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'The Beatles: Get Back' Review: 'With A Scouser' | WEST UNDERGROUND REVIEWS
Episode 1Bonus Episode28th January 2022 • West Underground • West Underground
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" Get back review with Scouser, Brilliant"

Full length Discussion?review

The BeatlesGet Back is a 2021 documentary series directed and produced by Peter Jackson. It covers the making of the Beatles' 1970 album Let It Be

Featuring JACK HUGHES of THE GRAND UNION, the lads sat down to discuss the ins and outs of Peter Jackson’s eye opening documentary into the trials and tribulations of the boys from Liverpool.

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Transcripts

hello jack have we got you there hey hamish how are you doing man

01:13

yeah man i'm doing well now did you watch the the recent beatles documentary the get back

01:20

i have mine i've watched it a couple of times there's just a barking dog behind me

01:25

ringo shut up yeah man i've watched it and i love it absolutely love it

01:30

now is your dog actually named ringo no it's not it's not even my dog and the owners will be very

01:36

disappointed with me when they see i've stolen their dog oh man but um now what did you what did

01:44

you you being from liverpool and and a liverpool patriot what did you think of

01:48

the documentary do you think it like did justice or it's uh you know missed its mark a little bit

01:54

to be honest not for me i just see it as a big love story and how for the last

02:00

however many years like the beatles have spoken about in such such high regards around the world

02:05

rightfully so and especially being from liverpool you see them as four lads from liverpool who went

02:11

and conquered the world but when you're thinking about get back i think it's important if you get

02:17

at got us there and from like:

02:25

when revolver was released the beatles decided they were going to stop touring

02:30

and that was massive because and i understand why they did it because sound systems weren't where

02:35

they were at beatlemania which was too much and they needed a break and that's when they decided

02:39

to become a studio band and then obviously after that they created apple corpse which

02:46

was a brilliant idea at the time and they weren't making iphones just yet that's a different one

02:52

they made that and then obviously everything is monetized and not not only looking after their

02:57

own careers looking after other people's careers and the business side of the business and then

03:02

unfortunately uh their longtime manager brian epstein died literally the same year and and

03:11

obviously he was spearheading everything and then he was gone there george called him mr epstein

03:17

in the show their leaders gone and then they all have to step up so it's the conflicts

03:23

you can already see things on the horizon of challenges that they were going through that later

03:29

on you find out you know really why the greatest band of all time could be no more and then for me

03:36

e of the biggest points is in:

03:45

been nice but paul got money to linda eastman and john got money to yoko ono who is the most

03:51

divisive and polarizing figure in pop culture history someone uh to this day there's bands

03:58

right now who have you know wives girlfriends boyfriends husbands maybe a little bit too around

04:05

maybe a little bit too involved and taking that band member away from the process and we call this

04:11

the yo oh no effect and then we get that hold it there jack this is for all the musicians out

04:22

there and this is for all you guys that are musicians but know somebody who is

04:26

now if you know somebody who's a musician and they're experiencing the yoko ono effect they've

04:31

got a girlfriend who's doing you know getting way too much in their business call the yoko

04:36

ono helpline do them a favor and call the yoko i know help one for them or do it yourself cheers

04:43

nice man i i have to say the one thing that i i took from the start of watching get back

04:50

is is i found it i found it exceptionally like to be honest boring for like the first hour because

04:58

you're kidding me only because i'm used to the way that they structure documentaries like

05:04

okay i don't know what i mean like where it's like here's something he's something

05:08

he's something and that just a whole bunch of [ __ ] at you in a bunch of different cut footage

05:12

but then after about after about an hour or so i realized no this is the this is the

05:18

[ __ ] documentary like they're just drinking it as if there's a camera in the room like any

05:23

band around the world and then i then after i got that i was just like oh man they're just

05:28

they're writing [ __ ] great songs but they're healing as well like they're just hanging out

05:35

i think i think it's a funny thing because it removes the mythology of the beatles because

05:39

it's not it goes from being here john paul george and ringo full that's from mother

05:45

going on to take the states and you know it's the mythology around them and

05:49

people bands for the first time chris cornell saying he felt like john lennon was his dad

05:55

because he just kept listening to the beatles all the time and all these artists that have been

05:59

inspired the way pop culture changed because of them and then you're just watching them

06:05

decide what they want to have for the lunch is is crazy yeah but the the the four human beings

06:13

we've we've made them these mythical creatures you know yeah they're masking for the cup of tea

06:19

but i understand what you're saying because as as a documentary you just you straight into it

06:25

it's it's them sat in a big you know sound stage yeah just there being there but what like how

06:34

how do you find the beatles individually what do you think about the beatles individually

06:39

i think i think like as as people i i i realize paul was way more involved as a i i always thought

06:49

it was john lennon who runs the band and they have that little conversation but secretly i think it

06:54

was paul that was running the band from like because i think paul was always doing the back

06:59

he was the hr part of the band right he was the one who was doing like getting picking out

