Artwork for podcast The Book Coach Chronicles
17: A Raw Chat on Postpartum, Motherhood, & Creativity ft. Author Suzanne Yatim Aslam
Episode 174th June 2024 • The Book Coach Chronicles • Holly Ostrout
00:00:00 00:31:06

Share Episode

Shownotes

In this episode, we're talking to Suzanne Yatim Aslam, a former actress and Miss Arab USA turned author of the Amazon bestseller 'Post Pardon Me', who shares her experiences with postpartum depression, societal expectations of motherhood, and how she used her emotions as a fuel for creativity.

Whether experiencing the challenges of new motherhood or seeking to channel creativity into writing, this episode offers insights into the transformative power of authenticity, support systems, and knowing your audience.

Suzanne is a former actress and Miss Arab USA turned writer. Her dark comedy Post Pardon Me is now an Amazon best seller and a Reader's Favorite with 5 stars. She is on a mission to help mamas feel supported in one of the most confusing times of their lives.

Work With Holly

Hi I’m Holly. Book Coach for World-Changers. If you’re going to change the world with your book, fiction or nonfiction, I can help you do it. Change more lives & create a sustainable business! Are you ready to change lives, starting with your own? 

Click here to book a free call to chat about how I can help you make your book dreams a reality.

You can also grab my free Writing Ritual Tracker here and start creating a more sustainable and enjoyable writing practice today!

Let’s Connect

Transcripts

Speaker:

Suzanne Yatim Aslam: And so I sat

there and I tried to figure out.

2

:

How I was going to write this.

3

:

And then I realized why I was

like, why am I writing this though?

4

:

I'm writing this because I'm trying

to say all the things I wasn't allowed

5

:

to say, or didn't feel safe saying,

or didn't feel comfortable saying.

6

:

Holly Ostrout: Welcome to the Book

Coach Chronicles, a podcast for

7

:

writers of books, people who want to

be writers of books, and y'all in the

8

:

back who've been thinking about it, but

don't yet consider yourself a writer.

9

:

We chat about all things authorhood,

from the creative process and making

10

:

your writing life easy and enjoyable, to

actually getting your book out into the

11

:

world and the power it has to change it.

12

:

I'm your host, Holly Ostrout,

and together we're going to bring

13

:

creativity, sustainability, and

delight to writing your book.

14

:

So let's make this year

the season of your book.

15

:

Welcome back today.

16

:

I'm really excited to talk

to suzanne Yatim Aslam.

17

:

Suzanne is a former actress and

Miss Arab USA turned writer.

18

:

Her dark comedy Post Pardon Me

is now an Amazon bestseller and a

19

:

reader's favorite with five stars.

20

:

She's on a mission to help mamas

feel supported in one of the most

21

:

confusing times of their lives.

22

:

Suzanne, welcome.

23

:

Suzanne Yatim Aslam: Thank you, Holly.

24

:

I'm excited to talk to you.

25

:

Holly Ostrout: I am really

excited to talk to you too.

26

:

When we first connected, we talked

about our experiences a little bit.

27

:

We didn't go into too much detail and

I'd love to do that here about our

28

:

experiences after having our first baby.

29

:

So you experienced postpartum depression

and I experienced postpartum anxiety,

30

:

which I didn't even know was a thing

31

:

Suzanne Yatim Aslam: mm

32

:

Holly Ostrout: I had never

heard of before I had a baby.

33

:

And,

34

:

What I found out after having her five

years ago was that things that you would

35

:

think would be really common knowledge

among Mothers and, and doctors and

36

:

society in general are not talked about

and there's got to be a reason for that

37

:

is, would you like to talk about that?

38

:

Suzanne Yatim Aslam: Oh, it's one of those

things where like, I wish I didn't have

39

:

to write my book, you know, because people

wouldn't, they're like, what's the point?

40

:

We, we know everything,

it's fine, but it's not.

41

:

It's so there, there's a very

specific script that we run with.

42

:

With mothers, particularly parents

in general, but mothers in particular

43

:

about how you're supposed to feel.

44

:

A child is a blessing, and if you feel

anything other than gratitude for that

45

:

child, then you are a terrible mother,

and it's something that we just just

46

:

innately feel because of the expectations

we put on ourselves and the assumption

47

:

that we are born with the like biological.

48

:

Understanding of how to mother that

coupled with the fact that people see us.

