Keep the cigars you buy from drying out, use Boveda. Click here to get cigar care tips: https://hubs.la/Q01BLsBF0

Mo reveals a new release for Patina Cigars! Founder of Patina Cigars, Mo Maali believes a cigar is a two-hour vacation, a cost-effective psychiatrist session, and a barrier-breaker. Cigars ARE the best way to bring people together, including Mo and Boveda's Drew Emmer at PCA 2024, the preeminent event for premium cigar and pipe industry.

00:00 This is Box Press

00:14 A COVID podcast that launched Patina Cigars

01:30 NEW RELEASE: Patina Oro de Nicaragua cigar

02:17 Unique cigar wrapper to try

03:07 Dream of owning your own cigar line?

04:27 Nicaraguan American supplies tobacco—shout out to cigar makers Raul Disla and Gus Cura

05:06 Giving Boveda a try when you store cigars

05:48 Shout out to James Brown of Black Label Trading

09:39 Patina represents age and beauty

17:14 New to cigars? Or so-so on Connecticuts? Pick up a Patina Connecticut cigar

What is Boveda? Boutique cigar brands like Patina Cigars protect blends with Boveda 2-way humidity control—that brown pack that you find in the box with your cigars. Boveda preserves the flavor and character of premium cigars by keeping them at ideal humidity. At home, continue to use Boveda in your humidor to keep cigars from drying out. With Boveda in your humidor, you'll enjoy full flavor and a perfect smoke from every cigar.

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- Patina Cigars.

- Yeah.

- Tell me the story.

- So we started

2017 officially.

- Not that long ago.

- No, but long.

- A lot of work.

- Yeah.

- Yeah.

- Yeah, so.

It actually started though,

everything started in 2014 with a podcast.

- With what?

- A podcast?

- Yeah, really?

- A cigar-review site.

That's how it all started.

- Really?

- Yeah.

- What were you doing before that?

- I'm a CPA by background.

- Seriously?

- And I traded commodities. Yeah.

Yeah, corn, soybean. I

worked for a grain company.

- Where's home?

- Chicago.

- Okay.

- Yeah.

- Moving grain around.

- Yeah.

From where it was grown

to where it needed to go.

- And now you're in the cigar business?

- Now I'm in the cigar business.

How about yourself?

- So when I came upon Boveda,

I just spent a significant

amount of my adult life

in the music business.

I used to road-manage bands

and I ended up doing

music-package development

for Target and Best Buy outta Minneapolis.

Did you grow up in Chicago?

- Yes, sir.

- What neighborhood?

- On the south side of

the city called Ashburn,

and then in the suburbs

called Orland Park.

- So you're not too far from Tinley Park

in the beginning?

- Mm-mm.

- Yeah, and I used to sell lumber

to the Edward Hines Lumber Company.

- Okay, yeah.

- They were all over the place.

- They had that big music

venue over there too.

You've probably been there.

- Was this new for the show?

- Yeah. So we released

it just before the show.

- Oro de Nicaragua.

- Yes, sir.

- Tell me about what I'm smoking.

- Ecuador. Habano. Oscuro.

- Mm.

- Over Sumatra binder.

- Mm.

- Connecticut Broadleaf and

Nicaragua in the filler.

- Did you know Tags? Tom Taglia?

- I did not.

- Down in Chicago.

Toward Indianapolis, he had a couple of...

At least one store.

- Okay.

- He's a guy that I went to school with.

- Okay.

- Yeah. All Chicago guys.

They all taught me how to drink.

- Mm-hmm.

- Which is why I gave up

drinking a long time ago.

(Host laughing)

- That's why I never started.

- Yeah.

(Mo laughing)

There you go.

- All right?

- Yeah. Mm.

Oh, that's beautiful.

And the wrapper. That's a unique wrapper.

- Yeah, it's nice.

- It's got a nice,

oily finish to it.

What am I tasting?

- Greatness?

- Yeah, I'm tasting...

(both laughing)

I'm tasting greatness.

(Mo speaks indistinctly)

- What do you put in this?

Greatness.

- Yeah.

- That's good.

- Yeah. Nah.

- Mmm.

So you've known our guys from the get go.

- Oh man. Yeah.

I've known Nate [Beck]

for at least three years.

- Is that him singing right now?

