In this episode, we're talking to Suzanne Yatim Aslam, a former actress and Miss Arab USA turned author of the Amazon bestseller 'Post Pardon Me', who shares her experiences with postpartum depression, societal expectations of motherhood, and how she used her emotions as a fuel for creativity.
Whether experiencing the challenges of new motherhood or seeking to channel creativity into writing, this episode offers insights into the transformative power of authenticity, support systems, and knowing your audience.
Suzanne is a former actress and Miss Arab USA turned writer. Her dark comedy Post Pardon Me is now an Amazon best seller and a Reader's Favorite with 5 stars. She is on a mission to help mamas feel supported in one of the most confusing times of their lives.
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Hi I’m Holly. Book Coach for World-Changers. If you’re going to change the world with your book, fiction or nonfiction, I can help you do it. Change more lives & create a sustainable business! Are you ready to change lives, starting with your own?
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You can also grab my free Writing Ritual Tracker here and start creating a more sustainable and enjoyable writing practice today!
Let’s Connect
Suzanne Yatim Aslam: And so I sat
there and I tried to figure out.
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:How I was going to write this.
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:And then I realized why I was
like, why am I writing this though?
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:I'm writing this because I'm trying
to say all the things I wasn't allowed
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:to say, or didn't feel safe saying,
or didn't feel comfortable saying.
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:Holly Ostrout: Welcome to the Book
Coach Chronicles, a podcast for
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:writers of books, people who want to
be writers of books, and y'all in the
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:back who've been thinking about it, but
don't yet consider yourself a writer.
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:We chat about all things authorhood,
from the creative process and making
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:your writing life easy and enjoyable, to
actually getting your book out into the
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:world and the power it has to change it.
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:I'm your host, Holly Ostrout,
and together we're going to bring
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:creativity, sustainability, and
delight to writing your book.
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:So let's make this year
the season of your book.
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:Welcome back today.
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:I'm really excited to talk
to suzanne Yatim Aslam.
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:Suzanne is a former actress and
Miss Arab USA turned writer.
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:Her dark comedy Post Pardon Me
is now an Amazon bestseller and a
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:reader's favorite with five stars.
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:She's on a mission to help mamas
feel supported in one of the most
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:confusing times of their lives.
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:Suzanne, welcome.
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:Suzanne Yatim Aslam: Thank you, Holly.
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:I'm excited to talk to you.
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:Holly Ostrout: I am really
excited to talk to you too.
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:When we first connected, we talked
about our experiences a little bit.
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:We didn't go into too much detail and
I'd love to do that here about our
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:experiences after having our first baby.
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:So you experienced postpartum depression
and I experienced postpartum anxiety,
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:which I didn't even know was a thing
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:Suzanne Yatim Aslam: mm
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:Holly Ostrout: I had never
heard of before I had a baby.
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:And,
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:What I found out after having her five
years ago was that things that you would
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:think would be really common knowledge
among Mothers and, and doctors and
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:society in general are not talked about
and there's got to be a reason for that
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:is, would you like to talk about that?
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:Suzanne Yatim Aslam: Oh, it's one of those
things where like, I wish I didn't have
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:to write my book, you know, because people
wouldn't, they're like, what's the point?
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:We, we know everything,
it's fine, but it's not.
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:It's so there, there's a very
specific script that we run with.
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:With mothers, particularly parents
in general, but mothers in particular
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:about how you're supposed to feel.
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:A child is a blessing, and if you feel
anything other than gratitude for that
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:child, then you are a terrible mother,
and it's something that we just just
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:innately feel because of the expectations
we put on ourselves and the assumption
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:that we are born with the like biological.
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:Understanding of how to mother that
coupled with the fact that people see us.
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:It's sort of as like a, like a Virgin
Mary, like the Madonna, just this
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:like one note individual rather than
a person who's very dynamic with an
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:extensive array of emotions and those
emotions get intensified during that
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:That time we feel things that most people
don't experience, or maybe perhaps in
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:a truncated time line, because, the
onset of motherhood so instantaneously.
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:So we're in a lot of ways, not very,
we're not allowed to be dynamic and we
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:put that upon ourselves and we allow
other people to put that upon us.