07:04

who's going to be around the band and then john lennon may have just been the force being like

07:08

nope that's what's happening boys and putting his foot down on certain ideas and being very you know

07:13

um yeah you know forceful about saying nah this is how we're doing things but i think paul was

07:18

out there talking and you know doing all the and i and i think what was weird too is i i figured out

07:24

that paul was much more aware of his position in history than i actually anticipated okay

07:32

did you realize that like paul at that time they they they weren't just um like

07:39

you know they they weren't just going through [ __ ] and like this was their reality

07:43

like paul's a very rare like aware that they they are the biggest band in the [ __ ] world to be to

07:48

be a fly in the wall literally in history that's that like i i i've got to give it to peter jackson

07:56

wrong like i understand uh michael is it lindsay hogg the director the guy who's we're gonna make

08:05

a tv show it's gonna be a tv special that guy yeah and he didn't even realize it but he was

08:12

he was creating content well obviously he they have the show in mind it's gonna be an arm and

08:18

it's gonna be a behind the scenes and whatever but that footage is more sought after now than it ever

08:25

would have been at the time you know like when when that was eventually released that part of the

08:31

footage and whatever it it was just something that came out whereas because we've had to wait so long

08:41

it's it's like finding out about the jfk assassination you've got your thoughts

08:48

and feelings about what was going on and what happened but to see minute by minute how the

08:54

bands was going and the direction they were going in is quite fascinating for me anyway made me just

09:05

it's it's it's a special one i i i always thought that um that john was the leader of the beatles

09:12

and then paul paul was always second but i realized it was kind of the other way around and

09:17

also i realized that john was tapped out during this he's just you know he he he's almost like

09:24

a fly on the wall of the beatles you know he's that he's the i i just felt like his involvement

09:30

was [ __ ] all in this in this documentary because every time i was watching him like you could see

09:37

that there was a bit of conflict between like george and and um and uh and paul but then you

09:44

also would see like ringo would show up every day ringo was [ __ ] keen john's late every day

09:49

john doesn't say that [ __ ] word in this barely you know he barely speaks and i just thought

09:54

man you he he's basically he's got one leg out already yeah and and especially like later on

10:03

where he's taking meetings with the rolling stones manager he's he's already got his eyes

10:09

on the exit one one thing i found surprising was john lennon post beetles you know where he was at

10:16

every rally under the sun you know and he was he was opposed and evident and he was as

10:22

on the side of like the peace protests in the states with the vietnam war he was he was at

10:29

the forefront of all that had a lot of things going on in the world john was right there

10:36

but i know in this he does avoid confrontation he doesn't like confrontation and everybody knows

10:44

that there's something not right between john and paul but they're just not talking about it they're

10:50

doing everything they can not to talk about it and when they're together the spark is still there and

10:56

they're still there and they still look like they enjoy it but i feel like as soon as that's over

11:02

and they go from playing together there's that there's that huge thing of the not necessarily

11:07

on the same page and obviously they went but one of one one of my favorite things about the whole

11:12

thing is and where the writing and john's there and he's got his guitar and he's like i don't

11:20

even know all the words to this and obviously because it's just after the new year and he's he

11:28

has that moment and he goes up oh mel grab a pen and he's staring at his examiner everybody had a

11:34

hard year a good year and then he he just comes up with the lyrics you know everybody put the socks

11:41

you know everybody put the foot and he's literally writing the lyrics and i i think i struggle with

11:49

being in my band with with the grand union is the fact that when i'm writing i see the beatles and

11:57

their lyrics and you hear them and you just go oh my god oh wow but they didn't really necessarily

12:03

put a lot of thought time or effort into them you know and i assumed they did i just thought they

12:11

did but watching them just nodded his head and got yeah that's the lyrics i i couldn't believe that

12:17

but at the same time is it because they were that good the right lyrics they didn't need to

12:24

fluff about with it for six months to decide on the day in the studio what phrasing they

12:29

were gonna go for you know you know you know one thing that surprised me a little bit actually was

12:36

the the whole concept of the original documentary right is you know and we're gonna go i'm gonna

12:44

play a show it's gonna be the beatles first live show and however many years it's you know and then

12:51

paul obviously is wanting it to become a live performer he wants to be a live band again he

12:56

paul wants to be out there again and i think they all they all kind of do really but

13:02

the pressure they put themselves on there to go into a sound stage come up with an idea for a show

13:11

and write an album yeah it's ridiculous they they they were that big

13:18

that they didn't have to put that constraint on themselves yeah you know it's not like

13:27

they put that pressure on themselves and that again like i was saying before like

13:34

it's just adding little bits of fuel to the fire that they don't need yeah you know and

13:44

an interesting one is ringo you know you were saying before about you thought john was putting

13:50

his foot down more and john was more involved ringo i think is kind of the shining light

13:55

of this whole thing it's because ringo seems to be the nicest most caring man

14:02

out of the band you know the mccartney ringo relationship is a funny one to this day

