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Miracle on 34th Street (1994) | S2E21
Episode 6316th December 2025 • Retromade • Retromade
00:00:00 01:27:22

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Today we’re heading into holiday territory with the 1994 remake of Miracle on 34th Street, the version that tried to bring Kris Kringle into the ‘90s and ended up becoming its own nostalgic time capsule. Let’s dig into the movie, the era and why this version still delivers cozy Christmas vibes decades later.

My guest today is a familiar voice: my regular podcast partner-in-crime, Ryan Rebalkin - whom I join every other Sunday on One More Round, the Rocky Series Podcast.

Ryan wears many hats! He's a proud father of 6 wonderful kids and also serves in the Navy. But wait, there's more! He's also a podcast host and a YouTube reactor, sharing his thoughts and opinions with the world. When he's not busy entertaining his audience, you can find him running with his with his dog, and cuddling with his cats.

In addition to Rocky & Rambo, he hosts a show called The Worst of the Best as well as The Director's Chair Network, most recently covering a number of directors including Ed Zwick, Michael Mann, and soon to be Terrence Malick.

Please get in touch to tell me what you think - RetromadePodcast@gmail.com

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Transcripts

Katie:

Hello.

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Hello, I'm Katie, and

welcome back to Retro Made.

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:

Today we're heading into holiday

territory with the:

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:

of Miracle on 34th Street.

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The version that tried to bring Chris

Gringle into the nineties ended up

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:

becoming its own nostalgic time capsule.

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:

So let's dig into the movie as well as the

era and why this version still delivers

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some cozy Christmas vibes decades later.

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My guest today is a familiar

face, my regular podcast

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:

partner in crime, Ryan Rabkin.

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Welcome, Ryan.

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Ryan Rebalkin: Thanks Katie.

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It's a pleasure to be here and happy

holidays and Merry Christmas and all

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those things to you and your listeners

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Katie: Thank you.

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Yeah.

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At the time of this recording,

American Thanksgiving was.

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Ryan Rebalkin: just

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Katie: Like a day or so ago.

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Yeah.

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Ryan Rebalkin: Yeah,

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Katie: now it's officially Christmas time.

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I have a kind of a festive sweater on.

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So yeah, Ryan, you have a full

slate of shows and projects

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going on at any given time.

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So why don't you remind us what,

what you're working on these days.

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Ryan Rebalkin: Let's just keep it simple.

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Check out the Director's chair

network, which of course, your

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John Hughes coverage is on.

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But if people are interested in hearing

other director's works, just Google

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the Director's Chair Network podcast.

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It'll come up where it's available.

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It's available everywhere,

YouTube and audio.

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And for poops and giggles, check

out the worst of the best podcast.

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That's where Katie's

been on before as well.

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And that's the one where we do a

variety of different topics and we

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just pick the worst from the best.

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And I'm really looking forward to our end

of the year episode the dead celebrity

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roundup, which is always our most fun,

where we pick the worst celebrity death.

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And how does that work, Katie?

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It's, there's two things.

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One.

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Which one affected us the worst.

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You know?

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Which one, which one hurt the worst?

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You know, the biggest fan that we

might've been, and which we think

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is the worst person that died.

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So we're, we're kind of happy.

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They're gone.

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Not in the bad, you know what I mean?

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But

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Katie: Mm-hmm.

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Ryan Rebalkin: really like

that person, you know?

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So.

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Katie: That is a fun episode.

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I'm looking forward to that.

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Ryan Rebalkin: I'm looking

forward to it as well.

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Okay.

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Katie: Awesome.

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Ryan Rebalkin: excited for this.

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Katie: I think this is the only

John Hughes movie that we're

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covering on this season from 1994.

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So

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Ryan Rebalkin: wow.

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Katie: we get into the movie, let's

get into the mood from , 31 years ago.

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Ryan Rebalkin: For context, Katie,

I graduated high school June of 93.

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Katie: Wow.

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Yeah.

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My old, my sister graduated in 93 too.

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One of my sisters.

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So we are going to open

the time capsule and spin.

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The wheel of retro made categories

and see how, I have a feeling you're

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gonna be good at these since you,

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Ryan Rebalkin: maybe

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Katie: okay.

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We have commercial countdown.

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Ryan Rebalkin: Okay.

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Katie: In 1994,

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There were some notable campaigns.

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These are pretty good ones.

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Okay.

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There's an iconic and long running slogan

mpaign that first launched in:

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aiming to capture the unique flavors of

the candy through a sensory experience.

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Ryan Rebalkin: So you have to keep in

mind, I'm also Canadian, so some of

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your candies products and stuff might

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Katie: You, this is a, I have a feeling.

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So it's a, it's a,

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Ryan Rebalkin: m's one?

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Katie: You're on the right track.

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It's similar.

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It's a colorful candy.

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Yes.

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And what was the campaign?

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Ryan Rebalkin: Rainbow

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Katie: Yeah, yeah, yeah.

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Ryan Rebalkin: Oh, boy.

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Boy, their marketing works, eh?

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Geez.

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Katie: You know, Skittles are really good.

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Ryan Rebalkin: They're good.

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I do prefer I, I don't mind.

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It's, it's got that tartness.

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I'm not a big tart guy.

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I'm more of a sweet guy.

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I, so I would,

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Katie: Mm.

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Ryan Rebalkin: and msms, but Sure.

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I, I'll eat a bag of Skittles.

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Katie: I,

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mean

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Ryan Rebalkin: me force my hand, Katie.

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I'll

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eat a bag of Skittles.

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Katie: Let's find another

category that crosses the

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cultural boundaries of countries.

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Ryan Rebalkin: your

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Katie: Hmm.

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Ryan Rebalkin: way.

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Katie: VHS Vault is the

category we've come to.

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So I have a feeling you're

gonna be really good at this

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Ryan Rebalkin: Hmm.

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Katie: top rented movies of 1994.

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Ryan Rebalkin: This is tricky.

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'cause VHS in the time is like,

for example, I mean, we're

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gonna be talking about Mr.

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Attenberg today, and he

was in Jurassic Park,:

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So that came out in 93.

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So I assume it, see it ran in

the summer of 93, so I assume

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it was on VHS rental in 94.

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So would Jurassic Park be

up there for a top rental?

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Katie: That's a really good guess.

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Ryan Rebalkin: You get what I'm saying?

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I

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Katie: yeah,

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Ryan Rebalkin: out quicker

than I remember back then?

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Katie: Sometimes it's a crapshoot.

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'cause some movies are so big that

they stay in the theater for longer.

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You know what I mean?

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So keep that in mind.

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Yes.

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Okay.

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So I was gonna see if you had any,

just off the top of your head.

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Ryan Rebalkin: I can't remember.

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Katie: Okay.

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This film was the top video

cassette rental, hence our

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VHS vault titled category.

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It stars,

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boy, it's gonna give it away.

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My Tom Hanks is the lead star, and

then there's another lead woman.

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If I say her name, it'll

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no.

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Ryan Rebalkin: Oh, really?

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Not

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Katie: It is a romantic comedy.

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They fall in love

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across the country from each other.

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Ryan Rebalkin: was then,

see, this is what I mean.

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I think Forrest Gump was 93.

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When was sleepless was that after Forrest?

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Because I'm 99% sure.

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Forres Gump was 93 94 because it

lost to, to pulp Fiction for best

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pitcher, or sorry, pulp Fiction lost

to Forres Gump for best pitcher.

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And that was a big kerfuffle.

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Boy, this is crazy.

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I thought Sleepless in

Seattle was an earlier films.

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This is

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Katie: It came out in 93.

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Ryan Rebalkin: he had two films that

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Katie: Yeah.

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Ryan Rebalkin: big.

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Katie: mean, Tom Hanks was, yeah,

he was huge at the time, so, yeah.

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Ryan Rebalkin: that one beat Wow.

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Katie: Well, again, these are video

rentals, you know, so think of, you know,

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your, your strolling with your, maybe

your boyfriend or your girlfriend through,

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you know, a blockbuster.

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Ryan Rebalkin: People

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Katie: Okay.

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Ryan Rebalkin: So that, so it came in the

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theaters in 94, so I guess, yeah, you're

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Katie: That tracks.

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Mm-hmm.

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Yep.

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Ryan Rebalkin: weird.

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This is what I mean.

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I get so

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confused.

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Katie: This one is, yeah.

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Ryan Rebalkin: 93 and you're rented in 94?

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Katie: Yep.

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Exactly.

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Okay.

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Now, next one, released in late 93.

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This film was the fifth most rented

video of 94 starring Harrison Ford.

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Is that helping you at all, or do you need

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Ryan Rebalkin: me.

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Was he doing the Clear and

present Danger films then?

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The

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Katie: kind of genre.

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He was wrongly, he was wrongly convicted

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Ryan Rebalkin: yeah,

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Katie: of murdering his wife.

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Ryan Rebalkin: why is, it wasn't me.

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It was a one arm man.

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What was that called?

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The Fugitive?

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Yes.

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Katie: Yeah.

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Yeah.

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Very good.

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Very good.

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Ryan Rebalkin: Oh my gosh.

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That's the classic meme

from Tom Lee Jones.

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I don't care.

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I love that meme when

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Katie: Mm-hmm.

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Ryan Rebalkin: in the tunnel 'cause

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says I didn't kill, or,

you know, I'm innocent.

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And Tom Lee Jones is like, I don't care.

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I've, I've just, I'm, I'm

ordered to arrest you.

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Like I let the courts figure this out.

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I just have to arrest you.

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I love that.

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Yeah.

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Katie: All right.

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The highly successful legal and

political thriller that seems like

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very much this time, lots of, lots

of that going on at this time.

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It's based on a John Grisham novel,

fourth most rented film of 94.

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It starts Julia Roberts.

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Ryan Rebalkin: at the Pelican

Brief with Denzel Washington.

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Katie: Yes.

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Law student who uncovers

a dangerous conspiracy.

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You're right, it is the Pelican Brief.

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Ryan Rebalkin: Denzel one

of my favorite actors of all

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Katie: Mm-hmm.

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Ryan Rebalkin: funny with

Julia, I have softened with her.

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I don't

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Katie: I love her.

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Ryan Rebalkin: I always

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hardened on her.

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because remember, I'm a teen

when she's a big actress.

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Like her, her stratosphere of stardom

was when I was a teenager and I

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Katie: Mm-hmm.

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Ryan Rebalkin: it was that

she didn't, but as I've

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gotten older, I've gotten to

appreciate her a little bit more.

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That's the same with other ones you've

covered on your show, like people like

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Patrick Swayze, we've talked about

that, where I wasn't a big fan of

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Katie: Yeah.

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Ryan Rebalkin: up 'cause it just

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Katie: Mm-hmm.

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Ryan Rebalkin: like come

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on, on, you're

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not, you're, you're not

sly, you're not Arnold.

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You do you think you are Mr.

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Swayze pretty boy.

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And but when I got older I

was like, oh, I, I like him.

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So, yeah.

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Katie: Well, I'm kind of surprised about

Julia because she's very attractive.

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Didn't you think she was

at least nice to look at?

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Ryan Rebalkin: Well, yes, she is a

very pretty of course and pretty woman.

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I think it was just her, I don't know.

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I think it might've been her

laugh and pretty woman bugged

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Katie: Oh,

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Ryan Rebalkin: and I

think it was rubbed off.

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Katie: I can see that

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Ryan Rebalkin: bugged me.

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Katie: Oh, I love it.

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Ryan Rebalkin: I've grown to like her over

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the years.

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And I will say we actually

shared the same birthday, if you

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Katie: You and Julia Roberts.

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Ryan Rebalkin: both born October 28th.

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Yes.

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So

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Katie: Oh,

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Ryan Rebalkin: yearly

that we shared the same

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Katie: Very nice.

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Ryan Rebalkin: Yeah.

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Katie: Okay.

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This is wild.

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This is another, we were just

talking about how on fire

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Tom Hanks was at the time.

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This is another, another hot video rental

at this time was another Tom Hanks movie.

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Ryan Rebalkin: Well, that

has to be Philadelphia

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Katie: It is the, are you Cheating Ryan?

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Ryan Rebalkin: Denzel, Denzel of

course, played the the guy who was like.

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I wouldn't say homophobic, but I guess

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Katie: yeah, Mm-hmm.

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Ryan Rebalkin: definitely in that

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film and you know, having to help.

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saw that, I believe I saw Philadelphia in

the theater I'd just seen it the one time.

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Just the one time.

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But I saw it in the

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Katie: Well, it's not a real

rewatch, you know, it's the

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content of it, it doesn't spark.

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Yeah.

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Mm-hmm.

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Ryan Rebalkin: A, like the

feel good movie of the year.

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I put Philadelphia and Schindler us on

every holidays season to get into the MO

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Katie: Yeah.

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Yeah.

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So just as a reminder, you guys, Tom

Hanks won an Oscar for that role.

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Ryan Rebalkin: in a row.

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Katie: Mm-hmm.

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Ryan Rebalkin: He was a back toback

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winner for Philadelphia and, for

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Katie: For Gump.

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Ryan Rebalkin: winner.

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Yeah.

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Katie: Who doesn't love Tom Hanks, man.

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I mean, he's like,

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Ryan Rebalkin: of

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Katie: this America's sweetheart.

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Ryan Rebalkin: a lot of people

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Katie: Well, you gotta

be crazy if you don't.

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Ryan Rebalkin: I love his movies.

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Katie: yeah.

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Ryan Rebalkin: his movies.

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Yes.

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Katie: Last one, Ryan?

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Ryan Rebalkin: Okay.

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I, I'm not doing very good by the way.

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Katie: No, actually you are.

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Because this, I will say again, this

category is a little tricky because

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it's not, you know, it's the rentals.

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So you're trying to

figure out like a Yeah.

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Ryan Rebalkin: I just, Yeah.

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there were so many.

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Here's the thing about the nineties too.

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There was, was such a

heyday of great films.

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Like we just talking about all these films

was just Tom Hanks, I mean from, you know,

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for gum Philadelphia Super in Seattle.

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Then he was a League of

their own just before that.

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I am looking at it over here

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Katie: Oh, I forgot they got their own.

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Yeah.

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Ryan Rebalkin: yeah, and it's

just he had a run, right?

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And then

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Katie: Yeah.

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Ryan Rebalkin: then Toy Story.

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So this

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guy, and then Saving Private

Ryan this guy has a run, you

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Katie: Y yeah, I mean, he never

stopped, to be honest with you.

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'cause he was real big in the eighties,

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With all those comedies.

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Ryan Rebalkin: And Toy Story five's

being made right now, by the way.

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Katie: Is it, can I admit something?

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I've never seen any Toy Story movie.

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Ryan Rebalkin: they're fun.

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Katie: I hear that, but I

just, it doesn't draw me in.

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Ryan Rebalkin: Well,

you're a motherless woman,

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Katie: Yes,

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I am a mother to canine kids,

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Ryan Rebalkin: yes,

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Katie: that doesn't Yeah.

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Toy story.

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Huh?

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Ryan Rebalkin: actually.

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Legit.

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It's great storytelling.

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Katie: I hear that.

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I mean, I, I believe it.

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Ryan Rebalkin: and the other thing

is too, is I relate to the boy,

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especially with the first one about

him playing with his toys and having

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these relationship with his toys.

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That was me.

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I had a relationship with my toys,

and so I totally get that storytelling

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of, and then it's about a, a boy

who grows old, and that's the thing

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that, you know, you outgrow your

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Katie: Mm-hmm.

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Ryan Rebalkin: heartfelt type storyline.

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yeah,

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Katie: I like it.

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Ryan Rebalkin: yeah,

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Katie: Maybe one day

there's just so much content

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Ryan Rebalkin: there's too much.

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I know.

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Katie: Alright.

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Last one of this category, this action

thriller starring Clint Eastwood as

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a Secret service agent haunted by his

past third most runs video of the year.

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What movie

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is this?

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Ryan Rebalkin: hard to buy.

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His past was.

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The one where he protected the president?

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No.

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Katie: Secret Service agent.

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Yeah.

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Yeah.

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Yep.

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Ryan Rebalkin: With John Kovich?

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No.

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Okay.

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He had a few in the nineties too.

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I love Clint.

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Unforgiven.

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He had a in the line of fire

was the one I'm thinking

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Katie: Mm-hmm.

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Mm-hmm.

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Ryan Rebalkin: but it's

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not that one.

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Katie: It is that one.

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It is that one in the line of fire.

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Secret service agent.

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Yeah.

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Yep.

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Ryan Rebalkin: I'll never

forget the classic scene.

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He is right along beside the car.

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It's just funny.

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Clint was old then.

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That was 30 years ago, but he wasn't

old and like he was, but he was, and

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he is 60 something, which isn't that

really that old, but it's just funny

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to think like, oh, Clint, he's what

was an old actor in the nineties, but

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Katie: he

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Ryan Rebalkin: something.

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Katie: He, I mean, that's

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not

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young.

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Ryan Rebalkin: It's not young.

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but it's not like it's I

know, but he's still alive.

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The guy, it's

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Katie: He's very, he's

what, mid nineties maybe.

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Ryan Rebalkin: Oh, he's, he's.

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He's, I think he's just about dead.

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Fingers

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Katie: But he is still working.

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Ryan Rebalkin: of the year.

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No, that's, yeah, he's 95.

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Katie: Yeah.

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I, yeah.

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And he is still like

directing things, I feel like.

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Ryan Rebalkin: Bless his

heart, he's still doing it.

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He, well the last film that he

starred in was Cry Macho in:

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The last

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Katie: Mm.

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Ryan Rebalkin: was juror number two

in:

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I didn't even know it was him that

directed it until I saw the movie.

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So that was his last film, which

is only, I guess a year ago.

438

:

I don't think he's directing

anything right now.

439

:

I think he might officially be retired.

440

:

Katie: okay.

441

:

I've, yeah,

442

:

Ryan Rebalkin: he's got

anything on the go right now.

443

:

95.

444

:

Come on, Clint.

445

:

Katie: I swear I saw like a still

of him on a set of something.

446

:

I could be wrong, but anyway.

447

:

Good on you.

448

:

I mean, keep,

449

:

Ryan Rebalkin: I

450

:

Katie: yeah.

451

:

Betty White worked until she died

452

:

at 99.

453

:

Mm-hmm.

454

:

Ryan Rebalkin: crazy.

455

:

That's crazy.

456

:

Katie: All right.

457

:

We have one more category.

458

:

We came to back in the headlines, Ryan,

459

:

Ryan Rebalkin: Oh,

460

:

Katie: big,

461

:

news stories in 94.

462

:

There's a few of 'em that are

really well known, so I'd be

463

:

surprised if you didn't get them.

464

:

Ryan Rebalkin: Sure.

465

:

Katie: Okay.

466

:

January 94, the US and the world was

captivated by a bizarre incident at

467

:

a figure skating practice session.

468

:

Ryan Rebalkin: is the what?

469

:

The,

470

:

Katie: Olympic hopeful

was clubbed on the knee.

471

:

Ryan Rebalkin: no, sorry.

472

:

Kate Nancy Carrigan and

the blonde-haired one.

473

:

Katie: Mm-hmm.

474

:

Ryan Rebalkin: What was her name again?

475

:

Frick.

476

:

Don't tell

477

:

Katie: Don't tell you.

478

:

Ryan Rebalkin: name.

479

:

Like I, if I saw

480

:

the name in a fricking thousand

481

:

Katie: Yes.

482

:

Ryan Rebalkin: I'd pick it out.

483

:

Nancy Kerrigan.

484

:

And

485

:

Katie: her main rival

486

:

Tanya is her first name.

487

:

Ryan Rebalkin: Harding.

488

:

Yeah.

489

:

Katie: Yeah.

490

:

So yep.

491

:

The attack on figure

skater Nancy Carrigan.

492

:

Ryan Rebalkin: Bat to the lake.

493

:

Katie: Or was it a baseball

bat or some sort of a

494

:

Ryan Rebalkin: she got hit with a

495

:

baseball bat, but it wasn't, it wasn't

Taja that did the blow, I don't think.

496

:

I think

497

:

Katie: No, no, no, no.

498

:

There was a whole, and movies

have been made and we'll

499

:

actually talk about it because

500

:

Ryan Rebalkin: Margo,

501

:

Katie: of our

502

:

Ryan Rebalkin: Taja.

503

:

Or I ta or something.

504

:

I wanna

505

:

Katie: mm-hmm.

506

:

Ryan Rebalkin: film.

507

:

But yeah, I

508

:

Katie: Oh, you haven't seen it?

509

:

It's good.

510

:

I, I, Tanya

511

:

Ryan Rebalkin: is she, she got somebody

to hit somebody with a bat with their leg.

512

:

Right.

513

:

Or

514

:

Katie: and her husband.

515

:

Ryan Rebalkin: Isn't

516

:

Katie: Yeah.

517

:

Ryan Rebalkin: you?

518

:

It's such a what a

519

:

weird, just be better than her.

520

:

Katie: Well, I think she still

asserts that she had nothing to do

521

:

with it, that her husband paid this.

522

:

And it was like some guy that,

but many movies have been made

523

:

about it over the last 30 years.

524

:

I, Tanya is really good, but a

lot of TV movies and stuff, you

525

:

know, remember in the nineties

there were a lot of TV movies.

526

:

Ryan Rebalkin: Yeah.

527

:

Yeah.

528

:

Katie: loved it about this kind of stuff.

529

:

Okay.

530

:

Now this next one, on June 17th, 94, an

estimated 95 million viewers tuned in to

531

:

watch live footage of police pursuing a

very specific vehicle in the Los Angeles.

532

:

And who was it carrying?

533

:

Ryan Rebalkin: oj who's innocent?

534

:

May he rest in

535

:

Katie: Oh dear.

536

:

Oh dear.

537

:

Ryan Rebalkin: I honestly, I, I

have a, I, you know, what if, put

538

:

my little tenfold hat on here.

539

:

What will a father do for his son?

540

:

I believe he took the hit for his son.

541

:

I don't know.

