The See Hear Feel technique (also known as Note Everything): In this technique we explore allowing the attention to freely float between sensory experiences, noting and labeling each one, without restriction or traditional focus object.

From Issue #2

Guided meditation for students of the mindfulness training at the Nelson Buddhist Centre in early 2022.

In many mindfulness meditation practices, there is a object

of focus and a distraction.

So you focus on an object such as the breath.

You pay attention to that until you realize that you're.

not paying attention to it.

You've essentially been distracted.

And then you return your attention to the focus, object, the breath,

and you go back and forth between focus, object, and distraction

until the meditation is done today.

We're gonna do something a little bit differently.

We're going to get rid of the idea of the distraction here, and we're going to allow

our attention to freely float between.

Any sensory experience.

So anything you see, anything you hear or anything you feel is all the

focus object, and you can let your attention just naturally go from object

to object, to object continuously.

So it may sound a little different, but let's give it a try.

If you are in a seated position, go ahead and lengthen the spine.

You can relax your shoulders, your arms.

If you are in an alternative position, you wanna position yourself so that

you are both relaxed, but also alert.

You wanna make the most of the practice and being alert is

a part of being productive.

Your eyes can be open for this, or they can be closed up to you, but allow

your attention to freely float between anything in your sensory experience.

So you might notice

something visual.

Like the wall or the floor or something outside or the back of your eyelids,

you would acknowledge that or note it, and then you can apply a label.

In this case, something visual would be labeled C and then you

might let your attention go to the next thing that grabs it.

Maybe it's mental talk.

You hear dialogue.

So you let your attention go to the area where you detect the mental talk.

You acknowledge it, apply a label label for mental talk is here and

then move on to the next object might be something that you feel like.

Your heartbeat, a sensation like curiosity,

you acknowledge wherever you feel a

sensation, apply the label feel, and then move on.

Any pattern is fine.

It's just letting your attention go.

To whatever it's drawn towards.

Try that.

This technique you have the option to use spoken or mental labels.

and there are only three labels in this technique, in

the, see here, feel technique.

Other labels exist differently in different techniques, but

in this technique, it's just see just here or just feel.

And so if I demonstrate how that sounds, I see something visually,

maybe it's just the back of my eyelids.

If my eyes are closed.

I label that C

I feel something, maybe it's muscles, my hands in my lap label that feel,

I hear something like a sound from outside or in the environment.

I label that here.

So it sounds like this in practice.

Feel here, here,

see, feel

on and on just a neutral tone and a nice even pace.

Matter of fact, whatever it is that comes into your experience,

your tone, uh, should stay neutral and your pacing, maybe a little

faster, a little slower than mine.

It's your own personal style.

So just experiment with it.

Try that for a bit.

You might find yourself pulled to two or more sensations at the same time.

For example, you're seeing something, but then you also hear something.

Uh, additionally that's okay.

Just pick one to acknowledge and label and let the other go.

And then you can move on.

It won't matter, which just you're choosing one, just to keep

it simple and then to move on.

Also anything that's restful is included in the labeling, see here and feel.

So if you experience relaxation in the body, for example, you would label that

feel, you might experience a quiet room.

You would label that here.

You might experience the restlessness that comes with a defocused

gaze or the stillness that you sense behind your closed eyes.

That's labeled C.

Sometimes you might notice something vanish as soon as you acknowledge it.

So a sound that was there and then suddenly isn't there.

You might note it and label it.

But the vanishing itself leaves maybe a stillness or something in its wake.

And you could enjoy that and note and label that if it's restful,

it would be a, uh, label applied to the specific sense category.

See here or fuel.

Most of us are juggling a lot of experiences at any given time.

, there are a lot of sites sounds, emotional body sensations, physical

sensations, restful states that occurring in our experience throughout the day.

Being able to process these in a more conscious way is what a

technique like this helps us train.

For, for example, if you're an athlete, there's a lot of sensation happening.

You've.

The activity of your sport, any self doubt, fear, excitement.

You've got fatigue, pain as well as sounds of crowds or spectators

or opponents, but , but also if you are just in a presentation or you're

communicating with somebody, you have.

interaction where you are collecting verbal signals, audio

cues, emotional sensations, or responses to whatever's occurring.

So all of these sensations happening at any given time, being able to

really acknowledge them and proceed in a way that is skillful can be very

beneficial to any of our experiences.

Just continuing, noting and labeling as you move about from each sensory

experience to another sensory experience, that little landing and

acknowledgement and labeling.

before moving on to the next sensory experience, that's a concentration

skill buildings, uh, exercise.

And as you're

totally open to what's happening in your experience.

Pleasant images, the unpleasant sounds the confusion or emotional body

sensations, anything in the experience.

We're just opening up to all of it, welcoming allowing all of the experience

to come and go without this need to push anything or clinging to anything.

This is building this equanimity skill.

It's a kind of balance, a coolness.

Keeping your cool under pressure, as we say, in sports

and recognizing the difference between something

something that you see visually or hear.

Or feel something that's active, something that's restful detecting the differences.

Internal, external, these differences are all a part of building sensory clarity.

When all of these skills are working together, we're really being mindful.

This is where we're.

Learning to appreciate every experience completely.

We've got everything wrapped in we're completely experiencing

life, and this is true mindfulness.

So if you're finding some

positive effect here, some positive benefit.

Something interesting curiosity.

See if you can carry that into the rest of the day,

if you noticed confusion, agitation in patience.

See if you can greet that with some acceptance and carry that

into the rest of your day.

if you're following the instructions and

staying as productive as you can, you're doing good work, really

good work, and it gets easier.

The more practice, and the more time you spend with it,

I hope this practice meets you well, and I look forward to.

Training with you.