14:07

people always go oh did you like each other or other when ringo says you know i could watch

14:14

him play the piano for hours this genuine love between ringo and paul and he's he's like that

14:21

with everyone in the band but where ringo doesn't want to go abroad and play the show they they as

14:27

a band could veto any decision and if they all didn't want to do it they just wouldn't do it

14:34

which which is funny really because it's you think of it as john and paul making all the decisions

14:41

but they allowed george and i sailed out like tongue-in-cheek they allowed george and ringo

14:48

to make decisions that actually affected them yeah you know yeah well i i i got that as well man like

14:56

and i i thought it's funny seeing the relationship between paul and george like george knows that

15:01

paul's right about like you know things in the song but but then you see that like george's

15:09

you know like ego is like oh yeah but i can't i just want to play a little bit you know i want

15:14

to put this here right here and it just [ __ ] and i think any guitar player can relate to

15:19

that just wanting to over play and like where the singer's like can we just not have a guitar solo

15:27

and then there's one part where they referenced hey jude and he's just like do you want me to sit

15:30

down like hey jude again yeah i like to george george is quite sad he's great balls you judge

15:40

when it comes to then anyway like george george this is cheeky but one thing i noticed a little

15:46

george is like i think he feels inferior to john and paul because he's always been the little

15:52

brother you know that dynamic of relationship and he's playing in their bands but by this point he's

15:59

hanging around with dylan and he's you know he's friends without a cotton and it's it's kind of a

16:04

funny thing his relationship with that a captain because you know what he's talking he's like oh

16:08

you know eric can do all these things i can't do all these things you know that's quite a good

16:12

george i know to anyone who's not from liverpool they might think i sound like all four of the

16:19

beatles but i don't but that that that george impression was killer but he's the way he talks

16:26

about at a cotton and then when you think about what happened down the line of clarkson starla's

16:35

you know it's it's a bit of a bit of a funny thing but george man i i don't think anyone can watch it

16:44

and think badly about george because george george for me is he's the normal one you know he's just

16:53

he he understands what they're trying to achieve but he sees it

16:58

as a bigger picture of there's other things out there not just the beatles you know

17:03

yeah well i will say when they when they were jamming all things must pass together

17:09

and the three of them were singing on it i was like man it's it's a shame

17:17

that the beatles never called it that song i mean don't get me wrong george on his own is is amazing

17:23

but it is a shame i i think every song should have their three voices and harmony on it man

17:31

hey marcia good morning oh demand [ __ ] this and then one thing did you notice i one thing

17:40

i took away from this documentary is george was the best dressed beetle

17:54

that one but the one that comes to mind is just him in these like [ __ ] amazing fur

17:59

jackets and every time i won i was like looking up on my phone where can i get one of these

18:06

you know you know what's actually quite funny one and i didn't really

18:10

i wouldn't have ever thought about it but you know the obviously what the crescendo

18:17

what we're leading to of of the rooftop gig right yeah the clothes they wear on that is

18:25

i i don't know i live on the old david bowie school of thought of you should never

18:31

wear on stage what you arrive into the venue right and it's it's thought about us more of that these

18:37

are your performer code that's not you anymore these are your performer codes and the beatles

18:42

iconic look in that in that performance and they're just the clothes they were

18:49

wearing to go to the studio and they're just their normal clothes that's that's

18:54

just what they were they were getting from me to be you know i was amazed by that because

19:02

i feel like maybe some bands more than others some performers and all the numbers put a lot

19:07

of time and effort to what they're wearing on stage and the beatles just they'd already

19:13

done the suits for many years yeah yeah they just wanted to wear a big comfy fair coat

19:20

but that's the thing they like i i think for a lot of performers out there it also becomes

19:25

an issue of of of of price like that jacket that that third jacket is is would cost a you

19:33

know a fair quid right they have the money to wear that well don't hamish well don't have it

19:39

you know they would have the money to wear that all the time like if i had that kind of money

19:45

like that i would do that i would wear the fur jacket and wherever or wherever i want it

19:52

i wouldn't think of the animals hamish think of the animals think of the animals yeah well you pig

20:03

i think paul's daughter has a vegan fur company i don't know how it works yeah i have to look into

20:07

that and get some good money good on it what what what's your views on george martin and all of this

20:19

um i didn't really see what he was doing too much i just saw him like wandering around

20:26

asking questions and then then just disappearing and half an hour later oh there's george martin

20:33

because it's quite funny because

20:38

maybe it was up until this point but i had a conversation with stu my friend

20:44

and guitarist and he he was saying maybe george martin because they went on abbey road

20:52

he was just out of his comfort zone and they want they weren't actually recording an album

20:59

at the time they were just writing songs and seeing what would stick you know but it's

21:08

he's still so involved and you can see that they all trust them completely but i thought

21:17

obviously the stories of of before maybe it's just because they've gotten bigger and they you know

