Tales from the Hood: A Dead Seriously Good Film

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Hey fam, don't be scared.

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The Halloween season is near and so we dove back into the 1995 horror anthology movie,

Tales from the Hood.

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This is Hip Hop Movie Club, the show for serious hip hop fans who want to deepen their

cultural knowledge.

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We've watched over 75 hip-hop themed movies and in this episode, we will tell you if it is

a hidden gem or if it should stay buried.

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We'll give you a quick snapshot about the film, talk about where it fits in the hip-hop

canon, a few fun facts, what kind of impact this film had and what fans said about this

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movie.

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Tales from the Hood is a horror anthology

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about three young men who visit a mysterious funeral home where the eccentric mortician tells them four supernatural stories that blend

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scares with social commentary on issues like police brutality, racism, and domestic

violence.

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Think The Twilight Zone meets urban horror with each tale exploring how supernatural justice comes from those who commit very human evils.

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All right, Tales from the Hood.

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Let's talk about director, some of the key cast members.

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Boogie, you want to take us through some of those?

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I know it's a Rusty Cundieff film, but Spike Lee was executive producer on this one.

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Absolutely.

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This is definitely a Spike Lee joint.

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As you can tell from some of the issues that it tackled throughout the film.

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But yeah, let's talk about the cast a little bit.

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We've seen some very familiar faces in this one.

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From several of the films that we've reviewed and some that we haven't seen in other

films, but just legendary nonetheless.

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The Mortician was played by Clarence Williams III.

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I old school, I grew up on the Mod Squad.

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So this was my man from back in the day.

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He was convincingly

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Creepy.

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Very weird, just like what is going on?

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a couple of In Living Color alum, David Alan Grier, T'Keyah Crystal Keymah.

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We had some other cast members from movies that we've reviewed, just to name a few of

them.

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We had Joe Torry DeAundre Bonds, Roger Smith

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Paula Jai Parker, Sammy Monroe Jr.

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Yeah, I mean, you're gonna look at this film and if you've watched some of the films that

we reviewed, you're gonna definitely recognize a lot of the cast members in it.

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And it was good.

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think that they all played off each other well.

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Yeah, that's a surprise.

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Corbin Bernsen, Roger Dorn from Major League was in this.

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It's one of my favorite movies.

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Now it's kind of odd that he was cast in this, but he played a former KKK member who was a

politician.

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And we'll talk about that a little bit, that some some interesting facts regarding that

character and his name.

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He does.

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Quite well-casted.

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Yeah, for sure.

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Yeah, yeah.

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And we mentioned director Rusty Cundieff.

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We had reviewed Fear of a Black Hat, which came out two years prior to this.

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And that was just a parody on hip hop culture.

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And as you mentioned, Boogie, with Spike Lee involvement, you see the social commentary

mixed with the campy horror.

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And I really enjoyed that combination of those two collaborating.

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Absolutely.

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Yeah, so really good cast.

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So where does this fit like in the hip hop film Canon?

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It's unique, right?

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Because it's an intersection of the mid nineties hip hop because we'll get to the

soundtrack.

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It has some really good tracks on that.

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This is right at the heart of the mid nineties hip hop.

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Hip hop is really gaining steam and popularity and becoming more mainstream.

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So I call it hip hop's golden age.

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And the focus on the social consciousness and street narratives is what a lot of folks

were doing back in the day and telling those types of stories through rap.

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Tupac, Cube, et cetera.

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Right, a lot of cautionary tales in hip hop and this is kind of like somebody took the

lyrics from a few songs and put them into a film.

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Yeah.

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Yeah, definitely.

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is pretty well done.

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I like the anthology format where you have, vignettes,

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you can call them like different stories, but they all tie together by that social consciousness.

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You got one about police brutality, one about domestic violence, you have gang violence,

and then straight up racism, the one with the dolls.

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the format works and each one was not too long, not too short.

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It kind of laid it out really plainly for you so that you can kind of understand what was

going on really quickly.

