Today we’re heading into holiday territory with the 1994 remake of Miracle on 34th Street, the version that tried to bring Kris Kringle into the ‘90s and ended up becoming its own nostalgic time capsule. Let’s dig into the movie, the era and why this version still delivers cozy Christmas vibes decades later.
My guest today is a familiar voice: my regular podcast partner-in-crime, Ryan Rebalkin - whom I join every other Sunday on One More Round, the Rocky Series Podcast.
Ryan wears many hats! He's a proud father of 6 wonderful kids and also serves in the Navy. But wait, there's more! He's also a podcast host and a YouTube reactor, sharing his thoughts and opinions with the world. When he's not busy entertaining his audience, you can find him running with his with his dog, and cuddling with his cats.
In addition to Rocky & Rambo, he hosts a show called The Worst of the Best as well as The Director's Chair Network, most recently covering a number of directors including Ed Zwick, Michael Mann, and soon to be Terrence Malick.
Please get in touch to tell me what you think - RetromadePodcast@gmail.com
Follow or Listen: https://retromade.captivate.fm
Subscribe: https://www.youtube.com/@RetromadePodcast
Join the fun: https://www.facebook.com/retromadepodcast
Want to offer a tip in support of the show: https://retromade.captivate.fm/support
Hello.
2
:Hello, I'm Katie, and
welcome back to Retro Made.
3
:Today we're heading into holiday
territory with the:
4
:of Miracle on 34th Street.
5
:The version that tried to bring Chris
Gringle into the nineties ended up
6
:becoming its own nostalgic time capsule.
7
:So let's dig into the movie as well as the
era and why this version still delivers
8
:some cozy Christmas vibes decades later.
9
:My guest today is a familiar
face, my regular podcast
10
:partner in crime, Ryan Rabkin.
11
:Welcome, Ryan.
12
:Ryan Rebalkin: Thanks Katie.
13
:It's a pleasure to be here and happy
holidays and Merry Christmas and all
14
:those things to you and your listeners
15
:Katie: Thank you.
16
:Yeah.
17
:At the time of this recording,
American Thanksgiving was.
18
:Ryan Rebalkin: just
19
:Katie: Like a day or so ago.
20
:Yeah.
21
:Ryan Rebalkin: Yeah,
22
:Katie: now it's officially Christmas time.
23
:I have a kind of a festive sweater on.
24
:So yeah, Ryan, you have a full
slate of shows and projects
25
:going on at any given time.
26
:So why don't you remind us what,
what you're working on these days.
27
:Ryan Rebalkin: Let's just keep it simple.
28
:Check out the Director's chair
network, which of course, your
29
:John Hughes coverage is on.
30
:But if people are interested in hearing
other director's works, just Google
31
:the Director's Chair Network podcast.
32
:It'll come up where it's available.
33
:It's available everywhere,
YouTube and audio.
34
:And for poops and giggles, check
out the worst of the best podcast.
35
:That's where Katie's
been on before as well.
36
:And that's the one where we do a
variety of different topics and we
37
:just pick the worst from the best.
38
:And I'm really looking forward to our end
of the year episode the dead celebrity
39
:roundup, which is always our most fun,
where we pick the worst celebrity death.
40
:And how does that work, Katie?
41
:It's, there's two things.
42
:One.
43
:Which one affected us the worst.
44
:You know?
45
:Which one, which one hurt the worst?
46
:You know, the biggest fan that we
might've been, and which we think
47
:is the worst person that died.
48
:So we're, we're kind of happy.
49
:They're gone.
50
:Not in the bad, you know what I mean?
51
:But
52
:Katie: Mm-hmm.
53
:Ryan Rebalkin: really like
that person, you know?
54
:So.
55
:Katie: That is a fun episode.
56
:I'm looking forward to that.
57
:Ryan Rebalkin: I'm looking
forward to it as well.
58
:Okay.
59
:Katie: Awesome.
60
:Ryan Rebalkin: excited for this.
61
:Katie: I think this is the only
John Hughes movie that we're
62
:covering on this season from 1994.
63
:So
64
:Ryan Rebalkin: wow.
65
:Katie: we get into the movie, let's
get into the mood from , 31 years ago.
66
:Ryan Rebalkin: For context, Katie,
I graduated high school June of 93.
67
:Katie: Wow.
68
:Yeah.
69
:My old, my sister graduated in 93 too.
70
:One of my sisters.
71
:So we are going to open
the time capsule and spin.
72
:The wheel of retro made categories
and see how, I have a feeling you're
73
:gonna be good at these since you,
74
:Ryan Rebalkin: maybe
75
:Katie: okay.
76
:We have commercial countdown.
77
:Ryan Rebalkin: Okay.
78
:Katie: In 1994,
79
:There were some notable campaigns.
80
:These are pretty good ones.
81
:Okay.
82
:There's an iconic and long running slogan
mpaign that first launched in:
83
:aiming to capture the unique flavors of
the candy through a sensory experience.
84
:Ryan Rebalkin: So you have to keep in
mind, I'm also Canadian, so some of
85
:your candies products and stuff might
86
:Katie: You, this is a, I have a feeling.
87
:So it's a, it's a,
88
:Ryan Rebalkin: m's one?
89
:Katie: You're on the right track.
90
:It's similar.
91
:It's a colorful candy.
92
:Yes.
93
:And what was the campaign?
94
:Ryan Rebalkin: Rainbow
95
:Katie: Yeah, yeah, yeah.
96
:Ryan Rebalkin: Oh, boy.
97
:Boy, their marketing works, eh?
98
:Geez.
99
:Katie: You know, Skittles are really good.
100
:Ryan Rebalkin: They're good.
101
:I do prefer I, I don't mind.
102
:It's, it's got that tartness.
103
:I'm not a big tart guy.
104
:I'm more of a sweet guy.
105
:I, so I would,
106
:Katie: Mm.
107
:Ryan Rebalkin: and msms, but Sure.
108
:I, I'll eat a bag of Skittles.
109
:Katie: I,
110
:mean
111
:Ryan Rebalkin: me force my hand, Katie.
112
:I'll
113
:eat a bag of Skittles.
114
:Katie: Let's find another
category that crosses the
115
:cultural boundaries of countries.
116
:Ryan Rebalkin: your
117
:Katie: Hmm.
118
:Ryan Rebalkin: way.
119
:Katie: VHS Vault is the
category we've come to.
120
:So I have a feeling you're
gonna be really good at this
121
:Ryan Rebalkin: Hmm.
122
:Katie: top rented movies of 1994.
123
:Ryan Rebalkin: This is tricky.
124
:'cause VHS in the time is like,
for example, I mean, we're
125
:gonna be talking about Mr.
126
:Attenberg today, and he
was in Jurassic Park,:
127
:So that came out in 93.
128
:So I assume it, see it ran in
the summer of 93, so I assume
129
:it was on VHS rental in 94.
130
:So would Jurassic Park be
up there for a top rental?
131
:Katie: That's a really good guess.
132
:Ryan Rebalkin: You get what I'm saying?
133
:I
134
:Katie: yeah,
135
:Ryan Rebalkin: out quicker
than I remember back then?
136
:Katie: Sometimes it's a crapshoot.
137
:'cause some movies are so big that
they stay in the theater for longer.
138
:You know what I mean?
139
:So keep that in mind.
140
:Yes.
141
:Okay.
142
:So I was gonna see if you had any,
just off the top of your head.
143
:Ryan Rebalkin: I can't remember.
144
:Katie: Okay.
145
:This film was the top video
cassette rental, hence our
146
:VHS vault titled category.
147
:It stars,
148
:boy, it's gonna give it away.
149
:My Tom Hanks is the lead star, and
then there's another lead woman.
150
:If I say her name, it'll
151
:no.
152
:Ryan Rebalkin: Oh, really?
153
:Not
154
:Katie: It is a romantic comedy.
155
:They fall in love
156
:across the country from each other.
157
:Ryan Rebalkin: was then,
see, this is what I mean.
158
:I think Forrest Gump was 93.
159
:When was sleepless was that after Forrest?
160
:Because I'm 99% sure.
161
:Forres Gump was 93 94 because it
lost to, to pulp Fiction for best
162
:pitcher, or sorry, pulp Fiction lost
to Forres Gump for best pitcher.
163
:And that was a big kerfuffle.
164
:Boy, this is crazy.
165
:I thought Sleepless in
Seattle was an earlier films.
166
:This is
167
:Katie: It came out in 93.
168
:Ryan Rebalkin: he had two films that
169
:Katie: Yeah.
170
:Ryan Rebalkin: big.
171
:Katie: mean, Tom Hanks was, yeah,
he was huge at the time, so, yeah.
172
:Ryan Rebalkin: that one beat Wow.
173
:Katie: Well, again, these are video
rentals, you know, so think of, you know,
174
:your, your strolling with your, maybe
your boyfriend or your girlfriend through,
175
:you know, a blockbuster.
176
:Ryan Rebalkin: People
177
:Katie: Okay.
178
:Ryan Rebalkin: So that, so it came in the
179
:theaters in 94, so I guess, yeah, you're
180
:Katie: That tracks.
181
:Mm-hmm.
182
:Yep.
183
:Ryan Rebalkin: weird.
184
:This is what I mean.
185
:I get so
186
:confused.
187
:Katie: This one is, yeah.
188
:Ryan Rebalkin: 93 and you're rented in 94?
189
:Katie: Yep.
190
:Exactly.
191
:Okay.
192
:Now, next one, released in late 93.
193
:This film was the fifth most rented
video of 94 starring Harrison Ford.
194
:Is that helping you at all, or do you need
195
:Ryan Rebalkin: me.
196
:Was he doing the Clear and
present Danger films then?
197
:The
198
:Katie: kind of genre.
199
:He was wrongly, he was wrongly convicted
200
:Ryan Rebalkin: yeah,
201
:Katie: of murdering his wife.
202
:Ryan Rebalkin: why is, it wasn't me.
203
:It was a one arm man.
204
:What was that called?
205
:The Fugitive?
206
:Yes.
207
:Katie: Yeah.
208
:Yeah.
209
:Very good.
210
:Very good.
211
:Ryan Rebalkin: Oh my gosh.
212
:That's the classic meme
from Tom Lee Jones.
213
:I don't care.
214
:I love that meme when
215
:Katie: Mm-hmm.
216
:Ryan Rebalkin: in the tunnel 'cause
217
:says I didn't kill, or,
you know, I'm innocent.
218
:And Tom Lee Jones is like, I don't care.
219
:I've, I've just, I'm, I'm
ordered to arrest you.
220
:Like I let the courts figure this out.
221
:I just have to arrest you.
222
:I love that.
223
:Yeah.
224
:Katie: All right.
225
:The highly successful legal and
political thriller that seems like
226
:very much this time, lots of, lots
of that going on at this time.
227
:It's based on a John Grisham novel,
fourth most rented film of 94.
228
:It starts Julia Roberts.
229
:Ryan Rebalkin: at the Pelican
Brief with Denzel Washington.
230
:Katie: Yes.
231
:Law student who uncovers
a dangerous conspiracy.
232
:You're right, it is the Pelican Brief.
233
:Ryan Rebalkin: Denzel one
of my favorite actors of all
234
:Katie: Mm-hmm.
235
:Ryan Rebalkin: funny with
Julia, I have softened with her.
236
:I don't
237
:Katie: I love her.
238
:Ryan Rebalkin: I always
239
:hardened on her.
240
:because remember, I'm a teen
when she's a big actress.
241
:Like her, her stratosphere of stardom
was when I was a teenager and I
242
:Katie: Mm-hmm.
243
:Ryan Rebalkin: it was that
she didn't, but as I've
244
:gotten older, I've gotten to
appreciate her a little bit more.
245
:That's the same with other ones you've
covered on your show, like people like
246
:Patrick Swayze, we've talked about
that, where I wasn't a big fan of
247
:Katie: Yeah.
248
:Ryan Rebalkin: up 'cause it just
249
:Katie: Mm-hmm.
250
:Ryan Rebalkin: like come
251
:on, on, you're
252
:not, you're, you're not
sly, you're not Arnold.
253
:You do you think you are Mr.
254
:Swayze pretty boy.
255
:And but when I got older I
was like, oh, I, I like him.
256
:So, yeah.
257
:Katie: Well, I'm kind of surprised about
Julia because she's very attractive.
258
:Didn't you think she was
at least nice to look at?
259
:Ryan Rebalkin: Well, yes, she is a
very pretty of course and pretty woman.
260
:I think it was just her, I don't know.
261
:I think it might've been her
laugh and pretty woman bugged
262
:Katie: Oh,
263
:Ryan Rebalkin: and I
think it was rubbed off.
264
:Katie: I can see that
265
:Ryan Rebalkin: bugged me.
266
:Katie: Oh, I love it.
267
:Ryan Rebalkin: I've grown to like her over
268
:the years.
269
:And I will say we actually
shared the same birthday, if you
270
:Katie: You and Julia Roberts.
271
:Ryan Rebalkin: both born October 28th.
272
:Yes.
273
:So
274
:Katie: Oh,
275
:Ryan Rebalkin: yearly
that we shared the same
276
:Katie: Very nice.
277
:Ryan Rebalkin: Yeah.
278
:Katie: Okay.
279
:This is wild.
280
:This is another, we were just
talking about how on fire
281
:Tom Hanks was at the time.
282
:This is another, another hot video rental
at this time was another Tom Hanks movie.
283
:Ryan Rebalkin: Well, that
has to be Philadelphia
284
:Katie: It is the, are you Cheating Ryan?
285
:Ryan Rebalkin: Denzel, Denzel of
course, played the the guy who was like.
286
:I wouldn't say homophobic, but I guess
287
:Katie: yeah, Mm-hmm.
288
:Ryan Rebalkin: definitely in that
289
:film and you know, having to help.
290
:saw that, I believe I saw Philadelphia in
the theater I'd just seen it the one time.
291
:Just the one time.
292
:But I saw it in the
293
:Katie: Well, it's not a real
rewatch, you know, it's the
294
:content of it, it doesn't spark.
295
:Yeah.
296
:Mm-hmm.
297
:Ryan Rebalkin: A, like the
feel good movie of the year.
298
:I put Philadelphia and Schindler us on
every holidays season to get into the MO
299
:Katie: Yeah.
300
:Yeah.
301
:So just as a reminder, you guys, Tom
Hanks won an Oscar for that role.
302
:Ryan Rebalkin: in a row.
303
:Katie: Mm-hmm.
304
:Ryan Rebalkin: He was a back toback
305
:winner for Philadelphia and, for
306
:Katie: For Gump.
307
:Ryan Rebalkin: winner.
308
:Yeah.
309
:Katie: Who doesn't love Tom Hanks, man.
310
:I mean, he's like,
311
:Ryan Rebalkin: of
312
:Katie: this America's sweetheart.
313
:Ryan Rebalkin: a lot of people
314
:Katie: Well, you gotta
be crazy if you don't.
315
:Ryan Rebalkin: I love his movies.
316
:Katie: yeah.
317
:Ryan Rebalkin: his movies.
318
:Yes.
319
:Katie: Last one, Ryan?
320
:Ryan Rebalkin: Okay.
321
:I, I'm not doing very good by the way.
322
:Katie: No, actually you are.
323
:Because this, I will say again, this
category is a little tricky because
324
:it's not, you know, it's the rentals.
325
:So you're trying to
figure out like a Yeah.
326
:Ryan Rebalkin: I just, Yeah.
327
:there were so many.
328
:Here's the thing about the nineties too.
329
:There was, was such a
heyday of great films.
330
:Like we just talking about all these films
was just Tom Hanks, I mean from, you know,
331
:for gum Philadelphia Super in Seattle.
332
:Then he was a League of
their own just before that.
333
:I am looking at it over here
334
:Katie: Oh, I forgot they got their own.
335
:Yeah.
336
:Ryan Rebalkin: yeah, and it's
just he had a run, right?
337
:And then
338
:Katie: Yeah.
339
:Ryan Rebalkin: then Toy Story.
340
:So this
341
:guy, and then Saving Private
Ryan this guy has a run, you
342
:Katie: Y yeah, I mean, he never
stopped, to be honest with you.
343
:'cause he was real big in the eighties,
344
:With all those comedies.
345
:Ryan Rebalkin: And Toy Story five's
being made right now, by the way.
346
:Katie: Is it, can I admit something?
347
:I've never seen any Toy Story movie.
348
:Ryan Rebalkin: they're fun.
349
:Katie: I hear that, but I
just, it doesn't draw me in.
350
:Ryan Rebalkin: Well,
you're a motherless woman,
351
:Katie: Yes,
352
:I am a mother to canine kids,
353
:Ryan Rebalkin: yes,
354
:Katie: that doesn't Yeah.
355
:Toy story.
356
:Huh?
357
:Ryan Rebalkin: actually.
358
:Legit.
359
:It's great storytelling.
360
:Katie: I hear that.
361
:I mean, I, I believe it.
362
:Ryan Rebalkin: and the other thing
is too, is I relate to the boy,
363
:especially with the first one about
him playing with his toys and having
364
:these relationship with his toys.
365
:That was me.
366
:I had a relationship with my toys,
and so I totally get that storytelling
367
:of, and then it's about a, a boy
who grows old, and that's the thing
368
:that, you know, you outgrow your
369
:Katie: Mm-hmm.
370
:Ryan Rebalkin: heartfelt type storyline.
371
:yeah,
372
:Katie: I like it.
373
:Ryan Rebalkin: yeah,
374
:Katie: Maybe one day
there's just so much content
375
:Ryan Rebalkin: there's too much.
376
:I know.
377
:Katie: Alright.
378
:Last one of this category, this action
thriller starring Clint Eastwood as
379
:a Secret service agent haunted by his
past third most runs video of the year.
380
:What movie
381
:is this?
382
:Ryan Rebalkin: hard to buy.
383
:His past was.
384
:The one where he protected the president?
385
:No.
386
:Katie: Secret Service agent.
387
:Yeah.
388
:Yeah.
389
:Yep.
390
:Ryan Rebalkin: With John Kovich?
391
:No.
392
:Okay.
393
:He had a few in the nineties too.
394
:I love Clint.
395
:Unforgiven.
396
:He had a in the line of fire
was the one I'm thinking
397
:Katie: Mm-hmm.
398
:Mm-hmm.
399
:Ryan Rebalkin: but it's
400
:not that one.
401
:Katie: It is that one.
402
:It is that one in the line of fire.
403
:Secret service agent.
404
:Yeah.
405
:Yep.
406
:Ryan Rebalkin: I'll never
forget the classic scene.
407
:He is right along beside the car.
408
:It's just funny.
409
:Clint was old then.
410
:That was 30 years ago, but he wasn't
old and like he was, but he was, and
411
:he is 60 something, which isn't that
really that old, but it's just funny
412
:to think like, oh, Clint, he's what
was an old actor in the nineties, but
413
:Katie: he
414
:Ryan Rebalkin: something.
415
:Katie: He, I mean, that's
416
:not
417
:young.
418
:Ryan Rebalkin: It's not young.
419
:but it's not like it's I
know, but he's still alive.
420
:The guy, it's
421
:Katie: He's very, he's
what, mid nineties maybe.
422
:Ryan Rebalkin: Oh, he's, he's.
423
:He's, I think he's just about dead.
424
:Fingers
425
:Katie: But he is still working.
426
:Ryan Rebalkin: of the year.
427
:No, that's, yeah, he's 95.
428
:Katie: Yeah.
429
:I, yeah.
430
:And he is still like
directing things, I feel like.
431
:Ryan Rebalkin: Bless his
heart, he's still doing it.
432
:He, well the last film that he
starred in was Cry Macho in:
433
:The last
434
:Katie: Mm.
435
:Ryan Rebalkin: was juror number two
in:
436
:I didn't even know it was him that
directed it until I saw the movie.
437
:So that was his last film, which
is only, I guess a year ago.
438
:I don't think he's directing
anything right now.
439
:I think he might officially be retired.
440
:Katie: okay.
441
:I've, yeah,
442
:Ryan Rebalkin: he's got
anything on the go right now.
443
:95.
444
:Come on, Clint.
445
:Katie: I swear I saw like a still
of him on a set of something.
446
:I could be wrong, but anyway.
447
:Good on you.
448
:I mean, keep,
449
:Ryan Rebalkin: I
450
:Katie: yeah.
451
:Betty White worked until she died
452
:at 99.
453
:Mm-hmm.
454
:Ryan Rebalkin: crazy.
455
:That's crazy.
456
:Katie: All right.
457
:We have one more category.
458
:We came to back in the headlines, Ryan,
459
:Ryan Rebalkin: Oh,
460
:Katie: big,
461
:news stories in 94.
462
:There's a few of 'em that are
really well known, so I'd be
463
:surprised if you didn't get them.
464
:Ryan Rebalkin: Sure.
465
:Katie: Okay.
466
:January 94, the US and the world was
captivated by a bizarre incident at
467
:a figure skating practice session.
468
:Ryan Rebalkin: is the what?
469
:The,
470
:Katie: Olympic hopeful
was clubbed on the knee.
471
:Ryan Rebalkin: no, sorry.
472
:Kate Nancy Carrigan and
the blonde-haired one.
473
:Katie: Mm-hmm.
474
:Ryan Rebalkin: What was her name again?
475
:Frick.
476
:Don't tell
477
:Katie: Don't tell you.
478
:Ryan Rebalkin: name.
479
:Like I, if I saw
480
:the name in a fricking thousand
481
:Katie: Yes.
482
:Ryan Rebalkin: I'd pick it out.
483
:Nancy Kerrigan.
484
:And
485
:Katie: her main rival
486
:Tanya is her first name.
487
:Ryan Rebalkin: Harding.
488
:Yeah.
489
:Katie: Yeah.
490
:So yep.
491
:The attack on figure
skater Nancy Carrigan.
492
:Ryan Rebalkin: Bat to the lake.
493
:Katie: Or was it a baseball
bat or some sort of a
494
:Ryan Rebalkin: she got hit with a
495
:baseball bat, but it wasn't, it wasn't
Taja that did the blow, I don't think.
496
:I think
497
:Katie: No, no, no, no.
498
:There was a whole, and movies
have been made and we'll
499
:actually talk about it because
500
:Ryan Rebalkin: Margo,
501
:Katie: of our
502
:Ryan Rebalkin: Taja.
503
:Or I ta or something.
504
:I wanna
505
:Katie: mm-hmm.
506
:Ryan Rebalkin: film.
507
:But yeah, I
508
:Katie: Oh, you haven't seen it?
509
:It's good.
510
:I, I, Tanya
511
:Ryan Rebalkin: is she, she got somebody
to hit somebody with a bat with their leg.
512
:Right.
513
:Or
514
:Katie: and her husband.
515
:Ryan Rebalkin: Isn't
516
:Katie: Yeah.
517
:Ryan Rebalkin: you?
518
:It's such a what a
519
:weird, just be better than her.
520
:Katie: Well, I think she still
asserts that she had nothing to do
521
:with it, that her husband paid this.
522
:And it was like some guy that,
but many movies have been made
523
:about it over the last 30 years.
524
:I, Tanya is really good, but a
lot of TV movies and stuff, you
525
:know, remember in the nineties
there were a lot of TV movies.
526
:Ryan Rebalkin: Yeah.
527
:Yeah.
528
:Katie: loved it about this kind of stuff.
529
:Okay.
530
:Now this next one, on June 17th, 94, an
estimated 95 million viewers tuned in to
531
:watch live footage of police pursuing a
very specific vehicle in the Los Angeles.
532
:And who was it carrying?
533
:Ryan Rebalkin: oj who's innocent?
534
:May he rest in
535
:Katie: Oh dear.
536
:Oh dear.
537
:Ryan Rebalkin: I honestly, I, I
have a, I, you know, what if, put
538
:my little tenfold hat on here.
539
:What will a father do for his son?
540
:I believe he took the hit for his son.
541
:I don't know.
