Moe, a photojournalist, has long chronicled the inhumane injustices that the Tatmadaw had committed in his country. From the jade mines of Kachin to the Rohingya camps in Rakhine, he had seen first-hand how ruthless and evil the regime could be.

His first fame came in the form of pictures he took of Aung San Suu Kyi after she had been released from house arrest, and was starting to campaign in 2012. He later exposed the horrible conditions at the lucrative jade mines region of Kachin state. After that, Moe began reporting on the unfolding Rohyinga situation. In his reporting, Moe managed something that very few journalists had been able to do for the Bamar people, in that challenging and complex situation: humanize the Rohingya.

When the February coup hit, Moe was faced with a somewhat unique decision: whether to document events as an objective reporter, or join in the resistance as an activist. He chose to be a journalist, and started taking pictures that very afternoon. He tried to trained himself to “just focus in my viewfinder and try to capture what's happening in the best way possible of the atrocities. But there were times where I couldn't make it. It was too intense and I couldn’t keep shooting.”

Moe’s archive of work was recently recognized by the prestigious Bayeux War Correspondents in Paris, who awarded him first prize for his photojournalism. Ironically, he had to accept the award anonymously for security reasons, preventing him from receiving well-deserved, widespread recognition (at least for now) for his high achievements in the field he has devoted his life to.

And while he could have decided to remain in the safety and security of France, he chose to return to Myanmar to continue his work to document the country’s continuing revolution so that the world may see. He believes that the Burmese people will soon be triumphant, and he wants to be there to take their pictures when they are!