It’s January 2021. The United Kingdom has just entered its 3rd lockdown and all theatres remain closed. For actors Sam Crane and Mark Osterveen, the future looks bleak. As the pandemic drags on Mark who lives alone is increasingly socially isolated, while Sam is panicking about how he is going to support his family. They channel their midlife frustrations by immersing their avatars in the horrifically violent yet beautifully rendered virtual world of Grand Theft Auto Online. In one gaming session they stumble across a theatre and have an idea. Why not stage Hamlet inside the game? Well, there are several reasons why not, chiefly that most people in the game are intent on ruthless annihilation, not polite appreciation of a theatrical production. But wasn’t theatre just as dangerous and rowdy a business in Shakespeare’s time, and isn’t Hamlet, a play about revenge the perfect choice for this place? GRAND THEFT HAMLET is shot entirely inside the world of Grand Theft Auto. By using the in-game phone camera we were able to get intimate close ups and cinematic pans across landscapes – enabling a more cinematic visual language and moments of pathos, emotion and lyricism to exist within the chaos and violence of this undiscovered country. Co-directors Sam Crane & Pinny Grylls join us for a conversation on the arc of their own journey into this virtual world, casting on-line netizens to play these iconic characters, how they came to grasp and utilize the boundless potential of this space, the genuinely funny travails of “rehearsing” the actors and so much more regarding this exceptionally successful debut feature “documentary”.