542
:There's a part of me, the, the glove
didn't fit because it fit his son, Katie,
543
:Katie: Well, I sort of believe the
conspiracy about JonBenet Ramsey,
544
:that the kit, the son did it.
545
:Maybe like I, you know, that they covered.
546
:Ryan Rebalkin: out here.
547
:Think about it.
548
:Think about oj the reason why he
could be so like, like when he did get
549
:out, like how could he go on Twitter?
550
:How could he have this?
551
:How?
552
:Because he actually didn't kill anyone.
553
:His crime was protecting his son.
554
:If you put that cap on, that's
how he could be still kind
555
:of the jovial OJ that he was.
556
:Because if you think about it, he
didn't kill his wife and, and the lover.
557
:It was the son who was mad
at his mother stepping out.
558
:So there you go.
559
:The glove didn't fit.
560
:He OJ covered for his
son and life goes on.
561
:Katie: I don't buy it.
562
:They were already broken up.
563
:It's not like they were still.
564
:Ryan Rebalkin: you.
565
:Katie: But I like your tin tin hat.
566
:Thanks for, thanks for
playing conspiracy theories
567
:with Katie and Ryan.
568
:Ryan Rebalkin: Uh uh.
569
:Let us know in the show notes
if Ryan's off his rocker.
570
:Katie: Mm-hmm.
571
:Alright, last one, Ryan.
572
:April 5th.
573
:The music world was rocked by the
death of the, the lead singer of an
574
:say again.
575
:Ryan Rebalkin: Freddie Mercury.
576
:Katie: No.
577
:Nope.
578
:That was earlier
579
:Ryan Rebalkin: that's earlier.
580
:Okay.
581
:Katie: Lead singer of iconic grunge band.
582
:Ryan Rebalkin: Oh, okay.
583
:Another conspiracy.
584
:He was murdered.
585
:He was murdered by whole singer.
586
:Courtney.
587
:Courtney.
588
:Love.
589
:Katie: His suicide
590
:Ryan Rebalkin: Oh,
591
:Katie: at the age of 27.
592
:Now there's the conspiracy, you know,
there's this whole, like the 27 club.
593
:Ryan Rebalkin: conspiracy.
594
:Look, just Google it.
595
:Folks have some fun.
596
:All I'm saying, all I say about
conspiracy theories, Katie, is
597
:I don't necessarily subscribe.
598
:You've heard my worst of the best
599
:Katie: Mm-hmm.
600
:Ryan Rebalkin: I don't necessarily
subscribe to them, but they're so,
601
:they're, they're fun to they examine and
talk about like, why did people get there?
602
:Katie: Well, some are fun, but some
really cause real harm and damage
603
:to people, like not believing school
shootings and stuff like that, or Yeah.
604
:But they're all conspiracy theories, so,
605
:Ryan Rebalkin: the yeah, Kurt
Cobain caused the damage himself.
606
:I think the damage has been done.
607
:Katie: so yes, the answer
is the death of Kurt Cobain.
608
:Well that concludes this portion
of the time Capsule on Retro Made.
609
:Thank you for playing Ryan.
610
:Ryan Rebalkin: It's always fun.
611
:I'm not very good at it, but it
is fun to think those days for me.
612
:'cause I'm old.
613
:I'm 50 now and those days it
seems like yesterday, like I
614
:remember when Kurt killed himself.
615
:I remember when Nancy got
hit with a baseball bat.
616
:it's just weird.
617
:I remember I oj and the, and
the verdict and all that stuff.
618
:It's just weird that Yeah,
the rounds that made the, the,
619
:everything happened at once.
620
:Look at what a busy year, right?
621
:Katie: Well, the Yes, the
mid nineties really were and
622
:the thi it so it's 30 also.
623
:You're right, it does kind of seem both
like forever ago in that these things
624
:have been pared and joked about so much
now that it almost doesn't seem real.
625
:But these.
626
:This really did happen.
627
:But yeah, a lot happened, man.
628
:Ryan Rebalkin: A lot happened.
629
:But you know what else happened?
630
:Katie
631
:Miracle at 34th Street was released.
632
:Katie: it was, so shall we
get into the:
633
:Miracle on 34th Street, Ryan,
634
:this is one of four remakes
635
:that we're covering on
this John Hughes season.
636
:Can you think of the other three?
637
:Ryan Rebalkin: oh boy.
638
:You're putting me on the spot.
639
:'cause I listened to all
your episodes, remake.
640
:So I'd have to go to the John Hughes.
641
:Katie: You can't look it up.
642
:You can't look it up.
643
:Ryan Rebalkin: going to right
now just because I, I don't even
644
:know what necessarily has been
a remake to be honest with you,
645
:Katie: Well, we've
covered two on the show.
646
:One has not been released yet.
647
:Ryan Rebalkin: Okay.
648
:I'm just looking to be honest with you.
649
:He was, oh, well, I guess 101 Dalmatians.
650
:Well, no, he, oh, you're
carbon writing too.
651
:So that was a remake I
652
:Katie: Yep.
653
:101.
654
:Dalmatians is one of 'em,
and that episode hasn't.
655
:hasn't come out
656
:yet.
657
:Ryan Rebalkin: Okay.
658
:That Hasn't come out yet.
659
:Miracle Street's number two.
660
:Well, I guess with Dennis and
Menace be considered a remake.
661
:Katie: Yep.
662
:Dennis
663
:Ryan Rebalkin: and then
I'm gonna, I'm just
664
:Katie: one more.
665
:Ryan Rebalkin: Boy, can I just say
how much I love Savage Islands?
666
:Can we talk about Savage
667
:Katie: we will in just a minute.
668
:We need to, yeah.
669
:Ryan Rebalkin: right.
670
:I what's the fourth one?
671
:Katie: Flubber recently covered.
672
:Ryan Rebalkin: Okay.
673
:Katie: Did you not listen
to the episode, Ryan?
674
:Ryan Rebalkin: Yeah.
675
:Well, I don't, yes, like me though.
676
:You listen when you're
677
:Katie: Yeah, yeah, yeah, yeah,
678
:Ryan Rebalkin: you don't catch
679
:Katie: yeah, for sure.
680
:Ryan Rebalkin: Flubber.
681
:That's right.
682
:That's right.
683
:Rest in peace is a great Robin.
684
:Yeah, but those are remakes, I guess.
685
:So this is what I mean.
686
:I
687
:I like, I think Miracle on 34th
Street is a true remake 'cause
688
:because Dennis and Menace and stuff,
it's kind of like based on a comic.
689
:And I, I get, I know what you're
saying, but I would consider Miracle
690
:on 34th Street a true, this was a live
action film that came out, you know,
691
:a few decades before Black and white.
692
:I believe so.
693
:And I, which I did.
694
:I have seen that version.
695
:Have you seen the 1947
696
:Katie: I'm glad to hear that.
697
:'cause I was gonna ask
you because I actually,
698
:Ryan Rebalkin: but I've seen it.
699
:Katie: okay.
700
:I I actually rewatched it
yesterday because, so you
701
:guys miracle on 34th Street?
702
:I'm pretty sure I watched it on
Hulu and then the recommended title
703
:for me that was just queued up, you
know, was the, was the original.
704
:And so I was like, I honestly don't think
I had watched it all the way through, like
705
:in one sitting, I, I know I'd seen pieces
of it, so I watched them back to back.
706
:So a lot of my thoughts are
comparisons or contrasting the two.
707
:But you guys, this did come
th,:
708
:And Ryan, to your point, what
else came out November 18th that
709
:you and I covered, but in 1983,
710
:you just mentioned it.
711
:Ryan Rebalkin: Oh, sorry.
712
:Savage Islands also known as,
what was Nate or something?
713
:Nate and.
714
:Katie: Naden Hayes is what it was released
in the US under AKA Savage Islands in
715
:Ryan Rebalkin: love that
716
:Katie: Yeah,
717
:Ryan Rebalkin: Guys, if you haven't seen
Savage Island slash Nate Hayes or listen
718
:to our episode, go check out that movie.
719
:You might have to, I don't
know, to some ping site.
720
:The, I don't know where you, I think
that's where I watched It was a ping site.
721
:I don't think it's a, I don't know,
where did you, how did you watch it
722
:Katie: I know.
723
:I was just thinking, I can't recall.
724
:A lot of times if I can't find them,
I, and I have enough time, I'll request
725
:it from my library, so it's possible.
726
:That's what I did.
727
:Ryan Rebalkin: great library option.
728
:I don't really have that where I
am, but that's cool that you can do
729
:Katie: Mm-hmm.
730
:Ryan Rebalkin: Sabotage
731
:Katie: Yeah.
732
:Ryan Rebalkin: Hughes.
733
:Katie: Yeah.
734
:So these are vastly
different movies, you guys.
735
:Ryan Rebalkin: yes.
736
:Katie: but, but also pg I think
we were surprised that Savage
737
:Island's, AK and Nate and Hayes
was rated pg, but both, both pg.
738
:Yeah.
739
:Ryan Rebalkin: 83.
740
:The 83 PG is like, yeah.
741
:Yeah.
742
:Katie: Now regarding its release date,
November 18th was its wide release.
743
:I do wanna note that it had a premiere
on the 15th in 94 at Radio City
744
:Music Hall in New York with a 30
minute stage show with the Rockettes
745
:and a performance by Kenny G.
746
:Mm-hmm.
747
:Yes.
748
:It was like a really big deal.
749
:Uh,
750
:Ryan Rebalkin: Saxophone
player in the world.
751
:Katie: is he,
752
:Ryan Rebalkin: Well, you
know what his net worth
753
:is I'll quickly look it.
754
:It's insane.
755
:Katie: it's wild.
756
:Ryan Rebalkin: it, it is
757
:insane.
758
:It'll be, maybe you won't be surprised
because I've oversold a little bit, but
759
:yeah, he is worth a hundred million.
760
:I mean, that's not bad
for playing the saxophone.
761
:Katie: I mean, there's not
that many famous sax players.
762
:But yeah.
763
:You know, that jazz, that
typical, you know, Kenny G's,
764
:Ryan Rebalkin: 69 now.
765
:Katie: everybody's old.
766
:I'm telling you,
767
:Ryan.
768
:Ryan Rebalkin: I know.
769
:So
770
:what his last name is, I
didn't know this till now.
771
:Katie: No.
772
:Ryan Rebalkin: so I can see
773
:why they might have
just called him Kenny G.
774
:Katie: And that's why someone, if I
got famous, I would go as Katie G.
775
:No, I'm just kidding.
776
:Ryan Rebalkin: Kenny G.
777
:All
778
:Katie: I'm just kidding.
779
:The director here, I don't know if
you're familiar with Les Mayfield.
780
:Ryan Rebalkin: I looked him up just to,
I think it's a him because I, Les could
781
:be a female name, to be honest with you,
782
:Katie: It's, a man, and we've
covered him already on the show.
783
:Ryan Rebalkin: That's what I was like.
784
:funny how these directors will,
785
:Katie: Mm-hmm.
786
:Ryan Rebalkin: movie or whatever it is.
787
:You're like,
788
:what?
789
:Like they're, I hate to say they're
nobody directors, I don't mean in
790
:that, in a, in a disparaging way,
but, but he's like, well, what
791
:else have they done in Hollywood?
792
:Like, how did they get this gig?
793
:So, yeah, they, he directed flubber.
794
:Katie: Yeah.
795
:That's why, that's how we, so you
guys, again, he directed Flubber also,
796
:John Hughes written or co-written.
797
:He got his debut though
with Encino Man in 92.
798
:Ryan Rebalkin: which is again,
799
:Katie: I love that movie.
800
:Ryan Rebalkin: that wasn't like a
801
:small movie.
802
:back in the nineties.
803
:Like it, I think it did fairly well.
804
:Like it was made, I was looking, now
it's made for 7 million, made 41 million.
805
:So it did well for the, the studio,
it had Sean, Brenda Frazier, Paul
806
:Shore, kind of a, you know, the
silly comedy of the nineties.
807
:So how did he get the gig?
808
:That's what I always wonder,
you know what I mean?
809
:Hey, we're directing this movie
with a, with some fun actors
810
:and , okay Les, you got the job,
811
:Katie: This, they know somebody
who knows somebody or, you know,
812
:they've come across, they've
worked with so and so in the past.
813
:You know, you, you work with people
that you like and would like to
814
:work again with in the future.
815
:And,
816
:and, you know.
817
:Ryan Rebalkin: then it's like, then
this next film, two years later of
818
:Release is Miracle on 34th Street, which
looks and acts, it is a proper film.
819
:Katie: Are you saying Encino
man is not a proper film?
820
:Ryan Rebalkin: by that?
821
:It's like, it's like
it's a nineties comedy
822
:Katie: Yeah.
823
:Ryan Rebalkin: It's a silly film.
824
:Katie: Mm-hmm.
825
:Ryan Rebalkin: you don't,
you don't have to really put
826
:who cares about whatever.
827
:It's just weird to me.
828
:And then he, then he did
blue Streak with Martin
829
:Katie: Mm-hmm.
830
:Ryan Rebalkin: I didn't see.
831
:Then American Outlaws, which is
kind of a fun, I love Western.
832
:So he did that one.
833
:the man was Samuel Jackson, Eugene
Levy, which is kind of whatever.
834
:And then another one with Cedric
the entertainer called The Cleaner.
835
:And that's it.
836
:What, but what a weird seven film streak.
837
:It's like, yeah, I'm done.
838
:Katie: Sometimes those people, maybe
he went on to, I didn't look up,
839
:but maybe he's more of a producer
and he didn't, you know what I mean?
840
:Things like that.
841
:Ryan Rebalkin: Wikipedia sparse.
842
:It just, that's his last film.
843
:But doesn't say why he stopped directing.
844
:Doesn't say how he started directing.
845
:Yeah, it's weird.
846
:Katie: Well, there is a through line.
847
:All his movies are comedies,
848
:you know.
849
:Ryan Rebalkin: for American
Outlaws is sort of,
850
:Katie: Oh, okay,
851
:Ryan Rebalkin: light,
852
:Katie: okay,
853
:Ryan Rebalkin: fair Western, per
se, but it is a, it's just a,
854
:it's a western action film, so
855
:Katie: okay.
856
:Ryan Rebalkin: comedy beats.
857
:That's Colin Faroh and it, I, love Colin
858
:Katie: I don't think I've seen that.
859
:But yeah,
860
:Ryan Rebalkin: while.
861
:24 years already.
862
:24 years ago.
863
:What is going on with time
864
:Katie: I don't know.
865
:I, I don't know.
866
:It's a, it's one and the same.
867
:It's both.
868
:It goes by so fast, but then like at
work, the days don't go by slow at work.
869
:It's just like the weeks due.
870
:I like, I live for the weekend and
there's not enough weekend, you know?
871
:Ryan Rebalkin: It's terrible.
872
:We, we literally, as the
song says, we're everybody's
873
:working for the weekend, Katie.
874
:Katie: It's true.
875
:It is.
876
:I don't know if you guys knew, I don't
think I did until I started the season.
877
:A lot of movies that John Hughes
wrote or co-wrote, and this
878
:is one of them, I had no idea.
879
:Ryan Rebalkin: Yeah.
880
:Katie: So he is credited
with the screenplay?
881
:Yes.
882
:Yeah.
883
:And a lot, a lot of times when
he writes, he also produces yeah.
884
:That and directs.
885
:But yes, this is a huge film.
886
:Ryan Rebalkin: When he's
the producer, I know he is
887
:not directing, I would assume with a
guy like Les, it's like, it's almost
888
:like the producer, as you know, has
the ability to fire the director.
889
:The director can't fire the
890
:Katie: mm.
891
:Ryan Rebalkin: the power,
that's the power of the
892
:producer.
893
:director can't fire the producer.
894
:The producer is the money is the boss.
895
:It can I always suspect that John
Hughes, though he wasn't behind the
896
:camera, I, I felt like he could have
been a ghost director in this film,
897
:Katie: It's possible.
898
:That maybe Hughes.
899
:Ryan Rebalkin: work very well enough to
900
:say
901
:Katie: Yeah.
902
:Ryan Rebalkin: lens.
903
:This was his,
904
:Katie: and it sometimes it's
really hard to tell, like we, I
905
:talked about in the Flubber episode
two, spoiler, I hated that movie.
906
:And I was like, what is happening here?
907
:And,
908
:Ryan Rebalkin: you hate Flopper?
909
:Come on.
910
:It's the
911
:Katie: I, I think some of it is hard
to tell, like you don't really see.
912
:The usual, fingerprints of either director
or writer because it's a remake, you know?
913
:'cause there's, you have to kind of
stick loosely, at least to the original.
914
:But, so, Hughes is credited, co
co-writing this the story credit
915
:reflecting the original concept for
the 19 47, , film is Valentin Davies
916
:and George Seton received a shared
screenplay credit, recognized that the
917
:94 script was based on the story and
original screenplay by Davies and Seton.
918
:So we have three players here writing,
and just as a quick recap, this is
919
:a 6-year-old Susan Walker discovers
that dreams do come true if you really
920
:believe she has doubts about childhood's.
921
:Most enduring Miracle Santa
Claus, her mother Dory, in the
922
:original, her name is Doris.
923
:But in this movie, her name
is modernized somehow to Dory.
924
:She told her the secret about him
a long time ago, so she doesn't
925
:expect to receive the most important
gifts on her Christmas list.
926
:But after meeting a special department
store, Santa who's convinced that he's the
927
:real thing, she's given the most precious
gift of all something to believe in.
928
:Ah.
929
:Ryan Rebalkin: Oh,
930
:Katie: All right.
931
:Ryan, are you familiar
with Richard Attenborough?
932
:He plays our Chris
933
:Cringle.
934
:Ryan Rebalkin: well, yeah, I
mean, of course he was, like I
935
:said, he was John Hammond Insa
Park, which was for Teenage Ryan.
936
:I was 18 at that time.
937
:That was probably my first real
to him as a actor or whatever,
938
:Katie: Mm-hmm.
939
:Ryan Rebalkin: one of
the biggest movies of
940
:Hollywood at the time.
941
:Don't really know him as an actress
since or before, don't know his career.
942
:So when he was in this film,
I had to Google him again.
943
:I was like, oh, that's him.
944
:I didn't even recognize him as the
dinosaur zoo guy walking with a cane.
945
:so, and I had, if I'd, I knew the
name, like it's one of those names.
946
:watched movies a long time, and so you
just see and hear names, especially
947
:with directors I had forgotten he was a
director and he's directed some really
948
:big films and films that I enjoy.
949
:Like IE one of my favorite
950
:films is Chaplain with Robert John Jr.
951
:I saw that film in the theaters
when, when I was 17, actually watched
952
:Chaplin, the biopic on Charlie
Chaplin, played by Robert Donald Jr.
953
:In the theaters.
954
:Katie: Oh, okay.
955
:Yeah, he is a, he maybe, but
nothing is ringing a bell.
956
:But he's, he won an Oscar
for a directing role, a very
957
:famous movie, Gandhi, from 82.
958
:Ryan Rebalkin: Cry,
freedom Bridge too far.
959
:These are big, so I don't
really know his story.
960
:This is weird that he's in
movies and he's directed again.
961
:How did he get these big films?
962
:Like how did he get the
963
:Katie: Well, he is also known
for, you know, when he was a
964
:younger man in the 1963 movie,
the Great Escape and he mm-hmm.
965
:Ryan Rebalkin: that
966
:Katie: He does a lot of directing.
967
:I mean, he won an Oscar for GI
mean, Gandhi was a huge movie.
968
:I will say, if the name Attenborough
sounds familiar, and some of you might
969
:be wondering, is he related to David?
970
:Ryan Rebalkin: Mm-hmm.
971
:Katie: He is.
972
:Ryan Rebalkin: the confusion.
973
:That's
974
:what I think my brain went to is
975
:Katie: Mm-hmm.
976
:Ryan Rebalkin: Yeah, the last name?
977
:Yeah.
978
:Katie: And so he is the older brother of
David Attenborough, who is the only person
979
:did you know, who has been knighted twice,
980
:Ryan Rebalkin: I did twice.
981
:Katie: twice for his work in conservation.
982
:David Attenborough.
983
:Yeah.
984
:Everyone loves him.
985
:Ryan Rebalkin: talented family, eh?
986
:Katie: Yeah.
987
:Yeah.
988
:I think they both went to what's
like the famous like Ivy League.
989
:English College Cambridge.
990
:Is that the one I'm thinking of?
991
:Yeah.
992
:Ryan Rebalkin: Sounds right.
993
:Katie: Now the original Chris
k Cringle, the one in:
994
:Ryan Rebalkin: Mm-hmm.
995
:Katie: by Edmund Gwen who received
an Oscar for his role in that,
996
:which I didn't know.
997
:Yeah.
998
:So the original guy now there's a
famous person that I think you like
999
:that was considered for this role
and it would've been very different.
:
00:31:27,444 --> 00:31:28,914
I don't know if you're
gonna get any guesses.
:
00:31:29,154 --> 00:31:31,524
An old, older man,
:
00:31:32,214 --> 00:31:33,174
how did you know?
:
00:31:33,354 --> 00:31:33,894
Did you see
:
00:31:33,939 --> 00:31:34,329
Ryan Rebalkin: reading that.
:
00:31:34,329 --> 00:31:34,629
I did
:
00:31:34,704 --> 00:31:35,154
Katie: Okay.
:
00:31:35,259 --> 00:31:36,639
Ryan Rebalkin: that, and I, you know, it's
:
00:31:36,639 --> 00:31:36,969
funny.
:
00:31:36,999 --> 00:31:37,329
Okay.
:
00:31:37,389 --> 00:31:38,709
so let me talk about that.
:
00:31:38,709 --> 00:31:40,419
So, yes, I, I love Sean Connery.
:
00:31:40,419 --> 00:31:41,469
I grew up with him as well.
:
00:31:41,469 --> 00:31:43,749
James Bond, of course, other
great films that he is been in.
:
00:31:43,929 --> 00:31:44,679
Great actor.
:
00:31:45,159 --> 00:31:46,719
I'm kind of glad they didn't.
:
00:31:46,779 --> 00:31:50,169
I, I will say that as much as
I love Sean Connery, I would've
:
00:31:50,169 --> 00:31:51,429
just been watching Sean Connery.
:
00:31:51,429 --> 00:31:56,559
I think Richard has the ability to just,
like I said, I'm like, who's this guy?
:
00:31:56,589 --> 00:31:57,759
I think I know who he is.
:
00:31:58,059 --> 00:32:05,109
So he was able to embrace and or get into
the Santa role me being distracted by him.
:
00:32:05,159 --> 00:32:06,149
I would've been watching Sean
:
00:32:06,449 --> 00:32:07,259
Katie: Sean Connery.
:
00:32:07,259 --> 00:32:08,189
Yeah, you're right.
:
00:32:08,189 --> 00:32:09,389
I, I fully agree,
:
00:32:09,479 --> 00:32:10,349
Ryan Rebalkin: job as an actor.
:
00:32:10,349 --> 00:32:13,559
He, he can act very well, but dot, dot
dot, Sean Connery played that's the
:
00:32:13,589 --> 00:32:13,889
Katie: right?
:
00:32:14,129 --> 00:32:14,459
Ryan Rebalkin: Is Sean
:
00:32:14,564 --> 00:32:14,984
Katie: Mm-hmm.
:
00:32:15,069 --> 00:32:16,529
Mm-hmm.
:
00:32:16,769 --> 00:32:17,489
Ryan Rebalkin: So I thought
:
00:32:17,489 --> 00:32:17,819
Richard.
:
00:32:18,269 --> 00:32:20,459
Oh, well, I don't want to talk too much
about it right now if you're not there
:
00:32:20,459 --> 00:32:25,619
yet, but yeah, I, I'm glad it wasn't
Sean, just because it might've distracted
:
00:32:25,619 --> 00:32:28,499
from the movie, but it would've added
more to the box office, I'm sure.