542

:

There's a part of me, the, the glove

didn't fit because it fit his son, Katie,

543

:

Katie: Well, I sort of believe the

conspiracy about JonBenet Ramsey,

544

:

that the kit, the son did it.

545

:

Maybe like I, you know, that they covered.

546

:

Ryan Rebalkin: out here.

547

:

Think about it.

548

:

Think about oj the reason why he

could be so like, like when he did get

549

:

out, like how could he go on Twitter?

550

:

How could he have this?

551

:

How?

552

:

Because he actually didn't kill anyone.

553

:

His crime was protecting his son.

554

:

If you put that cap on, that's

how he could be still kind

555

:

of the jovial OJ that he was.

556

:

Because if you think about it, he

didn't kill his wife and, and the lover.

557

:

It was the son who was mad

at his mother stepping out.

558

:

So there you go.

559

:

The glove didn't fit.

560

:

He OJ covered for his

son and life goes on.

561

:

Katie: I don't buy it.

562

:

They were already broken up.

563

:

It's not like they were still.

564

:

Ryan Rebalkin: you.

565

:

Katie: But I like your tin tin hat.

566

:

Thanks for, thanks for

playing conspiracy theories

567

:

with Katie and Ryan.

568

:

Ryan Rebalkin: Uh uh.

569

:

Let us know in the show notes

if Ryan's off his rocker.

570

:

Katie: Mm-hmm.

571

:

Alright, last one, Ryan.

572

:

April 5th.

573

:

The music world was rocked by the

death of the, the lead singer of an

574

:

say again.

575

:

Ryan Rebalkin: Freddie Mercury.

576

:

Katie: No.

577

:

Nope.

578

:

That was earlier

579

:

Ryan Rebalkin: that's earlier.

580

:

Okay.

581

:

Katie: Lead singer of iconic grunge band.

582

:

Ryan Rebalkin: Oh, okay.

583

:

Another conspiracy.

584

:

He was murdered.

585

:

He was murdered by whole singer.

586

:

Courtney.

587

:

Courtney.

588

:

Love.

589

:

Katie: His suicide

590

:

Ryan Rebalkin: Oh,

591

:

Katie: at the age of 27.

592

:

Now there's the conspiracy, you know,

there's this whole, like the 27 club.

593

:

Ryan Rebalkin: conspiracy.

594

:

Look, just Google it.

595

:

Folks have some fun.

596

:

All I'm saying, all I say about

conspiracy theories, Katie, is

597

:

I don't necessarily subscribe.

598

:

You've heard my worst of the best

599

:

Katie: Mm-hmm.

600

:

Ryan Rebalkin: I don't necessarily

subscribe to them, but they're so,

601

:

they're, they're fun to they examine and

talk about like, why did people get there?

602

:

Katie: Well, some are fun, but some

really cause real harm and damage

603

:

to people, like not believing school

shootings and stuff like that, or Yeah.

604

:

But they're all conspiracy theories, so,

605

:

Ryan Rebalkin: the yeah, Kurt

Cobain caused the damage himself.

606

:

I think the damage has been done.

607

:

Katie: so yes, the answer

is the death of Kurt Cobain.

608

:

Well that concludes this portion

of the time Capsule on Retro Made.

609

:

Thank you for playing Ryan.

610

:

Ryan Rebalkin: It's always fun.

611

:

I'm not very good at it, but it

is fun to think those days for me.

612

:

'cause I'm old.

613

:

I'm 50 now and those days it

seems like yesterday, like I

614

:

remember when Kurt killed himself.

615

:

I remember when Nancy got

hit with a baseball bat.

616

:

it's just weird.

617

:

I remember I oj and the, and

the verdict and all that stuff.

618

:

It's just weird that Yeah,

the rounds that made the, the,

619

:

everything happened at once.

620

:

Look at what a busy year, right?

621

:

Katie: Well, the Yes, the

mid nineties really were and

622

:

the thi it so it's 30 also.

623

:

You're right, it does kind of seem both

like forever ago in that these things

624

:

have been pared and joked about so much

now that it almost doesn't seem real.

625

:

But these.

626

:

This really did happen.

627

:

But yeah, a lot happened, man.

628

:

Ryan Rebalkin: A lot happened.

629

:

But you know what else happened?

630

:

Katie

631

:

Miracle at 34th Street was released.

632

:

Katie: it was, so shall we

get into the:

633

:

Miracle on 34th Street, Ryan,

634

:

this is one of four remakes

635

:

that we're covering on

this John Hughes season.

636

:

Can you think of the other three?

637

:

Ryan Rebalkin: oh boy.

638

:

You're putting me on the spot.

639

:

'cause I listened to all

your episodes, remake.

640

:

So I'd have to go to the John Hughes.

641

:

Katie: You can't look it up.

642

:

You can't look it up.

643

:

Ryan Rebalkin: going to right

now just because I, I don't even

644

:

know what necessarily has been

a remake to be honest with you,

645

:

Katie: Well, we've

covered two on the show.

646

:

One has not been released yet.

647

:

Ryan Rebalkin: Okay.

648

:

I'm just looking to be honest with you.

649

:

He was, oh, well, I guess 101 Dalmatians.

650

:

Well, no, he, oh, you're

carbon writing too.

651

:

So that was a remake I

652

:

Katie: Yep.

653

:

101.

654

:

Dalmatians is one of 'em,

and that episode hasn't.

655

:

hasn't come out

656

:

yet.

657

:

Ryan Rebalkin: Okay.

658

:

That Hasn't come out yet.

659

:

Miracle Street's number two.

660

:

Well, I guess with Dennis and

Menace be considered a remake.

661

:

Katie: Yep.

662

:

Dennis

663

:

Ryan Rebalkin: and then

I'm gonna, I'm just

664

:

Katie: one more.

665

:

Ryan Rebalkin: Boy, can I just say

how much I love Savage Islands?

666

:

Can we talk about Savage

667

:

Katie: we will in just a minute.

668

:

We need to, yeah.

669

:

Ryan Rebalkin: right.

670

:

I what's the fourth one?

671

:

Katie: Flubber recently covered.

672

:

Ryan Rebalkin: Okay.

673

:

Katie: Did you not listen

to the episode, Ryan?

674

:

Ryan Rebalkin: Yeah.

675

:

Well, I don't, yes, like me though.

676

:

You listen when you're

677

:

Katie: Yeah, yeah, yeah, yeah,

678

:

Ryan Rebalkin: you don't catch

679

:

Katie: yeah, for sure.

680

:

Ryan Rebalkin: Flubber.

681

:

That's right.

682

:

That's right.

683

:

Rest in peace is a great Robin.

684

:

Yeah, but those are remakes, I guess.

685

:

So this is what I mean.

686

:

I

687

:

I like, I think Miracle on 34th

Street is a true remake 'cause

688

:

because Dennis and Menace and stuff,

it's kind of like based on a comic.

689

:

And I, I get, I know what you're

saying, but I would consider Miracle

690

:

on 34th Street a true, this was a live

action film that came out, you know,

691

:

a few decades before Black and white.

692

:

I believe so.

693

:

And I, which I did.

694

:

I have seen that version.

695

:

Have you seen the 1947

696

:

Katie: I'm glad to hear that.

697

:

'cause I was gonna ask

you because I actually,

698

:

Ryan Rebalkin: but I've seen it.

699

:

Katie: okay.

700

:

I I actually rewatched it

yesterday because, so you

701

:

guys miracle on 34th Street?

702

:

I'm pretty sure I watched it on

Hulu and then the recommended title

703

:

for me that was just queued up, you

know, was the, was the original.

704

:

And so I was like, I honestly don't think

I had watched it all the way through, like

705

:

in one sitting, I, I know I'd seen pieces

of it, so I watched them back to back.

706

:

So a lot of my thoughts are

comparisons or contrasting the two.

707

:

But you guys, this did come

th,:

708

:

And Ryan, to your point, what

else came out November 18th that

709

:

you and I covered, but in 1983,

710

:

you just mentioned it.

711

:

Ryan Rebalkin: Oh, sorry.

712

:

Savage Islands also known as,

what was Nate or something?

713

:

Nate and.

714

:

Katie: Naden Hayes is what it was released

in the US under AKA Savage Islands in

715

:

Ryan Rebalkin: love that

716

:

Katie: Yeah,

717

:

Ryan Rebalkin: Guys, if you haven't seen

Savage Island slash Nate Hayes or listen

718

:

to our episode, go check out that movie.

719

:

You might have to, I don't

know, to some ping site.

720

:

The, I don't know where you, I think

that's where I watched It was a ping site.

721

:

I don't think it's a, I don't know,

where did you, how did you watch it

722

:

Katie: I know.

723

:

I was just thinking, I can't recall.

724

:

A lot of times if I can't find them,

I, and I have enough time, I'll request

725

:

it from my library, so it's possible.

726

:

That's what I did.

727

:

Ryan Rebalkin: great library option.

728

:

I don't really have that where I

am, but that's cool that you can do

729

:

Katie: Mm-hmm.

730

:

Ryan Rebalkin: Sabotage

731

:

Katie: Yeah.

732

:

Ryan Rebalkin: Hughes.

733

:

Katie: Yeah.

734

:

So these are vastly

different movies, you guys.

735

:

Ryan Rebalkin: yes.

736

:

Katie: but, but also pg I think

we were surprised that Savage

737

:

Island's, AK and Nate and Hayes

was rated pg, but both, both pg.

738

:

Yeah.

739

:

Ryan Rebalkin: 83.

740

:

The 83 PG is like, yeah.

741

:

Yeah.

742

:

Katie: Now regarding its release date,

November 18th was its wide release.

743

:

I do wanna note that it had a premiere

on the 15th in 94 at Radio City

744

:

Music Hall in New York with a 30

minute stage show with the Rockettes

745

:

and a performance by Kenny G.

746

:

Mm-hmm.

747

:

Yes.

748

:

It was like a really big deal.

749

:

Uh,

750

:

Ryan Rebalkin: Saxophone

player in the world.

751

:

Katie: is he,

752

:

Ryan Rebalkin: Well, you

know what his net worth

753

:

is I'll quickly look it.

754

:

It's insane.

755

:

Katie: it's wild.

756

:

Ryan Rebalkin: it, it is

757

:

insane.

758

:

It'll be, maybe you won't be surprised

because I've oversold a little bit, but

759

:

yeah, he is worth a hundred million.

760

:

I mean, that's not bad

for playing the saxophone.

761

:

Katie: I mean, there's not

that many famous sax players.

762

:

But yeah.

763

:

You know, that jazz, that

typical, you know, Kenny G's,

764

:

Ryan Rebalkin: 69 now.

765

:

Katie: everybody's old.

766

:

I'm telling you,

767

:

Ryan.

768

:

Ryan Rebalkin: I know.

769

:

So

770

:

what his last name is, I

didn't know this till now.

771

:

Katie: No.

772

:

Ryan Rebalkin: so I can see

773

:

why they might have

just called him Kenny G.

774

:

Katie: And that's why someone, if I

got famous, I would go as Katie G.

775

:

No, I'm just kidding.

776

:

Ryan Rebalkin: Kenny G.

777

:

All

778

:

Katie: I'm just kidding.

779

:

The director here, I don't know if

you're familiar with Les Mayfield.

780

:

Ryan Rebalkin: I looked him up just to,

I think it's a him because I, Les could

781

:

be a female name, to be honest with you,

782

:

Katie: It's, a man, and we've

covered him already on the show.

783

:

Ryan Rebalkin: That's what I was like.

784

:

funny how these directors will,

785

:

Katie: Mm-hmm.

786

:

Ryan Rebalkin: movie or whatever it is.

787

:

You're like,

788

:

what?

789

:

Like they're, I hate to say they're

nobody directors, I don't mean in

790

:

that, in a, in a disparaging way,

but, but he's like, well, what

791

:

else have they done in Hollywood?

792

:

Like, how did they get this gig?

793

:

So, yeah, they, he directed flubber.

794

:

Katie: Yeah.

795

:

That's why, that's how we, so you

guys, again, he directed Flubber also,

796

:

John Hughes written or co-written.

797

:

He got his debut though

with Encino Man in 92.

798

:

Ryan Rebalkin: which is again,

799

:

Katie: I love that movie.

800

:

Ryan Rebalkin: that wasn't like a

801

:

small movie.

802

:

back in the nineties.

803

:

Like it, I think it did fairly well.

804

:

Like it was made, I was looking, now

it's made for 7 million, made 41 million.

805

:

So it did well for the, the studio,

it had Sean, Brenda Frazier, Paul

806

:

Shore, kind of a, you know, the

silly comedy of the nineties.

807

:

So how did he get the gig?

808

:

That's what I always wonder,

you know what I mean?

809

:

Hey, we're directing this movie

with a, with some fun actors

810

:

and , okay Les, you got the job,

811

:

Katie: This, they know somebody

who knows somebody or, you know,

812

:

they've come across, they've

worked with so and so in the past.

813

:

You know, you, you work with people

that you like and would like to

814

:

work again with in the future.

815

:

And,

816

:

and, you know.

817

:

Ryan Rebalkin: then it's like, then

this next film, two years later of

818

:

Release is Miracle on 34th Street, which

looks and acts, it is a proper film.

819

:

Katie: Are you saying Encino

man is not a proper film?

820

:

Ryan Rebalkin: by that?

821

:

It's like, it's like

it's a nineties comedy

822

:

Katie: Yeah.

823

:

Ryan Rebalkin: It's a silly film.

824

:

Katie: Mm-hmm.

825

:

Ryan Rebalkin: you don't,

you don't have to really put

826

:

who cares about whatever.

827

:

It's just weird to me.

828

:

And then he, then he did

blue Streak with Martin

829

:

Katie: Mm-hmm.

830

:

Ryan Rebalkin: I didn't see.

831

:

Then American Outlaws, which is

kind of a fun, I love Western.

832

:

So he did that one.

833

:

the man was Samuel Jackson, Eugene

Levy, which is kind of whatever.

834

:

And then another one with Cedric

the entertainer called The Cleaner.

835

:

And that's it.

836

:

What, but what a weird seven film streak.

837

:

It's like, yeah, I'm done.

838

:

Katie: Sometimes those people, maybe

he went on to, I didn't look up,

839

:

but maybe he's more of a producer

and he didn't, you know what I mean?

840

:

Things like that.

841

:

Ryan Rebalkin: Wikipedia sparse.

842

:

It just, that's his last film.

843

:

But doesn't say why he stopped directing.

844

:

Doesn't say how he started directing.

845

:

Yeah, it's weird.

846

:

Katie: Well, there is a through line.

847

:

All his movies are comedies,

848

:

you know.

849

:

Ryan Rebalkin: for American

Outlaws is sort of,

850

:

Katie: Oh, okay,

851

:

Ryan Rebalkin: light,

852

:

Katie: okay,

853

:

Ryan Rebalkin: fair Western, per

se, but it is a, it's just a,

854

:

it's a western action film, so

855

:

Katie: okay.

856

:

Ryan Rebalkin: comedy beats.

857

:

That's Colin Faroh and it, I, love Colin

858

:

Katie: I don't think I've seen that.

859

:

But yeah,

860

:

Ryan Rebalkin: while.

861

:

24 years already.

862

:

24 years ago.

863

:

What is going on with time

864

:

Katie: I don't know.

865

:

I, I don't know.

866

:

It's a, it's one and the same.

867

:

It's both.

868

:

It goes by so fast, but then like at

work, the days don't go by slow at work.

869

:

It's just like the weeks due.

870

:

I like, I live for the weekend and

there's not enough weekend, you know?

871

:

Ryan Rebalkin: It's terrible.

872

:

We, we literally, as the

song says, we're everybody's

873

:

working for the weekend, Katie.

874

:

Katie: It's true.

875

:

It is.

876

:

I don't know if you guys knew, I don't

think I did until I started the season.

877

:

A lot of movies that John Hughes

wrote or co-wrote, and this

878

:

is one of them, I had no idea.

879

:

Ryan Rebalkin: Yeah.

880

:

Katie: So he is credited

with the screenplay?

881

:

Yes.

882

:

Yeah.

883

:

And a lot, a lot of times when

he writes, he also produces yeah.

884

:

That and directs.

885

:

But yes, this is a huge film.

886

:

Ryan Rebalkin: When he's

the producer, I know he is

887

:

not directing, I would assume with a

guy like Les, it's like, it's almost

888

:

like the producer, as you know, has

the ability to fire the director.

889

:

The director can't fire the

890

:

Katie: mm.

891

:

Ryan Rebalkin: the power,

that's the power of the

892

:

producer.

893

:

director can't fire the producer.

894

:

The producer is the money is the boss.

895

:

It can I always suspect that John

Hughes, though he wasn't behind the

896

:

camera, I, I felt like he could have

been a ghost director in this film,

897

:

Katie: It's possible.

898

:

That maybe Hughes.

899

:

Ryan Rebalkin: work very well enough to

900

:

say

901

:

Katie: Yeah.

902

:

Ryan Rebalkin: lens.

903

:

This was his,

904

:

Katie: and it sometimes it's

really hard to tell, like we, I

905

:

talked about in the Flubber episode

two, spoiler, I hated that movie.

906

:

And I was like, what is happening here?

907

:

And,

908

:

Ryan Rebalkin: you hate Flopper?

909

:

Come on.

910

:

It's the

911

:

Katie: I, I think some of it is hard

to tell, like you don't really see.

912

:

The usual, fingerprints of either director

or writer because it's a remake, you know?

913

:

'cause there's, you have to kind of

stick loosely, at least to the original.

914

:

But, so, Hughes is credited, co

co-writing this the story credit

915

:

reflecting the original concept for

the 19 47, , film is Valentin Davies

916

:

and George Seton received a shared

screenplay credit, recognized that the

917

:

94 script was based on the story and

original screenplay by Davies and Seton.

918

:

So we have three players here writing,

and just as a quick recap, this is

919

:

a 6-year-old Susan Walker discovers

that dreams do come true if you really

920

:

believe she has doubts about childhood's.

921

:

Most enduring Miracle Santa

Claus, her mother Dory, in the

922

:

original, her name is Doris.

923

:

But in this movie, her name

is modernized somehow to Dory.

924

:

She told her the secret about him

a long time ago, so she doesn't

925

:

expect to receive the most important

gifts on her Christmas list.

926

:

But after meeting a special department

store, Santa who's convinced that he's the

927

:

real thing, she's given the most precious

gift of all something to believe in.

928

:

Ah.

929

:

Ryan Rebalkin: Oh,

930

:

Katie: All right.

931

:

Ryan, are you familiar

with Richard Attenborough?

932

:

He plays our Chris

933

:

Cringle.

934

:

Ryan Rebalkin: well, yeah, I

mean, of course he was, like I

935

:

said, he was John Hammond Insa

Park, which was for Teenage Ryan.

936

:

I was 18 at that time.

937

:

That was probably my first real

to him as a actor or whatever,

938

:

Katie: Mm-hmm.

939

:

Ryan Rebalkin: one of

the biggest movies of

940

:

Hollywood at the time.

941

:

Don't really know him as an actress

since or before, don't know his career.

942

:

So when he was in this film,

I had to Google him again.

943

:

I was like, oh, that's him.

944

:

I didn't even recognize him as the

dinosaur zoo guy walking with a cane.

945

:

so, and I had, if I'd, I knew the

name, like it's one of those names.

946

:

watched movies a long time, and so you

just see and hear names, especially

947

:

with directors I had forgotten he was a

director and he's directed some really

948

:

big films and films that I enjoy.

949

:

Like IE one of my favorite

950

:

films is Chaplain with Robert John Jr.

951

:

I saw that film in the theaters

when, when I was 17, actually watched

952

:

Chaplin, the biopic on Charlie

Chaplin, played by Robert Donald Jr.

953

:

In the theaters.

954

:

Katie: Oh, okay.

955

:

Yeah, he is a, he maybe, but

nothing is ringing a bell.

956

:

But he's, he won an Oscar

for a directing role, a very

957

:

famous movie, Gandhi, from 82.

958

:

Ryan Rebalkin: Cry,

freedom Bridge too far.

959

:

These are big, so I don't

really know his story.

960

:

This is weird that he's in

movies and he's directed again.

961

:

How did he get these big films?

962

:

Like how did he get the

963

:

Katie: Well, he is also known

for, you know, when he was a

964

:

younger man in the 1963 movie,

the Great Escape and he mm-hmm.

965

:

Ryan Rebalkin: that

966

:

Katie: He does a lot of directing.

967

:

I mean, he won an Oscar for GI

mean, Gandhi was a huge movie.

968

:

I will say, if the name Attenborough

sounds familiar, and some of you might

969

:

be wondering, is he related to David?

970

:

Ryan Rebalkin: Mm-hmm.

971

:

Katie: He is.

972

:

Ryan Rebalkin: the confusion.

973

:

That's

974

:

what I think my brain went to is

975

:

Katie: Mm-hmm.

976

:

Ryan Rebalkin: Yeah, the last name?

977

:

Yeah.

978

:

Katie: And so he is the older brother of

David Attenborough, who is the only person

979

:

did you know, who has been knighted twice,

980

:

Ryan Rebalkin: I did twice.

981

:

Katie: twice for his work in conservation.

982

:

David Attenborough.

983

:

Yeah.

984

:

Everyone loves him.

985

:

Ryan Rebalkin: talented family, eh?

986

:

Katie: Yeah.

987

:

Yeah.

988

:

I think they both went to what's

like the famous like Ivy League.

989

:

English College Cambridge.

990

:

Is that the one I'm thinking of?

991

:

Yeah.

992

:

Ryan Rebalkin: Sounds right.

993

:

Katie: Now the original Chris

k Cringle, the one in:

994

:

Ryan Rebalkin: Mm-hmm.

995

:

Katie: by Edmund Gwen who received

an Oscar for his role in that,

996

:

which I didn't know.

997

:

Yeah.

998

:

So the original guy now there's a

famous person that I think you like

999

:

that was considered for this role

and it would've been very different.