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:And it's not something that
we've really broken from.
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:So when we have feelings that go
against that, we shame ourselves for it.
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:Holly Ostrout: Shame was a huge part of
my early motherhood months because it
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:seemed like everything was going wrong.
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:My baby wouldn't latch,
didn't have enough milk.
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:I was having intrusive thoughts and
I wanted to be creative and work
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:and I couldn't, and I also wanted
to be with my baby all the time.
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:And I couldn't do that either.
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:So I felt like.
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:pulled in so many different
directions with no support.
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:And and that definitely created
a sense of isolation in me, which
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:I think is really countered to
what mothers are supposed to feel.
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:Suzanne Yatim Aslam: Yeah.
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:The isolation thing is pretty common.
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:We do it to ourselves, but it's
sort of an expected response
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:because you don't feel comfortable
going, Oh my God, this is crazy.
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:I can't do this.
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:The only response that you have
is to just shut up and go inward.
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:So it's a, it's a common
practice that, that we have.
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:And that's, it's, it's really not fair,
but to your point, we, as mothers, I
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:mean, we're supposed to have that, you
know, they say the, the what's the phrase?
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:It takes a village to raise a child.
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:Well, I firmly believe that
that village is for you and me.
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:I mean, the kids, like you have, we
have to take care of the caretaker.
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:So we're going to take care of the baby.
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:That's what we do, and we,
we're going to figure that out,
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:but who's taking care of us?
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:And that's, that's
where we need our tribe.
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:And we're not really, especially
in this country, we're not
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:very good at having a tribe.
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:Holly Ostrout: That's such an important
point that you make, that the village
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:should be for us as the mothers.
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:Is there something that you found
in your process of when you wrote
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:your book of how mothers can
create that village for themselves?
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:Suzanne Yatim Aslam: So funny.
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:The point of my book was twofold.
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:It was one to be like, Hey,
I got, I understand you.
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:Like, let me hold your hand while
we walk through this together.
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:Because I mean, people read my book
and they're like, Oh, you could
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:take out your name and put in mine.
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:And that's my story.
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:So this is very common.
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:I'm not special here.
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:So the idea of feeling like you're not
alone in this is really, really great.
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:But secondly, it's also giving, I'm trying
to give you the courage to ask for help
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:because you're the one that has to do it.
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:Somebody else isn't going to come
and be like, I'm going to just do
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:this all for you and take care of
it unless you advocate for yourself,
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:then other people can step in and
be like, okay, how can I help you?
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:And let me take this off of your plate.
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:But until you actually say I need
help, I'm not, okay, this is too much.
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:People are just going to assume
because we see women as this mothers
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:is this one note individual in that
one note being, I'm just this perfect
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:pristine mother that you've got this.
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:So asking for help is really, really
hard and sort of demanding that
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:village is really, really hard.
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:And it sucks because I'm giving you work.
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:I'm saying, Hey, like you
have to go and find it.
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:Okay, off you go.
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:Like, that's a really big ask.
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:I get that.
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:But without it, we, I mean, we're
humans are not solitary creatures.
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:We're communal.
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:And I think we forget that.
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:And we forget that with the moms,
particularly because she locks
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:herself in her room to nurse the baby.
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:Now she's like away in
the corner by herself.
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:Because we're ashamed of our bodies
and we're, and we're sexualized at the
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:same time and, and it's just so, it's
so horrific that we don't feel safe.
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:So we have to go into a corner and hide
while everybody else is getting together.
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:We're off in the corner alone.
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:And that, that symbolism says a lot.
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:So you have, you have to do it yourself.
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:Which sorry,
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:Holly Ostrout: As with anything, though,
you have to make, you have to take the
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:steps if you want the, the experience
to change, but you're right that it
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:is almost an impossible position to be
in you, as you said, are sexualized,
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:you're isolated because they don't want
you to be sexualized, but you have to
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:feed your baby and things like that.
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:It's, it is very impossible to
navigate for many first time
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:mothers and even second, third time
mothers, because it doesn't change.
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:We're kind of competing with our internal
needs and what society expects of us,
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:which are completely different things.