21:23

they trusted their own judgment more but george martin was very much involved in everything and

21:30

i'd honestly like to know when that turned off and then maybe when it turned back on again in regards

21:35

to the composition side of it anyway yeah well i think he was involved in the even like little

21:44

things that i've seen on youtube i think that that's what he that's how he worked he was like

21:49

boys you go figure this out then when you come to the studio i think we put strings on because

21:56

there was one conversation about talking about like strings and orchestras on different parts

22:01

and you only heard that briefly before it cut to the next thing and i was like ah that's where you

22:07

come in it's like the boys an idea to you and then you're like yep let's fill studio three

22:13

with uh with the full london orchestra and then after tonight can we get some you know concert

22:19

violins in studio four you know yeah i just i just saw that as more of you know of the involvement

22:28

who's calling you ringo yeah ringo bloody hell i'm i'm trying to talk about you and you're giving me

22:34

phone calls oh no i'm really sorry about that percy yeah for me man mal evans he's he's the

22:43

guy who i think should deserves a bit of credit anyway for writing a few beatles songs because

22:49

he's there sat next to george and sat next to all of them his little pen and paper maybe these

22:56

should be the words you know changing phrasing and whatever like he goes on long and wide in the road

23:01

and that's just a beautiful beautiful thing and he was the road manager and he's a guy who later on

23:10

in the show stops a few coppers from getting where they need to be you know and

23:17

but i just like how anything they need he's doing yeah you know and it's it's such a shame because

23:27

later on in life they kind of said that his involvement wasn't really there and he said

23:34

he did more than he did and one of that but watching that documentary the guy is doing it

23:40

less or less right he was quite lazy yeah and they went mal we're bringing a tv crew in anyway right

23:48

let's get a coffee in me i need to look busy the bosses are here right unless unless that was the

23:53

case yeah the guy the guy is is just everywhere he's doing everything they need and it's

24:03

the legend of the beatles is quite a funny thing isn't it because i just imagine paul and john

24:15

early days you know in in paul's bathroom writing songs to the right acoustics you know and and then

24:24

them going into records with george martin and

24:28

ringo and george wayne and the songs on the day you know yeah and then later on they've got that

24:36

many things going on around them and there's a guy there like whatever lyrics they need and

24:43

it's i don't know i think i think there's actually some people who could honestly do

24:50

with not watching the documentary because if you want them to say it's this mythical

24:57

mythical thing then it's it's how normal here you know yeah it's it's like

25:09

we're coming up into christmas season now if you've seen what santa claus was doing

25:14

for the rest of the year would you be that interested in them i don't know because he's

25:19

definitely real let me tell you you know it's i think i feel like sometimes although we now i i

25:30

feel like it may have always been there but right now our generation and the way the world is we've

25:35

got such a need for content but such a need to have it right now you know and there's some

25:42

things that you just don't want to know about you don't want to know how the sausage is made

25:46

you know and i feel like for a lot of people it'll be quite a sad thing for them to watch because

25:53

they go from being these gods to just being four blokes from liverpool yeah good pen a song you

26:02

know yeah yeah write some amazing albums yeah i i definitely see your point with that because like

26:10

i jus i just felt like if if if you know like if you were there you would be you would just

26:16

be friends with them you'd just be like hey guys you know whatever and you know you know yeah yeah

26:22

yeah did it just be oh paul my friend paul yeah yeah he's my mate paul that plays you know in this

26:29

band and uh yeah we're just hanging out on the side he plays he plays he plays the funny guitar

26:36

you know yeah he plays but he plays again yeah he's not bad he's not fun

26:45

i don't think he i don't think he'll ever make any money out of it yeah

26:49

man i don't and i'm you know and that george guy's a bit quiet man and that ringo guy is

26:53

really nice too yeah but that johnny he should be he should be he he should be a train conductor

27:05

but that john lennon bloke he's a bit moody you never know if he's happy or

27:08

sad when he's sitting in there and uh you know very quiet pondering his ideas

27:14

i think he's just how does he sleep ah how does he sleep man i don't know i'll die imagining

27:21

so what what do you think of yoko owner man i think the worst the to be honest with everybody

27:29

that will go watch this the worst 10 minutes of this whole documentary and when they cut to hers

27:40

it's just like jump and paul's like not in his head played along and he must be thinking

27:45

what have we got ourselves into dude when i saw that i thought [ __ ] man i don't think

27:51

like paul has the patience of a saint you know like to sit through and jam while she's doing

27:57

that to your song i i felt angry anger yeah it's it's it's a funny thing you know imagine

28:06

like you know he's so nice like he i think he was too nice to john to be honest

28:15

it you know you know it's i it's when she's reading the newspaper

28:24

and they're all sat there writing you know the beatles are there and she's just there

28:31

sat next to them yeah not even next to the annie christian fella she's

28:35

just there reading the paper yeah and i could understand you know

28:43

i i feel like i've had a few bad memories that would be like can you challenge people you know

