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The Phantom of the Opera - Chapter 11 - Above the Trap-Doors
Episode 1112th November 2022 • Bite at a Time Books • Bree Carlile
00:00:00 00:18:53

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Join Host Bree Carlile as she reads the eleventh chapter of The Phantom of the Opera by Gaston Leroux.

Come with us as we release one bite a day of one of your favorite classic novels, plays & short stories. Bree reads these classics like she reads to her daughter, one chapter a day. If you love books or audiobooks and want something to listen to as you're getting ready, driving to work, or as you're getting ready for bed, check out Bite at a Time Books!

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Take a look in a book and let's see what we can find take a chapter by chapter one by one at a time so many adventures and mountains we can climb take it word for word, line by line we Fight at a Time.

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Video welcome to Bite at a Time books, where we read you your favorite classics.

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One byte at a time.

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My name is Brie Carlyle and I love to read and wanted to share my passion with listeners like you.

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We are part of the Byte at a Time Books Productions network.

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If you'd also like to hear what inspired your favorite classic author to write their novels and what was going on in the world at the time, check out the Bite at a Time Books Behind the Story podcast.

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Wherever you listen to podcasts today, we'll be continuing the Phantom of the Opera by Gaston Lero chapter Eleven Above the Trap Doors the next day he saw her at the opera.

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She was still wearing the plain gold ring.

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She was gentle and kind to him.

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She talked to him of the plans which he was forming, of his future, of his career.

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He told her that the date of the Polar expedition had been put forward and that he would leave France in three weeks, or a month at the latest.

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She suggested almost daily that he must look upon the voyage with delight as a stage toward his coming fame.

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And when he replied that fame without love was no attraction in his eyes, she treated him as a child whose sorrows were only shortlived.

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How can you speak so lightly of such serious things?

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He asked.

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Perhaps we shall never see each other again.

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I may die during that expedition.

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Or I?

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She said simply, she no longer smiled or jested.

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She seemed to be thinking of some new thing that had entered her mind for the first time.

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Her eyes were all aglow with it.

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What are you thinking of, Christine?

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I'm thinking that we shall not see each other again.

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And does that make you so radiant?

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And that in a month we shall have to say goodbye forever?

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Unless, Christine, we pledge our faith and wait for each other forever.

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She put her hand on his mouth.

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Hush, Raoul.

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You know there's no question of that.

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And we shall never be married.

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That is understood.

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She seemed suddenly, almost unable to contain an overpowering gaiety.

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She clapped her hands with childish glee.

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Raoul stared at her in amazement, but but she continued, holding out her two hands to Raoul, or rather giving them to him, as though she had suddenly resolved to make him a present of them.

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But if we cannot be married, we can.

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We can be engaged.

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Nobody will know but ourselves.

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Raoul, there have been plenty of secret marriages.

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Why not a secret engagement?

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We are engaged, dear, for a month.

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In a month you will go away, and I can be happy at the thought of that month all my life long.

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She was enchanted with her inspiration.

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Then she became serious again.

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This, she said, is a happiness that will harm no one.

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Raoul jumped at the idea.

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He bound to Christine and said, mademoiselle, I have the honor to ask for your hand.

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Why, you have both of them already, my dear Betrothed.

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Oh, Raoul, how happy we shall be.

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We must play it.

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Being engaged all day long.

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It was the prettiest game in the world, and they enjoyed it, like the children that they were.

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Oh, the wonderful speeches they made to each other and the eternal vows they exchanged.

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They played at hearts as other children might play at ball.

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Only as it was really their two hearts that they flung to and fro, they had to be very, very handy to catch them each time without hurting them.

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One day, about a week after the game began, Raoul's heart was badly hurt and he stopped playing and uttered these wild words I shan't go to the North Pole.

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Christine, who in her innocence had not dreamed of such a possibility, suddenly discovered the danger of the game and reproached herself bitterly.

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She did not say a word in reply to Raul's remark and went straight home.

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This happened in the afternoon in the singer's dressing room, where they met every day and where they amused themselves by dining on three biscuits, two glasses of port, and a bunch of violets.

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In the evening she did not sing, and he did not receive his usual letter, though they had arranged to write to each other daily during that month.

