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How To Read Without Sounding Like You're Reading with Jodi Krangle.
Episode 94015th July 2024 • School of Podcasting - Plan, Launch, Grow and Monetize Your Podcast • Dave Jackson
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Some people can "riff" off the top of their heads, while others need a script. Do whatever works for you, but when it SOUNDS LIKE YOU'RE READING, it can lose listeners. Today, I bring in Professional Voiceover Artist Jodi Krangle to give us some tips on how to sound natural. She also shares some insights on the voiceover industry and her pet peeves in podcasting.

Find Jodi at www.voiceroversandvocals.com

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Transcripts

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2024 will mark 17 years for

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Jodie Kringle doing professional voice over. You've probably

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heard her. 0 calories, 0 sugar, same great taste.

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Nice to see you then. Coca Cola 0. We're

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your neighborhood bank. Chase, for people like you and me.

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Save the planet with a touch of style. Tesla.

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Family passes from just 199. Experience the magic of

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Disney today. Oh, my god. Oh, my god. Oh, my god. KFC biscuits and

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gravy, I love you. Why am I at AutoZone?

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Well, he's not gonna change the spark plugs. I love that one.

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And today, we're gonna share a little bit of her story, and she's gonna share

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some tips on how to read a script without making it sound

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like, you know, you're reading a script. Hit it, ladies.

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The School of Podcasting with Dave

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Jackson. Podcasting since

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2,005. I am your award winning hall of fame

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podcast coach, Dave Jackson, thanking you so much

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for tuning in. If you're new to the show, I help you plan.

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I help you launch. I help you grow. And if you want to

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monetize your podcast, my website, school of

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podcasting.com. Use the coupon code listener

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and save on either a monthly or yearly subscription. And that

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comes with 2 things. Number 1, unlimited 1 on 1

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coaching. And number 2, a 30 day money back guarantee.

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Well, I'm not gonna it's weird. Right now, this

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is, I guess, kind of a big deal. So if you're listening to this in,

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like, 2027, you're, like, wait. Let's get to the whole thing

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about, how to not sound like we're reading. But

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I have stepped away from my

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job as head of podcaster education@libsyn.com.

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I was there for 8 years, and the thing

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I have to make sure it is crystal clear on, number

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1, I chose to leave. Also,

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I should point out I'm not dead because somebody just read the

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headline where Lipson was very nice. They put out a statement saying we wish you

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the well, but they had said that Dave is no longer with us and somebody

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thought I had died. And I'm like, nope, I'm I'm not dead

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yet. And so and I have nothing

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but great things to say about Libsyn. So if you're

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like, oh, wait. Dave left. Do I need to move to somebody else? No.

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They're a great media host. It is as simple as

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this. And I'm going to use the analogy because, you know, it's Dave Jackson.

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That's what he does. I love chocolate ice cream. In fact, I

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love chocolate ice cream a little too much. But at the end of my

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street, there's this custard stand and when they have

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Oreo cookie, all things stop in the life of Dave

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Jackson, and I am getting one of those, and I will get one every time.

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So I love chocolate, but man, I really love Oreo

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cookie. And so, Lipson, great job. Been

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there 8 years. This new place, which I can't talk

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about, and I'll explain why here in just a second, is Oreo

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cookie. I just like it a little better. So, Dave, why aren't you

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letting us know where you're going? Well, I'm

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going to start and myself and the team at

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this new place, we're going to figure out exactly

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what Dave is going to do first. And there's a big laundry list of things

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that I'm going to be doing. But we're going to figure out, okay, the first

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thing we need to tackle is this. And so rather than go,

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hey, Dave is leaving Libsyn. He's over there.

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And then in like 2 weeks go, hey, you can do

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this now. We're just waiting. And the other fun

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thing is I had no idea. I've talked before about if

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you wanna keep your audience engaged, keep them thinking, I

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wonder what happens next. And I'm here to tell you my phone

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has blown up. My email has blown up, and

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people are freaking out because people don't know where I'm going, and it's driving

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them crazy. And they're all they're, like, making there's, like,

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pools now. It's, like, 10 to 1 on Captivate. I'll take that

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action. I got 5 to 1 Hindenburg. Everybody's going crazy,

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and I can neither confirm nor deny. So if you ask me,

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I'm not going to tell you because I'm trying to be a good employee for

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the new boss who said, hey, let's hold off. We'll announce on the 29th. Now

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with that said, and honest then, we're gonna get to the whole thing with

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Jodi Kringle, is on the 29th. That is the last episode of

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the month and that is typically the question of the month. So

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keep answering the question of the month and you can find that at school of

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podcasting.com/question. And but there is a

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chance that I may not play those answers until the following week. So

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don't don't kill me. I'm just letting you know. And I've got more housekeeping,

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but I'm gonna do that at the end of the show. So if you're a

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super listener and you make it all the way, I'll explain a couple other things.

