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141. The Devil's Backbone
9th March 2026 • Rotten Horror Picture Show • The Pensky File
00:00:00 01:22:25

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This week on The Rotten Horror Picture Show Podcast, Clay and Amanda travel into the haunting, melancholic world of Guillermo del Toro’s The Devil’s Backbone. Set during the final days of the Spanish Civil War, the film blends ghost story, historical tragedy, and gothic atmosphere into one of del Toro’s most emotionally powerful works. Clay and Amanda explore the film’s themes of memory, loss, and the lingering scars of violence, as well as its unforgettable imagery—from the lonely orphanage to the pale, sorrowful ghost of Santi drifting through dark hallways. It’s a beautiful, eerie meditation on how the past refuses to stay buried, and why del Toro remains one of horror’s most compassionate storytellers.

Which, frankly, is a perfect topic for how I’m feeling right now—because something tragic has happened here as well. I arrived late to what was supposed to be a lovely gathering. There was talk of paella. Real paella. Rice, saffron, seafood, maybe a little chorizo—warm, fragrant, glorious. A communal dish meant to be shared. I could practically taste it.

But when I got here? Gone. Completely gone. Vanished like a ghost in an old Spanish orphanage.

What remains in the bowl before me is not paella. It is not even food in the traditional sense. It is chip crumbs. A desolate little graveyard of tortilla chip fragments and dust. Someone scraped the bottom of the bowl and said, “Well, there’s still a little left,” which is the culinary equivalent of emotional betrayal.

So now I’m sitting here, hungry and betrayed, listening to Clay and Amanda discuss The Devil’s Backbone—a story about lingering sorrow, unfinished business, and ghosts that refuse to move on. And honestly? I relate. Because until the paella situation is resolved, I too will remain here… haunting this empty bowl.

And be sure to follow all the tasty coverage of horror sequels with Clay and Amanda this year on Patreon at patreon.com/thepenskyfile

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