1-54 Forum New York

5–7 May 2017

Madness of the Present: Abstraction’s Radical Possibilities

Focusing on Adam Pendleton’s art of the past two years, from his installation for the Belgian Pavilion at the 2015 Venice Biennale to his recent suite of paintings entitled Untitled (A Victim of American Democracy), Pendleton and curator explore abstraction as a platform for revolutionary possibilities in art and politics.

Image: © Katrina Sorrentino 

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