49

:

It's sort of as like a, like a Virgin

Mary, like the Madonna, just this

50

:

like one note individual rather than

a person who's very dynamic with an

51

:

extensive array of emotions and those

emotions get intensified during that

52

:

That time we feel things that most people

don't experience, or maybe perhaps in

53

:

a truncated time line, because, the

onset of motherhood so instantaneously.

54

:

So we're in a lot of ways, not very,

we're not allowed to be dynamic and we

55

:

put that upon ourselves and we allow

other people to put that upon us.

56

:

And it's not something that

we've really broken from.

57

:

So when we have feelings that go

against that, we shame ourselves for it.

58

:

Holly Ostrout: Shame was a huge part of

my early motherhood months because it

59

:

seemed like everything was going wrong.

60

:

My baby wouldn't latch,

didn't have enough milk.

61

:

I was having intrusive thoughts and

I wanted to be creative and work

62

:

and I couldn't, and I also wanted

to be with my baby all the time.

63

:

And I couldn't do that either.

64

:

So I felt like.

65

:

pulled in so many different

directions with no support.

66

:

And and that definitely created

a sense of isolation in me, which

67

:

I think is really countered to

what mothers are supposed to feel.

68

:

Suzanne Yatim Aslam: Yeah.

69

:

The isolation thing is pretty common.

70

:

We do it to ourselves, but it's

sort of an expected response

71

:

because you don't feel comfortable

going, Oh my God, this is crazy.

72

:

I can't do this.

73

:

The only response that you have

is to just shut up and go inward.

74

:

So it's a, it's a common

practice that, that we have.

75

:

And that's, it's, it's really not fair,

but to your point, we, as mothers, I

76

:

mean, we're supposed to have that, you

know, they say the, the what's the phrase?

77

:

It takes a village to raise a child.

78

:

Well, I firmly believe that

that village is for you and me.

79

:

I mean, the kids, like you have, we

have to take care of the caretaker.

80

:

So we're going to take care of the baby.

81

:

That's what we do, and we,

we're going to figure that out,

82

:

but who's taking care of us?

83

:

And that's, that's

where we need our tribe.

84

:

And we're not really, especially

in this country, we're not

85

:

very good at having a tribe.

86

:

Holly Ostrout: That's such an important

point that you make, that the village

87

:

should be for us as the mothers.

88

:

Is there something that you found

in your process of when you wrote

89

:

your book of how mothers can

create that village for themselves?

90

:

Suzanne Yatim Aslam: So funny.

91

:

The point of my book was twofold.

92

:

It was one to be like, Hey,

I got, I understand you.

93

:

Like, let me hold your hand while

we walk through this together.

94

:

Because I mean, people read my book

and they're like, Oh, you could

95

:

take out your name and put in mine.

96

:

And that's my story.

97

:

So this is very common.

98

:

I'm not special here.

99

:

So the idea of feeling like you're not

alone in this is really, really great.

100

:

But secondly, it's also giving, I'm trying

to give you the courage to ask for help

101

:

because you're the one that has to do it.

102

:

Somebody else isn't going to come

and be like, I'm going to just do

103

:

this all for you and take care of

it unless you advocate for yourself,

104

:

then other people can step in and

be like, okay, how can I help you?

105

:

And let me take this off of your plate.

106

:

But until you actually say I need

help, I'm not, okay, this is too much.

107

:

People are just going to assume

because we see women as this mothers

108

:

is this one note individual in that

one note being, I'm just this perfect

109

:

pristine mother that you've got this.

110

:

So asking for help is really, really

hard and sort of demanding that

111

:

village is really, really hard.

112

:

And it sucks because I'm giving you work.

113

:

I'm saying, Hey, like you

have to go and find it.

114

:

Okay, off you go.

115

:

Like, that's a really big ask.

116

:

I get that.

117

:

But without it, we, I mean, we're

humans are not solitary creatures.

118

:

We're communal.

119

:

And I think we forget that.

120

:

And we forget that with the moms,

particularly because she locks

121

:

herself in her room to nurse the baby.

122

:

Now she's like away in

the corner by herself.

123

:

Because we're ashamed of our bodies

and we're, and we're sexualized at the

124

:

same time and, and it's just so, it's

so horrific that we don't feel safe.

125

:

So we have to go into a corner and hide

while everybody else is getting together.

126

:

We're off in the corner alone.

127

:

And that, that symbolism says a lot.

128

:

So you have, you have to do it yourself.

