:23,728
turned its back on its soldiers and left
them behind and never did any missions to
:
00:59:23,728 --> 00:59:25,598
go and save the tribe, try to find them.
:
00:59:25,938 --> 00:59:28,958
So you would think there'd be still
a little bit of that tone that we
:
00:59:28,958 --> 00:59:32,958
got from first blood would leak
into this as it's just as serious.
:
00:59:33,733 --> 00:59:38,423
thing, but I think to Steve's point,
what maybe loses the tone is they, they
:
00:59:38,423 --> 00:59:43,273
sided more with, this is our version
of the, without them being prisoners,
:
00:59:43,413 --> 00:59:46,463
but this is our version of the dirty
dozen, but this time it's going to
:
00:59:46,523 --> 00:59:46,883
Steve: yeah.
:
00:59:47,053 --> 00:59:49,203
Scott: it's going to
be wild and crazy biker
:
00:59:49,343 --> 00:59:50,313
Steve: But that's the thing, isn't it?
:
00:59:50,313 --> 00:59:55,523
Because, because like in the mid, in
the mid to late 70s, you had a lot of
:
00:59:55,533 --> 01:00:01,513
films about Vietnam veterans, like Taxi
Driver, Rubble and Thunder, Billy Jack,
:
01:00:01,753 --> 01:00:02,323
Scott: Dear Hunter,
:
01:00:02,463 --> 01:00:08,793
Steve: Stuntman when Common Valor
comes along, it kind of kickstarts
:
01:00:08,793 --> 01:00:13,443
this POW rescue subgenre and you get
Missing in Action with Chuck Norris.
:
01:00:14,258 --> 01:00:16,098
And obviously First Blood Part 2 as well.
:
01:00:16,273 --> 01:00:16,713
Katie: Yep.
:
01:00:16,908 --> 01:00:22,978
Steve: Yeah, so, I, in my head,
I thought Uncommon Valor came
:
01:00:23,008 --> 01:00:24,638
after First Blood, actually.
:
01:00:25,388 --> 01:00:26,108
And I thought,
:
01:00:26,633 --> 01:00:27,003
Katie: Part two.
:
01:00:27,003 --> 01:00:27,343
You mean.
:
01:00:28,298 --> 01:00:29,428
Steve: sorry, yeah, yeah.
:
01:00:29,633 --> 01:00:30,003
Katie: Yeah,
:
01:00:30,223 --> 01:00:30,813
Scott: cause you were right, it
:
01:00:30,848 --> 01:00:33,688
100 percent right, in your
head you're right, it did come
:
01:00:33,703 --> 01:00:34,163
Steve: yeah.
:
01:00:34,368 --> 01:00:35,068
Scott: you're correct.
:
01:00:35,148 --> 01:00:36,278
Katie: but they did.
:
01:00:36,378 --> 01:00:41,008
I, you know, what I liked about this, it
was like a kind of a combination of tones
:
01:00:41,008 --> 01:00:45,378
because, which I found realistic because
Jean, there's something that Jean says
:
01:00:45,428 --> 01:00:50,268
like, they hate us this is 10 years after
the war, but we see the sequence of him.
:
01:00:51,958 --> 01:00:52,978
We start in 73.
:
01:00:54,343 --> 01:00:58,333
Right 73 and then we
end up in 83 or 72 80,
:
01:00:58,393 --> 01:00:59,943
Steve: But that happens really
quickly, though, doesn't it?
:
01:01:00,763 --> 01:01:02,023
So I was a little bit confused.
:
01:01:02,308 --> 01:01:05,148
Katie: up the fact that
they hate us the baby killer
:
01:01:05,308 --> 01:01:05,738
Scott: Mm
:
01:01:06,168 --> 01:01:06,638
Katie: that.
:
01:01:06,648 --> 01:01:10,858
And then the sequence, I
loved the sequence of him
:
01:01:10,858 --> 01:01:13,348
going in order with each guy.
:
01:01:13,798 --> 01:01:14,998
And trying to recruit
:
01:01:15,288 --> 01:01:15,698
Scott: hmm.
:
01:01:15,698 --> 01:01:18,638
Mm hmm.
:
01:01:18,918 --> 01:01:21,468
Katie: their world looks
like now, and they're vastly
:
01:01:21,468 --> 01:01:23,088
different and they're handling
:
01:01:23,088 --> 01:01:24,968
things different.
:
01:01:24,968 --> 01:01:27,838
And that gene has to use different
tactics, which with each of
:
01:01:27,838 --> 01:01:29,268
them, and especially Wilkes is.
:
01:01:29,958 --> 01:01:36,718
Character, you know, as we learn how off
I can't even imagine if just from the
:
01:01:36,718 --> 01:01:40,708
movies and things that I've watched and
read Vietnam just was something else.
:
01:01:41,173 --> 01:01:41,663
Steve: Mm,
:
01:01:41,993 --> 01:01:42,423
yeah.
:
01:01:42,753 --> 01:01:43,153
yeah.
:
01:01:43,508 --> 01:01:44,498
Katie: affected these guys.
:
01:01:44,648 --> 01:01:45,928
So, yeah, I don't know.
:
01:01:45,948 --> 01:01:49,398
I so, yeah, we, 1 by 1, we meet each guy.
:
01:01:49,998 --> 01:01:53,978
I love that charts his wife
was really interesting.
:
01:01:54,038 --> 01:01:57,488
And she is only interested in how
much money is going to be involved.
:
01:01:58,268 --> 01:02:00,258
And then black and not blaster.
:
01:02:01,263 --> 01:02:03,023
Sailor, I think was my favorite one.
:
01:02:03,043 --> 01:02:03,223
He's
:
01:02:03,503 --> 01:02:04,313
Steve: I love that.
:
01:02:04,313 --> 01:02:04,763
I just,
:
01:02:05,283 --> 01:02:10,493
Katie: what did you he's this crazy
biker guy, confederate flag on
:
01:02:10,708 --> 01:02:11,478
Scott: Yeah, the
:
01:02:12,183 --> 01:02:12,473
Katie: I don't know.
:
01:02:12,483 --> 01:02:15,163
What did you guys think of the
sequence of meeting the guys?
:
01:02:16,153 --> 01:02:18,293
Steve: well, that's a
staple now, isn't it?
:
01:02:18,303 --> 01:02:22,703
If that, oh, that's, that's, that's,
I think that's just what I love.
:
01:02:22,903 --> 01:02:24,543
Scott: Putting the team together segments.
:
01:02:24,928 --> 01:02:27,938
Steve: That's always a great I mean
that's happened in a million movies
:
01:02:27,938 --> 01:02:32,543
now, but There is something, and
I, like I said, I talked about Red
:
01:02:32,543 --> 01:02:35,043
Brown and um, what's his name, Tex
:
01:02:35,303 --> 01:02:36,853
Cobb, Randall Tex Cobb.
:
01:02:38,483 --> 01:02:42,553
If you're a young kid who's 12 years
old, this, you're gonna love this,
:
01:02:42,753 --> 01:02:47,353
this movie, you know, and I'm like,
that was my favorite bit of the movie.
:
01:02:47,820 --> 01:02:48,900
Meeting the guys,
:
01:02:49,110 --> 01:02:49,260
Katie: Mm hmm.
:
01:02:49,270 --> 01:02:54,010
Steve: like you say, recruiting the guys
in his own tactical ways, is, to me,
:
01:02:54,690 --> 01:02:56,980
far more entertaining than the siege,
:
01:02:57,770 --> 01:02:58,210
Katie: hmm.
:
01:02:58,350 --> 01:03:02,740
Steve: is not a bad siege, don't
get me wrong, but I just loved that.
:
01:03:04,480 --> 01:03:07,210
I'm not sure that's the first
time that's been done in a movie,
:
01:03:07,270 --> 01:03:10,690
but that's the most, one of the
most memorable, I think, for me.
:
01:03:10,900 --> 01:03:14,770
When he, when he, and Tex Cobb,
yeah, he's, you know, he's got that
:
01:03:14,770 --> 01:03:16,300
grenade around his neck, you know.
:
01:03:17,440 --> 01:03:21,190
Katie: Which am so glad
there was a payoff to
:
01:03:21,790 --> 01:03:23,140
Steve: Yeah, because they're not, yeah,
:
01:03:23,675 --> 01:03:25,605
Scott: it's one of those things I
knew it was going to be in this one.
:
01:03:25,705 --> 01:03:28,565
Cause we've watched so many damn movies
now over my time, like this, that
:
01:03:28,610 --> 01:03:28,810
Katie: this
:
01:03:29,005 --> 01:03:30,365
Scott: it's not on his neck for nothing.
:
01:03:30,635 --> 01:03:33,115
You know, he's not telling us
about this grenade for nothing.
:
01:03:33,405 --> 01:03:35,505
I was like, at one point
I knew he was dying.
:
01:03:35,515 --> 01:03:38,005
Cause he was always said, I'll just
pull the pin and that'll be then.
:
01:03:38,005 --> 01:03:40,335
I was like, and then when he
does, I was like, here it comes.
:
01:03:40,335 --> 01:03:40,725
I knew it.
:
01:03:40,725 --> 01:03:42,405
I was like, it's, it's, here we
:
01:03:42,420 --> 01:03:43,540
Steve: what a way to go out.
:
01:03:43,555 --> 01:03:43,885
Scott: awesome.
:
01:03:43,955 --> 01:03:44,115
It
:
01:03:44,200 --> 01:03:45,020
Katie: helped but but
:
01:03:45,205 --> 01:03:45,775
Scott: was great.
:
01:03:46,300 --> 01:03:47,360
Katie: it's like he sacrificed.
:
01:03:47,360 --> 01:03:47,450
I
:
01:03:47,500 --> 01:03:47,690
mean,
:
01:03:47,775 --> 01:03:48,165
Scott: Yeah.
:
01:03:48,170 --> 01:03:51,660
Katie: going to dying anyway, but
it that explosion massive epic
:
01:03:51,875 --> 01:03:52,315
Scott: Yeah.
:
01:03:53,300 --> 01:03:53,970
Katie: allowed.
:
01:03:54,130 --> 01:03:54,720
Who was it?
:
01:03:54,770 --> 01:04:00,370
Scott and charts or Scott's 2 of the guys
were like, we can't get to the chopper.
:
01:04:00,630 --> 01:04:01,080
Steve: Yeah.
:
01:04:01,275 --> 01:04:04,775
Scott: Was it was it Gene Hackman
and his or was it, was it charts and
:
01:04:04,785 --> 01:04:08,475
Swayze's character, or was that when
Gene Hackman and his son was just, or
:
01:04:08,475 --> 01:04:11,875
the guy's son was just getting on the
Stacks, Robert Stacks character's son.
:
01:04:11,900 --> 01:04:12,190
Katie: two
:
01:04:12,585 --> 01:04:12,935
Scott: Yeah.
:
01:04:13,120 --> 01:04:15,590
Katie: duos that had a hard
time getting to the chopper.
:
01:04:15,590 --> 01:04:18,570
This, that particular one was
Patrick Swayze's character and
:
01:04:18,570 --> 01:04:18,960
charts.
:
01:04:20,900 --> 01:04:21,250
Steve: Yeah
:
01:04:21,410 --> 01:04:21,850
Katie: Yeah,
:
01:04:21,965 --> 01:04:23,105
Steve: but that was a great payoff.
:
01:04:23,275 --> 01:04:23,760
Scott: hmm.
:
01:04:23,760 --> 01:04:24,245
Practicals.
:
01:04:24,930 --> 01:04:31,360
Katie: I, the, I am just a sucker for
old time special effects, like real
:
01:04:31,415 --> 01:04:31,904
Scott: The real stuff.
:
01:04:31,904 --> 01:04:32,154
Yeah.
:
01:04:32,175 --> 01:04:32,615
Mm hmm.
:
01:04:33,260 --> 01:04:34,160
Katie: The explosions were
:
01:04:34,495 --> 01:04:35,035
Scott: Great.
:
01:04:35,085 --> 01:04:36,154
The bridge explosion.
:
01:04:36,165 --> 01:04:40,845
Like you said, when a blaster
takes his life, was impressive.
:
01:04:40,865 --> 01:04:42,935
Like that was, that was
an impressive explosion.
:
01:04:42,935 --> 01:04:44,115
That thing, that bridge went.
:
01:04:44,925 --> 01:04:45,665
boom, boom, boom, boom.
:
01:04:46,125 --> 01:04:46,305
Yeah.
:
01:04:46,305 --> 01:04:49,245
They really, mean, look
all that much, that budget.
:
01:04:49,315 --> 01:04:52,325
That's why, that's why Gene Hackman's
the star and everyone else is kind
:
01:04:52,325 --> 01:04:55,595
of like, Hey, I know who that guy
is because they're like the star of
:
01:04:55,605 --> 01:04:58,755
this films, the explosions at the end
and they were, they were worth it.
:
01:04:58,765 --> 01:04:59,505
They were really great.