28:51

yeah and nobody does it nobody does it yeah maybe maybe people will more polite than but

28:57

i've seen a an interesting thing and it was about uh it was paul talking about john

29:04

the yoga and he was like you know at the time it was annoying but he met the love of his life

29:12

and he just wanted us to be around him all the time and he can't argue with that

29:19

you know but if you meet the love of your life she's not gonna do the podcast video this year

29:28

i just asked you a question too like what your life do you take to work with you oh um

29:37

in here

29:40

yeah like you know i i i i understand what paul saying that's a really sweet way of saying it and

29:47

i get it and like i said man i see this whole thing as a lord story you know but she doesn't

29:53

always need to be there no no i i'm surprised nobody was like hey yo go he is like 20 could

30:01

you go get us some lunch or something while we figure this out yeah just like bribe her off

30:17

she was doing a screen and i was like

30:22

this needs to stop that was the only part i never enjoyed that was the only one i never enjoyed

30:28

yeah just just that just a little bit but god bless her but i've had a conversation

30:36

about linda paul's missus and she's just the sweetest most lovable human being ever you know

30:45

i don't know why linda didn't go up to yoko and be like oh yoko do you want to come do this do

30:49

you want to come see my um you know just come this way a little bit more could you walk another 20

30:55

steps in this direction yeah go do this you know get off the way yeah and wander around like the

31:01

beatles housewives you know the real housewives of liverpool are just wandering around outside

31:09

seeing all the sights yeah yeah i don't know it's it's a funny dynamic isn't it because

31:16

it's john's wife and paul's wife you know yeah but for those who are so close john and paul there's

31:24

not much going on between the wives whereas a thought that may have been at least you know yeah

31:32

some kind of bond everyone's been away on a weekend away with your significant other's

31:38

friends best friend and their partner you know yeah with gr we created teeth everyone's done it

31:45

yeah but now she seems she seems really sweet and unfortunately she she you know just didn't

31:52

have the longest of lives and i feel for paul to this day i feel like that was that was the love

31:58

of his life you know and he's been in love after it but that was the love of his life

32:04

yeah and that's i agree that's purple purple yeah like throughout this thing man i i i i

32:15

gained more respect from paul mccartney out of this documentary i just wish there was people

32:20

like paul mccartney that were politicians you know like the the [ __ ] democracy the patience

32:25

and the persistence of that means we we've got a few politicians in england who say get back

32:33

and they have christmas parties when these children's as well but what you know what

32:37

there was a moment in it and it actually gave me a moment of clarity right and it's when

32:43

when paul's then you know i feel like i'm always the one telling you what to do

32:49

i don't want to do this but somebody's got to do it i i remember thinking ah paul's bit of

32:55

a [ __ ] right paul he's doing this thing of so when we talk about the yoko ono effect it's uh

33:03

you go home and your significance others you know maybe annoyed yet and then you're annoyed

33:10

about the bands and then they're they're saying you know they don't realize how much you do for

33:15

their fans and how you know they need you more than you need you know and then it happens all

33:20

the time in bands you you play them bands man you know yeah someone comes in a little bit

33:25

down saying their involvement is more important than anyone else's and i have a friend in mind

33:32

he's my best friend growing up chris baldwin right and i every time he'd come in and he'd give

33:40

you know he'd be doing it he was in a band now and he'd be giving it to me about something right

33:45

and i'd be like yoko oh no in fact this is what's going on because he met a girl and but

33:52

after watching this it's given me the quality of was i actually doing as much in that band as it

34:02

could have been you know yeah the problem is with with with with get back on where the beatles were

34:10

is that paul is all in yeah and the rest of them are not all in yeah george has got his eye on the

34:17

door john's got his eye on the door ringo never wanted to end yeah but paul is actually all in

34:26

and that's the [ __ ] thing and to be in a band where not everyone

34:31

is that committed as you especially if you're

34:36

the main songwriter or one you know one of the two main songwriters i feel like

34:44

he was giving them an ultimatum by saying we need to be out there and we need to be alive fans

34:51

and maybe none of them wanted to just you know what i mean bite the bullet and

35:00

go along with it one big thing about being in a band is managing personalities yeah you know

35:06

and it's it's about managing them in the sense of when do they need an arm around them yeah and when

35:13

do they need to be told you know and i i i do not like being screened up or told i'm not i need you

35:24

know the long run up approach to it yeah they call it a director's sandwich right so you'd have notes

35:32

you're doing really great oh yeah brilliant and then the filling maybe maybe you could just

35:39

do it like this instead maybe you could maybe you could you know maybe maybe you could just

35:45

practice a little more maybe maybe you could be on time or maybe you know and then underneath

35:50

but you're doing great and that is the director's sandwich you know it's about being able to manage

35:57

people's personalities and i personally know i've been able to do it well all the time and i know

36:03

i've had my personalities managed but paul's doing the best that he can and bear in mind this isn't