:

00:31:27,444 --> 00:31:28,914

I don't know if you're

gonna get any guesses.

:

00:31:29,154 --> 00:31:31,524

An old, older man,

:

00:31:32,214 --> 00:31:33,174

how did you know?

:

00:31:33,354 --> 00:31:33,894

Did you see

:

00:31:33,939 --> 00:31:34,329

Ryan Rebalkin: reading that.

:

00:31:34,329 --> 00:31:34,629

I did

:

00:31:34,704 --> 00:31:35,154

Katie: Okay.

:

00:31:35,259 --> 00:31:36,639

Ryan Rebalkin: that, and I, you know, it's

:

00:31:36,639 --> 00:31:36,969

funny.

:

00:31:36,999 --> 00:31:37,329

Okay.

:

00:31:37,389 --> 00:31:38,709

so let me talk about that.

:

00:31:38,709 --> 00:31:40,419

So, yes, I, I love Sean Connery.

:

00:31:40,419 --> 00:31:41,469

I grew up with him as well.

:

00:31:41,469 --> 00:31:43,749

James Bond, of course, other

great films that he is been in.

:

00:31:43,929 --> 00:31:44,679

Great actor.

:

00:31:45,159 --> 00:31:46,719

I'm kind of glad they didn't.

:

00:31:46,779 --> 00:31:50,169

I, I will say that as much as

I love Sean Connery, I would've

:

00:31:50,169 --> 00:31:51,429

just been watching Sean Connery.

:

00:31:51,429 --> 00:31:56,559

I think Richard has the ability to just,

like I said, I'm like, who's this guy?

:

00:31:56,589 --> 00:31:57,759

I think I know who he is.

:

00:31:58,059 --> 00:32:05,109

So he was able to embrace and or get into

the Santa role me being distracted by him.

:

00:32:05,159 --> 00:32:06,149

I would've been watching Sean

:

00:32:06,449 --> 00:32:07,259

Katie: Sean Connery.

:

00:32:07,259 --> 00:32:08,189

Yeah, you're right.

:

00:32:08,189 --> 00:32:09,389

I, I fully agree,

:

00:32:09,479 --> 00:32:10,349

Ryan Rebalkin: job as an actor.

:

00:32:10,349 --> 00:32:13,559

He, he can act very well, but dot, dot

dot, Sean Connery played that's the

:

00:32:13,589 --> 00:32:13,889

Katie: right?

:

00:32:14,129 --> 00:32:14,459

Ryan Rebalkin: Is Sean

:

00:32:14,564 --> 00:32:14,984

Katie: Mm-hmm.

:

00:32:15,069 --> 00:32:16,529

Mm-hmm.

:

00:32:16,769 --> 00:32:17,489

Ryan Rebalkin: So I thought

:

00:32:17,489 --> 00:32:17,819

Richard.

:

00:32:18,269 --> 00:32:20,459

Oh, well, I don't want to talk too much

about it right now if you're not there

:

00:32:20,459 --> 00:32:25,619

yet, but yeah, I, I'm glad it wasn't

Sean, just because it might've distracted

:

00:32:25,619 --> 00:32:28,499

from the movie, but it would've added

more to the box office, I'm sure.

:

00:32:28,499 --> 00:32:29,009

But yeah.

:

00:32:29,699 --> 00:32:32,339

Katie: well, yeah, so speaking of

that, so the budget here was 28 million

:

00:32:32,339 --> 00:32:34,729

and the worldwide gross was 46.3

:

00:32:34,729 --> 00:32:35,629

million.

:

00:32:36,359 --> 00:32:39,429

It made money just not

a big booming success.

:

00:32:39,789 --> 00:32:42,399

There was a really crowded 94

:

00:32:42,474 --> 00:32:42,804

Ryan Rebalkin: Yeah.

:

00:32:42,879 --> 00:32:43,299

Katie: movie slate.

:

00:32:43,494 --> 00:32:46,014

Ryan Rebalkin: movie that with this?

:

00:32:46,014 --> 00:32:46,884

That might have been a Christmas

:

00:32:47,064 --> 00:32:48,324

Katie: The Santa Claus.

:

00:32:48,414 --> 00:32:48,954

Yeah.

:

00:32:49,009 --> 00:32:49,429

Mm-hmm.

:

00:32:49,509 --> 00:32:49,519

Mm-hmm.

:

00:32:49,944 --> 00:32:51,264

Ryan Rebalkin: That movie was huge.

:

00:32:51,384 --> 00:32:52,854

Katie: So they came out at the same time.

:

00:32:53,094 --> 00:32:55,794

Ryan Rebalkin: And families, you

know, budget, Christmas time, it's

:

00:32:55,794 --> 00:32:57,984

kind of like, Hey, we're gonna

take the kids to a Christmas film.

:

00:32:57,984 --> 00:33:00,354

I would've had, I had a

young family at that time.

:

00:33:00,504 --> 00:33:04,554

I was 19, so I, I didn't have

a, I was actually a few years

:

00:33:04,554 --> 00:33:05,484

away from him, my first kid.

:

00:33:05,484 --> 00:33:05,844

Mind you.

:

00:33:05,844 --> 00:33:09,444

But the point is yeah, if I was on

a budget, I'd be like, well, we can

:

00:33:09,444 --> 00:33:10,764

take the kids to one Christmas film.

:

00:33:10,824 --> 00:33:12,054

You're gonna pick the Santa Claus.

:

00:33:12,384 --> 00:33:14,694

It's just, you just kind of know it's

gonna be a more fun film for the kids.

:

00:33:14,694 --> 00:33:14,934

Maybe

:

00:33:15,204 --> 00:33:15,714

Katie: Yeah.

:

00:33:15,714 --> 00:33:19,774

Which kind of bums me out because I

would argue this is a much better movie

:

00:33:19,774 --> 00:33:21,724

it's really Christmasy, like old time.

:

00:33:21,814 --> 00:33:22,684

I kind of like that stuff.

:

00:33:22,984 --> 00:33:27,021

Whereas the Santa Claus is just

like goofier, like kids have a small

:

00:33:27,021 --> 00:33:31,311

attention span, which kind of bums

me out be that they can't appreciate.

:

00:33:31,626 --> 00:33:34,296

Ryan Rebalkin: I got a good you are right.

:

00:33:34,356 --> 00:33:34,836

Don't get me wrong.

:

00:33:34,836 --> 00:33:35,136

You're right.

:

00:33:35,136 --> 00:33:36,006

Every kid's different.

:

00:33:36,006 --> 00:33:37,296

Every, everyone's different now.

:

00:33:37,296 --> 00:33:38,886

I have 11-year-old twins, as you know.

:

00:33:39,366 --> 00:33:41,916

And so I'm, I watched

this movie last night.

:

00:33:41,916 --> 00:33:43,626

I said, Hey, kids, we're

gonna watch a Christmas movie.

:

00:33:44,266 --> 00:33:45,676

I've gotta do this for the podcast.

:

00:33:45,686 --> 00:33:47,756

But let's just watch it together

anyways, it's Christmas time,

:

00:33:47,756 --> 00:33:48,596

let's watch this together.

:

00:33:49,916 --> 00:33:53,616

And my 11-year-old daughter

was out with my wife shopping,

:

00:33:53,616 --> 00:33:54,426

so they weren't there for her.

:

00:33:54,426 --> 00:33:55,986

So my two other sons were there.

:

00:33:55,986 --> 00:33:58,956

My 13-year-old, soon to be

14, and then my 11-year-old.

:

00:33:59,646 --> 00:34:03,126

And the 11-year-old is

an avid movie watcher.

:

00:34:03,156 --> 00:34:04,566

Like he's a smart

:

00:34:04,746 --> 00:34:05,946

Katie: I love that.

:

00:34:06,066 --> 00:34:06,516

I love that.

:

00:34:06,786 --> 00:34:08,166

Ryan Rebalkin: The Mission Impossibles.

:

00:34:08,166 --> 00:34:11,286

We're watching The Thin Red Line right now

we're watching that in piecemeal mind you.

:

00:34:11,286 --> 00:34:12,156

'cause it is a lot.

:

00:34:12,156 --> 00:34:13,536

But they're watching the Thin Red Line.

:

00:34:13,956 --> 00:34:16,656

So they, they love like deep heavy dramas.

:

00:34:16,656 --> 00:34:20,936

Like they've watched like The

Green Mile, they love dramas and.

:

00:34:21,755 --> 00:34:22,326

That kind of stuff.

:

00:34:22,326 --> 00:34:24,815

So I just wanna make that clear

that they're not just Marvel kids.

:

00:34:24,815 --> 00:34:25,536

They actually like

:

00:34:26,286 --> 00:34:27,606

Katie: Which sets your kids apart.

:

00:34:27,606 --> 00:34:29,976

I think you, your kids

are probably the anomaly.

:

00:34:30,545 --> 00:34:32,315

Ryan Rebalkin: They might be, but

I'm getting somewhere with this.

:

00:34:32,436 --> 00:34:32,676

Katie: Okay.

:

00:34:32,766 --> 00:34:34,266

Ryan Rebalkin: same kid who loves these

:

00:34:34,266 --> 00:34:37,926

types of films that are dialogue,

heavy story-driven films, right?

:

00:34:38,466 --> 00:34:41,346

Half hour into this film, my

11-year-old goes, I dad, I

:

00:34:41,346 --> 00:34:43,176

can't, done, I'm tapping out.

:

00:34:43,536 --> 00:34:44,106

He was bored.

:

00:34:44,886 --> 00:34:46,686

So he tapped out.

:

00:34:46,686 --> 00:34:49,116

Now my 14-year-old around.

:

00:34:49,896 --> 00:34:52,926

I think he stuck around, I don't know,

just to hang out with dad, I'm not sure.

:

00:34:52,926 --> 00:34:57,936

But he watched the whole thing and

objectively I could see why my 11-year-old

:

00:34:57,936 --> 00:35:00,786

tapped out and I could see why the

same 11-year-old as much as he likes

:

00:35:00,786 --> 00:35:04,086

these very intelligent films, would

not have done that for the Santa Claus.

:

00:35:04,086 --> 00:35:08,616

So that's, that's my long way of

saying I get why the Santa Claus

:

00:35:08,616 --> 00:35:12,606

was a box off of success with

families, but as an A This is, this

:

00:35:12,606 --> 00:35:14,916

is that's what I'm trying to get at.

:

00:35:14,916 --> 00:35:16,386

I don't know if this is a kid's movie.

:

00:35:16,986 --> 00:35:18,456

This is an adult Christmas film.

:

00:35:18,456 --> 00:35:19,866

What are your thoughts on that take?

:

00:35:20,481 --> 00:35:22,126

Katie: It's interesting what constitutes.

:

00:35:23,151 --> 00:35:25,371

Christmas movie versus

Kids' Christmas movie.

:

00:35:25,611 --> 00:35:30,591

I think back in the day, there wasn't

distinction like the:

:

00:35:30,591 --> 00:35:36,321

I'm very curious, I don't wanna give too

much away, but I'm curious what your kids

:

00:35:36,321 --> 00:35:38,721

would've thought of the original even.

:

00:35:39,006 --> 00:35:40,266

Ryan Rebalkin: liked it even maybe more.

:

00:35:40,296 --> 00:35:43,566

'cause I, I think anything to do with

Santa, I think the Santa roll parts were

:

00:35:43,766 --> 00:35:44,186

Katie: Mm-hmm.

:

00:35:44,196 --> 00:35:45,906

Ryan Rebalkin: I think

he enjoyed seeing Santa.

:

00:35:45,906 --> 00:35:48,746

And, but I think when it get got to

the because he never saw the court

:

00:35:48,746 --> 00:35:50,036

scene, so he never made it to the end,

:

00:35:50,156 --> 00:35:50,376

Katie: Mm,

:

00:35:50,576 --> 00:35:51,866

Ryan Rebalkin: is kind

of fun and engaging.

:

00:35:51,866 --> 00:35:52,136

But

:

00:35:52,496 --> 00:35:53,606

the idea that

:

00:35:53,936 --> 00:35:56,906

there were some parts I will admit

where I'm like, I'm watching this

:

00:35:56,906 --> 00:35:59,336

through my kids' eyes thinking,

oh, I get why he tapped out.

:

00:35:59,386 --> 00:36:03,166

I'm fine watching this story, but

I can kind of see like he gets lost

:

00:36:03,196 --> 00:36:04,906

what the business side of things.

:

00:36:04,981 --> 00:36:05,551

Katie: Sure.

:

00:36:06,286 --> 00:36:06,916

Ryan Rebalkin: like why are

:

00:36:06,916 --> 00:36:09,921

we worried about one store

getting more than another store?

:

00:36:10,056 --> 00:36:12,246

But I haven't seen the original in

such a long time, but I suspect.

:

00:36:12,576 --> 00:36:14,736

The original one that I think

it's a half hour shorter.

:

00:36:16,086 --> 00:36:16,896

The first movie is

:

00:36:16,951 --> 00:36:17,516

Katie: Let's see.

:

00:36:17,521 --> 00:36:17,996

This was.

:

00:36:18,161 --> 00:36:19,511

Ryan Rebalkin: was just shy of two

:

00:36:19,691 --> 00:36:21,221

Katie: Just shy of two hours.

:

00:36:21,221 --> 00:36:25,561

I have it up actually, the

original was 20 minutes shorter.

:

00:36:25,771 --> 00:36:27,271

Ryan Rebalkin: which can be a long time.

:

00:36:27,271 --> 00:36:29,791

That's a lot of like subplot and who

:

00:36:29,941 --> 00:36:31,891

Katie: Well, there, we'll get

into some of the differences too.

:

00:36:31,891 --> 00:36:37,591

There was much more, they leaned a lot

more into the romantic comedy part in

:

00:36:37,591 --> 00:36:45,751

this remake, the 94, romance or just

like the, I mean, yeah, it's a comedy.

:

00:36:45,851 --> 00:36:46,751

Ryan Rebalkin: This is weird, Kate.

:

00:36:46,841 --> 00:36:47,201

Do we see

:

00:36:47,261 --> 00:36:47,501

Katie: okay.

:

00:36:47,501 --> 00:36:48,881

It is a drama, I guess.

:

00:36:49,391 --> 00:36:50,591

Ryan Rebalkin: It's not funny

:

00:36:51,551 --> 00:36:53,411

Katie: Well, it's just, not heavy.

:

00:36:53,831 --> 00:36:55,181

I, I take it back.

:

00:36:55,181 --> 00:36:58,571

It's not necessarily a comedy,

so the romance, not the romantic

:

00:36:58,601 --> 00:37:00,491

comedy piece, but the romance

:

00:37:00,911 --> 00:37:02,351

part of it, I guess.

:

00:37:02,426 --> 00:37:03,386

Ryan Rebalkin: the romance is in heaven.

:

00:37:03,386 --> 00:37:04,016

It's okay.

:

00:37:04,016 --> 00:37:05,036

This is where it's, Hmm.

:

00:37:05,096 --> 00:37:09,836

This is my, maybe my criticism is, I

don't know what lane it's really in.

:

00:37:09,836 --> 00:37:10,946

And it's not bad or good.

:

00:37:10,946 --> 00:37:16,646

It's, for example Elizabeth Perkins

great, by the way, she's 34 in this film.

:

00:37:16,646 --> 00:37:19,016

I always look up the Actress's age

'cause I feel like she's been in films

:

00:37:19,161 --> 00:37:19,661

Katie: You do.

:

00:37:19,736 --> 00:37:20,996

Ryan Rebalkin: 34 in this film.

:

00:37:21,686 --> 00:37:23,546

And Dylan McDermott great actor.

:

00:37:24,146 --> 00:37:27,356

And side note, he plays a lawyer in

this film, which he ends up playing

:

00:37:27,356 --> 00:37:29,036

on the practice a couple years later.

:

00:37:29,216 --> 00:37:31,856

So when I'm watching him play the

court scene in this holy smokes,

:

00:37:31,856 --> 00:37:33,266

this guy was born to be a lawyer.

:

00:37:33,326 --> 00:37:35,306

Katie: He really, he has that look too.

:

00:37:35,726 --> 00:37:36,386

So yes.

:

00:37:36,596 --> 00:37:37,316

Ryan Rebalkin: How handsome is

:

00:37:37,316 --> 00:37:37,976

Katie: Well, you know,

:

00:37:37,976 --> 00:37:38,246

Ryan Rebalkin: was he

:

00:37:38,246 --> 00:37:38,636

Katie: I,

:

00:37:38,696 --> 00:37:38,936

Ryan Rebalkin: you?

:

00:37:39,086 --> 00:37:42,946

Katie: no, but it's weird 'cause I

like dark hair with colored eyes.

:

00:37:43,366 --> 00:37:46,366

He is, most people, I

mean, he is handsome.

:

00:37:46,366 --> 00:37:47,296

He's uh,

:

00:37:47,686 --> 00:37:48,376

Ryan Rebalkin: speaking, yes.

:

00:37:48,466 --> 00:37:49,366

Katie: objectively.

:

00:37:49,881 --> 00:37:51,376

I, I just don't really,

:

00:37:51,796 --> 00:37:52,876

it's, he's not for me.

:

00:37:53,311 --> 00:37:56,491

Even though I recognize

that he is a handsome man.

:

00:37:56,491 --> 00:37:59,011

He is supposed to be, and

he's real young in this.

:

00:37:59,011 --> 00:37:59,971

He and Elizabeth.

:

00:37:59,971 --> 00:38:00,361

So,

:

00:38:00,661 --> 00:38:01,231

so they're,

:

00:38:01,636 --> 00:38:01,936

Ryan Rebalkin: Yeah.

:

00:38:02,056 --> 00:38:02,506

they're,

:

00:38:02,506 --> 00:38:03,586

actually both age appropriate.

:

00:38:03,586 --> 00:38:04,036

They're, in

:

00:38:04,171 --> 00:38:04,471

Katie: mm-hmm.

:

00:38:04,636 --> 00:38:06,166

Ryan Rebalkin: a year

younger than her, by the way,

:

00:38:06,241 --> 00:38:06,811

Katie: Okay.

:

00:38:07,031 --> 00:38:07,251

Ryan Rebalkin: and,

:

00:38:07,381 --> 00:38:12,491

Katie: Elizabeth plays Dory and she

is Doris, Maureen O'Hara's character

:

00:38:12,521 --> 00:38:16,891

in the original this high powered

executive at the department store.

:

00:38:16,891 --> 00:38:17,341

She's

:

00:38:17,671 --> 00:38:18,871

in charge of the parade.

:

00:38:19,461 --> 00:38:19,751

Ryan Rebalkin: Okay.

:

00:38:19,906 --> 00:38:20,176

What

:

00:38:20,221 --> 00:38:22,771

Katie: mm-hmm.

:

00:38:23,296 --> 00:38:23,446

Ryan Rebalkin: I

:

00:38:23,446 --> 00:38:26,596

was almost like, are they divorced

with stranded, his custody of a kid?

:

00:38:26,596 --> 00:38:28,606

I thought that was what,

what it was at first no,

:

00:38:29,131 --> 00:38:29,251

Katie: Oh

:

00:38:29,386 --> 00:38:29,626

Ryan Rebalkin: she,

:

00:38:29,881 --> 00:38:30,181

Katie: no.

:

00:38:30,181 --> 00:38:31,441

They've just been dating.

:

00:38:32,131 --> 00:38:33,241

Ryan Rebalkin: Have they been dating?

:

00:38:33,241 --> 00:38:33,811

I'm so

:

00:38:34,081 --> 00:38:34,291

Katie: So

:

00:38:34,531 --> 00:38:35,671

Ryan Rebalkin: It was such a weird,

:

00:38:36,061 --> 00:38:36,691

Katie: in,

:

00:38:36,781 --> 00:38:37,951

Ryan Rebalkin: like it

didn't seem like they were

:

00:38:37,951 --> 00:38:41,071

like even, 'cause he was like, I, I

was confused about their relationship.

:

00:38:41,731 --> 00:38:42,031

'cause

:

00:38:42,061 --> 00:38:42,511

Katie: so.

:

00:38:42,841 --> 00:38:43,741

Ryan Rebalkin: there and she trusts

:

00:38:43,861 --> 00:38:46,351

him completely with the girl and

they have a great relationship.

:

00:38:46,351 --> 00:38:48,931

They're doing like video messages

to them and they're being silly.

:

00:38:49,351 --> 00:38:53,251

He loves her like his own daughter,

but when he asks her to marry

:

00:38:53,251 --> 00:38:54,631

her, it almost seemed like this.

:

00:38:54,691 --> 00:38:56,041

They hadn't had been on a date yet.

:

00:38:56,041 --> 00:38:57,781

It was really confusing to

me about the relationship.

:

00:38:57,976 --> 00:39:00,656

Katie: That was a bit,

and she even speaks to it.

:

00:39:00,656 --> 00:39:02,126

So I can see why you say that.

:

00:39:02,166 --> 00:39:07,086

So Dylan McDermott plays Brian

Bedford and he is the neighbor.

:

00:39:07,836 --> 00:39:09,036

He, he's the neighbor.

:

00:39:09,036 --> 00:39:10,086

They live in the same apartment.

:

00:39:10,116 --> 00:39:10,596

Ryan Rebalkin: each other.

:

00:39:10,776 --> 00:39:12,036

Katie: They're in the

same apartment building.

:

00:39:12,096 --> 00:39:13,926

That's why he was in her apartment.

:

00:39:14,526 --> 00:39:14,766

Ryan Rebalkin: Do I

:

00:39:14,826 --> 00:39:15,186

Katie: the,

:

00:39:15,546 --> 00:39:16,086

Ryan Rebalkin: by this stuff?

:

00:39:16,086 --> 00:39:16,176

I

:

00:39:16,176 --> 00:39:19,056

Katie: the girl, the daughter went to

watch the parade 'cause he was like

:

00:39:19,056 --> 00:39:20,436

on the other side of the building.

:

00:39:20,436 --> 00:39:23,736

They live on the same floor,

in the same building and it

:

00:39:23,736 --> 00:39:24,996

is clear a little bit later.