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And once the retribution of sorts came towards them, they didn't drag it out.

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It just kind of got to the point, got out and just moved on to the next one.

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which I thought worked really well because sometimes It got right in, it got right to the

point.

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If you couldn't really understand what was going on, I mean, it was pretty

simple to understand.

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Right, right, it was pretty simple to understand.

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It was authentic and it was gritty with the detail with the police brutality, they're

really, really brutal and framing him with the drugs and injecting him and it was just

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crazy.

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But then they get their comeuppance, We'll do like a deep dive into the soundtrack.

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They only played a handful of songs, but there are some bangers in this one.

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You see some elements of Wu Tang on the soundtrack.

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Inspectah Deck has a song, Let Me At Them.

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Kurupt is on this one, MC Eiht. So back when soundtracks were an actual thing where you go out and buy the CD.

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And this was a pretty good one.

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It went to #16 on the Billboard chart and number one in the hip-hop R &B chart.

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it did better than the movie itself, at least at the time, in terms of box office.

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Right.

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you got some pretty, pretty legit, people in the soundtrack.

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I was like, whoa.

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And it's crazy because I remember when the movie came out, but I didn't

necessarily remember the soundtrack as much, but looking at the soundtrack, I'm like, man,

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I should have listened to this when it came out.

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Right.

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was right up our alley.

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oh

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man, got an Inspectah Deck is like, you know, that's one of my favorite Wu-Tang lyricists.

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I say that all the time.

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He's so underrated.

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But he just comes in and he delivers every time Scarface, Spice-1, like ODB, Havoc

and Prodigy, MC Eiht like all these people I listen to.

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Grave Diggaz you know, like, what?

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listen to these guys.

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I pulled it up on Spotify afterwards and Yeah, it's just kind of underrated.

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Back to the movie though.

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We start the film with the title track by Domino and Chill, but really there wasn't that

much more hip hop in it.

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Like just from a score standpoint, but they do play “Born to Die” by Spice-1 in a couple

of spots and really good needle drops there.

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They really, really move the story.

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the scene with Crazy K getting the behavioral modification playing during the montage of

the

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Yes.

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Jim Crow, all the lynching stuff.

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Well executed, I say.

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yeah.

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That uh was some shock value for you right there.

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song with the montage playing, it drove the point right on home.

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Yeah.

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Yeah.

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And some other interesting tidbits or fun facts from this movie that I had researched

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the director Rusty Cundieff cast his real life parents in the film.

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His father, John, played the priest at Rhodey's funeral and his mother Christina played

Miss Cobbs, the woman in the painting with the dolls in the KKK comeuppance segment.

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Yep.

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That was good, a little family affair.

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yeah.

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interviews with Rusty Cundieff talking about how his mom doesn't have any lines in this, but

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she can play angry and like withering stare really good.

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I thought, if I know mom's, mom's can do that.

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Hahaha

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yeah, yeah.

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That's a universal trait right there.

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Slam dunk casting call.

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Hahaha.

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I surmised this right away.

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When I saw Corbin Bernsen was a politician from the KKK named Duke, I was like, is it a

play on David Duke?

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And it was actually his name was Duke Metger.

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And it's a combination of two real life white supremacists, a former neo-Nazi

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Klansman, David Duke and Tom Metzger, who founded the White Aryan Resistance.

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So they combine those two names.

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Um, which, you know, it worked in this, in this case, obviously.

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no subtlety here.

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Yeah, exactly.

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Yeah.

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Yeah.

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Any other fun facts that you guys came across?

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This is actually Rosalind Cash's last feature film.

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Yeah, shut out to Rosalind Cash. I forgot them I don't know how I forgot to mention her

name

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Yeah, playing the characters that she's had in the past, like in General Hospital and

stuff like that, to play this, like,

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malevolent doctor doing this behavioral modification

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thing on Crazy K, it was really creepy.

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But she has such a regal presence that, like, doing this torture, it's like, whoa, it

makes it even

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You know, this is a campy

this is a campy horror movie.