- Probably.

- It could be him.

- At least three.

JP [Awad], I met last year, I think.

And then Mike [Stous]...

I don't even know... Where is Mike?

- Stous is around.

- Yeah.

- Stous in the house.

- Yeah. Last year, the year before.

So yeah, man, I've

known them a little bit.

Good guys.

- This has met your expectations?

The dream of having a cigar line?

It's been a lot of work.

- It's exceeded it in some ways and...

I didn't think it was gonna be easier.

It's not any harder than

I thought it would be

because I figured it would be really hard.

I wasn't under any delusions

that it was just gonna happen overnight.

And just like anything in life,

if it's not an organic growth,

you're on a faulty foundation

and you're more likely

to have a bigger fall.

But if you're building along the way

and there's, like, a

step-by-step process to it,

foundation is strong,

your mistakes are made

at the appropriate levels

versus being high up

and making a mistake that could

bring you all the way down.

So each mistake is a learning

lesson and is recoverable.

So that's how I look at it.

But yeah, man, it's been really hard,

and establishing legitimacy

is the first step.

And thankfully, I think we've

done that in a lot of...

At least within the industry.

Now, it's like, how do we

get that to the consumer?

And that's the biggest part.

- Hm.

- So.

- This is awesome.

- Thank you.

- You gotta be super proud of this.

Who makes your cigars?

- Nicaraguan American [Tobaccos S.A.]

Master Blender, Raul Disla

is the guy I work with.

Phenomenal.

Gus Cura is the tobacco guy

and I just gotta mention them

because not a lot of people know them

and they're the engine that

makes it all go in there.

So.

- I've had a great

experience with your cigars.

- Thank you, sir.

- It's such a privilege

to sit with you.

- No, man. Privilege is mine.

- Yeah, no, it's cool. It's...

We've had a chance at this particular show

to talk to some legends in the industry.

We sat with Litto [Gomez].

- Yeah.

- And heard his story.

Last year, we sat with Carlito [Fuente].

- Yeah, I saw it.

- He's really

a significant reason why

Boveda has been successful

because he was the first adopter.

He took a risk on Boveda.

- Oh yeah, yeah.

- He agreed.

- Yeah. Yeah.

- Yeah, he took it on.

It became a part of his culture.

- Yeah, absolutely.

- And your personal experience

with the men and women

in this room over the...

It's really not that...

I mean, it must seem really

long in some respects,

but five, six, seven years, really,

or eight years, seven

years, eight years from...

It's as long as my career with Boveda.

- Yeah. Yeah.

- Lots happened in that period of time.

- A lot. A lot of changes.

So, you know, the first cigar I ever did

was actually with James

Brown of Black Label Trading

for my podcast that I was

doing with my buddy, Drew.

And that kind of introduced everything

in the world of cigar making.

And the landscape since then until now,

is vastly different.

Not only in the way cigars are sold,

but the way cigars are consumed.

And COVID was a big catalyst

in that change, too.

- Sure.

- We're facing a really

interesting time, I think,

that's been unprecedented

in most of our lifetimes,

like, in terms of a global

scale and financially speaking.

So my biggest thing is like,

how is the cigar industry gonna navigate

that changing economic

environment going forward?

So that's more of what I think

is gonna be the biggest

change for us going

for the next couple of years.

- Say more about that.

What's the challenge to the

industry as we know it today?

Where do you see

the biggest roadblock to overcome?

- Well, I think the...

We've seen inflationary

pressure, which, you know,

whether it's cigars, the grocery store.

I mean, you can't go to

McDonald's for under $20 anymore.

Not if you're having

a self-respected meal.

- Used to be five bucks.

- Yeah.

It used to be five bucks.

Dollar menus, they didn't exist.

So the cigar industry has not been immune

to those pressures as well.

I mean, things are just more expensive.

Now, the thought was, if we

make money harder to get,

and we raise interest rates and

it's harder to borrow money,

we're gonna get less money

sloshing around in the system

and this and that.

But by and large, that

really hasn't happened.

So you still have a lot

of money in the system

that's chasing whatever.

And the cigar industry has

seen an influx of money

from new entrants, you know,

so more people wanting tobacco,

the cannabis industry wanting

some of the wrapper leaf

and things like that, so all

those trickle-down effects

that make it more

expensive to do business.