129

:

Which sorry,

130

:

Holly Ostrout: As with anything, though,

you have to make, you have to take the

131

:

steps if you want the, the experience

to change, but you're right that it

132

:

is almost an impossible position to be

in you, as you said, are sexualized,

133

:

you're isolated because they don't want

you to be sexualized, but you have to

134

:

feed your baby and things like that.

135

:

It's, it is very impossible to

navigate for many first time

136

:

mothers and even second, third time

mothers, because it doesn't change.

137

:

We're kind of competing with our internal

needs and what society expects of us,

138

:

which are completely different things.

139

:

And I know that you've also worked as

an actress before, and I wonder how

140

:

your experience working as an actress

has influenced the way that you maybe

141

:

responded to some of these things.

142

:

Suzanne Yatim Aslam: To

just postpartum depression?

143

:

Holly Ostrout: And, and the

village and society's expectations.

144

:

Suzanne Yatim Aslam: Well, it's so

interesting because I was an actor.

145

:

I kind of viewed life

through the lens of film.

146

:

So, for example, I had.

147

:

A scare when I was about 10 weeks with my

first son and, you know, it was a really

148

:

awful pain and I thought I was having

a miscarriage and on the drive to the

149

:

hospital it was, it was a long drive.

150

:

It was like 30 minutes.

151

:

My pain started to go away and I was like,

did it go away because I lost the baby

152

:

and like that's done now or was it just

a false alarm and I was in pain and now

153

:

I'm no longer in pain and I didn't know.

154

:

And I, I caught myself thinking,

okay, if I lost the baby, how

155

:

am I supposed to react to this?

156

:

Like, what is the appropriate response?

157

:

And then I realized that there

is, I have created, and I don't

158

:

think it's just me as an actress.

159

:

I think we do this

through because of media.

160

:

I have created an amalgamation.

161

:

Of like every single movie or TV show

I've seen where somebody has a miscarriage

162

:

because their response is always the same.

163

:

Like they fall to the floor and they

cry and they grieve and all this stuff.

164

:

But I, at that point did not feel very

connected to the baby, which is a, it was

165

:

also kind of concerning, but I was like,

Oh, but I don't know if I would do that.

166

:

No, but I'm supposed to do

that because that's the script.

167

:

That's the story that is the only

route you can take, is you have

168

:

to do the whole devastated thing.

169

:

And I just didn't know if I was

actually going to be devastated.

170

:

And I, I, I, I tussled with that

on the drive and just realized,

171

:

Oh my God, I'm trying to have

a response and not a real one.

172

:

I'm trying to have a response based on

how I expect this to go because we've

173

:

seen movies where life events occur.

174

:

Like nobody actually, when their water

breaks, do they rush to the hospital

175

:

and all their friends go with them.

176

:

That's not a thing, but I

didn't know that wasn't a thing.

177

:

I had no idea.

178

:

I thought like, as soon as your

water breaks, you go, you go, you

179

:

immediately, the baby's on his

way, you know, that's not true, but

180

:

that's how the movies showed us.

181

:

So I just really, really lived my life.

182

:

through that lens.

183

:

And it was quite an awakening after

having kids to realize this was

184

:

like the most real time in my life.

185

:

And it really is nothing like

the, the idealized life that

186

:

I like to live through film.

187

:

Holly Ostrout: That's a really

interesting thing to notice about that.

188

:

It must have been kind of jarring

to come from a film background and

189

:

realize that nothing is really like the

films almost like you had to put on a

190

:

performance in order to have a baby.

191

:

And I think that is something

that a lot of women feel in

192

:

many areas of their lives.

193

:

I work a lot with creative entrepreneurs

and they often feel like they have to put

194

:

on a performance just to run a business.

195

:

And they often feel like

there is a script to follow.

196

:

And if they're not following

the script, they're doing it

197

:

wrong, but that's not the case.

198

:

Suzanne Yatim Aslam:

Yeah, it's not the case.

199

:

But that's.

200

:

Doing things differently is scary.

201

:

What if I didn't cry?

202

:

What if I did miscarry and I didn't cry?

203

:

That makes me a bad person.

204

:

Do I want to be a bad person?

205

:

Do I want you to think that I'm just

this monster who doesn't have any

206

:

feeling feelings towards my child?

207

:

And you know, and then like

all that, that goes with it.

208

:

So I'm assuming you're going

to shame me and judge me.

209

:

So I'm just going to go

ahead and do it myself.

210

:

Yeah.

211

:

Holly Ostrout: Oh gosh.