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But this part was like really kind of

bone rattling.

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Especially the final scene of, of the,

the procedure

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where it's shot with a strobe light.

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And that weird part was the actual, like,

really scary part to me.

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If there was a scary part,

this movie like, wow,

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like the mental torture going on here,

it was like dead.

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seriously bad.

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And really heavy, right?

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It was it was almost like you could

you could almost imagine someone

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attempting to do something like this.

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Yeah. That's it was very realistic.

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Like in the sense of

I can see somebody trying to do this.

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Yeah.

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You know, this is very, very reminiscent.

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Maybe even, straight up

copy of A Clockwork Orange. Yes.

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But you could also think

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that it seems implausible, but it's

very plausible that someone would do this.

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I mean, so.

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These kinds of, like, actual like,

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scary stuff is, was really,

really good to have in a movie like this

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because it gives you that,

that core of something actually serious,

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besides the other social issues

brought. Up.

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But yeah.

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And gave it some weight to it.

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And then the comeuppance dolls were Chiodo

brothers

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dolls that they also used in Team

America: World Police

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So that.

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They were great.

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I could watch a whole movie of. That,

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of. These, these revenge dolls.

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And they were they were good man.

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I like the scene when he was down

the hallway and he's running towards them.

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It's like.

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Oh my God, it's so creepy.

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So good, so good.

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And then attacking Corey Burson

and just eating them alive.

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Yeah, yeah.

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Very satisfying.

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Yeah. It was.

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Yeah yeah yeah.

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This film

I mean talk about impact and legacy.

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Like I don't think it has a strong legacy.

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It's kind of a cult classic.

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It's campy horror

and with with a bit of a hood theme.

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It was this is my first time

watching as much better than I expected.

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I like broken up the vignettes,

but it worked.

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And I think that combination of hip

hop and horror,

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you know, we've seen that progress

throughout the years.

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I'm not saying that this one would

like blaze trails, but it was good.

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It kind of followed the theme of like a

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Tales from the Crypt,

you know, Twilight Zone type format.

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I'll let you weigh in on this BooGie, but

I think the biggest impact of this film

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is it really sort of

opened up the idea of Black horror,

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like uppercase B, the Black

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directors, Black

filmmakers making horror movies.

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You can make the connection

between this and Candyman

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by near the cast,

and Get Out by Jordan Peele and other.

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I'm missing other movies,

but those were like the bigger ones.

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Right?

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It took a while for it to really kick in.

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I guess.

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This, you know, this is now 30 years ago.

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Yeah.

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But having Spike

Lee there to kind of push this along,

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I think really launched

the subgenre of Black horror films.

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Yeah. I mean, I definitely agree.

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I mean, prior

to this, we didn't really have we didn't

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have a whole lot of, like you said,

Black quote unquote Black horror films.

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But yeah, this definitely opened the door.

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And and I think that

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I'm almost disappointed in myself

that I haven't watched his prior,

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because I remember when it came out,

I distinctly remember when it came out

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and I was just like,

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this is going to be so cheesy and corny,

and I'm like, I'm not watching that.

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And meanwhile, you know, we're sitting I'm

sitting here watching

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this with my mother, you know,

so that we can review it tonight.

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And I'm like,

oh my God, this is actually pretty good.

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Like I really enjoyed it.

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Like the subject matter.

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I mean, I think it was very poignant

and I think that

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every scene I played out,

I could relate to each story.

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And it was it was something that like,

oh God, if that really did happen,

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that would be kind of scary.

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Like, oh my God, like you said, the

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the last one with the, with the covers,

that was just that was bone rattling.

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But they definitely did show

that there's a marketplace

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and a space for,

for Black horror films. And,

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yeah, I mean, Spike

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Lee, always a visionary trailblazer and,

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producing this, but

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yeah, I'm just like I said, I'm almost

disappointed I didn't watch his prior.

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That's probably my biggest takeaway

from watching from watch

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this film is that I'm disappointed

that I didn't watch it prior.

