In this episode of Hourly to Exit, we delve into the topic of copyright infringement. Copyright infringement occurs when someone violates the exclusive rights of a copyright owner. These exclusive rights include the right of reproduction, adaptation, distribution, public performance, public display, and translation.
The penalties for copyright infringement can vary, ranging from embarrassing situations that require apologies and cleanup, to more serious legal consequences. In the worst cases, copyright infringers can be criminally prosecuted.
This episode is the first of a three-part series covering copyright infringement. In part one, we discuss the remedies and penalties that apply when a copyright is infringed. Part two focuses on how to avoid being a copyright infringer. Part three explores ways to prevent your own copyrights from being infringed.
Tune in to Hourly to Exit to learn more about copyright infringement and how to protect your intellectual property.
Connect with Erin to learn how to use intellectual property to increase your income and impact. hourlytoexit.com/podcast.
Erin's LinkedIn Page: https://www.linkedin.com/in/erinaustin/
Think Beyond IP YouTube Page: https://www.youtube.com/channel/UCVztXnDYnZ83oIb-EGX9IGA/videos
Music credit: Yes She Can by Tiny Music
A Team Dklutr production
Hello, ladies.
Erin Austin:Welcome to this week's
Erin Austin:episode of hourly to exit.
Erin Austin:Now we talk a lot about
Erin Austin:protecting our expertise
Erin Austin:through copyrights and
Erin Austin:contracts, owning and
Erin Austin:controlling the fruits
Erin Austin:of our expertise, aka
Erin Austin:intellectual property.
Erin Austin:Is the key to creating a
Erin Austin:scalable and salable business.
Erin Austin:Similarly, it is our
Erin Austin:duty to respect the
Erin Austin:rights third parties
Erin Austin:have in their materials.
Erin Austin:The thought leaders that
Erin Austin:we follow, the coaches
Erin Austin:that we learn from, the
Erin Austin:property of our prior
Erin Austin:employers and of our clients.
Erin Austin:These are all examples of
Erin Austin:intellectual property that we
Erin Austin:come across and that we may
Erin Austin:refer to in our own materials.
Erin Austin:We may.
Erin Austin:Use in providing services
Erin Austin:to our clients, but
Erin Austin:whether through negligence
Erin Austin:or ignorance, if we use
Erin Austin:other parties copyrighted
Erin Austin:material without permission,
Erin Austin:we may be guilty of
Erin Austin:copyright infringement.
Erin Austin:At best.
Erin Austin:It is embarrassing.
Erin Austin:We need to apologize.
Erin Austin:We may need to clean up
Erin Austin:a mess that we've made.
Erin Austin:Maybe we've delivered
Erin Austin:something to a client that
Erin Austin:we didn't have rights to.
Erin Austin:At worst, though, we
Erin Austin:can get into a fair
Erin Austin:amount of trouble under
Erin Austin:intellectual property laws.
Erin Austin:So this is the first of
Erin Austin:a three part series about
Erin Austin:copyright infringement.
Erin Austin:In this part one, I'll talk
Erin Austin:about what happens when
Erin Austin:a copyright is infringed.
Erin Austin:In part two, I talk
Erin Austin:about how to avoid being
Erin Austin:a copyright infringer.
Erin Austin:And finally, in part three,
Erin Austin:we talk about ways to
Erin Austin:prevent your copyrights
Erin Austin:from being infringed.
Erin Austin:So first, what Constitutes
Erin Austin:copyright infringement.
Erin Austin:Copyright infringement
Erin Austin:occurs when a party violates
Erin Austin:any of the copyright
Erin Austin:owner's exclusive rights.
Erin Austin:As you recall, copyright
Erin Austin:provides a bucket exclusive
Erin Austin:rights to the copyright So
Erin Austin:when you are the creator of
Erin Austin:an original work, you have
Erin Austin:an exclusive set of Rights
Erin Austin:that allows you to control
Erin Austin:your creations, how they're
Erin Austin:used and the exclusive right
Erin Austin:to earn compensation from
Erin Austin:them, the exclusive right
Erin Austin:to benefit from their use.