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But bottom line, Lipson is fine. You're in the

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very capable hands of John Gibbons. It was

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really hard to leave. I love Corey and, you know, Brian

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Connington and Rob Walsh. I've known him for 19 years, and Elsie

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Escobar. I love Elsie Escobar. She is amazing

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as is Rob, as is the whole team. And,

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again, it's just Oreo cookie and

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so don't think because Dave left you need to go find a

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new media host it's a fine media host. They are the original media host.

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They were the first and so no reason to leave. This is

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simply it's not them, it's me.

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So with that, Jody Kringle, I gave you the

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intro at the beginning. Here's my discussion with

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Jodi as we talk about, a little bit about how

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she started because there were some good lessons that I think you can

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identify with. So normally, I'm not a big fan of telling someone's

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story, but her story had some learning parts. So I thought, yeah,

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let's let's bring in those learning points and tell a little bit of her

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story and then we're going to get into how do I

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read without making it sound like I am reading. And then I've

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got some final thoughts. So here we go. So

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back when I did my very first podcast, it was about the music

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business. And one of my favorite sources was a

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website called The Muses' Muse. And little did I know

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that that was Jodie Crangle, and I would be bumping

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into her over and over at different events. And this week,

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I was honored to interview her. And she also joined me on

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ask the podcast coach this week. That was a lot of fun. You can find

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her at voiceoversandvocals.comoraudiobrandingpodcast.com.

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And I'm gonna throw this in here. I'm gonna throw myself under the bus because

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when I originally introduced her, well, I did this. You can find her

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over at voiceoverandvocals.com or if you wanna check out our

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podcast, that's at audiobrandingpodcast.com. And, of course, those will

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be out in the show notes. Jody Crangle, thanks for coming on the show.

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Hey. Thanks for having me. I appreciate it. Just to

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clarify a little bit, it's voice overs and vocals. What did I

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say? You said voice over. Voice overs. Which I also

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own the domain of because this happens a lot. See how smart

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you are? Well, you know what? I'm gonna leave that in then. I was gonna

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do it again, but I'm just gonna show how smart you are. So there you

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go. If you have a domain or a name that could

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have multiple spellings, you might wanna grab both domains.

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And if you're the interviewer, you might wanna make sure you

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have the right one. But I was talking with Jody,

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and she mentioned how going all the way back to 2002. So this

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is really before podcasting, but there are things like live 365

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and things like that. And Jody was doing this on, for those of you that

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remember, real audio. And she took her newsletter,

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the muse's muse, and turned it into radio muse. It

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was so difficult to put together

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between me and everyone else who was helping me do it, that we did it

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for a year. We did 12 episodes and then I was like,

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never doing this again. Oh my god. It was like a freaking full

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time job. And if you've ever felt like, you

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know, tapping the microphone going, hey. Is is is anybody here? Is anybody

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listening to me? Your audience is just disengaged.

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Well, you're not alone. I had a newsletter that was about 8,000

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people and the apathy,

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like, I would give away stuff of my

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sponsors. Like I would have people who would give me

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copies of software or discounts or whatever to give away

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in the monthly newsletter. And I just say write to

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me, just email me, just hit reply and I will send

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you a copy of this. That's all you have to do. Just hit the

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button. I would hear from the same 5 people

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all the time, like, of a a list

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of 8,000. So,

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yeah, like it was just utterly crazy and

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silly and stupid. And I just I I

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just from that experience was not all that

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interested in getting into another media

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content creation thing. And

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so we've probably been there with her at times. You're like, holy cow.

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Where is everybody? How did Jody keep going in that situation?

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Well, I wasn't getting unsubscribes.

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So I guess that's what would like, what would happen would be I'd

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lose 20, I I gained 20. Like, it was like it was like this

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a never ending push and pull. Right? So I was like, well, if

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people aren't unsubscribing, then they must be reading it. They must

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be getting something from it. Every once in a while, I'd get

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someone writing to me and saying I really look forward to this episode, and this

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was like a really really good newsletter this time and I look forward to getting

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them every once in a while, but they weren't the people writing to

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me to win the software. So I would actually say to

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those people, do you want this software? Here you

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go. Like, it was like

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I couldn't I couldn't give stuff away for free. It was crazy.