212

:

I'm assuming you're going to

shame me and judge me, so I'm

213

:

just going to do it myself.

214

:

That is such a common response

in so many people that I meet.

215

:

Something that we probably need to

work on as a society to not do, because

216

:

there will always be somebody who

looks at you and says, you know, I

217

:

know more about your business than you

do, and I'm going to judge you for it.

218

:

But there's, it's so much smaller

as a ratio than you would think,

219

:

than you make yourself believe.

220

:

Suzanne Yatim Aslam: Yeah, and like,

for example, the, the Miss Arab thing.

221

:

When I won lots of support, lots of love.

222

:

It was great, but you know, you have

some trolls and I let those trolls.

223

:

Be the ones to ruin it for me.

224

:

They ruined it for me.

225

:

Like I had two days where

I felt really great.

226

:

And then I got onto social

media and they were saying

227

:

really horrible things about me.

228

:

And it, that deflated me and they're,

I don't even know who they are.

229

:

They're just people on the internet.

230

:

They're faceless, nameless,

vile human beings.

231

:

And I let them have so much power and take

away all of my joy from that experience.

232

:

But that was my fault.

233

:

I did that.

234

:

I did that, but it's almost

like you, you just expect it.

235

:

It's weird.

236

:

Holly Ostrout: It is.

237

:

Yeah.

238

:

And I think we've all experienced

trolls and there is, and there's so

239

:

much advice on how to deal with trolls.

240

:

And, and yet when we actually

experience our own trolls,

241

:

it feels very difficult to.

242

:

To to actually put that into

practice something you mentioned

243

:

earlier really stuck out to me.

244

:

You talked about going inward journey

to motherhood and I wonder how

245

:

this is practice of going inward.

246

:

How you may have applied this in

other areas of your life as well.

247

:

And, and what you learned

from going inward.

248

:

So would you like to talk

about that for a few moments?

249

:

Hey friends, I hope

you're enjoying the show.

250

:

If you're ready to write your book and

you're looking for tools, resources, or

251

:

a little extra support, you can find all

of that@booksandalchemy.com where you

252

:

can grab my free writing ritual creator.

253

:

Join one of my super special

memberships or a schedule a chat

254

:

to talk about book coaching.

255

:

Again, it's all@booksandalchemy.com.

256

:

Oh, and be sure to subscribe to the

podcast, like go ahead and do it now.

257

:

And now back to the show.

258

:

Suzanne Yatim Aslam: Well, when we

talked about going inward it was I

259

:

think we were saying like, I couldn't

talk about it to the outside world.

260

:

So I just went in and in sort of

in an, in an isolated fashion.

261

:

Right.

262

:

So there are really terrible things

about that, but you can use it to

263

:

your advantage if you choose to.

264

:

I don't think we always do that

well, and I don't think that I'm

265

:

the shining example of doing that.

266

:

But when you're having, especially

creative people, if you're having those

267

:

really big feelings and you feel really

alone, It's actually a really interesting

268

:

time to process it and write it all down

and kind of look at it from an observer

269

:

perspective, because think about like,

do you know, like if I had to write my

270

:

book now, my kids, eight, my kids are

eight and six, but if I had to like

271

:

put myself in that state of postpartum

depression now, it would be really hard.

272

:

I mean, I could probably get there if

I like played the right music and, you

273

:

know, looked at photos of my kids when

they were little and like, remember that.

274

:

But if I were like living, so I'm

going through like a really hard time

275

:

right now with some family stuff.

276

:

And I'm writing down what I'm experiencing

with that family stuff in a way that

277

:

it's so fresh, but I'm also looking

at it like in one way, I'm, I'm, I'm

278

:

sitting in it and I'm feeling it, but

then at the same time, it can also

279

:

look at it from like an observation

deck is what I've been calling it.

280

:

And when you're looking at it from

the observation deck, it's just such

281

:

an interesting connection because

you're looking at you, but you're also,

282

:

you're also you, if that makes sense.

283

:

Have you ever read the untethered soul?

284

:

Holly Ostrout: No, what's that about?

285

:

Suzanne Yatim Aslam: It's

a really interesting book.

286

:

I feel like I have it somewhere behind me.

287

:

It's a really good book that explains

how your thoughts are not you.

288

:

So one of the things I talk about with

postpartum depression, when I tell

289

:

mamas, I'm like, listen, if there's one

thing from this podcast that you take

290

:

away, Your depression is lying to you,

but you're like, well, how can that be?