:

00:39:24,996 --> 00:39:27,891

You don't immediately know . But

in a, in a little bit, you, you

:

00:39:27,891 --> 00:39:31,066

realize that there is a, there's

an existing relationship there.

:

00:39:31,376 --> 00:39:31,666

Ryan Rebalkin: okay.

:

00:39:31,741 --> 00:39:35,851

So obviously, but I just felt, I felt

it odd that, and it's weird because

:

00:39:35,851 --> 00:39:39,901

it was one of these films where

there wasn't, which is fine, I guess

:

00:39:39,901 --> 00:39:40,981

it's still kind of kid friendly.

:

00:39:40,981 --> 00:39:43,981

They didn't wanna get too like, you

know, there's been some kid films where

:

00:39:43,981 --> 00:39:47,791

there's drama and the relationships

with the adults, but good and bad.

:

00:39:47,791 --> 00:39:51,241

What I liked is that Dylan McDermott's

character, Bobby is his name Bobby,

:

00:39:52,141 --> 00:39:54,001

Katie: No his name's Brian.

:

00:39:54,121 --> 00:39:55,171

Brian Bedford.

:

00:39:55,381 --> 00:39:55,471

Ryan Rebalkin: his

:

00:39:55,501 --> 00:39:57,031

Katie: Mm-hmm.

:

00:39:57,037 --> 00:39:57,156

Mm-hmm.

:

00:39:57,331 --> 00:39:58,321

His name is Bobby in the

:

00:39:58,596 --> 00:39:58,716

practice.

:

00:39:59,161 --> 00:40:02,371

Ryan Rebalkin: Is that what

I actually, what I liked?

:

00:40:02,791 --> 00:40:06,211

'cause I hadn't seen this, I've seen this

film once before, probably a long time

:

00:40:06,211 --> 00:40:08,101

ago, but I hadn't seen it in 20 odd years.

:

00:40:08,101 --> 00:40:10,561

But I liked about his character was.

:

00:40:11,446 --> 00:40:12,376

He wasn't a dick.

:

00:40:12,376 --> 00:40:15,376

And I was a little bit afraid

of that, that the smarmy, that

:

00:40:15,376 --> 00:40:16,576

he was gonna be the nonbeliever.

:

00:40:16,576 --> 00:40:20,416

I like that the guy, I know it sounds

cliche, but the guy was the believer,

:

00:40:20,416 --> 00:40:21,946

he was the sweetheart of the film.

:

00:40:21,946 --> 00:40:24,586

That it was the mother who

was kind of the nonbeliever.

:

00:40:24,586 --> 00:40:26,926

'cause he usually just the feminine

side, a little bit more soft,

:

00:40:26,926 --> 00:40:27,916

a little bit more believing.

:

00:40:28,156 --> 00:40:31,756

And the men are a little bit more maybe

not negative, but not as believing.

:

00:40:31,786 --> 00:40:35,066

And of course the lawyer, the prosecutor

lawyer was that played by JT Walsh

:

00:40:35,456 --> 00:40:36,836

represented that side of the coin.

:

00:40:36,836 --> 00:40:38,876

But the point is, I like that his

character was just a good guy.

:

00:40:38,876 --> 00:40:40,436

I like that through the whole film.

:

00:40:41,306 --> 00:40:43,076

character happened to be a good guy.

:

00:40:43,136 --> 00:40:46,946

But the same token, because of

that, he was such a great guy.

:

00:40:46,946 --> 00:40:49,076

He's sweet, he's good looking,

great to the daughter.

:

00:40:49,526 --> 00:40:52,196

I'm like, woman, what is your deal?

:

00:40:52,196 --> 00:40:54,446

What, what are you, this is where as a

:

00:40:54,516 --> 00:40:54,736

Katie: No.

:

00:40:54,896 --> 00:40:56,171

'cause she agreed.

:

00:40:56,171 --> 00:40:58,751

I mean, and that's,

that's where I think I get

:

00:40:59,051 --> 00:41:00,221

Ryan Rebalkin: and I was

gonna ask you about that here.

:

00:41:00,671 --> 00:41:02,141

Let's say you're a single woman.

:

00:41:02,861 --> 00:41:04,961

You've got a guy who's intelligent,

:

00:41:05,201 --> 00:41:05,861

Katie: a catch.

:

00:41:05,921 --> 00:41:07,451

He's, he's a, he's a catch.

:

00:41:07,691 --> 00:41:10,181

Ryan Rebalkin: and loves your

daughter, which is the number

:

00:41:10,181 --> 00:41:12,071

one thing in your life, and they,

they have a great relationship.

:

00:41:12,071 --> 00:41:14,591

You're like, oh, but

marriage, don't be selling.

:

00:41:14,591 --> 00:41:15,491

What are you doing?

:

00:41:15,491 --> 00:41:17,901

I go, what are we talk

what is she looking for?

:

00:41:18,081 --> 00:41:21,711

Katie: Well, this is where I think this

is why romantic comedy came into my brain

:

00:41:21,711 --> 00:41:24,351

because it's a trope in romantic comedies

:

00:41:24,381 --> 00:41:24,771

Ryan Rebalkin: so.

:

00:41:24,861 --> 00:41:30,111

Katie: for no reason whatsoever, the woman

is so hurt by her previous experiences

:

00:41:30,351 --> 00:41:36,171

that she pushes the guy this perfect man

away and, and then the guy just keeps

:

00:41:36,171 --> 00:41:37,611

coming and keeps coming and keeps coming.

:

00:41:37,611 --> 00:41:38,901

And that would never happen in real life.

:

00:41:38,901 --> 00:41:39,861

He'd be like, okay, fine.

:

00:41:39,861 --> 00:41:41,571

I've got a lot of other options here.

:

00:41:42,051 --> 00:41:44,271

But in these romantic

comedies, that's a trope.

:

00:41:44,271 --> 00:41:47,641

So she says, it's not as serious.

:

00:41:47,641 --> 00:41:48,901

And so it was

:

00:41:49,021 --> 00:41:49,351

Ryan Rebalkin: That's

:

00:41:49,411 --> 00:41:52,861

Katie: he proposes, it's a bit much.

:

00:41:53,401 --> 00:41:57,151

And then for her to say,

she went as far as to say.

:

00:41:58,546 --> 00:42:02,686

You're, if you put your

faith in me, you're a fool.

:

00:42:02,791 --> 00:42:03,361

Ryan Rebalkin: Yes.

:

00:42:03,466 --> 00:42:04,006

Katie: Yeah.

:

00:42:04,246 --> 00:42:04,696

Yeah.

:

00:42:04,861 --> 00:42:05,221

Ryan Rebalkin: what I mean.

:

00:42:05,221 --> 00:42:05,431

It's like,

:

00:42:05,431 --> 00:42:08,581

oh, it seemed like they

hadn't been dating yet.

:

00:42:08,581 --> 00:42:11,881

If I was watching that scene

and you say to the viewer, how

:

00:42:11,881 --> 00:42:12,961

long have they been dating?

:

00:42:12,961 --> 00:42:14,731

My answer would've been, they?

:

00:42:15,706 --> 00:42:18,826

Katie: There's a few indications

that they're not strangers,

:

00:42:18,886 --> 00:42:19,786

you know, like they've

:

00:42:20,461 --> 00:42:21,721

Ryan Rebalkin: She, he, she trust.

:

00:42:21,976 --> 00:42:22,336

Katie: mm-hmm.

:

00:42:23,041 --> 00:42:23,791

Ryan Rebalkin: And I know people are like,

:

00:42:23,791 --> 00:42:24,871

guys, this is a Christmas movie.

:

00:42:24,871 --> 00:42:25,411

I'm sorry.

:

00:42:25,651 --> 00:42:25,961

This is,

:

00:42:27,196 --> 00:42:27,796

Katie: Well, in.

:

00:42:27,901 --> 00:42:29,161

Ryan Rebalkin: this is the

weakest part of the film,

:

00:42:29,161 --> 00:42:31,951

is their relationship status

is actually confusing to me.

:

00:42:31,951 --> 00:42:35,361

And then I had a hard time liking

her character and I didn't like that.

:

00:42:35,661 --> 00:42:38,211

'cause I felt frustrated by

the fact that she was such a,

:

00:42:39,411 --> 00:42:40,311

I know she loved her daughter.

:

00:42:40,311 --> 00:42:41,181

I wanna protect her daughter.

:

00:42:41,211 --> 00:42:43,161

'cause you know, she didn't want

her daughter hurt by life the

:

00:42:43,161 --> 00:42:44,241

way she's been hurt by life.

:

00:42:44,241 --> 00:42:44,751

I get it.

:

00:42:44,751 --> 00:42:45,081

I get.

:

00:42:45,501 --> 00:42:46,221

That's great.

:

00:42:46,521 --> 00:42:49,131

But then I just, I guess I'm such

a pragmatic person, so I'm like,

:

00:42:49,431 --> 00:42:51,081

lady, you got a great guy here.

:

00:42:51,081 --> 00:42:51,831

Your life could be good.

:

00:42:51,831 --> 00:42:54,891

Now, of course, spoil

alert, it ends up together.

:

00:42:54,891 --> 00:42:55,251

I know.

:

00:42:55,671 --> 00:42:57,711

Katie: Again, this is the

romantic comedy tropes.

:

00:42:57,711 --> 00:43:00,291

That's why I keep thinking about that,

even though this is technically, but

:

00:43:00,291 --> 00:43:04,461

now I will say, Ryan, because you

haven't had the the extra help of

:

00:43:04,521 --> 00:43:06,321

recently rewatching the original.

:

00:43:06,441 --> 00:43:07,041

Ryan Rebalkin: No,

:

00:43:07,041 --> 00:43:08,751

Katie: this is so the original.

:

00:43:08,751 --> 00:43:12,111

It's clear that they are

neighbors, but they are not

:

00:43:12,111 --> 00:43:13,971

dating and he wants to date her.

:

00:43:14,121 --> 00:43:15,231

Ryan Rebalkin: see that?

:

00:43:16,011 --> 00:43:19,581

feel like they took that and they just

made it a little bit more confusing.

:

00:43:19,731 --> 00:43:21,201

Katie: they, they well, it,

:

00:43:21,321 --> 00:43:22,221

Ryan Rebalkin: there, that makes sense.

:

00:43:22,251 --> 00:43:22,461

Okay.

:

00:43:22,461 --> 00:43:25,131

That's what I felt That's what it,

that's what it seemed like, but then

:

00:43:25,131 --> 00:43:26,941

it's like, oh, there's more there you go.

:

00:43:27,091 --> 00:43:30,481

Katie: it's because in this one, they

had to set that up, they had to have at

:

00:43:30,481 --> 00:43:35,701

least been dating a little bit so that

a proposal wasn't completely asinine.

:

00:43:36,241 --> 00:43:36,871

And then.

:

00:43:36,991 --> 00:43:37,561

Ryan Rebalkin: in the first one?

:

00:43:38,041 --> 00:43:38,671

Katie: No,

:

00:43:38,851 --> 00:43:39,451

Ryan Rebalkin: Okay.

:

00:43:39,811 --> 00:43:41,821

Katie: they do end up

together in the original.

:

00:43:41,881 --> 00:43:46,591

But so in this one, there's the whole

Chris Kringle spoiler alert sends each

:

00:43:46,591 --> 00:43:51,181

of them a card on Christmas Eve saying,

meet us, you know, meet me at the church.

:

00:43:51,196 --> 00:43:52,336

Ryan Rebalkin: That happens to both films.

:

00:43:53,041 --> 00:43:56,161

Katie: So I'm saying it doesn't,

what I'm saying is I think that in

:

00:43:56,161 --> 00:43:57,421

this one it was a little bit longer.

:

00:43:57,421 --> 00:43:58,891

They had to kind of set up

:

00:43:59,761 --> 00:44:02,641

and make it realistic that

they got married so quick.

:

00:44:02,641 --> 00:44:03,301

You know what I mean?

:

00:44:03,551 --> 00:44:06,041

So she quickly does

realize that, you know.

:

00:44:06,071 --> 00:44:08,141

Okay, I bet he has a good catch.

:

00:44:08,441 --> 00:44:09,341

I hear you though.

:

00:44:09,371 --> 00:44:15,641

But the original is also the woman is the

one, she's the high powered career woman,

:

00:44:15,641 --> 00:44:18,911

which was extremely progressive in 47.

:

00:44:19,106 --> 00:44:19,676

Ryan Rebalkin: that's crazy.

:

00:44:19,676 --> 00:44:20,156

That's great.

:

00:44:20,621 --> 00:44:22,871

Katie: Maureen O'Hara,

who I, I like her a lot.

:

00:44:22,871 --> 00:44:25,151

She's, yeah, so she plays Doris.

:

00:44:25,201 --> 00:44:28,141

And so in the original, again,

it's still the neighbor situation.

:

00:44:28,631 --> 00:44:29,741

It's a different name.

:

00:44:29,981 --> 00:44:30,821

It's not the same.

:

00:44:30,821 --> 00:44:32,021

Like they play different characters.

:

00:44:32,021 --> 00:44:34,781

Let's see, John Payne plays Fred Galey.

:

00:44:35,231 --> 00:44:37,181

It's, you know, kind of

the standin character.

:

00:44:37,526 --> 00:44:37,766

Ryan Rebalkin: Right?

:

00:44:37,781 --> 00:44:42,611

Katie: So yeah, and it is one thing in

the nineties versions I have noticed,

:

00:44:42,611 --> 00:44:48,821

and I've brought up a few times, John

Hughes portrays women that aren't

:

00:44:48,821 --> 00:44:51,791

married as like really heartless.

:

00:44:52,041 --> 00:44:55,671

And there's like, if, if you have

a career, you could never they're

:

00:44:55,671 --> 00:44:58,341

just like heartless bees who,

:

00:44:58,541 --> 00:44:58,831

Ryan Rebalkin: Yeah.

:

00:44:59,001 --> 00:45:00,771

Katie: you know, he like,

it's a thing with John Hughes.

:

00:45:00,771 --> 00:45:04,671

I don't know if he's got like mommy issues

or something, I'm not entirely sure.

:

00:45:04,671 --> 00:45:08,051

But Elizabeth Perkins

plays that type very well.

:

00:45:08,051 --> 00:45:09,371

I think she was really good

:

00:45:09,641 --> 00:45:10,241

at this.

:

00:45:11,141 --> 00:45:14,306

Ryan Rebalkin: Oh, Susan Walker, the

character in the original was played

:

00:45:14,306 --> 00:45:16,046

by the young actress, Natalie Wood.

:

00:45:16,601 --> 00:45:20,621

Katie: Yes, the original Natalie

Wood plays the plays Susan in

:

00:45:20,621 --> 00:45:23,081

this one, Mara Wilson plays her

:

00:45:23,186 --> 00:45:23,546

Ryan Rebalkin: Right.

:

00:45:23,681 --> 00:45:26,591

Katie: and, or maybe it's

Mara Maira Mara, whatever.

:

00:45:26,591 --> 00:45:27,641

But she's also in Mrs.

:

00:45:27,641 --> 00:45:28,931

Doubtfire and Matilda.

:

00:45:28,946 --> 00:45:29,846

Ryan Rebalkin: right.

:

00:45:29,891 --> 00:45:32,711

Katie: she would've just recently

rewatched so we could compare.

:

00:45:33,146 --> 00:45:33,656

Ryan Rebalkin: oh,

:

00:45:33,701 --> 00:45:35,921

Katie: guys all know my

thoughts about kids in movies.

:

00:45:35,981 --> 00:45:38,411

Now this little girl grew on me.

:

00:45:38,721 --> 00:45:41,301

At first I was like, uhoh,

I am not gonna like her.

:

00:45:41,961 --> 00:45:46,221

She grew on me throughout the movie,

but I will say Natalie Wood as

:

00:45:46,221 --> 00:45:50,751

Susan in the original is so good.

:

00:45:50,751 --> 00:45:54,141

It's like a bazillion

times better in my, in my

:

00:45:54,206 --> 00:45:55,556

Ryan Rebalkin: I'll say she was fine.

:

00:45:56,336 --> 00:45:57,086

I don't mean that like

:

00:45:57,251 --> 00:45:57,491

Katie: mm-hmm.

:

00:45:57,686 --> 00:45:58,736

Ryan Rebalkin: Wilson's young guy young

:

00:45:58,736 --> 00:45:59,336

character here.

:

00:45:59,396 --> 00:46:03,116

I was actually, dialogue was

pretty strong, which helps.

:

00:46:04,376 --> 00:46:06,646

I actually, I'm not, because,

:

00:46:06,646 --> 00:46:08,146

you know, I don't hate

kids the way you do.

:

00:46:08,146 --> 00:46:08,596

So,

:

00:46:08,866 --> 00:46:10,246

Katie: You're not, I

mean, you're, you know,

:

00:46:11,266 --> 00:46:13,156

Ryan Rebalkin: I'm sorry, I

like to poke funny a little bit,

:

00:46:13,276 --> 00:46:15,346

Katie: especially in

movies, I'm like, oh God,

:

00:46:15,646 --> 00:46:16,306

Ryan Rebalkin: no, I'm the

:

00:46:16,366 --> 00:46:16,846

Katie: yeah.

:

00:46:16,996 --> 00:46:17,236

Ryan Rebalkin: way.

:

00:46:17,241 --> 00:46:17,956

it it is tough.

:

00:46:17,956 --> 00:46:18,166

It is

:

00:46:18,166 --> 00:46:19,996

tough being a child actor in general.

:

00:46:19,996 --> 00:46:21,286

So will say

:

00:46:21,286 --> 00:46:21,916

she did pretty good.

:

00:46:22,486 --> 00:46:23,956

It actually was, she was actually, it

:

00:46:24,376 --> 00:46:24,796

Katie: Yeah.

:

00:46:25,036 --> 00:46:25,966

Ryan Rebalkin: bother me at all.

:

00:46:25,971 --> 00:46:26,206

And, and

:

00:46:26,206 --> 00:46:30,046

it wasn't overdone and she had the

perfect amount of cuteness, the talk.

:

00:46:30,046 --> 00:46:33,376

And the Santa, I will say it is

probably one of the stronger.

:

00:46:33,466 --> 00:46:34,906

So the fact that you see

Natalie Wood was so good in the

:

00:46:34,906 --> 00:46:35,416

original, I'm, might have to

:

00:46:36,011 --> 00:46:36,431

Katie: Mm-hmm.

:

00:46:36,676 --> 00:46:36,991

You will,

:

00:46:37,036 --> 00:46:37,306

Ryan Rebalkin: now.

:

00:46:37,651 --> 00:46:38,631

Katie: it, it's a better movie.

:

00:46:39,326 --> 00:46:40,886

Ryan Rebalkin: But yeah, I

thought she was just fine.

:

00:46:40,886 --> 00:46:41,456

I thought she was

:

00:46:41,591 --> 00:46:42,011

Katie: Agreed.

:

00:46:42,206 --> 00:46:43,256

Ryan Rebalkin: written well, directed

:

00:46:43,256 --> 00:46:46,916

well, and they didn't overdo these,

the sappiness of silly, I mean, this

:

00:46:46,916 --> 00:46:50,036

is a certain degree, but I, this is the

thing, I think this is an adult film,

:

00:46:50,036 --> 00:46:53,006

but they have the child, the child

voice of when you're a kid, you're gonna

:

00:46:53,006 --> 00:46:55,286

watch that character a little bit more.

:

00:46:55,286 --> 00:46:55,586

But I,

:

00:46:55,736 --> 00:46:59,666

I felt like a lot of this was a

message to adults, not to kids.

:

00:47:00,791 --> 00:47:01,081

Katie: Okay.

:

00:47:01,301 --> 00:47:01,391

Ryan Rebalkin: Why?

:

00:47:01,391 --> 00:47:02,621

I think it's, that's why I think

:

00:47:02,621 --> 00:47:07,581

it's, it's when we as adults lose the

magic of Christmas, when we stop believing

:

00:47:07,911 --> 00:47:12,201

and when we stop believing in the magic

of Christmas, when, and not to take that

:

00:47:12,201 --> 00:47:14,841

away from children, let them, there's

a part in the movie, I can't remember

:

00:47:14,841 --> 00:47:19,361

the exact quote or part, but the idea of

let her, she says, can I actually, can I

:

00:47:19,361 --> 00:47:21,101

just hold onto this a little bit longer?

:

00:47:21,101 --> 00:47:21,971

Can I just be a kid?

:

00:47:22,311 --> 00:47:24,891

Sometimes parents, and I've

known some, I won't name anybody.

:

00:47:24,891 --> 00:47:29,121

I've known people in my family who

will kind of pop the Christmas bubble

:

00:47:29,901 --> 00:47:32,441

as a way of I dunno, I'm not gonna

tell you how to parent your kids.

:

00:47:32,441 --> 00:47:34,601

What I'm getting at is let

them believe in the magic.

:

00:47:34,631 --> 00:47:36,371

'cause we're all gonna be

grumpy adults soon enough.

:

00:47:36,371 --> 00:47:39,071

We're all gonna be cynical and Christmas.

:

00:47:39,821 --> 00:47:44,501

And what I did with my kids was, is

that told them that Santa's a character

:

00:47:44,561 --> 00:47:47,501

the same way Mickey Mouse is a

character, or SpongeBob is a character.

:

00:47:47,771 --> 00:47:49,391

So it's not real in the sense of like.

:

00:47:50,276 --> 00:47:53,636

there's a guy in the North Pole, but

I said, but isn't it fun to believe

:

00:47:53,636 --> 00:47:54,866

in a character that does these?

:

00:47:54,986 --> 00:47:59,096

So we always not train, but we raise

our kids to understand that Santa

:

00:47:59,546 --> 00:48:04,616

was a real character the same way

Mickey Mouse is a real, like when you

:

00:48:04,616 --> 00:48:06,026

go to Disney, like what do you see?