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Fast forward and podcasting hits the scene, and

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like, Do I want to get back

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into that kind of a thing? Well, I don't know. For a while,

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I really resisted it. And so what finally got her

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to jump into podcasting? What got me doing it was that a lot of

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people in the business mastermind were getting into it and for various

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different reasons. They all had their own businesses and they

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were trying to get an audience and make a community and all of this

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stuff. And yeah, I resisted it for a really

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long time, but I had the equipment. I knew what I was

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doing sound wise. I just, in the beginning, didn't know what I wanted

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to talk about. And like so many people, the first podcast you

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start is not the one that sticks around, but, she didn't know what to talk

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about. So, she just started giving out advice like this.

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You don't have to be productive every second of the day.

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You can have a meal without taking 15 photographs.

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You know what I mean? Like these kinds of things, right? It was just called

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Jodie's Silver Linings. I only did 30 episodes. And I've said it before,

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when you start a podcast, you're gonna be seen as an expert even

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if you only have 30 episodes. You get known

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as a authority in whatever you speak about on

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your podcast. Right? So people started asking me to be a

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life coach. And that was

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just the funniest thing to me. Like, I just

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I couldn't believe. So I was, like,

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clearly, I'm talking about the wrong thing because I

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really don't wanna be a life coach. And so, she

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pivoted into the audio branding podcast. Did you

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know that you can change what you taste by what you hear? How can you

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use sound to make a deeper connection with your clients? Can we be

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healed with sound? Sound influences people in their buying

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decisions and their daily lives. In the podcast audio branding, I

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explore all of this, both with my own observations as a voice actor

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of over 15 years and by interviewing knowledgeable professionals in

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the field of advertising, marketing, music, and science. To have a

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listen for yourself, visit audio branding podcast.com.

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And when someone asked me, hey, how can I up my presentation

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game? How can I up the way I sound on the mic? I was

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like, hey, there's one person that I know because in this case, the

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person was reading a script. And I was like, I know somebody who reads a

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script for a living. So I asked Jody. I go, what are some

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tips on reading a script so that it, you know, doesn't

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sound like you're reading a script? Well, I think the first thing that people need

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to do is practice reading. I mean, at the very least, even if you're

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just picking up a newspaper, who has newspapers anymore? Silly

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me. A a magazine A Kindle. Kindle. Yeah. I

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know. Yeah. I don't know. An online article. I don't

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know. Whatever. Just read it out loud and get

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used to reading out loud. So that's kind of one thing,

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but also look ahead a little bit. So when you're reading, one

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of the one of the things that you need to pay attention to is what's

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coming. And sometimes it's easier to

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do that when you give some pauses, like,

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you know, for breath or whatever. But people don't

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typically talk in one long sentence. They just don't

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keep on talking and then they never stop. And then they just keep on going.

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And people don't generally speak that way when

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they're talking to someone else. So give

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yourself a pause. Give it a moment.

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Say, you know, start off something, falter a

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little, you know, whatever people do in regular

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conversation. Right? And I guess, technically, it's acting

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in a in a way. Yeah. Really? Because, you know, you're

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in an unnatural environment trying to sound natural.

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Yeah. Right? It is. It's it's kind of a

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performance sounds really weird. It is a performance, though.

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And so I asked Jodie, what do people ask her to do in some

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cases when she's performing a voice over? One of the common things that

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people ask is to be brighter. And you would think that that

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means like, it's hard to know what that means. Right? Because it means different things

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to different people who ask for it. But what it means

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is to a voice actor, it means more smile. And I

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always say, look, we don't write the way we talk, and we don't talk the

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way we write. So when you write a script, write the way you

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talk. And Jody had additional tips. When I write an

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article or something for me to speak, I actually

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use ellipses. I use dashes.

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Like I, I highlight stuff. I will italicize stuff.

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I'll do all sorts of things like that because then you can sort of tell

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what you're emphasizing or where you want to pause

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or, you know, take a breath. Like that's one of the things people

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need to do when they're speaking in public. Anyway, that's a public speaking thing, right?

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Like you just take a breath and a pause. Maybe you

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sigh a little, you know, like that's just a way to relax yourself

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and center yourself and you talk.

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I mean, but talk the way that write the way that you

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talk. And then when you speak that script, it's going to sound more

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like you. But you're not gonna be perfect and you're probably gonna have to do

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some editing. So Jodie had some tips on that. One of the other things to

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pay attention to when you're editing this stuff is that it's much

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easier to replace words if you're editing with a

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consonant, because you can see it on the waveform, right? Like a

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t or a k or, you know, something like that. Usually,

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t's and, like, hard consonants are really easy to see in the waveform.

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You can see exactly where you can edit from. And sometimes, we can

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really get obsessive about this, and so I asked Jodie, I

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go, how do you know when it's just good enough? For

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me, when I'm happy with it is the more

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real it sounds. Like, that's for me a criteria.