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:And I know that you've also worked as
an actress before, and I wonder how
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:your experience working as an actress
has influenced the way that you maybe
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:responded to some of these things.
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:Suzanne Yatim Aslam: To
just postpartum depression?
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:Holly Ostrout: And, and the
village and society's expectations.
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:Suzanne Yatim Aslam: Well, it's so
interesting because I was an actor.
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:I kind of viewed life
through the lens of film.
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:So, for example, I had.
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:A scare when I was about 10 weeks with my
first son and, you know, it was a really
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:awful pain and I thought I was having
a miscarriage and on the drive to the
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:hospital it was, it was a long drive.
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:It was like 30 minutes.
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:My pain started to go away and I was like,
did it go away because I lost the baby
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:and like that's done now or was it just
a false alarm and I was in pain and now
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:I'm no longer in pain and I didn't know.
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:And I, I caught myself thinking,
okay, if I lost the baby, how
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:am I supposed to react to this?
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:Like, what is the appropriate response?
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:And then I realized that there
is, I have created, and I don't
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:think it's just me as an actress.
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:I think we do this
through because of media.
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:I have created an amalgamation.
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:Of like every single movie or TV show
I've seen where somebody has a miscarriage
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:because their response is always the same.
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:Like they fall to the floor and they
cry and they grieve and all this stuff.
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:But I, at that point did not feel very
connected to the baby, which is a, it was
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:also kind of concerning, but I was like,
Oh, but I don't know if I would do that.
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:No, but I'm supposed to do
that because that's the script.
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:That's the story that is the only
route you can take, is you have
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:to do the whole devastated thing.
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:And I just didn't know if I was
actually going to be devastated.
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:And I, I, I, I tussled with that
on the drive and just realized,
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:Oh my God, I'm trying to have
a response and not a real one.
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:I'm trying to have a response based on
how I expect this to go because we've
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:seen movies where life events occur.
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:Like nobody actually, when their water
breaks, do they rush to the hospital
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:and all their friends go with them.
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:That's not a thing, but I
didn't know that wasn't a thing.
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:I had no idea.
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:I thought like, as soon as your
water breaks, you go, you go, you
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:immediately, the baby's on his
way, you know, that's not true, but
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:that's how the movies showed us.
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:So I just really, really lived my life.
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:through that lens.
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:And it was quite an awakening after
having kids to realize this was
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:like the most real time in my life.
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:And it really is nothing like
the, the idealized life that
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:I like to live through film.
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:Holly Ostrout: That's a really
interesting thing to notice about that.
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:It must have been kind of jarring
to come from a film background and
189
:realize that nothing is really like the
films almost like you had to put on a
190
:performance in order to have a baby.
191
:And I think that is something
that a lot of women feel in
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:many areas of their lives.
193
:I work a lot with creative entrepreneurs
and they often feel like they have to put
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:on a performance just to run a business.
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:And they often feel like
there is a script to follow.
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:And if they're not following
the script, they're doing it
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:wrong, but that's not the case.
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:Suzanne Yatim Aslam:
Yeah, it's not the case.
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:But that's.
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:Doing things differently is scary.
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:What if I didn't cry?
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:What if I did miscarry and I didn't cry?
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:That makes me a bad person.
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:Do I want to be a bad person?
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:Do I want you to think that I'm just
this monster who doesn't have any
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:feeling feelings towards my child?
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:And you know, and then like
all that, that goes with it.
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:So I'm assuming you're going
to shame me and judge me.
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:So I'm just going to go
ahead and do it myself.
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:Yeah.
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:Holly Ostrout: Oh gosh.
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:I'm assuming you're going to
shame me and judge me, so I'm
213
:just going to do it myself.
214
:That is such a common response
in so many people that I meet.
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:Something that we probably need to
work on as a society to not do, because
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:there will always be somebody who
looks at you and says, you know, I
217
:know more about your business than you
do, and I'm going to judge you for it.
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:But there's, it's so much smaller
as a ratio than you would think,
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:than you make yourself believe.
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:Suzanne Yatim Aslam: Yeah, and like,
for example, the, the Miss Arab thing.