:
01:05:00,525 --> 01:05:03,135
Steve: That's the great thing
talking about movies like in
:
01:05:03,135 --> 01:05:05,654
this way is I'm beginning.
:
01:05:05,685 --> 01:05:06,555
I like it more
:
01:05:08,805 --> 01:05:10,015
Scott: Everything's better in hindsight,
:
01:05:10,165 --> 01:05:11,145
Steve: I'm like, you know what?
:
01:05:11,275 --> 01:05:12,815
Yeah, I'm just like this was awesome.
:
01:05:12,865 --> 01:05:13,115
Yeah
:
01:05:13,345 --> 01:05:14,715
Scott: it's because at
the end, the end is good.
:
01:05:14,725 --> 01:05:15,525
The end is good.
:
01:05:15,795 --> 01:05:17,645
A lot of the movie is a, is a slow
:
01:05:17,795 --> 01:05:20,415
Steve: Well, not yeah, not always
but I'm just like, you know,
:
01:05:20,415 --> 01:05:21,625
there's enough in this movie.
:
01:05:21,675 --> 01:05:22,735
Even if you don't love it
:
01:05:23,595 --> 01:05:25,375
Scott: you know, I will give a credit
this, you know, even though it was
:
01:05:25,375 --> 01:05:30,955
slow, I do think it took a definite
beat from the Dirty Dozen, but today's
:
01:05:30,965 --> 01:05:35,805
modern movie would have been that
training sequence is a montage of I'll
:
01:05:35,805 --> 01:05:38,055
have Rocky to a cool fucking song.
:
01:05:38,095 --> 01:05:41,235
And we get to the nitty gritty
because as today's modern audience,
:
01:05:41,495 --> 01:05:47,555
we don't have time for a 45 minute
drain sequence of Patrick Swayze being
:
01:05:47,565 --> 01:05:49,685
angry and sad for 45 minutes at these
:
01:05:49,975 --> 01:05:51,225
Steve: Stop picking on Swayze.
:
01:05:51,225 --> 01:05:51,645
All right
:
01:05:51,895 --> 01:05:52,565
Scott: I love Swayze.
:
01:05:53,245 --> 01:05:54,435
Katie: He looked really nice.
:
01:05:54,435 --> 01:05:54,665
He,
:
01:05:54,745 --> 01:05:54,845
I
:
01:05:54,885 --> 01:05:55,915
Scott: I listen, I get it.
:
01:05:55,915 --> 01:05:56,345
I get it.
:
01:05:56,355 --> 01:05:59,845
He was, he was, he was, he was the,
he was the only one who looked like
:
01:05:59,845 --> 01:06:01,465
a soldier for a while, him and ward.
:
01:06:01,465 --> 01:06:02,675
I was like the rest of them.
:
01:06:02,675 --> 01:06:04,435
I don't know if they're going to
be able to take over anything,
:
01:06:04,765 --> 01:06:05,025
but
:
01:06:05,025 --> 01:06:06,075
Katie: Ward was, yeah.
:
01:06:06,105 --> 01:06:06,675
Agreed.
:
01:06:06,725 --> 01:06:07,215
Yeah.
:
01:06:07,305 --> 01:06:09,515
And for the ladies, they're
the reason to watch this
:
01:06:09,635 --> 01:06:10,035
movie.
:
01:06:10,260 --> 01:06:11,240
Scott: a hundred percent.
:
01:06:11,250 --> 01:06:11,640
No, no.
:
01:06:11,650 --> 01:06:14,820
We, Steve and I fully understand
why people watch certain
:
01:06:14,820 --> 01:06:16,050
movies and we're totally fine
:
01:06:16,095 --> 01:06:16,465
Steve: Absolutely
:
01:06:16,630 --> 01:06:18,190
Scott: always said like in
our Bruce Willis journey.
:
01:06:18,485 --> 01:06:20,325
Just give us nudity for everybody.
:
01:06:20,325 --> 01:06:21,355
Cause they're so boring.
:
01:06:21,355 --> 01:06:25,885
So there's like, give us something
nudity, a head bluff, something to
:
01:06:25,895 --> 01:06:28,895
at least make it worth anyone's time
to sit through it and half the time.
:
01:06:28,895 --> 01:06:28,945
You're
:
01:06:29,125 --> 01:06:29,465
Steve: hashed.
:
01:06:29,495 --> 01:06:31,445
Yeah Yeah, hashtag
:
01:06:31,595 --> 01:06:34,275
Scott: we got full frontal for every movie
was really like, well, that's what happens
:
01:06:34,275 --> 01:06:35,965
when you say, and it wasn't gross male.
:
01:06:35,965 --> 01:06:36,845
We're like, yep, there we go.
:
01:06:37,055 --> 01:06:37,404
We asked
:
01:06:37,425 --> 01:06:38,045
Steve: that.
:
01:06:38,115 --> 01:06:38,785
Scott: got full frontal
:
01:06:38,815 --> 01:06:39,535
Steve: We got it.
:
01:06:39,685 --> 01:06:40,115
Scott: fantastic,
:
01:06:41,965 --> 01:06:42,395
But yeah.
:
01:06:42,505 --> 01:06:45,755
Katie: about them taking their time,
I actually really appreciated this.
:
01:06:45,775 --> 01:06:52,125
I mean, because I hadn't seen it before,
just an adult watching it, I thought it
:
01:06:52,125 --> 01:06:56,875
was necessary to develop the characters
and the relationships between them.
:
01:06:56,895 --> 01:06:57,335
I, I
:
01:06:57,335 --> 01:06:57,605
really
:
01:06:57,705 --> 01:06:57,995
Scott: Oh, no.
:
01:06:57,995 --> 01:06:58,935
I agree with a hundred percent.
:
01:06:58,935 --> 01:06:59,425
They had to.
:
01:06:59,595 --> 01:07:03,945
Steve: I think, yeah, I think that's,
like I say, I'm, I'm bringing nostalgia
:
01:07:03,945 --> 01:07:07,685
with me and thinking that's like this
amazing action movie when that's, that's
:
01:07:07,685 --> 01:07:09,505
not, that's not trying to be though.
:
01:07:09,615 --> 01:07:10,225
Scott: really, it really isn't
:
01:07:10,255 --> 01:07:11,365
Steve: Then, then my head,
:
01:07:11,435 --> 01:07:11,685
Scott: end.
:
01:07:11,695 --> 01:07:12,465
Like it's really
:
01:07:12,635 --> 01:07:13,945
Steve: in my head it was, but
:
01:07:13,955 --> 01:07:14,154
Scott: hit it.
:
01:07:14,165 --> 01:07:14,355
Then
:
01:07:14,425 --> 01:07:14,795
Steve: yeah,
:
01:07:15,175 --> 01:07:16,675
Scott: beats last 10
:
01:07:16,815 --> 01:07:17,225
Steve: yeah.
:
01:07:17,395 --> 01:07:18,275
Scott: of it's just drama.
:
01:07:18,275 --> 01:07:18,375
It's
:
01:07:18,535 --> 01:07:21,895
Steve: Because you do, because you
do care about these guys and that's
:
01:07:21,895 --> 01:07:23,965
because of what you're saying, you know.
:
01:07:24,154 --> 01:07:24,654
Scott: And
:
01:07:24,865 --> 01:07:26,255
Steve: care about these guys at the end.
:
01:07:26,325 --> 01:07:27,305
They're not just fodder.
:
01:07:27,425 --> 01:07:27,635
Scott: are we
:
01:07:27,775 --> 01:07:28,935
Steve: They're not just cannon fodder.
:
01:07:28,935 --> 01:07:30,275
Scott: it, are we okay.
:
01:07:30,385 --> 01:07:33,904
I don't want to say something,
but I also appreciate it again.
:
01:07:33,904 --> 01:07:34,995
We're talking::
01:07:34,995 --> 01:07:35,450
So this is the.
:
01:07:35,450 --> 01:07:37,580
You know, a timeframe where a
lot of the eighties movies, you
:
01:07:37,580 --> 01:07:39,810
could pretty much know what you're
going to get when you go into it.
:
01:07:39,810 --> 01:07:40,000
Right?
:
01:07:40,000 --> 01:07:42,140
Like I knew Patrick Swayze
was making it to the end.
:
01:07:42,150 --> 01:07:43,380
I knew Gene Hackman was
making it to the end.
:
01:07:43,580 --> 01:07:46,210
They're the two biggest names
that, you know, they're not getting
:
01:07:46,210 --> 01:07:47,610
shot and killed in the movie.
:
01:07:47,675 --> 01:07:47,925
Katie: hmm.
:
01:07:48,005 --> 01:07:51,875
Scott: But, I did not see the twist
of the whole reason we're going
:
01:07:51,875 --> 01:07:57,115
there is for Colonel Jason Rhoad's
son, who does not make it, who dies
:
01:07:57,125 --> 01:08:01,085
of basically dysentery, he wore the
that might have been Butch's father,
:
01:08:01,145 --> 01:08:03,125
Steve: He might have had
a watch stuck up his ass.
:
01:08:03,205 --> 01:08:05,645
Scott: for five years, he died
of dysentery, he gave it to
:
01:08:05,645 --> 01:08:08,115
this guy, that's Colonel Goons,
:
01:08:08,565 --> 01:08:09,045
Steve: Oh man,
:
01:08:09,255 --> 01:08:09,315
Scott: that's
:
01:08:09,315 --> 01:08:09,645
Steve: look.
:
01:08:09,925 --> 01:08:12,095
That's a
:
01:08:12,325 --> 01:08:16,189
Scott: the fact that here
we are, Watching this movie.
:
01:08:16,210 --> 01:08:19,279
And the whole point is we're going
to go get this person and we don't
:
01:08:19,279 --> 01:08:20,729
save the person we want to go get.
:
01:08:21,010 --> 01:08:23,220
And so then Gene Hackman, even at the end.
:
01:08:23,870 --> 01:08:26,580
It's kind of like this bittersweet,
like all these other people getting
:
01:08:26,580 --> 01:08:29,109
this reunion and he thought he
was going to, and he didn't.
:
01:08:29,470 --> 01:08:32,580
And it's just that kind of, I did like
that twist at the end of the story.
:
01:08:32,580 --> 01:08:35,410
It did, it did make it feel a little,
sit a little bit better with me.
:
01:08:35,420 --> 01:08:37,010
That was like, Ooh, he
didn't get what he wanted.
:
01:08:37,010 --> 01:08:39,450
And I kind of liked that
because that's reality of life.
:
01:08:39,450 --> 01:08:40,550
Like I was like, Oh, I kind
:
01:08:40,555 --> 01:08:40,944
Steve: bummer.
:
01:08:40,955 --> 01:08:42,595
That's kind of a bummer end.
:
01:08:42,790 --> 01:08:43,600
Scott: life version of
:
01:08:43,645 --> 01:08:47,705
Steve: But that's more of a 70s thing,
you know, like nihilistic, like bad
:
01:08:47,705 --> 01:08:49,104
endings were more of a 70s thing.
:
01:08:49,104 --> 01:08:52,585
So that does kind of come out of nowhere
and you are kind of surprised by it.
:
01:08:52,625 --> 01:08:55,194
And that's, that's very, you
know, that's quite touching.
:
01:08:56,135 --> 01:08:58,805
And at the end in the
chopper, that's quite sad.
:
01:08:59,450 --> 01:08:59,960
Obviously.
:
01:09:01,434 --> 01:09:06,865
Katie: So, okay, to, to that ending,
there was something this whole movie.
:
01:09:06,865 --> 01:09:08,075
I was very suspicious.
:
01:09:08,965 --> 01:09:11,575
I don't I was, were they trying
to throw me off or am I an idiot?
:
01:09:11,604 --> 01:09:12,225
Because.
:
01:09:13,075 --> 01:09:16,484
see these like the, our
own CIA gets in the way,
:
01:09:16,590 --> 01:09:17,430
Scott: Yes, it does.
:
01:09:17,865 --> 01:09:19,854
Katie: and we see these suits.
:
01:09:20,125 --> 01:09:23,215
So also we see Jason being surveilled.
:
01:09:23,229 --> 01:09:23,660
Scott: Mm hmm.
:
01:09:23,774 --> 01:09:26,305
Katie: And then we see the
same people trying to convince
:
01:09:26,965 --> 01:09:28,274
McGregor to pull the plug
:
01:09:28,460 --> 01:09:28,930
Scott: Mm hmm.
:
01:09:29,045 --> 01:09:29,715
Katie: so this whole
:
01:09:29,715 --> 01:09:34,015
time I'm like, okay, why, what's going on?
:
01:09:34,045 --> 01:09:34,845
Why, why
:
01:09:34,845 --> 01:09:35,175
is
:
01:09:35,180 --> 01:09:40,399
Scott: I think I have an idea why it was
and it wasn't stated in the film is the
:
01:09:40,399 --> 01:09:44,800
problem was is the American the American
statement back in during the Vietnam
:
01:09:44,800 --> 01:09:48,229
War war was we never did any kind of.