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You know, there's there's also it depends on the tone

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and timber of your voice. So you know what your voice sounds

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like. Maybe you want to get a certain warmth out of this

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particular sentence. And so you want to say it enough that you

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can get that warmth to really shine through. And,

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you know, one feels warmer to you than the other. So you just go with

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that one. But, you know, again, almost I

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when it comes to this kind of stuff for podcasting, I almost say the

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less takes you can do the better, like just do the

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first one and warts and all, like make

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sure it works. And, and unless you're, you really say

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something completely wrong and you need to replace that

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word or phrase or sentence, then go ahead. But

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other than that, the less practice

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you have with it, almost the better. I know I've unfortunately had to

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do the call of shame because the technology

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ate the interview. In one case, it was Paul Culligan.

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And, he's a good friend of mine. And I rang him up, and I

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said, yeah. We need to do that one more time with feeling, which is

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almost impossible when you're doing it the second time because you wanna

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have that natural feeling in the sound of your podcast.

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When it comes to feeling, I think it's really important because

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when it's a script, you need to make it your own somehow. And

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the way that you make it your own is by connecting with something in that

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script that gives you an emotional reaction.

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And a lot of that is hinted at in the way it's written,

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but, you know, you do need to find the emotion of that script

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to really bring it out. Audio is how we connect

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emotionally. And so, if you're reading a script that chat gpt

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vomited onto your page, and you haven't really taken the

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time to figure out how you connect to this

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topic, it may come out flat. And the other thing is you

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may think the best idea to do then is just practice, practice,

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practice, practice. And Jody's like, nah. It's

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less about the rehearsal and

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and more about the understanding. So if it

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takes me less time to understand, then I have to go through the

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the script less times and less times is is really

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better because I don't wanna overdo it. And I don't wanna

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get too bogged down in how my voice sounds.

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Right? Because it's not about how my voice sounds. It's about

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getting the point across. It's about connecting with what

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I'm saying and then making a connection with the person who's

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listening, who I'm supposedly having a dialogue with. And so

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right now, I'm telling you about this awesome conversation I had with Jodie

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Krangle, and it just so happens I have clips of the conversation right

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here. That's another way to make this sound more real. And you

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said that originally when we were when you mentioned that, that, yeah,

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you just imagine that someone's actually having a conversation with you across the

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way. You're actually talking to somebody and that sort of

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dials it down from talking to the many out there in

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la la land to, you know, you're talking

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to someone directly and having a conversation and

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it's much more personal. And when we're listening to podcasts, it's

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right in our ears. Right? So it is very personal. It's 1 on

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1. Which is why I don't start off the show going, hey, guys. Hey,

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folks. Hey, gang. I'm talking to you. You talking to me? Yeah.

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I'm talking to you. And since Jodie's been doing this

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for so long, I kinda wanted to get a glimpse inside her world, and I

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asked her, what's going through your head when Coca Cola is

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listening to every word you say? Who's on the line that is

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gonna be giving me the direction and how quickly can I get them what they

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want? That is what's going through my

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head. I know if I was doing something and I knew

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Disney was the client, I would be a little freaked out.

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You know, I I still get butterflies in my stomach. I think anyone in any

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kind of a performance does, and I think if you don't, then you know there's

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a problem. And so that's a good thing when you're a

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little nervous because maybe it's really not nerves. It's

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more excitement than nervous. Do you know what I mean? Like,

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you feel that. It's it's part of the performance.

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And I have a microphone. I know how to talk. If I was

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thinking of getting into voice over work, is it kind

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of a crowded space? Give us some tips on if we've been thinking about getting

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into voice over. Who should do this? I think if you have

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a passion for it and you understand the ad

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world commercials, or you really wanna get into animation and you

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understand animation or video games or audio books or whatever

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it is you want to be into, then definitely go

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for it. But you need coaching, definitely, because

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there's a very specific language to

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the descriptions of what people want you to

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do. So I was telling you that there are ways that people describe to

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me how they want me to sound, and I have to be able to interpret

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what those words mean for my voice coming

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out. Right? Like there's, there's a it's, it's like having an

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audio interface for your, for your voice, right? Like

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they're speaking the words that I need to then interpret into

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some way to get them what they want with my voice. So I need to

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understand what the language means,

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like brightness. Right? Like I was saying bright when I'm in a

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session, that means more smile to me. It might mean something

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different for someone else depending on what their voice type is,

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but there's ways that people interpret these things and you need to be

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aware of how that works. But also

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it's it's it's a knowing how to use your instrument

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in a very intimate way, the way that singers do, the way

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that musicians like, you play guitar. Right? So the way that you know how to

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get the best sound out of your guitar, you know how to get those

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notes, You know when someone is asking you to do something in

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particular on that guitar, and you know how to interpret that to bring

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out the sound they want. And it it's

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it's a lot about interpretation, and it's a lot about learning your instrument.