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Yeah.

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And I had not seen this before either.

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So I'm glad I watched this.

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Yeah. And I think I already mentioned

I haven't seen either.

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So yeah, glad we're watching it

and I'm glad that it's a good one

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because we will be doing this

collaboration event,

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which will promote again at the end,

an episode

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with the First Saturday Horror series, the

How Could You?! podcast.

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And, hopefully

we have a big turnout for that.

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And, I'm glad it's not a dud of a film.

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Yes, this is actually has some good

message behind it, and it's entertaining,

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and it has the horror elements

and good cast. It checks

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a lot of the boxes.

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Yeah, yeah, I was a little nervous,

but I'm not nervous anymore.

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I mean, I’m going to enjoy watching this

on a big screen.

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Yeah, sure.

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Yeah.

It's going to be fun on a big screen.

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Yeah, yeah, yeah.

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I guess the monster

all along was oppression. So,

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Yeah.

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It's just it's it's too bad

that this film holds up

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as well as it does almost because

like these, we have the same issues

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30 years later then and in some cases,

it feels like it, nothing's changed.

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Right? Yeah.

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It seems like it even made now the like

this missing is like a cell phone.

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Right? Yeah.

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Yeah.

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Some sort of like,

you know, relevant technology,

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like a cell phone or tablet or something.

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But yeah, everything,

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everything in this film

that it could absolutely happen right now.

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And it's still happening.

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It's still happening. Yeah. Yeah,

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yeah, yeah.

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The nice thing about this film is that

it does deal with these social issues

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in a way that most horror films get,

don't really get to this extent.

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I mean, there's always some sort of

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message in an even in a horror film,

but like, this one was very much

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a social commentary film

that used horror as as the backdrop.

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It was unique

in that sense, where it was ambitious,

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you know, you go and go Tales

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in the Hood, and you'd think

it's only going to be horror.

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But the social commentary was huge

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and it it's what gives into staying power

today.

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You could say, go ahead and watch this

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and you're going to get a lot of value

out of it. Yeah.

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And it's a viable option for,

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you know, a

screening at a community theater.

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So come see it.

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Come on. My yeah, yeah.

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Come on I mean I yeah

I don't know if we looked up some of the

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I think I like mixed reviews.

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It didn't have like great reviews

like initially,

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but I think over time people

start appreciating yes, the content.

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And even now it's only a 6.6 on IMDb,

no, 58% on Rotten Tomatoes.

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But I was reading some reviews,

some re reviews.

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One of them, I think, was the British Film

Institute at that time that's come out.

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They, they mentioned that there was some

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sentiment that the police brutality thing

was exaggerated.

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It turns out it wasn't exaggerated at all.

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We should have been listening

to Black people all this time.

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You know, it's crazy.

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I mean, yeah,

they there's been stories that have been

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passed down through generations, you know.

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Yeah, there's actual generational trauma,

you know,

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with dealing with police officers.

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I mean, I have my own interactions

that have traumatized me in a sense,

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but that's beside the point.

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But but yeah, this stuff does happen.

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Absolutely does. Yeah.

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I really did enjoy this movie.

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Watch this all over again

and I will at our event.

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Yeah.

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Anyone get give a quick

shout out to a couple listeners.

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We got some some friends

over at Kutztown University in Kutztown

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PA doctor Marlene Farris

thank you for listening.

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Shouting us out in your class.

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And our friend Ali Akarcesme, who had collaborated with us,

315

: 00:16:34

he did a panel discussion with us

Boyz n the Hood over in Bethlehem.

316

: 00:16:38

So shout out to to you

fine folks over there at Kutztown.

317

: 00:16:41

KU coming in strong. Golden Bears.

318

: 00:16:45

If y'all can make it.

319

: 00:16:46

Come on out. Come on out.

320

: 00:16:48

Yeah, yeah, spread the word.

321

: 00:16:49

Give that extra credit for.

322

: 00:16:51

There you go.