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:When I won lots of support, lots of love.
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:It was great, but you know, you have
some trolls and I let those trolls.
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:Be the ones to ruin it for me.
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:They ruined it for me.
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:Like I had two days where
I felt really great.
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:And then I got onto social
media and they were saying
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:really horrible things about me.
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:And it, that deflated me and they're,
I don't even know who they are.
229
:They're just people on the internet.
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:They're faceless, nameless,
vile human beings.
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:And I let them have so much power and take
away all of my joy from that experience.
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:But that was my fault.
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:I did that.
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:I did that, but it's almost
like you, you just expect it.
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:It's weird.
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:Holly Ostrout: It is.
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:Yeah.
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:And I think we've all experienced
trolls and there is, and there's so
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:much advice on how to deal with trolls.
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:And, and yet when we actually
experience our own trolls,
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:it feels very difficult to.
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:To to actually put that into
practice something you mentioned
243
:earlier really stuck out to me.
244
:You talked about going inward journey
to motherhood and I wonder how
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:this is practice of going inward.
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:How you may have applied this in
other areas of your life as well.
247
:And, and what you learned
from going inward.
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:So would you like to talk
about that for a few moments?
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:Hey friends, I hope
you're enjoying the show.
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:If you're ready to write your book and
you're looking for tools, resources, or
251
:a little extra support, you can find all
of that@booksandalchemy.com where you
252
:can grab my free writing ritual creator.
253
:Join one of my super special
memberships or a schedule a chat
254
:to talk about book coaching.
255
:Again, it's all@booksandalchemy.com.
256
:Oh, and be sure to subscribe to the
podcast, like go ahead and do it now.
257
:And now back to the show.
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:Suzanne Yatim Aslam: Well, when we
talked about going inward it was I
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:think we were saying like, I couldn't
talk about it to the outside world.
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:So I just went in and in sort of
in an, in an isolated fashion.
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:Right.
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:So there are really terrible things
about that, but you can use it to
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:your advantage if you choose to.
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:I don't think we always do that
well, and I don't think that I'm
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:the shining example of doing that.
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:But when you're having, especially
creative people, if you're having those
267
:really big feelings and you feel really
alone, It's actually a really interesting
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:time to process it and write it all down
and kind of look at it from an observer
269
:perspective, because think about like,
do you know, like if I had to write my
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:book now, my kids, eight, my kids are
eight and six, but if I had to like
271
:put myself in that state of postpartum
depression now, it would be really hard.
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:I mean, I could probably get there if
I like played the right music and, you
273
:know, looked at photos of my kids when
they were little and like, remember that.
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:But if I were like living, so I'm
going through like a really hard time
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:right now with some family stuff.
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:And I'm writing down what I'm experiencing
with that family stuff in a way that
277
:it's so fresh, but I'm also looking
at it like in one way, I'm, I'm, I'm
278
:sitting in it and I'm feeling it, but
then at the same time, it can also
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:look at it from like an observation
deck is what I've been calling it.
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:And when you're looking at it from
the observation deck, it's just such
281
:an interesting connection because
you're looking at you, but you're also,
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:you're also you, if that makes sense.
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:Have you ever read the untethered soul?
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:Holly Ostrout: No, what's that about?
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:Suzanne Yatim Aslam: It's
a really interesting book.
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:I feel like I have it somewhere behind me.
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:It's a really good book that explains
how your thoughts are not you.
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:So one of the things I talk about with
postpartum depression, when I tell
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:mamas, I'm like, listen, if there's one
thing from this podcast that you take
290
:away, Your depression is lying to you,
but you're like, well, how can that be?
291
:Cause those are, those are my
own thoughts, but they're not.
292
:So like there's you, and then there's
the you that's watching you and
293
:that's all happening in your head.
294
:Right.
295
:So going inward and like experiencing
those thoughts and being able to like live
296
:in that and feel it and really understand
and allow that to stem your creativity.
297
:The way I think your creativity gets
stemmed is when you're the observer.
298
:So like you can feel it in one
sense, but then like observe it.
299
:So you can actually like.