:
01:09:49,490 --> 01:09:50,850
in Laos or Cambodia.
:
01:09:51,149 --> 01:09:52,620
And as time has gone on,
:
01:09:52,825 --> 01:09:53,965
Katie: Oh,
:
01:09:54,050 --> 01:09:57,270
Scott: know that we have had special
forces missions going through Laos and
:
01:09:57,270 --> 01:09:58,970
Cambodia throughout the entire war.
:
01:09:58,970 --> 01:10:01,370
But we always stood as
we're only in Vietnam.
:
01:10:01,530 --> 01:10:03,540
We never incurred
ourselves into these other
:
01:10:03,710 --> 01:10:04,110
Steve: Mmm.
:
01:10:04,210 --> 01:10:07,230
Scott: but that's not stated in the
film, like that's a backstory that you
:
01:10:07,230 --> 01:10:10,180
would have to know now through history,
but::
01:10:10,920 --> 01:10:11,740
fuck's happening.
:
01:10:11,740 --> 01:10:12,080
You know what I mean?
:
01:10:12,080 --> 01:10:15,760
Like it wasn't ever stated properly,
but thank you bringing it up.
:
01:10:15,760 --> 01:10:20,660
Cause the worst person in this film,
worst person is whoever they hired
:
01:10:20,830 --> 01:10:23,240
to play the CIA guy over in Bangkok.
:
01:10:23,530 --> 01:10:24,800
He fucking was terrible.
:
01:10:25,040 --> 01:10:26,190
He was awful.
:
01:10:26,480 --> 01:10:27,080
Steve: he was.
:
01:10:27,150 --> 01:10:27,470
Scott: was like,
:
01:10:27,800 --> 01:10:30,450
he must've been like, they were like,
whoever was probably hired, maybe he got
:
01:10:30,450 --> 01:10:33,440
sick, maybe he got the flu over there,
maybe stayed a little too late and they're
:
01:10:33,440 --> 01:10:37,110
like, Joe, you look like a guy who could
be, and they just brought him in off of
:
01:10:37,470 --> 01:10:40,090
Steve: He was one of the, he was
one of the elect, he was like
:
01:10:40,090 --> 01:10:41,370
an electrician or something.
:
01:10:41,370 --> 01:10:42,900
They said, hey, could you just do this?
:
01:10:43,035 --> 01:10:44,965
Scott: because I really
don't want to do this.
:
01:10:44,965 --> 01:10:45,434
Do you?
:
01:10:45,434 --> 01:10:46,585
I was like, who's this fucking
:
01:10:46,809 --> 01:10:47,860
Steve: That was pretty bad.
:
01:10:48,325 --> 01:10:50,605
Scott: But no, I think that's
why again, that should have
:
01:10:50,605 --> 01:10:52,934
been stated better the film.
:
01:10:52,985 --> 01:10:56,495
nd I think maybe because it's:and it's so close, maybe they don't
:
01:10:56,505 --> 01:10:58,585
want to make a big statement like that.
:
01:10:59,145 --> 01:11:01,405
But, didn't stop friends for Coppola.
:
01:11:01,445 --> 01:11:05,445
I mean, the whole point of, of Apocalypse
now is to do exactly what we're not
:
01:11:05,445 --> 01:11:08,965
supposed to be doing is we're going
into Cambodian Laos to get this guy.
:
01:11:08,965 --> 01:11:10,365
We're doing an illegal mission.
:
01:11:10,645 --> 01:11:11,905
So yeah, I don't know.
:
01:11:11,905 --> 01:11:15,005
Maybe they just didn't want to deal
with that as part of the storyline,
:
01:11:15,005 --> 01:11:18,295
but that's why that storyline was
happening is because if you go in
:
01:11:18,295 --> 01:11:20,855
there and you save these guys and they
were captured over there, that means
:
01:11:20,855 --> 01:11:22,005
we were doing an illegal mission.
:
01:11:22,740 --> 01:11:22,890
there.
:
01:11:22,890 --> 01:11:24,830
Cause clearly his son
was captured in Laos.
:
01:11:25,020 --> 01:11:29,910
They're not supposed to be in Laos or
:
01:11:30,045 --> 01:11:33,645
Katie: of McGregor then because
when everything goes wrong.
:
01:11:33,715 --> 01:11:38,165
So again, spoiler alert, they
get there and oh, the helicopters
:
01:11:38,165 --> 01:11:39,115
aren't where they're supposed to.
:
01:11:39,155 --> 01:11:41,155
Oh, it looks like the campus deserted.
:
01:11:41,155 --> 01:11:42,045
Things go wrong.
:
01:11:42,045 --> 01:11:46,915
And so I'm like, oh, my
brain went to McGregor.
:
01:11:47,590 --> 01:11:54,340
Did this I didn't know until the end
that the kid is McGregor's kid that is
:
01:11:54,390 --> 01:11:59,930
actually saved and along the same lines
when McGregor and I can't it's I have
:
01:11:59,930 --> 01:12:01,340
such a hard time calling him Jason.
:
01:12:01,900 --> 01:12:04,010
When they're having a conversation about.
:
01:12:04,750 --> 01:12:09,980
You know, Jason Rhodes says something
like, Oh, I just, I, I want my son
:
01:12:09,980 --> 01:12:12,510
back so bad, something like that.
:
01:12:12,750 --> 01:12:17,740
Then McGregor says something like what I
wouldn't give for just one hour with him.
:
01:12:18,615 --> 01:12:23,155
I didn't realize that he was
talking about his son too.
:
01:12:23,155 --> 01:12:28,345
I thought is cause we didn't know
the motivation of McGregor yet.
:
01:12:28,345 --> 01:12:32,215
So I was like, is McGregor
Frank's real dad somehow?
:
01:12:32,535 --> 01:12:32,835
I don't
:
01:12:34,230 --> 01:12:35,090
Steve: Well, yeah, some,
:
01:12:35,715 --> 01:12:39,515
Katie: of everything because of the, I was
like, were they trying to throw me off?
:
01:12:39,555 --> 01:12:39,995
I don't know.
:
01:12:39,995 --> 01:12:40,615
I went down
:
01:12:41,040 --> 01:12:42,860
Steve: maybe it was just
badly written, you know.
:
01:12:42,940 --> 01:12:43,700
Scott: again, editing.
:
01:12:43,790 --> 01:12:44,580
Maybe they said, we're going to
:
01:12:44,620 --> 01:12:44,820
Steve: That's,
:
01:12:44,950 --> 01:12:45,380
Scott: part out.
:
01:12:45,470 --> 01:12:46,150
Steve: yeah, yeah, that's
:
01:12:46,170 --> 01:12:46,510
Scott: to cut this
:
01:12:46,690 --> 01:12:49,059
Steve: blame, like, that's
probably just blame Wingshauser.
:
01:12:49,395 --> 01:12:54,925
Katie: we, yeah,
:
01:12:55,000 --> 01:12:55,540
Scott: of a bitch.
:
01:12:55,540 --> 01:12:56,540
He's covering it up.
:
01:12:57,860 --> 01:12:58,640
Don't call him Jason.
:
01:12:58,650 --> 01:13:01,620
We just call him wings, wings
road, Colonel wings roads.
:
01:13:03,250 --> 01:13:05,080
That's actually a really
good name for a Colonel.
:
01:13:05,290 --> 01:13:06,500
Like you'd follow that guy into hell.
:
01:13:06,965 --> 01:13:07,675
Who's our Colonel?
:
01:13:07,684 --> 01:13:08,375
Wings roads.
:
01:13:08,415 --> 01:13:08,934
We're on it.
:
01:13:08,945 --> 01:13:09,295
Let's do
:
01:13:09,300 --> 01:13:09,880
Steve: Oh.
:
01:13:10,025 --> 01:13:11,915
Katie: no, that sounds
like a Sylvester Stallone
:
01:13:12,095 --> 01:13:12,815
Scott: It does.
:
01:13:14,830 --> 01:13:15,580
Steve: It does, yeah.
:
01:13:16,505 --> 01:13:17,975
Katie: One of my favorite scenes.
:
01:13:18,005 --> 01:13:23,735
I'm curious to see what you guys think of
when we meet Jiang Am I saying it wrong?
:
01:13:23,975 --> 01:13:25,745
Scott: what is that is that
the, the gentlemen where
:
01:13:25,870 --> 01:13:26,320
Steve: Jang.
:
01:13:26,555 --> 01:13:31,225
Scott: they first pull up to the house
and there's an armed now opium dealer, I
:
01:13:31,225 --> 01:13:34,775
guess is not living there and they have a
conversation and then they go to this CD
:
01:13:35,115 --> 01:13:36,705
strip bar, you know, whatever it is.
:
01:13:36,705 --> 01:13:36,955
Yeah.
:
01:13:37,135 --> 01:13:38,745
The, the Copa cabana.
:
01:13:39,595 --> 01:13:41,545
Katie: yeah, yeah, it's his club.
:
01:13:41,635 --> 01:13:42,925
I loved that scene.
:
01:13:42,934 --> 01:13:44,125
The menu of
:
01:13:44,245 --> 01:13:46,295
Scott: Yes, that was great.
:
01:13:46,535 --> 01:13:47,075
And then again,
:
01:13:47,320 --> 01:13:47,670
Steve: Yeah.
:
01:13:48,330 --> 01:13:49,360
Scott: He grabs Budweiser.
:
01:13:49,520 --> 01:13:50,240
Can we take this?
:
01:13:50,280 --> 01:13:51,050
It's on the house.
:
01:13:51,050 --> 01:13:54,360
Like Adidas and Budweiser
today's movie sponsored by
:
01:13:55,270 --> 01:13:55,980
Steve: America.
:
01:13:56,325 --> 01:13:58,015
Katie: they're not quite getting it.
:
01:13:58,145 --> 01:14:00,905
The, the team is trying, so
their weapons are stolen.
:
01:14:00,905 --> 01:14:03,505
So now they have to buy bargain basement
:
01:14:03,785 --> 01:14:04,475
weapons
:
01:14:04,480 --> 01:14:05,580
Scott: weapons from World War II.
:
01:14:05,590 --> 01:14:06,970
They're using Tommy guns.
:
01:14:07,540 --> 01:14:09,820
It's literally like watching
safe and private Ryan.
:
01:14:09,820 --> 01:14:09,980
They're
:
01:14:10,270 --> 01:14:10,690
used.
:
01:14:10,690 --> 01:14:11,809
They're like taking Normandy.
:
01:14:11,960 --> 01:14:12,120
Yeah.
:
01:14:12,120 --> 01:14:13,200
They're using the Tommy guns.
:
01:14:13,470 --> 01:14:17,480
So if you see the timing guns in The
gangster lore, they've got the drum
:
01:14:18,205 --> 01:14:18,655
Steve: Yeah.
:
01:14:18,855 --> 01:14:19,165
Yeah.
:
01:14:19,210 --> 01:14:22,870
Scott: fighting in the war, they've got
more of the actual stick looking magazine.
:
01:14:23,230 --> 01:14:23,460
And
:
01:14:23,515 --> 01:14:23,755
Steve: Yeah.
:
01:14:23,755 --> 01:14:23,825
Yeah.
:
01:14:23,825 --> 01:14:23,895
Yeah.
:
01:14:23,895 --> 01:14:25,645
Mm.
:
01:14:25,720 --> 01:14:27,930
Scott: say, if I ride and you'll
see them, especially Tom Cruise
:
01:14:27,970 --> 01:14:31,290
or Tom Cruise, Tom Hanks, his
character, that's his weapon of choice
:
01:14:31,300 --> 01:14:32,490
throughout the majority of that film.
:
01:14:32,870 --> 01:14:37,050
So it was just weird to see them
taking on the lousy and army.
:
01:14:37,170 --> 01:14:40,650
They were lousy and they're using
Tommy guns, like this is World
:
01:14:40,730 --> 01:14:42,390
War II shit, but was kind of.
:
01:14:43,555 --> 01:14:49,825
to the film because like a Stallone, we've
got two M 60s, which is double pumping
:
01:14:49,845 --> 01:14:54,275
them, you know, and these guys are now
fighting with basically sticks and rocks.
:
01:14:54,675 --> 01:14:57,485
As opposed to what they thought
they were going to have, you know,
:
01:14:57,775 --> 01:15:00,395
I mean, they practice with really
high speed weapons and now they're
:
01:15:00,405 --> 01:15:02,995
like, well, make a slingshot.
:
01:15:02,995 --> 01:15:04,825
I'll make a bow and arrow, you know,
:
01:15:05,675 --> 01:15:06,495
we'll figure this out.
:
01:15:07,250 --> 01:15:11,700
Katie: dusty trunk and then we have to
dusty trunk of weapons and I'm like, all
:
01:15:11,700 --> 01:15:13,550
right, I guess this is what we got now.
:
01:15:13,675 --> 01:15:13,785
Scott: I
:
01:15:13,905 --> 01:15:14,335
Steve: Yeah.