Erin Austin:So, briefly, those buckets
Erin Austin:of rights include the
Erin Austin:right of reproduction.
Erin Austin:That's the right to make
Erin Austin:copies of the protected
Erin Austin:work in any form, not just
Erin Austin:imprinted copies or books,
Erin Austin:but also digital downloads.
Erin Austin:Just making a copy and,
Erin Austin:pasting it somewhere
Erin Austin:else in the internet.
Erin Austin:That is exclusive right of
Erin Austin:the copyright owner, the
Erin Austin:right of adaptation also
Erin Austin:called derivative rights.
Erin Austin:So that's the right to
Erin Austin:modify the work so you can
Erin Austin:create a new work from it.
Erin Austin:That new work is a derivative
Erin Austin:of the original one, and
Erin Austin:that is still owned by the
Erin Austin:original copyright owner.
Erin Austin:And so an example of
Erin Austin:that would be turning a
Erin Austin:book into a screenplay.
Erin Austin:and even turning a screenplay
Erin Austin:into a movie is actually
Erin Austin:another, derivative, right?
Erin Austin:The right of distribution.
Erin Austin:So that's the right to
Erin Austin:distribute the copies publicly
Erin Austin:for sale or for license.
Erin Austin:And so that is, actually
Erin Austin:separate from the
Erin Austin:right of reproduction.
Erin Austin:the right of reproduction
Erin Austin:applies whether or
Erin Austin:not that's for sale.
Erin Austin:so the right of
Erin Austin:distribution, generally.
Erin Austin:It refers to the sale or
Erin Austin:licensing of the material, the
Erin Austin:right of public performance.
Erin Austin:So that would be the right to
Erin Austin:publicly perform to, read your
Erin Austin:novel out loud to, dance your
Erin Austin:dance in public, to perform
Erin Austin:the play that you wrote.
Erin Austin:so any performance based
Erin Austin:works, you have an exclusive
Erin Austin:right to public performance.
Erin Austin:The right to public display.
Erin Austin:This typically refers to
Erin Austin:art, the right to publicly
Erin Austin:display your art is, that of
Erin Austin:the copyright owners, think
Erin Austin:about, the artwork you may
Erin Austin:have in your home that is
Erin Austin:original art and you own that.
Erin Austin:Piece of artwork, but you
Erin Austin:don't actually have the
Erin Austin:right to publicly display it.
Erin Austin:the copyright owner has
Erin Austin:the right to do that and
Erin Austin:similar to derivative rights,
Erin Austin:the right of translation.
Erin Austin:So to translate your work
Erin Austin:into other language, or
Erin Austin:to authorize a 3rd party
Erin Austin:to do any of the things
Erin Austin:that we talked about.
Erin Austin:also the exclusive right
Erin Austin:of the copyright owner.
Erin Austin:So.
Erin Austin:when there's a valid copyright
Erin Austin:involved and there has not
Erin Austin:been authorization from
Erin Austin:the copyright owner, an
Erin Austin:infringement when, both of
Erin Austin:these following are present.
Erin Austin:First, the infringer has
Erin Austin:actually copied, you have
Erin Austin:to actually have copied
Erin Austin:the copyright owner's work.
Erin Austin:sometimes, someone will
Erin Austin:accuse someone of copying
Erin Austin:their work, but guess what?
Erin Austin:There's no way they could
Erin Austin:have had access to it.
Erin Austin:it's been under lock
Erin Austin:and key in my drawer.
Erin Austin:I mean, it's kind of
Erin Austin:nutty, but people actually
Erin Austin:do say, Oh, my God, this
Erin Austin:is exactly what I wrote.