300
:Pull it apart and write it down
and, and, and assess how it,
301
:how it's kind of coming about.
302
:Does that make sense?
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:Holly Ostrout: Yeah.
304
:It actually reminds me of NLP
neuro linguistic programming.
305
:Have you heard of it?
306
:Suzanne Yatim Aslam: No.
307
:Holly Ostrout: It's, I don't know
quite how to explain it because
308
:I'm certainly no master NLP
practitioner, but I have used it.
309
:It's a really good effect.
310
:And in NLP.
311
:One of the exercises that you can
do, I think it might be the most
312
:famous one from NLP, is looking
at the movie screen of an event.
313
:Or a fear or a phobia, for example, and
you kind of picture yourself in a movie
314
:theater, you're watching a screen this
image in your head playing over and over.
315
:And it could be something that has
happened that you have trauma over,
316
:or it could be something that you were
just catastrophizing in your head.
317
:And you.
318
:You see it and then you kind
of pull yourself back and you
319
:look at yourself watching it.
320
:Yes.
321
:And so you're observing the observer and
then you watch the screen get smaller and
322
:smaller and it does actually help these
The emotion around such kind of events or
323
:fears or past traumas kind of disappear.
324
:It helps it just minimize
it until it's not really
325
:something that you feel anymore.
326
:That's really interesting
that you use that as well.
327
:And I liked what you said about
your depression is lying to you.
328
:Suzanne Yatim Aslam: Yes, that is not you.
329
:Holly Ostrout: That is really interesting.
330
:And I bet it applies for your
anxiety is lying to you too.
331
:Suzanne Yatim Aslam: Oh, 100%.
332
:Oh my God.
333
:Yeah.
334
:Cause all anxiety is fear of the future.
335
:Right.
336
:So it's like this thing that
hasn't happened, but you're
337
:convinced it's going to happen.
338
:And so you just like start
spinning this web and it's so
339
:sickening, like really sickening.
340
:Like in your stomach, you feel like
you're going to throw up all the time.
341
:Right.
342
:Yeah.
343
:And so you're just like, you're
just writing scripts over here.
344
:Just telling yourself all sorts of tales.
345
:You're just spinning tales.
346
:And that's all lies, but it just like,
okay, depression, anxiety are, are beasts.
347
:They are very, very real things, but it's
so interesting how difficult it is to get
348
:out of it because once your body becomes
familiar with something, it likes it.
349
:So even if it's something
bad, it still likes it.
350
:It's because your brain is meant to
survive, not thrive is what they say.
351
:So you need something.
352
:Your brain likes comfort.
353
:So if depression is comfortable or
anxiety, like constantly thinking
354
:about this as comfortable, then
you're just going to keep doing
355
:it because your body's like, Oh,
I need, I need something familiar.
356
:This is like, this is good.
357
:And so that, like that cycle
just becomes so, so vicious.
358
:Holly Ostrout: Yeah.
359
:Habits are safe to your brain.
360
:Suzanne Yatim Aslam: Yes.
361
:Yes.
362
:I'm going to write that down.
363
:I like that.
364
:Habits are safe.
365
:Holly Ostrout: So, I want to
transition a little bit and
366
:talk to you about your book.
367
:And the writing process that you went
through, I know that when you spoke
368
:earlier about the process for writing
and, you know, you're going through some
369
:experiences with your family right now,
some hard times, but if you tried to get
370
:into writing your book about postpartum
now, it would be more difficult because
371
:you're not in that space right now.
372
:Which I'm very glad for.
373
:I'm glad you're not in the space right
now, but also grateful that you were able
374
:to use that space when you were in it
productively and create something that's
375
:going to be and has been helpful for so
many women experiencing the same things.
376
:Can you talk about how you were able
to work through those experiences to be
377
:creative enough to put that together?
378
:Suzanne Yatim Aslam: So when I wrote
it, I had just gotten out of, out of it.
379
:And I remember being really angry.
380
:I was really angry that I felt lied
to, you know, by other mamas who
381
:acted like everything was fine or
just wanted to put on this show.
382
:Even small stuff like people
are like, Oh, you won't get
383
:your period if you're nursing.