:
01:15:14,455 --> 01:15:14,675
Scott: it too.
:
01:15:14,675 --> 01:15:17,595
There's as slow as the
movie is, there is some.
:
01:15:17,915 --> 01:15:20,905
Detention to detail that is kind of
paid to that does give it a little bit
:
01:15:20,905 --> 01:15:24,625
of like a genesis quality where they're
like, they're spending extra time
:
01:15:24,845 --> 01:15:27,545
cleaning off these dirty ass weapons
that have been fired since the, you
:
01:15:27,545 --> 01:15:31,105
know, the:years later, trying to fire them again.
:
01:15:31,495 --> 01:15:32,865
And some of the weapons
is just throw away.
:
01:15:32,865 --> 01:15:34,445
Cause they're not even going to be used.
:
01:15:34,934 --> 01:15:38,434
You know, like they open that box in the,
our biker boy, he's just kind of grab and
:
01:15:38,434 --> 01:15:39,715
put, you know, that's not gonna be used.
:
01:15:39,835 --> 01:15:40,775
That's not useful.
:
01:15:40,795 --> 01:15:41,045
So.
:
01:15:41,430 --> 01:15:42,330
It was kind of, that was fun.
:
01:15:42,340 --> 01:15:42,350
I
:
01:15:42,950 --> 01:15:46,630
Katie: So we learn a couple of
things I wanted to point out.
:
01:15:47,005 --> 01:15:50,705
I really liked, to your point
Steve about Patrick Swayze's
:
01:15:50,705 --> 01:15:51,805
character does get an arc.
:
01:15:51,805 --> 01:15:53,525
So he's never been in combat and he
:
01:15:53,735 --> 01:15:54,125
Steve: Mm.
:
01:15:54,135 --> 01:15:57,655
Katie: like, Guess I
don't know how I'll be.
:
01:15:57,675 --> 01:16:03,965
And when he gets his first kill, he's
like, my God this is what it's like.
:
01:16:04,245 --> 01:16:04,684
Steve: Mm.
:
01:16:04,695 --> 01:16:05,115
Katie: did you guys
:
01:16:05,115 --> 01:16:05,920
feel about that?
:
01:16:07,865 --> 01:16:08,285
Steve: Well,
:
01:16:09,625 --> 01:16:14,475
like Gene Hackman says to him early
on during the whole training segment
:
01:16:14,515 --> 01:16:19,335
is, you know, you've got to earn these
guys respect, you know, they're not
:
01:16:19,335 --> 01:16:20,795
just going to respect you because of
:
01:16:21,300 --> 01:16:21,460
Katie: Mm
:
01:16:21,470 --> 01:16:21,800
hmm.
:
01:16:21,805 --> 01:16:22,945
Steve: the position you're in.
:
01:16:23,505 --> 01:16:27,265
But I just found that whole,
during that whole siege.
:
01:16:28,090 --> 01:16:34,290
Where he holds his own, rescues, kills,
then, you know, that is, like I said
:
01:16:34,320 --> 01:16:39,700
earlier, that is the arc of his character,
and you needed that, you know, he, he does
:
01:16:39,710 --> 01:16:46,580
earn their respect, he, he participates,
and so yeah, you know, that, because
:
01:16:46,580 --> 01:16:49,550
he's obviously at that point in his
career, he's up and coming, he's gonna
:
01:16:49,550 --> 01:16:54,240
want, he's not just gonna take any role,
he's, he's wanting something with a bit
:
01:16:54,240 --> 01:17:00,330
of, you know, weight to it, and, You
know, because they, they do rightfully
:
01:17:00,330 --> 01:17:01,720
kick the shit out of him, actually,
:
01:17:02,040 --> 01:17:02,290
early on
:
01:17:02,550 --> 01:17:03,150
in the film.
:
01:17:03,380 --> 01:17:03,790
Katie: hmm.
:
01:17:03,840 --> 01:17:05,420
Steve: He deserves a kicking, you know.
:
01:17:05,800 --> 01:17:13,510
But that's a bit of a, reminds me a little
bit of in Cool Hand Luke, Paul Newman's
:
01:17:13,510 --> 01:17:14,890
getting the crap kicked out of him.
:
01:17:15,860 --> 01:17:17,950
And he keeps getting up.
:
01:17:19,530 --> 01:17:24,430
But that kind of shows you
what a brute the other guy is.
:
01:17:25,440 --> 01:17:26,100
Do you know what I mean?
:
01:17:26,540 --> 01:17:30,160
So you sort, you sort of end
up having sympathy for Swayze.
:
01:17:30,600 --> 01:17:31,020
Katie: Yeah.
:
01:17:31,120 --> 01:17:35,300
Steve: Because You know, he
keeps getting up, doesn't he?
:
01:17:35,300 --> 01:17:39,900
And then with the log, he tries to
pull the log himself, and he's trying.
:
01:17:40,530 --> 01:17:47,460
But these guys, you need to kill someone
if you want our respect, or, you know, you
:
01:17:47,460 --> 01:17:50,520
need to pull your weight in, in their way.
:
01:17:51,220 --> 01:17:52,780
You're pulling a log, you know?
:
01:17:53,020 --> 01:17:53,150
Katie: Mm
:
01:17:53,309 --> 01:17:55,100
Steve: That's not gonna
earn you our respect.
:
01:17:56,000 --> 01:17:59,960
When, when the shit hits the fan,
and lives are at risk, you know, like
:
01:17:59,960 --> 01:18:01,970
they say, you know, I know that much.
:
01:18:02,520 --> 01:18:05,760
I don't know nothing, but I know that
much, that it's about the guy next to you.
:
01:18:06,520 --> 01:18:10,340
And then he, he proves himself
to be a worthy guy next to you.
:
01:18:10,870 --> 01:18:13,170
So I think that's important.
:
01:18:13,220 --> 01:18:15,100
That's a very important
part of the film, I think.
:
01:18:15,575 --> 01:18:18,325
Scott: think it also demonstrates
having been in the military.
:
01:18:18,765 --> 01:18:24,975
It also demonstrates that sometimes
people get the idea of combat and war as.
:
01:18:25,815 --> 01:18:27,415
Yeah, I'm Johnny big balls.
:
01:18:27,415 --> 01:18:28,625
I'm going to, I'm Rambo.
:
01:18:28,635 --> 01:18:28,925
Right.
:
01:18:29,235 --> 01:18:31,955
And, and I think some of them kicking
his ass was kind of like, look,
:
01:18:31,975 --> 01:18:33,975
you're really high strung right now.
:
01:18:35,005 --> 01:18:35,595
been there.
:
01:18:35,635 --> 01:18:37,455
We know you have not been there.
:
01:18:37,465 --> 01:18:38,135
It's not a mean thing.
:
01:18:38,135 --> 01:18:38,245
It's like.
:
01:18:38,725 --> 01:18:39,375
Take it from us.
:
01:18:39,385 --> 01:18:40,184
We're seasoned veterans.
:
01:18:40,315 --> 01:18:40,505
Katie: hmm.
:
01:18:40,875 --> 01:18:44,385
Scott: put a little pause on the fact of
how excited you are to get over there.
:
01:18:44,385 --> 01:18:44,805
Because
:
01:18:45,845 --> 01:18:49,045
when you're on a, when you're on a
firing range and a lot of people get
:
01:18:49,045 --> 01:18:52,225
all excited about having guns and on
the firing range, they're not shooting
:
01:18:52,235 --> 01:18:57,285
back at you, you find out the test of
who you are when we call it the two way
:
01:18:57,285 --> 01:19:00,434
live firing range, where you're not being
shot at, you're now a target as well.
:
01:19:00,434 --> 01:19:02,535
You're not just the
person shooting a target.
:
01:19:02,765 --> 01:19:04,345
And I think what they
did a good job with is.
:
01:19:04,934 --> 01:19:08,505
Him realizing in that moment that
here he was just like I cannot
:
01:19:08,505 --> 01:19:10,465
wait to get my first kill and then
:
01:19:10,530 --> 01:19:10,920
Steve: Hmm.
:
01:19:11,055 --> 01:19:14,655
Scott: realizes It's not everything he
cracked up to be, you know what I mean?
:
01:19:14,665 --> 01:19:15,595
And and it was
:
01:19:15,665 --> 01:19:15,895
Katie: going
:
01:19:16,095 --> 01:19:16,945
Scott: yeah, there's no going
:
01:19:17,130 --> 01:19:17,600
Steve: Hmm.
:
01:19:18,305 --> 01:19:21,375
Scott: and especially realizes
that this moment because it's that
:
01:19:21,375 --> 01:19:25,965
that the fuck up when the allows
the the Laos border guard kind of
:
01:19:26,205 --> 01:19:26,555
Katie: Yep.
:
01:19:26,675 --> 01:19:29,660
Scott: on him and gets one of the
sisters killed and You know what I mean?
:
01:19:29,660 --> 01:19:33,080
So it's kind of like realizes that there
are real, this is not just training.
:
01:19:33,080 --> 01:19:36,570
There are real consequences to
the things and actions we do.
:
01:19:36,630 --> 01:19:42,160
I like that part because it really,
he really starts to see yeah, I think
:
01:19:42,160 --> 01:19:46,309
I was, you know, I was, I thought I
was a big bad ass and I'm going to
:
01:19:46,309 --> 01:19:48,250
show these old timers how it's done.
:
01:19:49,020 --> 01:19:50,240
You know, sometimes you go, you know what?
:
01:19:50,240 --> 01:19:53,320
Maybe I should just take a cue from,
from those who have been there.
:
01:19:53,520 --> 01:19:56,120
And he then works his way
into his role at that point.
:
01:19:56,130 --> 01:19:59,460
You know, he kind of figures out
and he becomes part of the team.
:
01:20:00,275 --> 01:20:02,725
It was really not so much that he
had to have his first kill, he had
:
01:20:02,735 --> 01:20:05,905
to know what it was like to actually
be in combat for the first time and
:
01:20:05,905 --> 01:20:07,515
realize this isn't fun and games.
:
01:20:07,905 --> 01:20:10,475
As they said in the military, we
have a plan A, but we have plan
:
01:20:10,475 --> 01:20:15,455
B, C and D because plan A almost
always goes to shit immediately.
:
01:20:15,765 --> 01:20:17,625
And he had to learn that firsthand.
:
01:20:17,625 --> 01:20:19,525
And until you've been
there, you just don't know.
:
01:20:19,525 --> 01:20:20,905
So I really did appreciate.
:
01:20:21,325 --> 01:20:24,415
That part as opposed to like suddenly
him being like the guy who's like
:
01:20:24,415 --> 01:20:29,195
running down the hill strong grenade
like saving everybody like what where
:
01:20:29,195 --> 01:20:33,105
did this come from i mean i know he can
dance but why are you saving everybody
:
01:20:34,415 --> 01:20:37,615
you know that i think that's what
separates even the movies that we talked
:
01:20:37,615 --> 01:20:41,295
about the other director from first
blood to first blood part two first
:
01:20:41,295 --> 01:20:47,340
you Is about Rambo not wanting to have
to use what he knows he doesn't want
:
01:20:47,350 --> 01:20:48,900
to and then they force him and more.
:
01:20:48,900 --> 01:20:51,430
And number two, it's more like,
look what I, you know, it's
:
01:20:51,430 --> 01:20:53,750
almost like we're full eighties.
:
01:20:53,750 --> 01:20:55,580
He's like, I'm going to kill everybody.
:
01:20:55,580 --> 01:20:59,340
So Rambo changes as a character
between the two movies, but.
:
01:20:59,415 --> 01:21:00,705
Katie: two completely different.
:
01:21:00,715 --> 01:21:00,735
Yeah.
:
01:21:01,410 --> 01:21:01,640
Scott: But
:
01:21:01,730 --> 01:21:02,070
Steve: Yeah.
:
01:21:02,120 --> 01:21:04,760
Scott: the fact that at least this is
still playing in the first blood territory
:
01:21:04,760 --> 01:21:07,680
of like we'd like war is not glamorous.
:
01:21:07,740 --> 01:21:08,210
There's nothing
:
01:21:08,380 --> 01:21:08,760
Steve: Hmm.
:
01:21:08,930 --> 01:21:09,460
Scott: war and
:
01:21:10,460 --> 01:21:11,630
great to be prepared for it.
:
01:21:11,630 --> 01:21:12,610
But don't ask for it.
:
01:21:12,610 --> 01:21:14,910
You know, it's so I did appreciate that.
:
01:21:15,040 --> 01:21:16,220
Swayze did get that flip
:
01:21:16,920 --> 01:21:19,020
where I think he got beat up
because he needed to be put
:
01:21:19,020 --> 01:21:20,100
in his place is like, look.
:
01:21:20,120 --> 01:21:20,500
Katie: Yeah.
:
01:21:21,045 --> 01:21:22,225
Scott: You think you're above us.