:

00:48:06,026 --> 00:48:07,976

You give Mickey Mouse a

hug and Donald Duck a hug.

:

00:48:08,906 --> 00:48:09,536

the whole point.

:

00:48:09,536 --> 00:48:13,316

These are characters and let kids,

and even when kids go to Disney Land,

:

00:48:13,316 --> 00:48:15,596

they know it's not really a mouse.

:

00:48:15,926 --> 00:48:19,286

It's a costume that nobody's

talking, but they, and even the

:

00:48:19,286 --> 00:48:21,116

adults, it's fun to believe.

:

00:48:21,116 --> 00:48:21,656

And I think we

:

00:48:21,836 --> 00:48:22,376

Katie: Yeah.

:

00:48:22,676 --> 00:48:23,096

Ryan Rebalkin: up in,

:

00:48:23,456 --> 00:48:23,636

Katie: Mm-hmm.

:

00:48:24,236 --> 00:48:25,166

Ryan Rebalkin: oh, it's not real.

:

00:48:25,916 --> 00:48:28,496

Okay, heaven forbid have

:

00:48:28,651 --> 00:48:28,941

Katie: Well,

:

00:48:29,966 --> 00:48:34,856

I will say I think this is just, I can't

prove this, but I think most kids are

:

00:48:34,856 --> 00:48:39,056

taught and grow up thinking for some

period of time that Santa Claus is real.

:

00:48:39,236 --> 00:48:41,906

Not the character, but he's a real person.

:

00:48:42,116 --> 00:48:42,896

That some,

:

00:48:43,001 --> 00:48:43,451

Ryan Rebalkin: was the same

:

00:48:43,646 --> 00:48:45,986

Katie: yeah, that, so

I'm saying most kids do.

:

00:48:46,271 --> 00:48:46,451

Ryan Rebalkin: ness

:

00:48:46,616 --> 00:48:47,006

Katie: Yeah.

:

00:48:47,291 --> 00:48:47,771

Ryan Rebalkin: where oh

:

00:48:48,551 --> 00:48:49,931

Katie: And even in the

court case it's brought up.

:

00:48:49,961 --> 00:48:53,471

Oh, so you told your kids this, you,

you, you taught your kids that Santa

:

00:48:53,471 --> 00:48:58,411

was, so it comes up in the court

case you know, and, but Dory says she

:

00:48:58,411 --> 00:49:01,951

believed when she was a kid, and then

it's not really investigated, but clear.

:

00:49:01,951 --> 00:49:03,541

Like we get hints that.

:

00:49:03,541 --> 00:49:04,891

Ryan Rebalkin: heart, whatever it was.

:

00:49:05,041 --> 00:49:07,321

And I actually took that as

funny enough just as somebody

:

00:49:07,321 --> 00:49:08,581

who was raised religious very

:

00:49:08,656 --> 00:49:09,076

Katie: Mm-hmm.

:

00:49:09,511 --> 00:49:10,621

Ryan Rebalkin: that she talked about

:

00:49:10,621 --> 00:49:15,421

when she found out it wasn't

true, it shattered her worldview.

:

00:49:15,901 --> 00:49:18,361

And I guess that, I guess

every kid is different.

:

00:49:18,361 --> 00:49:19,591

Everyone's experience is different.

:

00:49:19,711 --> 00:49:21,831

Same with my very quickly

my religious upbringing.

:

00:49:21,831 --> 00:49:23,061

When I found out it kind of wasn't.

:

00:49:24,411 --> 00:49:25,641

Empirically true.

:

00:49:25,766 --> 00:49:26,186

Katie: Mm-hmm.

:

00:49:26,211 --> 00:49:27,501

Ryan Rebalkin: taught, it did shatter my

:

00:49:27,501 --> 00:49:27,891

worldview.

:

00:49:27,891 --> 00:49:30,681

So I understand that part of it for sure.

:

00:49:30,681 --> 00:49:33,261

So I think there is a little bit of

allegory there between, I guess you could

:

00:49:33,261 --> 00:49:34,791

say, well, they talk about God and God, we

:

00:49:34,966 --> 00:49:35,386

Katie: Mm-hmm.

:

00:49:35,466 --> 00:49:35,866

Mm-hmm.

:

00:49:35,946 --> 00:49:36,306

Mm-hmm.

:

00:49:36,351 --> 00:49:36,711

Ryan Rebalkin: God.

:

00:49:37,581 --> 00:49:40,281

I, what I liked when they did that

at the end of the court case there

:

00:49:40,581 --> 00:49:43,631

was that even though they brought

up God, they like, they said God

:

00:49:43,631 --> 00:49:44,836

might not be something we can

:

00:49:45,521 --> 00:49:47,561

Katie: You can't prove God either yet.

:

00:49:47,561 --> 00:49:49,601

It's the government

believes in it so much.

:

00:49:49,601 --> 00:49:50,441

It's on our dollar.

:

00:49:50,441 --> 00:49:52,146

Therefore, Santa is real too.

:

00:49:53,146 --> 00:49:53,436

Ryan Rebalkin: Yeah.

:

00:49:53,586 --> 00:49:56,201

It's an interesting philosophical dis

:

00:49:56,261 --> 00:50:02,891

I, I actually found the court scene and

the philosophical discussions fascinating.

:

00:50:04,451 --> 00:50:06,191

I admit, and I don't know

if kids would get that.

:

00:50:06,191 --> 00:50:06,581

This is what I mean.

:

00:50:06,581 --> 00:50:08,081

I don't think this is a movie for kids.

:

00:50:08,081 --> 00:50:13,061

I think this philosophical discussions

that the adults are having, I don't

:

00:50:13,061 --> 00:50:14,201

know how much kids are catching.

:

00:50:14,231 --> 00:50:14,561

What are your

:

00:50:14,696 --> 00:50:16,706

Katie: That's, yeah, I

mean, that's a fair point.

:

00:50:16,706 --> 00:50:21,206

I think a lot of movies, just

like some kids' movies have adult

:

00:50:21,356 --> 00:50:23,726

things in it because they know that

parents are watching it too, and

:

00:50:23,726 --> 00:50:28,126

it needs to be you at least need to

digest it in some way or, have fun.

:

00:50:28,126 --> 00:50:31,976

So I think in the same way you're

probably right the themes of it.

:

00:50:32,036 --> 00:50:35,996

A lot of the dialogue that really

pose questions, there's very religious

:

00:50:35,996 --> 00:50:37,826

overtones too, like comparisons.

:

00:50:38,246 --> 00:50:42,846

And when Dylan McDermott's character's

like, I am going to prove that there

:

00:50:42,846 --> 00:50:46,416

is a Santa Claus and that he's you,

and he says it in such a way and

:

00:50:46,416 --> 00:50:49,596

then you see what he does and you're

like, oh, I see what he's doing.

:

00:50:49,596 --> 00:50:49,896

Yeah.

:

00:50:50,316 --> 00:50:51,366

So kids wouldn't get that.

:

00:50:51,366 --> 00:50:53,776

But there's also fun

elements for the kids too.

:

00:50:54,196 --> 00:50:54,586

Ryan Rebalkin: It's the

:

00:50:55,021 --> 00:50:55,441

Katie: Mm-hmm.

:

00:50:55,546 --> 00:50:56,626

Ryan Rebalkin: that's,

if you wanna look at it,

:

00:50:57,106 --> 00:50:59,716

if there's Christians out there

who enjoy Christmas because of

:

00:50:59,926 --> 00:51:02,716

Christ, great believe, enjoy it.

:

00:51:02,986 --> 00:51:05,086

If you're believing that there's

a Santa that makes your family

:

00:51:05,086 --> 00:51:08,326

happy, and you talk about Santa

bringing stuff, great, enjoy it.

:

00:51:08,536 --> 00:51:10,906

But just be wary that you don't allow.

:

00:51:10,906 --> 00:51:12,526

Maybe that's my soapbox.

:

00:51:12,556 --> 00:51:18,226

It's like, just be careful that your

worldview isn't shaped around fallacies,

:

00:51:18,226 --> 00:51:24,436

because when quote unquote hard proof

comes out that these are just characters.

:

00:51:25,216 --> 00:51:28,576

But I could argue that yes, the God,

God of Santa or Jesus and Santas, the

:

00:51:28,576 --> 00:51:30,706

reason why they're very similar is

'cause if you're good, you're blessed.

:

00:51:30,706 --> 00:51:30,886

Right?

:

00:51:30,886 --> 00:51:31,336

That's the idea.

:

00:51:31,336 --> 00:51:32,206

If you're good, you

:

00:51:32,251 --> 00:51:33,691

Katie: Well, yeah, there's

a naughty nice list.

:

00:51:33,691 --> 00:51:35,131

You go to heaven or hell, you know.

:

00:51:35,131 --> 00:51:35,971

It's the, it's

:

00:51:36,121 --> 00:51:36,481

Ryan Rebalkin: I it's

:

00:51:36,481 --> 00:51:36,541

the

:

00:51:36,601 --> 00:51:37,051

Katie: is Santa

:

00:51:37,051 --> 00:51:37,531

Claus.

:

00:51:38,161 --> 00:51:39,421

Ryan Rebalkin: Santa sees you when

:

00:51:39,421 --> 00:51:39,631

you're

:

00:51:39,961 --> 00:51:41,371

Katie: Mm-hmm.

:

00:51:41,372 --> 00:51:41,382

Mm-hmm.

:

00:51:41,461 --> 00:51:41,611

Ryan Rebalkin: when

:

00:51:41,656 --> 00:51:42,226

Katie: It's the same.

:

00:51:42,451 --> 00:51:44,461

Ryan Rebalkin: at, knows, when

you're looking at Playboys, all that

:

00:51:44,586 --> 00:51:45,006

Katie: Mm-hmm.

:

00:51:45,031 --> 00:51:47,431

Ryan Rebalkin: that's the whole

idea is like Santa knows, God

:

00:51:47,646 --> 00:51:48,066

Katie: Mm-hmm.

:

00:51:48,181 --> 00:51:49,351

Ryan Rebalkin: So it's very obvious

:

00:51:49,351 --> 00:51:52,651

similarities, but that's what I'm

trying to get is let your kids know.

:

00:51:52,651 --> 00:51:55,941

Well, no, and I tell my kids I

buy all the gifts, however, every

:

00:51:55,941 --> 00:51:58,911

Christmas, even now, they get a gift

under the tree that's from Santa.

:

00:51:58,911 --> 00:52:03,591

But I'll tell you this much, Santa's

gifts are always that cost a lot of money.

:

00:52:03,591 --> 00:52:07,641

It says mom and dad, but I admit, but

yeah, but they get, the stockings are

:

00:52:07,641 --> 00:52:11,331

from Santa and they know, but they,

it says from Santa, you know, and

:

00:52:11,391 --> 00:52:11,691

Katie: Yeah.

:

00:52:11,691 --> 00:52:13,221

And mo a lot of families.

:

00:52:13,761 --> 00:52:14,931

It's funny that you say that.

:

00:52:14,961 --> 00:52:18,131

I, I, Somebody that I work with says

too, she's like, I don't even know if

:

00:52:18,131 --> 00:52:20,021

she puts gifts for Santa under the tree.

:

00:52:20,021 --> 00:52:21,731

'cause she's like, oh, my

kids to know that's from me.

:

00:52:22,031 --> 00:52:24,701

It's funny how parents have

grown to want more credit.

:

00:52:25,251 --> 00:52:28,161

Whereas also, I don't think

back in the day, kids got,

:

00:52:28,161 --> 00:52:28,551

Ryan Rebalkin: off.

:

00:52:28,761 --> 00:52:31,881

Katie: kids didn't get as many,

you know, parents did too.

:

00:52:31,881 --> 00:52:33,111

So just times have changed.

:

00:52:33,201 --> 00:52:34,581

Ryan Rebalkin: I was, actually

middle class back when

:

00:52:34,581 --> 00:52:36,021

middle class was was a thing.

:

00:52:36,081 --> 00:52:36,411

Katie: Yeah.

:

00:52:36,411 --> 00:52:37,461

It used to be a thing.

:

00:52:37,926 --> 00:52:38,346

Mm-hmm.

:

00:52:38,721 --> 00:52:39,201

Ryan Rebalkin: middle class.

:

00:52:39,201 --> 00:52:39,831

That's how I always

:

00:52:39,831 --> 00:52:40,311

call myself.

:

00:52:40,311 --> 00:52:43,391

We were never, the what's it,

what's one under middle class now?

:

00:52:43,391 --> 00:52:43,871

I can't remember.

:

00:52:43,871 --> 00:52:44,351

Lower class.

:

00:52:44,381 --> 00:52:45,311

Is it just called lower class?

:

00:52:45,401 --> 00:52:46,781

Katie: Working, working class.

:

00:52:46,781 --> 00:52:47,951

Blue collar, I dunno.

:

00:52:48,461 --> 00:52:51,341

Ryan Rebalkin: no, but my, yeah,

anyways, so yeah, so back in the

:

00:52:51,341 --> 00:52:54,131

eighties, I, that was back when you

could under Reaganomics when two

:

00:52:54,131 --> 00:52:55,571

working parents you were doing okay.

:

00:52:55,691 --> 00:52:56,141

You're back

:

00:52:56,351 --> 00:52:58,151

Katie: No, that was before Reaganomics.

:

00:52:58,271 --> 00:52:58,601

Ryan Rebalkin: oh,

:

00:52:58,701 --> 00:52:59,901

Katie: But yeah, he, he,

:

00:53:00,051 --> 00:53:00,201

Ryan Rebalkin: were.

:

00:53:00,381 --> 00:53:04,159

Katie: started the steady decline

. It just took, it took 40 years.

:

00:53:04,189 --> 00:53:04,369

Yeah.

:

00:53:04,369 --> 00:53:04,699

Yeah.

:

00:53:04,729 --> 00:53:05,119

Ryan Rebalkin: Ronald.

:

00:53:05,419 --> 00:53:05,779

Katie: Yep.

:

00:53:05,869 --> 00:53:06,139

Yeah.

:

00:53:06,139 --> 00:53:07,129

It started in the, yes.

:

00:53:07,189 --> 00:53:11,109

But to your point the thing

about Santa and the believing and

:

00:53:11,109 --> 00:53:14,079

everything, but the, what Dorie

says is kind of makes sense though.

:

00:53:14,079 --> 00:53:17,739

She's like, you know, I want

my kid to know the truth.

:

00:53:17,919 --> 00:53:19,479

And she gives her kid a test.

:

00:53:19,809 --> 00:53:21,129

Now I'm curious what your thoughts are.

:

00:53:21,564 --> 00:53:21,954

Ryan Rebalkin: Sure.

:

00:53:22,629 --> 00:53:26,169

Katie: Ask Santa for something that

you don't ask me for, for Christmas,

:

00:53:26,169 --> 00:53:31,329

and if it's there, Santa's real,

and in this movie that happens.

:

00:53:31,659 --> 00:53:32,919

But if you.

:

00:53:33,459 --> 00:53:38,319

But if a kid watches this, you know,

and they ask Santa something at the mall

:

00:53:39,369 --> 00:53:40,809

and the parents don't know.

:

00:53:40,944 --> 00:53:41,454

Ryan Rebalkin: with that parent.

:

00:53:41,454 --> 00:53:41,814

This is me.

:

00:53:41,814 --> 00:53:42,474

I'm being a parent.

:

00:53:42,474 --> 00:53:43,464

I disagree with the parenting.

:

00:53:43,464 --> 00:53:45,384

That's just when you say,

look, okay, sweetheart.

:

00:53:46,194 --> 00:53:47,994

what, that's when you

say She's a smart kid.

:

00:53:47,994 --> 00:53:50,304

That's exactly when I would've

come and said, okay, good.

:

00:53:50,304 --> 00:53:52,014

You're at, basically, you're coming at me.

:

00:53:52,164 --> 00:53:55,074

I think that's what I did with the, I've

had six kids, so I, I can't remember each

:

00:53:55,074 --> 00:53:58,359

journey, but the, the rule was always

when the kid asks you to tell the truth.

:

00:53:59,274 --> 00:54:01,074

And so if they say, is Santa Real?

:

00:54:01,074 --> 00:54:02,814

I hear kids at school

saying, Santa's not real.

:

00:54:02,814 --> 00:54:03,504

I say, yeah, you're right.

:

00:54:03,504 --> 00:54:03,894

He's not.

:

00:54:03,924 --> 00:54:05,544

And that's when you

just say, he's not real.

:

00:54:05,544 --> 00:54:06,384

As in I'm real.

:

00:54:06,384 --> 00:54:09,234

Your father, he's a character

that's fun to believe in.

:

00:54:09,234 --> 00:54:11,934

So your friends are right at school, but

there's something to freak out about.

:

00:54:13,494 --> 00:54:14,274

and that's the same thing.

:

00:54:14,274 --> 00:54:15,144

She should have done that here.

:

00:54:15,144 --> 00:54:18,084

She said, okay, sweetheart,

isn't it fun to believe?

:

00:54:18,204 --> 00:54:18,984

Isn't it fun?

:

00:54:18,984 --> 00:54:21,144

Isn't it good to be

good for goodness sake?

:

00:54:21,294 --> 00:54:22,224

Those are good things.

:

00:54:22,224 --> 00:54:26,124

It's, but Santa's not real, but

the principles of goodness and

:

00:54:26,124 --> 00:54:27,474

kindness, those are real things.

:

00:54:27,474 --> 00:54:29,394

Those are things that we

should enjoy and embrace.

:

00:54:29,484 --> 00:54:35,214

And Santa represents goodness and

charity and peace, or Christ or whoever.

:

00:54:35,544 --> 00:54:36,744

That's what you have to say.

:

00:54:36,744 --> 00:54:37,404

And I, I don't know.

:

00:54:37,704 --> 00:54:39,954

I know it's a movie and she's

not thinking that way, but she

:

00:54:39,984 --> 00:54:40,854

Katie: And it's a remake.

:

00:54:40,854 --> 00:54:43,404

You have to, you know, they have

to kind of stick with the content

:

00:54:43,404 --> 00:54:44,604

of the original a little bit and

:

00:54:44,934 --> 00:54:46,424

Ryan Rebalkin: of I'll show I'll show you.

:

00:54:46,424 --> 00:54:47,354

Santa's not real.

:

00:54:47,474 --> 00:54:49,274

You're gonna be disappointed

when you ask for something

:

00:54:49,274 --> 00:54:50,984

you don't get like, geez, like

:

00:54:51,284 --> 00:54:53,594

Katie: well, I mean, that's,

they needed that in the movie.

:

00:54:53,624 --> 00:54:55,964

So be because in the movie,

:

00:54:56,044 --> 00:54:56,404

Yeah.

:

00:54:56,404 --> 00:54:59,104

But that's the whole point of the movie,

is that in this movie they're showing

:

00:54:59,104 --> 00:55:01,504

Santa is real, but my, what I was,

:

00:55:01,849 --> 00:55:02,869

Ryan Rebalkin: her wishlist?

:

00:55:02,929 --> 00:55:04,789

The what She got like this insane.

:

00:55:04,969 --> 00:55:05,329

Okay.

:

00:55:05,479 --> 00:55:06,259

You'll, you'll, you'll

:

00:55:06,274 --> 00:55:08,494

Katie: and he makes

it, he makes it happen.

:

00:55:08,959 --> 00:55:10,039

Ryan Rebalkin: The rich get richer.

:

00:55:10,089 --> 00:55:13,299

Because So my wife came in at the end of

the film when she came back from shopping

:

00:55:13,299 --> 00:55:17,019

and, and to get the wish, so to get the

iMac concept, you know, they, they have

:

00:55:17,019 --> 00:55:20,439

a baby in their belly and she gets her

brother in the end, you know, they had

:

00:55:20,559 --> 00:55:21,099

Katie: Well, it wasn't ama,

:

00:55:21,459 --> 00:55:24,009

it wasn't immaculate because

they had gotten married.

:

00:55:24,054 --> 00:55:24,294

Ryan Rebalkin: It was

:

00:55:24,939 --> 00:55:26,559

Katie: They'd gotten

married the night before us.

:

00:55:26,604 --> 00:55:28,884

Ryan Rebalkin: they got married and

they had COAs for the first time.

:

00:55:28,884 --> 00:55:29,334

Sure,

:

00:55:29,354 --> 00:55:29,574

Katie: Yep.

:

00:55:29,664 --> 00:55:29,994

Ryan Rebalkin: yeah.

:

00:55:29,994 --> 00:55:30,414

Of course.

:

00:55:30,414 --> 00:55:30,774

They didn't wear

:

00:55:30,774 --> 00:55:32,454

protection, so she's pregnant.

:

00:55:32,854 --> 00:55:34,744

And then they, they got the house.

:

00:55:34,834 --> 00:55:37,984

They were both living in this

upper New York City apartment, so

:

00:55:37,984 --> 00:55:39,214

who knows what those were worth.

:

00:55:39,214 --> 00:55:40,354

And they were nice places.

:

00:55:40,684 --> 00:55:41,944

And it's like the rich get richer.

:

00:55:42,244 --> 00:55:44,074

They get this beautiful big home.

:

00:55:44,074 --> 00:55:46,924

Like there's a part of me that's

like, oh my gosh, how about

:

00:55:46,924 --> 00:55:47,824

an embarrassment of riches?

:

00:55:47,824 --> 00:55:49,654

I almost felt like that

it was almost too much.

:

00:55:49,654 --> 00:55:51,814

I, it made, it made me

miss it's a wonderful life.

:

00:55:51,814 --> 00:55:52,354

That ending.

:

00:55:52,354 --> 00:55:53,194

It's much more sweeter.

:

00:55:53,194 --> 00:55:57,124

Like every time that bell rings angel,

that's a much sweeter, more humble ending.

:

00:55:57,154 --> 00:56:01,174

This one's like, holy smokes, a lottery

winner's won another, the lottery.

:

00:56:01,174 --> 00:56:01,234

I

:

00:56:01,234 --> 00:56:03,724

Katie: Well, again in, in 47.