291

:

Cause those are, those are my

own thoughts, but they're not.

292

:

So like there's you, and then there's

the you that's watching you and

293

:

that's all happening in your head.

294

:

Right.

295

:

So going inward and like experiencing

those thoughts and being able to like live

296

:

in that and feel it and really understand

and allow that to stem your creativity.

297

:

The way I think your creativity gets

stemmed is when you're the observer.

298

:

So like you can feel it in one

sense, but then like observe it.

299

:

So you can actually like.

300

:

Pull it apart and write it down

and, and, and assess how it,

301

:

how it's kind of coming about.

302

:

Does that make sense?

303

:

Holly Ostrout: Yeah.

304

:

It actually reminds me of NLP

neuro linguistic programming.

305

:

Have you heard of it?

306

:

Suzanne Yatim Aslam: No.

307

:

Holly Ostrout: It's, I don't know

quite how to explain it because

308

:

I'm certainly no master NLP

practitioner, but I have used it.

309

:

It's a really good effect.

310

:

And in NLP.

311

:

One of the exercises that you can

do, I think it might be the most

312

:

famous one from NLP, is looking

at the movie screen of an event.

313

:

Or a fear or a phobia, for example, and

you kind of picture yourself in a movie

314

:

theater, you're watching a screen this

image in your head playing over and over.

315

:

And it could be something that has

happened that you have trauma over,

316

:

or it could be something that you were

just catastrophizing in your head.

317

:

And you.

318

:

You see it and then you kind

of pull yourself back and you

319

:

look at yourself watching it.

320

:

Yes.

321

:

And so you're observing the observer and

then you watch the screen get smaller and

322

:

smaller and it does actually help these

The emotion around such kind of events or

323

:

fears or past traumas kind of disappear.

324

:

It helps it just minimize

it until it's not really

325

:

something that you feel anymore.

326

:

That's really interesting

that you use that as well.

327

:

And I liked what you said about

your depression is lying to you.

328

:

Suzanne Yatim Aslam: Yes, that is not you.

329

:

Holly Ostrout: That is really interesting.

330

:

And I bet it applies for your

anxiety is lying to you too.

331

:

Suzanne Yatim Aslam: Oh, 100%.

332

:

Oh my God.

333

:

Yeah.

334

:

Cause all anxiety is fear of the future.

335

:

Right.

336

:

So it's like this thing that

hasn't happened, but you're

337

:

convinced it's going to happen.

338

:

And so you just like start

spinning this web and it's so

339

:

sickening, like really sickening.

340

:

Like in your stomach, you feel like

you're going to throw up all the time.

341

:

Right.

342

:

Yeah.

343

:

And so you're just like, you're

just writing scripts over here.

344

:

Just telling yourself all sorts of tales.

345

:

You're just spinning tales.

346

:

And that's all lies, but it just like,

okay, depression, anxiety are, are beasts.

347

:

They are very, very real things, but it's

so interesting how difficult it is to get

348

:

out of it because once your body becomes

familiar with something, it likes it.

349

:

So even if it's something

bad, it still likes it.

350

:

It's because your brain is meant to

survive, not thrive is what they say.

351

:

So you need something.

352

:

Your brain likes comfort.

353

:

So if depression is comfortable or

anxiety, like constantly thinking

354

:

about this as comfortable, then

you're just going to keep doing

355

:

it because your body's like, Oh,

I need, I need something familiar.

356

:

This is like, this is good.

357

:

And so that, like that cycle

just becomes so, so vicious.

358

:

Holly Ostrout: Yeah.

359

:

Habits are safe to your brain.

360

:

Suzanne Yatim Aslam: Yes.

361

:

Yes.

362

:

I'm going to write that down.

363

:

I like that.

364

:

Habits are safe.

365

:

Holly Ostrout: So, I want to

transition a little bit and

366

:

talk to you about your book.

367

:

And the writing process that you went

through, I know that when you spoke

368

:

earlier about the process for writing

and, you know, you're going through some

369

:

experiences with your family right now,

some hard times, but if you tried to get

370

:

into writing your book about postpartum

now, it would be more difficult because

371

:

you're not in that space right now.

372

:

Which I'm very glad for.

373

:

I'm glad you're not in the space right

now, but also grateful that you were able

374

:

to use that space when you were in it

productively and create something that's

375

:

going to be and has been helpful for so

many women experiencing the same things.

376

:

Can you talk about how you were able

to work through those experiences to be

377

:

creative enough to put that together?