:
01:21:22,235 --> 01:21:24,345
You are not, you have not been there.
:
01:21:24,365 --> 01:21:24,934
You don't know.
:
01:21:24,934 --> 01:21:28,265
And then once, then once he knows,
you know, so yeah, this, I mean, like
:
01:21:28,265 --> 01:21:30,335
I said, this film is actually getting
better as we talk about it for me,
:
01:21:30,600 --> 01:21:30,800
Steve: Yeah.
:
01:21:30,885 --> 01:21:33,995
Scott: because I think, I think it hits
on some good key points, like I think it
:
01:21:33,995 --> 01:21:36,395
does do a good job of taking its time.
:
01:21:37,125 --> 01:21:39,285
to build things because otherwise
we would just rush through it.
:
01:21:39,315 --> 01:21:42,605
And we wouldn't have these moments where
we give a shit about Patrick Swayze and
:
01:21:42,605 --> 01:21:44,325
his role and how these other guys are.
:
01:21:44,325 --> 01:21:45,205
We wouldn't care.
:
01:21:45,465 --> 01:21:48,295
It would just be like, all right, we're
going, we're going, we're taking them.
:
01:21:48,295 --> 01:21:50,135
It's like, yeah, kill
those sons of bitches.
:
01:21:50,135 --> 01:21:50,755
You know what I mean?
:
01:21:50,755 --> 01:21:55,525
So it definitely gets slow, but
it does have some good moments.
:
01:21:55,880 --> 01:21:58,000
Except for the fact that
they tried to shoehorn the
:
01:21:58,000 --> 01:22:00,190
girlfriend thing in with charts.
:
01:22:00,990 --> 01:22:02,620
That rapist son of a bitch.
:
01:22:02,650 --> 01:22:04,040
I just want to keep warm, I promise.
:
01:22:04,070 --> 01:22:05,330
I was like, we don't need this.
:
01:22:05,500 --> 01:22:06,440
Steve and I talk about this all the time.
:
01:22:06,530 --> 01:22:09,610
We're shoehorning in a character
in a love story we don't need.
:
01:22:09,890 --> 01:22:11,930
I don't need charts to fall
in love because his wife's a
:
01:22:11,940 --> 01:22:12,990
bitch because he ignores her.
:
01:22:12,990 --> 01:22:14,120
I don't care about that.
:
01:22:14,960 --> 01:22:15,870
stick to the story.
:
01:22:15,870 --> 01:22:17,500
We're going to save this guy's kid.
:
01:22:17,530 --> 01:22:20,240
Katie: been completely cut
their weird Roma because
:
01:22:20,390 --> 01:22:22,840
Scott: And then she like starts to
like him like I don't what where
:
01:22:23,190 --> 01:22:24,559
Katie: know it's by the end.
:
01:22:24,559 --> 01:22:26,300
She they're like a couple
:
01:22:26,570 --> 01:22:30,050
Scott: I mean, you're a female It
says that what what was that even
:
01:22:30,080 --> 01:22:33,390
because as men, you know, that probably
worked He did just the right thing
:
01:22:33,390 --> 01:22:37,570
like but in reality what the hell
that was the creepiest thing ever
:
01:22:37,785 --> 01:22:38,345
Katie: creepy.
:
01:22:38,385 --> 01:22:39,825
I, it should have been cut.
:
01:22:39,855 --> 01:22:44,195
I feel like there were a lot of
other scenes that were cut and
:
01:22:44,195 --> 01:22:45,785
those weird ones were left in.
:
01:22:45,825 --> 01:22:47,105
So it's either all or nothing.
:
01:22:47,115 --> 01:22:49,295
And I, yeah, I didn't like that at
:
01:22:49,295 --> 01:22:49,645
all
:
01:22:49,670 --> 01:22:52,250
Scott: don't even understand
the point of why mean
:
01:22:53,035 --> 01:22:53,505
Katie: because it
:
01:22:53,650 --> 01:22:53,670
Scott: Yeah
:
01:22:53,705 --> 01:22:54,445
Katie: us dislike
:
01:22:54,445 --> 01:22:54,755
him.
:
01:22:55,165 --> 01:22:59,184
Scott: No, no, I think, but back
in::
01:22:59,184 --> 01:23:00,895
don't, like, I didn't hate his wife.
:
01:23:00,934 --> 01:23:03,655
I understood why she was
upset with him, because he, he
:
01:23:03,655 --> 01:23:05,175
could, he, look, he had PTSD.
:
01:23:05,395 --> 01:23:07,365
He wasn't present and didn't
want to hang out with her.
:
01:23:07,365 --> 01:23:09,035
So she was like, I'm going
to still live my life.
:
01:23:09,035 --> 01:23:10,255
You clearly don't want to.
:
01:23:10,455 --> 01:23:11,625
And it's been 10 years now.
:
01:23:11,795 --> 01:23:14,725
Not, you know, not to say that you
have to get over things, but you
:
01:23:14,725 --> 01:23:17,335
know, you're not even making any
attempts to move forward in your life.
:
01:23:17,565 --> 01:23:20,695
So I didn't feel like if if we'd walked
in and he'd get out of the helicopter
:
01:23:20,695 --> 01:23:23,915
and she's banging three other dudes,
you go, okay, now I understand.
:
01:23:23,925 --> 01:23:25,955
I feel, Oh, Hey, he found love, true love.
:
01:23:26,015 --> 01:23:26,385
Great.
:
01:23:26,450 --> 01:23:26,600
Katie: Mm
:
01:23:26,765 --> 01:23:29,115
Scott: But I didn't, we didn't
get that impression with the wife.
:
01:23:29,415 --> 01:23:33,035
And then out of the blue, I knew as
soon as he get eyes with her, when
:
01:23:33,035 --> 01:23:36,285
she had the mask up, I was like, and
they brought the mules like, ah, shit,
:
01:23:36,300 --> 01:23:36,830
Katie: Yep.
:
01:23:36,855 --> 01:23:37,405
Scott: to text Steve.
:
01:23:37,445 --> 01:23:39,335
I think they're going to
shoehorn a fucking love story.
:
01:23:39,335 --> 01:23:39,925
Not a Steve.
:
01:23:40,420 --> 01:23:41,250
Katie: You knew it.
:
01:23:41,280 --> 01:23:42,220
You knew it.
:
01:23:42,510 --> 01:23:46,120
You know what else you, I knew
immediately because when we,
:
01:23:46,160 --> 01:23:47,900
we see the scene of is it?
:
01:23:47,900 --> 01:23:50,882
Wilkes and Blaster in
the water, river water.
:
01:23:50,882 --> 01:23:53,314
I'm like, Ooh, what's in the water?
:
01:23:53,314 --> 01:23:54,008
I have.
:
01:23:54,008 --> 01:23:54,356
It's
:
01:23:54,450 --> 01:23:55,020
Steve: Hmm.
:
01:23:55,255 --> 01:23:58,345
Scott: Yeah, the only unfortunate
part of that, and again, this is, I
:
01:23:58,345 --> 01:24:01,615
do love, this is what I do love about
movies though, is if you've ever seen
:
01:24:01,615 --> 01:24:03,195
the movie Thank You For Smoking with
:
01:24:03,210 --> 01:24:03,680
Steve: I haven't.
:
01:24:03,845 --> 01:24:09,735
Scott: and Rob Lowe, so Rob Lowe plays
this, this producer, and Aaron Eckhart is
:
01:24:09,735 --> 01:24:14,095
a lobbyist for the tobacco company, and
they're talking about, you know, is it,
:
01:24:14,415 --> 01:24:17,684
he's brought him in to ask him, can you
make, you know, can, can people smoke in
:
01:24:17,684 --> 01:24:21,745
space, and all, you know, And cause that's
what Aaron Eckhart says to Rob Lowe.
:
01:24:21,755 --> 01:24:23,395
And Rob Lowe's character goes,
we'll just write a Latin line
:
01:24:23,395 --> 01:24:24,355
dialogue and we'll make it happen.
:
01:24:24,415 --> 01:24:27,615
And it was just kind of like, when
he sees the snake, he just grabs the
:
01:24:27,615 --> 01:24:28,405
dead snake and goes, Oh, don't worry.
:
01:24:28,405 --> 01:24:28,955
It's not poisonous.
:
01:24:29,085 --> 01:24:33,005
I'm like, this guy knows
all the snakes too.
:
01:24:33,125 --> 01:24:33,465
It was just
:
01:24:33,835 --> 01:24:34,905
like, he got bit in the hand.
:
01:24:34,905 --> 01:24:36,095
He goes, Oh, don't worry about it.
:
01:24:36,535 --> 01:24:37,184
It's not poisonous.
:
01:24:37,184 --> 01:24:38,695
And I thought in my head, I was
like, well, then why do we have
:
01:24:38,695 --> 01:24:39,615
the snake bite him and all?
:
01:24:39,815 --> 01:24:42,565
If there's no stakes in this
snake biting him, cause I thought,
:
01:24:42,605 --> 01:24:43,705
Oh, we bit him in the hand.
:
01:24:44,005 --> 01:24:44,815
Now he's got to suck the poison.
:
01:24:44,875 --> 01:24:45,275
Oh shit.
:
01:24:45,275 --> 01:24:50,085
We're down the, the one guy who feels
like he's the guy who's going to.
:
01:24:50,365 --> 01:24:51,535
Make this mission happen.
:
01:24:51,535 --> 01:24:54,775
Like he's our Rambo S guy because
he's the one who, you know, when
:
01:24:54,775 --> 01:24:57,485
they're in the train exercise, kills
them all, he like sneaks up on them.
:
01:24:57,735 --> 01:24:58,934
And I thought, Oh, he's our guy.
:
01:24:58,945 --> 01:25:01,535
And I thought, Ooh, the filmmakers
have just taken him out of the
:
01:25:01,535 --> 01:25:03,205
equation, which is amazing.
:
01:25:03,215 --> 01:25:04,875
Like it's what makes snake Plissken.
:
01:25:04,885 --> 01:25:08,855
Great is he gets injured early on
and he limps the rest of the way
:
01:25:09,184 --> 01:25:10,275
through the movie.
:
01:25:10,375 --> 01:25:14,045
Katie: has the fight with that slag
dude and it affects him in no way.
:
01:25:14,635 --> 01:25:15,655
Scott: I understand, but
you know what I'm saying?
:
01:25:15,655 --> 01:25:17,725
Like the rest of them, he, he
limps except for the fight,
:
01:25:17,805 --> 01:25:18,065
Katie: yeah,
:
01:25:18,255 --> 01:25:21,434
Scott: So I thought, Oh, we're going
to take care of Fred Ward's character.
:
01:25:21,465 --> 01:25:24,184
And now we're like, he's going to
be down or he's gonna get paralyzed.
:
01:25:24,184 --> 01:25:27,785
And now we have to a whole new set of
circumstances are making this mission
:
01:25:27,805 --> 01:25:33,265
even more, and it just ended up being
trauma to crawl through, but the
:
01:25:33,265 --> 01:25:35,035
snakes coming down the tunnel at him.
:
01:25:35,035 --> 01:25:36,095
So how he didn't see it.
:
01:25:36,495 --> 01:25:38,195
I don't know, but he gets bitten.
:
01:25:38,195 --> 01:25:39,655
They're like, don't worry about it.
:
01:25:39,725 --> 01:25:40,635
His buddy Dan's like, Hey,
:
01:25:40,860 --> 01:25:41,150
Katie: that
:
01:25:41,315 --> 01:25:41,655
Scott: poisonous.
:
01:25:41,920 --> 01:25:42,160
Katie: thing
:
01:25:42,170 --> 01:25:42,370
he
:
01:25:42,465 --> 01:25:44,145
Scott: Yeah, that's what
it was because I thought,
:
01:25:44,430 --> 01:25:49,130
Katie: him because he had a whole,
he had, he's the most like PTSD
:
01:25:49,295 --> 01:25:50,815
Scott: yeah, he was a tunnel rat in there.
:
01:25:51,770 --> 01:25:52,250
Katie: And.
:
01:25:52,765 --> 01:25:54,255
I actually I thought the same thing.
:
01:25:54,255 --> 01:25:55,045
I'm like, oh, crap.
:
01:25:55,065 --> 01:25:56,145
Now they're going to take him out.
:
01:25:56,145 --> 01:25:59,235
But it's almost like it
gave us as an audience.
:
01:25:59,365 --> 01:26:01,115
That's that's stress of that.
:
01:26:01,125 --> 01:26:02,434
But then we are relieved.
:
01:26:02,585 --> 01:26:03,035
I don't know.
:
01:26:03,305 --> 01:26:04,045
I kind of liked
:
01:26:04,045 --> 01:26:04,325
it
:
01:26:04,335 --> 01:26:05,965
Scott: I just enjoyed the, him
going, he looked at the snake.
:
01:26:05,965 --> 01:26:06,565
He goes, don't worry about it.
:
01:26:06,565 --> 01:26:07,305
It's not, it's not poisonous.