And I think that's gonna continue

for the foreseeable future.

- And I walk around this floor

and I look at some of these newer lines,

and there's some people

that are doing a really excellent job,

and the retailers are like,

"Where am I gonna put them?

Where am I gonna put these?

How am I gonna shoehorn these guys in?"

- Absolutely. Yeah.

It's very competitive out there right now

and there's a lot of

really, really good cigars.

But the amazing thing is

you always seem to find your niche

and you find those stores

that really kind of want to be

a part of what you're doing.

- Mm-hmm. Like Cigar Jones.

- Yeah. Yeah.

- You find there's a

regional concentration

because you're from the Midwest?

Do you think there's a natural-

- No, actually. No.

It's interesting.

It's kind of really spread out.

You know, Chicago

obviously is very strong,

but yeah, Arizona, Philadelphia,

those are some of my biggest markets.

So we're trying to build Texas

and we're doing very well in Wisconsin

and gonna try to start

getting California going

and eventually maybe Florida.

But yeah, it's just

exciting. Little by little.

- So the concept behind Patina

as a branding mechanism...

How did that evolve?

- To me, Patina represents age and beauty.

- Mm.

- And it was like,

Patina might cover,

let's just say a statue,

but underneath it, it's still

whatever it originally was.

And it's like, us as people,

like, my beard is getting gray.

- Patina.

- Yeah. Yeah.

My gray is Patina.

- But the underlying beauty

is still there.

- Yeah!

But the underlying beauty is

still there! It's still me!

But you know, same concept.

No matter what we go through,

no matter what our looks change like,

we're still ourselves, right?

Underneath it.

- Yeah.

- So that's kind of Patina

and I think it applies to artifacts,

but it also applies to us as human beings.

- Yeah.

- So, yeah.

- That's awesome. I like it.

It's a lot deeper than

I expected it to be.

- Yeah, I know, man.

- You thought about this.

- Oh, absolutely. Yeah.

I'm a pretty surface-level

per... No, I'm just kidding.

I'm not. I'm actually,

unfortunately very deep.

- Super deep?

- Yeah. That's the problem.

- And so the podcast.

Tell me about your

experience in podcasting

and how you tripped on this.

- So, one day, my bud...

So I had moved down to

Tulsa, Oklahoma, for a job.

That's when I was doing

the commodity stuff.

And I was moving back to Illinois

and my buddy was like, "Hey, man.

There's these things called

podcasts that people are doing.

We should do a cigar podcast."

Now, mind you, in 2014 there wasn't...

You know, podcasting was

still a relatively new...

So by 2015, I believe, is

when we actually started it.

We had planned it and all this stuff.

And so we just started

talking about cigars,

and then we start having

retailers and brands

send us cigars to review

and stuff like that.

We were one of the first people

to do like Southern Draw

and Black Label, you know,

some of the first.

Fratello-

- The Rose of Sharon.

- You know?

And so this was even before...

This is when Southern Draw

just had the Kudzu and Firethorn, I think.

- Did you have Robert [Holt]

in and talk to him about-

- We didn't, no.

It was just purely by mail or-

- And your experiencing the cigar,

and you're talking about

what your experience is.

- Sure. Yeah.

At that time, we were just

doing reviews.

- Guys smoking cigars.

- Yeah, and then we became the smoke...

So then we meet James Brown,

he does that cigar for

and it ended up being released in 2016.

But the podcast was really the gateway

into the world of cigars.

And, you know, the

connections that we made

through some of that stuff

really allowed Patina to happen,

I guess is what I would say.

- Talking about cigars.

- Talking about cigars, yeah.

- James Brown, that's...

We sat with him last year.

- Mm-hmm.

- Lovely. What a great story.

And talk about a guy that's got Patina.

- Yeah, right. Yeah, yeah.

He's got some nice patina.

- Yeah, and he's, you know,

really committed to art.

- Absolutely.

- And a design mentality.

- Yep. Absolutely.

And you see it in his stuff.

So yeah, man, you know,

he kind of allowed us

to learn a little bit more

about that and then we...

My cigars were originally made

at a factory called

Mombacho [Cigar Factory],

who unfortunately is no longer around.

And I'd moved to NACSA in 2019,

and we've been there since,

which is a wonderful factory.