Erin Austin:But no one's ever seen their
Erin Austin:manuscript it's never been
Erin Austin:published Maybe they sent
Erin Austin:it to agent at some point,
Erin Austin:but that they never did
Erin Austin:anything with it because
Erin Austin:it, they didn't want it.
Erin Austin:And somebody else write
Erin Austin:something and it seems
Erin Austin:an awful lot like it's
Erin Austin:been copied, but did
Erin Austin:they actually copy it?
Erin Austin:Did they actually have
Erin Austin:access to That original
Erin Austin:work that they're
Erin Austin:claiming was infringed.
Erin Austin:So there has to be actual
Erin Austin:copying and then they have
Erin Austin:to have copied enough of it
Erin Austin:to give rise to liability.
Erin Austin:So, taking a little
Erin Austin:snippet here and there,
Erin Austin:Does not generally
Erin Austin:give rise to liability.
Erin Austin:Now, if it's an haiku,
Erin Austin:and you took a line out
Erin Austin:of haiku, then, that could
Erin Austin:give rise to liability.
Erin Austin:But, taking a sentence out
Erin Austin:of an entire manuscript
Erin Austin:probably would not.
Erin Austin:So, as you can tell,
Erin Austin:this is not a cut and dry
Erin Austin:analysis, the particulars
Erin Austin:of the activity Will
Erin Austin:determine whether or not
Erin Austin:there has been infringement.
Erin Austin:So, let's take the
Erin Austin:traditional case of,
Erin Austin:let's just say there's a
Erin Austin:single work and, they did
Erin Austin:not copy it literally.
Erin Austin:or it's in its entirety.
Erin Austin:So, when you have that
Erin Austin:circumstance, you're
Erin Austin:going to have to have
Erin Austin:a fact finder, which.
Erin Austin:Is a court of law to
Erin Austin:figure out whether or not,
Erin Austin:there was a copying that
Erin Austin:gives rise to liability.
Erin Austin:in that circumstance where
Erin Austin:they haven't literally just
Erin Austin:lifted the whole thing and
Erin Austin:copied it and put their name
Erin Austin:on it, which people do, but
Erin Austin:generally, subtler than that.
Erin Austin:They have been so heavily
Erin Austin:influenced by it that It
Erin Austin:is considered substantially
Erin Austin:similar and that in that case,
Erin Austin:generally, we would need a
Erin Austin:court of law to determine
Erin Austin:that and whether or not
Erin Austin:there'd be liability there.
Erin Austin:So, what we need to remember
Erin Austin:is that the fact that we own.
Erin Austin:A copy of that copyrighted
Erin Austin:work does not grant to us
Erin Austin:any of the exclusive rights
Erin Austin:that the copyright owner has.
Erin Austin:So, again, they have
Erin Austin:the right to reproduce
Erin Austin:it and to distribute,
Erin Austin:perform it, display it,
Erin Austin:adapt it just because I
Erin Austin:have a copy of a book.
Erin Austin:I don't have any of those
Erin Austin:rights of the copyright
Erin Austin:owner just because I have.
Erin Austin:A piece of artwork.
Erin Austin:I do not have any of those
Erin Austin:rights of the copyright owner.
Erin Austin:So some examples of
Erin Austin:copyright infringement
Erin Austin:that unfortunately happen
Erin Austin:to frequently piracy,
Erin Austin:that's downloading
Erin Austin:or distributing of.
Erin Austin:Copyrighted songs or
Erin Austin:movies or TV shows
Erin Austin:without authorization.
Erin Austin:And that would include, even
Erin Austin:if all you're doing is taking
Erin Austin:them and uploading them
Erin Austin:to YouTube, even if you're
Erin Austin:not personally, getting any
Erin Austin:money from it, you don't have
Erin Austin:the right to, make copies.
Erin Austin:And distribute somebody else's
Erin Austin:copyrighted works, right?
Erin Austin:reproducing artwork.
