In episode two of our Manhunt series, we explore two international films. From South Korea, New World (2013), a topsy-turvy crime drama. From New Zealand, the playful and whimsical, Hunt for the Wilderpeople (2016).

Crime dramas have been a staple of cinema since its inception. We find comfort in categorizing characters as good or evil. It provides order in a convoluted world. Actual morality is often murky and challenging to decipher. New World offers a crystal clear reflection of how the world truly operates, rather than a saccharine imagined one. Deep Loyalty and petty betrayal are commonplace, and the lines between good and evil blur, like a spinning merry-go-round. 

Taika Waititi's distinctive style is evident throughout Hunt for the Wilderpeople (2016). This is both a pleasure and a frustration. While the story of two unlikely companions going on the run in the Kiwi woods is delightful, the narrative often seems to lose its way despite the simplicity of the story. The plot path is clearly laid out, but Waititi can't resist taking detours down every zany spur, leaving little room for emotional resistance and refinement. Nevertheless, it remains an entertaining joy ride with a quaint conclusion.