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The next morning he ran off to Mama Valerius, who told him that Christine had gone away for two days.

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She had left at 05:00 the day before.

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Raoul was distracted.

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He hated Mama Valerius for giving such news as that with such stupefying calmness.

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He tried to sound her, but the old lady obviously knew nothing.

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Christine returned on the following day.

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She returned in triumph.

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She renewed her extraordinary success of the Gallo performance.

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Since The Adventure of the Toad, carlota had not been able to appear on the stage.

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The terror of a fresh croque filled her heart and deprived her of all her power of singing, and the theater that had witnessed her incomprehensible disgrace had become odious to her.

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She contrived to cancel her contract.

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Daie was offered the vacant place for the time she received thunders of applause in the DWave.

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The VI Count, who, of course, was present was the only one to suffer on hearing the thousand echoes of this fresh triumph.

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For Christine still wore her plain gold ring.

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A distant voice whispered in the young man's ear she's wearing the ring again tonight and you did not give it to her.

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She gave her soul again tonight and did not give it to you.

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If she will not tell you what she's been doing the past two days, you must go and ask her, Eric.

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He ran behind the scenes and placed himself in her way.

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She saw him, for her eyes were looking for him.

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She said, Quick, quick.

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Come.

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She dragged him to her dressing room.

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Raoul at once threw himself on its knees before her.

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He swore to her that he would go and he entreated her never again to withhold a single hour of the ideal happiness which she had promised him she let her tears flow.

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They kissed like a despairing brother and sister who've been smitten with a common loss and who meet to mourn a dead parent.

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Suddenly she snatched herself from the young man's soft and timid embrace, seemed to listen to something, and with a quick gesture pointed to the door.

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When he was on the threshold, she said in so low a voice that the vikunt guessed rather than heard her words tomorrow, my dear betrothed, and be happy, Raoul.

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I sang for you tonight.

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He returned the next day, but those two days of absence had broken the charm of their delightful makebelieve.

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They looked at each other in the dressing room with their sad eyes without exchanging a word.

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Raoul had to restrain himself not to cry out I'm jealous, I'm jealous, I'm jealous.

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But she heard him all the same.

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Then she said, come for a walk, dear.

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The air will do you good.

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Raoul thought that she would propose a stroll in the country far from that building which he detested as a prison, whose jailer he could feel walking within the walls.

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The jailer, eric.

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But she took him to the stage and made him sit on the wooden curb of a well in the doubtful peace and coolness of a first scene set for the evening s performance.

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On another day she wandered with him hand in hand along the deserted paths of a garden whose creepers had been cut out by a decorator's skilful hands.

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It was as though the real sky, the real flowers, the real earth were forbidden her for all time as she condemned to breathe no other air than that of the theater.

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An occasional fireman passed, watching over their melancholy ideal from afar.

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And she would drag him up above the clouds in the magnificent disorder of the grid where she loved to make him giddy by running in front of him along the frail bridges among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts.

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If he hesitated, she said, with an adorable pount of her lips, you a sailor.

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And then they returned to terra firma, that is to say, to some passage that led them to the little girls dancing school, where brats between six and ten were practicing their steps in the hope of becoming great dancers one day covered with diamonds.

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Meanwhile, Christine gave them sweets and said she took him to the wardrobe in property rooms, took him all over her empire, which was artificial but immense, covering 17 stories from the ground floor to the roof and inhabited by an army of subjects.

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She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes.

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There were inhabitants of that country who practiced every trade.

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There were cobblers, there were goldsmiths.

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All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies.

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She knew unsuspected corners that were secretly occupied by little old couples.

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She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand.

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And the two of them, sitting on some wormeaten property, would listen to the legends of the Opera.

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Even as in their childhood they had listened to the old Breton tales.

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Those old people remembered nothing outside the Opera.

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They had lived there for years without number.

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Past managements had forgotten them, palace revolutions had taken no notice of them.

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The history of France had run its course unknown to them, and nobody recollected their existence.

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The precious days sped in this way, and Raul and Christine, by affecting excessive interest in outside matters, strove awkwardly to hide from each other the one thought of their hearts.

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One fact was certain that Christine, who until then had shown herself the stronger of the two, became suddenly inexpressibly nervous when, on their expedition she would start running without reason, or else suddenly stop, and her hand, turning ice cold in a moment, would hold the young man back.