Erin Austin:So making copies of
Erin Austin:paintings or photographs or
Erin Austin:graphics without permission
Erin Austin:Selling them or displaying
Erin Austin:them So a lot of times
Erin Austin:this happens where people
Erin Austin:will find an image on the
Erin Austin:internet And they put it
Erin Austin:on their website without
Erin Austin:permission if you don't have
Erin Austin:permission to use What would?
Erin Austin:Fall into a category of
Erin Austin:copyrighted works, then
Erin Austin:you should assume that
Erin Austin:somebody owns them and
Erin Austin:you need to get permission
Erin Austin:for, reprinting of eBooks,
Erin Austin:especially because it's so
Erin Austin:easy to do, to just download
Erin Austin:something and, offer it.
Erin Austin:Even if you're offering it
Erin Austin:for free, if it's not yours,
Erin Austin:that would be an infringement.
Erin Austin:sampling, I mean, we've
Erin Austin:all heard about, famous,
Erin Austin:Litigation regarding someone
Erin Austin:sampling someone's music,
Erin Austin:and without getting clearance
Erin Austin:from virtual creators.
Erin Austin:We know that can be a
Erin Austin:huge, huge liability,
Erin Austin:unauthorized adaptations.
Erin Austin:This one happens in
Erin Austin:the business world.
Erin Austin:know, I do get questions
Erin Austin:about, hey, there's this.
Erin Austin:Book and I want to create
Erin Austin:a workbook based on this
Erin Austin:book, or I want to create
Erin Austin:a course around this book.
Erin Austin:and so those would be
Erin Austin:considered unauthorized
Erin Austin:adaptations if you don't
Erin Austin:have permission from the
Erin Austin:copyright owner of that.
Erin Austin:Work and then website
Erin Austin:content, you again, people
Erin Austin:tend to think that things
Erin Austin:on the Internet are just
Erin Austin:free and they are not.
Erin Austin:So, lifting somebody
Erin Austin:else's website content.
Erin Austin:I think crazy when I hear
Erin Austin:that entire websites have just
Erin Austin:been lifted and they give it
Erin Austin:a new URL and they go to town
Erin Austin:with someone's entire website.
Erin Austin:and so obviously that would
Erin Austin:be a copyright infringement.
Erin Austin:So remedies, remedies
Erin Austin:that are available against
Erin Austin:a copyright infringer.
Erin Austin:So the primary remedy
Erin Austin:are monetary damages,
Erin Austin:money damages.
Erin Austin:So the aim of monetary damages
Erin Austin:is to Compensate the copyright
Erin Austin:owner for the losses that they
Erin Austin:incur due to the infringement.
Erin Austin:So there's one, the loss
Erin Austin:that the copyright owner
Erin Austin:has, but also they want
Erin Austin:to the profits that the
Erin Austin:infringer may have realized.
Erin Austin:Like you don't get to get.
Erin Austin:Profits from my materials
Erin Austin:and so the monetary damages
Erin Austin:could be the actual damages
Erin Austin:that the copyright holder
Erin Austin:suffered as a direct
Erin Austin:result of the infringement.
Erin Austin:So that might be the lost
Erin Austin:sales or lost licensing fees.
Erin Austin:let's say you, generally,
Erin Austin:I'm sell, a hundred books per
Erin Austin:month and somebody else has
Erin Austin:stolen it and now suddenly
Erin Austin:you're not making any sales,
Erin Austin:those would be actual damages
Erin Austin:that loss of the sales
Erin Austin:that you would typically
Erin Austin:have made had they not.
Erin Austin:Infringed your copyright.
Erin Austin:similarly, the
Erin Austin:profits attributable
Erin Austin:to the infringement.
Erin Austin:So let's say, they stole
Erin Austin:your book, but somehow
Erin Austin:they were able to sell even
Erin Austin:selling it for 50 bucks.
Erin Austin:Each.
Erin Austin:They're able to sell
Erin Austin:it for 100 bucks.
Erin Austin:Each.