:
00:32:28,499 --> 00:32:29,009
But yeah.
:
00:32:29,699 --> 00:32:32,339
Katie: well, yeah, so speaking of
that, so the budget here was 28 million
:
00:32:32,339 --> 00:32:34,729
and the worldwide gross was 46.3
:
00:32:34,729 --> 00:32:35,629
million.
:
00:32:36,359 --> 00:32:39,429
It made money just not
a big booming success.
:
00:32:39,789 --> 00:32:42,399
There was a really crowded 94
:
00:32:42,474 --> 00:32:42,804
Ryan Rebalkin: Yeah.
:
00:32:42,879 --> 00:32:43,299
Katie: movie slate.
:
00:32:43,494 --> 00:32:46,014
Ryan Rebalkin: movie that with this?
:
00:32:46,014 --> 00:32:46,884
That might have been a Christmas
:
00:32:47,064 --> 00:32:48,324
Katie: The Santa Claus.
:
00:32:48,414 --> 00:32:48,954
Yeah.
:
00:32:49,009 --> 00:32:49,429
Mm-hmm.
:
00:32:49,509 --> 00:32:49,519
Mm-hmm.
:
00:32:49,944 --> 00:32:51,264
Ryan Rebalkin: That movie was huge.
:
00:32:51,384 --> 00:32:52,854
Katie: So they came out at the same time.
:
00:32:53,094 --> 00:32:55,794
Ryan Rebalkin: And families, you
know, budget, Christmas time, it's
:
00:32:55,794 --> 00:32:57,984
kind of like, Hey, we're gonna
take the kids to a Christmas film.
:
00:32:57,984 --> 00:33:00,354
I would've had, I had a
young family at that time.
:
00:33:00,504 --> 00:33:04,554
I was 19, so I, I didn't have
a, I was actually a few years
:
00:33:04,554 --> 00:33:05,484
away from him, my first kid.
:
00:33:05,484 --> 00:33:05,844
Mind you.
:
00:33:05,844 --> 00:33:09,444
But the point is yeah, if I was on
a budget, I'd be like, well, we can
:
00:33:09,444 --> 00:33:10,764
take the kids to one Christmas film.
:
00:33:10,824 --> 00:33:12,054
You're gonna pick the Santa Claus.
:
00:33:12,384 --> 00:33:14,694
It's just, you just kind of know it's
gonna be a more fun film for the kids.
:
00:33:14,694 --> 00:33:14,934
Maybe
:
00:33:15,204 --> 00:33:15,714
Katie: Yeah.
:
00:33:15,714 --> 00:33:19,774
Which kind of bums me out because I
would argue this is a much better movie
:
00:33:19,774 --> 00:33:21,724
it's really Christmasy, like old time.
:
00:33:21,814 --> 00:33:22,684
I kind of like that stuff.
:
00:33:22,984 --> 00:33:27,021
Whereas the Santa Claus is just
like goofier, like kids have a small
:
00:33:27,021 --> 00:33:31,311
attention span, which kind of bums
me out be that they can't appreciate.
:
00:33:31,626 --> 00:33:34,296
Ryan Rebalkin: I got a good you are right.
:
00:33:34,356 --> 00:33:34,836
Don't get me wrong.
:
00:33:34,836 --> 00:33:35,136
You're right.
:
00:33:35,136 --> 00:33:36,006
Every kid's different.
:
00:33:36,006 --> 00:33:37,296
Every, everyone's different now.
:
00:33:37,296 --> 00:33:38,886
I have 11-year-old twins, as you know.
:
00:33:39,366 --> 00:33:41,916
And so I'm, I watched
this movie last night.
:
00:33:41,916 --> 00:33:43,626
I said, Hey, kids, we're
gonna watch a Christmas movie.
:
00:33:44,266 --> 00:33:45,676
I've gotta do this for the podcast.
:
00:33:45,686 --> 00:33:47,756
But let's just watch it together
anyways, it's Christmas time,
:
00:33:47,756 --> 00:33:48,596
let's watch this together.
:
00:33:49,916 --> 00:33:53,616
And my 11-year-old daughter
was out with my wife shopping,
:
00:33:53,616 --> 00:33:54,426
so they weren't there for her.
:
00:33:54,426 --> 00:33:55,986
So my two other sons were there.
:
00:33:55,986 --> 00:33:58,956
My 13-year-old, soon to be
14, and then my 11-year-old.
:
00:33:59,646 --> 00:34:03,126
And the 11-year-old is
an avid movie watcher.
:
00:34:03,156 --> 00:34:04,566
Like he's a smart
:
00:34:04,746 --> 00:34:05,946
Katie: I love that.
:
00:34:06,066 --> 00:34:06,516
I love that.
:
00:34:06,786 --> 00:34:08,166
Ryan Rebalkin: The Mission Impossibles.
:
00:34:08,166 --> 00:34:11,286
We're watching The Thin Red Line right now
we're watching that in piecemeal mind you.
:
00:34:11,286 --> 00:34:12,156
'cause it is a lot.
:
00:34:12,156 --> 00:34:13,536
But they're watching the Thin Red Line.
:
00:34:13,956 --> 00:34:16,656
So they, they love like deep heavy dramas.
:
00:34:16,656 --> 00:34:20,936
Like they've watched like The
Green Mile, they love dramas and.
:
00:34:21,755 --> 00:34:22,326
That kind of stuff.
:
00:34:22,326 --> 00:34:24,815
So I just wanna make that clear
that they're not just Marvel kids.
:
00:34:24,815 --> 00:34:25,536
They actually like
:
00:34:26,286 --> 00:34:27,606
Katie: Which sets your kids apart.
:
00:34:27,606 --> 00:34:29,976
I think you, your kids
are probably the anomaly.
:
00:34:30,545 --> 00:34:32,315
Ryan Rebalkin: They might be, but
I'm getting somewhere with this.
:
00:34:32,436 --> 00:34:32,676
Katie: Okay.
:
00:34:32,766 --> 00:34:34,266
Ryan Rebalkin: same kid who loves these
:
00:34:34,266 --> 00:34:37,926
types of films that are dialogue,
heavy story-driven films, right?
:
00:34:38,466 --> 00:34:41,346
Half hour into this film, my
11-year-old goes, I dad, I
:
00:34:41,346 --> 00:34:43,176
can't, done, I'm tapping out.
:
00:34:43,536 --> 00:34:44,106
He was bored.
:
00:34:44,886 --> 00:34:46,686
So he tapped out.
:
00:34:46,686 --> 00:34:49,116
Now my 14-year-old around.
:
00:34:49,896 --> 00:34:52,926
I think he stuck around, I don't know,
just to hang out with dad, I'm not sure.
:
00:34:52,926 --> 00:34:57,936
But he watched the whole thing and
objectively I could see why my 11-year-old
:
00:34:57,936 --> 00:35:00,786
tapped out and I could see why the
same 11-year-old as much as he likes
:
00:35:00,786 --> 00:35:04,086
these very intelligent films, would
not have done that for the Santa Claus.
:
00:35:04,086 --> 00:35:08,616
So that's, that's my long way of
saying I get why the Santa Claus
:
00:35:08,616 --> 00:35:12,606
was a box off of success with
families, but as an A This is, this
:
00:35:12,606 --> 00:35:14,916
is that's what I'm trying to get at.
:
00:35:14,916 --> 00:35:16,386
I don't know if this is a kid's movie.
:
00:35:16,986 --> 00:35:18,456
This is an adult Christmas film.
:
00:35:18,456 --> 00:35:19,866
What are your thoughts on that take?
:
00:35:20,481 --> 00:35:22,126
Katie: It's interesting what constitutes.
:
00:35:23,151 --> 00:35:25,371
Christmas movie versus
Kids' Christmas movie.
:
00:35:25,611 --> 00:35:30,591
I think back in the day, there wasn't
distinction like the::
00:35:30,591 --> 00:35:36,321
I'm very curious, I don't wanna give too
much away, but I'm curious what your kids
:
00:35:36,321 --> 00:35:38,721
would've thought of the original even.
:
00:35:39,006 --> 00:35:40,266
Ryan Rebalkin: liked it even maybe more.
:
00:35:40,296 --> 00:35:43,566
'cause I, I think anything to do with
Santa, I think the Santa roll parts were
:
00:35:43,766 --> 00:35:44,186
Katie: Mm-hmm.
:
00:35:44,196 --> 00:35:45,906
Ryan Rebalkin: I think
he enjoyed seeing Santa.
:
00:35:45,906 --> 00:35:48,746
And, but I think when it get got to
the because he never saw the court
:
00:35:48,746 --> 00:35:50,036
scene, so he never made it to the end,
:
00:35:50,156 --> 00:35:50,376
Katie: Mm,
:
00:35:50,576 --> 00:35:51,866
Ryan Rebalkin: is kind
of fun and engaging.
:
00:35:51,866 --> 00:35:52,136
But
:
00:35:52,496 --> 00:35:53,606
the idea that
:
00:35:53,936 --> 00:35:56,906
there were some parts I will admit
where I'm like, I'm watching this
:
00:35:56,906 --> 00:35:59,336
through my kids' eyes thinking,
oh, I get why he tapped out.
:
00:35:59,386 --> 00:36:03,166
I'm fine watching this story, but
I can kind of see like he gets lost
:
00:36:03,196 --> 00:36:04,906
what the business side of things.
:
00:36:04,981 --> 00:36:05,551
Katie: Sure.
:
00:36:06,286 --> 00:36:06,916
Ryan Rebalkin: like why are
:
00:36:06,916 --> 00:36:09,921
we worried about one store
getting more than another store?
:
00:36:10,056 --> 00:36:12,246
But I haven't seen the original in
such a long time, but I suspect.
:
00:36:12,576 --> 00:36:14,736
The original one that I think
it's a half hour shorter.
:
00:36:16,086 --> 00:36:16,896
The first movie is
:
00:36:16,951 --> 00:36:17,516
Katie: Let's see.
:
00:36:17,521 --> 00:36:17,996
This was.
:
00:36:18,161 --> 00:36:19,511
Ryan Rebalkin: was just shy of two
:
00:36:19,691 --> 00:36:21,221
Katie: Just shy of two hours.
:
00:36:21,221 --> 00:36:25,561
I have it up actually, the
original was 20 minutes shorter.
:
00:36:25,771 --> 00:36:27,271
Ryan Rebalkin: which can be a long time.
:
00:36:27,271 --> 00:36:29,791
That's a lot of like subplot and who
:
00:36:29,941 --> 00:36:31,891
Katie: Well, there, we'll get
into some of the differences too.
:
00:36:31,891 --> 00:36:37,591
There was much more, they leaned a lot
more into the romantic comedy part in
:
00:36:37,591 --> 00:36:45,751
this remake, the 94, romance or just
like the, I mean, yeah, it's a comedy.
:
00:36:45,851 --> 00:36:46,751
Ryan Rebalkin: This is weird, Kate.
:
00:36:46,841 --> 00:36:47,201
Do we see
:
00:36:47,261 --> 00:36:47,501
Katie: okay.
:
00:36:47,501 --> 00:36:48,881
It is a drama, I guess.
:
00:36:49,391 --> 00:36:50,591
Ryan Rebalkin: It's not funny
:
00:36:51,551 --> 00:36:53,411
Katie: Well, it's just, not heavy.
:
00:36:53,831 --> 00:36:55,181
I, I take it back.
:
00:36:55,181 --> 00:36:58,571
It's not necessarily a comedy,
so the romance, not the romantic
:
00:36:58,601 --> 00:37:00,491
comedy piece, but the romance
:
00:37:00,911 --> 00:37:02,351
part of it, I guess.
:
00:37:02,426 --> 00:37:03,386
Ryan Rebalkin: the romance is in heaven.
:
00:37:03,386 --> 00:37:04,016
It's okay.
:
00:37:04,016 --> 00:37:05,036
This is where it's, Hmm.
:
00:37:05,096 --> 00:37:09,836
This is my, maybe my criticism is, I
don't know what lane it's really in.
:
00:37:09,836 --> 00:37:10,946
And it's not bad or good.
:
00:37:10,946 --> 00:37:16,646
It's, for example Elizabeth Perkins
great, by the way, she's 34 in this film.
:
00:37:16,646 --> 00:37:19,016
I always look up the Actress's age
'cause I feel like she's been in films
:
00:37:19,161 --> 00:37:19,661
Katie: You do.
:
00:37:19,736 --> 00:37:20,996
Ryan Rebalkin: 34 in this film.
:
00:37:21,686 --> 00:37:23,546
And Dylan McDermott great actor.
:
00:37:24,146 --> 00:37:27,356
And side note, he plays a lawyer in
this film, which he ends up playing
:
00:37:27,356 --> 00:37:29,036
on the practice a couple years later.
:
00:37:29,216 --> 00:37:31,856
So when I'm watching him play the
court scene in this holy smokes,
:
00:37:31,856 --> 00:37:33,266
this guy was born to be a lawyer.
:
00:37:33,326 --> 00:37:35,306
Katie: He really, he has that look too.
:
00:37:35,726 --> 00:37:36,386
So yes.
:
00:37:36,596 --> 00:37:37,316
Ryan Rebalkin: How handsome is
:
00:37:37,316 --> 00:37:37,976
Katie: Well, you know,
:
00:37:37,976 --> 00:37:38,246
Ryan Rebalkin: was he
:
00:37:38,246 --> 00:37:38,636
Katie: I,
:
00:37:38,696 --> 00:37:38,936
Ryan Rebalkin: you?
:
00:37:39,086 --> 00:37:42,946
Katie: no, but it's weird 'cause I
like dark hair with colored eyes.
:
00:37:43,366 --> 00:37:46,366
He is, most people, I
mean, he is handsome.
:
00:37:46,366 --> 00:37:47,296
He's uh,
:
00:37:47,686 --> 00:37:48,376
Ryan Rebalkin: speaking, yes.
:
00:37:48,466 --> 00:37:49,366
Katie: objectively.
:
00:37:49,881 --> 00:37:51,376
I, I just don't really,
:
00:37:51,796 --> 00:37:52,876
it's, he's not for me.
:
00:37:53,311 --> 00:37:56,491
Even though I recognize
that he is a handsome man.
:
00:37:56,491 --> 00:37:59,011
He is supposed to be, and
he's real young in this.
:
00:37:59,011 --> 00:37:59,971
He and Elizabeth.
:
00:37:59,971 --> 00:38:00,361
So,
:
00:38:00,661 --> 00:38:01,231
so they're,
:
00:38:01,636 --> 00:38:01,936
Ryan Rebalkin: Yeah.
:
00:38:02,056 --> 00:38:02,506
they're,
:
00:38:02,506 --> 00:38:03,586
actually both age appropriate.
:
00:38:03,586 --> 00:38:04,036
They're, in
:
00:38:04,171 --> 00:38:04,471
Katie: mm-hmm.
:
00:38:04,636 --> 00:38:06,166
Ryan Rebalkin: a year
younger than her, by the way,
:
00:38:06,241 --> 00:38:06,811
Katie: Okay.
:
00:38:07,031 --> 00:38:07,251
Ryan Rebalkin: and,
:
00:38:07,381 --> 00:38:12,491
Katie: Elizabeth plays Dory and she
is Doris, Maureen O'Hara's character
:
00:38:12,521 --> 00:38:16,891
in the original this high powered
executive at the department store.
:
00:38:16,891 --> 00:38:17,341
She's
:
00:38:17,671 --> 00:38:18,871
in charge of the parade.
:
00:38:19,461 --> 00:38:19,751
Ryan Rebalkin: Okay.
:
00:38:19,906 --> 00:38:20,176
What
:
00:38:20,221 --> 00:38:22,771
Katie: mm-hmm.
:
00:38:23,296 --> 00:38:23,446
Ryan Rebalkin: I
:
00:38:23,446 --> 00:38:26,596
was almost like, are they divorced
with stranded, his custody of a kid?
:
00:38:26,596 --> 00:38:28,606
I thought that was what,
what it was at first no,
:
00:38:29,131 --> 00:38:29,251
Katie: Oh
:
00:38:29,386 --> 00:38:29,626
Ryan Rebalkin: she,
:
00:38:29,881 --> 00:38:30,181
Katie: no.
:
00:38:30,181 --> 00:38:31,441
They've just been dating.
:
00:38:32,131 --> 00:38:33,241
Ryan Rebalkin: Have they been dating?
:
00:38:33,241 --> 00:38:33,811
I'm so
:
00:38:34,081 --> 00:38:34,291
Katie: So
:
00:38:34,531 --> 00:38:35,671
Ryan Rebalkin: It was such a weird,
:
00:38:36,061 --> 00:38:36,691
Katie: in,
:
00:38:36,781 --> 00:38:37,951
Ryan Rebalkin: like it
didn't seem like they were
:
00:38:37,951 --> 00:38:41,071
like even, 'cause he was like, I, I
was confused about their relationship.
:
00:38:41,731 --> 00:38:42,031
'cause
:
00:38:42,061 --> 00:38:42,511
Katie: so.
:
00:38:42,841 --> 00:38:43,741
Ryan Rebalkin: there and she trusts
:
00:38:43,861 --> 00:38:46,351
him completely with the girl and
they have a great relationship.
:
00:38:46,351 --> 00:38:48,931
They're doing like video messages
to them and they're being silly.
:
00:38:49,351 --> 00:38:53,251
He loves her like his own daughter,
but when he asks her to marry
:
00:38:53,251 --> 00:38:54,631
her, it almost seemed like this.
:
00:38:54,691 --> 00:38:56,041
They hadn't had been on a date yet.
:
00:38:56,041 --> 00:38:57,781
It was really confusing to
me about the relationship.
:
00:38:57,976 --> 00:39:00,656
Katie: That was a bit,
and she even speaks to it.
:
00:39:00,656 --> 00:39:02,126
So I can see why you say that.
:
00:39:02,166 --> 00:39:07,086
So Dylan McDermott plays Brian
Bedford and he is the neighbor.
:
00:39:07,836 --> 00:39:09,036
He, he's the neighbor.
:
00:39:09,036 --> 00:39:10,086
They live in the same apartment.
:
00:39:10,116 --> 00:39:10,596
Ryan Rebalkin: each other.
:
00:39:10,776 --> 00:39:12,036
Katie: They're in the
same apartment building.
:
00:39:12,096 --> 00:39:13,926
That's why he was in her apartment.
:
00:39:14,526 --> 00:39:14,766
Ryan Rebalkin: Do I
:
00:39:14,826 --> 00:39:15,186
Katie: the,
:
00:39:15,546 --> 00:39:16,086
Ryan Rebalkin: by this stuff?
:
00:39:16,086 --> 00:39:16,176
I
:
00:39:16,176 --> 00:39:19,056
Katie: the girl, the daughter went to
watch the parade 'cause he was like
:
00:39:19,056 --> 00:39:20,436
on the other side of the building.
:
00:39:20,436 --> 00:39:23,736
They live on the same floor,
in the same building and it
:
00:39:23,736 --> 00:39:24,996
is clear a little bit later.
:
00:39:24,996 --> 00:39:27,891
You don't immediately know . But
in a, in a little bit, you, you
:
00:39:27,891 --> 00:39:31,066
realize that there is a, there's
an existing relationship there.
:
00:39:31,376 --> 00:39:31,666
Ryan Rebalkin: okay.
:
00:39:31,741 --> 00:39:35,851
So obviously, but I just felt, I felt
it odd that, and it's weird because
:
00:39:35,851 --> 00:39:39,901
it was one of these films where
there wasn't, which is fine, I guess
:
00:39:39,901 --> 00:39:40,981
it's still kind of kid friendly.
:
00:39:40,981 --> 00:39:43,981
They didn't wanna get too like, you
know, there's been some kid films where
:
00:39:43,981 --> 00:39:47,791
there's drama and the relationships
with the adults, but good and bad.
:
00:39:47,791 --> 00:39:51,241
What I liked is that Dylan McDermott's
character, Bobby is his name Bobby,
:
00:39:52,141 --> 00:39:54,001
Katie: No his name's Brian.
:
00:39:54,121 --> 00:39:55,171
Brian Bedford.
:
00:39:55,381 --> 00:39:55,471
Ryan Rebalkin: his
:
00:39:55,501 --> 00:39:57,031
Katie: Mm-hmm.
:
00:39:57,037 --> 00:39:57,156
Mm-hmm.
:
00:39:57,331 --> 00:39:58,321
His name is Bobby in the
:
00:39:58,596 --> 00:39:58,716
practice.
:
00:39:59,161 --> 00:40:02,371
Ryan Rebalkin: Is that what
I actually, what I liked?
:
00:40:02,791 --> 00:40:06,211
'cause I hadn't seen this, I've seen this
film once before, probably a long time
:
00:40:06,211 --> 00:40:08,101
ago, but I hadn't seen it in 20 odd years.
:
00:40:08,101 --> 00:40:10,561
But I liked about his character was.
:
00:40:11,446 --> 00:40:12,376
He wasn't a dick.
:
00:40:12,376 --> 00:40:15,376
And I was a little bit afraid
of that, that the smarmy, that
:
00:40:15,376 --> 00:40:16,576
he was gonna be the nonbeliever.
:
00:40:16,576 --> 00:40:20,416
I like that the guy, I know it sounds
cliche, but the guy was the believer,
:
00:40:20,416 --> 00:40:21,946
he was the sweetheart of the film.
:
00:40:21,946 --> 00:40:24,586
That it was the mother who
was kind of the nonbeliever.
:
00:40:24,586 --> 00:40:26,926
'cause he usually just the feminine
side, a little bit more soft,
:
00:40:26,926 --> 00:40:27,916
a little bit more believing.
:
00:40:28,156 --> 00:40:31,756
And the men are a little bit more maybe
not negative, but not as believing.
:
00:40:31,786 --> 00:40:35,066
And of course the lawyer, the prosecutor
lawyer was that played by JT Walsh
:
00:40:35,456 --> 00:40:36,836
represented that side of the coin.
:
00:40:36,836 --> 00:40:38,876
But the point is, I like that his
character was just a good guy.
:
00:40:38,876 --> 00:40:40,436
I like that through the whole film.
:
00:40:41,306 --> 00:40:43,076
character happened to be a good guy.
:
00:40:43,136 --> 00:40:46,946
But the same token, because of
that, he was such a great guy.
:
00:40:46,946 --> 00:40:49,076
He's sweet, he's good looking,
great to the daughter.
:
00:40:49,526 --> 00:40:52,196
I'm like, woman, what is your deal?
:
00:40:52,196 --> 00:40:54,446
What, what are you, this is where as a
:
00:40:54,516 --> 00:40:54,736
Katie: No.
:
00:40:54,896 --> 00:40:56,171
'cause she agreed.
:
00:40:56,171 --> 00:40:58,751
I mean, and that's,
that's where I think I get
:
00:40:59,051 --> 00:41:00,221
Ryan Rebalkin: and I was
gonna ask you about that here.
:
00:41:00,671 --> 00:41:02,141
Let's say you're a single woman.
:
00:41:02,861 --> 00:41:04,961
You've got a guy who's intelligent,
:
00:41:05,201 --> 00:41:05,861
Katie: a catch.
:
00:41:05,921 --> 00:41:07,451
He's, he's a, he's a catch.
:
00:41:07,691 --> 00:41:10,181
Ryan Rebalkin: and loves your
daughter, which is the number
:
00:41:10,181 --> 00:41:12,071
one thing in your life, and they,
they have a great relationship.
:
00:41:12,071 --> 00:41:14,591
You're like, oh, but
marriage, don't be selling.
:
00:41:14,591 --> 00:41:15,491
What are you doing?
:
00:41:15,491 --> 00:41:17,901
I go, what are we talk
what is she looking for?
:
00:41:18,081 --> 00:41:21,711
Katie: Well, this is where I think this
is why romantic comedy came into my brain
:
00:41:21,711 --> 00:41:24,351
because it's a trope in romantic comedies
:
00:41:24,381 --> 00:41:24,771
Ryan Rebalkin: so.