36:14

you know a pub rock band this is the biggest band in the world at that point you know but one thing

36:22

and this is something that when i seen it and i don't know how you feel about it

36:29

when the guy comes around the publishing guy and he's talking to them about

36:36

you know uh oh and you've bought these you bought these back catalogues and you've bought that and

36:43

oh and then so and so he's done a cover of your song and then oh yeah great correctly

36:48

oh right should we go for lunch and they don't know it at the time

36:54

but that is a massive massive point in music because they were so nonchalant about their own

37:03

music if if i feel like that's the only moment in it paul mccartney would have seen and went

37:12

i wish i would have paid more attention to that yeah but they just assumed they were

37:18

being looked after you know yeah because they're the beatles and they have all this power yeah but

37:27

a moment that if they'd have all been on it and you know being for businessmen not for musicians

37:38

trying to steer the [ __ ] you know paul mccartney and ringo starr and yoko ono and

37:45

uh olivia harrison and the families would be a lot lot richer to this day you know if if those

37:55

issues never came up because that was such a pivotal thing and i was watching it and i was like

38:06

someone listened to what he's saying someone someone and none of them you know but

38:13

i suppose if you've been hit after hit after hit after hit it's like thinking you know you're a

38:21

professional athlete yeah and you get paid the big contract and those contracts are always going to

38:26

come so you can spend as much as you want because you're always going to earn that but you don't and

38:31

the reality is you know the gravy train will end if you're an athlete you'll get an injury you know

38:39

your body can't do what it used to do yeah you stop being able to write number one albums

38:46

and then it all that is just something that you never used to worry about and there's

38:53

now your reality the other thing we've got to remember is man it's like as important

38:58

as this is and as good as it is that we've got to witness it this is seven eight months or

39:09

maybe maybe close to a year and a half before the beatles even break up yeah you know

39:17

and george right that's it i'm going i'm leaving where are you going i'm leaving the best

39:24

how nonchalant dallas and i'm watching that as if you're going no george come back

39:33

there's no this is the point where they're like what do we do now and it's a

39:37

oh well if he doesn't come back or just get claptonin yeah well did you notice that george

39:44

that's i i more or less thought george was a little bit of a [ __ ] because like before that

39:49

was the conversation of them of paul going i don't want to tell you this all the time george you know

39:54

and and then george then still packs ups and has a little leaves for a couple of days but imagine

40:00

that more really ripped into him then [ __ ] the beaters would have ended a year before oh

40:05

yeah yeah well that's that's enough i didn't say something john quit and then that was pretty much

40:14

john quits pre let it be even being released you know yeah and then paul dissolves the partnership

40:25

and then let it let bees come out and imagine like promoting the album you know the death of

40:36

the beatles this is the name now but that um in itself like what what's your favorite feels um

40:44

the white album is it yeah it is or two people in the world said that you and charlie manson

40:59

well i don't know if it was charlie's favorite album he thought it was about the world

41:03

you know coming to an end but i like i like the white album like that that's that's mine because

41:11

i think it was the first beatles album that i listened to and i was like man i can see how you

41:17

guys are doing this like it was like i could see almost the back end formula of it and i was like

41:22

oh this is this is this is cool because it doesn't seem like you know um quite because it was

41:29

just little songs on there that were stupid you know that probably shouldn't have been on there

41:33

yeah on like especially the white house man and i was like yeah like i i this is this is the one

41:39

i like because it's the one i can kind of see that the the engine's working the process yeah

41:46

and now every time i listen to it it's it's just become like it the more and more it's

41:50

just become my favorite thing because it's not quite as polished as the others yeah

41:57

um what about yourself what's what's your favorite

42:02

i don't really want to start the show but i thought you might like to know

42:08

sergeant pepper's only haskell band that's sergeant pepper's man is a masterpiece yeah it

42:17

really is a masterpiece yeah and that is an album that that's probably been my favorite album for

42:28

four years yeah that's my goal to to listen to um you know and i feel like they couldn't do

42:38

anything wrong the beatles there yeah and john is equally involved you know he's it's it's

42:47

competition is a very very healthy thing you know because it stops you being stagnant and it stops

42:57

a big problem with a lot of bands is if one person is the driving force

43:02

that person's only got so many ideas you know whereas to have two

43:09

of the greatest ever competing not necessarily to a better song than the other one but to yeah

43:19

that song was good i need to you know or my bit needs to be as good as what he's came up with this

43:25

on this you know and that that our man and the the track for me on that obviously

43:32

what it ends with a day in the life but the she's leaving home yeah

43:39

and mccartney i i shift all the time on favorite people i do and uh we are the conversation when

43:49

uh i went the grand union did west underground positive week about you know you get to enjoy

43:55

it all you know and you don't need to have a favorite because you can enjoy it all and