Erin Austin:Well, you get the profits
Erin Austin:from their 100 dollar,
Erin Austin:per uh, sale profits.
Erin Austin:and that's just to make
Erin Austin:sure that the infringer
Erin Austin:does not benefit financially
Erin Austin:from their activities.
Erin Austin:Under the U.
Erin Austin:S.
Erin Austin:laws, there are
Erin Austin:statutory damages.
Erin Austin:So statutory damages are
Erin Austin:preset amounts that are set
Erin Austin:forth under the law that the
Erin Austin:copyright holder can opt to
Erin Austin:receive instead of proving
Erin Austin:actual damages or profits.
Erin Austin:So let's say you just
Erin Austin:have stuff that's for
Erin Austin:free on your website.
Erin Austin:you have free eBooks
Erin Austin:that you give away
Erin Austin:that are lead magnets.
Erin Austin:and so you can't tie
Erin Austin:directly any actual
Erin Austin:financial loss to it.
Erin Austin:You can't say, okay,
Erin Austin:this is the dollar amount
Erin Austin:and the other person
Erin Austin:didn't sell it either.
Erin Austin:They just took it
Erin Austin:and used it as free.
Erin Austin:Magnet themselves.
Erin Austin:so there's not profits
Erin Austin:directly attributable
Erin Austin:to that infringement,
Erin Austin:but you have statutory
Erin Austin:damages that you can get.
Erin Austin:So you can just go and say,
Erin Austin:Hey, they copy my white paper.
Erin Austin:They, distributed
Erin Austin:hundred of them.
Erin Austin:and so I, by statute get.
Erin Austin:can range from a couple
Erin Austin:hundred dollars per work to,
Erin Austin:tens of thousands, depending
Erin Austin:on the circumstances of
Erin Austin:that infringement, but you
Erin Austin:don't have to prove, lost
Erin Austin:sales or prove profits on
Erin Austin:the part of the infringer.
Erin Austin:So that's very
Erin Austin:valuable as well.
Erin Austin:And, of course, all these
Erin Austin:things require registration
Erin Austin:the copyright we're not
Erin Austin:talking about copyright
Erin Austin:registration here.
Erin Austin:But all these remedies require
Erin Austin:that your copyright work was
Erin Austin:registered in some cases,
Erin Austin:you can get attorneys fees.
Erin Austin:I mean, suing people requires
Erin Austin:lawyers and lawyers cost
Erin Austin:money litigation is expensive.
Erin Austin:And so to be able to get.
Erin Austin:your attorney's fees and cost
Erin Austin:of infringer having to pay
Erin Austin:for them, are those that's
Erin Austin:among the remedies for the
Erin Austin:infringement and maybe some
Erin Austin:additional damages for really
Erin Austin:egregious behavior, someone's
Erin Austin:just just a habitual.
Erin Austin:Infringer, they may have
Erin Austin:putative damages that
Erin Austin:can be multiples of what
Erin Austin:the actual damages are.
Erin Austin:if you are selling licensing,
Erin Austin:revenue generating, works,
Erin Austin:you know, I always recommend
Erin Austin:that any revenue generating
Erin Austin:work should be registered and
Erin Austin:then keeping records of those.
Erin Austin:I imagine you would be if
Erin Austin:the revenue generating,
Erin Austin:but those records would
Erin Austin:be the basis of for your
Erin Austin:monetary damages claims in
Erin Austin:the event of infringement.
Erin Austin:And then in addition to
Erin Austin:money damages or monetary
Erin Austin:damages, there are things
Erin Austin:like injunctive relief.
Erin Austin:So an injunction stops
Erin Austin:someone from doing the
Erin Austin:infringing activity.
Erin Austin:So, you would get an
Erin Austin:injunction to say, you
Erin Austin:Take the white paper off
Erin Austin:of your website, or if
Erin Austin:someone infringed your,
Erin Austin:right of adaptation, they
Erin Austin:used your book as the
Erin Austin:basis of a course, you can.
