In Episode 9 of this series, Patrick presents the third set of textual clues that point to the Book of Mormon’s author. First he reviews the likely causes that led to the many anomalies that show up in the second half of the Book of Mormon dictation, like the loss of the first 116 pages of text, changes in location and scribes, and the ongoing development of points of doctrine. Many students of Book of Mormon authorship, chalk up the late variation in the text as simply “stylistic drift”. But what actually is “stylistic drift”? Patrick reviews the definitions and common examples of such. He then sets up the important thought exercise—do all of the late anomalies in the text appear to be drift or do they appear to match the Rigdon Theory explanation. That is, that Joseph faithfully dictated the first half of the text either from memory or by reading the text in the hat, until the change in plans. The plans changed in the second half of the dictation when the 116 pages were lost, scribes changed, and doctrinal elements were adjusted with new ideas from Rigdon. This led to Joseph having to adjust his mechanics—now he is “riffing or ad-libbing” more and his unique voice begins to appear in the text, becoming more apparent from 1 Nephi to the Words of Mormon. Having set the stage for this thought exercise, Patrick reviews the primary anomalies that show up in the second half of the text: the introduction of the “Late Voice”, as defined by Rob Terry’s 3-Voice Framework, loss of mathematical cohesion, the “Black Hole” of names, Smith family content, anti-Catholic messaging, the Therefore/Wherefore switch, Enveloping, and several examples of Early Modern English in the text. Patrick points out that “drift” would seem to be gradual. What we actually see in the anomalies is a step-shift—for example, average word frequency of say 4 uses per thousand words, consistently appearing in the first half of the text, stepping up to a consistent average frequency of 8 in the second half of the text. He also points out that the changes we do see that relate to the categories of stylistic drift (tense, tone, vocabulary) are not related to the typical drift by character or scene—they are global changes that step-shift across all characters and all scenes between the first and second halves of the text. Join us for a thoughtful look at the evidence behind one big question: who authored the Book of Mormon?