384
:Well, that's just a big fat lie.
385
:Like, why are we telling each other this?
386
:It happened to one lady one time.
387
:And now that's just
like, that's the thing.
388
:So I just remember being just so
angry and I finally got out of it
389
:and I was like, why did it take me,
because it was four years between like,
390
:between being my first kid and then
coming out of it with my second kid.
391
:So yeah, it's a lot.
392
:So I remember just being really
angry and then not being able to act.
393
:It was really hard to do film or
commercials or whatever with the kids.
394
:And so now I'm like, I
need a creative outlet.
395
:And I'm really angry.
396
:So I started writing and
I had been writing scripts
397
:with my husband before this.
398
:So I knew how to like, you
know, how to write in that way.
399
:But when I sat down to write
the story, I was like, well,
400
:it's not going to be a script.
401
:It's going to be a book, which
screwed things up for me because
402
:I just started writing and I
wrote 30 pages and it was so vile.
403
:It was just awful.
404
:It was just so, Well, it was so gross.
405
:So, and if anybody's never written a
book and they want to write and they're
406
:starting to write and they're like, this
is disgusting, good, get it all out.
407
:Like get rid of all of the disgusting,
but if it stays in your head, it's just,
408
:you're never going to get anywhere.
409
:So I was 30, it was 30 pages
and it was all I could think of.
410
:Like I wrote everything and I
was done in 30 pages and I was
411
:like, well, this isn't, this is a
pamphlet and a, not a very good one.
412
:And so I sat there and
I tried to figure out.
413
:How I was going to write this.
414
:And then I realized why I was
like, why am I writing this though?
415
:I'm writing this because I'm trying
to say all the things I wasn't allowed
416
:to say, or didn't feel safe saying, or
didn't feel comfortable saying, what is
417
:the best format for that journal entries?
418
:If I let you in inside of my head,
if I gave you my journal right
419
:now, it was like, here, read this.
420
:That would be the safest place, right?
421
:Your journal is your safest place
to actually say how you really feel.
422
:So I, these are made up journal entries.
423
:That I created.
424
:So I got to use my creativity in that
way and like my anger fueling that
425
:creativity to create these stories.
426
:So there's dialogue in it
which is so much fun for me.
427
:I love writing dialogue and and
the, what I did is I was like, okay,
428
:well, if there, if there's journal
entries, that means like, I have to
429
:say, okay, here's what happened today.
430
:Right.
431
:And then you like reflect on
what you were feeling that day.
432
:So I went back through my
first year with my son, Sammy.
433
:And I looked at our calendar and
I just went through the calendar
434
:from 2015 and I was like, okay, oh
yeah, I had that event that one day.
435
:And then I reflected on that
event and what I was feeling.
436
:And I remember being really mad that I
met a pregnant woman and she was so happy.
437
:And I was so mad at her for
getting pregnant because she
438
:was the coolest girl I know.
439
:And she just ruined her
life by getting pregnant.
440
:Is she crazy?
441
:I remember just being like, I remember
being like, Just illogically furious
442
:with this dumb, dumb dummy for getting
pregnant and being joyful about it.
443
:And and so even just sort of like going
through that timeline helped sort of spur
444
:those, those it helped just kind of bring
me back to those moments that otherwise
445
:if I just sat there in a silo by myself
would have been a bit difficult to do.
446
:Holly Ostrout: That's so
interesting that you said that
447
:you used your calendar to go back.
448
:That's a really excellent A lot of
memoirists use that method as well.
449
:And I also like what you said about
using your anger to fulfill your
450
:creativity, because we often think
of anger as such a negative emotion,
451
:but it's, it's a neutral emotion.
452
:It's what you do with your anger
that makes it negative or positive
453
:and using your anger to write this
book clearly was a much more positive
454
:outlet for your anger than, than.
455
:Many other options you could have taken.
456
:Suzanne Yatim Aslam: Yeah, yeah.
457
:Anger, anger is a, what do they call it?
458
:They call it secondary emotion.
459
:Anger being the easier pill to
swallow because it's so much easier
460
:to be angry than like heartbroken.