378

:

Suzanne Yatim Aslam: So when I wrote

it, I had just gotten out of, out of it.

379

:

And I remember being really angry.

380

:

I was really angry that I felt lied

to, you know, by other mamas who

381

:

acted like everything was fine or

just wanted to put on this show.

382

:

Even small stuff like people

are like, Oh, you won't get

383

:

your period if you're nursing.

384

:

Well, that's just a big fat lie.

385

:

Like, why are we telling each other this?

386

:

It happened to one lady one time.

387

:

And now that's just

like, that's the thing.

388

:

So I just remember being just so

angry and I finally got out of it

389

:

and I was like, why did it take me,

because it was four years between like,

390

:

between being my first kid and then

coming out of it with my second kid.

391

:

So yeah, it's a lot.

392

:

So I remember just being really

angry and then not being able to act.

393

:

It was really hard to do film or

commercials or whatever with the kids.

394

:

And so now I'm like, I

need a creative outlet.

395

:

And I'm really angry.

396

:

So I started writing and

I had been writing scripts

397

:

with my husband before this.

398

:

So I knew how to like, you

know, how to write in that way.

399

:

But when I sat down to write

the story, I was like, well,

400

:

it's not going to be a script.

401

:

It's going to be a book, which

screwed things up for me because

402

:

I just started writing and I

wrote 30 pages and it was so vile.

403

:

It was just awful.

404

:

It was just so, Well, it was so gross.

405

:

So, and if anybody's never written a

book and they want to write and they're

406

:

starting to write and they're like, this

is disgusting, good, get it all out.

407

:

Like get rid of all of the disgusting,

but if it stays in your head, it's just,

408

:

you're never going to get anywhere.

409

:

So I was 30, it was 30 pages

and it was all I could think of.

410

:

Like I wrote everything and I

was done in 30 pages and I was

411

:

like, well, this isn't, this is a

pamphlet and a, not a very good one.

412

:

And so I sat there and

I tried to figure out.

413

:

How I was going to write this.

414

:

And then I realized why I was

like, why am I writing this though?

415

:

I'm writing this because I'm trying

to say all the things I wasn't allowed

416

:

to say, or didn't feel safe saying, or

didn't feel comfortable saying, what is

417

:

the best format for that journal entries?

418

:

If I let you in inside of my head,

if I gave you my journal right

419

:

now, it was like, here, read this.

420

:

That would be the safest place, right?

421

:

Your journal is your safest place

to actually say how you really feel.

422

:

So I, these are made up journal entries.

423

:

That I created.

424

:

So I got to use my creativity in that

way and like my anger fueling that

425

:

creativity to create these stories.

426

:

So there's dialogue in it

which is so much fun for me.

427

:

I love writing dialogue and and

the, what I did is I was like, okay,

428

:

well, if there, if there's journal

entries, that means like, I have to

429

:

say, okay, here's what happened today.

430

:

Right.

431

:

And then you like reflect on

what you were feeling that day.

432

:

So I went back through my

first year with my son, Sammy.

433

:

And I looked at our calendar and

I just went through the calendar

434

:

from 2015 and I was like, okay, oh

yeah, I had that event that one day.

435

:

And then I reflected on that

event and what I was feeling.

436

:

And I remember being really mad that I

met a pregnant woman and she was so happy.

437

:

And I was so mad at her for

getting pregnant because she

438

:

was the coolest girl I know.

439

:

And she just ruined her

life by getting pregnant.

440

:

Is she crazy?

441

:

I remember just being like, I remember

being like, Just illogically furious

442

:

with this dumb, dumb dummy for getting

pregnant and being joyful about it.

443

:

And and so even just sort of like going

through that timeline helped sort of spur

444

:

those, those it helped just kind of bring

me back to those moments that otherwise

445

:

if I just sat there in a silo by myself

would have been a bit difficult to do.

446

:

Holly Ostrout: That's so

interesting that you said that

447

:

you used your calendar to go back.

448

:

That's a really excellent A lot of

memoirists use that method as well.

449

:

And I also like what you said about

using your anger to fulfill your

450

:

creativity, because we often think

of anger as such a negative emotion,

451

:

but it's, it's a neutral emotion.

452

:

It's what you do with your anger

that makes it negative or positive

453

:

and using your anger to write this

book clearly was a much more positive

454

:

outlet for your anger than, than.

455

:

Many other options you could have taken.

456

:

Suzanne Yatim Aslam: Yeah, yeah.