:
00:41:24,861 --> 00:41:30,111
Katie: for no reason whatsoever, the woman
is so hurt by her previous experiences
:
00:41:30,351 --> 00:41:36,171
that she pushes the guy this perfect man
away and, and then the guy just keeps
:
00:41:36,171 --> 00:41:37,611
coming and keeps coming and keeps coming.
:
00:41:37,611 --> 00:41:38,901
And that would never happen in real life.
:
00:41:38,901 --> 00:41:39,861
He'd be like, okay, fine.
:
00:41:39,861 --> 00:41:41,571
I've got a lot of other options here.
:
00:41:42,051 --> 00:41:44,271
But in these romantic
comedies, that's a trope.
:
00:41:44,271 --> 00:41:47,641
So she says, it's not as serious.
:
00:41:47,641 --> 00:41:48,901
And so it was
:
00:41:49,021 --> 00:41:49,351
Ryan Rebalkin: That's
:
00:41:49,411 --> 00:41:52,861
Katie: he proposes, it's a bit much.
:
00:41:53,401 --> 00:41:57,151
And then for her to say,
she went as far as to say.
:
00:41:58,546 --> 00:42:02,686
You're, if you put your
faith in me, you're a fool.
:
00:42:02,791 --> 00:42:03,361
Ryan Rebalkin: Yes.
:
00:42:03,466 --> 00:42:04,006
Katie: Yeah.
:
00:42:04,246 --> 00:42:04,696
Yeah.
:
00:42:04,861 --> 00:42:05,221
Ryan Rebalkin: what I mean.
:
00:42:05,221 --> 00:42:05,431
It's like,
:
00:42:05,431 --> 00:42:08,581
oh, it seemed like they
hadn't been dating yet.
:
00:42:08,581 --> 00:42:11,881
If I was watching that scene
and you say to the viewer, how
:
00:42:11,881 --> 00:42:12,961
long have they been dating?
:
00:42:12,961 --> 00:42:14,731
My answer would've been, they?
:
00:42:15,706 --> 00:42:18,826
Katie: There's a few indications
that they're not strangers,
:
00:42:18,886 --> 00:42:19,786
you know, like they've
:
00:42:20,461 --> 00:42:21,721
Ryan Rebalkin: She, he, she trust.
:
00:42:21,976 --> 00:42:22,336
Katie: mm-hmm.
:
00:42:23,041 --> 00:42:23,791
Ryan Rebalkin: And I know people are like,
:
00:42:23,791 --> 00:42:24,871
guys, this is a Christmas movie.
:
00:42:24,871 --> 00:42:25,411
I'm sorry.
:
00:42:25,651 --> 00:42:25,961
This is,
:
00:42:27,196 --> 00:42:27,796
Katie: Well, in.
:
00:42:27,901 --> 00:42:29,161
Ryan Rebalkin: this is the
weakest part of the film,
:
00:42:29,161 --> 00:42:31,951
is their relationship status
is actually confusing to me.
:
00:42:31,951 --> 00:42:35,361
And then I had a hard time liking
her character and I didn't like that.
:
00:42:35,661 --> 00:42:38,211
'cause I felt frustrated by
the fact that she was such a,
:
00:42:39,411 --> 00:42:40,311
I know she loved her daughter.
:
00:42:40,311 --> 00:42:41,181
I wanna protect her daughter.
:
00:42:41,211 --> 00:42:43,161
'cause you know, she didn't want
her daughter hurt by life the
:
00:42:43,161 --> 00:42:44,241
way she's been hurt by life.
:
00:42:44,241 --> 00:42:44,751
I get it.
:
00:42:44,751 --> 00:42:45,081
I get.
:
00:42:45,501 --> 00:42:46,221
That's great.
:
00:42:46,521 --> 00:42:49,131
But then I just, I guess I'm such
a pragmatic person, so I'm like,
:
00:42:49,431 --> 00:42:51,081
lady, you got a great guy here.
:
00:42:51,081 --> 00:42:51,831
Your life could be good.
:
00:42:51,831 --> 00:42:54,891
Now, of course, spoil
alert, it ends up together.
:
00:42:54,891 --> 00:42:55,251
I know.
:
00:42:55,671 --> 00:42:57,711
Katie: Again, this is the
romantic comedy tropes.
:
00:42:57,711 --> 00:43:00,291
That's why I keep thinking about that,
even though this is technically, but
:
00:43:00,291 --> 00:43:04,461
now I will say, Ryan, because you
haven't had the the extra help of
:
00:43:04,521 --> 00:43:06,321
recently rewatching the original.
:
00:43:06,441 --> 00:43:07,041
Ryan Rebalkin: No,
:
00:43:07,041 --> 00:43:08,751
Katie: this is so the original.
:
00:43:08,751 --> 00:43:12,111
It's clear that they are
neighbors, but they are not
:
00:43:12,111 --> 00:43:13,971
dating and he wants to date her.
:
00:43:14,121 --> 00:43:15,231
Ryan Rebalkin: see that?
:
00:43:16,011 --> 00:43:19,581
feel like they took that and they just
made it a little bit more confusing.
:
00:43:19,731 --> 00:43:21,201
Katie: they, they well, it,
:
00:43:21,321 --> 00:43:22,221
Ryan Rebalkin: there, that makes sense.
:
00:43:22,251 --> 00:43:22,461
Okay.
:
00:43:22,461 --> 00:43:25,131
That's what I felt That's what it,
that's what it seemed like, but then
:
00:43:25,131 --> 00:43:26,941
it's like, oh, there's more there you go.
:
00:43:27,091 --> 00:43:30,481
Katie: it's because in this one, they
had to set that up, they had to have at
:
00:43:30,481 --> 00:43:35,701
least been dating a little bit so that
a proposal wasn't completely asinine.
:
00:43:36,241 --> 00:43:36,871
And then.
:
00:43:36,991 --> 00:43:37,561
Ryan Rebalkin: in the first one?
:
00:43:38,041 --> 00:43:38,671
Katie: No,
:
00:43:38,851 --> 00:43:39,451
Ryan Rebalkin: Okay.
:
00:43:39,811 --> 00:43:41,821
Katie: they do end up
together in the original.
:
00:43:41,881 --> 00:43:46,591
But so in this one, there's the whole
Chris Kringle spoiler alert sends each
:
00:43:46,591 --> 00:43:51,181
of them a card on Christmas Eve saying,
meet us, you know, meet me at the church.
:
00:43:51,196 --> 00:43:52,336
Ryan Rebalkin: That happens to both films.
:
00:43:53,041 --> 00:43:56,161
Katie: So I'm saying it doesn't,
what I'm saying is I think that in
:
00:43:56,161 --> 00:43:57,421
this one it was a little bit longer.
:
00:43:57,421 --> 00:43:58,891
They had to kind of set up
:
00:43:59,761 --> 00:44:02,641
and make it realistic that
they got married so quick.
:
00:44:02,641 --> 00:44:03,301
You know what I mean?
:
00:44:03,551 --> 00:44:06,041
So she quickly does
realize that, you know.
:
00:44:06,071 --> 00:44:08,141
Okay, I bet he has a good catch.
:
00:44:08,441 --> 00:44:09,341
I hear you though.
:
00:44:09,371 --> 00:44:15,641
But the original is also the woman is the
one, she's the high powered career woman,
:
00:44:15,641 --> 00:44:18,911
which was extremely progressive in 47.
:
00:44:19,106 --> 00:44:19,676
Ryan Rebalkin: that's crazy.
:
00:44:19,676 --> 00:44:20,156
That's great.
:
00:44:20,621 --> 00:44:22,871
Katie: Maureen O'Hara,
who I, I like her a lot.
:
00:44:22,871 --> 00:44:25,151
She's, yeah, so she plays Doris.
:
00:44:25,201 --> 00:44:28,141
And so in the original, again,
it's still the neighbor situation.
:
00:44:28,631 --> 00:44:29,741
It's a different name.
:
00:44:29,981 --> 00:44:30,821
It's not the same.
:
00:44:30,821 --> 00:44:32,021
Like they play different characters.
:
00:44:32,021 --> 00:44:34,781
Let's see, John Payne plays Fred Galey.
:
00:44:35,231 --> 00:44:37,181
It's, you know, kind of
the standin character.
:
00:44:37,526 --> 00:44:37,766
Ryan Rebalkin: Right?
:
00:44:37,781 --> 00:44:42,611
Katie: So yeah, and it is one thing in
the nineties versions I have noticed,
:
00:44:42,611 --> 00:44:48,821
and I've brought up a few times, John
Hughes portrays women that aren't
:
00:44:48,821 --> 00:44:51,791
married as like really heartless.
:
00:44:52,041 --> 00:44:55,671
And there's like, if, if you have
a career, you could never they're
:
00:44:55,671 --> 00:44:58,341
just like heartless bees who,
:
00:44:58,541 --> 00:44:58,831
Ryan Rebalkin: Yeah.
:
00:44:59,001 --> 00:45:00,771
Katie: you know, he like,
it's a thing with John Hughes.
:
00:45:00,771 --> 00:45:04,671
I don't know if he's got like mommy issues
or something, I'm not entirely sure.
:
00:45:04,671 --> 00:45:08,051
But Elizabeth Perkins
plays that type very well.
:
00:45:08,051 --> 00:45:09,371
I think she was really good
:
00:45:09,641 --> 00:45:10,241
at this.
:
00:45:11,141 --> 00:45:14,306
Ryan Rebalkin: Oh, Susan Walker, the
character in the original was played
:
00:45:14,306 --> 00:45:16,046
by the young actress, Natalie Wood.
:
00:45:16,601 --> 00:45:20,621
Katie: Yes, the original Natalie
Wood plays the plays Susan in
:
00:45:20,621 --> 00:45:23,081
this one, Mara Wilson plays her
:
00:45:23,186 --> 00:45:23,546
Ryan Rebalkin: Right.
:
00:45:23,681 --> 00:45:26,591
Katie: and, or maybe it's
Mara Maira Mara, whatever.
:
00:45:26,591 --> 00:45:27,641
But she's also in Mrs.
:
00:45:27,641 --> 00:45:28,931
Doubtfire and Matilda.
:
00:45:28,946 --> 00:45:29,846
Ryan Rebalkin: right.
:
00:45:29,891 --> 00:45:32,711
Katie: she would've just recently
rewatched so we could compare.
:
00:45:33,146 --> 00:45:33,656
Ryan Rebalkin: oh,
:
00:45:33,701 --> 00:45:35,921
Katie: guys all know my
thoughts about kids in movies.
:
00:45:35,981 --> 00:45:38,411
Now this little girl grew on me.
:
00:45:38,721 --> 00:45:41,301
At first I was like, uhoh,
I am not gonna like her.
:
00:45:41,961 --> 00:45:46,221
She grew on me throughout the movie,
but I will say Natalie Wood as
:
00:45:46,221 --> 00:45:50,751
Susan in the original is so good.
:
00:45:50,751 --> 00:45:54,141
It's like a bazillion
times better in my, in my
:
00:45:54,206 --> 00:45:55,556
Ryan Rebalkin: I'll say she was fine.
:
00:45:56,336 --> 00:45:57,086
I don't mean that like
:
00:45:57,251 --> 00:45:57,491
Katie: mm-hmm.
:
00:45:57,686 --> 00:45:58,736
Ryan Rebalkin: Wilson's young guy young
:
00:45:58,736 --> 00:45:59,336
character here.
:
00:45:59,396 --> 00:46:03,116
I was actually, dialogue was
pretty strong, which helps.
:
00:46:04,376 --> 00:46:06,646
I actually, I'm not, because,
:
00:46:06,646 --> 00:46:08,146
you know, I don't hate
kids the way you do.
:
00:46:08,146 --> 00:46:08,596
So,
:
00:46:08,866 --> 00:46:10,246
Katie: You're not, I
mean, you're, you know,
:
00:46:11,266 --> 00:46:13,156
Ryan Rebalkin: I'm sorry, I
like to poke funny a little bit,
:
00:46:13,276 --> 00:46:15,346
Katie: especially in
movies, I'm like, oh God,
:
00:46:15,646 --> 00:46:16,306
Ryan Rebalkin: no, I'm the
:
00:46:16,366 --> 00:46:16,846
Katie: yeah.
:
00:46:16,996 --> 00:46:17,236
Ryan Rebalkin: way.
:
00:46:17,241 --> 00:46:17,956
it it is tough.
:
00:46:17,956 --> 00:46:18,166
It is
:
00:46:18,166 --> 00:46:19,996
tough being a child actor in general.
:
00:46:19,996 --> 00:46:21,286
So will say
:
00:46:21,286 --> 00:46:21,916
she did pretty good.
:
00:46:22,486 --> 00:46:23,956
It actually was, she was actually, it
:
00:46:24,376 --> 00:46:24,796
Katie: Yeah.
:
00:46:25,036 --> 00:46:25,966
Ryan Rebalkin: bother me at all.
:
00:46:25,971 --> 00:46:26,206
And, and
:
00:46:26,206 --> 00:46:30,046
it wasn't overdone and she had the
perfect amount of cuteness, the talk.
:
00:46:30,046 --> 00:46:33,376
And the Santa, I will say it is
probably one of the stronger.
:
00:46:33,466 --> 00:46:34,906
So the fact that you see
Natalie Wood was so good in the
:
00:46:34,906 --> 00:46:35,416
original, I'm, might have to
:
00:46:36,011 --> 00:46:36,431
Katie: Mm-hmm.
:
00:46:36,676 --> 00:46:36,991
You will,
:
00:46:37,036 --> 00:46:37,306
Ryan Rebalkin: now.
:
00:46:37,651 --> 00:46:38,631
Katie: it, it's a better movie.
:
00:46:39,326 --> 00:46:40,886
Ryan Rebalkin: But yeah, I
thought she was just fine.
:
00:46:40,886 --> 00:46:41,456
I thought she was
:
00:46:41,591 --> 00:46:42,011
Katie: Agreed.
:
00:46:42,206 --> 00:46:43,256
Ryan Rebalkin: written well, directed
:
00:46:43,256 --> 00:46:46,916
well, and they didn't overdo these,
the sappiness of silly, I mean, this
:
00:46:46,916 --> 00:46:50,036
is a certain degree, but I, this is the
thing, I think this is an adult film,
:
00:46:50,036 --> 00:46:53,006
but they have the child, the child
voice of when you're a kid, you're gonna
:
00:46:53,006 --> 00:46:55,286
watch that character a little bit more.
:
00:46:55,286 --> 00:46:55,586
But I,
:
00:46:55,736 --> 00:46:59,666
I felt like a lot of this was a
message to adults, not to kids.
:
00:47:00,791 --> 00:47:01,081
Katie: Okay.
:
00:47:01,301 --> 00:47:01,391
Ryan Rebalkin: Why?
:
00:47:01,391 --> 00:47:02,621
I think it's, that's why I think
:
00:47:02,621 --> 00:47:07,581
it's, it's when we as adults lose the
magic of Christmas, when we stop believing
:
00:47:07,911 --> 00:47:12,201
and when we stop believing in the magic
of Christmas, when, and not to take that
:
00:47:12,201 --> 00:47:14,841
away from children, let them, there's
a part in the movie, I can't remember
:
00:47:14,841 --> 00:47:19,361
the exact quote or part, but the idea of
let her, she says, can I actually, can I
:
00:47:19,361 --> 00:47:21,101
just hold onto this a little bit longer?
:
00:47:21,101 --> 00:47:21,971
Can I just be a kid?
:
00:47:22,311 --> 00:47:24,891
Sometimes parents, and I've
known some, I won't name anybody.
:
00:47:24,891 --> 00:47:29,121
I've known people in my family who
will kind of pop the Christmas bubble
:
00:47:29,901 --> 00:47:32,441
as a way of I dunno, I'm not gonna
tell you how to parent your kids.
:
00:47:32,441 --> 00:47:34,601
What I'm getting at is let
them believe in the magic.
:
00:47:34,631 --> 00:47:36,371
'cause we're all gonna be
grumpy adults soon enough.
:
00:47:36,371 --> 00:47:39,071
We're all gonna be cynical and Christmas.
:
00:47:39,821 --> 00:47:44,501
And what I did with my kids was, is
that told them that Santa's a character
:
00:47:44,561 --> 00:47:47,501
the same way Mickey Mouse is a
character, or SpongeBob is a character.
:
00:47:47,771 --> 00:47:49,391
So it's not real in the sense of like.
:
00:47:50,276 --> 00:47:53,636
there's a guy in the North Pole, but
I said, but isn't it fun to believe
:
00:47:53,636 --> 00:47:54,866
in a character that does these?
:
00:47:54,986 --> 00:47:59,096
So we always not train, but we raise
our kids to understand that Santa
:
00:47:59,546 --> 00:48:04,616
was a real character the same way
Mickey Mouse is a real, like when you
:
00:48:04,616 --> 00:48:06,026
go to Disney, like what do you see?
:
00:48:06,026 --> 00:48:07,976
You give Mickey Mouse a
hug and Donald Duck a hug.
:
00:48:08,906 --> 00:48:09,536
the whole point.
:
00:48:09,536 --> 00:48:13,316
These are characters and let kids,
and even when kids go to Disney Land,
:
00:48:13,316 --> 00:48:15,596
they know it's not really a mouse.
:
00:48:15,926 --> 00:48:19,286
It's a costume that nobody's
talking, but they, and even the
:
00:48:19,286 --> 00:48:21,116
adults, it's fun to believe.
:
00:48:21,116 --> 00:48:21,656
And I think we
:
00:48:21,836 --> 00:48:22,376
Katie: Yeah.
:
00:48:22,676 --> 00:48:23,096
Ryan Rebalkin: up in,
:
00:48:23,456 --> 00:48:23,636
Katie: Mm-hmm.
:
00:48:24,236 --> 00:48:25,166
Ryan Rebalkin: oh, it's not real.
:
00:48:25,916 --> 00:48:28,496
Okay, heaven forbid have
:
00:48:28,651 --> 00:48:28,941
Katie: Well,
:
00:48:29,966 --> 00:48:34,856
I will say I think this is just, I can't
prove this, but I think most kids are
:
00:48:34,856 --> 00:48:39,056
taught and grow up thinking for some
period of time that Santa Claus is real.
:
00:48:39,236 --> 00:48:41,906
Not the character, but he's a real person.
:
00:48:42,116 --> 00:48:42,896
That some,
:
00:48:43,001 --> 00:48:43,451
Ryan Rebalkin: was the same
:
00:48:43,646 --> 00:48:45,986
Katie: yeah, that, so
I'm saying most kids do.
:
00:48:46,271 --> 00:48:46,451
Ryan Rebalkin: ness
:
00:48:46,616 --> 00:48:47,006
Katie: Yeah.
:
00:48:47,291 --> 00:48:47,771
Ryan Rebalkin: where oh
:
00:48:48,551 --> 00:48:49,931
Katie: And even in the
court case it's brought up.
:
00:48:49,961 --> 00:48:53,471
Oh, so you told your kids this, you,
you, you taught your kids that Santa
:
00:48:53,471 --> 00:48:58,411
was, so it comes up in the court
case you know, and, but Dory says she
:
00:48:58,411 --> 00:49:01,951
believed when she was a kid, and then
it's not really investigated, but clear.
:
00:49:01,951 --> 00:49:03,541
Like we get hints that.
:
00:49:03,541 --> 00:49:04,891
Ryan Rebalkin: heart, whatever it was.
:
00:49:05,041 --> 00:49:07,321
And I actually took that as
funny enough just as somebody
:
00:49:07,321 --> 00:49:08,581
who was raised religious very
:
00:49:08,656 --> 00:49:09,076
Katie: Mm-hmm.
:
00:49:09,511 --> 00:49:10,621
Ryan Rebalkin: that she talked about
:
00:49:10,621 --> 00:49:15,421
when she found out it wasn't
true, it shattered her worldview.
:
00:49:15,901 --> 00:49:18,361
And I guess that, I guess
every kid is different.
:
00:49:18,361 --> 00:49:19,591
Everyone's experience is different.
:
00:49:19,711 --> 00:49:21,831
Same with my very quickly
my religious upbringing.
:
00:49:21,831 --> 00:49:23,061
When I found out it kind of wasn't.
:
00:49:24,411 --> 00:49:25,641
Empirically true.
:
00:49:25,766 --> 00:49:26,186
Katie: Mm-hmm.
:
00:49:26,211 --> 00:49:27,501
Ryan Rebalkin: taught, it did shatter my
:
00:49:27,501 --> 00:49:27,891
worldview.
:
00:49:27,891 --> 00:49:30,681
So I understand that part of it for sure.
:
00:49:30,681 --> 00:49:33,261
So I think there is a little bit of
allegory there between, I guess you could
:
00:49:33,261 --> 00:49:34,791
say, well, they talk about God and God, we
:
00:49:34,966 --> 00:49:35,386
Katie: Mm-hmm.
:
00:49:35,466 --> 00:49:35,866
Mm-hmm.
:
00:49:35,946 --> 00:49:36,306
Mm-hmm.
:
00:49:36,351 --> 00:49:36,711
Ryan Rebalkin: God.
:
00:49:37,581 --> 00:49:40,281
I, what I liked when they did that
at the end of the court case there
:
00:49:40,581 --> 00:49:43,631
was that even though they brought
up God, they like, they said God
:
00:49:43,631 --> 00:49:44,836
might not be something we can
:
00:49:45,521 --> 00:49:47,561
Katie: You can't prove God either yet.
:
00:49:47,561 --> 00:49:49,601
It's the government
believes in it so much.
:
00:49:49,601 --> 00:49:50,441
It's on our dollar.
:
00:49:50,441 --> 00:49:52,146
Therefore, Santa is real too.
:
00:49:53,146 --> 00:49:53,436
Ryan Rebalkin: Yeah.
:
00:49:53,586 --> 00:49:56,201
It's an interesting philosophical dis
:
00:49:56,261 --> 00:50:02,891
I, I actually found the court scene and
the philosophical discussions fascinating.
:
00:50:04,451 --> 00:50:06,191
I admit, and I don't know
if kids would get that.
:
00:50:06,191 --> 00:50:06,581
This is what I mean.
:
00:50:06,581 --> 00:50:08,081
I don't think this is a movie for kids.
:
00:50:08,081 --> 00:50:13,061
I think this philosophical discussions
that the adults are having, I don't
:
00:50:13,061 --> 00:50:14,201
know how much kids are catching.
:
00:50:14,231 --> 00:50:14,561
What are your
:
00:50:14,696 --> 00:50:16,706
Katie: That's, yeah, I
mean, that's a fair point.
:
00:50:16,706 --> 00:50:21,206
I think a lot of movies, just
like some kids' movies have adult
:
00:50:21,356 --> 00:50:23,726
things in it because they know that
parents are watching it too, and
:
00:50:23,726 --> 00:50:28,126
it needs to be you at least need to
digest it in some way or, have fun.
:
00:50:28,126 --> 00:50:31,976
So I think in the same way you're
probably right the themes of it.
:
00:50:32,036 --> 00:50:35,996
A lot of the dialogue that really
pose questions, there's very religious
:
00:50:35,996 --> 00:50:37,826
overtones too, like comparisons.
:
00:50:38,246 --> 00:50:42,846
And when Dylan McDermott's character's
like, I am going to prove that there
:
00:50:42,846 --> 00:50:46,416
is a Santa Claus and that he's you,
and he says it in such a way and
:
00:50:46,416 --> 00:50:49,596
then you see what he does and you're
like, oh, I see what he's doing.
:
00:50:49,596 --> 00:50:49,896
Yeah.
:
00:50:50,316 --> 00:50:51,366
So kids wouldn't get that.
:
00:50:51,366 --> 00:50:53,776
But there's also fun
elements for the kids too.
