The fourth film in our Existential Thriller cycle is Neil Jordan's infamous 1992 political enigma, The Crying Game (1992).

A film's notoriety can easily mute or distort what is actually on the screen. The Crying Game is an interesting and rich movie that was unfortunately overwhelmed by its own infamy. The film's US distributor, Miramax, decided to start a sly whisper campaign to create controversy surrounding a plot twist in the film. The hush-hush angle worked wonders and the film became a smash hit in America. The popularity of the film along with Miramax's carnival barker campaign masked Neil Jordan's layered and fiery script as well as the immense and historic performance of Jaye Davidson. The film deserves a deep reconsideration outside the cultural confines of the atavistic early 90s.

For our chaser film, we untangle the narrative tendrils of David Mamet's oft-passed-by House of Games (1987).

Special Guest: Natasha Alvar, film editor at Cultured Vultures and Rotten-Tomato Approved film critic.