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And both of those things are super important as is acting.

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And of course, I had to ask her about her gear. This

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microphone is called a HyperX. It is actually a really cheap

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microphone. It's like a $100. It's a condenser

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USB mic, and I have it on a cardioid pattern. And the

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really cool thing about this is when you're using a PC, you can make that

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color anything you want, which is really why I got it.

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But I'm thinking Jodie's not using a $100 red microphone

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when she's doing voice over work. No. In the booth, I have a Sennheiser

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416. So that is a $1200 mic.

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That's a little bit more expensive. Yeah. But the thing about the

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the Sennheiser, the 416 is a shotgun mic. So it's very

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directional, which means I travel with another one. Because

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first of all, it's a workhorse. It's the the mic that's on the top of

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a boom pole in the film industry. It's the same one,

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and they're workhorses. They could be dropped and you'd be fine. I

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mean, you wouldn't want to, but you probably

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could and it would survive. And it's also really good when you're

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traveling because it's very directional. So even if I don't have the

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absolute pristine area to record in,

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it still sounds pretty good. And you can do a lot in post,

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but also with lower voices, it tends to make them pop

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a little. It tends to make them push out front a little bit in the

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mix, which is a it's like a very

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promo ish kind of sound. And I just

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like that for my voice. It sounds really nice. So

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as you know, because I do the same thing you

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do, podcasters listen to podcasts a little

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differently than the general public. There are things that we we pick out on and

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things like that. So I asked Jody, what were some of her pet peeves when

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it comes to listening to podcasts? Oh, I hate it when people are so

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far away from their mic. I don't wanna hear the room. I

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don't. If I'm if I'm back here, you're not gonna

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like how I sound, but this is not, you know, I'm I'm

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I'm not that's that's not good. That hurts my ears. That's one of those

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things that really, really bothers me. And we're not done. Too many

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plosives bother me, but I don't mind a few. Like, that's

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I get it. And we all can agree on this one. Intros that are

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so long that I totally forget what the podcast is about by the

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time they start actually getting to what I wanna talk about, what I wanna

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listen to. Right? Like, you know, I I and I I understand

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people love their intros and I love intros. Don't get me wrong. Like that

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talks about the podcast and what it's about, but I don't want

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like 15 different ads before you

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get to the stuff you're gonna talk about after the

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podcast intro. Like, I mean, come on. And,

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yes, Jody will work with Tesla and Disney and

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Coke and, oh, it goes on, Verizon. But she also worked with

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you. She worked with a member of the school of podcasting, my buddy Todd the

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Gator over at Guardian Downcast. If you're a video

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person that likes to play games and you love the Destiny universe, check him

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out at guardian downcast. But listen, Jody worked with,

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Todd the Gator to make this promo for their Patreon group.

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Hey, Guardian. Whenever I listen to my favorite podcasts, there's one

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thing that annoys me the most. You're really getting into

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the flow of the conversation when out of nowhere,

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an obtrusive advertisement blaring into your earbuds. Sunday,

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Sunday, Sunday. It's our weekend. Super duper blowout sale going on now. Cars and trucks

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at $48,000. Not today, buddy. Now, $47,500.

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So what are you waiting for? Get on down here to our super duper blood

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sale going on this weekend only. We must be crazy giving away all

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this money. Push, pull or tow in your trade and we'll give you $250 cash,

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baby. What are you waiting for? Get on down. Wow. I

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can't find the 30 second skip button fast enough. Podcast

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ads really disrupt the natural flow of a great conversation.

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But thanks to our Patreon community, we don't accept outside

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advertising or promotion. So sit back and enjoy the show.

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Oh, and by the way, if you would like to become a part of listener

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supported podcast like this one, go to patreon.com/supportguardiandowncast,

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or just visit our website atguardiandowncast.com. You'll

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also have access to over 2 years of audio and video episodes

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just for our Patreon community. Take care and later,

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Guardian. Pretty cool. I thought it was cool.

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And, again, you can find Jody over at voice

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overs with an s andvocals.com, or

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just go to audiobrandingpodcast.com. Jody, thanks for

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coming on the show. Thank you for having me. I appreciate it. It's been a

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lot of fun.

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And I will have links to everything out at school of

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podcasting.com/940.