But yeah, the journey has been

interesting, full of turns.

So...

But you persevere because

if you're looking at it

from an outside perspective,

you see the final product

like you see the cigar on the shelf.

Well, there was a million steps in between

that cigar being tobacco and

then getting on the shelf.

And it's the same thing

with building a cigar brand.

There's a lot of stuff

that people don't take

into consideration or see

until they're actually in it.

- Have you endeavored to chronicle at all,

to be able to tell the

story with some depth?

I just think there's a lot of people

dreaming about their futures

and what they might do to

make their mark on the world

and how they're gonna make a living,

how they're gonna build a life,

feed their family and so forth.

Have you had a chance to...

...keep the story together? I mean...

- By and large,

but not necessarily with intention.

And I think it's like anything else,

when you get really

caught up into something,

you become tunnel vision

to a certain extent

because you become a task master.

Like, "What do I need to get done,"

versus sometimes thinking about, "Wow,

look at all that we have done."

Like, I have people in my life

that will sometimes have to remind me

about how far we've

come, because honestly,

sometimes it feels like,

"Man, why am I even...

Have we even accomplished anything?

What are we doing?

Is this even the right thing to be doing?"

And then people are like, "Hey man,

do you remember when you

weren't in this store,

or you had two lines and

now you have five or..."

So, it's good to...

If you have the right people around you,

I think it is easier to

chronicle such a journey.

because they'll remind you

of some of the stuff that you forget.

- And actually, opportunities like this,

and we love telling

other people's stories.

Our whole vibe in the industry

is we're an asterisk on the industry.

We do one thing really well.

Each one of these people

that have been a part of our journey,

telling their story has been our focus.

- Absolutely.

- And as a compliment to that,

we're tagging along.

- Yeah.

- You know, we're present for the story.

So more conversations, more podcasts,

more videos, more-

- Absolutely.

- You know?

- These are the opportunities

that allow brands like Patina

to reach people that maybe

would've never otherwise

heard of the brand.

So what you're doing for

guys like me, especially,

is beyond measure in terms

of how impactful it is

and how much it means to me, you know?

And I'm sure other guys

that are in my situation.

Funny story about these pictures.

So when Mike had messaged

me and said, "Hey, Mo,

you want to take a picture

so we could do the Boveda For My Humidor?"

And I told him, I said, "Let

me lose a few pounds first.

I wanna look a little better." (laughing)

So yeah, "When I lose a couple pounds,

maybe we'll get on the wall."

- Yeah. Well, and that's not uncommon.

We talk to Erik Espinosa with regularity

about replacing his more robust physique

with a more contemporary

because if you see Eric

now, he's pretty ripped,

and you know, he's been

working with Guy Fieri

and they kind of have a contest about-

- Yeah, yeah.

Right, right, right.

- Who's more chiseled.

But really delightful personalities,

all with unique stories.

- Absolutely.

- Passion, commitment to this industry

and remarkably,

all of them share some

very specific traits

about the way they regard others,

the way they treat people,

the way they approach life.

- Absolutely.

- It's a real privilege

to tell these stories.

It's a privilege to sit with you.

Patina is a marvelously accessible cigar.

If you're new to cigars,

and you go try that...

That first one I had was a Connecticut.

- Yeah. Yeah.

- I don't know what you call that.

- Yeah. Just a Connecticut.

- Just a Connecticut.

It's a really...

Patina actually took me from

a bias against Connecticuts

to being open to Connecticuts.

The Rose of Sharon, you

mentioned, from Southern Draw.

That was a Connecticut that

captured my imagination.

Some of what Carlito's done

with the Arturo Fuente

Connecticut is special.

- Yeah.

- The Oliva Connecticuts.

I mean, there's things that

we get taken on a journey.

Patina should be a part of your journey.

- Thank you.

I look forward to watching you

continue to grow and succeed.

We wanna be a part of it.

- Oh, you guys are. Yeah.

Every, every box comes with Boveda, so...

- We appreciate that.

- Yeah.

- Thank you. We wanna

continue to tell your story.

- Absolutely. Thank you.

- Mo Maali,

just really a privilege for us.

- Yeah, thank you so much. I

appreciate the opportunity.

- Thank you.

- Yeah.