:

00:56:03,834 --> 00:56:06,414

So things didn't use to be as expensive.

:

00:56:06,474 --> 00:56:08,554

So, now they are well off both of them.

:

00:56:08,554 --> 00:56:09,484

He's a lawyer,

:

00:56:09,754 --> 00:56:10,654

she's, you know,

:

00:56:10,994 --> 00:56:14,174

Like an executive at Macy's

or Kohl's in, in the remixing.

:

00:56:14,564 --> 00:56:16,484

Ryan Rebalkin: apartments in New York

City looking over the city, like they're

:

00:56:16,484 --> 00:56:17,864

looking over the Macy Day parade.

:

00:56:17,864 --> 00:56:20,324

That's not a bad, that's

probably a expensive apartment.

:

00:56:20,534 --> 00:56:23,144

Katie: a, it's outrageous, like

the, the house in the country

:

00:56:23,144 --> 00:56:25,394

costs less, I would imagine, than

:

00:56:25,424 --> 00:56:26,024

Ryan Rebalkin: you're saying.

:

00:56:26,024 --> 00:56:26,264

Yeah.

:

00:56:26,324 --> 00:56:26,834

Katie: in,

:

00:56:26,864 --> 00:56:27,704

Ryan Rebalkin: a father,

:

00:56:27,824 --> 00:56:28,244

Katie: but in,

:

00:56:28,244 --> 00:56:28,754

the

:

00:56:28,754 --> 00:56:30,404

Ryan Rebalkin: space

and the, home life and,

:

00:56:30,764 --> 00:56:33,164

Katie: but it, so it doesn't work

in this, they can afford it because

:

00:56:33,164 --> 00:56:36,464

she got a bonus, but now they

have two incomes, one house in the

:

00:56:36,464 --> 00:56:40,334

country versus separate incomes

each with an apartment in New York.

:

00:56:40,469 --> 00:56:40,789

Ryan Rebalkin: richer.

:

00:56:40,964 --> 00:56:43,754

Katie: But where I'm in the nineties,

ver nineties version, but what

:

00:56:43,754 --> 00:56:46,004

I'm saying is in the 47 version,

:

00:56:46,149 --> 00:56:46,439

Ryan Rebalkin: Okay.

:

00:56:46,634 --> 00:56:54,194

Katie: they, while they are well off those

apartments, were not outrageously like

:

00:56:54,194 --> 00:56:55,934

a bazillion dollars like they are today.

:

00:56:55,934 --> 00:56:59,774

Like a somewhat normal person

could still live in the city.

:

00:56:59,864 --> 00:57:00,704

You can't now,

:

00:57:01,349 --> 00:57:01,589

Ryan Rebalkin: No,

:

00:57:02,114 --> 00:57:02,834

Katie: you know what I, mean?

:

00:57:02,909 --> 00:57:04,109

Ryan Rebalkin: I just

thought that was fine.

:

00:57:04,109 --> 00:57:04,224

I mean?

:

00:57:04,264 --> 00:57:07,939

I, I know it was:

finances, was happy for them, but I

:

00:57:07,939 --> 00:57:10,759

was more happy they were a family,

but I felt like they were really

:

00:57:11,059 --> 00:57:14,749

selling the physical gifts too.

:

00:57:14,799 --> 00:57:15,309

Wow.

:

00:57:15,309 --> 00:57:18,669

The home, and it's fully

furnished and it has all these

:

00:57:18,719 --> 00:57:20,069

who put the gifts under the tree?

:

00:57:20,069 --> 00:57:20,939

Who are they for?

:

00:57:21,224 --> 00:57:24,014

Katie: Well, Chris Cringle, the, the

whole point was that Santa did it.

:

00:57:24,014 --> 00:57:24,764

Santa did it.

:

00:57:25,019 --> 00:57:25,679

Ryan Rebalkin: I'm an idiot.

:

00:57:26,199 --> 00:57:26,889

Katie: But

:

00:57:27,189 --> 00:57:27,819

Ryan Rebalkin: I forgot.

:

00:57:27,819 --> 00:57:28,329

He's real.

:

00:57:28,659 --> 00:57:31,929

Katie: Santa's real, and the

ring we know that he's real

:

00:57:31,929 --> 00:57:33,009

because there's only one way.

:

00:57:33,009 --> 00:57:36,519

The priest, the surprise wedding at

the church, the priest has the ring.

:

00:57:36,519 --> 00:57:39,069

So the movie, the purpose of

this movie, it is a remake.

:

00:57:39,069 --> 00:57:41,769

So we have to kind of stick

with, with some of those

:

00:57:41,824 --> 00:57:42,844

the original themes.

:

00:57:43,084 --> 00:57:43,234

Ryan Rebalkin: But

:

00:57:43,294 --> 00:57:43,654

Katie: didn't,

:

00:57:43,714 --> 00:57:44,824

Ryan Rebalkin: about it, that it was

:

00:57:44,974 --> 00:57:45,454

Katie: oh, go ahead.

:

00:57:45,604 --> 00:57:48,004

Ryan Rebalkin: also, there's

nothing in the film that you

:

00:57:48,004 --> 00:57:50,464

saw that couldn't have been.

:

00:57:50,824 --> 00:57:53,704

Real life, meaning that's

what I liked about it.

:

00:57:53,704 --> 00:57:56,584

Yes, he's talking to the deer, but

you don't see the deer talk back.

:

00:57:56,584 --> 00:58:02,794

You see like everything on the surface

is you never see him be Santa for real.

:

00:58:02,824 --> 00:58:04,264

There's like the Santa Claus.

:

00:58:04,264 --> 00:58:07,864

You see Tim Allen's character, you

know, get fad and talking to elves.

:

00:58:08,104 --> 00:58:11,674

There's nowhere in this film

where the objectively, he

:

00:58:11,674 --> 00:58:12,814

could have been a crazy man.

:

00:58:12,814 --> 00:58:16,654

I, that's what I loved about it, is that

there's no proof that he did any of this.

:

00:58:17,824 --> 00:58:18,874

Katie: And he, I mean, there's,

:

00:58:19,384 --> 00:58:20,424

there's you know, they.

:

00:58:20,484 --> 00:58:20,724

Ryan Rebalkin: that?

:

00:58:20,964 --> 00:58:24,864

Katie: No, but the reason he can't

make the reindeer fly is because

:

00:58:25,254 --> 00:58:28,464

they only fly on on Christmas

Eve, or you know, on Christmas, or

:

00:58:28,704 --> 00:58:29,304

Ryan Rebalkin: but that's what I mean.

:

00:58:29,304 --> 00:58:29,484

That

:

00:58:29,934 --> 00:58:31,044

Katie: there's a reason

:

00:58:31,104 --> 00:58:32,274

Ryan Rebalkin: there's,

it's, that's right.

:

00:58:32,274 --> 00:58:33,174

it's like um,

:

00:58:33,974 --> 00:58:35,474

Katie: a rationalization for it.

:

00:58:35,744 --> 00:58:36,164

Ryan Rebalkin: Street?

:

00:58:37,004 --> 00:58:37,394

Katie: Yeah.

:

00:58:37,604 --> 00:58:37,754

Mm-hmm.

:

00:58:37,814 --> 00:58:38,144

Ryan Rebalkin: Okay.

:

00:58:38,144 --> 00:58:38,564

Remember Staus?

:

00:58:39,224 --> 00:58:39,464

Katie: Yeah.

:

00:58:40,239 --> 00:58:40,719

Ryan Rebalkin: Nobody

:

00:58:40,719 --> 00:58:41,979

saw Snuffle Leus by big

:

00:58:41,999 --> 00:58:42,419

Katie: Mm-hmm.

:

00:58:42,429 --> 00:58:43,929

Ryan Rebalkin: So objectively everyone

:

00:58:43,929 --> 00:58:44,589

could just say, big bird.

:

00:58:44,589 --> 00:58:45,279

You're crazy.

:

00:58:45,279 --> 00:58:47,049

You keep talking about this

big elephant creature that

:

00:58:47,049 --> 00:58:48,279

walks around and talks to you.

:

00:58:48,519 --> 00:58:51,129

Nobody saw Snuffle Leus, but

big bird was, he was just here.

:

00:58:51,129 --> 00:58:51,879

You just missed him.

:

00:58:52,049 --> 00:58:52,469

Katie: Mm-hmm.

:

00:58:52,599 --> 00:58:53,259

Ryan Rebalkin: everyone just

:

00:58:53,589 --> 00:58:54,009

Katie: Mm-hmm.

:

00:58:54,069 --> 00:58:54,609

Ryan Rebalkin: creature.

:

00:58:54,629 --> 00:58:55,049

Katie: Mm-hmm.

:

00:58:55,209 --> 00:58:55,509

Ryan Rebalkin: what I mean,

:

00:58:55,689 --> 00:59:01,059

this Santa character, everything

he's saying, everyone around

:

00:59:01,059 --> 00:59:02,559

him is like, he's not done.

:

00:59:02,649 --> 00:59:04,479

He could just be alerted, man.

:

00:59:04,539 --> 00:59:07,899

He could also just be a little bit

crazy, but that's what I love about it

:

00:59:07,899 --> 00:59:13,479

is that the point, is it's the message

of Christmas that's real, not the

:

00:59:13,479 --> 00:59:16,749

actual entity that all these things that

happened, the film happened because people

:

00:59:16,749 --> 00:59:19,209

believed in the spirit of Christmas.

:

00:59:19,972 --> 00:59:20,512

Katie: Yes.

:

00:59:21,232 --> 00:59:21,442

Ryan Rebalkin: Yeah.

:

00:59:21,647 --> 00:59:22,067

Katie: Mm-hmm.

:

00:59:22,132 --> 00:59:23,302

Ryan Rebalkin: did I get,

did I get the message?

:

00:59:23,302 --> 00:59:23,572

Did I

:

00:59:23,637 --> 00:59:24,117

The messages?

:

00:59:24,362 --> 00:59:24,652

Katie: done.

:

00:59:24,742 --> 00:59:25,827

We're done with the episode.

:

00:59:25,827 --> 00:59:26,397

No, I'm just kidding.

:

00:59:27,057 --> 00:59:28,767

No, that's, that's totally valid.

:

00:59:29,017 --> 00:59:32,867

I will say I wanna get to some more

of the comparisons with the original.

:

00:59:33,347 --> 00:59:38,957

But I did think the cast in this, it

really stood out to me like for a, because

:

00:59:38,957 --> 00:59:40,517

I don't really remember watching this.

:

00:59:40,517 --> 00:59:41,897

And so, you know, yeah.

:

00:59:41,897 --> 00:59:43,712

We talked about Richard,

Richard Attenborough, Elizabeth

:

00:59:43,712 --> 00:59:45,137

Perkins, di Dylan McDermott,

:

00:59:45,467 --> 00:59:48,587

JT Walsh plays the prosecutor here.

:

00:59:48,977 --> 00:59:49,337

We,

:

00:59:49,727 --> 00:59:50,447

Ryan Rebalkin: before he died.

:

00:59:50,717 --> 00:59:52,217

Katie: he was, he was.

:

00:59:52,217 --> 00:59:54,167

And we talked about 'em last

season because he was in

:

00:59:54,167 --> 00:59:56,447

four Kurt Russell movies.

:

00:59:56,717 --> 00:59:59,267

Ryan Rebalkin: That's what

I, he was in a few good men.

:

00:59:59,297 --> 01:00:03,557

Like I, I just, he said actors,

like he's everywhere and a poor guy.

:

01:00:03,557 --> 01:00:03,707

Oh.

:

01:00:03,797 --> 01:00:07,847

I don't remember how he

died, but at the age of 54.

:

01:00:08,397 --> 01:00:09,207

Just looking quickly

:

01:00:09,522 --> 01:00:11,862

Katie: Heart attack or cancer

probably, I'm guessing.

:

01:00:12,072 --> 01:00:12,252

Mm-hmm.

:

01:00:12,267 --> 01:00:14,877

Ryan Rebalkin: sucks 'cause he was

just one of those working actors and

:

01:00:14,982 --> 01:00:15,402

Katie: There's

:

01:00:15,452 --> 01:00:16,857

Ryan Rebalkin: the perfect

where he doesn't have to

:

01:00:16,857 --> 01:00:18,387

carry the film, but he is in every film.

:

01:00:18,522 --> 01:00:19,632

Katie: he and he's good.

:

01:00:19,632 --> 01:00:20,982

He's, there are a lot of those.

:

01:00:20,982 --> 01:00:25,102

I will say this cast is full of

those really solid working actors

:

01:00:25,102 --> 01:00:28,942

where you,, they're not the

go-to like leading man or woman.

:

01:00:28,992 --> 01:00:30,912

So there's also James Remar

:

01:00:31,347 --> 01:00:31,887

Ryan Rebalkin: Yes.

:

01:00:32,022 --> 01:00:34,002

Katie: as so, yeah.

:

01:00:34,122 --> 01:00:34,542

Yes.

:

01:00:34,752 --> 01:00:37,962

So he, plays Jack Duff,

he's one of the guys.

:

01:00:37,962 --> 01:00:42,882

So there's a competing department store,

shoppers Express, and we're introduced

:

01:00:42,882 --> 01:00:47,922

to its founder Victor Landberg, I

wanna say with like evil music, you

:

01:00:47,922 --> 01:00:51,792

know, like we, and he's, you know,

he's trying to, that's a very nineties,

:

01:00:51,942 --> 01:00:54,372

nineties thing he's trying to take over.

:

01:00:55,032 --> 01:00:58,542

It's, it's Kohl's in this, not

Macy's, and we'll get to that.

:

01:00:58,622 --> 01:00:59,072

Ryan Rebalkin: Right?

:

01:00:59,132 --> 01:01:02,432

Katie: was Macy's in the original,

but they didn't get the rights, like

:

01:01:02,522 --> 01:01:04,382

they didn't bother to get copyright.

:

01:01:04,652 --> 01:01:04,982

Ryan Rebalkin: yeah.

:

01:01:04,982 --> 01:01:05,732

Apparently they did.

:

01:01:05,732 --> 01:01:08,192

The Macy's didn't believe they

should do it on the remake.

:

01:01:08,192 --> 01:01:09,122

They were anti the remake,

:

01:01:09,122 --> 01:01:09,662

Katie: They were,

:

01:01:10,082 --> 01:01:10,142

Ryan Rebalkin: yeah.

:

01:01:10,262 --> 01:01:11,882

Katie: so, they just changed it to Kohl's.

:

01:01:11,962 --> 01:01:15,172

So, and that's, that is something

that's different that bit.

:

01:01:15,442 --> 01:01:19,582

The, the competing store is not

at all part of the original.

:

01:01:19,702 --> 01:01:24,432

There's a completely different way

that that they're trying to get Chris

:

01:01:24,432 --> 01:01:27,492

Kringle committed to the mental hospital.

:

01:01:27,662 --> 01:01:29,162

So that was really interesting.

:

01:01:29,552 --> 01:01:34,082

It was like a guy that worked at

Macy's who somehow is in charge

:

01:01:34,082 --> 01:01:38,492

of, like evaluating people's

mental acuity to work at Macy's.

:

01:01:38,597 --> 01:01:43,352

And, and he was convinced, you know,

so he was kind of the evil guy instead.

:

01:01:43,352 --> 01:01:44,432

So that was the original.

:

01:01:45,282 --> 01:01:49,212

So James Remar plays Jack

Duff, one of Berg's people.

:

01:01:49,242 --> 01:01:51,732

Also Jane Leaves plays the other one.

:

01:01:51,732 --> 01:01:55,452

So there's two kind of like quote

unquote, you know, they're not like

:

01:01:55,452 --> 01:01:57,282

bad guys, but they play for the

:

01:01:57,717 --> 01:01:58,137

Ryan Rebalkin: right?

:

01:01:58,182 --> 01:01:59,472

Katie: antagonist, I guess.

:

01:01:59,552 --> 01:02:00,122

So

:

01:02:00,752 --> 01:02:01,532

Dexter's dad

:

01:02:02,072 --> 01:02:02,942

Ryan Rebalkin: Dexter's dad,

:

01:02:02,942 --> 01:02:04,792

and Perry Gilpen, is that her name?

:

01:02:04,852 --> 01:02:06,082

No, that's the other actress.

:

01:02:06,122 --> 01:02:06,902

Frazier's,

:

01:02:07,297 --> 01:02:09,742

Katie: so Jane Leaves plays Daphne.

:

01:02:09,772 --> 01:02:11,482

She plays Daphne

:

01:02:11,812 --> 01:02:12,712

on Frazier.

:

01:02:12,952 --> 01:02:14,902

Ryan Rebalkin: And she had a very small

role, this, which is weird 'cause I

:

01:02:14,902 --> 01:02:16,792

believe Frazier was out of this time.

:

01:02:16,792 --> 01:02:18,922

So I'm 94.

:

01:02:18,922 --> 01:02:20,122

Frazier must have been started.

:

01:02:20,542 --> 01:02:22,932

Katie: It might, it maybe didn't

get big yet, or, you know,

:

01:02:22,932 --> 01:02:24,052

maybe, you know, this came out.

:

01:02:24,257 --> 01:02:26,417

She was probably doing

both at the same time.

:

01:02:26,417 --> 01:02:26,927

Ryan Rebalkin: right.

:

01:02:26,927 --> 01:02:32,447

Fraser's premiered in 93, but so that year

:

01:02:32,537 --> 01:02:33,167

Katie: Mm-hmm.

:

01:02:33,557 --> 01:02:34,367

Ryan Rebalkin: the same time.

:

01:02:34,457 --> 01:02:37,667

But still she, that, I dunno,

that show was always big, I

:

01:02:37,667 --> 01:02:38,447

think at the very beginning.

:

01:02:38,447 --> 01:02:38,687

I think it

:

01:02:38,702 --> 01:02:39,122

Katie: Mm-hmm.

:

01:02:39,227 --> 01:02:40,667

Ryan Rebalkin: all that being

said, it was weird seeing her in

:

01:02:40,667 --> 01:02:43,817

this role playing day, playing

a, not a very nice person.

:

01:02:43,847 --> 01:02:45,497

'cause she's such a sweetheart in Frazier,

:

01:02:45,552 --> 01:02:46,882

Katie: Well, I loved her.

:

01:02:46,912 --> 01:02:48,022

I don't love Frazier.

:

01:02:48,292 --> 01:02:48,862

Ryan Rebalkin: I'm a huge, I'm

:

01:02:48,877 --> 01:02:49,867

Katie: I know you are,

:

01:02:49,912 --> 01:02:50,692

Ryan Rebalkin: Okay.

:

01:02:50,722 --> 01:02:50,752

Okay.

:

01:02:51,067 --> 01:02:55,287

Katie: Jane leaves plays

joy in hot in Cleveland.

:

01:02:55,617 --> 01:02:56,127

Ryan Rebalkin: haven't seen

:

01:02:56,217 --> 01:02:56,667

Katie: It's,

:

01:02:56,817 --> 01:02:57,057

Ryan Rebalkin: mo

:

01:02:57,057 --> 01:02:58,617

Katie: it's very good.

:

01:02:58,617 --> 01:02:59,697

It's essentially

:

01:03:00,357 --> 01:03:01,317

Golden Girls.

:

01:03:02,007 --> 01:03:02,577

Ryan Rebalkin: Okay.

:

01:03:02,847 --> 01:03:05,007

Katie: in, you know, with

where Betty White actually

:

01:03:05,007 --> 01:03:06,627

plays like a gettis, like it's,

:

01:03:07,137 --> 01:03:08,517

but it's more modernized.

:

01:03:08,517 --> 01:03:11,577

The girls are from la they end

up living in Cleveland and joy

:

01:03:11,577 --> 01:03:13,017

is sort of the Blanche character

:

01:03:13,497 --> 01:03:13,947

Ryan Rebalkin: Okay.

:

01:03:13,947 --> 01:03:15,147

Katie: played by Jane leaves in this.

:

01:03:15,147 --> 01:03:17,277

So she's, she's in tons of things.

:

01:03:17,277 --> 01:03:17,877

These are,

:

01:03:18,297 --> 01:03:18,687

you know,

:

01:03:18,777 --> 01:03:19,047

Ryan Rebalkin: Yeah.

:

01:03:19,507 --> 01:03:19,867

Katie: Yeah.

:

01:03:19,917 --> 01:03:20,107

Ryan Rebalkin: I,

:

01:03:20,107 --> 01:03:21,247

just, I love seeing this

:

01:03:21,247 --> 01:03:23,617

the young the young, because

I'm a big Dexter fan, so when I

:

01:03:23,617 --> 01:03:26,947

saw Dexter's dad, I was like, it

was just weird seeing him like

:

01:03:27,277 --> 01:03:28,537

Katie: Young, younger.

:

01:03:28,537 --> 01:03:28,867

Yeah.

:

01:03:29,257 --> 01:03:31,057

Well, and he's a, he's

another one of those.

:

01:03:31,642 --> 01:03:33,382

He kind of did, but a younger version.

:

01:03:33,412 --> 01:03:33,742

Yeah.

:

01:03:33,772 --> 01:03:34,732

Yeah, that's true.

:

01:03:35,122 --> 01:03:36,982

He has over 200 acting credits too.

:

01:03:36,982 --> 01:03:38,452

So he's kind of one of those.

:

01:03:39,412 --> 01:03:40,402

Ryan Rebalkin: I've

said it a hundred times.

:

01:03:40,402 --> 01:03:41,122

I don't mind repeating it.

:

01:03:41,152 --> 01:03:41,482

That's

:

01:03:41,482 --> 01:03:43,312

the, you don't wanna be Tom

Cruise, you don't wanna be

:

01:03:43,522 --> 01:03:44,032

Katie: agreed.

:

01:03:44,162 --> 01:03:45,412

Ryan Rebalkin: you kind of want to be

:

01:03:45,412 --> 01:03:48,562

like, if you're going to like, because

you get to be in films and TV and act and

:

01:03:48,562 --> 01:03:50,122

have a good time, but you can go shopping.