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And I've got 2 big points here. The first one I thought about this

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is the goal of reading a script to

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sound natural. Okay. Great. Well, that

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means you need to know what natural

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sounds like. So as I was mixing this down and editing

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it, I thought, you know, what might be something interesting to

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do is the next time you're on the phone.

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Now by this, I mean don't record the phone call. Don't

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record people without them knowing. But you could

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hold the phone up to your ear, you know, because it's the phone, and you're

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talking on the phone, and start recording

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your side of the conversation on your computer and

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Audacity, whatever you're doing, so that you can listen to what you

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sound like when you're talking normal. Back in the

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day, like, 15 gazillion years ago,

Speaker:

I was a copier technician and I would come out and fix

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your copier. And one of the things, especially if you're at a big

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business where they had multiple copiers that were the

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same model, but one of them didn't work, is you could go look

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at one and see how it worked and hey, this one's

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working. The little lever does this, the paper does this and then you could

Speaker:

go over to the one that isn't and then basically flash back to years

Speaker:

of Sesame Street and play, you know, which one's different.

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One of these things doesn't belong here or whatever it was. Near

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far. Yeah. You just basically go, oh, this one's different. So if you

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know what you sound like when you talk natural, you can

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then listen to your podcast and say, well, gee, I

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talk like this when I'm on the podcast. And you go, that doesn't really sound

Speaker:

that natural. And obvious right now,

Speaker:

I think this is how I talk. I am literally looking at my

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Amazon Echo right now talking to it like it's

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you. Now my arms are flaying around because I'm very

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passionate about what I'm talking right now, but that's kind of

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how I roll. Now, obviously,

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your workflow may be different, but I have and I I took this as

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a compliment. I've had more than one people

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that have met me in person and go, you know what's kind of cool? And

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they're like, what? You sound like Dave Jackson,

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which, you know, that kind of comes natural to me. But,

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Jim Collison, my co host for ask the podcast coach said,

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wow. You're just like you when we do the

Speaker:

show which is great because I a don't want to

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have to do a character. I've tried that before. It's hard to not

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be me because I keep wanting to just be

Speaker:

me and you might have to record yourself for a

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while because I know when I start this show and I'm like,

Speaker:

podcasting zen, dude. I'm a little amped up because it's the show and

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it's not till later that I kind of calm down and just start talking

Speaker:

like me. So that may be something you want to

Speaker:

try. And the other one and, Todd, I hate to do this to you,

Speaker:

buddy, but you know I love you. If you want to make

Speaker:

your anything you do evergreen

Speaker:

so he said go to guardian or go to patreon com/guardiandowncast

Speaker:

if I remember right was the link and for me

Speaker:

that locks you into patreon and I like

Speaker:

supercast supercast. I'm playing with a little bit and I think

Speaker:

their fees are a little less. And so if you ever wanted

Speaker:

to leave Patreon, then it's kind of hard

Speaker:

because, well, now you've got, you know, 97 episodes of you going go to

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patreon.com/blahblah. Whereas if

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you go to remember, it's all about your website.

Speaker:

So when you go go to guardian downcast.com/community,

Speaker:

Now you own that link. Somehow, you can

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probably change that link to either a

Speaker:

have a, you know, line of text that says click here to join our community.

Speaker:

Or you could just redirect it. If you're using WordPress, you can

Speaker:

use a plugin called redirects. If you're using pod page,

Speaker:

they've got built in redirects that also, by the way, track how many times

Speaker:

people have clicked on that. How cool is that? It's like a bitly account building

Speaker:

a pod page. And that way, you're reinforcing your

Speaker:

brand. Now it's not a big deal because a lot of people do the whole

Speaker:

patreon.com. I was listening to Lipson show, and they

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had go to speakpipe.com/libson. I'm like, no. No. No.

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No. It should be libsyn.com/,

Speaker:

you know, feedback or something like that. So it's just a way

Speaker:

to, a, always control whatever you're pointing to.

Speaker:

And it reinforces your brand because you do have a

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website, right? Of course, you do. And I promised

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nerdy housekeeping stuff that'll be coming up right after

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this. The School of Podcasting.

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Yeah. Yeah. Yeah. Alright. Are you the nerd that

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figured it out? And I know somebody is, so I need

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to explain this because people are gonna go see see see.

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Okay. Somebody's gonna figure out that the School of

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Podcasting for 18 years

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was hosted on Libsyn. And the last

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couple years, which was very nice of them,

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they let me use the Libsyn dynamic

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content tool, better known as Libsyn Pro for free.

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And it is not cheap compared to other media hosts.

