Deborah Yarchun is a New Jersey-born, Air Force-raised, and Austin-rooted playwright; her plays are just as geographically discombobulated. She’s currently LA/NYC-based. Her plays have been produced and/or developed at Ensemble Studio Theatre, Centenary Stage Company, The Civilians’ R&D Group, Capital Rep, The New Harmony Project, Martha’s Vineyard Playhouse, Amphibian Stage Productions, The Great Plains Theater Conference, Jewish Ensemble Theater, The Playwrights’ Center, Rattlestick Playwrights Theatre, TheatreSquared’s Arkansas New Play Festival, the William Inge Center for the Arts, Jewish Plays Project, the Minnesota Fringe, Minnesota Jewish Theatre Company, Northern Stage, the Philadelphia Fringe, The Samuel French Off-Off Broadway Festival, Playwrights Horizons’ Peter Jay Sharp Theater by Young Playwrights Inc., Williams Street Rep, and at theaters and universities across the United States and in Canada.

Deborah’s honors include two Jerome Fellowships at The Playwrights’ Center, a Dramatists Guild Foundation Fellowship, an EST/Sloan Commission, Dartmouth’s Neukom Literary Arts Award for Playwriting, The Kennedy Center’s Jean Kennedy Smith Playwriting Award, the Kernodle New Play Award, the Richard Maibaum Playwriting Award, and Women in the Arts & Media Coalition’s Collaboration Award. Her play GREAT WHITE was an Honorable Mention for the Relentless Award and her play ATLAS, THE LONELY GIBBON was a finalist for the 2021 National Playwrights Conference. Deborah is a 2021-2024 Core Writer at The Playwrights’ Center and a New Georges Affiliated Artist. She earned her M.F.A. from the University of Iowa where she was an Iowa Arts Fellow.

Deborah is the winner of VetRep’s latest full-length playwriting competition for her play TECTONIC MELANGE. Her play THE CALM BEFORE is currently in development with VetRep.