:
00:50:54,196 --> 00:50:54,586
Ryan Rebalkin: It's the
:
00:50:55,021 --> 00:50:55,441
Katie: Mm-hmm.
:
00:50:55,546 --> 00:50:56,626
Ryan Rebalkin: that's,
if you wanna look at it,
:
00:50:57,106 --> 00:50:59,716
if there's Christians out there
who enjoy Christmas because of
:
00:50:59,926 --> 00:51:02,716
Christ, great believe, enjoy it.
:
00:51:02,986 --> 00:51:05,086
If you're believing that there's
a Santa that makes your family
:
00:51:05,086 --> 00:51:08,326
happy, and you talk about Santa
bringing stuff, great, enjoy it.
:
00:51:08,536 --> 00:51:10,906
But just be wary that you don't allow.
:
00:51:10,906 --> 00:51:12,526
Maybe that's my soapbox.
:
00:51:12,556 --> 00:51:18,226
It's like, just be careful that your
worldview isn't shaped around fallacies,
:
00:51:18,226 --> 00:51:24,436
because when quote unquote hard proof
comes out that these are just characters.
:
00:51:25,216 --> 00:51:28,576
But I could argue that yes, the God,
God of Santa or Jesus and Santas, the
:
00:51:28,576 --> 00:51:30,706
reason why they're very similar is
'cause if you're good, you're blessed.
:
00:51:30,706 --> 00:51:30,886
Right?
:
00:51:30,886 --> 00:51:31,336
That's the idea.
:
00:51:31,336 --> 00:51:32,206
If you're good, you
:
00:51:32,251 --> 00:51:33,691
Katie: Well, yeah, there's
a naughty nice list.
:
00:51:33,691 --> 00:51:35,131
You go to heaven or hell, you know.
:
00:51:35,131 --> 00:51:35,971
It's the, it's
:
00:51:36,121 --> 00:51:36,481
Ryan Rebalkin: I it's
:
00:51:36,481 --> 00:51:36,541
the
:
00:51:36,601 --> 00:51:37,051
Katie: is Santa
:
00:51:37,051 --> 00:51:37,531
Claus.
:
00:51:38,161 --> 00:51:39,421
Ryan Rebalkin: Santa sees you when
:
00:51:39,421 --> 00:51:39,631
you're
:
00:51:39,961 --> 00:51:41,371
Katie: Mm-hmm.
:
00:51:41,372 --> 00:51:41,382
Mm-hmm.
:
00:51:41,461 --> 00:51:41,611
Ryan Rebalkin: when
:
00:51:41,656 --> 00:51:42,226
Katie: It's the same.
:
00:51:42,451 --> 00:51:44,461
Ryan Rebalkin: at, knows, when
you're looking at Playboys, all that
:
00:51:44,586 --> 00:51:45,006
Katie: Mm-hmm.
:
00:51:45,031 --> 00:51:47,431
Ryan Rebalkin: that's the whole
idea is like Santa knows, God
:
00:51:47,646 --> 00:51:48,066
Katie: Mm-hmm.
:
00:51:48,181 --> 00:51:49,351
Ryan Rebalkin: So it's very obvious
:
00:51:49,351 --> 00:51:52,651
similarities, but that's what I'm
trying to get is let your kids know.
:
00:51:52,651 --> 00:51:55,941
Well, no, and I tell my kids I
buy all the gifts, however, every
:
00:51:55,941 --> 00:51:58,911
Christmas, even now, they get a gift
under the tree that's from Santa.
:
00:51:58,911 --> 00:52:03,591
But I'll tell you this much, Santa's
gifts are always that cost a lot of money.
:
00:52:03,591 --> 00:52:07,641
It says mom and dad, but I admit, but
yeah, but they get, the stockings are
:
00:52:07,641 --> 00:52:11,331
from Santa and they know, but they,
it says from Santa, you know, and
:
00:52:11,391 --> 00:52:11,691
Katie: Yeah.
:
00:52:11,691 --> 00:52:13,221
And mo a lot of families.
:
00:52:13,761 --> 00:52:14,931
It's funny that you say that.
:
00:52:14,961 --> 00:52:18,131
I, I, Somebody that I work with says
too, she's like, I don't even know if
:
00:52:18,131 --> 00:52:20,021
she puts gifts for Santa under the tree.
:
00:52:20,021 --> 00:52:21,731
'cause she's like, oh, my
kids to know that's from me.
:
00:52:22,031 --> 00:52:24,701
It's funny how parents have
grown to want more credit.
:
00:52:25,251 --> 00:52:28,161
Whereas also, I don't think
back in the day, kids got,
:
00:52:28,161 --> 00:52:28,551
Ryan Rebalkin: off.
:
00:52:28,761 --> 00:52:31,881
Katie: kids didn't get as many,
you know, parents did too.
:
00:52:31,881 --> 00:52:33,111
So just times have changed.
:
00:52:33,201 --> 00:52:34,581
Ryan Rebalkin: I was, actually
middle class back when
:
00:52:34,581 --> 00:52:36,021
middle class was was a thing.
:
00:52:36,081 --> 00:52:36,411
Katie: Yeah.
:
00:52:36,411 --> 00:52:37,461
It used to be a thing.
:
00:52:37,926 --> 00:52:38,346
Mm-hmm.
:
00:52:38,721 --> 00:52:39,201
Ryan Rebalkin: middle class.
:
00:52:39,201 --> 00:52:39,831
That's how I always
:
00:52:39,831 --> 00:52:40,311
call myself.
:
00:52:40,311 --> 00:52:43,391
We were never, the what's it,
what's one under middle class now?
:
00:52:43,391 --> 00:52:43,871
I can't remember.
:
00:52:43,871 --> 00:52:44,351
Lower class.
:
00:52:44,381 --> 00:52:45,311
Is it just called lower class?
:
00:52:45,401 --> 00:52:46,781
Katie: Working, working class.
:
00:52:46,781 --> 00:52:47,951
Blue collar, I dunno.
:
00:52:48,461 --> 00:52:51,341
Ryan Rebalkin: no, but my, yeah,
anyways, so yeah, so back in the
:
00:52:51,341 --> 00:52:54,131
eighties, I, that was back when you
could under Reaganomics when two
:
00:52:54,131 --> 00:52:55,571
working parents you were doing okay.
:
00:52:55,691 --> 00:52:56,141
You're back
:
00:52:56,351 --> 00:52:58,151
Katie: No, that was before Reaganomics.
:
00:52:58,271 --> 00:52:58,601
Ryan Rebalkin: oh,
:
00:52:58,701 --> 00:52:59,901
Katie: But yeah, he, he,
:
00:53:00,051 --> 00:53:00,201
Ryan Rebalkin: were.
:
00:53:00,381 --> 00:53:04,159
Katie: started the steady decline
. It just took, it took 40 years.
:
00:53:04,189 --> 00:53:04,369
Yeah.
:
00:53:04,369 --> 00:53:04,699
Yeah.
:
00:53:04,729 --> 00:53:05,119
Ryan Rebalkin: Ronald.
:
00:53:05,419 --> 00:53:05,779
Katie: Yep.
:
00:53:05,869 --> 00:53:06,139
Yeah.
:
00:53:06,139 --> 00:53:07,129
It started in the, yes.
:
00:53:07,189 --> 00:53:11,109
But to your point the thing
about Santa and the believing and
:
00:53:11,109 --> 00:53:14,079
everything, but the, what Dorie
says is kind of makes sense though.
:
00:53:14,079 --> 00:53:17,739
She's like, you know, I want
my kid to know the truth.
:
00:53:17,919 --> 00:53:19,479
And she gives her kid a test.
:
00:53:19,809 --> 00:53:21,129
Now I'm curious what your thoughts are.
:
00:53:21,564 --> 00:53:21,954
Ryan Rebalkin: Sure.
:
00:53:22,629 --> 00:53:26,169
Katie: Ask Santa for something that
you don't ask me for, for Christmas,
:
00:53:26,169 --> 00:53:31,329
and if it's there, Santa's real,
and in this movie that happens.
:
00:53:31,659 --> 00:53:32,919
But if you.
:
00:53:33,459 --> 00:53:38,319
But if a kid watches this, you know,
and they ask Santa something at the mall
:
00:53:39,369 --> 00:53:40,809
and the parents don't know.
:
00:53:40,944 --> 00:53:41,454
Ryan Rebalkin: with that parent.
:
00:53:41,454 --> 00:53:41,814
This is me.
:
00:53:41,814 --> 00:53:42,474
I'm being a parent.
:
00:53:42,474 --> 00:53:43,464
I disagree with the parenting.
:
00:53:43,464 --> 00:53:45,384
That's just when you say,
look, okay, sweetheart.
:
00:53:46,194 --> 00:53:47,994
what, that's when you
say She's a smart kid.
:
00:53:47,994 --> 00:53:50,304
That's exactly when I would've
come and said, okay, good.
:
00:53:50,304 --> 00:53:52,014
You're at, basically, you're coming at me.
:
00:53:52,164 --> 00:53:55,074
I think that's what I did with the, I've
had six kids, so I, I can't remember each
:
00:53:55,074 --> 00:53:58,359
journey, but the, the rule was always
when the kid asks you to tell the truth.
:
00:53:59,274 --> 00:54:01,074
And so if they say, is Santa Real?
:
00:54:01,074 --> 00:54:02,814
I hear kids at school
saying, Santa's not real.
:
00:54:02,814 --> 00:54:03,504
I say, yeah, you're right.
:
00:54:03,504 --> 00:54:03,894
He's not.
:
00:54:03,924 --> 00:54:05,544
And that's when you
just say, he's not real.
:
00:54:05,544 --> 00:54:06,384
As in I'm real.
:
00:54:06,384 --> 00:54:09,234
Your father, he's a character
that's fun to believe in.
:
00:54:09,234 --> 00:54:11,934
So your friends are right at school, but
there's something to freak out about.
:
00:54:13,494 --> 00:54:14,274
and that's the same thing.
:
00:54:14,274 --> 00:54:15,144
She should have done that here.
:
00:54:15,144 --> 00:54:18,084
She said, okay, sweetheart,
isn't it fun to believe?
:
00:54:18,204 --> 00:54:18,984
Isn't it fun?
:
00:54:18,984 --> 00:54:21,144
Isn't it good to be
good for goodness sake?
:
00:54:21,294 --> 00:54:22,224
Those are good things.
:
00:54:22,224 --> 00:54:26,124
It's, but Santa's not real, but
the principles of goodness and
:
00:54:26,124 --> 00:54:27,474
kindness, those are real things.
:
00:54:27,474 --> 00:54:29,394
Those are things that we
should enjoy and embrace.
:
00:54:29,484 --> 00:54:35,214
And Santa represents goodness and
charity and peace, or Christ or whoever.
:
00:54:35,544 --> 00:54:36,744
That's what you have to say.
:
00:54:36,744 --> 00:54:37,404
And I, I don't know.
:
00:54:37,704 --> 00:54:39,954
I know it's a movie and she's
not thinking that way, but she
:
00:54:39,984 --> 00:54:40,854
Katie: And it's a remake.
:
00:54:40,854 --> 00:54:43,404
You have to, you know, they have
to kind of stick with the content
:
00:54:43,404 --> 00:54:44,604
of the original a little bit and
:
00:54:44,934 --> 00:54:46,424
Ryan Rebalkin: of I'll show I'll show you.
:
00:54:46,424 --> 00:54:47,354
Santa's not real.
:
00:54:47,474 --> 00:54:49,274
You're gonna be disappointed
when you ask for something
:
00:54:49,274 --> 00:54:50,984
you don't get like, geez, like
:
00:54:51,284 --> 00:54:53,594
Katie: well, I mean, that's,
they needed that in the movie.
:
00:54:53,624 --> 00:54:55,964
So be because in the movie,
:
00:54:56,044 --> 00:54:56,404
Yeah.
:
00:54:56,404 --> 00:54:59,104
But that's the whole point of the movie,
is that in this movie they're showing
:
00:54:59,104 --> 00:55:01,504
Santa is real, but my, what I was,
:
00:55:01,849 --> 00:55:02,869
Ryan Rebalkin: her wishlist?
:
00:55:02,929 --> 00:55:04,789
The what She got like this insane.
:
00:55:04,969 --> 00:55:05,329
Okay.
:
00:55:05,479 --> 00:55:06,259
You'll, you'll, you'll
:
00:55:06,274 --> 00:55:08,494
Katie: and he makes
it, he makes it happen.
:
00:55:08,959 --> 00:55:10,039
Ryan Rebalkin: The rich get richer.
:
00:55:10,089 --> 00:55:13,299
Because So my wife came in at the end of
the film when she came back from shopping
:
00:55:13,299 --> 00:55:17,019
and, and to get the wish, so to get the
iMac concept, you know, they, they have
:
00:55:17,019 --> 00:55:20,439
a baby in their belly and she gets her
brother in the end, you know, they had
:
00:55:20,559 --> 00:55:21,099
Katie: Well, it wasn't ama,
:
00:55:21,459 --> 00:55:24,009
it wasn't immaculate because
they had gotten married.
:
00:55:24,054 --> 00:55:24,294
Ryan Rebalkin: It was
:
00:55:24,939 --> 00:55:26,559
Katie: They'd gotten
married the night before us.
:
00:55:26,604 --> 00:55:28,884
Ryan Rebalkin: they got married and
they had COAs for the first time.
:
00:55:28,884 --> 00:55:29,334
Sure,
:
00:55:29,354 --> 00:55:29,574
Katie: Yep.
:
00:55:29,664 --> 00:55:29,994
Ryan Rebalkin: yeah.
:
00:55:29,994 --> 00:55:30,414
Of course.
:
00:55:30,414 --> 00:55:30,774
They didn't wear
:
00:55:30,774 --> 00:55:32,454
protection, so she's pregnant.
:
00:55:32,854 --> 00:55:34,744
And then they, they got the house.
:
00:55:34,834 --> 00:55:37,984
They were both living in this
upper New York City apartment, so
:
00:55:37,984 --> 00:55:39,214
who knows what those were worth.
:
00:55:39,214 --> 00:55:40,354
And they were nice places.
:
00:55:40,684 --> 00:55:41,944
And it's like the rich get richer.
:
00:55:42,244 --> 00:55:44,074
They get this beautiful big home.
:
00:55:44,074 --> 00:55:46,924
Like there's a part of me that's
like, oh my gosh, how about
:
00:55:46,924 --> 00:55:47,824
an embarrassment of riches?
:
00:55:47,824 --> 00:55:49,654
I almost felt like that
it was almost too much.
:
00:55:49,654 --> 00:55:51,814
I, it made, it made me
miss it's a wonderful life.
:
00:55:51,814 --> 00:55:52,354
That ending.
:
00:55:52,354 --> 00:55:53,194
It's much more sweeter.
:
00:55:53,194 --> 00:55:57,124
Like every time that bell rings angel,
that's a much sweeter, more humble ending.
:
00:55:57,154 --> 00:56:01,174
This one's like, holy smokes, a lottery
winner's won another, the lottery.
:
00:56:01,174 --> 00:56:01,234
I
:
00:56:01,234 --> 00:56:03,724
Katie: Well, again in, in 47.
:
00:56:03,834 --> 00:56:06,414
So things didn't use to be as expensive.
:
00:56:06,474 --> 00:56:08,554
So, now they are well off both of them.
:
00:56:08,554 --> 00:56:09,484
He's a lawyer,
:
00:56:09,754 --> 00:56:10,654
she's, you know,
:
00:56:10,994 --> 00:56:14,174
Like an executive at Macy's
or Kohl's in, in the remixing.
:
00:56:14,564 --> 00:56:16,484
Ryan Rebalkin: apartments in New York
City looking over the city, like they're
:
00:56:16,484 --> 00:56:17,864
looking over the Macy Day parade.
:
00:56:17,864 --> 00:56:20,324
That's not a bad, that's
probably a expensive apartment.
:
00:56:20,534 --> 00:56:23,144
Katie: a, it's outrageous, like
the, the house in the country
:
00:56:23,144 --> 00:56:25,394
costs less, I would imagine, than
:
00:56:25,424 --> 00:56:26,024
Ryan Rebalkin: you're saying.
:
00:56:26,024 --> 00:56:26,264
Yeah.
:
00:56:26,324 --> 00:56:26,834
Katie: in,
:
00:56:26,864 --> 00:56:27,704
Ryan Rebalkin: a father,
:
00:56:27,824 --> 00:56:28,244
Katie: but in,
:
00:56:28,244 --> 00:56:28,754
the
:
00:56:28,754 --> 00:56:30,404
Ryan Rebalkin: space
and the, home life and,
:
00:56:30,764 --> 00:56:33,164
Katie: but it, so it doesn't work
in this, they can afford it because
:
00:56:33,164 --> 00:56:36,464
she got a bonus, but now they
have two incomes, one house in the
:
00:56:36,464 --> 00:56:40,334
country versus separate incomes
each with an apartment in New York.
:
00:56:40,469 --> 00:56:40,789
Ryan Rebalkin: richer.
:
00:56:40,964 --> 00:56:43,754
Katie: But where I'm in the nineties,
ver nineties version, but what
:
00:56:43,754 --> 00:56:46,004
I'm saying is in the 47 version,
:
00:56:46,149 --> 00:56:46,439
Ryan Rebalkin: Okay.
:
00:56:46,634 --> 00:56:54,194
Katie: they, while they are well off those
apartments, were not outrageously like
:
00:56:54,194 --> 00:56:55,934
a bazillion dollars like they are today.
:
00:56:55,934 --> 00:56:59,774
Like a somewhat normal person
could still live in the city.
:
00:56:59,864 --> 00:57:00,704
You can't now,
:
00:57:01,349 --> 00:57:01,589
Ryan Rebalkin: No,
:
00:57:02,114 --> 00:57:02,834
Katie: you know what I, mean?
:
00:57:02,909 --> 00:57:04,109
Ryan Rebalkin: I just
thought that was fine.
:
00:57:04,109 --> 00:57:04,224
I mean?
:
00:57:04,264 --> 00:57:07,939
I, I know it was:finances, was happy for them, but I
:
00:57:07,939 --> 00:57:10,759
was more happy they were a family,
but I felt like they were really
:
00:57:11,059 --> 00:57:14,749
selling the physical gifts too.
:
00:57:14,799 --> 00:57:15,309
Wow.
:
00:57:15,309 --> 00:57:18,669
The home, and it's fully
furnished and it has all these
:
00:57:18,719 --> 00:57:20,069
who put the gifts under the tree?
:
00:57:20,069 --> 00:57:20,939
Who are they for?
:
00:57:21,224 --> 00:57:24,014
Katie: Well, Chris Cringle, the, the
whole point was that Santa did it.
:
00:57:24,014 --> 00:57:24,764
Santa did it.
:
00:57:25,019 --> 00:57:25,679
Ryan Rebalkin: I'm an idiot.
:
00:57:26,199 --> 00:57:26,889
Katie: But
:
00:57:27,189 --> 00:57:27,819
Ryan Rebalkin: I forgot.
:
00:57:27,819 --> 00:57:28,329
He's real.
:
00:57:28,659 --> 00:57:31,929
Katie: Santa's real, and the
ring we know that he's real
:
00:57:31,929 --> 00:57:33,009
because there's only one way.
:
00:57:33,009 --> 00:57:36,519
The priest, the surprise wedding at
the church, the priest has the ring.
:
00:57:36,519 --> 00:57:39,069
So the movie, the purpose of
this movie, it is a remake.
:
00:57:39,069 --> 00:57:41,769
So we have to kind of stick
with, with some of those
:
00:57:41,824 --> 00:57:42,844
the original themes.
:
00:57:43,084 --> 00:57:43,234
Ryan Rebalkin: But
:
00:57:43,294 --> 00:57:43,654
Katie: didn't,
:
00:57:43,714 --> 00:57:44,824
Ryan Rebalkin: about it, that it was
:
00:57:44,974 --> 00:57:45,454
Katie: oh, go ahead.
:
00:57:45,604 --> 00:57:48,004
Ryan Rebalkin: also, there's
nothing in the film that you
:
00:57:48,004 --> 00:57:50,464
saw that couldn't have been.
:
00:57:50,824 --> 00:57:53,704
Real life, meaning that's
what I liked about it.
:
00:57:53,704 --> 00:57:56,584
Yes, he's talking to the deer, but
you don't see the deer talk back.
:
00:57:56,584 --> 00:58:02,794
You see like everything on the surface
is you never see him be Santa for real.
:
00:58:02,824 --> 00:58:04,264
There's like the Santa Claus.
:
00:58:04,264 --> 00:58:07,864
You see Tim Allen's character, you
know, get fad and talking to elves.
:
00:58:08,104 --> 00:58:11,674
There's nowhere in this film
where the objectively, he
:
00:58:11,674 --> 00:58:12,814
could have been a crazy man.
:
00:58:12,814 --> 00:58:16,654
I, that's what I loved about it, is that
there's no proof that he did any of this.
:
00:58:17,824 --> 00:58:18,874
Katie: And he, I mean, there's,
:
00:58:19,384 --> 00:58:20,424
there's you know, they.
:
00:58:20,484 --> 00:58:20,724
Ryan Rebalkin: that?
:
00:58:20,964 --> 00:58:24,864
Katie: No, but the reason he can't
make the reindeer fly is because
:
00:58:25,254 --> 00:58:28,464
they only fly on on Christmas
Eve, or you know, on Christmas, or
:
00:58:28,704 --> 00:58:29,304
Ryan Rebalkin: but that's what I mean.
:
00:58:29,304 --> 00:58:29,484
That
:
00:58:29,934 --> 00:58:31,044
Katie: there's a reason
:
00:58:31,104 --> 00:58:32,274
Ryan Rebalkin: there's,
it's, that's right.
:
00:58:32,274 --> 00:58:33,174
it's like um,
:
00:58:33,974 --> 00:58:35,474
Katie: a rationalization for it.
:
00:58:35,744 --> 00:58:36,164
Ryan Rebalkin: Street?
:
00:58:37,004 --> 00:58:37,394
Katie: Yeah.
:
00:58:37,604 --> 00:58:37,754
Mm-hmm.
:
00:58:37,814 --> 00:58:38,144
Ryan Rebalkin: Okay.
:
00:58:38,144 --> 00:58:38,564
Remember Staus?
:
00:58:39,224 --> 00:58:39,464
Katie: Yeah.
:
00:58:40,239 --> 00:58:40,719
Ryan Rebalkin: Nobody
:
00:58:40,719 --> 00:58:41,979
saw Snuffle Leus by big
:
00:58:41,999 --> 00:58:42,419
Katie: Mm-hmm.
:
00:58:42,429 --> 00:58:43,929
Ryan Rebalkin: So objectively everyone
:
00:58:43,929 --> 00:58:44,589
could just say, big bird.
:
00:58:44,589 --> 00:58:45,279
You're crazy.
:
00:58:45,279 --> 00:58:47,049
You keep talking about this
big elephant creature that
:
00:58:47,049 --> 00:58:48,279
walks around and talks to you.
:
00:58:48,519 --> 00:58:51,129
Nobody saw Snuffle Leus, but
big bird was, he was just here.
:
00:58:51,129 --> 00:58:51,879
You just missed him.
:
00:58:52,049 --> 00:58:52,469
Katie: Mm-hmm.
:
00:58:52,599 --> 00:58:53,259
Ryan Rebalkin: everyone just
:
00:58:53,589 --> 00:58:54,009
Katie: Mm-hmm.
:
00:58:54,069 --> 00:58:54,609
Ryan Rebalkin: creature.
:
00:58:54,629 --> 00:58:55,049
Katie: Mm-hmm.
:
00:58:55,209 --> 00:58:55,509
Ryan Rebalkin: what I mean,
:
00:58:55,689 --> 00:59:01,059
this Santa character, everything
he's saying, everyone around
:
00:59:01,059 --> 00:59:02,559
him is like, he's not done.
:
00:59:02,649 --> 00:59:04,479
He could just be alerted, man.