Erin Austin:Cause them to take down
Erin Austin:the course and stop
Erin Austin:distributing the course.
Erin Austin:and speaking of takedowns,
Erin Austin:there's a thing called the
Erin Austin:digital millennium copyright
Erin Austin:act with takedown notices.
Erin Austin:And so let's say you
Erin Austin:are surfing the internet
Erin Austin:and you see something
Erin Austin:of yours on somebody's
Erin Austin:website, know, there is
Erin Austin:a process for you just to
Erin Austin:send a takedown notice.
Erin Austin:You don't have to get
Erin Austin:a lawyer for this.
Erin Austin:And you send to that
Erin Austin:internet, to the website.
Erin Austin:owner.
Erin Austin:Hey, somebody posted my
Erin Austin:materials on your website.
Erin Austin:You send a takedown notice.
Erin Austin:You, you tell them,
Erin Austin:you know, this is
Erin Austin:mine, blah, blah, blah.
Erin Austin:And then they are required
Erin Austin:to take that down.
Erin Austin:and then, you if it's
Erin Austin:something that is a physical
Erin Austin:copy, like physical books
Erin Austin:that are infringing.
Erin Austin:they're be impounded or
Erin Austin:require the destruction
Erin Austin:of those articles.
Erin Austin:if it's something that's
Erin Austin:coming from overseas,
Erin Austin:they can capture them at
Erin Austin:the border, generally not
Erin Austin:applicable to what we do.
Erin Austin:but still important,
Erin Austin:remedies in the event
Erin Austin:that those things happen.
Erin Austin:So what we just talked
Erin Austin:about were all civil
Erin Austin:penalties in the event of
Erin Austin:a copyright infringement.
Erin Austin:So, the question
Erin Austin:is, are there also.
Erin Austin:Criminal copyright
Erin Austin:provisions, and yes, there
Erin Austin:are the Copyright Act does
Erin Austin:have criminal provisions.
Erin Austin:copyright infringement
Erin Austin:can be a crime.
Erin Austin:So it is a criminal
Erin Austin:offense when we willfully
Erin Austin:infringe a copyright.
Erin Austin:So if it's willfully
Erin Austin:committed, and it's for,
Erin Austin:financial gain for commercial
Erin Austin:advantage, that Can be
Erin Austin:criminal, especially when
Erin Austin:the value of that commercial
Erin Austin:game goes up, the steeper the
Erin Austin:criminal penalties are, and
Erin Austin:so you can, in addition to
Erin Austin:Being sued civilly, you can
Erin Austin:also be prosecuted criminally
Erin Austin:for the same infringing act.
Erin Austin:in terms of elevating
Erin Austin:something from kind
Erin Austin:of civil liability to
Erin Austin:criminal liability.
Erin Austin:courts have found
Erin Austin:willfulness when a defendant
Erin Austin:was given legal notice.
Erin Austin:That his conduct was
Erin Austin:infringing or when he
Erin Austin:had noticed that it was
Erin Austin:illegal, and that they
Erin Austin:continue to do it anyway.
Erin Austin:So for example, you
Erin Austin:repeatedly take your
Erin Austin:camera phone into advanced
Erin Austin:screenings of movies and
Erin Austin:record it and put it online.
Erin Austin:And then, you you're
Erin Austin:known for that.
Erin Austin:You've been getting cease
Erin Austin:and desist orders from
Erin Austin:near the movie studios.
Erin Austin:You keep doing it.
Erin Austin:The court will likely see
Erin Austin:your actions as being willful.
Erin Austin:You're intentionally.
Erin Austin:there's no negligence.
Erin Austin:There's no even ignorance,
Erin Austin:you know, exactly
Erin Austin:what you're doing.
Erin Austin:you can be criminally
Erin Austin:charged for that.
Erin Austin:other things that may, be
Erin Austin:considered criminal offenses.