461
:If somebody breaks up with
you, you're really sad.
462
:Well, then that's immediately,
what are we, what do we go?
463
:Well, you know, he's a piece
of garbage anyway, who cares?
464
:Like we immediately want to go to
that cause that's so much safer.
465
:So what's the backstory behind the anger?
466
:Is such as such an interesting thing.
467
:Like I felt, I felt lonely.
468
:I felt confused.
469
:I felt betrayed by people who told
me that motherhood was wonderful.
470
:And then if I found,
I felt like it wasn't.
471
:And so there's just all these like
other emotions and it's just so nicely
472
:wrapped inside of anger and it's just
such a easier, it's just so safe.
473
:It's so safe to be angry.
474
:Yeah.
475
:Holly Ostrout: I also had plenty of
mothers who have made me think that
476
:pregnancy and motherhood was going to
be very different from what it was.
477
:And it's almost like we, some of us feel
obligated to kind of continue the ruse.
478
:Suzanne Yatim Aslam: Yes.
479
:Holly Ostrout: I didn't get going here.
480
:I certainly didn't lose the
weight from breastfeeding.
481
:And my and I was so sick for so long.
482
:Couldn't even walk the last
10 weeks of my pregnancy.
483
:My hips were hurting so badly.
484
:And that is not an exaggeration.
485
:That is literal.
486
:So yeah, my experiences are nothing like
what's in TV or what's in the films.
487
:Suzanne Yatim Aslam: Yeah, but
then we have to preface it or
488
:Or by, by saying like, I love my
baby, but he's driving me crazy.
489
:Like, we have to just because otherwise am
I gonna assume you don't love your baby.
490
:You know, like the, we have
to always shroud it in.
491
:What we expect you to the other
person, to, to ex what the, we
492
:expect them to expect us to say,
493
:Holly Ostrout: I wish we could just all
assume that everybody loves their babies.
494
:Suzanne Yatim Aslam: Yeah.
495
:Holly Ostrout: And we can be honest.
496
:Suzanne Yatim Aslam: I, I
think that is the assumption.
497
:So why do we walk around
assuming that that's not.
498
:It doesn't make any sense.
499
:Holly Ostrout: We're putting the
pressures of assumed shame on ourselves
500
:before anybody else puts it on us.
501
:Suzanne Yatim Aslam: Mm hmm.
502
:Assumed shame.
503
:Holly Ostrout: So, I would like
to ask you share one tip that
504
:you would share with anybody else
who was trying to write a book.
505
:Suzanne Yatim Aslam: Know your audience.
506
:That's a really good one.
507
:If I was writing it for me, then I
would just write it in my journal.
508
:. And just call it a day, but I'm
not, I'm not writing it for me.
509
:I'm writing it for mamas.
510
:So as much as it's really important to
be authentic and say, you know, what
511
:you want to say and be you, you kind of
have to be, you have to be crafty with
512
:it and, and angle it in a way that like,
I can't have inside jokes, essentially.
513
:You know, like things that only pertain
to me that does, it just doesn't work.
514
:So Really, really knowing your
audience is really important.
515
:We used to do this thing in a scene
study class where you'd have a script.
516
:And you're like, you're just like looking
at a page of dialogue and then each
517
:dialogue you go, okay What is the actual
meaning behind what this line means?
518
:So somebody would say I'm just so angry
right now And then you're what really what
519
:they're saying and then in parentheses
like, you know You're studying the
520
:character and you're like, okay really
what she she means is I feel alone.
521
:I have no one to talk to And so each
line, and they would always tell us this,
522
:they're like, the writer put that line
in there specifically, the writer didn't
523
:make a mistake, that's not a throwaway
line, like each line is so, so valuable,
524
:so what does this all mean, and what is
it that they're really trying to say and
525
:so I felt like that really applied to my,
to writing my book, because I needed each
526
:line to carry the weight that I wanted it
to carry, so the person on the other end
527
:of the book could feel what it was that
I was trying to get them to feel that's
528
:why you have to really know your audience.
529
:Holly Ostrout: Audience is one of the
things that will sink a book faster
530
:than anything else, and it's, when I
work with clients, it is one of the
531
:very first things we work on before
we start planning out chapters.