:
00:59:04,539 --> 00:59:07,899
He could also just be a little bit
crazy, but that's what I love about it
:
00:59:07,899 --> 00:59:13,479
is that the point, is it's the message
of Christmas that's real, not the
:
00:59:13,479 --> 00:59:16,749
actual entity that all these things that
happened, the film happened because people
:
00:59:16,749 --> 00:59:19,209
believed in the spirit of Christmas.
:
00:59:19,972 --> 00:59:20,512
Katie: Yes.
:
00:59:21,232 --> 00:59:21,442
Ryan Rebalkin: Yeah.
:
00:59:21,647 --> 00:59:22,067
Katie: Mm-hmm.
:
00:59:22,132 --> 00:59:23,302
Ryan Rebalkin: did I get,
did I get the message?
:
00:59:23,302 --> 00:59:23,572
Did I
:
00:59:23,637 --> 00:59:24,117
The messages?
:
00:59:24,362 --> 00:59:24,652
Katie: done.
:
00:59:24,742 --> 00:59:25,827
We're done with the episode.
:
00:59:25,827 --> 00:59:26,397
No, I'm just kidding.
:
00:59:27,057 --> 00:59:28,767
No, that's, that's totally valid.
:
00:59:29,017 --> 00:59:32,867
I will say I wanna get to some more
of the comparisons with the original.
:
00:59:33,347 --> 00:59:38,957
But I did think the cast in this, it
really stood out to me like for a, because
:
00:59:38,957 --> 00:59:40,517
I don't really remember watching this.
:
00:59:40,517 --> 00:59:41,897
And so, you know, yeah.
:
00:59:41,897 --> 00:59:43,712
We talked about Richard,
Richard Attenborough, Elizabeth
:
00:59:43,712 --> 00:59:45,137
Perkins, di Dylan McDermott,
:
00:59:45,467 --> 00:59:48,587
JT Walsh plays the prosecutor here.
:
00:59:48,977 --> 00:59:49,337
We,
:
00:59:49,727 --> 00:59:50,447
Ryan Rebalkin: before he died.
:
00:59:50,717 --> 00:59:52,217
Katie: he was, he was.
:
00:59:52,217 --> 00:59:54,167
And we talked about 'em last
season because he was in
:
00:59:54,167 --> 00:59:56,447
four Kurt Russell movies.
:
00:59:56,717 --> 00:59:59,267
Ryan Rebalkin: That's what
I, he was in a few good men.
:
00:59:59,297 --> 01:00:03,557
Like I, I just, he said actors,
like he's everywhere and a poor guy.
:
01:00:03,557 --> 01:00:03,707
Oh.
:
01:00:03,797 --> 01:00:07,847
I don't remember how he
died, but at the age of 54.
:
01:00:08,397 --> 01:00:09,207
Just looking quickly
:
01:00:09,522 --> 01:00:11,862
Katie: Heart attack or cancer
probably, I'm guessing.
:
01:00:12,072 --> 01:00:12,252
Mm-hmm.
:
01:00:12,267 --> 01:00:14,877
Ryan Rebalkin: sucks 'cause he was
just one of those working actors and
:
01:00:14,982 --> 01:00:15,402
Katie: There's
:
01:00:15,452 --> 01:00:16,857
Ryan Rebalkin: the perfect
where he doesn't have to
:
01:00:16,857 --> 01:00:18,387
carry the film, but he is in every film.
:
01:00:18,522 --> 01:00:19,632
Katie: he and he's good.
:
01:00:19,632 --> 01:00:20,982
He's, there are a lot of those.
:
01:00:20,982 --> 01:00:25,102
I will say this cast is full of
those really solid working actors
:
01:00:25,102 --> 01:00:28,942
where you,, they're not the
go-to like leading man or woman.
:
01:00:28,992 --> 01:00:30,912
So there's also James Remar
:
01:00:31,347 --> 01:00:31,887
Ryan Rebalkin: Yes.
:
01:00:32,022 --> 01:00:34,002
Katie: as so, yeah.
:
01:00:34,122 --> 01:00:34,542
Yes.
:
01:00:34,752 --> 01:00:37,962
So he, plays Jack Duff,
he's one of the guys.
:
01:00:37,962 --> 01:00:42,882
So there's a competing department store,
shoppers Express, and we're introduced
:
01:00:42,882 --> 01:00:47,922
to its founder Victor Landberg, I
wanna say with like evil music, you
:
01:00:47,922 --> 01:00:51,792
know, like we, and he's, you know,
he's trying to, that's a very nineties,
:
01:00:51,942 --> 01:00:54,372
nineties thing he's trying to take over.
:
01:00:55,032 --> 01:00:58,542
It's, it's Kohl's in this, not
Macy's, and we'll get to that.
:
01:00:58,622 --> 01:00:59,072
Ryan Rebalkin: Right?
:
01:00:59,132 --> 01:01:02,432
Katie: was Macy's in the original,
but they didn't get the rights, like
:
01:01:02,522 --> 01:01:04,382
they didn't bother to get copyright.
:
01:01:04,652 --> 01:01:04,982
Ryan Rebalkin: yeah.
:
01:01:04,982 --> 01:01:05,732
Apparently they did.
:
01:01:05,732 --> 01:01:08,192
The Macy's didn't believe they
should do it on the remake.
:
01:01:08,192 --> 01:01:09,122
They were anti the remake,
:
01:01:09,122 --> 01:01:09,662
Katie: They were,
:
01:01:10,082 --> 01:01:10,142
Ryan Rebalkin: yeah.
:
01:01:10,262 --> 01:01:11,882
Katie: so, they just changed it to Kohl's.
:
01:01:11,962 --> 01:01:15,172
So, and that's, that is something
that's different that bit.
:
01:01:15,442 --> 01:01:19,582
The, the competing store is not
at all part of the original.
:
01:01:19,702 --> 01:01:24,432
There's a completely different way
that that they're trying to get Chris
:
01:01:24,432 --> 01:01:27,492
Kringle committed to the mental hospital.
:
01:01:27,662 --> 01:01:29,162
So that was really interesting.
:
01:01:29,552 --> 01:01:34,082
It was like a guy that worked at
Macy's who somehow is in charge
:
01:01:34,082 --> 01:01:38,492
of, like evaluating people's
mental acuity to work at Macy's.
:
01:01:38,597 --> 01:01:43,352
And, and he was convinced, you know,
so he was kind of the evil guy instead.
:
01:01:43,352 --> 01:01:44,432
So that was the original.
:
01:01:45,282 --> 01:01:49,212
So James Remar plays Jack
Duff, one of Berg's people.
:
01:01:49,242 --> 01:01:51,732
Also Jane Leaves plays the other one.
:
01:01:51,732 --> 01:01:55,452
So there's two kind of like quote
unquote, you know, they're not like
:
01:01:55,452 --> 01:01:57,282
bad guys, but they play for the
:
01:01:57,717 --> 01:01:58,137
Ryan Rebalkin: right?
:
01:01:58,182 --> 01:01:59,472
Katie: antagonist, I guess.
:
01:01:59,552 --> 01:02:00,122
So
:
01:02:00,752 --> 01:02:01,532
Dexter's dad
:
01:02:02,072 --> 01:02:02,942
Ryan Rebalkin: Dexter's dad,
:
01:02:02,942 --> 01:02:04,792
and Perry Gilpen, is that her name?
:
01:02:04,852 --> 01:02:06,082
No, that's the other actress.
:
01:02:06,122 --> 01:02:06,902
Frazier's,
:
01:02:07,297 --> 01:02:09,742
Katie: so Jane Leaves plays Daphne.
:
01:02:09,772 --> 01:02:11,482
She plays Daphne
:
01:02:11,812 --> 01:02:12,712
on Frazier.
:
01:02:12,952 --> 01:02:14,902
Ryan Rebalkin: And she had a very small
role, this, which is weird 'cause I
:
01:02:14,902 --> 01:02:16,792
believe Frazier was out of this time.
:
01:02:16,792 --> 01:02:18,922
So I'm 94.
:
01:02:18,922 --> 01:02:20,122
Frazier must have been started.
:
01:02:20,542 --> 01:02:22,932
Katie: It might, it maybe didn't
get big yet, or, you know,
:
01:02:22,932 --> 01:02:24,052
maybe, you know, this came out.
:
01:02:24,257 --> 01:02:26,417
She was probably doing
both at the same time.
:
01:02:26,417 --> 01:02:26,927
Ryan Rebalkin: right.
:
01:02:26,927 --> 01:02:32,447
Fraser's premiered in 93, but so that year
:
01:02:32,537 --> 01:02:33,167
Katie: Mm-hmm.
:
01:02:33,557 --> 01:02:34,367
Ryan Rebalkin: the same time.
:
01:02:34,457 --> 01:02:37,667
But still she, that, I dunno,
that show was always big, I
:
01:02:37,667 --> 01:02:38,447
think at the very beginning.
:
01:02:38,447 --> 01:02:38,687
I think it
:
01:02:38,702 --> 01:02:39,122
Katie: Mm-hmm.
:
01:02:39,227 --> 01:02:40,667
Ryan Rebalkin: all that being
said, it was weird seeing her in
:
01:02:40,667 --> 01:02:43,817
this role playing day, playing
a, not a very nice person.
:
01:02:43,847 --> 01:02:45,497
'cause she's such a sweetheart in Frazier,
:
01:02:45,552 --> 01:02:46,882
Katie: Well, I loved her.
:
01:02:46,912 --> 01:02:48,022
I don't love Frazier.
:
01:02:48,292 --> 01:02:48,862
Ryan Rebalkin: I'm a huge, I'm
:
01:02:48,877 --> 01:02:49,867
Katie: I know you are,
:
01:02:49,912 --> 01:02:50,692
Ryan Rebalkin: Okay.
:
01:02:50,722 --> 01:02:50,752
Okay.
:
01:02:51,067 --> 01:02:55,287
Katie: Jane leaves plays
joy in hot in Cleveland.
:
01:02:55,617 --> 01:02:56,127
Ryan Rebalkin: haven't seen
:
01:02:56,217 --> 01:02:56,667
Katie: It's,
:
01:02:56,817 --> 01:02:57,057
Ryan Rebalkin: mo
:
01:02:57,057 --> 01:02:58,617
Katie: it's very good.
:
01:02:58,617 --> 01:02:59,697
It's essentially
:
01:03:00,357 --> 01:03:01,317
Golden Girls.
:
01:03:02,007 --> 01:03:02,577
Ryan Rebalkin: Okay.
:
01:03:02,847 --> 01:03:05,007
Katie: in, you know, with
where Betty White actually
:
01:03:05,007 --> 01:03:06,627
plays like a gettis, like it's,
:
01:03:07,137 --> 01:03:08,517
but it's more modernized.
:
01:03:08,517 --> 01:03:11,577
The girls are from la they end
up living in Cleveland and joy
:
01:03:11,577 --> 01:03:13,017
is sort of the Blanche character
:
01:03:13,497 --> 01:03:13,947
Ryan Rebalkin: Okay.
:
01:03:13,947 --> 01:03:15,147
Katie: played by Jane leaves in this.
:
01:03:15,147 --> 01:03:17,277
So she's, she's in tons of things.
:
01:03:17,277 --> 01:03:17,877
These are,
:
01:03:18,297 --> 01:03:18,687
you know,
:
01:03:18,777 --> 01:03:19,047
Ryan Rebalkin: Yeah.
:
01:03:19,507 --> 01:03:19,867
Katie: Yeah.
:
01:03:19,917 --> 01:03:20,107
Ryan Rebalkin: I,
:
01:03:20,107 --> 01:03:21,247
just, I love seeing this
:
01:03:21,247 --> 01:03:23,617
the young the young, because
I'm a big Dexter fan, so when I
:
01:03:23,617 --> 01:03:26,947
saw Dexter's dad, I was like, it
was just weird seeing him like
:
01:03:27,277 --> 01:03:28,537
Katie: Young, younger.
:
01:03:28,537 --> 01:03:28,867
Yeah.
:
01:03:29,257 --> 01:03:31,057
Well, and he's a, he's
another one of those.
:
01:03:31,642 --> 01:03:33,382
He kind of did, but a younger version.
:
01:03:33,412 --> 01:03:33,742
Yeah.
:
01:03:33,772 --> 01:03:34,732
Yeah, that's true.
:
01:03:35,122 --> 01:03:36,982
He has over 200 acting credits too.
:
01:03:36,982 --> 01:03:38,452
So he's kind of one of those.
:
01:03:39,412 --> 01:03:40,402
Ryan Rebalkin: I've
said it a hundred times.
:
01:03:40,402 --> 01:03:41,122
I don't mind repeating it.
:
01:03:41,152 --> 01:03:41,482
That's
:
01:03:41,482 --> 01:03:43,312
the, you don't wanna be Tom
Cruise, you don't wanna be
:
01:03:43,522 --> 01:03:44,032
Katie: agreed.
:
01:03:44,162 --> 01:03:45,412
Ryan Rebalkin: you kind of want to be
:
01:03:45,412 --> 01:03:48,562
like, if you're going to like, because
you get to be in films and TV and act and
:
01:03:48,562 --> 01:03:50,122
have a good time, but you can go shopping.
:
01:03:50,547 --> 01:03:50,967
Katie: Mm-hmm.
:
01:03:51,472 --> 01:03:51,712
Ryan Rebalkin: Yeah.
:
01:03:51,957 --> 01:03:52,247
Katie: Yeah.
:
01:03:53,152 --> 01:03:56,692
The only reason I'm bringing
up Simon Jones, who plays Mr.
:
01:03:56,692 --> 01:04:00,372
Shell Hammer, and he is he's like
either the, the manager of the
:
01:04:00,372 --> 01:04:02,382
Macy's or the toy department manager.
:
01:04:02,382 --> 01:04:06,672
I don't, I'm not entirely certain, but
he plays Shell Hammer very specific name.
:
01:04:06,912 --> 01:04:07,602
Ryan Rebalkin: bigger guy.
:
01:04:08,237 --> 01:04:10,542
Katie: No, he's the thin
guy with the mustache,
:
01:04:11,082 --> 01:04:11,562
Ryan Rebalkin: okay.
:
01:04:11,562 --> 01:04:11,742
Yeah.
:
01:04:11,742 --> 01:04:12,072
Katie: that
:
01:04:12,117 --> 01:04:12,437
Ryan Rebalkin: he in?
:
01:04:12,552 --> 01:04:16,452
Katie: they, well, he was also
credited as playing the same name.
:
01:04:16,482 --> 01:04:21,102
Shell Hammer in Matilda, same
guy plays the same character,
:
01:04:21,537 --> 01:04:21,757
Ryan Rebalkin: So
:
01:04:21,792 --> 01:04:22,092
Katie: least.
:
01:04:22,092 --> 01:04:22,932
Ryan Rebalkin: both universes.
:
01:04:23,947 --> 01:04:26,647
Katie: I'm sure I've seen Matilda,
but I don't recall anything from it.
:
01:04:26,647 --> 01:04:29,077
So I don't know if it was just
coincidental or if that, you know,
:
01:04:29,497 --> 01:04:30,037
anyway.
:
01:04:30,217 --> 01:04:30,547
Yeah.
:
01:04:30,682 --> 01:04:33,112
Ryan Rebalkin: you recognize a
one cameo there by Allison Jan?
:
01:04:33,937 --> 01:04:37,687
Katie: Oh, I couldn't
love Alice and Janni more.
:
01:04:38,137 --> 01:04:41,987
She plays the woman and and
her accent she's just so good.
:
01:04:42,437 --> 01:04:47,207
She's credited as the woman, but she's
the brazen woman shopper where she's
:
01:04:47,252 --> 01:04:48,362
Ryan Rebalkin: the Santa or whatever.
:
01:04:48,617 --> 01:04:51,017
Katie: he's telling us where
to get, telling shell hammer.
:
01:04:51,017 --> 01:04:54,017
He's, you know, he's telling,
and that, that character does
:
01:04:54,017 --> 01:04:55,487
exist in the original as well.
:
01:04:56,067 --> 01:04:58,957
So at first you're like, oh crap,
they're gonna sack Chris Cringle
:
01:04:58,957 --> 01:05:02,587
because telling people where to get
their kids shit that they want cheaper,
:
01:05:02,887 --> 01:05:03,237
Ryan Rebalkin: Right.
:
01:05:03,367 --> 01:05:07,807
Katie: then somehow in this
magical universe that makes them
:
01:05:08,197 --> 01:05:12,217
a more loyal shopper, which in
real life wouldn't, wouldn't,
:
01:05:12,322 --> 01:05:12,862
Ryan Rebalkin: No,
:
01:05:13,147 --> 01:05:13,477
Katie: happen.
:
01:05:13,477 --> 01:05:16,537
You'd be like, okay, so everything
here is more expensive, but.
:
01:05:16,912 --> 01:05:19,132
In the movie world That works.
:
01:05:19,132 --> 01:05:20,812
What do you like her and
what are you familiar with?
:
01:05:20,812 --> 01:05:22,732
Ryan Rebalkin: I, I've, it's
funny, I never watched The West
:
01:05:22,732 --> 01:05:24,922
Wing, which I know I have to
watch 'cause I love Martin Sheen.
:
01:05:24,922 --> 01:05:25,852
I love politics.
:
01:05:26,152 --> 01:05:26,422
Katie: Same.
:
01:05:26,422 --> 01:05:27,592
Maybe we should cover it, Ryan.
:
01:05:28,342 --> 01:05:29,212
Ryan Rebalkin: That'd be fantastic.
:
01:05:29,212 --> 01:05:30,942
I, I, and I know it's already years
:
01:05:31,047 --> 01:05:31,467
Katie: Mm-hmm.
:
01:05:31,572 --> 01:05:32,862
Ryan Rebalkin: ended, but the point is, I
:
01:05:32,862 --> 01:05:36,692
love I love politics and I, and
I love those type of dramas,
:
01:05:36,692 --> 01:05:37,682
but I just never saw it.
:
01:05:38,072 --> 01:05:39,392
However, I loved her.
:
01:05:39,392 --> 01:05:41,282
I watched the, the Comedy show Mom
:
01:05:41,397 --> 01:05:41,817
Katie: Mm-hmm.
:
01:05:42,422 --> 01:05:43,112
Ryan Rebalkin: I love her in that.
:
01:05:43,112 --> 01:05:43,352
I thought
:
01:05:43,352 --> 01:05:44,102
she was great in it
:
01:05:44,117 --> 01:05:44,587
Katie: She's great.
:
01:05:44,912 --> 01:05:45,962
Ryan Rebalkin: her, and she was
:
01:05:45,962 --> 01:05:46,682
fantastic in that.
:
01:05:46,682 --> 01:05:50,792
So I just fell in love with her because
that's Chuck Roper, what's his name?
:
01:05:50,792 --> 01:05:51,062
Chuck
:
01:05:51,096 --> 01:05:51,447
Katie: Chuck
:
01:05:51,517 --> 01:05:51,807
Lori?
:
01:05:52,037 --> 01:05:52,327
Yeah.
:
01:05:52,327 --> 01:05:52,727
Mm-hmm.
:
01:05:53,102 --> 01:05:55,802
Ryan Rebalkin: I know it's the Chuck
Laurie made show, but it's great.
:
01:05:55,802 --> 01:05:58,322
She's great in it along with,
yeah, her daughter played by
:
01:05:58,372 --> 01:05:58,492
Katie: Yeah.
:
01:05:58,492 --> 01:05:59,542
I don't love her as much.
:
01:05:59,542 --> 01:06:00,172
The blonde
:
01:06:00,252 --> 01:06:00,822
yeah.
:
01:06:00,882 --> 01:06:01,032
Ryan Rebalkin: But
:
01:06:01,092 --> 01:06:02,742
Katie: Anna Ferris is her name.
:
01:06:02,832 --> 01:06:02,982
Mm-hmm.
:
01:06:03,102 --> 01:06:05,742
Ryan Rebalkin: the, characters in
in Mom, the, the, her, the Friends
:
01:06:05,742 --> 01:06:08,952
of Alice and Jan's character are,
they're such a fun ca It's a fun
:
01:06:09,052 --> 01:06:09,142
It
:
01:06:09,247 --> 01:06:09,727
Katie: I agree.
:
01:06:09,727 --> 01:06:15,187
I like that aspect way more than Anna
Ferris's part, so I think they've
:
01:06:15,187 --> 01:06:17,857
really expanded Alice and Janney
from the beginning to where it is.
:
01:06:18,397 --> 01:06:18,907
But
:
01:06:19,132 --> 01:06:19,596
Ryan Rebalkin: Yeah, yeah, yeah,
:
01:06:19,627 --> 01:06:23,107
Katie: speaking of Tanya
Harding earlier in the trivia,
:
01:06:23,587 --> 01:06:26,587
Alice and Janney plays
Margot Robbie's mom.
:
01:06:26,617 --> 01:06:28,687
Like she plays Tanya Harding's mom
:
01:06:28,942 --> 01:06:29,182
Ryan Rebalkin: Full
:
01:06:29,197 --> 01:06:30,127
Katie: in that.
:
01:06:30,177 --> 01:06:32,187
And she won an Oscar for that role.
:
01:06:32,742 --> 01:06:33,012
Ryan Rebalkin: That's
:
01:06:33,687 --> 01:06:34,272
Katie: Alice and Jenny.
:
01:06:34,812 --> 01:06:35,682
Ryan Rebalkin: I have to watch that
:
01:06:35,682 --> 01:06:36,042
now.
:
01:06:36,852 --> 01:06:37,122
Yeah.
:
01:06:38,317 --> 01:06:42,096
Katie: There's a few other like, oh,
it's that person, working characters
:
01:06:42,096 --> 01:06:45,367
that are familiar from things that
we, maybe they weren't then, but
:
01:06:45,367 --> 01:06:47,707
now rewatching it 30 years later.
:
01:06:48,037 --> 01:06:54,757
Catherine Arducci is in this just a little
bit and she has a very thick, you know,
:
01:06:54,757 --> 01:07:00,607
like New York Italian accent and that's
kind of who she plays in everything.
:
01:07:01,312 --> 01:07:01,582
Ryan Rebalkin: okay.
:
01:07:01,582 --> 01:07:03,532
I didn't recognize her from anything.
:
01:07:04,207 --> 01:07:04,927
Katie: She,
:
01:07:04,971 --> 01:07:05,062
Ryan Rebalkin: but.
:
01:07:05,287 --> 01:07:05,737
Katie: yes.
:
01:07:05,737 --> 01:07:11,167
So you'd know her because she
played Charmaine Buco in Sopranos
:
01:07:11,287 --> 01:07:12,517
Ryan Rebalkin: Oh, okay.
:
01:07:12,577 --> 01:07:13,507
yeah, yeah, yeah, yeah.
:
01:07:13,507 --> 01:07:13,517
yeah.
:
01:07:13,596 --> 01:07:14,707
Katie: she's also in like a,
:
01:07:14,767 --> 01:07:14,887
Ryan Rebalkin: that
:
01:07:15,096 --> 01:07:17,047
Katie: a Bronx Tale, Jersey Boys Irishman.
:
01:07:17,047 --> 01:07:19,777
Like she plays that, that
kind of a character a lot.
:
01:07:19,807 --> 01:07:23,647
Ryan Rebalkin: And she was, she's a
lovely woman, so I, she, it's where
:
01:07:23,647 --> 01:07:25,837
my brain, when I saw her goes, oh,
she looks familiar, but I didn't
:
01:07:25,837 --> 01:07:26,977
know if it was just that classic
:
01:07:28,622 --> 01:07:29,042
Katie: Mm-hmm.
:
01:07:29,617 --> 01:07:30,127
Ryan Rebalkin: Bronx,
:
01:07:30,187 --> 01:07:30,487
Katie: it.
:
01:07:30,547 --> 01:07:31,027
Yep.
:
01:07:31,117 --> 01:07:31,537
Yeah.