Erin Austin:If you put like a fraudulent
Erin Austin:copyright notice on something,
Erin Austin:so, you know, something is
Erin Austin:not yours, but you claim
Erin Austin:it and you put a copyright
Erin Austin:notice on it and claim
Erin Austin:it, that can be, fraud.
Erin Austin:Removing a copyright notice
Erin Austin:on something for fraudulent
Erin Austin:intent, like for some
Erin Austin:reason, something has a
Erin Austin:copyright notice on it.
Erin Austin:Maybe you're trying to
Erin Austin:sell it as your own.
Erin Austin:And so you take off the other
Erin Austin:person's copyright notice, in
Erin Austin:order pass it off as your own.
Erin Austin:That can be, Criminal
Erin Austin:offense, making a false
Erin Austin:representation of a material
Erin Austin:fact on the application
Erin Austin:for copyright registration.
Erin Austin:When you file a copyright
Erin Austin:registration, you are
Erin Austin:asked to represent that.
Erin Austin:It is original that you
Erin Austin:are the proper owner.
Erin Austin:this will be, significant
Erin Austin:in the face of, AI
Erin Austin:generated materials.
Erin Austin:You need to state honestly,
Erin Austin:What the origin of the
Erin Austin:material that you're applying
Erin Austin:for copyright registration for
Erin Austin:and say, if you're knowingly
Erin Austin:making false statements
Erin Austin:on that application,
Erin Austin:you could be criminally
Erin Austin:prosecuted for that.
Erin Austin:and then willfully,
Erin Austin:and for the purposes of
Erin Austin:commercial advantage or
Erin Austin:private gain, I mean, is
Erin Austin:circumventing technological,
Erin Austin:protection measures, which
Erin Austin:is something that we'll
Erin Austin:actually talk about in the.
Erin Austin:Third one where we talk
Erin Austin:about ways to, avoid, having
Erin Austin:your copyright infringed.
Erin Austin:But example of that would
Erin Austin:be like watermarking.
Erin Austin:Like sometimes you will see,
Erin Austin:images on the internet that
Erin Austin:has a watermark behind it.
Erin Austin:You can't just use it.
Erin Austin:so there are things that you
Erin Austin:can put on something so you
Erin Austin:can detect, the origin of
Erin Austin:material, if someone were to
Erin Austin:steal it and distribute it.
Erin Austin:circumventing can be
Erin Austin:considered willful.
Erin Austin:and therefore, a
Erin Austin:criminal, offense.
Erin Austin:the penalties for criminal
Erin Austin:copyright infringement include
Erin Austin:prison time and large fines.
Erin Austin:So a first time offender
Erin Austin:who's convicted of making
Erin Austin:unauthorized reproductions
Erin Austin:or distributing at least 10
Erin Austin:copies of a work during 180
Erin Austin:day period with a retail
Erin Austin:value of 2500 or more.
Erin Austin:Can be in prison for up
Erin Austin:to five years and find
Erin Austin:up to 250, 000 or both.
Erin Austin:If you've previously been
Erin Austin:convicted of criminal
Erin Austin:copyright infringement so
Erin Austin:you're a recidivist, you
Erin Austin:can be sentenced up to a
Erin Austin:maximum of 10 years in prison
Erin Austin:of the 250, 000 in fine.
Erin Austin:Or both and then for
Erin Austin:misdemeanors up to 1 year
Erin Austin:in prison and a maximum
Erin Austin:fine of 100, 000, which
Erin Austin:is not insignificant.
Erin Austin:that is our overview of.
Erin Austin:Copyright infringement, what
Erin Austin:it is, the civil penalties
Erin Austin:and the criminal penalties
Erin Austin:for copyright infringement.
Erin Austin:And so, join me in
Erin Austin:the next session.
Erin Austin:We will talk about how to
Erin Austin:make sure you are not guilty
Erin Austin:of copyright infringement.
Erin Austin:Thanks guys.
Erin Austin:See you next time.