:

01:03:50,547 --> 01:03:50,967

Katie: Mm-hmm.

:

01:03:51,472 --> 01:03:51,712

Ryan Rebalkin: Yeah.

:

01:03:51,957 --> 01:03:52,247

Katie: Yeah.

:

01:03:53,152 --> 01:03:56,692

The only reason I'm bringing

up Simon Jones, who plays Mr.

:

01:03:56,692 --> 01:04:00,372

Shell Hammer, and he is he's like

either the, the manager of the

:

01:04:00,372 --> 01:04:02,382

Macy's or the toy department manager.

:

01:04:02,382 --> 01:04:06,672

I don't, I'm not entirely certain, but

he plays Shell Hammer very specific name.

:

01:04:06,912 --> 01:04:07,602

Ryan Rebalkin: bigger guy.

:

01:04:08,237 --> 01:04:10,542

Katie: No, he's the thin

guy with the mustache,

:

01:04:11,082 --> 01:04:11,562

Ryan Rebalkin: okay.

:

01:04:11,562 --> 01:04:11,742

Yeah.

:

01:04:11,742 --> 01:04:12,072

Katie: that

:

01:04:12,117 --> 01:04:12,437

Ryan Rebalkin: he in?

:

01:04:12,552 --> 01:04:16,452

Katie: they, well, he was also

credited as playing the same name.

:

01:04:16,482 --> 01:04:21,102

Shell Hammer in Matilda, same

guy plays the same character,

:

01:04:21,537 --> 01:04:21,757

Ryan Rebalkin: So

:

01:04:21,792 --> 01:04:22,092

Katie: least.

:

01:04:22,092 --> 01:04:22,932

Ryan Rebalkin: both universes.

:

01:04:23,947 --> 01:04:26,647

Katie: I'm sure I've seen Matilda,

but I don't recall anything from it.

:

01:04:26,647 --> 01:04:29,077

So I don't know if it was just

coincidental or if that, you know,

:

01:04:29,497 --> 01:04:30,037

anyway.

:

01:04:30,217 --> 01:04:30,547

Yeah.

:

01:04:30,682 --> 01:04:33,112

Ryan Rebalkin: you recognize a

one cameo there by Allison Jan?

:

01:04:33,937 --> 01:04:37,687

Katie: Oh, I couldn't

love Alice and Janni more.

:

01:04:38,137 --> 01:04:41,987

She plays the woman and and

her accent she's just so good.

:

01:04:42,437 --> 01:04:47,207

She's credited as the woman, but she's

the brazen woman shopper where she's

:

01:04:47,252 --> 01:04:48,362

Ryan Rebalkin: the Santa or whatever.

:

01:04:48,617 --> 01:04:51,017

Katie: he's telling us where

to get, telling shell hammer.

:

01:04:51,017 --> 01:04:54,017

He's, you know, he's telling,

and that, that character does

:

01:04:54,017 --> 01:04:55,487

exist in the original as well.

:

01:04:56,067 --> 01:04:58,957

So at first you're like, oh crap,

they're gonna sack Chris Cringle

:

01:04:58,957 --> 01:05:02,587

because telling people where to get

their kids shit that they want cheaper,

:

01:05:02,887 --> 01:05:03,237

Ryan Rebalkin: Right.

:

01:05:03,367 --> 01:05:07,807

Katie: then somehow in this

magical universe that makes them

:

01:05:08,197 --> 01:05:12,217

a more loyal shopper, which in

real life wouldn't, wouldn't,

:

01:05:12,322 --> 01:05:12,862

Ryan Rebalkin: No,

:

01:05:13,147 --> 01:05:13,477

Katie: happen.

:

01:05:13,477 --> 01:05:16,537

You'd be like, okay, so everything

here is more expensive, but.

:

01:05:16,912 --> 01:05:19,132

In the movie world That works.

:

01:05:19,132 --> 01:05:20,812

What do you like her and

what are you familiar with?

:

01:05:20,812 --> 01:05:22,732

Ryan Rebalkin: I, I've, it's

funny, I never watched The West

:

01:05:22,732 --> 01:05:24,922

Wing, which I know I have to

watch 'cause I love Martin Sheen.

:

01:05:24,922 --> 01:05:25,852

I love politics.

:

01:05:26,152 --> 01:05:26,422

Katie: Same.

:

01:05:26,422 --> 01:05:27,592

Maybe we should cover it, Ryan.

:

01:05:28,342 --> 01:05:29,212

Ryan Rebalkin: That'd be fantastic.

:

01:05:29,212 --> 01:05:30,942

I, I, and I know it's already years

:

01:05:31,047 --> 01:05:31,467

Katie: Mm-hmm.

:

01:05:31,572 --> 01:05:32,862

Ryan Rebalkin: ended, but the point is, I

:

01:05:32,862 --> 01:05:36,692

love I love politics and I, and

I love those type of dramas,

:

01:05:36,692 --> 01:05:37,682

but I just never saw it.

:

01:05:38,072 --> 01:05:39,392

However, I loved her.

:

01:05:39,392 --> 01:05:41,282

I watched the, the Comedy show Mom

:

01:05:41,397 --> 01:05:41,817

Katie: Mm-hmm.

:

01:05:42,422 --> 01:05:43,112

Ryan Rebalkin: I love her in that.

:

01:05:43,112 --> 01:05:43,352

I thought

:

01:05:43,352 --> 01:05:44,102

she was great in it

:

01:05:44,117 --> 01:05:44,587

Katie: She's great.

:

01:05:44,912 --> 01:05:45,962

Ryan Rebalkin: her, and she was

:

01:05:45,962 --> 01:05:46,682

fantastic in that.

:

01:05:46,682 --> 01:05:50,792

So I just fell in love with her because

that's Chuck Roper, what's his name?

:

01:05:50,792 --> 01:05:51,062

Chuck

:

01:05:51,096 --> 01:05:51,447

Katie: Chuck

:

01:05:51,517 --> 01:05:51,807

Lori?

:

01:05:52,037 --> 01:05:52,327

Yeah.

:

01:05:52,327 --> 01:05:52,727

Mm-hmm.

:

01:05:53,102 --> 01:05:55,802

Ryan Rebalkin: I know it's the Chuck

Laurie made show, but it's great.

:

01:05:55,802 --> 01:05:58,322

She's great in it along with,

yeah, her daughter played by

:

01:05:58,372 --> 01:05:58,492

Katie: Yeah.

:

01:05:58,492 --> 01:05:59,542

I don't love her as much.

:

01:05:59,542 --> 01:06:00,172

The blonde

:

01:06:00,252 --> 01:06:00,822

yeah.

:

01:06:00,882 --> 01:06:01,032

Ryan Rebalkin: But

:

01:06:01,092 --> 01:06:02,742

Katie: Anna Ferris is her name.

:

01:06:02,832 --> 01:06:02,982

Mm-hmm.

:

01:06:03,102 --> 01:06:05,742

Ryan Rebalkin: the, characters in

in Mom, the, the, her, the Friends

:

01:06:05,742 --> 01:06:08,952

of Alice and Jan's character are,

they're such a fun ca It's a fun

:

01:06:09,052 --> 01:06:09,142

It

:

01:06:09,247 --> 01:06:09,727

Katie: I agree.

:

01:06:09,727 --> 01:06:15,187

I like that aspect way more than Anna

Ferris's part, so I think they've

:

01:06:15,187 --> 01:06:17,857

really expanded Alice and Janney

from the beginning to where it is.

:

01:06:18,397 --> 01:06:18,907

But

:

01:06:19,132 --> 01:06:19,596

Ryan Rebalkin: Yeah, yeah, yeah,

:

01:06:19,627 --> 01:06:23,107

Katie: speaking of Tanya

Harding earlier in the trivia,

:

01:06:23,587 --> 01:06:26,587

Alice and Janney plays

Margot Robbie's mom.

:

01:06:26,617 --> 01:06:28,687

Like she plays Tanya Harding's mom

:

01:06:28,942 --> 01:06:29,182

Ryan Rebalkin: Full

:

01:06:29,197 --> 01:06:30,127

Katie: in that.

:

01:06:30,177 --> 01:06:32,187

And she won an Oscar for that role.

:

01:06:32,742 --> 01:06:33,012

Ryan Rebalkin: That's

:

01:06:33,687 --> 01:06:34,272

Katie: Alice and Jenny.

:

01:06:34,812 --> 01:06:35,682

Ryan Rebalkin: I have to watch that

:

01:06:35,682 --> 01:06:36,042

now.

:

01:06:36,852 --> 01:06:37,122

Yeah.

:

01:06:38,317 --> 01:06:42,096

Katie: There's a few other like, oh,

it's that person, working characters

:

01:06:42,096 --> 01:06:45,367

that are familiar from things that

we, maybe they weren't then, but

:

01:06:45,367 --> 01:06:47,707

now rewatching it 30 years later.

:

01:06:48,037 --> 01:06:54,757

Catherine Arducci is in this just a little

bit and she has a very thick, you know,

:

01:06:54,757 --> 01:07:00,607

like New York Italian accent and that's

kind of who she plays in everything.

:

01:07:01,312 --> 01:07:01,582

Ryan Rebalkin: okay.

:

01:07:01,582 --> 01:07:03,532

I didn't recognize her from anything.

:

01:07:04,207 --> 01:07:04,927

Katie: She,

:

01:07:04,971 --> 01:07:05,062

Ryan Rebalkin: but.

:

01:07:05,287 --> 01:07:05,737

Katie: yes.

:

01:07:05,737 --> 01:07:11,167

So you'd know her because she

played Charmaine Buco in Sopranos

:

01:07:11,287 --> 01:07:12,517

Ryan Rebalkin: Oh, okay.

:

01:07:12,577 --> 01:07:13,507

yeah, yeah, yeah, yeah.

:

01:07:13,507 --> 01:07:13,517

yeah.

:

01:07:13,596 --> 01:07:14,707

Katie: she's also in like a,

:

01:07:14,767 --> 01:07:14,887

Ryan Rebalkin: that

:

01:07:15,096 --> 01:07:17,047

Katie: a Bronx Tale, Jersey Boys Irishman.

:

01:07:17,047 --> 01:07:19,777

Like she plays that, that

kind of a character a lot.

:

01:07:19,807 --> 01:07:23,647

Ryan Rebalkin: And she was, she's a

lovely woman, so I, she, it's where

:

01:07:23,647 --> 01:07:25,837

my brain, when I saw her goes, oh,

she looks familiar, but I didn't

:

01:07:25,837 --> 01:07:26,977

know if it was just that classic

:

01:07:28,622 --> 01:07:29,042

Katie: Mm-hmm.

:

01:07:29,617 --> 01:07:30,127

Ryan Rebalkin: Bronx,

:

01:07:30,187 --> 01:07:30,487

Katie: it.

:

01:07:30,547 --> 01:07:31,027

Yep.

:

01:07:31,117 --> 01:07:31,537

Yeah.

:

01:07:31,627 --> 01:07:31,777

Ryan Rebalkin: Yeah.

:

01:07:31,777 --> 01:07:32,977

she nails that role very

:

01:07:33,172 --> 01:07:33,922

Katie: She does.

:

01:07:34,027 --> 01:07:34,177

Ryan Rebalkin: Yeah.

:

01:07:34,327 --> 01:07:34,507

Yeah.

:

01:07:34,702 --> 01:07:37,072

Katie: Then there's Peter

Garrity who plays the cop.

:

01:07:37,122 --> 01:07:40,212

He's a super well-known

character actor, sneaky Pete

:

01:07:40,212 --> 01:07:41,802

The Wire, Charlie Wilson's War,

:

01:07:41,877 --> 01:07:42,807

Ryan Rebalkin: Yes, yes,

:

01:07:43,122 --> 01:07:46,212

Katie: and Jack McGee

plays the drunk Santa.

:

01:07:46,252 --> 01:07:50,942

So he has a pretty, pretty

big role in this I would say.

:

01:07:51,362 --> 01:07:54,152

And he's another one of those

super familiar faces, right?

:

01:07:54,467 --> 01:07:54,917

Ryan Rebalkin: Oh yeah.

:

01:07:54,917 --> 01:07:55,157

Yeah.

:

01:07:55,157 --> 01:07:56,447

He recognized him for sure.

:

01:07:56,527 --> 01:07:57,757

I, what was he?

:

01:07:57,846 --> 01:08:00,337

He was in a TV show called Brooklyn

South that I liked that was,

:

01:08:00,892 --> 01:08:01,912

Katie: Oh, I didn't see that.

:

01:08:01,987 --> 01:08:03,096

Ryan Rebalkin: plays like a cops.

:

01:08:03,096 --> 01:08:03,787

A lot of that type of

:

01:08:04,012 --> 01:08:04,312

Katie: Mm-hmm.

:

01:08:04,612 --> 01:08:04,792

Yeah.

:

01:08:04,792 --> 01:08:06,502

It was the sheriff in basic instinct.

:

01:08:06,937 --> 01:08:07,687

Ryan Rebalkin: there you go.

:

01:08:07,837 --> 01:08:08,227

Yeah.

:

01:08:08,422 --> 01:08:08,812

Katie: he,

:

01:08:09,307 --> 01:08:10,357

Ryan Rebalkin: there's one scene where

:

01:08:10,357 --> 01:08:10,657

He,

:

01:08:10,657 --> 01:08:14,287

of course, where they faked the

assault or he antagonizes Santa

:

01:08:14,362 --> 01:08:14,902

Katie: mm-hmm.

:

01:08:15,007 --> 01:08:16,267

Ryan Rebalkin: to,

assault him in the street.

:

01:08:16,297 --> 01:08:20,527

'cause he, I I, was uncomfortable

when he is saying you like kids.

:

01:08:20,527 --> 01:08:22,267

Is that why you're a Santa?

:

01:08:22,267 --> 01:08:23,797

'cause you like touching kids type thing.

:

01:08:23,797 --> 01:08:24,697

Holy crap.

:

01:08:24,697 --> 01:08:26,077

I don't think that was

in the original, was it

:

01:08:26,812 --> 01:08:32,461

Katie: No, because like I said, the way

that Santa is proved to be mentally ill

:

01:08:32,461 --> 01:08:35,971

and therefore needs to be committed,

there is a guy like an antagonist, but

:

01:08:35,971 --> 01:08:38,372

he, it's a completely different storyline.

:

01:08:38,982 --> 01:08:39,702

Ryan Rebalkin: Couldn't

believe they went there.

:

01:08:39,702 --> 01:08:40,392

I know, but I was

:

01:08:40,392 --> 01:08:45,567

like, even 20, 25 wise, this

is:

:

01:08:45,567 --> 01:08:45,987

You know?

:

01:08:45,987 --> 01:08:47,697

That's why you like doing this

'cause you like the little

:

01:08:47,697 --> 01:08:48,447

ones or something like that.

:

01:08:48,447 --> 01:08:50,336

I can't, he didn't say kids

like little ones or little.

:

01:08:50,426 --> 01:08:50,877

What did he say

:

01:08:50,982 --> 01:08:53,322

Katie: I mean, he was implying

that, I mean, he, 'cause he, he was,

:

01:08:53,381 --> 01:08:56,591

he had to go there to get a rise

out of this sweet old man that is

:

01:08:56,591 --> 01:08:58,362

Santa Claus to, for him to be like,

:

01:08:59,127 --> 01:09:01,227

Ryan Rebalkin: this is the part where

you could argue, if you wanna be, look

:

01:09:01,227 --> 01:09:04,346

at this objectively like a lawyer,

you know, like reasonable doubt.

:

01:09:04,977 --> 01:09:11,187

The way Santa, the character Chris Kringle

acted in that moment by striking him

:

01:09:11,187 --> 01:09:15,777

with a cane, even though he was being

insinuated that he was a, a molester, a

:

01:09:16,027 --> 01:09:16,247

Katie: Mm.

:

01:09:17,997 --> 01:09:19,977

Ryan Rebalkin: I almost believe the real

Santa still wouldn't have done that.

:

01:09:19,977 --> 01:09:24,237

So that's a case in point where

maybe he, I, if you want to be,

:

01:09:24,357 --> 01:09:28,197

that might have been an Easter

egg done by John Hugs saying, Hey.

:

01:09:29,247 --> 01:09:32,336

If you want to be on the side of the

fence that this guy isn't Santa, I'd

:

01:09:32,336 --> 01:09:37,407

think that action is a, you know, exhibit

A, that behavior isn't very Santa like

:

01:09:37,437 --> 01:09:38,966

even if he's been called to those things.

:

01:09:38,966 --> 01:09:43,947

The fact that, and the way he did act

Doty and kind of like weirdly sure,

:

01:09:43,947 --> 01:09:48,437

whatever you say, a lawyer like say

Santa should be smarter than that.

:

01:09:48,437 --> 01:09:49,547

He's been around forever.

:

01:09:49,636 --> 01:09:50,057

Katie: Mm-hmm.

:

01:09:50,147 --> 01:09:51,466

Ryan Rebalkin: fact, it was at that

:

01:09:51,466 --> 01:09:54,167

moment Katie, where I

thought, maybe he isn't Santa.

:

01:09:54,317 --> 01:09:57,527

That's, 'cause that's also the

point of this film is that again,

:

01:09:57,767 --> 01:09:59,567

there is no, Santa isn't real.

:

01:09:59,567 --> 01:10:00,722

The reality is Santa is

:

01:10:01,837 --> 01:10:02,327

Katie: spoiler.

:

01:10:02,327 --> 01:10:02,927

alert guys.

:

01:10:04,637 --> 01:10:07,127

Ryan Rebalkin: Santa's not a

real thing, but that's what makes

:

01:10:07,127 --> 01:10:08,957

this movie ironically kind of

:

01:10:10,297 --> 01:10:11,027

Katie: there's layers.

:

01:10:11,057 --> 01:10:11,687

Ryan Rebalkin: interesting.

:

01:10:11,792 --> 01:10:12,962

Katie: upon layers a little bit.

:

01:10:12,962 --> 01:10:13,322

Yeah.

:

01:10:13,427 --> 01:10:13,697

Ryan Rebalkin: layers.

:

01:10:13,882 --> 01:10:15,437

It's not, it's not as simple as you think.

:

01:10:15,437 --> 01:10:19,547

'cause you as the viewer like, am I, I

just gonna buy that this guy is Santa.

:

01:10:19,547 --> 01:10:23,737

So that's, i, again, exhibit A, that

this guy may, maybe isn't Santa.

:

01:10:23,737 --> 01:10:24,937

That's the biggest piece of evidence.

:

01:10:24,997 --> 01:10:30,037

The physical assault on your, because even

he, he, he trapped me, antagonized me.

:

01:10:30,087 --> 01:10:31,077

Santa, come on man.

:

01:10:31,077 --> 01:10:32,877

You be like, you should

be better than that.

:

01:10:33,627 --> 01:10:34,557

You should have ignored it.

:

01:10:34,557 --> 01:10:35,217

Walk away.

:

01:10:35,217 --> 01:10:36,087

Don't give into it.

:

01:10:36,482 --> 01:10:37,347

Katie: I thought so too.

:

01:10:37,347 --> 01:10:39,087

I was like, oh crap,

they're gonna get him.

:

01:10:39,147 --> 01:10:39,837

Ryan Rebalkin: reaction.

:

01:10:40,167 --> 01:10:42,477

Katie: You see it coming

like you're, because

:

01:10:42,567 --> 01:10:43,077

Ryan Rebalkin: Sure.

:

01:10:43,377 --> 01:10:46,707

Katie: the drunk Santa, you know,

James Remar character puts him

:

01:10:46,707 --> 01:10:49,467

up to this obviously pays him to

do this and you're like, oh crap,

:

01:10:49,467 --> 01:10:50,877

he's gonna make him do something.

:

01:10:51,627 --> 01:10:54,387

And you could argue 'cause

it's a little unclear.

:

01:10:54,387 --> 01:10:55,077

I do think he.

:

01:10:55,617 --> 01:10:59,217

Does actually kind of strike him,

but you could also argue he just

:

01:10:59,217 --> 01:11:04,557

lifts his cane because it's very, in

the original, it's less blatant that

:

01:11:04,557 --> 01:11:06,087

he hits the person with his cane.

:

01:11:06,087 --> 01:11:10,167

It's almost like kind of an accidental

thing that the person then gets hurt.

:

01:11:10,857 --> 01:11:13,677

But then, so yes, yes.

:

01:11:13,677 --> 01:11:19,287

It's like Santa wouldn't do that, but

then he fails the mental test on purpose

:

01:11:19,287 --> 01:11:25,077

because he's, he realized he did something

that puts Santa in a bad light and he

:

01:11:25,077 --> 01:11:27,567

wants the kids to believe in Santa.

:

01:11:27,867 --> 01:11:30,627

Ryan Rebalkin: is such, where it's

that when you're crazy sometimes

:

01:11:30,627 --> 01:11:34,257

you're crazy enough to understand

like the character that you're crazy.

:

01:11:34,407 --> 01:11:38,997

Like it's not like it's weird,

like he's a functioning person.

:

01:11:38,997 --> 01:11:42,387

It's all, like I said, objectively

speaking, all the evidence points to

:

01:11:42,387 --> 01:11:47,187

the fact that this man just might be

a very sweet, mentally ill person.

:

01:11:48,147 --> 01:11:48,957

You can be mentally

:

01:11:48,957 --> 01:11:50,457

ill and very sweet and functioning

:

01:11:51,087 --> 01:11:51,447

Katie: Well, that's

:

01:11:51,537 --> 01:11:51,927

Ryan Rebalkin: movie does.

:

01:11:52,107 --> 01:11:53,697

Katie: They point to that in the original.

:

01:11:53,697 --> 01:11:56,067

They're like, he, you know,

he's, 'cause he lives at

:

01:11:56,117 --> 01:12:00,047

a home for the elderly and the

doctor there is like, he's harmless.

:

01:12:00,097 --> 01:12:03,337

He's like, I don't think he's mentally

ill, but even if he is, he's harmless.