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Well, it's fun like that because you get used to

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dynamic content. But now that I'm no longer an

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employee there, you know, I don't expect them to give this to

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me for free. But now I'm addicted to addict, you

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know, dynamic content. And for me,

Speaker:

if you don't need the super huge networky things that Libsyn

Speaker:

has because they have tools that nobody else has that I know of. Maybe

Speaker:

Blueberry? Maybe. But it's meant for giant networks.

Speaker:

So things like I could say run this ad for

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4,000, you know, downloads and then switch to this ad

Speaker:

and only show this ad in Poughkeepsie.

Speaker:

Really, really powerful ad tools. But as a

Speaker:

solopreneur who wants to promote himself, I don't need that

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kind of stuff. So I have moved

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the School of Podcasting to Captivate

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because in my opinion they have an amazing feature set.

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Ask the podcast coach is another tool where I am

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now using dynamic content. And again, I

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appreciate all Libsyn did for me. I don't expect them to give them

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give that to me for free and it's a little more expensive And

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so I've never really kicked the tires on

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buzzsprout. I had a show called, Podcasting

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Resources, but it was very much a meh kind of

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show and it enabled me to make tutorials for Buzzsprout, which I will be

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updating for any members of the school of podcasting that will be updated

Speaker:

because they just redid their whole back end, which is always fun because I'm like,

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oh, look, a new interface. I get to do 30

Speaker:

more videos. Great. Wonderful. And so I I

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threw ask the podcast coach on

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Buzzsprout, but all my other shows that were on Lipson are

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still on Lipson. Again, there's nothing wrong with Lipson.

Speaker:

And if you're the nerd, it's like, oh, you switched RSS feeds.

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Yeah. You don't have to. There's nothing wrong with Libsyn. The

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only reason I switched because I was using their dynamic tools

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and I am now using the dynamic tools on these other

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ones and that's gonna be one of the things I've done ever since

Speaker:

I, you know, started podcasting is I have shows on multiple

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hosts and how people used to ask me, hey,

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how do you, you know, take yourself out of explaining

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media hosts when you work for 1 of them? And I am

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not changing. I simply present the facts.

Speaker:

So, for instance, if I was a show that was

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only going to do maybe 15 minute podcast once a week,

Speaker:

Libsyn is a great example. We're like here you go $7 a month. Can't beat

Speaker:

that. And if I always said this, like here are the

Speaker:

feature sets. What do what do you want to do? You know, tell me about

Speaker:

your show. And then I'm like, okay. Here's what Lipson does. Here's what Blueberry

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does. Here's what Captivate does, and here's what buzzsprout does. And

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I realized there are other ones. There are, you know, there's just

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tons. If you probably let's see. We're at, 36 minutes.

Speaker:

Probably 4 new media hosts have started since I started recording

Speaker:

this show. But those are the big ones that I typically recommend and

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anything above that is fine. I do not recommend spotify

Speaker:

and I won't go into that because if you're a regular listener to the show,

Speaker:

you're like, oh no, Dave's gonna talk about spotify, but they're free

Speaker:

and it's just ich and and ich and by that,

Speaker:

ugh, nuch, Spotify. Yes, it's free, but you

Speaker:

know, you get what you pay for. Remember, there are 3 things and we're gonna

Speaker:

be revisiting this. My buddy brian over at profit

Speaker:

cast just brought his show back after I think 8 years.

Speaker:

So if you ever think about, well, I've, you know, I've been gone for 6

Speaker:

months. I can't come. Yeah. Brian came back after 8 years

Speaker:

and he's the guy that reminded me about good, fast, and cheap. And you

Speaker:

can have 2. You ever heard that? I'll put a link. I've talked about that

Speaker:

in the past. I'll put a link to that out at schoolofpodcasting.com/940.

Speaker:

But that's the nerdy housekeeping. Now, the other thing

Speaker:

I have to point out is the biggest

Speaker:

complaint I get is Dave, you know, I want you

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to eat. I want you to be able to pay your bills, but it seems

Speaker:

like you play the same ad over and over for the school of

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podcasting. And here's the fun thing. When I

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moved my show from, you know, over to Captivate,

Speaker:

whatever ad was playing dynamically is now baked

Speaker:

in. However, I'm not stuck with that.

Speaker:

I can go in and captivate and say, oh, look here at the 27

Speaker:

minute mark from 27 minutes to 28 minutes. It's that clip

Speaker:

where Adam Curry is saying how cool the School of Podcasting is.

Speaker:

I can go in and highlight that section and go make that dynamic

Speaker:

and insert this new ad. That's awesome, right? Yay.

Speaker:

Except I have 939 episodes. Yeah.