:
01:26:07,365 --> 01:26:09,625
Like, Oh, he's a, he's a
snake charmer over here.
:
01:26:09,635 --> 01:26:10,745
And this guy knows all his snakes.
:
01:26:10,785 --> 01:26:11,115
I know.
:
01:26:11,315 --> 01:26:11,745
Steve: He just,
:
01:26:11,934 --> 01:26:12,135
Scott: no,
:
01:26:12,255 --> 01:26:13,355
Steve: he just knows his stuff.
:
01:26:13,415 --> 01:26:13,505
Scott: it.
:
01:26:13,505 --> 01:26:13,695
But it
:
01:26:13,705 --> 01:26:14,965
Steve: He knows his stuff!
:
01:26:15,175 --> 01:26:15,445
Scott: But I
:
01:26:15,485 --> 01:26:16,565
Steve: been here before!
:
01:26:16,665 --> 01:26:18,065
Scott: so like, Hey, don't worry about it.
:
01:26:18,195 --> 01:26:19,715
Don't, Hey, Hey, forget about it.
:
01:26:19,715 --> 01:26:20,085
It's all right.
:
01:26:20,085 --> 01:26:21,535
So this is a fucking regular guy.
:
01:26:21,535 --> 01:26:21,745
Snake.
:
01:26:21,755 --> 01:26:22,165
Get up there.
:
01:26:22,195 --> 01:26:22,835
Get up the tunnel.
:
01:26:23,230 --> 01:26:24,309
Katie: And his hand is now injured.
:
01:26:24,309 --> 01:26:25,380
That was like a pretty good sized
:
01:26:25,755 --> 01:26:27,015
Scott: It was, it was,
:
01:26:27,040 --> 01:26:29,095
Katie: yeah,
:
01:26:29,305 --> 01:26:31,425
Scott: like with you, Kay,
I had not seen this film.
:
01:26:32,065 --> 01:26:35,135
actually was almost hoping that
they were at the wrong prison camp.
:
01:26:35,675 --> 01:26:40,245
Part of me was like, I actually thought
they were going to trick us and we,
:
01:26:40,265 --> 01:26:43,135
all this planning had been put in for
nothing and they'd moved the prison.
:
01:26:43,495 --> 01:26:47,175
I kind of was just a little
disappointed when it didn't happen.
:
01:26:47,175 --> 01:26:49,795
I was kind of like, it's been 10 years.
:
01:26:49,835 --> 01:26:50,875
Who knows how long ago that.
:
01:26:50,950 --> 01:26:51,220
Katie: think
:
01:26:51,380 --> 01:26:52,420
Scott: Yeah, they did.
:
01:26:52,420 --> 01:26:54,080
I really did like that feeling.
:
01:26:54,370 --> 01:26:54,920
Katie: Yeah.
:
01:26:55,350 --> 01:26:59,320
I think they do a several fake outs
like that just to give us that little
:
01:26:59,320 --> 01:27:01,180
bit of stress, but then it's relieved.
:
01:27:01,210 --> 01:27:01,470
I don't know.
:
01:27:01,470 --> 01:27:05,360
I thought they kept me on my
toes because I hadn't seen it.
:
01:27:05,380 --> 01:27:07,000
I didn't think that it was Yeah.
:
01:27:08,070 --> 01:27:11,590
in any way I, I was fully
engaged the whole time, but it
:
01:27:11,590 --> 01:27:12,540
sounds like you guys weren't
:
01:27:13,030 --> 01:27:15,240
Scott: I'm not going to speak with
Steve, but there was a moment when they
:
01:27:15,240 --> 01:27:19,550
got finished with the the training I
paused it to see how much was left.
:
01:27:19,550 --> 01:27:22,110
I figured we got 15 minutes left
and it was like another hour.
:
01:27:22,110 --> 01:27:23,470
I was like, Oh my God.
:
01:27:23,850 --> 01:27:24,980
Like I was like, that took four.
:
01:27:25,059 --> 01:27:26,720
I was like, wow, we've got another hour.
:
01:27:26,880 --> 01:27:27,130
Katie: even
:
01:27:27,140 --> 01:27:27,500
gone
:
01:27:27,600 --> 01:27:27,990
Scott: Yeah.
:
01:27:27,990 --> 01:27:28,850
They hadn't done any of that stuff.
:
01:27:28,850 --> 01:27:30,230
And I was like, Oh my God.
:
01:27:30,745 --> 01:27:33,295
Steve: And then they get over there
and they get the weapons taken away
:
01:27:33,295 --> 01:27:34,505
from them and they're like, Oh my God.
:
01:27:34,910 --> 01:27:35,880
Scott: And then it's a whole nother.
:
01:27:36,220 --> 01:27:36,700
So.
:
01:27:37,425 --> 01:27:38,015
So where
:
01:27:38,165 --> 01:27:38,625
Steve: I'm just
:
01:27:38,645 --> 01:27:39,205
Scott: no, I know what you mean.
:
01:27:39,205 --> 01:27:39,415
There's,
:
01:27:39,505 --> 01:27:39,905
Steve: Oh, sorry.
:
01:27:40,015 --> 01:27:40,805
Scott: moments in the film.
:
01:27:40,845 --> 01:27:44,075
And then there's also things that really
kind of like bring some of that down
:
01:27:44,075 --> 01:27:45,315
because you kind of get like taking the
:
01:27:45,415 --> 01:27:45,855
Steve: Yeah.
:
01:27:45,865 --> 01:27:46,085
Scott: sails
:
01:27:46,105 --> 01:27:48,275
Katie: can see that a
little bit the weapon part.
:
01:27:48,275 --> 01:27:48,985
I was like, oh,
:
01:27:48,985 --> 01:27:49,205
man.
:
01:27:49,230 --> 01:27:49,320
Scott: I
:
01:27:49,320 --> 01:27:50,020
need another thing.
:
01:27:50,030 --> 01:27:51,690
And then it's like, Oh, the
helicopter things moved.
:
01:27:51,690 --> 01:27:53,990
And it's like, well, Jesus Christ, at this
:
01:27:54,000 --> 01:27:54,760
Steve: Yeah, it's like,
:
01:27:54,910 --> 01:27:55,600
Scott: point, your son's dead.
:
01:27:55,620 --> 01:27:56,190
I'm sorry.
:
01:27:56,220 --> 01:27:59,390
Steve: Enough already!
:
01:27:59,390 --> 01:28:00,530
Let's move!
:
01:28:00,600 --> 01:28:05,710
But by the end, But by the end, You
just get an amazing explosive finale.
:
01:28:06,200 --> 01:28:06,340
Scott: You
:
01:28:06,360 --> 01:28:06,950
Steve: you get the
:
01:28:07,070 --> 01:28:07,480
Scott: payoff.
:
01:28:07,585 --> 01:28:10,325
Steve: get the bump, you get the
sort of nihilistic bummer, not,
:
01:28:10,345 --> 01:28:13,845
not completely bummer ending
but for, for the main guy it is.
:
01:28:13,934 --> 01:28:19,035
And, and then though, I will say this,
it kind of ends on a dime, doesn't it?
:
01:28:19,045 --> 01:28:21,265
It's just like when he kisses
his wife and the credits start
:
01:28:21,275 --> 01:28:22,475
coming up and it's just like,
:
01:28:22,550 --> 01:28:25,380
Scott: they're kind of like,
how do we end this another way?
:
01:28:25,380 --> 01:28:25,790
Because
:
01:28:26,165 --> 01:28:26,765
Steve: yeah.
:
01:28:27,080 --> 01:28:27,840
Scott: Oh, you're home.
:
01:28:27,840 --> 01:28:28,590
Hey, he's home.
:
01:28:28,640 --> 01:28:29,309
Oh, you're home.
:
01:28:29,540 --> 01:28:33,690
Then they're like, he looks at his
wife and she, and she's just I don't
:
01:28:33,690 --> 01:28:34,630
know, maybe she didn't want him to go.
:
01:28:34,630 --> 01:28:35,520
And she seems happy.
:
01:28:35,520 --> 01:28:38,138
Or she's probably proud
of him for doing this.
:
01:28:38,138 --> 01:28:38,257
And
:
01:28:38,375 --> 01:28:40,035
Steve: And the fact that he made it back,
:
01:28:40,405 --> 01:28:40,835
Katie: Yeah.
:
01:28:40,990 --> 01:28:42,770
Scott: did this, you
brought other people's back.
:
01:28:42,800 --> 01:28:44,700
You didn't bring our son
back, but it's still a very
:
01:28:44,700 --> 01:28:46,230
commendable thing that you did.
:
01:28:46,620 --> 01:28:50,100
So it maybe is a perfect ending
from the end because, because
:
01:28:50,100 --> 01:28:51,160
it does get sad after that.
:
01:28:51,160 --> 01:28:52,030
This is::
01:28:52,030 --> 01:28:53,670
We don't start doing sad endings yet.
:
01:28:53,890 --> 01:28:54,330
You know what I mean?
:
01:28:54,330 --> 01:28:54,410
We're
:
01:28:54,585 --> 01:28:55,750
Steve: mm, mm.
:
01:28:55,840 --> 01:28:58,050
Scott: not like crying,
putting out a gravestone.
:
01:28:58,050 --> 01:28:58,600
He's not there anymore.
:
01:28:58,980 --> 01:28:59,750
There's none of that.
:
01:28:59,770 --> 01:29:03,000
So is there like a, I felt like
Uncommon Valor too was coming.
:
01:29:03,000 --> 01:29:04,600
It's like, now we got to go
over there and find his body.
:
01:29:04,690 --> 01:29:05,700
Well, now we got to go back.
:
01:29:05,870 --> 01:29:08,430
We got to exhume him, got to
bring him back, got a burial.
:
01:29:08,430 --> 01:29:08,530
But.
:
01:29:09,360 --> 01:29:09,720
get that.
:
01:29:10,405 --> 01:29:11,635
Katie: I did like them.
:
01:29:12,025 --> 01:29:15,515
I mean, again, this is like very
movie tropey, but the way that the
:
01:29:15,515 --> 01:29:21,095
movie opens is also the same way
that the final fight scene happens.
:
01:29:21,715 --> 01:29:25,184
It's a, it's a gunfight, it's a
firefight, and there, a couple of
:
01:29:25,195 --> 01:29:27,715
people really trying to get the chopper,
but the chopper's like, we got to go.
:
01:29:27,715 --> 01:29:28,215
We got to go.
:
01:29:28,225 --> 01:29:28,825
We got to go.
:
01:29:29,015 --> 01:29:31,785
But this time they all make it
or everybody who can make it.
:
01:29:32,620 --> 01:29:33,090
Makes it
:
01:29:33,700 --> 01:29:34,920
Steve: Yeah, no, I mean,
:
01:29:35,020 --> 01:29:36,880
Scott: think they did a good job,
as Steve will saying, our show
:
01:29:36,880 --> 01:29:38,410
of doing economic filmmaking.
:
01:29:38,410 --> 01:29:41,440
Because you don't see who's shooting
at them in the beginning of that movie
:
01:29:41,940 --> 01:29:43,050
until they're finally helicopter.
:
01:29:43,050 --> 01:29:44,850
And then you see probably
a bunch of extras.
:
01:29:44,850 --> 01:29:48,210
'cause it's easier to not show that
you're not showing real Vietnamese people.
:
01:29:48,480 --> 01:29:50,610
And probably didn't have the, you know,
I don't know where they filmed it.
:
01:29:51,360 --> 01:29:54,030
They have people just charging through
the water that the patty, right?
:
01:29:54,030 --> 01:29:54,630
The rice patty.
:
01:29:54,870 --> 01:29:55,800
And you can't see them.
:
01:29:55,800 --> 01:29:56,610
They're just in outfits.
:
01:29:56,610 --> 01:29:57,480
So we don't know.
:
01:29:58,230 --> 01:30:01,020
matter what nationality, we don't know,
but we, we assume that's the Vietnamese.
:
01:30:01,430 --> 01:30:02,520
Army attacking them.
:
01:30:02,760 --> 01:30:05,860
And so I thought that was really
kind of economical and good because
:
01:30:06,280 --> 01:30:07,160
sometimes you don't have a budget.
:
01:30:07,160 --> 01:30:08,220
Like I said, there's not a big budget.
:
01:30:08,250 --> 01:30:09,880
So how are we going to
make this scene work?
:
01:30:10,100 --> 01:30:12,990
We're going to put the camera
facing our actors and we don't
:
01:30:12,990 --> 01:30:13,970
see the threat behind them.
:
01:30:14,140 --> 01:30:16,110
So it makes us want to turn
around and see the threat.
:
01:30:16,260 --> 01:30:18,750
And then we finally see it, but
they just keep getting shot.
:
01:30:18,750 --> 01:30:20,980
We don't know how close they are, how
far away they are, what's going on.
:
01:30:20,980 --> 01:30:23,350
So it does add a bit of element of chaos.