457

:

Anger, anger is a, what do they call it?

458

:

They call it secondary emotion.

459

:

Anger being the easier pill to

swallow because it's so much easier

460

:

to be angry than like heartbroken.

461

:

If somebody breaks up with

you, you're really sad.

462

:

Well, then that's immediately,

what are we, what do we go?

463

:

Well, you know, he's a piece

of garbage anyway, who cares?

464

:

Like we immediately want to go to

that cause that's so much safer.

465

:

So what's the backstory behind the anger?

466

:

Is such as such an interesting thing.

467

:

Like I felt, I felt lonely.

468

:

I felt confused.

469

:

I felt betrayed by people who told

me that motherhood was wonderful.

470

:

And then if I found,

I felt like it wasn't.

471

:

And so there's just all these like

other emotions and it's just so nicely

472

:

wrapped inside of anger and it's just

such a easier, it's just so safe.

473

:

It's so safe to be angry.

474

:

Yeah.

475

:

Holly Ostrout: I also had plenty of

mothers who have made me think that

476

:

pregnancy and motherhood was going to

be very different from what it was.

477

:

And it's almost like we, some of us feel

obligated to kind of continue the ruse.

478

:

Suzanne Yatim Aslam: Yes.

479

:

Holly Ostrout: I didn't get going here.

480

:

I certainly didn't lose the

weight from breastfeeding.

481

:

And my and I was so sick for so long.

482

:

Couldn't even walk the last

10 weeks of my pregnancy.

483

:

My hips were hurting so badly.

484

:

And that is not an exaggeration.

485

:

That is literal.

486

:

So yeah, my experiences are nothing like

what's in TV or what's in the films.

487

:

Suzanne Yatim Aslam: Yeah, but

then we have to preface it or

488

:

Or by, by saying like, I love my

baby, but he's driving me crazy.

489

:

Like, we have to just because otherwise am

I gonna assume you don't love your baby.

490

:

You know, like the, we have

to always shroud it in.

491

:

What we expect you to the other

person, to, to ex what the, we

492

:

expect them to expect us to say,

493

:

Holly Ostrout: I wish we could just all

assume that everybody loves their babies.

494

:

Suzanne Yatim Aslam: Yeah.

495

:

Holly Ostrout: And we can be honest.

496

:

Suzanne Yatim Aslam: I, I

think that is the assumption.

497

:

So why do we walk around

assuming that that's not.

498

:

It doesn't make any sense.

499

:

Holly Ostrout: We're putting the

pressures of assumed shame on ourselves

500

:

before anybody else puts it on us.

501

:

Suzanne Yatim Aslam: Mm hmm.

502

:

Assumed shame.

503

:

Holly Ostrout: So, I would like

to ask you share one tip that

504

:

you would share with anybody else

who was trying to write a book.

505

:

Suzanne Yatim Aslam: Know your audience.

506

:

That's a really good one.

507

:

If I was writing it for me, then I

would just write it in my journal.

508

:

. And just call it a day, but I'm

not, I'm not writing it for me.

509

:

I'm writing it for mamas.

510

:

So as much as it's really important to

be authentic and say, you know, what

511

:

you want to say and be you, you kind of

have to be, you have to be crafty with

512

:

it and, and angle it in a way that like,

I can't have inside jokes, essentially.

513

:

You know, like things that only pertain

to me that does, it just doesn't work.

514

:

So Really, really knowing your

audience is really important.

515

:

We used to do this thing in a scene

study class where you'd have a script.

516

:

And you're like, you're just like looking

at a page of dialogue and then each

517

:

dialogue you go, okay What is the actual

meaning behind what this line means?

518

:

So somebody would say I'm just so angry

right now And then you're what really what

519

:

they're saying and then in parentheses

like, you know You're studying the

520

:

character and you're like, okay really

what she she means is I feel alone.

521

:

I have no one to talk to And so each

line, and they would always tell us this,

522

:

they're like, the writer put that line

in there specifically, the writer didn't

523

:

make a mistake, that's not a throwaway

line, like each line is so, so valuable,

524

:

so what does this all mean, and what is

it that they're really trying to say and

525

:

so I felt like that really applied to my,

to writing my book, because I needed each

526

:

line to carry the weight that I wanted it

to carry, so the person on the other end

527

:

of the book could feel what it was that

I was trying to get them to feel that's

528

:

why you have to really know your audience.