44:03

paul for me like what what everyone did post beetles

44:11

what their music was you know what what what they created i think wings

44:19

the band on the run album stands next to award of the beatles albums for me

44:25

yeah and that's because mccartney and i can say mccartney just he had a period up there where

44:33

everything he was touching was saying into gold yeah

44:38

i got that and you know like you don't let it be the facts the fact that long unwinding roads

44:48

is on that song is such a beautiful song you know and and let it be itself like it's

44:59

it's yeah you know you know what you know what i was actually looking for

45:02

in the documentary i i'd always said that john lennon thought paul wrote two of us about

45:10

them two together and the excitement on john's face where the planet two of us at least you

45:18

know and the two of them are singing it together and i would i would have liked for in in that

45:24

to be like it's a good song about me and you ain't paul and he's like what it's not linda and

45:33

because i don't care anyone says that ended the beatles

45:36

yeah that was that was the broken his heart when he found out that we're able to oh man yeah it

45:48

did that was one of the glimpses of when you could see lennon come back to life a little bit

45:52

in that documentary i was like yeah some there was a little bit of spirit like you know re

45:58

rejuvenated in him and i was like yeah that's that's a good moment but yet but again

46:05

it's this is footage that's been in the hands of um

46:12

so obviously the original director michael lindsay

46:14

footage got sold and i think:

46:25

i reckon on you know so we've seen eight hours of footage

46:29

on the other it's 60 hours total isn't it i reckon on those over hours you know

46:37

ringo it goes probably just like this in a bunk you know oh i love that's very good

46:47

but one thing i will say about ringo is when when he comes in and he's like oh

46:54

this and he starts playing octopuses garden right and the smile on george's face

47:04

and he's like you can see he's like that's really good yeah that's actually really good and it's

47:12

it's those dynamics that i like in it because the two of them going nowhere must have always felt

47:23

you know this is john and paul's and then when they got to do anything together

47:28

for the two of them that must have been so good man because they'd probably been together

47:36

throughout over the years yeah because everything's always been john and paul

47:40

you reckon that like like ringo and george were i had plenty of balconies over the years going

47:46

i wrote a song and then ringo's like oh yeah i wrote one too and then and they're just bitching

47:52

that then their songs never got in the thing and then yeah yeah i've got five songs and

47:57

none of them don't want any of them yeah yeah then only that ones have one each on this album

48:03

oh yes you know what i will say though it is

48:07

it is it is a huge crock of [ __ ] that the lennon mccartney partnership thing right because

48:16

you know the songs that neither have had any you know you know like there's there's a lot

48:25

of paul songs and he's playing until then and it's come up you know where mccartney i

48:33

now we have nothing to do with it but i mean as a as a business model it's it's probably as the

48:44

years went on been great for the two of them more so probably for john's family yeah all still then

48:51

obviously after john john got murdered but i think that's what's paying the rent for yoko at the

48:57

dakota building uh i think yoko is fine i think i think she'll be fine forever i honestly it made me

49:07

i see yoko a bit differently now so i've seen it he just he look she still loves him the way she

49:15

talks about him to this day you know it's just i the facts you know we we we weren't alive you

49:25

know where we weren't alive when i got shot but imagine who's the biggest fan in the world today

49:38

the sad thing is that there was silence in and i can't tell you yeah because you don't know

49:42

you don't know right okay so out of that biggest band who you've just

49:46

mentioned that you can't mention because who is it really they're

49:53

you know the food they say the they're singing i love the food fighters but it's not the fruit

50:00

prizes it's gotta be a banjo everyone agrees on you know and the nickelback

50:09

hey we all just want to be rock stars the the idea that someone

50:18

i don't know like i was saying before john was beside every protest and he

50:22

you know he's doing everything he could to use a celebrity to help people the idea that

50:28

someone would just go unmarried to them yeah you know it's just it's nuts and especially

50:39

we have a problem in our society today in our generation of main character syndrome you know

50:46

with instagram and all these things yeah like the mark chapman just went up and killed young man

50:51

and just just killed him and i'd like to i'd like to know what what his albums would have been like

51:00

going on from where he was yeah whatever he would have did whether he would uh you know

51:07

released a a a dance album and you know what what would have happened

51:15

if john lennon would have went full tech that's what i want to know i i don't know i don't know

51:21

but i i read i i read elton john's book recently yeah and i think he may have may have followed

51:28

into that a little bit because there's this part of i've read the reviews on elton's book

51:34

they say it's a little bit funny yeah well we'll do that that's the next podcast

51:42

okay go online sorry um

51:46

but dude i definitely recommend it it'd probably be just as good as if like you were i tried to

51:51

write a book i'm just glad that he you know it's his words and he's you know done it i think it's

51:56

worse when you get the ghost writers did he write it did he write it all the bernie writer

52:05

did you ever see this i love you to pieces i love you to pieces i'm bernie

52:13

yeah these these are jokes you're not going to find anywhere else

52:18

oh man and the the one going back to the elton book there's one part of it where elton's talking