323

: 00:16:51

Right. Yeah. Come on out.

Bring your students.

324

: 00:16:54

Right.

325

: 00:16:55

I know it's,

326

: 00:16:57

And Lehigh, you know, hopefully a D.J.

327

: 00:16:59

ARM has ties to Lehigh he taught hip

hop classes.

328

: 00:17:03

DJ ARM 18 over there.

329

: 00:17:04

You know right around the corner

from Lehigh University.

330

: 00:17:07

Back in session.

331

: 00:17:08

I had the opportunity to tour

the beautiful campus over the weekend.

332

: 00:17:11

My daughter loved it there. It was.

333

: 00:17:13

It was amazing. Beautiful day for it.

334

: 00:17:15

Great architecture, library, classrooms,

just a wonderful vibe out there.

335

: 00:17:21

Why don’t we go around and give

our rating for Tales from the Hood.

336

: 00:17:26

So BooGie, for Tales from the Hood,

would you bring that funky flick back

337

: 00:17:30

or leave it in the vault?

338

: 00:17:32

Bring a funky flick back?

339

: 00:17:33

No, no other commentary necessary.

340

: 00:17:38

DynoWright.

341

: 00:17:39

Bring that funky flick back

or leave it in the vault.

342

: 00:17:41

I am bringing this funky flick back.

343

: 00:17:42

And that just because

we have an event coming up.

344

: 00:17:44

But this was legitimately

a good movie. Yes.

345

: 00:17:47

And make it unanimous.

346

: 00:17:49

I will bring this funky flick back.

347

: 00:17:51

It. Like I said, it

checked all the boxes for me.

348

: 00:17:53

Right on.

349

: 00:17:58

Thanks for tuning in to the Hip

Hop Movie Club show.

350

: 00:18:00

I'm DynoWright.

351

: 00:18:01

Filmmaker, longtime hip hop fan.

352

: 00:18:03

And today, as we record September 16th,

it's the anniversary of Rapper's

353

: 00:18:07

Delight coming out in 1979,

which was my introduction to hip hop.

354

: 00:18:12

Imp the Dimp!

355

: 00:18:15

I’m JB, 80s and 90s

nostalgia junkie, longtime hip hop fan.

356

: 00:18:19

And this film was nostalgic for me

because it brought back memories

357

: 00:18:22

of watching Tales from the Crypt on HBO,

as well as the campy Toxic Avenger series.

358

: 00:18:28

Yeah, can't forget about The Toxic Avenger

359

: 00:18:31

and, BooGie. a DJ,

360

: 00:18:32

longtime hip hop fan

and in the spirit of Halloween,

361

: 00:18:36

I absolutely enjoy

dressing up and scaring people.

362

: 00:18:39

Yeah.

363

: 00:18:40

I have video clips of me

sitting on the porch, dressed up

364

: 00:18:42

and scaring the heck out of some trick

or treaters.

365

: 00:18:44

It is hilarious.

366

: 00:18:47

Think of those prank videos.

367

: 00:18:50

When the guys are sitting there, you know,

people walk by and jumps at them.

368

: 00:18:55

BooGie got the jump scares.

369

: 00:18:57

Next week

370

: 00:18:58

we'll be reviewing Anaconda starring Ice

Cube, Jennifer Lopez and many more.

371

: 00:19:02

Join us Saturday, October 4th

at the Frank Banko Alehouse Cinemas

372

: 00:19:05

at Steel Stacks in Bethlehem,

PA as Hip Hop Movie Club teams up

373

: 00:19:09

with the First Saturday Horror series

and the hosts of the How Could You?! podcast

374

: 00:19:13

for a special screening of Tales

from the Hood. This very film.

375

: 00:19:16

You'll not want to miss this

spooktacular event.

376

: 00:19:18

See this movie on the big screen!

377

: 00:19:21

Don't hate because

you can see what the result would be.

378

: 00:19:24

That's right.

379

: 00:19:25

That's right.

380

: 00:19:26

Cautionary tales.

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