:
01:30:23,750 --> 01:30:27,490
When you are forced to do some kind of Oh,
basically independent economic filmmaking
:
01:30:27,490 --> 01:30:29,230
when you don't have cause 30 million.
:
01:30:29,640 --> 01:30:31,030
I mean, I know are 14.
:
01:30:31,720 --> 01:30:32,870
still pretty for::
01:30:32,870 --> 01:30:34,430
It's kind of a big budget for
:
01:30:34,760 --> 01:30:35,720
a film like this.
:
01:30:35,740 --> 01:30:36,059
Yeah,
:
01:30:36,270 --> 01:30:37,640
Katie: all the explosions
:
01:30:38,510 --> 01:30:38,760
And
:
01:30:38,760 --> 01:30:39,250
Steve: yeah, no,
:
01:30:39,330 --> 01:30:44,525
Katie: of people in it Like,
I guess only Gene Hackman was
:
01:30:44,535 --> 01:30:46,375
like a superstar at the time.
:
01:30:46,700 --> 01:30:48,059
Steve: yeah, yeah,
:
01:30:49,050 --> 01:30:49,320
Scott: which is
:
01:30:49,410 --> 01:30:50,050
Steve: the budget,
:
01:30:50,680 --> 01:30:52,420
Scott: at the time too,
which is mind boggling.
:
01:30:52,440 --> 01:30:54,260
He's the superstar at 53.
:
01:30:54,270 --> 01:30:59,450
We think, man, now at 53, you're, you're,
you're in bad granddad's or something like
:
01:30:59,750 --> 01:30:59,950
that.
:
01:31:00,000 --> 01:31:01,738
You know what I mean?
:
01:31:02,388 --> 01:31:06,308
Katie: So this was filmed in Kauai,
Hawaii, The Laos prison camp.
:
01:31:07,258 --> 01:31:10,418
. It was really pretty like the
lush greenery, like those shots.
:
01:31:10,418 --> 01:31:11,238
It was really pretty.
:
01:31:11,858 --> 01:31:12,838
So John Milius.
:
01:31:13,633 --> 01:31:15,673
And Patrick Swayze,
two back to back roles.
:
01:31:16,463 --> 01:31:21,583
So this, and then Red Dawn,
which is a similar type movie.
:
01:31:21,753 --> 01:31:22,573
Scott: Yeah, in a way.
:
01:31:22,573 --> 01:31:22,823
Yeah.
:
01:31:22,993 --> 01:31:23,323
A bit.
:
01:31:23,323 --> 01:31:23,563
Yeah.
:
01:31:23,563 --> 01:31:25,343
He's, you know, the
Russians haven't invaded
:
01:31:26,223 --> 01:31:29,963
Steve: Well, actually John
Milius he did a film called Big
:
01:31:29,963 --> 01:31:32,263
Wednesday about some surfers.
:
01:31:33,118 --> 01:31:36,568
Who end up getting enlisted in
Vietnam, and Red Brown's in that.
:
01:31:37,743 --> 01:31:38,493
Katie: Oh, really?
:
01:31:38,728 --> 01:31:40,588
Steve: Yeah, not a big role, but,
:
01:31:41,303 --> 01:31:41,763
Scott: I mean, he was
:
01:31:42,008 --> 01:31:43,878
Steve: but Red Brown, Red, but Red Brown.
:
01:31:44,593 --> 01:31:45,853
Katie: you know, directors have
:
01:31:45,853 --> 01:31:46,183
their,
:
01:31:46,388 --> 01:31:50,858
Steve: John Milius is a real kind
of cigar chomp and maniac, isn't he?
:
01:31:50,978 --> 01:31:51,338
Sort of.
:
01:31:51,543 --> 01:31:53,282
Scott: of shit right wing son of a bitch.
:
01:31:54,868 --> 01:31:55,508
Steve: Exactly.
:
01:31:56,013 --> 01:31:59,593
Katie: Well, he is known to be
like, I w on the Red Dawn episode,
:
01:31:59,643 --> 01:32:01,183
like he carried gun, like a gun
:
01:32:01,193 --> 01:32:01,653
around.
:
01:32:01,858 --> 01:32:04,528
Steve: he's, he's a, he's
a bit of a loon, that guy.
:
01:32:04,628 --> 01:32:08,327
But yeah, but no, it's just another,
you know, it's another Vietnam movie.
:
01:32:09,008 --> 01:32:10,228
Gary Bussey was in that,
:
01:32:10,983 --> 01:32:11,663
Katie: Really?
:
01:32:12,018 --> 01:32:13,088
Steve: Jan Michael Vincent.
:
01:32:13,098 --> 01:32:13,118
Yeah.
:
01:32:13,788 --> 01:32:14,768
And William Catt.
:
01:32:15,768 --> 01:32:18,458
Yeah, it's just about, yeah,
it's about, they're just surf
:
01:32:18,478 --> 01:32:20,788
buddies and partying it up and,
:
01:32:20,833 --> 01:32:21,183
Katie: yeah.
:
01:32:21,468 --> 01:32:24,048
Steve: and Vietnam's coming and
that's all like, yeah, it's all
:
01:32:24,048 --> 01:32:28,788
about going over to Nam and then,
yeah, that's a good movie too.
:
01:32:28,838 --> 01:32:32,478
But yeah, no, it's just notable because
mainly more for Red Brown in it.
:
01:32:32,618 --> 01:32:35,838
And Red Brown, I think he played He
played the first Captain America, right?
:
01:32:36,348 --> 01:32:38,118
In a couple of TV movies, I think.
:
01:32:38,468 --> 01:32:39,248
Scott: he also,
:
01:32:39,278 --> 01:32:39,468
Steve: was
:
01:32:39,718 --> 01:32:41,958
Scott: This is kind of simpatico
for what just happened this year.
:
01:32:42,048 --> 01:32:47,358
He was recruited by the USC, University of
Southern California, to play running back.
:
01:32:47,778 --> 01:32:51,878
A year later, he left the school because
he lost his starting position to O.
:
01:32:52,128 --> 01:32:52,668
J.
:
01:32:52,998 --> 01:32:53,598
Simpson.
:
01:32:54,188 --> 01:32:54,708
Steve: Oh,
:
01:32:55,118 --> 01:32:55,308
Scott: O.
:
01:32:55,308 --> 01:32:55,518
J.
:
01:32:55,518 --> 01:32:55,948
Simpson.
:
01:32:55,948 --> 01:32:57,068
He left a year later because O.
:
01:32:57,068 --> 01:32:57,268
J.
:
01:32:57,268 --> 01:33:00,128
came in, and that was
that, and away he went.
:
01:33:01,543 --> 01:33:05,282
So, wow,
:
01:33:05,768 --> 01:33:09,738
Katie: there was actually a
TV movie of Uncommon Valor.
:
01:33:10,428 --> 01:33:11,398
Steve: no, right,
:
01:33:11,688 --> 01:33:15,368
Katie: like different
plot, but the same name
:
01:33:16,028 --> 01:33:17,048
released the
:
01:33:17,048 --> 01:33:19,268
same year, apparently.
:
01:33:19,708 --> 01:33:23,798
And harold Sylvester, who played
Johnson, Al Bundy's friend had
:
01:33:23,798 --> 01:33:25,808
a role in that TV movie too.
:
01:33:25,948 --> 01:33:26,148
Steve: Yeah,
:
01:33:26,228 --> 01:33:26,808
Katie: So he's in both
:
01:33:26,808 --> 01:33:27,498
Uncommon Valor.
:
01:33:27,868 --> 01:33:28,998
Steve: I did not know that.
:
01:33:30,523 --> 01:33:32,523
Katie: A bit of trivia
about the potential titles.
:
01:33:32,663 --> 01:33:36,543
All terrible in my opinion, in Asia,
:
01:33:37,833 --> 01:33:38,583
Scott: wow.
:
01:33:38,913 --> 01:33:41,452
Someone who was like, that was back
before they're driving tongue and cheek.
:
01:33:41,603 --> 01:33:42,623
What do you think about euthanasia?
:
01:33:42,683 --> 01:33:42,893
I don't know.
:
01:33:42,893 --> 01:33:44,263
Won't you say that really close together?
:
01:33:44,653 --> 01:33:45,433
Say it really fast.
:
01:33:45,433 --> 01:33:46,633
What do you think that sounds like
:
01:33:47,173 --> 01:33:50,952
Katie: and then Last River
to Cross and The Eight.
:
01:33:51,163 --> 01:33:53,513
I guess The Eight wouldn't have
been that bad, but Uncommon
:
01:33:53,513 --> 01:33:54,733
Valor is by far the better
:
01:33:54,903 --> 01:33:55,693
Scott: much better?
:
01:33:55,988 --> 01:33:56,688
Steve: Definitely.
:
01:33:56,793 --> 01:33:57,123
Scott: better.
:
01:33:58,563 --> 01:34:02,723
Although a part of me wants us here
to see the poster for euthanasia.
:
01:34:02,868 --> 01:34:03,738
Katie: Euthanasia.
:
01:34:04,327 --> 01:34:05,657
Is this a horror movie or something?
:
01:34:06,008 --> 01:34:06,478
Scott: euthanasia.
:
01:34:06,918 --> 01:34:10,698
And the funny thing is that like
they were probably to 22 when
:
01:34:10,698 --> 01:34:11,487
they were originally in Vietnam.
:
01:34:11,487 --> 01:34:12,088
This is 10 years later.
:
01:34:12,118 --> 01:34:13,228
They're not in their youth anymore.
:
01:34:13,228 --> 01:34:15,237
They're like in their mid
thirties at this point.
:
01:34:15,398 --> 01:34:15,838
You know what I mean?
:
01:34:15,838 --> 01:34:15,998
There's
:
01:34:16,138 --> 01:34:16,788
Steve: Yeah.
:
01:34:16,858 --> 01:34:17,958
Scott: is Patrick Swayze.
:
01:34:18,548 --> 01:34:19,818
Gene Hagman's 53.
:
01:34:19,818 --> 01:34:20,468
He's no youth.
:
01:34:20,468 --> 01:34:21,358
He's no youth.
:
01:34:22,258 --> 01:34:22,948
Steve: What's a youth?
:
01:34:23,487 --> 01:34:26,798
Katie: So did you guys know
that Patrick Swayze was not who
:
01:34:26,798 --> 01:34:30,388
they originally cast play Scott?
:
01:34:31,268 --> 01:34:31,778
Steve: Nope.
:
01:34:32,168 --> 01:34:32,968
I did not know.
:
01:34:33,028 --> 01:34:34,628
Scott: you gonna give us a chance
to guess who it might've been?
:
01:34:34,848 --> 01:34:35,348
Without knowing
:
01:34:35,508 --> 01:34:35,798
Katie: a guess.
:
01:34:35,918 --> 01:34:37,668
I don't think you're going
to get it, but take a guess.
:
01:34:38,077 --> 01:34:39,428
Scott: it was Charlie Sheen at that time.
:
01:34:40,428 --> 01:34:41,077
Katie: It's not Charlie
:
01:34:41,368 --> 01:34:41,698
Scott: He's probably
:
01:34:41,868 --> 01:34:42,508
Steve: Roblo?
:
01:34:43,068 --> 01:34:44,098
Scott: probably still too young.
:
01:34:44,338 --> 01:34:45,188
Katie: that too, but
:
01:34:45,577 --> 01:34:47,487
Scott: So Swayze is a little
bit older than them because
:
01:34:47,487 --> 01:34:50,327
remember in The Outsiders, he is
the older, the oldest brother.
:
01:34:50,327 --> 01:34:54,348
So you got to go almost five to
seven years older than those guys.
:
01:34:55,558 --> 01:34:58,338
So I'm thinking about It's not Scott Baio.
:
01:34:58,378 --> 01:34:59,327
God, please don't say Scott Baio.
:
01:35:00,018 --> 01:35:00,788
John Travolta?
:
01:35:01,737 --> 01:35:02,648
Katie: you're not going to guess it.
:
01:35:02,768 --> 01:35:03,458
I guarantee it.
:
01:35:03,918 --> 01:35:04,858
Steve: I've got, I've got nothing.
:
01:35:04,998 --> 01:35:05,907
Scott: Kohlhauser!
:
01:35:05,907 --> 01:35:06,138
That's good.
:
01:35:09,498 --> 01:35:10,878
Katie: James Remar,
:
01:35:11,118 --> 01:35:12,288
Scott: Oh my god!
:
01:35:12,428 --> 01:35:12,648
Steve: Rob
:
01:35:12,968 --> 01:35:13,418
Scott: Riemer!
:
01:35:13,418 --> 01:35:13,678
No
:
01:35:13,708 --> 01:35:14,948
Steve: Love James Remar.
:
01:35:15,178 --> 01:35:16,088
Scott: Yes!
:
01:35:16,448 --> 01:35:17,648
Katie: and Patrick Swayze replaced him.
:
01:35:17,648 --> 01:35:18,758
I dunno why.