Speaker:

So it's gonna take a while. Now, from this point forward,

Speaker:

you won't be hearing the same old ad because I will be able to swap

Speaker:

them out a little more frequently. But the back episodes, you're gonna

Speaker:

be like, oh, there's that one with the Adam Curry guy again. Yeah. I

Speaker:

realized that's annoying, and I will be working on that. It's gonna take some

Speaker:

time. It's going to take some time, and congratulations on

Speaker:

you to making it to the end of the really nerdy, you

Speaker:

know, housekeeping stuff. Also, when I do

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this and you realize I'm talking about my podcast

Speaker:

and how the sausage is made, This makes sense on

Speaker:

a podcast about podcasting. But if I

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if this was like, I'm not making any announcements on Building A Better Dave

Speaker:

or any of the, you know, the, even the podcasting resources

Speaker:

show that I'm not gonna go to them and go, hey, we're, you know, we

Speaker:

were on Buzzsprout. Now we're on gap. Yeah. I'm not it makes

Speaker:

sense on a podcast about podcasting. So if you're like, oh, I need to

Speaker:

explain stuff like that. No. What I always recommend is things at the

Speaker:

end since we're at the end here is the chit chat.

Speaker:

You know, hey, what have you been up to? I don't know what you well,

Speaker:

you know, my cat, you know, that you know, mister whiskers, He's such a

Speaker:

rascal. You know, that's the stuff that needs to go at the end. I would

Speaker:

not lead off with our top story tonight. Mister

Speaker:

whiskers scratched up the couch. You know, that's really not what people

Speaker:

are tuning in for unless, of course, it's the Bernie the Cat

Speaker:

Show, and that was my now deceased cat who lives on forever

Speaker:

with his own show. Check him out. Burniethecatshow.com. And,

Speaker:

so I just I say that because people like, well, Dave talked about the inner

Speaker:

workings of his show. Yeah. It's a podcast about podcasting, just

Speaker:

so you know. Yay. Yeah. Yeah. I feel like LeBron

Speaker:

James. LeBron James is a very famous basketball player, and for a

Speaker:

while, he played in Cleveland. And then there was this big press conference,

Speaker:

the decision. I've decided to take my talents to Florida or

Speaker:

whatever he said. So I will be announcing that on 29th. Honest, you'll

Speaker:

live not knowing where I'm gonna be working. It'll it's, you know, it'll make

Speaker:

sense when you hear it. And again, the reason I'm not revealing is

Speaker:

that way when we reveal, there'll be something for you to do instead of, hey,

Speaker:

Dave. Dave's over there now. So keep that in mind. It's you'll be

Speaker:

fine, honest, but learn that the audience

Speaker:

goes, I can I cannot go to bed until I know what Dave is working

Speaker:

at? Yeah. So if you can work some sort of tease

Speaker:

into your storytelling, yeah, that's gonna keep your

Speaker:

audience engaged because if I went

Speaker:

how bad right now? Do you want to go? Right? Exactly.

Speaker:

It's the knowledge gap is what some people call that as well. So

Speaker:

thanks so much for listening. Hey, let me pitch you one last time about

Speaker:

the school of podcasting. It's amazing. What are you waiting on? Holy

Speaker:

cow. Step by step tutorials and you just heard I'm gonna be updating

Speaker:

them. And we've got an amazing community. It

Speaker:

is just amazing, the people that are in this community,

Speaker:

and you get unlimited. Yes. If you want Monday and Wednesday and

Speaker:

Friday and next Tuesday and yep. Mhmm. If it's available, take

Speaker:

it. And if you're across the pond, I've got a tool that

Speaker:

we can do asynchronous. Oh, that's a 50¢ word right

Speaker:

there. Consulting. Amazing. I'm

Speaker:

telling you. Here's the thing. I'll tell you this. I now

Speaker:

am up to 7 people that have joined the school of podcasting,

Speaker:

and they have the same complaint. You know where it is?

Speaker:

Dave, you need to raise your prices. This is ridiculous.

Speaker:

So I am still thinking about that. But right now, it is what it

Speaker:

is. And if you wanna join now while it is, there it is school of

Speaker:

podcasting.com. And then, yeah, you get a coupon

Speaker:

code. Yeah. Listener, listener on

Speaker:

either a monthly or yearly subscription. I'm Dave Jackson.

Speaker:

I help podcasters. It's what I do. It's what I love to do.

Speaker:

And I'd love to see what we can do together. Follow the show. Oh, here

Speaker:

we go. Another call to action, Dave, if you're breaking your own rule. I know.

Speaker:

I'm on a roll. Schoolofpodcasting.com/follow.

Speaker:

You will be able to find out when the big reveal comes

Speaker:

as soon as it's available. So that's all out there at school of podcasting.com.

Speaker:

Until next week. Take care. God bless. Class

Speaker:

is dismissed.

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