:
01:07:31,627 --> 01:07:31,777
Ryan Rebalkin: Yeah.
:
01:07:31,777 --> 01:07:32,977
she nails that role very
:
01:07:33,172 --> 01:07:33,922
Katie: She does.
:
01:07:34,027 --> 01:07:34,177
Ryan Rebalkin: Yeah.
:
01:07:34,327 --> 01:07:34,507
Yeah.
:
01:07:34,702 --> 01:07:37,072
Katie: Then there's Peter
Garrity who plays the cop.
:
01:07:37,122 --> 01:07:40,212
He's a super well-known
character actor, sneaky Pete
:
01:07:40,212 --> 01:07:41,802
The Wire, Charlie Wilson's War,
:
01:07:41,877 --> 01:07:42,807
Ryan Rebalkin: Yes, yes,
:
01:07:43,122 --> 01:07:46,212
Katie: and Jack McGee
plays the drunk Santa.
:
01:07:46,252 --> 01:07:50,942
So he has a pretty, pretty
big role in this I would say.
:
01:07:51,362 --> 01:07:54,152
And he's another one of those
super familiar faces, right?
:
01:07:54,467 --> 01:07:54,917
Ryan Rebalkin: Oh yeah.
:
01:07:54,917 --> 01:07:55,157
Yeah.
:
01:07:55,157 --> 01:07:56,447
He recognized him for sure.
:
01:07:56,527 --> 01:07:57,757
I, what was he?
:
01:07:57,846 --> 01:08:00,337
He was in a TV show called Brooklyn
South that I liked that was,
:
01:08:00,892 --> 01:08:01,912
Katie: Oh, I didn't see that.
:
01:08:01,987 --> 01:08:03,096
Ryan Rebalkin: plays like a cops.
:
01:08:03,096 --> 01:08:03,787
A lot of that type of
:
01:08:04,012 --> 01:08:04,312
Katie: Mm-hmm.
:
01:08:04,612 --> 01:08:04,792
Yeah.
:
01:08:04,792 --> 01:08:06,502
It was the sheriff in basic instinct.
:
01:08:06,937 --> 01:08:07,687
Ryan Rebalkin: there you go.
:
01:08:07,837 --> 01:08:08,227
Yeah.
:
01:08:08,422 --> 01:08:08,812
Katie: he,
:
01:08:09,307 --> 01:08:10,357
Ryan Rebalkin: there's one scene where
:
01:08:10,357 --> 01:08:10,657
He,
:
01:08:10,657 --> 01:08:14,287
of course, where they faked the
assault or he antagonizes Santa
:
01:08:14,362 --> 01:08:14,902
Katie: mm-hmm.
:
01:08:15,007 --> 01:08:16,267
Ryan Rebalkin: to,
assault him in the street.
:
01:08:16,297 --> 01:08:20,527
'cause he, I I, was uncomfortable
when he is saying you like kids.
:
01:08:20,527 --> 01:08:22,267
Is that why you're a Santa?
:
01:08:22,267 --> 01:08:23,797
'cause you like touching kids type thing.
:
01:08:23,797 --> 01:08:24,697
Holy crap.
:
01:08:24,697 --> 01:08:26,077
I don't think that was
in the original, was it
:
01:08:26,812 --> 01:08:32,461
Katie: No, because like I said, the way
that Santa is proved to be mentally ill
:
01:08:32,461 --> 01:08:35,971
and therefore needs to be committed,
there is a guy like an antagonist, but
:
01:08:35,971 --> 01:08:38,372
he, it's a completely different storyline.
:
01:08:38,982 --> 01:08:39,702
Ryan Rebalkin: Couldn't
believe they went there.
:
01:08:39,702 --> 01:08:40,392
I know, but I was
:
01:08:40,392 --> 01:08:45,567
like, even 20, 25 wise, this
is::
01:08:45,567 --> 01:08:45,987
You know?
:
01:08:45,987 --> 01:08:47,697
That's why you like doing this
'cause you like the little
:
01:08:47,697 --> 01:08:48,447
ones or something like that.
:
01:08:48,447 --> 01:08:50,336
I can't, he didn't say kids
like little ones or little.
:
01:08:50,426 --> 01:08:50,877
What did he say
:
01:08:50,982 --> 01:08:53,322
Katie: I mean, he was implying
that, I mean, he, 'cause he, he was,
:
01:08:53,381 --> 01:08:56,591
he had to go there to get a rise
out of this sweet old man that is
:
01:08:56,591 --> 01:08:58,362
Santa Claus to, for him to be like,
:
01:08:59,127 --> 01:09:01,227
Ryan Rebalkin: this is the part where
you could argue, if you wanna be, look
:
01:09:01,227 --> 01:09:04,346
at this objectively like a lawyer,
you know, like reasonable doubt.
:
01:09:04,977 --> 01:09:11,187
The way Santa, the character Chris Kringle
acted in that moment by striking him
:
01:09:11,187 --> 01:09:15,777
with a cane, even though he was being
insinuated that he was a, a molester, a
:
01:09:16,027 --> 01:09:16,247
Katie: Mm.
:
01:09:17,997 --> 01:09:19,977
Ryan Rebalkin: I almost believe the real
Santa still wouldn't have done that.
:
01:09:19,977 --> 01:09:24,237
So that's a case in point where
maybe he, I, if you want to be,
:
01:09:24,357 --> 01:09:28,197
that might have been an Easter
egg done by John Hugs saying, Hey.
:
01:09:29,247 --> 01:09:32,336
If you want to be on the side of the
fence that this guy isn't Santa, I'd
:
01:09:32,336 --> 01:09:37,407
think that action is a, you know, exhibit
A, that behavior isn't very Santa like
:
01:09:37,437 --> 01:09:38,966
even if he's been called to those things.
:
01:09:38,966 --> 01:09:43,947
The fact that, and the way he did act
Doty and kind of like weirdly sure,
:
01:09:43,947 --> 01:09:48,437
whatever you say, a lawyer like say
Santa should be smarter than that.
:
01:09:48,437 --> 01:09:49,547
He's been around forever.
:
01:09:49,636 --> 01:09:50,057
Katie: Mm-hmm.
:
01:09:50,147 --> 01:09:51,466
Ryan Rebalkin: fact, it was at that
:
01:09:51,466 --> 01:09:54,167
moment Katie, where I
thought, maybe he isn't Santa.
:
01:09:54,317 --> 01:09:57,527
That's, 'cause that's also the
point of this film is that again,
:
01:09:57,767 --> 01:09:59,567
there is no, Santa isn't real.
:
01:09:59,567 --> 01:10:00,722
The reality is Santa is
:
01:10:01,837 --> 01:10:02,327
Katie: spoiler.
:
01:10:02,327 --> 01:10:02,927
alert guys.
:
01:10:04,637 --> 01:10:07,127
Ryan Rebalkin: Santa's not a
real thing, but that's what makes
:
01:10:07,127 --> 01:10:08,957
this movie ironically kind of
:
01:10:10,297 --> 01:10:11,027
Katie: there's layers.
:
01:10:11,057 --> 01:10:11,687
Ryan Rebalkin: interesting.
:
01:10:11,792 --> 01:10:12,962
Katie: upon layers a little bit.
:
01:10:12,962 --> 01:10:13,322
Yeah.
:
01:10:13,427 --> 01:10:13,697
Ryan Rebalkin: layers.
:
01:10:13,882 --> 01:10:15,437
It's not, it's not as simple as you think.
:
01:10:15,437 --> 01:10:19,547
'cause you as the viewer like, am I, I
just gonna buy that this guy is Santa.
:
01:10:19,547 --> 01:10:23,737
So that's, i, again, exhibit A, that
this guy may, maybe isn't Santa.
:
01:10:23,737 --> 01:10:24,937
That's the biggest piece of evidence.
:
01:10:24,997 --> 01:10:30,037
The physical assault on your, because even
he, he, he trapped me, antagonized me.
:
01:10:30,087 --> 01:10:31,077
Santa, come on man.
:
01:10:31,077 --> 01:10:32,877
You be like, you should
be better than that.
:
01:10:33,627 --> 01:10:34,557
You should have ignored it.
:
01:10:34,557 --> 01:10:35,217
Walk away.
:
01:10:35,217 --> 01:10:36,087
Don't give into it.
:
01:10:36,482 --> 01:10:37,347
Katie: I thought so too.
:
01:10:37,347 --> 01:10:39,087
I was like, oh crap,
they're gonna get him.
:
01:10:39,147 --> 01:10:39,837
Ryan Rebalkin: reaction.
:
01:10:40,167 --> 01:10:42,477
Katie: You see it coming
like you're, because
:
01:10:42,567 --> 01:10:43,077
Ryan Rebalkin: Sure.
:
01:10:43,377 --> 01:10:46,707
Katie: the drunk Santa, you know,
James Remar character puts him
:
01:10:46,707 --> 01:10:49,467
up to this obviously pays him to
do this and you're like, oh crap,
:
01:10:49,467 --> 01:10:50,877
he's gonna make him do something.
:
01:10:51,627 --> 01:10:54,387
And you could argue 'cause
it's a little unclear.
:
01:10:54,387 --> 01:10:55,077
I do think he.
:
01:10:55,617 --> 01:10:59,217
Does actually kind of strike him,
but you could also argue he just
:
01:10:59,217 --> 01:11:04,557
lifts his cane because it's very, in
the original, it's less blatant that
:
01:11:04,557 --> 01:11:06,087
he hits the person with his cane.
:
01:11:06,087 --> 01:11:10,167
It's almost like kind of an accidental
thing that the person then gets hurt.
:
01:11:10,857 --> 01:11:13,677
But then, so yes, yes.
:
01:11:13,677 --> 01:11:19,287
It's like Santa wouldn't do that, but
then he fails the mental test on purpose
:
01:11:19,287 --> 01:11:25,077
because he's, he realized he did something
that puts Santa in a bad light and he
:
01:11:25,077 --> 01:11:27,567
wants the kids to believe in Santa.
:
01:11:27,867 --> 01:11:30,627
Ryan Rebalkin: is such, where it's
that when you're crazy sometimes
:
01:11:30,627 --> 01:11:34,257
you're crazy enough to understand
like the character that you're crazy.
:
01:11:34,407 --> 01:11:38,997
Like it's not like it's weird,
like he's a functioning person.
:
01:11:38,997 --> 01:11:42,387
It's all, like I said, objectively
speaking, all the evidence points to
:
01:11:42,387 --> 01:11:47,187
the fact that this man just might be
a very sweet, mentally ill person.
:
01:11:48,147 --> 01:11:48,957
You can be mentally
:
01:11:48,957 --> 01:11:50,457
ill and very sweet and functioning
:
01:11:51,087 --> 01:11:51,447
Katie: Well, that's
:
01:11:51,537 --> 01:11:51,927
Ryan Rebalkin: movie does.
:
01:11:52,107 --> 01:11:53,697
Katie: They point to that in the original.
:
01:11:53,697 --> 01:11:56,067
They're like, he, you know,
he's, 'cause he lives at
:
01:11:56,117 --> 01:12:00,047
a home for the elderly and the
doctor there is like, he's harmless.
:
01:12:00,097 --> 01:12:03,337
He's like, I don't think he's mentally
ill, but even if he is, he's harmless.
:
01:12:03,337 --> 01:12:10,707
So he says in the original, but in both,
he's charged with people wanting him
:
01:12:10,707 --> 01:12:12,777
to be committed, taken out of society.
:
01:12:13,227 --> 01:12:17,887
And what he does is he thinks he
is Santa and the kind of the point
:
01:12:17,887 --> 01:12:24,127
of the movie that he is Santa, but
then he's like, I love children.
:
01:12:24,127 --> 01:12:29,317
And the idea of Christmas so much that I'm
willing for people to, to think that I'm
:
01:12:29,317 --> 01:12:32,227
not him, me, Chris Cringle, I'm not Santa.
:
01:12:32,527 --> 01:12:39,467
So that your view of Santa, the
real Santa is is, is not dirtied.
:
01:12:40,092 --> 01:12:40,442
Ryan Rebalkin: right.
:
01:12:41,087 --> 01:12:41,387
Yeah.
:
01:12:42,197 --> 01:12:43,937
it's, yeah.
:
01:12:44,027 --> 01:12:49,157
I mean, Ryan believes he
Santa to the film, but
:
01:12:49,317 --> 01:12:49,737
Katie: Mm-hmm.
:
01:12:51,167 --> 01:12:51,737
Ryan Rebalkin: logical.
:
01:12:51,737 --> 01:12:53,717
Ryan could also argue the point that.
:
01:12:54,047 --> 01:12:57,077
They did the film well enough that you
don't know, and that's what actually
:
01:12:57,077 --> 01:13:01,187
makes the film so good, is you the
viewer, get to decide what side of
:
01:13:01,187 --> 01:13:04,517
the fence you're on, and that could
have changed your enjoyment of the
:
01:13:04,517 --> 01:13:06,707
film or not if you actually believe
he's just a mentally ill person.
:
01:13:06,707 --> 01:13:09,287
This film could have a different
experience for you, but I, of course,
:
01:13:09,287 --> 01:13:12,617
I just bought in that yes, he's
Santa and the journey wasn't for him.
:
01:13:12,617 --> 01:13:15,347
It was for the characters around him,
for the world around him to believe,
:
01:13:15,347 --> 01:13:17,027
again, the spirit of Christmas, but yeah.
:
01:13:17,432 --> 01:13:21,662
Katie: So again, having watched
both the, this movie hits you
:
01:13:21,662 --> 01:13:22,802
more over the head with it.
:
01:13:22,952 --> 01:13:25,322
At the end, the girl gets
all the things she wants.
:
01:13:25,382 --> 01:13:30,252
She asks for three enormous things, a
brother, a father, and a home, a house.
:
01:13:30,252 --> 01:13:35,962
And she ends up and we, they clearly show
us that she gets all of those things.
:
01:13:36,322 --> 01:13:39,772
Well, I guess you could argue she's
not asking for, for material things.
:
01:13:39,832 --> 01:13:42,772
So I think you're not meant
to get rich, get richer.
:
01:13:42,862 --> 01:13:45,982
What you're supposed to get from this
is the corporate greed aspect of it.
:
01:13:46,282 --> 01:13:52,312
And that she, the child wants innocent
things like family, so anyway, but.
:
01:13:52,912 --> 01:13:55,522
They hit us over the head a
little bit more with this.
:
01:13:55,522 --> 01:13:57,282
This is Santa, in this movie.
:
01:13:57,282 --> 01:14:02,942
Whereas the original, the ending
is a lot quieter and more like
:
01:14:02,972 --> 01:14:06,152
elegantly ambiguous in the original.
:
01:14:06,482 --> 01:14:11,222
So it's less big emotional, made
to prove Santa more definitively.
:
01:14:11,222 --> 01:14:11,762
The original
:
01:14:11,812 --> 01:14:13,312
didn't necessarily do that.
:
01:14:13,702 --> 01:14:14,062
Ryan Rebalkin: Right.
:
01:14:14,902 --> 01:14:18,082
Katie: which do you like, feel
like it is more in the spirit
:
01:14:18,082 --> 01:14:19,732
of the story or the holiday?
:
01:14:20,312 --> 01:14:22,262
Ryan Rebalkin: Well, I mean, I
haven't seen the original in such
:
01:14:22,262 --> 01:14:23,282
a long time, the way you're saying.
:
01:14:23,282 --> 01:14:23,582
Of course.
:
01:14:23,582 --> 01:14:26,972
I think the original probably has
that feeling, but yeah, I'm, gee, I
:
01:14:26,972 --> 01:14:29,852
wish not, not that you, you ask me to.
:
01:14:29,852 --> 01:14:30,422
It's just funny.
:
01:14:30,422 --> 01:14:31,052
I literally just saw,
:
01:14:31,147 --> 01:14:34,262
Katie: I just so happened to, I just,
so I, I know Les, I was like, oh, I hope
:
01:14:34,262 --> 01:14:35,587
Brian's seen it 'cause I wanna, yeah.
:
01:14:35,672 --> 01:14:37,982
Ryan Rebalkin: it's been, I have,
but it's funny, I think I've seen the
:
01:14:37,982 --> 01:14:39,902
original first before I saw the remake, so
:
01:14:39,907 --> 01:14:40,327
Katie: Mm-hmm.
:
01:14:40,622 --> 01:14:41,372
Yeah, that makes sense.
:
01:14:41,582 --> 01:14:42,002
Ryan Rebalkin: Yeah.
:
01:14:42,032 --> 01:14:44,582
But that being said, I think both
just have a different message.
:
01:14:44,582 --> 01:14:46,167
I can't really answer
that, I guess very well.
:
01:14:46,167 --> 01:14:50,252
But I will say that this
movie a good Christmas movie.
:
01:14:50,252 --> 01:14:52,172
I should maybe say that
this is a good movie.
:
01:14:52,172 --> 01:14:53,552
I really did like this movie.
:
01:14:53,832 --> 01:14:58,632
My biggest criticism, like I said at the
beginning, is just the, I get wrapped up.
:
01:14:58,692 --> 01:14:59,292
I don't know what it is.
:
01:14:59,292 --> 01:15:02,472
I get hyperfocused sometimes on
things of the, of characters.
:
01:15:02,472 --> 01:15:05,292
So I'm like, I'm confused about
their relationship status.
:
01:15:05,292 --> 01:15:06,102
And that bugs me.
:
01:15:06,102 --> 01:15:07,512
It's like I shouldn't be confused.
:
01:15:07,542 --> 01:15:07,782
'cause I
:
01:15:08,077 --> 01:15:08,367
Katie: Yeah.
:
01:15:08,412 --> 01:15:09,522
It's like, just let it be, Ryan.
:
01:15:09,522 --> 01:15:09,882
Move on.
:
01:15:09,882 --> 01:15:10,422
Let's move on.
:
01:15:10,482 --> 01:15:12,762
Ryan Rebalkin: well, I know,
but then I think, am I an idiot?
:
01:15:12,822 --> 01:15:14,202
Am I just a dumb viewer?
:
01:15:14,202 --> 01:15:15,162
Like, why do I care?
:
01:15:15,162 --> 01:15:18,972
Like why is it, why is their
relationship status so ambiguous?
:
01:15:18,972 --> 01:15:22,722
But then she trusts him with the daughter
and she says, I love your daughter.
:
01:15:22,722 --> 01:15:26,982
And she sees him as a father figure, but
then the woman's like, do I know you?
:
01:15:27,072 --> 01:15:28,302
I felt like,
:
01:15:28,597 --> 01:15:31,362
Katie: person has their own like
little things , regarding that.
:
01:15:31,392 --> 01:15:31,782
Ryan Rebalkin: that.
:
01:15:32,847 --> 01:15:35,817
did an amazing job
playing Chris k Cringle.
:
01:15:35,847 --> 01:15:37,377
I thought he was adorable.
:
01:15:37,437 --> 01:15:38,037
Sweet.
:
01:15:38,247 --> 01:15:40,197
I hate to say it, but a sweet old man.
:
01:15:40,242 --> 01:15:40,842
Katie: Mm-hmm.
:
01:15:40,917 --> 01:15:41,877
Ryan Rebalkin: see how the world was
:
01:15:41,877 --> 01:15:43,197
affected so nicely by him.
:
01:15:43,197 --> 01:15:44,517
I thought he was perfectly cast.
:
01:15:44,517 --> 01:15:47,727
I I thought he did a fantastic
job playing Chris k Cringle.
:
01:15:47,727 --> 01:15:49,797
I, I don't know if we spoke much about
that, but I thought at the end of
:
01:15:49,797 --> 01:15:51,717
the day, his performance was spot on.
:
01:15:52,527 --> 01:15:56,217
I like how they made the film look
like a forties film with the lighting
:
01:15:57,072 --> 01:15:57,462
Katie: Yeah.
:
01:15:57,522 --> 01:15:58,062
Yeah,
:
01:15:58,227 --> 01:15:58,407
Ryan Rebalkin: had
:
01:15:58,422 --> 01:15:59,622
Katie: they, they did
:
01:16:00,042 --> 01:16:00,762
very nice.
:
01:16:01,017 --> 01:16:01,647
Ryan Rebalkin: And,
:
01:16:01,812 --> 01:16:03,372
Katie: The original did that too, kind of.
:
01:16:03,462 --> 01:16:03,792
Yeah.
:
01:16:03,837 --> 01:16:04,617
Ryan Rebalkin: they said they did that on
:
01:16:04,847 --> 01:16:05,267
Katie: Mm-hmm.
:
01:16:05,367 --> 01:16:06,777
Ryan Rebalkin: to, and I know,
'cause I know I was watching
:
01:16:06,777 --> 01:16:08,007
this, it was high def on my big
:
01:16:08,247 --> 01:16:08,667
Katie: Mm-hmm.
:
01:16:09,357 --> 01:16:10,077
Ryan Rebalkin: oh, this looks
:
01:16:10,077 --> 01:16:10,617
really nice.
:
01:16:10,707 --> 01:16:13,017
So the movie looked
really nice and modern.
:
01:16:13,067 --> 01:16:14,447
Had a good film called to it.
:
01:16:14,567 --> 01:16:18,767
I mean, a couple confusing plot points,
but overall I, I enjoyed this film.
:
01:16:18,767 --> 01:16:21,732
I don't know if it's for kids in the
sense of like I said, I have a smart.
:
01:16:22,122 --> 01:16:26,352
Kids that like to watch smart movies, but
my son tapped out, so what does that mean?
:
01:16:26,352 --> 01:16:27,342
Maybe it's just not for him.
:
01:16:27,342 --> 01:16:28,962
Maybe it's just too much girly stuff.
:
01:16:28,992 --> 01:16:29,682
I don't know.
:
01:16:30,012 --> 01:16:32,952
But he tapped out and he was bored, so I'm
:
01:16:32,952 --> 01:16:35,232
Katie: even this is a
30-year-old movie for him.
:
01:16:35,262 --> 01:16:35,892
Do you know what I mean?
:
01:16:35,892 --> 01:16:37,842
Like a lot of kids can't watch
:
01:16:38,232 --> 01:16:39,972
things that we used to watch too.
:
01:16:39,972 --> 01:16:41,172
So I think there's a lot of it.
:
01:16:41,202 --> 01:16:41,802
Ryan Rebalkin: kids do.
:
01:16:41,802 --> 01:16:42,252
They do.
:
01:16:42,252 --> 01:16:43,272
But I mean, I hear you.
:
01:16:43,272 --> 01:16:43,692
But they do
:
01:16:43,927 --> 01:16:44,347
Katie: Mm-hmm.
:
01:16:44,592 --> 01:16:45,882
Ryan Rebalkin: we watch
Platoon the other day and they
:
01:16:45,882 --> 01:16:46,302
loved it.
:
01:16:46,302 --> 01:16:48,642
And that full metal jacket,
my, like my 11-year-old, he's
:
01:16:48,642 --> 01:16:49,752
huge into war movies right now.
:
01:16:49,752 --> 01:16:50,262
That's his thing.
:
01:16:50,367 --> 01:16:50,787
Katie: Mm-hmm.
:
01:16:50,922 --> 01:16:52,332
Ryan Rebalkin: War, which is
when I kind of got into war
:
01:16:52,332 --> 01:16:53,472
movies when I was 11, 12.
:
01:16:53,472 --> 01:16:56,252
So, but that being said, yeah,
this don't think I would've enjoyed
:
01:16:56,252 --> 01:16:57,002
this movie as a 12-year-old.
:
01:16:57,002 --> 01:16:57,392
There you go.
:
01:16:57,632 --> 01:16:58,082
Katie: Okay.
:
01:16:58,082 --> 01:17:01,352
Mm-hmm.
:
01:17:01,442 --> 01:17:03,032
Ryan Rebalkin: dramas and big stories.
:
01:17:03,482 --> 01:17:08,012
This would've bored me at 12, but
50-year-old Ryan, I got wrapped up in it.