532
:Suzanne Yatim Aslam: Really?
533
:Holly Ostrout: Yes, before, before
you start writing any chapters
534
:or any paragraphs or anything, it
is one of the very first things.
535
:you have to nail down.
536
:Because if you don't know who
you're writing to, then you
537
:don't know how to talk to them.
538
:Suzanne Yatim Aslam: Okay.
539
:You see how amazing that was?
540
:That was just like, I just said
that off the top of my head.
541
:And the fact that that's what
you, the first thing that you tell
542
:people, are you listening, everyone?
543
:This is apparently really important.
544
:Yeah, that makes a lot of sense.
545
:That's why I remember when I
was doing my book, I was like
546
:trying to get my book out there.
547
:They're like who is it written for?
548
:And you want to say like, oh,
anybody would enjoy this because
549
:you're trying to get like as many
people to like it as possible.
550
:And I remember people being like,
that's the worst thing that you can say.
551
:It's better to be like from the
ages, like 20 women, 25 to 40
552
:or, you know, whatever it is.
553
:Young dads, cause that's,
that's read my book too.
554
:Yeah, it helps them get inside the head
of the lady that they think is now crazy.
555
:Holly Ostrout: That's funny.
556
:Yeah, yeah, my husband definitely
put up with a lot from me and,
557
:Suzanne Yatim Aslam:
Yeah, give him my book.
558
:Holly Ostrout: Fortunately, I don't
have postpartum anxiety anymore, but
559
:I'm definitely going to be giving
it to other people because I do have
560
:some acquaintances and friends who
are pregnant right now and I think
561
:that we're afraid to say anything.
562
:We're afraid to ask, so give the book to
your pregnant friends before they need it.
563
:And with that in mind, where
can everybody find you online?
564
:Suzanne Yatim Aslam: I live on
565
:Instagram.
566
:Oh my book is on Amazon.
567
:It's called Post Pardon Me.
568
:And you can always
contact me via Instagram.
569
:It's the only place I live.
570
:Don't make me go to
any other apps, please.
571
:That's it.
572
:Holly Ostrout: Okay.
573
:Well, we will put your Instagram handle
in the show notes and we'll put a link
574
:to your book in the show notes as well.
575
:Suzanne Yatim Aslam: Awesome.
576
:Holly Ostrout: And I like to ask
everybody, if you're comfortable, what
577
:one thing you are grateful for this week?
578
:Suzanne Yatim Aslam: So you asked me
this before we started rolling and I was
579
:like, God, I need to think about this.
580
:And I realized I'm grateful for strangers.
581
:I have met the most interesting
people in the last month or two.
582
:I've sort of let myself be a little bit
more open, but I'm a writer, and I'm
583
:whatever I am, and so I'm really good at
being like That's what I'm looking for.
584
:Like brooding, like I can easily brood
and be like, nobody understands me.
585
:And, you know, and so I've recently
sort of pulled myself out of
586
:that, that sort of like nihilistic
place I was hanging out in.
587
:And when I did that, I started
meeting the most interesting people
588
:and connecting with people in ways
that I never allowed myself before.
589
:And those strangers are
becoming not strangers.
590
:And it's just been such a gift that the
universe has sought fit to bestow upon me.
591
:I decided to be a little bit more
open and I was rewarded for it.
592
:So strangers.
593
:Holly Ostrout: I love that.
594
:That is definitely a
unique gratitude response.
595
:And it may be my favorite so far.
596
:Suzanne Yatim Aslam:
Aw, that makes me happy.
597
:Holly Ostrout: Well, thank you so much for
coming on to chat with me today, Suzanne.
598
:Suzanne Yatim Aslam: Thanks, Holly.
599
:It was fun talking to you.
600
:Holly Ostrout: Thank you
so much for listening.
601
:Don't forget to subscribe to the
podcast, and if you're feeling like
602
:it's a good day for good karma, please
take a moment to leave a quick review.
603
:It tells the robots that my existence
matters, and according to all
604
:the personality typing systems,
external validation sustains me.
605
:So have the best day, and write that book.