529

:

Holly Ostrout: Audience is one of the

things that will sink a book faster

530

:

than anything else, and it's, when I

work with clients, it is one of the

531

:

very first things we work on before

we start planning out chapters.

532

:

Suzanne Yatim Aslam: Really?

533

:

Holly Ostrout: Yes, before, before

you start writing any chapters

534

:

or any paragraphs or anything, it

is one of the very first things.

535

:

you have to nail down.

536

:

Because if you don't know who

you're writing to, then you

537

:

don't know how to talk to them.

538

:

Suzanne Yatim Aslam: Okay.

539

:

You see how amazing that was?

540

:

That was just like, I just said

that off the top of my head.

541

:

And the fact that that's what

you, the first thing that you tell

542

:

people, are you listening, everyone?

543

:

This is apparently really important.

544

:

Yeah, that makes a lot of sense.

545

:

That's why I remember when I

was doing my book, I was like

546

:

trying to get my book out there.

547

:

They're like who is it written for?

548

:

And you want to say like, oh,

anybody would enjoy this because

549

:

you're trying to get like as many

people to like it as possible.

550

:

And I remember people being like,

that's the worst thing that you can say.

551

:

It's better to be like from the

ages, like 20 women, 25 to 40

552

:

or, you know, whatever it is.

553

:

Young dads, cause that's,

that's read my book too.

554

:

Yeah, it helps them get inside the head

of the lady that they think is now crazy.

555

:

Holly Ostrout: That's funny.

556

:

Yeah, yeah, my husband definitely

put up with a lot from me and,

557

:

Suzanne Yatim Aslam:

Yeah, give him my book.

558

:

Holly Ostrout: Fortunately, I don't

have postpartum anxiety anymore, but

559

:

I'm definitely going to be giving

it to other people because I do have

560

:

some acquaintances and friends who

are pregnant right now and I think

561

:

that we're afraid to say anything.

562

:

We're afraid to ask, so give the book to

your pregnant friends before they need it.

563

:

And with that in mind, where

can everybody find you online?

564

:

Suzanne Yatim Aslam: I live on

565

:

Instagram.

566

:

Oh my book is on Amazon.

567

:

It's called Post Pardon Me.

568

:

And you can always

contact me via Instagram.

569

:

It's the only place I live.

570

:

Don't make me go to

any other apps, please.

571

:

That's it.

572

:

Holly Ostrout: Okay.

573

:

Well, we will put your Instagram handle

in the show notes and we'll put a link

574

:

to your book in the show notes as well.

575

:

Suzanne Yatim Aslam: Awesome.

576

:

Holly Ostrout: And I like to ask

everybody, if you're comfortable, what

577

:

one thing you are grateful for this week?

578

:

Suzanne Yatim Aslam: So you asked me

this before we started rolling and I was

579

:

like, God, I need to think about this.

580

:

And I realized I'm grateful for strangers.

581

:

I have met the most interesting

people in the last month or two.

582

:

I've sort of let myself be a little bit

more open, but I'm a writer, and I'm

583

:

whatever I am, and so I'm really good at

being like That's what I'm looking for.

584

:

Like brooding, like I can easily brood

and be like, nobody understands me.

585

:

And, you know, and so I've recently

sort of pulled myself out of

586

:

that, that sort of like nihilistic

place I was hanging out in.

587

:

And when I did that, I started

meeting the most interesting people

588

:

and connecting with people in ways

that I never allowed myself before.

589

:

And those strangers are

becoming not strangers.

590

:

And it's just been such a gift that the

universe has sought fit to bestow upon me.

591

:

I decided to be a little bit more

open and I was rewarded for it.

592

:

So strangers.

593

:

Holly Ostrout: I love that.

594

:

That is definitely a

unique gratitude response.

595

:

And it may be my favorite so far.

596

:

Suzanne Yatim Aslam:

Aw, that makes me happy.

597

:

Holly Ostrout: Well, thank you so much for

coming on to chat with me today, Suzanne.

598

:

Suzanne Yatim Aslam: Thanks, Holly.

599

:

It was fun talking to you.

600

:

Holly Ostrout: Thank you

so much for listening.

601

:

Don't forget to subscribe to the

podcast, and if you're feeling like

602

:

it's a good day for good karma, please

take a moment to leave a quick review.

603

:

It tells the robots that my existence

matters, and according to all

604

:

the personality typing systems,

external validation sustains me.

605

:

So have the best day, and write that book.

Links

Chapters

Video

More from YouTube