:
01:17:08,041 --> 01:17:08,822
So I
:
01:17:08,897 --> 01:17:09,407
Katie: Yeah,
:
01:17:09,692 --> 01:17:10,412
Ryan Rebalkin: I think
:
01:17:10,802 --> 01:17:12,182
honestly it's an adult film.
:
01:17:12,182 --> 01:17:13,262
I don't know if it's for kid.
:
01:17:13,291 --> 01:17:14,282
I don't know.
:
01:17:14,282 --> 01:17:15,662
I know there's Santa Chris gle.
:
01:17:15,692 --> 01:17:18,182
I would suspect the original
probably would be more kid friendly.
:
01:17:19,547 --> 01:17:23,447
Katie: it's not, it's not, it's, it's not,
I don't think it's more kid friendly, but,
:
01:17:23,597 --> 01:17:25,337
but I do think the original is better.
:
01:17:25,757 --> 01:17:26,117
Ryan Rebalkin: Okay.
:
01:17:26,807 --> 01:17:27,827
Katie: and I'm not alone.
:
01:17:28,097 --> 01:17:32,987
This movie, the 94 movie has a 6.6.
:
01:17:33,497 --> 01:17:34,577
Yeah, 6.6.
:
01:17:35,267 --> 01:17:36,257
Yeah, it is, it's good.
:
01:17:36,452 --> 01:17:36,942
It's good.
:
01:17:37,007 --> 01:17:37,697
Ryan Rebalkin: It's a c plus
:
01:17:37,887 --> 01:17:44,961
Katie: Grading on a curve That's more like
a b almost meaning of movies, nobody's at
:
01:17:44,961 --> 01:17:47,151
a hundred, like the best movie is a nine.
:
01:17:48,261 --> 01:17:48,771
You know what I mean?
:
01:17:49,461 --> 01:17:49,641
Ryan Rebalkin: Yeah.
:
01:17:49,656 --> 01:17:51,636
Katie: Im Wise, so 6.6
:
01:17:51,636 --> 01:17:55,236
is like close to seven, so
that's, that's pretty good.
:
01:17:55,236 --> 01:17:56,106
That's pretty good.
:
01:17:56,151 --> 01:17:56,511
Ryan Rebalkin: yeah.
:
01:17:56,706 --> 01:17:58,446
Katie: like very few movies get
:
01:17:58,966 --> 01:18:02,986
Into the eights, but the
original almost did it.
:
01:18:03,016 --> 01:18:04,666
The original has a 7.9,
:
01:18:04,996 --> 01:18:06,616
so fairly, significantly better.
:
01:18:06,616 --> 01:18:07,996
And I would agree.
:
01:18:08,596 --> 01:18:11,866
What is really interesting, I don't
know if, 'cause I watch subtitles
:
01:18:11,866 --> 01:18:12,916
and I know that you do too.
:
01:18:13,050 --> 01:18:13,711
Ryan Rebalkin: Yep, I did.
:
01:18:13,711 --> 01:18:13,921
Yep.
:
01:18:14,786 --> 01:18:18,446
Katie: And even in the, when I was
looking up the research, the 94 version
:
01:18:18,446 --> 01:18:21,326
of Chris Kringle is spelled with two S's,
:
01:18:21,611 --> 01:18:22,061
Ryan Rebalkin: Yes,
:
01:18:22,106 --> 01:18:23,786
Katie: K-R-I-S-S.
:
01:18:23,936 --> 01:18:25,766
And I thought that was a mistake.
:
01:18:26,066 --> 01:18:30,596
And then, then when I was watching the
movie and the subtitles showed two S's
:
01:18:30,626 --> 01:18:35,816
and then I immediately after watched
the original and it's only one s so the
:
01:18:35,816 --> 01:18:37,946
spellings are different in the movies.
:
01:18:38,446 --> 01:18:38,526
Ryan Rebalkin: hmm.
:
01:18:38,906 --> 01:18:42,356
Katie: And the reason, again, very
similar to it not being Macy's.
:
01:18:42,761 --> 01:18:46,241
Is to avoid legal and
trademark complications.
:
01:18:46,656 --> 01:18:47,276
Ryan Rebalkin: Oh my gosh.
:
01:18:47,531 --> 01:18:47,771
Katie: Mm-hmm.
:
01:18:48,791 --> 01:18:51,341
And also, I guess it
could subtly distinguish
:
01:18:52,071 --> 01:18:54,441
The versions of the movies
I guess a little bit.
:
01:18:55,111 --> 01:18:58,851
I would just say too you're probably
right about the adult thing and
:
01:18:58,851 --> 01:19:01,581
it's just the reverse of kid films
have things in it for adults.
:
01:19:01,581 --> 01:19:04,211
This is, maybe for adults
that has some stuff in it.
:
01:19:04,211 --> 01:19:04,781
For kids.
:
01:19:04,796 --> 01:19:05,425
Ryan Rebalkin: There you go.
:
01:19:05,425 --> 01:19:06,656
I think that's a good way
of looking at It Yeah.
:
01:19:06,686 --> 01:19:06,986
Okay.
:
01:19:07,351 --> 01:19:09,881
Katie: I know we're talking about
the John Hughes version but the
:
01:19:09,881 --> 01:19:11,951
original feels a little more grounded.
:
01:19:12,671 --> 01:19:16,961
And like very New York, it feels
like you're in New York more in the
:
01:19:16,961 --> 01:19:20,231
original and especially like the parade.
:
01:19:20,231 --> 01:19:22,961
When I was watching it, the original,
I was like, God, that looks real.
:
01:19:23,321 --> 01:19:23,561
Well.
:
01:19:23,561 --> 01:19:28,981
Then this morning when I was looking up
some stuff that was actually real macy's
:
01:19:28,981 --> 01:19:31,611
Thanksgiving parade it's real footage
:
01:19:31,986 --> 01:19:32,601
Ryan Rebalkin: Yeah, that makes sense.
:
01:19:33,481 --> 01:19:36,061
Katie: We talked about Doris
being really pioneering as a
:
01:19:36,061 --> 01:19:37,671
career woman in the original.
:
01:19:38,300 --> 01:19:42,351
And actually to your point about
you are not, I, you are wondering
:
01:19:42,381 --> 01:19:45,441
about the relationship and why
Dory is being, like, why is she
:
01:19:45,441 --> 01:19:48,111
pushing Dylan McDermott off so much?
:
01:19:48,651 --> 01:19:51,231
Interestingly enough, she's softer.
:
01:19:51,741 --> 01:19:53,961
This version of Dory is softer
:
01:19:54,050 --> 01:19:54,441
Ryan Rebalkin: wow.
:
01:19:54,681 --> 01:19:55,996
Katie: than than, than Maureen
:
01:19:56,556 --> 01:19:57,356
O'Hara's version.
:
01:19:58,206 --> 01:20:00,486
The extra 20 minutes you could argue.
:
01:20:00,951 --> 01:20:04,550
Is the subplot, the like romantic subplot?
:
01:20:05,196 --> 01:20:05,496
Ryan Rebalkin: Right.
:
01:20:05,541 --> 01:20:06,981
Katie: It is secondary.
:
01:20:07,091 --> 01:20:09,816
In, in the original it's
extremely secondary.
:
01:20:10,366 --> 01:20:12,046
, At the end they do end up at a house.
:
01:20:12,286 --> 01:20:15,276
The original, the little
girl only asks for a home.
:
01:20:15,516 --> 01:20:17,706
She doesn't ask for a dad or a brother.
:
01:20:17,856 --> 01:20:21,026
So those are things that are only
in the John Hughes 94 version.
:
01:20:21,686 --> 01:20:23,936
The court case is also
sharper and more satirical.
:
01:20:23,976 --> 01:20:27,216
The proof is not the dollar
bill in God we trust.
:
01:20:27,516 --> 01:20:29,946
The proof is different.
:
01:20:29,946 --> 01:20:31,896
I don't know if you remember at all.
:
01:20:32,206 --> 01:20:32,836
Ryan Rebalkin: I don't remember.
:
01:20:32,996 --> 01:20:34,316
Katie: It's more like bureaucratic,
:
01:20:34,425 --> 01:20:38,476
it's the, all the letters to Santa
that are held to the post office.
:
01:20:38,476 --> 01:20:43,276
'cause they can't it's illegal to not
deliver them to, and so they bring
:
01:20:43,766 --> 01:20:48,496
like bags and bags, tens of thousands
of letters to Santa, to the courtroom.
:
01:20:48,496 --> 01:20:49,906
And that's how they prove,
:
01:20:50,506 --> 01:20:50,925
Ryan Rebalkin: I think I
:
01:20:50,925 --> 01:20:54,736
Katie: that's how they prove that Santa
is real in the original versus the,
:
01:20:54,736 --> 01:20:56,236
in God we trust on the dollar bill.
:
01:20:56,251 --> 01:20:56,611
Ryan Rebalkin: Okay.
:
01:20:57,001 --> 01:20:57,451
Interesting,
:
01:20:57,616 --> 01:20:58,516
Katie: Mm-hmm.
:
01:20:58,517 --> 01:20:58,527
Mm-hmm.
:
01:20:59,716 --> 01:21:04,666
Now Elizabeth Perkins met and
married her husband on the set,
:
01:21:05,131 --> 01:21:05,581
Ryan Rebalkin: That's crazy.
:
01:21:05,956 --> 01:21:08,776
Katie: cinematographer Julio Mcat.
:
01:21:08,896 --> 01:21:13,121
And a nod to recently covered home
alone two where Macaulay Culkin
:
01:21:13,151 --> 01:21:19,671
uses a talk boy, and we see it in
The Shopper's Express entrance it's
:
01:21:19,671 --> 01:21:21,441
a purposeful nod to this movie.
:
01:21:21,491 --> 01:21:22,061
Ryan Rebalkin: That's right.
:
01:21:22,466 --> 01:21:25,346
Katie: a talk boy, so that's a
purposeful nod to another John.
:
01:21:25,661 --> 01:21:28,050
Ryan Rebalkin: The, the universe
you could argue of home alone,
:
01:21:28,781 --> 01:21:31,841
Katie: So Mary McCormick
has her debut role in this.
:
01:21:31,841 --> 01:21:35,681
She plays the Secretary of Dorie,
and I completely missed her.
:
01:21:36,141 --> 01:21:41,331
But her character has a name
Myrna Foy in this movie.
:
01:21:41,571 --> 01:21:45,561
I guess she's credited as that, which
apparently is a clear reference to
:
01:21:45,561 --> 01:21:52,101
actress Myrna Loy, who was just a
very popular actress of the::
01:21:52,221 --> 01:21:53,811
That was like a purposeful thing they did.
:
01:21:54,001 --> 01:21:58,181
The also, there was a character
in the original he plays Santa.
:
01:21:58,811 --> 01:22:00,161
What is his name in this?
:
01:22:00,221 --> 01:22:04,711
Oh, Alfred, he plays Alfred being
like a little protege of Santa.
:
01:22:04,761 --> 01:22:10,071
He works at the store and his name
is Alan Greenman in the original, and
:
01:22:10,161 --> 01:22:12,651
in this movie he plays the doorman.
:
01:22:13,461 --> 01:22:13,906
Ryan Rebalkin: Oh, okay.
:
01:22:14,181 --> 01:22:16,461
Katie: So little crossover there.
:
01:22:17,661 --> 01:22:18,291
Ryan Rebalkin: yeah, that's great.
:
01:22:18,291 --> 01:22:20,571
That's, yeah, the John
Hug averse, I guess.
:
01:22:20,691 --> 01:22:21,231
HU averse.
:
01:22:21,231 --> 01:22:21,526
There you go.
:
01:22:21,556 --> 01:22:21,976
Katie: Mm-hmm.
:
01:22:22,056 --> 01:22:22,066
Mm-hmm.
:
01:22:23,371 --> 01:22:24,300
I liked your thoughts.
:
01:22:24,300 --> 01:22:27,451
I don't know if there's anything
additional that you wanna add in closing.
:
01:22:27,946 --> 01:22:33,616
For John Hughes,:of the classic Christmas
:
01:22:34,486 --> 01:22:36,286
movie, miracle on 34th Street.
:
01:22:36,811 --> 01:22:37,591
Ryan Rebalkin: Is it a classic?
:
01:22:37,591 --> 01:22:39,841
Well, I guess after 25 years
it could be called a classic.
:
01:22:39,841 --> 01:22:40,411
Is that the rule?
:
01:22:40,936 --> 01:22:42,646
Katie: It's a remake of the classic.
:
01:22:42,781 --> 01:22:43,141
Ryan Rebalkin: sure.
:
01:22:43,141 --> 01:22:43,501
Okay.
:
01:22:43,501 --> 01:22:43,921
Fair enough.
:
01:22:44,011 --> 01:22:46,531
Well, look, it's a, I'll say this,
:
01:22:47,581 --> 01:22:48,931
watch as an adult for sure,
:
01:22:49,741 --> 01:22:51,751
because I think you'll get
into the Christmas spirit.
:
01:22:51,751 --> 01:22:55,921
I think it's a great
philosophical discussion of both.
:
01:22:55,921 --> 01:23:00,511
God, Santa Claus, all those things
about what's more important.
:
01:23:00,511 --> 01:23:01,111
There you go, Katie.
:
01:23:01,111 --> 01:23:03,631
What's more important, the
messaging or the messenger?
:
01:23:04,081 --> 01:23:09,781
So the idea is, is it, is it
terrible to say show love?
:
01:23:10,171 --> 01:23:11,221
Be charitable.
:
01:23:11,311 --> 01:23:12,601
Be kind to your neighbor.
:
01:23:13,261 --> 01:23:17,401
Be forgiving whether it's the
Christ message or be good.
:
01:23:17,731 --> 01:23:18,961
Listen to your parents.
:
01:23:19,231 --> 01:23:20,461
Be kind to your friends.
:
01:23:20,461 --> 01:23:21,691
That's a Santa message now.
:
01:23:22,441 --> 01:23:23,971
could say the messengers are fake.
:
01:23:24,061 --> 01:23:28,050
They're not real people,
but the messaging is valid.
:
01:23:28,050 --> 01:23:28,501
It's good.
:
01:23:28,501 --> 01:23:29,611
That's a good way to be in society.
:
01:23:29,611 --> 01:23:30,601
That's my hot take.
:
01:23:30,601 --> 01:23:32,521
I think being a good
person is a hot Is is.
:
01:23:32,550 --> 01:23:32,941
I know.
:
01:23:32,941 --> 01:23:33,571
Isn't that weird?
:
01:23:34,276 --> 01:23:35,896
Katie: I mean, nowadays it is a hot take.
:
01:23:35,896 --> 01:23:39,286
I think, you know, anytime somebody
requests that of you, you're woke.
:
01:23:39,571 --> 01:23:40,501
Ryan Rebalkin: That's true.
:
01:23:40,621 --> 01:23:41,851
So I guess I'm woke.
:
01:23:41,851 --> 01:23:42,361
'cause I just want
:
01:23:42,401 --> 01:23:42,821
Katie: Mm-hmm.
:
01:23:42,991 --> 01:23:43,081
Ryan Rebalkin: be
:
01:23:43,521 --> 01:23:43,941
Katie: Mm-hmm.
:
01:23:44,041 --> 01:23:44,371
Ryan Rebalkin: people to
:
01:23:44,371 --> 01:23:45,691
be nice and fair and
:
01:23:45,691 --> 01:23:46,111
kind.
:
01:23:46,111 --> 01:23:46,771
I'm crazy.
:
01:23:46,771 --> 01:23:46,891
I
:
01:23:47,141 --> 01:23:47,986
Katie: I you it is.
:
01:23:47,986 --> 01:23:49,126
It's wild.
:
01:23:49,321 --> 01:23:49,621
Ryan Rebalkin: I
:
01:23:49,846 --> 01:23:50,206
Katie: Wild.
:
01:23:50,206 --> 01:23:50,626
Take.
:
01:23:51,361 --> 01:23:53,821
Ryan Rebalkin: if you want to get that
kind of, but it's a great philosophical
:
01:23:53,821 --> 01:23:56,911
discussion, but, you know, are we
mad at the messenger or the message?
:
01:23:56,941 --> 01:23:58,381
So I, I like that idea.
:
01:23:58,381 --> 01:24:02,421
So it's yeah, it's actually a lot more,
put it this way, I went in thinking this
:
01:24:02,421 --> 01:24:06,021
was gonna be a hokey and knowing kid
wanted to believe in Santa's story, I
:
01:24:06,021 --> 01:24:09,381
left thinking, oh, there's actually a
lot here to take in and to figure out.
:
01:24:09,381 --> 01:24:12,651
So I actually like the
philosophical courtroom drama of it.
:
01:24:12,651 --> 01:24:12,891
Yeah.
:
01:24:13,776 --> 01:24:14,346
Katie: I like it.
:
01:24:14,376 --> 01:24:15,486
I, I think I would agree.
:
01:24:15,516 --> 01:24:18,636
There were some parts that were really
elevated, like you said, some of the
:
01:24:18,636 --> 01:24:22,816
philosophical things, and then some
things that just weren't crisp like
:
01:24:22,816 --> 01:24:24,616
it just needed a maybe one more pass.
:
01:24:25,096 --> 01:24:27,916
I did wanna point out what
Chris Kringle tells Dory.
:
01:24:27,916 --> 01:24:32,686
I, I specifically made a note, Chris
Carla says to Dory, I'm not just a
:
01:24:32,686 --> 01:24:36,675
whimsical figure, I'm a symbol of
the human ability to suppress the
:
01:24:36,675 --> 01:24:42,046
hateful and selfish tendencies that
rule the major part of our life.
:
01:24:42,675 --> 01:24:46,036
If you can't accept anything
on faith, you are doomed.
:
01:24:46,036 --> 01:24:48,016
A life dominated by doubt.
:
01:24:48,901 --> 01:24:49,231
Ryan Rebalkin: Yeah.
:
01:24:49,361 --> 01:24:50,651
I remember that one that
happened in the film.
:
01:24:50,651 --> 01:24:51,761
That's a very poignant moment.
:
01:24:51,761 --> 01:24:52,181
That's what I mean.
:
01:24:52,181 --> 01:24:52,571
There's a lot of
:
01:24:52,601 --> 01:24:52,721
Katie: I.
:
01:24:52,991 --> 01:24:54,581
Ryan Rebalkin: here that a kid might hear
:
01:24:54,581 --> 01:24:54,851
them be.
:
01:24:56,161 --> 01:24:56,581
Katie: Mm-hmm.
:
01:24:57,071 --> 01:24:57,191
Ryan Rebalkin: Yeah.
:
01:24:57,416 --> 01:24:59,486
Katie: Yeah, he kind of goes
on and there's a lot of things
:
01:24:59,486 --> 01:25:02,216
like, they point out, oh, I think
you've made believers of everyone.
:
01:25:02,216 --> 01:25:06,116
And Chris k Cringle hasn't quite made a
believer yet of Dory and the daughter.
:
01:25:06,116 --> 01:25:08,786
So there's one last tidbit that
needs to be taken care of, and
:
01:25:08,786 --> 01:25:10,136
they do wrap it up perfectly.
:
01:25:10,136 --> 01:25:16,016
And this is also a wrap
of Miracle on 34th Street.
:
01:25:16,376 --> 01:25:20,076
Ryan, don't forget to remind
us about some of your shows.
:
01:25:20,076 --> 01:25:22,716
Anything you have upcoming that
you want us, that you wanna,
:
01:25:23,056 --> 01:25:23,896
get people excited about.
:
01:25:25,296 --> 01:25:27,781
Ryan Rebalkin: I, I dunno if I get anyone
excited about anything, but I'll try.
:
01:25:28,031 --> 01:25:31,751
The, the Directors Chair Network,
again, Google the Directors Chair
:
01:25:31,751 --> 01:25:34,300
Network podcast available on YouTube.
:
01:25:34,511 --> 01:25:36,791
You get the visuals, you can actually
get the visuals of our discussions,
:
01:25:36,791 --> 01:25:40,571
but if you don't want that, it's also
available anywhere you listen to podcasts.
:
01:25:40,961 --> 01:25:44,171
And as of right now, I've already
got in the bank and you're one of
:
01:25:44,171 --> 01:25:45,161
those episodes that are banked.
:
01:25:45,161 --> 01:25:47,050
We're covering Terrence Malick films.
:
01:25:47,050 --> 01:25:48,611
That's the next film that I'm covering.
:
01:25:49,061 --> 01:25:51,491
And I've already got two
episodes recorded at the time.
:
01:25:51,491 --> 01:25:52,091
It's recording.
:
01:25:52,121 --> 01:25:54,611
I've got banked episodes of
Terrence Malick's journey.
:
01:25:54,971 --> 01:25:59,561
I'm really the discussion so far, and
you joined me for the first episode of
:
01:25:59,561 --> 01:26:01,901
that season where we covered Bad Lance.
:
01:26:01,901 --> 01:26:03,721
Speaking of Martin Sheen
with the West Wing.
:
01:26:03,721 --> 01:26:05,101
So yeah, bad lands.
:
01:26:05,221 --> 01:26:06,721
I can't wait for that
weather to go public.
:
01:26:07,096 --> 01:26:08,236
Katie: I am excited about it too.
:
01:26:08,286 --> 01:26:10,836
It's a wild ride of a movie
and I guess I'm learning more
:
01:26:10,836 --> 01:26:12,306
about myself that I kind of like
:
01:26:12,576 --> 01:26:16,356
seventies movies, so that's so we don't
cover seventies movies on man, guys,
:
01:26:16,356 --> 01:26:17,976
were strictly eighties and nineties, but
:
01:26:18,771 --> 01:26:20,091
Ryan Rebalkin: there's an
aesthetic to the seventies and
:
01:26:20,136 --> 01:26:20,616
Katie: mm-hmm.
:
01:26:20,661 --> 01:26:21,411
Ryan Rebalkin: that in our discussion.
:
01:26:21,411 --> 01:26:22,071
And the next one
:
01:26:22,071 --> 01:26:23,271
we covered days of Heaven.
:
01:26:23,271 --> 01:26:25,311
That was a big discussion
point too, the seventies film.
:
01:26:25,791 --> 01:26:26,781
So yeah, check that out.
:
01:26:26,781 --> 01:26:27,231
And yeah.
:
01:26:27,231 --> 01:26:28,701
Thank you so much,
Katie, for having me on.
:
01:26:28,701 --> 01:26:30,321
I hope I didn't derail it too much.
:
01:26:30,786 --> 01:26:34,606
Katie: Never, but you guys, if you
did enjoy this episode of Retro Made
:
01:26:34,606 --> 01:26:39,956
with Ryan the best gift that you can
give this season is, guess what, guys?
:
01:26:40,016 --> 01:26:41,636
It's a quick rating or review.
:
01:26:41,996 --> 01:26:45,326
Wherever you listen to this, it
does actually help the show grow.
:
01:26:45,326 --> 01:26:46,316
So if you could please do that.
:
01:26:46,316 --> 01:26:48,146
I I would very much appreciate it.
:
01:26:48,146 --> 01:26:49,226
Call it my Christmas gift.
:
01:26:49,526 --> 01:26:51,146
You can also subscribe on YouTube.
:
01:26:51,146 --> 01:26:53,816
You can leave a comment, join
the conversation on Facebook.
:
01:26:53,996 --> 01:26:55,136
There's so many things you can do.
:
01:26:55,166 --> 01:26:56,186
You can email me.
:
01:26:56,586 --> 01:26:58,866
I do actually really like
hearing from people directly.
:
01:26:58,916 --> 01:27:02,336
It allows you more to say than
just a quick comment on Facebook.
:
01:27:02,675 --> 01:27:06,486
But I like those two, so please feel
free to send an email and thank you for
:
01:27:06,486 --> 01:27:08,766
spending a little holiday magic with us.
:
01:27:08,766 --> 01:27:12,066
Until next time, be kind, rewind.