52:26

about how everybody used to go see john when in you yeah and they would come over like david bowie

52:32

and and when elton would come over they would go out and go to clubs and stuff like that and go to

52:38

so i think maybe because he would go to the you know the bit of like the alternative clubs in

52:42

new york so imagine if you're going to those places and you're experiencing that kind of

52:47

music you would probably it probably would be lennon's disco to be fair though as well like

52:54

like obviously yoko was an artist and they were

52:58

he lived he lived in greenwich village in new york that they were surrounded by

53:02

art you know and andy warhol's this world and they they were right in there so i feel like

53:11

i feel like he would have carried on making good music you know and even

53:19

you know we lost we lost george very early as well yeah and i feel like

53:26

those those traveling will be ups i i love those albums me too because he he looks like he's just

53:34

having fun and the way he talks about the beatles in the documentary he's like you know i i see it

53:41

as being more than just us you know we are you know maybe dylan can join and the beatles being

53:46

this this big thing is essentially what he created in the town of wilbury's you know yeah just like

53:54

all all the top dogs together having a little sing song yeah yeah and i i i just had one thought too

54:04

as well like that just came to mind as well like i don't think glennon would have released the

54:09

disco album to be honest because he was around for it like he was around for disco throughout

54:13

the 70s you would have seen the people yeah that's true actually yeah go down that road and

54:20

you know he he didn't participate in the staying live era you know we you know go and with the

54:26

documentary too were you sitting there going oh i'm looking at it like a very young john lennon

54:32

and like and paul mccartney and then after like thinking [ __ ] after this you went

54:39

you know and just sitting there going after this you moved to new york after this you you

54:46

take it pretty easy with life and put out a couple albums and then to put a band to get an all-star

54:51

band together and then looking at ringo and going you go on to you know do the voice for thomas the

54:56

tank engine just sitting there going the most successful of the brought out if you ask me

55:02

yeah and just going like wow and like we're just chilling with you guys like we're just sitting in

55:08

the you know in the in the background and going like you know like just so much of history could

55:14

have been changed you know if you were able to become present in those moments and be like

55:20

yeah george stop smoking cigarettes john moved to new york yeah john stop pissing people off yeah

55:32

overall would you recommend the uh the get back documentary to to to your friends or

55:40

also to your friends who aren't muse like i feel like for me anyway

55:44

this is a documentary if you're playing music or if you've got that little creative bug

55:49

that it's definitely a watch if you're not it's probably going to be a very tough watch for you

55:55

i i actually agree with you man i think it's it's it's so

56:02

i i i work with an italian guy with a very nice guy right favorite band is queen yeah yeah area

56:10

he was i i got i was i was watching get back just i was watching it for the second time

56:19

obviously for doing this but more for my own enjoyments and this you know this says what you

56:25

basically just said i think fans of the beatles will care about it and they will care about it

56:33

fans of music will care about it the average joe might make okay for example

56:40

oh that's cool bro he's italian this is how he speaks you can't speak english in the northern

56:44

territory for everyday people i don't really they're not going to rush to watch it but for

56:55

for anyone who's in the arts or in music you know it's how could you not watch it when when when it

57:02

was announced what they were releasing it was a countdown in my mind till the 25th you know yeah

57:12

literally a countdown and it wasn't because that's when my brother's birthday is it was because get

57:19

back was going to come out and we're going to get to see it yeah did it live up to your expectations

57:28

well i didn't really have any particular like expectations like to be honest i didn't go in

57:34

there going oh i expected to be like this i hope yeah you know but i think in in

57:40

in hindsight it it did because it made me just realize [ __ ] man like they were just like

57:46

normal dudes like you could just you know you could just see that they weren't like

57:51

um you know like yeah like manufactured fake you know people like they were just genuine

57:59

you know dudes like that's i think that's one thing i took away from it it's just like

58:03

i i feel like if you met them like even if you met paul to this day i don't think

58:08

i don't think it'd be like you could sit down in the room and kind of have a have a you know talk

58:13

to paul once you kind of got over the fact that he's paul mccartney oh my god it's morgan yeah

58:18

yeah once you had that moment i feel like you'd be like oh man i actually you know you'd be a decent

58:24

person to sit around with yeah i don't think that there's any there's any malice and paul mccartney

58:28

to be honest yeah i don't think there's a bad bone in his body i genuinely don't think that is called

58:34

carry on sonny there's other celebrities that you meet out there right and you could imagine that

58:39

you you wouldn't probably like to be in a room with them you know some of them and you'd be like

58:44

you could imagine that they would be like a how do i say the uh you know the c word in a nice way

58:53

see you next tuesday exactly a little nicer yeah

59:01

you know and um i just i just don't feel like they you know maybe if you caught them on a

59:05

bad day but i feel like for the most part you know yeah and i think that was the one

59:10

thing i'd take away from it because you know how they say you never want to meet

59:13

your heroes i feel like then after watching that i was like maybe it wouldn't be bad

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