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Sometimes her eyes seemed to pursue imaginary shadows.

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She cried this way and this way and this way, laughing a breathless laugh that often ended in tears.

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Then Raoul tried to speak, to question her in spite of his promises.

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But even before he had worded his question, she answered feverishly nothing.

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I swear it is nothing.

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Once, when they were passing before an open trap door on the stage, raoul stopped over the dark cavity you've shown me over the upper part of your empire, Christine, but there are strange stories told at the lower part.

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Shall we go down?

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She caught him in her arms, as though she feared to see him disappear down the black hole and in a trembling voice whispered never.

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I will not have you go there.

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Besides, it's not mine.

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Everything that is underground belongs to him.

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Raoul looked her in the eyes and said roughly, so he lives down there, does he?

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I never said so.

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Who told you a thing like that?

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Come away.

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I sometimes wonder if you are quite sane, Raoul.

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You always take things in such an impossible way.

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Come along.

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Come.

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And she literally dragged him away, for he was obstinate and wanted to remain by the trap door.

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That hole attracted him.

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Suddenly the trap door was closed, and so quickly that they did not even see the hand that worked it, and they remained quite dazed.

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Perhaps he was there, Raoul said at last.

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She shrugged her shoulders, but did not seem easy.

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No, no, it was the trap door shutters.

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They must do something, you know.

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They open and shut the trap doors without any particular reason.

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It's like the door shutters.

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They must spend their time somehow.

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But suppose it were he, Christine.

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No, no, he shut himself up.

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He's working.

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Oh, really?

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He's working, is he?

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Yes.

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He can't open and shut the trap doors and work at the same time.

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She shivered.

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What is he working at?

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Oh, something terrible.

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But it's all the better for us when he's working at that.

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He sees nothing.

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He does not eat, drink or breathe for days and nights at a time.

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He becomes a living dead man and has no time to amuse himself with the trap doors.

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She shivered again.

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She was still holding him in her arms.

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Then she sighed and said in her turn, suppose it were he.

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Are you afraid of him?

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No, no, of course not, she said.

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For all that.

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On the next day and the following days, christine was careful to avoid the trapdoors.

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Her agitation only increased as the hours passed.

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At last, one afternoon, she arrived very late, with her face so desperately pale and her eyes so desperately red, that Raul resolved to go to all lengths, including that which he foreshadowed when he blurted out that he would not go on the North Pole expedition unless she first told him the secret of the man's voice.

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Hush, hush.

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In heaven's name, suppose he heard you.

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You unfortunate, Raoul.

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And Christine's eyes stared wildly at everything around her.

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I will remove you from his power, Christine, I swear it, and you shall not think of him anymore.

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Is it possible?

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She allowed herself this doubt, which was an encouragement, while dragging the young man up to the topmost floor of the theater, far, very far from the trap doors.

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I shall hide you in some unknown corner of the world where he cannot come to look for you.

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You'll be safe, and then I shall go away as you have sworn never to marry.

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Christine seized Raoul's hands and squeezed them with incredible rapture.

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But suddenly becoming alarmed again, she turned away her head.

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Higher was all she said.

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Higher still, and she dragged him up toward the summit.

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He had a difficulty in following her, they were soon under the very roof, in the maze of timberwork they slipped through the buttresses, the rafters, the joists.

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They ran from beam to beam, as they might have run from tree to tree in a forest.

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And despite the care which she took to look behind her at every moment, she failed to see a shadow which followed her like her own shadow, which stopped when she stopped, which started again when she did, and which made no more noise than a wellconducted shadow should.

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As for Raul, he saw nothing either, for when he had Christine in front of him, nothing interested him.

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That happened behind.

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Thank you for joining Bite at a Time books today while we read a bite of one of your favorite classics.

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Again, my name is Brie Carlyle and I hope you come back tomorrow for the next bite of The Phantom of the Opera.

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Don't forget to join our Facebook group byte atotimebooks.com facebook group to hang out with other classic novel loving friends.

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You can check out the show notes or our website, Bite at a Timebooks.com, for the rest of the links for our show.

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Take a look and let's see what we can find.

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