:
01:35:18,818 --> 01:35:19,778
I don't know what happened,
:
01:35:20,448 --> 01:35:21,608
Steve: I think that's probably better that
:
01:35:21,987 --> 01:35:22,878
Swayze was in it.
:
01:35:22,923 --> 01:35:23,128
Katie: for
:
01:35:23,608 --> 01:35:24,038
Scott: I mean, I love
:
01:35:24,228 --> 01:35:26,038
Steve: James Remar always plays a psycho.
:
01:35:26,038 --> 01:35:26,458
he's a,
:
01:35:26,518 --> 01:35:26,938
Katie: Yeah.
:
01:35:26,998 --> 01:35:28,868
Scott: but he's a, he's
a, he's a, good character
:
01:35:29,068 --> 01:35:29,678
Steve: actor, yeah.
:
01:35:29,748 --> 01:35:30,798
No, he's a great actor.
:
01:35:31,108 --> 01:35:33,128
Scott: maybe Patrick was
considered a character actor
:
01:35:33,128 --> 01:35:34,528
is still at that time, but he
:
01:35:34,708 --> 01:35:35,268
Steve: Yeah.
:
01:35:35,478 --> 01:35:37,077
Scott: chops in the
look to take him further
:
01:35:37,508 --> 01:35:38,858
Katie: fully made it yet.
:
01:35:40,398 --> 01:35:41,077
Steve: Hmm.
:
01:35:41,418 --> 01:35:41,808
Katie: Okay.
:
01:35:41,813 --> 01:35:46,398
Well, do you guys have any final
thoughts on uncommon valor?
:
01:35:46,403 --> 01:35:46,813
Mm-Hmm.
:
01:35:48,308 --> 01:35:52,668
Scott: for as slow as it can
be at times for a war movie.
:
01:35:52,987 --> 01:35:54,748
It's really a thinking man's.
:
01:35:54,987 --> 01:35:55,808
It's really not one way.
:
01:35:55,808 --> 01:35:58,327
I should put a preface to that
for a man on a mission film.
:
01:35:58,327 --> 01:35:59,093
It really is a movie.
:
01:35:59,362 --> 01:36:00,853
Thinking man's man on the mission film.
:
01:36:01,032 --> 01:36:01,673
It is slow.
:
01:36:01,673 --> 01:36:06,683
There are moments in it that are just
drag, but when you look back on it, the
:
01:36:06,723 --> 01:36:11,183
creators, the filmmakers did a really
good job of really dotting their eyes
:
01:36:11,183 --> 01:36:15,143
and crossing their T's in a way where,
okay, we don't get the big shootouts.
:
01:36:15,153 --> 01:36:17,433
We don't get flashbacks
to Vietnam sequences.
:
01:36:17,623 --> 01:36:20,073
We don't get that kind of stuff,
which would probably fill in
:
01:36:20,073 --> 01:36:23,273
the gaps and give more of an
action feel if it was made today.
:
01:36:24,327 --> 01:36:27,448
But that being said, the
ending is spectacular.
:
01:36:27,448 --> 01:36:31,198
The fact that we go on a mission
and the mission in a sense, we
:
01:36:31,198 --> 01:36:32,628
don't get the guy we want to get.
:
01:36:33,058 --> 01:36:35,088
We didn't save that person.
:
01:36:35,438 --> 01:36:36,478
We saved other people.
:
01:36:36,508 --> 01:36:38,898
And then that character who was the
lead throughout the entire movie
:
01:36:39,098 --> 01:36:44,338
doesn't get the satisfaction of what
as moviegoers get is that the lead
:
01:36:44,338 --> 01:36:46,458
character is always going to get what
they want at the end of the movie.
:
01:36:46,898 --> 01:36:48,168
And they didn't get it in this one.
:
01:36:48,407 --> 01:36:53,407
And it does kind of, you know, for
::
01:36:53,407 --> 01:36:57,657
So we're not talking about modern
day film making techniques we've got
:
01:36:57,657 --> 01:37:01,568
going, but for that timeframe, it
does tell a decent story about a young
:
01:37:01,568 --> 01:37:06,827
man who feels like he's missed out
on his war and then realizes that.
:
01:37:07,518 --> 01:37:11,188
He wasn't missing out on anything, you
know, like he really, it's a, it's a hard
:
01:37:11,188 --> 01:37:13,428
lesson Patrick's character had to learn.
:
01:37:13,428 --> 01:37:18,718
So for its shortcomings, it's still
worth at least one viewing, just, just,
:
01:37:18,718 --> 01:37:21,798
just for some of the great acting in it
and some of the, the storytelling, it's
:
01:37:21,798 --> 01:37:26,628
definitely a a really well told story,
even if we don't get the excitement
:
01:37:26,638 --> 01:37:31,077
that we get from some of the Vietnam
movies that would it or, and follow it.
:
01:37:31,077 --> 01:37:31,358
So.
:
01:37:32,473 --> 01:37:33,123
give it a shot.
:
01:37:33,123 --> 01:37:34,373
It's yeah, it's got Patrick
:
01:37:34,448 --> 01:37:34,858
Steve: Yeah.
:
01:37:35,043 --> 01:37:37,793
Scott: soon probably who wants, who
knows long as how much longer we're
:
01:37:37,793 --> 01:37:40,293
going to have, Gene Hackman walking.
:
01:37:40,293 --> 01:37:43,303
Cause he's 94, he's not acting
anymore, but you know, he may
:
01:37:43,303 --> 01:37:44,463
not be above ground much longer.
:
01:37:44,463 --> 01:37:47,483
So see a truly amazing actor.
:
01:37:47,843 --> 01:37:50,333
At the end, you know, in the
prime of his career, for sure.
:
01:37:51,538 --> 01:37:53,958
Steve: Yeah, I mean, pretty much.
:
01:37:54,818 --> 01:37:55,498
What you've just said.
:
01:37:55,538 --> 01:38:01,898
This is a good old fashioned man on a
mission movie that I would have watched.
:
01:38:02,298 --> 01:38:03,508
Like I said, I watched it a lot.
:
01:38:03,528 --> 01:38:04,628
I watched it with my dad.
:
01:38:04,698 --> 01:38:08,288
That was one of them films you
could all sort of get into.
:
01:38:08,318 --> 01:38:09,907
There was something for everyone, I think.
:
01:38:10,258 --> 01:38:12,598
Great cast, you know.
:
01:38:12,648 --> 01:38:15,148
It's one of the things where
you say I was tropey as hell.
:
01:38:16,548 --> 01:38:20,268
You know, you say that
now in in retrospect.
:
01:38:20,268 --> 01:38:22,123
Yeah, but you know.
:
01:38:22,853 --> 01:38:26,243
Yeah, no, there weren't necessarily a
lot of films like this in the early 80s.
:
01:38:26,303 --> 01:38:29,853
I mean, Red Brown, it's not that
they want to make Red Brown again.
:
01:38:30,403 --> 01:38:32,282
But I think a couple of
years later he starred,
:
01:38:32,282 --> 01:38:32,803
Katie: poster?
:
01:38:33,143 --> 01:38:33,483
Steve: oh no,
:
01:38:33,793 --> 01:38:34,503
Scott: I'm going to get him one for his
:
01:38:34,563 --> 01:38:35,023
Steve: no, but he,
:
01:38:35,353 --> 01:38:35,633
Scott: Antonio
:
01:38:36,093 --> 01:38:38,753
Steve: he did a, he did a Rick
Dalton and went over to Italy
:
01:38:39,013 --> 01:38:40,713
and he starred in a Italian,
:
01:38:40,893 --> 01:38:41,213
Scott: film.
:
01:38:41,952 --> 01:38:45,313
Steve: yeah, well no, that's You're
the Hunter of the Future, whatever it
:
01:38:45,313 --> 01:38:48,313
is, but there's one called, there's
one called Strike Commando, which is
:
01:38:48,313 --> 01:38:51,813
a Rambo rip off that he starred in and
so he went over to Italy and did that.
:
01:38:51,823 --> 01:38:58,383
But Anyway, yeah, Uncommon Valor is just
a good traditional man on a mission movie.
:
01:38:59,293 --> 01:39:04,633
And it's got all the familiar beats, but
that's why we like them sort of films.
:
01:39:05,343 --> 01:39:09,903
You know, that's a that's a comfort movie,
that's a comfort food movie, you know.
:
01:39:11,173 --> 01:39:14,423
I'll watch it again now, after
watching it the other night
:
01:39:14,423 --> 01:39:15,823
for the first time in decades.
:
01:39:16,293 --> 01:39:19,083
I was like, I'll go back
to that sometime, you know.
:
01:39:19,663 --> 01:39:21,843
Everyone's on form, you
know, it's well made.
:
01:39:23,273 --> 01:39:25,833
You know, you've got all the things
you love about that kind of movie
:
01:39:25,833 --> 01:39:30,933
and you've got a great action finale
and then a kind of dark ending.
:
01:39:32,683 --> 01:39:33,843
That's pure cinema, isn't it?
:
01:39:33,843 --> 01:39:34,573
That's what you want.
:
01:39:35,223 --> 01:39:37,093
So yeah, yeah.
:
01:39:38,183 --> 01:39:42,733
And you know, just watch it where
you're, you know, like I say,
:
01:39:42,753 --> 01:39:44,813
families can watch it, I think.
:
01:39:45,463 --> 01:39:46,653
It's not inaccessible.
:
01:39:46,668 --> 01:39:47,268
Scott: Exactly.
:
01:39:47,393 --> 01:39:49,823
Steve: know, it's not like Rambo 4
where you've got people's heads getting
:
01:39:49,843 --> 01:39:51,423
cut off and their guts ripped out.
:
01:39:51,853 --> 01:39:55,053
You know, that's only going to appeal
to a certain type of psychopath
:
01:39:55,178 --> 01:39:55,657
Scott: Like us.
:
01:39:55,702 --> 01:39:56,053
Steve: me.
:
01:39:56,053 --> 01:40:01,773
You Yes, but this one, there's, there's
sort of something that sort of ticks the
:
01:40:01,773 --> 01:40:03,373
boxes and there's enough for everyone.
:
01:40:03,603 --> 01:40:05,273
And that's, and like I
say, it's accessible.
:
01:40:05,313 --> 01:40:07,853
So yeah, watch it.
:
01:40:07,933 --> 01:40:08,423
Love it.
:
01:40:09,748 --> 01:40:10,508
Katie: I couldn't agree more.
:
01:40:10,508 --> 01:40:12,448
I very much enjoyed this.
:
01:40:12,748 --> 01:40:16,327
It's not like a genre that I love.
:
01:40:16,838 --> 01:40:18,568
You know, I don't seek it out.
:
01:40:18,568 --> 01:40:23,768
But I have really enjoyed
Uncommon Valor and Steve, Scott,
:
01:40:23,818 --> 01:40:25,218
I cannot thank you enough.
:
01:40:25,218 --> 01:40:29,758
This was so fun talking about
::
01:40:29,808 --> 01:40:31,948
Remind us where we can find you.
:
01:40:32,108 --> 01:40:32,558
Agreed.
:
01:40:32,612 --> 01:40:37,573
Scott: you can find us on socials
at cheeky bastards podcast,
:
01:40:37,612 --> 01:40:39,862
or also at dropping a Bruce.
:
01:40:39,913 --> 01:40:44,943
And you can find our shows on the last
of the action heroes podcast network.
:
01:40:44,973 --> 01:40:48,263
And we're happy to be a part of
the network cause it's kind of a,
:
01:40:48,603 --> 01:40:53,073
a great place to, to Showcase, you
know, action films and, they're
:
01:40:53,073 --> 01:40:54,083
not the same as they used to be.
:
01:40:54,083 --> 01:40:58,933
And these are fun to be able to, to talk
about movies with a like minded people who
:
01:40:58,933 --> 01:41:00,503
are really just here to to listen to us.
:
01:41:00,503 --> 01:41:04,723
So I, we're, we're very appreciative
that Ryan, who has also been a guest of
:
01:41:04,723 --> 01:41:08,202
mine and a very supportive person for my
other shows of the church of Tarantino.
:
01:41:08,202 --> 01:41:12,103
So it's, it's great that we were able to
be a part of his network that he started.
:
01:41:13,638 --> 01:41:17,248
Katie: And then just as a reminder,
guys, I'm on that network for One
:
01:41:17,248 --> 01:41:18,558
More Round, the Rocky Sears podcast.
:
01:41:18,768 --> 01:41:24,428
You know, as much fun as this was, it
is now time to return to the present day
:
01:41:24,458 --> 01:41:28,077
reality until the next retro made episode.
:
01:41:28,128 --> 01:41:31,778
I can't thank you all enough for
listening or watching on YouTube.
:
01:41:32,098 --> 01:41:38,088
Make sure you follow a retro made
Facebook page and do not forget about
:
01:41:38,088 --> 01:41:41,538
that writing and review until next time.
:
01:41:41,588 --> 01:41:43,688
Be kind rewind.