:

01:12:03,337 --> 01:12:10,707

So he says in the original, but in both,

he's charged with people wanting him

:

01:12:10,707 --> 01:12:12,777

to be committed, taken out of society.

:

01:12:13,227 --> 01:12:17,887

And what he does is he thinks he

is Santa and the kind of the point

:

01:12:17,887 --> 01:12:24,127

of the movie that he is Santa, but

then he's like, I love children.

:

01:12:24,127 --> 01:12:29,317

And the idea of Christmas so much that I'm

willing for people to, to think that I'm

:

01:12:29,317 --> 01:12:32,227

not him, me, Chris Cringle, I'm not Santa.

:

01:12:32,527 --> 01:12:39,467

So that your view of Santa, the

real Santa is is, is not dirtied.

:

01:12:40,092 --> 01:12:40,442

Ryan Rebalkin: right.

:

01:12:41,087 --> 01:12:41,387

Yeah.

:

01:12:42,197 --> 01:12:43,937

it's, yeah.

:

01:12:44,027 --> 01:12:49,157

I mean, Ryan believes he

Santa to the film, but

:

01:12:49,317 --> 01:12:49,737

Katie: Mm-hmm.

:

01:12:51,167 --> 01:12:51,737

Ryan Rebalkin: logical.

:

01:12:51,737 --> 01:12:53,717

Ryan could also argue the point that.

:

01:12:54,047 --> 01:12:57,077

They did the film well enough that you

don't know, and that's what actually

:

01:12:57,077 --> 01:13:01,187

makes the film so good, is you the

viewer, get to decide what side of

:

01:13:01,187 --> 01:13:04,517

the fence you're on, and that could

have changed your enjoyment of the

:

01:13:04,517 --> 01:13:06,707

film or not if you actually believe

he's just a mentally ill person.

:

01:13:06,707 --> 01:13:09,287

This film could have a different

experience for you, but I, of course,

:

01:13:09,287 --> 01:13:12,617

I just bought in that yes, he's

Santa and the journey wasn't for him.

:

01:13:12,617 --> 01:13:15,347

It was for the characters around him,

for the world around him to believe,

:

01:13:15,347 --> 01:13:17,027

again, the spirit of Christmas, but yeah.

:

01:13:17,432 --> 01:13:21,662

Katie: So again, having watched

both the, this movie hits you

:

01:13:21,662 --> 01:13:22,802

more over the head with it.

:

01:13:22,952 --> 01:13:25,322

At the end, the girl gets

all the things she wants.

:

01:13:25,382 --> 01:13:30,252

She asks for three enormous things, a

brother, a father, and a home, a house.

:

01:13:30,252 --> 01:13:35,962

And she ends up and we, they clearly show

us that she gets all of those things.

:

01:13:36,322 --> 01:13:39,772

Well, I guess you could argue she's

not asking for, for material things.

:

01:13:39,832 --> 01:13:42,772

So I think you're not meant

to get rich, get richer.

:

01:13:42,862 --> 01:13:45,982

What you're supposed to get from this

is the corporate greed aspect of it.

:

01:13:46,282 --> 01:13:52,312

And that she, the child wants innocent

things like family, so anyway, but.

:

01:13:52,912 --> 01:13:55,522

They hit us over the head a

little bit more with this.

:

01:13:55,522 --> 01:13:57,282

This is Santa, in this movie.

:

01:13:57,282 --> 01:14:02,942

Whereas the original, the ending

is a lot quieter and more like

:

01:14:02,972 --> 01:14:06,152

elegantly ambiguous in the original.

:

01:14:06,482 --> 01:14:11,222

So it's less big emotional, made

to prove Santa more definitively.

:

01:14:11,222 --> 01:14:11,762

The original

:

01:14:11,812 --> 01:14:13,312

didn't necessarily do that.

:

01:14:13,702 --> 01:14:14,062

Ryan Rebalkin: Right.

:

01:14:14,902 --> 01:14:18,082

Katie: which do you like, feel

like it is more in the spirit

:

01:14:18,082 --> 01:14:19,732

of the story or the holiday?

:

01:14:20,312 --> 01:14:22,262

Ryan Rebalkin: Well, I mean, I

haven't seen the original in such

:

01:14:22,262 --> 01:14:23,282

a long time, the way you're saying.

:

01:14:23,282 --> 01:14:23,582

Of course.

:

01:14:23,582 --> 01:14:26,972

I think the original probably has

that feeling, but yeah, I'm, gee, I

:

01:14:26,972 --> 01:14:29,852

wish not, not that you, you ask me to.

:

01:14:29,852 --> 01:14:30,422

It's just funny.

:

01:14:30,422 --> 01:14:31,052

I literally just saw,

:

01:14:31,147 --> 01:14:34,262

Katie: I just so happened to, I just,

so I, I know Les, I was like, oh, I hope

:

01:14:34,262 --> 01:14:35,587

Brian's seen it 'cause I wanna, yeah.

:

01:14:35,672 --> 01:14:37,982

Ryan Rebalkin: it's been, I have,

but it's funny, I think I've seen the

:

01:14:37,982 --> 01:14:39,902

original first before I saw the remake, so

:

01:14:39,907 --> 01:14:40,327

Katie: Mm-hmm.

:

01:14:40,622 --> 01:14:41,372

Yeah, that makes sense.

:

01:14:41,582 --> 01:14:42,002

Ryan Rebalkin: Yeah.

:

01:14:42,032 --> 01:14:44,582

But that being said, I think both

just have a different message.

:

01:14:44,582 --> 01:14:46,167

I can't really answer

that, I guess very well.

:

01:14:46,167 --> 01:14:50,252

But I will say that this

movie a good Christmas movie.

:

01:14:50,252 --> 01:14:52,172

I should maybe say that

this is a good movie.

:

01:14:52,172 --> 01:14:53,552

I really did like this movie.

:

01:14:53,832 --> 01:14:58,632

My biggest criticism, like I said at the

beginning, is just the, I get wrapped up.

:

01:14:58,692 --> 01:14:59,292

I don't know what it is.

:

01:14:59,292 --> 01:15:02,472

I get hyperfocused sometimes on

things of the, of characters.

:

01:15:02,472 --> 01:15:05,292

So I'm like, I'm confused about

their relationship status.

:

01:15:05,292 --> 01:15:06,102

And that bugs me.

:

01:15:06,102 --> 01:15:07,512

It's like I shouldn't be confused.

:

01:15:07,542 --> 01:15:07,782

'cause I

:

01:15:08,077 --> 01:15:08,367

Katie: Yeah.

:

01:15:08,412 --> 01:15:09,522

It's like, just let it be, Ryan.

:

01:15:09,522 --> 01:15:09,882

Move on.

:

01:15:09,882 --> 01:15:10,422

Let's move on.

:

01:15:10,482 --> 01:15:12,762

Ryan Rebalkin: well, I know,

but then I think, am I an idiot?

:

01:15:12,822 --> 01:15:14,202

Am I just a dumb viewer?

:

01:15:14,202 --> 01:15:15,162

Like, why do I care?

:

01:15:15,162 --> 01:15:18,972

Like why is it, why is their

relationship status so ambiguous?

:

01:15:18,972 --> 01:15:22,722

But then she trusts him with the daughter

and she says, I love your daughter.

:

01:15:22,722 --> 01:15:26,982

And she sees him as a father figure, but

then the woman's like, do I know you?

:

01:15:27,072 --> 01:15:28,302

I felt like,

:

01:15:28,597 --> 01:15:31,362

Katie: person has their own like

little things , regarding that.

:

01:15:31,392 --> 01:15:31,782

Ryan Rebalkin: that.

:

01:15:32,847 --> 01:15:35,817

did an amazing job

playing Chris k Cringle.

:

01:15:35,847 --> 01:15:37,377

I thought he was adorable.

:

01:15:37,437 --> 01:15:38,037

Sweet.

:

01:15:38,247 --> 01:15:40,197

I hate to say it, but a sweet old man.

:

01:15:40,242 --> 01:15:40,842

Katie: Mm-hmm.

:

01:15:40,917 --> 01:15:41,877

Ryan Rebalkin: see how the world was

:

01:15:41,877 --> 01:15:43,197

affected so nicely by him.

:

01:15:43,197 --> 01:15:44,517

I thought he was perfectly cast.

:

01:15:44,517 --> 01:15:47,727

I I thought he did a fantastic

job playing Chris k Cringle.

:

01:15:47,727 --> 01:15:49,797

I, I don't know if we spoke much about

that, but I thought at the end of

:

01:15:49,797 --> 01:15:51,717

the day, his performance was spot on.

:

01:15:52,527 --> 01:15:56,217

I like how they made the film look

like a forties film with the lighting

:

01:15:57,072 --> 01:15:57,462

Katie: Yeah.

:

01:15:57,522 --> 01:15:58,062

Yeah,

:

01:15:58,227 --> 01:15:58,407

Ryan Rebalkin: had

:

01:15:58,422 --> 01:15:59,622

Katie: they, they did

:

01:16:00,042 --> 01:16:00,762

very nice.

:

01:16:01,017 --> 01:16:01,647

Ryan Rebalkin: And,

:

01:16:01,812 --> 01:16:03,372

Katie: The original did that too, kind of.

:

01:16:03,462 --> 01:16:03,792

Yeah.

:

01:16:03,837 --> 01:16:04,617

Ryan Rebalkin: they said they did that on

:

01:16:04,847 --> 01:16:05,267

Katie: Mm-hmm.

:

01:16:05,367 --> 01:16:06,777

Ryan Rebalkin: to, and I know,

'cause I know I was watching

:

01:16:06,777 --> 01:16:08,007

this, it was high def on my big

:

01:16:08,247 --> 01:16:08,667

Katie: Mm-hmm.

:

01:16:09,357 --> 01:16:10,077

Ryan Rebalkin: oh, this looks

:

01:16:10,077 --> 01:16:10,617

really nice.

:

01:16:10,707 --> 01:16:13,017

So the movie looked

really nice and modern.

:

01:16:13,067 --> 01:16:14,447

Had a good film called to it.

:

01:16:14,567 --> 01:16:18,767

I mean, a couple confusing plot points,

but overall I, I enjoyed this film.

:

01:16:18,767 --> 01:16:21,732

I don't know if it's for kids in the

sense of like I said, I have a smart.

:

01:16:22,122 --> 01:16:26,352

Kids that like to watch smart movies, but

my son tapped out, so what does that mean?

:

01:16:26,352 --> 01:16:27,342

Maybe it's just not for him.

:

01:16:27,342 --> 01:16:28,962

Maybe it's just too much girly stuff.

:

01:16:28,992 --> 01:16:29,682

I don't know.

:

01:16:30,012 --> 01:16:32,952

But he tapped out and he was bored, so I'm

:

01:16:32,952 --> 01:16:35,232

Katie: even this is a

30-year-old movie for him.

:

01:16:35,262 --> 01:16:35,892

Do you know what I mean?

:

01:16:35,892 --> 01:16:37,842

Like a lot of kids can't watch

:

01:16:38,232 --> 01:16:39,972

things that we used to watch too.

:

01:16:39,972 --> 01:16:41,172

So I think there's a lot of it.

:

01:16:41,202 --> 01:16:41,802

Ryan Rebalkin: kids do.

:

01:16:41,802 --> 01:16:42,252

They do.

:

01:16:42,252 --> 01:16:43,272

But I mean, I hear you.

:

01:16:43,272 --> 01:16:43,692

But they do

:

01:16:43,927 --> 01:16:44,347

Katie: Mm-hmm.

:

01:16:44,592 --> 01:16:45,882

Ryan Rebalkin: we watch

Platoon the other day and they

:

01:16:45,882 --> 01:16:46,302

loved it.

:

01:16:46,302 --> 01:16:48,642

And that full metal jacket,

my, like my 11-year-old, he's

:

01:16:48,642 --> 01:16:49,752

huge into war movies right now.

:

01:16:49,752 --> 01:16:50,262

That's his thing.

:

01:16:50,367 --> 01:16:50,787

Katie: Mm-hmm.

:

01:16:50,922 --> 01:16:52,332

Ryan Rebalkin: War, which is

when I kind of got into war

:

01:16:52,332 --> 01:16:53,472

movies when I was 11, 12.

:

01:16:53,472 --> 01:16:56,252

So, but that being said, yeah,

this don't think I would've enjoyed

:

01:16:56,252 --> 01:16:57,002

this movie as a 12-year-old.

:

01:16:57,002 --> 01:16:57,392

There you go.

:

01:16:57,632 --> 01:16:58,082

Katie: Okay.

:

01:16:58,082 --> 01:17:01,352

Mm-hmm.

:

01:17:01,442 --> 01:17:03,032

Ryan Rebalkin: dramas and big stories.

:

01:17:03,482 --> 01:17:08,012

This would've bored me at 12, but

50-year-old Ryan, I got wrapped up in it.

:

01:17:08,041 --> 01:17:08,822

So I

:

01:17:08,897 --> 01:17:09,407

Katie: Yeah,

:

01:17:09,692 --> 01:17:10,412

Ryan Rebalkin: I think

:

01:17:10,802 --> 01:17:12,182

honestly it's an adult film.

:

01:17:12,182 --> 01:17:13,262

I don't know if it's for kid.

:

01:17:13,291 --> 01:17:14,282

I don't know.

:

01:17:14,282 --> 01:17:15,662

I know there's Santa Chris gle.

:

01:17:15,692 --> 01:17:18,182

I would suspect the original

probably would be more kid friendly.

:

01:17:19,547 --> 01:17:23,447

Katie: it's not, it's not, it's, it's not,

I don't think it's more kid friendly, but,

:

01:17:23,597 --> 01:17:25,337

but I do think the original is better.

:

01:17:25,757 --> 01:17:26,117

Ryan Rebalkin: Okay.

:

01:17:26,807 --> 01:17:27,827

Katie: and I'm not alone.

:

01:17:28,097 --> 01:17:32,987

This movie, the 94 movie has a 6.6.

:

01:17:33,497 --> 01:17:34,577

Yeah, 6.6.

:

01:17:35,267 --> 01:17:36,257

Yeah, it is, it's good.

:

01:17:36,452 --> 01:17:36,942

It's good.

:

01:17:37,007 --> 01:17:37,697

Ryan Rebalkin: It's a c plus

:

01:17:37,887 --> 01:17:44,961

Katie: Grading on a curve That's more like

a b almost meaning of movies, nobody's at

:

01:17:44,961 --> 01:17:47,151

a hundred, like the best movie is a nine.

:

01:17:48,261 --> 01:17:48,771

You know what I mean?

:

01:17:49,461 --> 01:17:49,641

Ryan Rebalkin: Yeah.

:

01:17:49,656 --> 01:17:51,636

Katie: Im Wise, so 6.6

:

01:17:51,636 --> 01:17:55,236

is like close to seven, so

that's, that's pretty good.

:

01:17:55,236 --> 01:17:56,106

That's pretty good.

:

01:17:56,151 --> 01:17:56,511

Ryan Rebalkin: yeah.

:

01:17:56,706 --> 01:17:58,446

Katie: like very few movies get

:

01:17:58,966 --> 01:18:02,986

Into the eights, but the

original almost did it.

:

01:18:03,016 --> 01:18:04,666

The original has a 7.9,

:

01:18:04,996 --> 01:18:06,616

so fairly, significantly better.

:

01:18:06,616 --> 01:18:07,996

And I would agree.

:

01:18:08,596 --> 01:18:11,866

What is really interesting, I don't

know if, 'cause I watch subtitles

:

01:18:11,866 --> 01:18:12,916

and I know that you do too.

:

01:18:13,050 --> 01:18:13,711

Ryan Rebalkin: Yep, I did.

:

01:18:13,711 --> 01:18:13,921

Yep.

:

01:18:14,786 --> 01:18:18,446

Katie: And even in the, when I was

looking up the research, the 94 version

:

01:18:18,446 --> 01:18:21,326

of Chris Kringle is spelled with two S's,

:

01:18:21,611 --> 01:18:22,061

Ryan Rebalkin: Yes,

:

01:18:22,106 --> 01:18:23,786

Katie: K-R-I-S-S.

:

01:18:23,936 --> 01:18:25,766

And I thought that was a mistake.

:

01:18:26,066 --> 01:18:30,596

And then, then when I was watching the

movie and the subtitles showed two S's

:

01:18:30,626 --> 01:18:35,816

and then I immediately after watched

the original and it's only one s so the

:

01:18:35,816 --> 01:18:37,946

spellings are different in the movies.

:

01:18:38,446 --> 01:18:38,526

Ryan Rebalkin: hmm.

:

01:18:38,906 --> 01:18:42,356

Katie: And the reason, again, very

similar to it not being Macy's.

:

01:18:42,761 --> 01:18:46,241

Is to avoid legal and

trademark complications.

:

01:18:46,656 --> 01:18:47,276

Ryan Rebalkin: Oh my gosh.

:

01:18:47,531 --> 01:18:47,771

Katie: Mm-hmm.

:

01:18:48,791 --> 01:18:51,341

And also, I guess it

could subtly distinguish

:

01:18:52,071 --> 01:18:54,441

The versions of the movies

I guess a little bit.

:

01:18:55,111 --> 01:18:58,851

I would just say too you're probably

right about the adult thing and

:

01:18:58,851 --> 01:19:01,581

it's just the reverse of kid films

have things in it for adults.

:

01:19:01,581 --> 01:19:04,211

This is, maybe for adults

that has some stuff in it.

:

01:19:04,211 --> 01:19:04,781

For kids.

:

01:19:04,796 --> 01:19:05,425

Ryan Rebalkin: There you go.

:

01:19:05,425 --> 01:19:06,656

I think that's a good way

of looking at It Yeah.

:

01:19:06,686 --> 01:19:06,986

Okay.

:

01:19:07,351 --> 01:19:09,881

Katie: I know we're talking about

the John Hughes version but the

:

01:19:09,881 --> 01:19:11,951

original feels a little more grounded.

:

01:19:12,671 --> 01:19:16,961

And like very New York, it feels

like you're in New York more in the

:

01:19:16,961 --> 01:19:20,231

original and especially like the parade.

:

01:19:20,231 --> 01:19:22,961

When I was watching it, the original,

I was like, God, that looks real.

:

01:19:23,321 --> 01:19:23,561

Well.

:

01:19:23,561 --> 01:19:28,981

Then this morning when I was looking up

some stuff that was actually real macy's

:

01:19:28,981 --> 01:19:31,611

Thanksgiving parade it's real footage

:

01:19:31,986 --> 01:19:32,601

Ryan Rebalkin: Yeah, that makes sense.

:

01:19:33,481 --> 01:19:36,061

Katie: We talked about Doris

being really pioneering as a

:

01:19:36,061 --> 01:19:37,671

career woman in the original.

:

01:19:38,300 --> 01:19:42,351

And actually to your point about

you are not, I, you are wondering

:

01:19:42,381 --> 01:19:45,441

about the relationship and why

Dory is being, like, why is she

:

01:19:45,441 --> 01:19:48,111

pushing Dylan McDermott off so much?

:

01:19:48,651 --> 01:19:51,231

Interestingly enough, she's softer.

:

01:19:51,741 --> 01:19:53,961

This version of Dory is softer

:

01:19:54,050 --> 01:19:54,441

Ryan Rebalkin: wow.

:

01:19:54,681 --> 01:19:55,996

Katie: than than, than Maureen

:

01:19:56,556 --> 01:19:57,356

O'Hara's version.

:

01:19:58,206 --> 01:20:00,486

The extra 20 minutes you could argue.

:

01:20:00,951 --> 01:20:04,550

Is the subplot, the like romantic subplot?

:

01:20:05,196 --> 01:20:05,496

Ryan Rebalkin: Right.

:

01:20:05,541 --> 01:20:06,981

Katie: It is secondary.

:

01:20:07,091 --> 01:20:09,816

In, in the original it's

extremely secondary.

:

01:20:10,366 --> 01:20:12,046

, At the end they do end up at a house.

:

01:20:12,286 --> 01:20:15,276

The original, the little

girl only asks for a home.

:

01:20:15,516 --> 01:20:17,706

She doesn't ask for a dad or a brother.

:

01:20:17,856 --> 01:20:21,026

So those are things that are only

in the John Hughes 94 version.

:

01:20:21,686 --> 01:20:23,936

The court case is also

sharper and more satirical.

:

01:20:23,976 --> 01:20:27,216

The proof is not the dollar

bill in God we trust.

:

01:20:27,516 --> 01:20:29,946

The proof is different.

:

01:20:29,946 --> 01:20:31,896

I don't know if you remember at all.

:

01:20:32,206 --> 01:20:32,836

Ryan Rebalkin: I don't remember.

:

01:20:32,996 --> 01:20:34,316

Katie: It's more like bureaucratic,

:

01:20:34,425 --> 01:20:38,476

it's the, all the letters to Santa

that are held to the post office.

:

01:20:38,476 --> 01:20:43,276

'cause they can't it's illegal to not

deliver them to, and so they bring

:

01:20:43,766 --> 01:20:48,496

like bags and bags, tens of thousands

of letters to Santa, to the courtroom.

:

01:20:48,496 --> 01:20:49,906

And that's how they prove,

:

01:20:50,506 --> 01:20:50,925

Ryan Rebalkin: I think I

:

01:20:50,925 --> 01:20:54,736

Katie: that's how they prove that Santa

is real in the original versus the,

:

01:20:54,736 --> 01:20:56,236

in God we trust on the dollar bill.

:

01:20:56,251 --> 01:20:56,611

Ryan Rebalkin: Okay.

:

01:20:57,001 --> 01:20:57,451

Interesting,

:

01:20:57,616 --> 01:20:58,516

Katie: Mm-hmm.

:

01:20:58,517 --> 01:20:58,527

Mm-hmm.

:

01:20:59,716 --> 01:21:04,666

Now Elizabeth Perkins met and

married her husband on the set,

:

01:21:05,131 --> 01:21:05,581

Ryan Rebalkin: That's crazy.

:

01:21:05,956 --> 01:21:08,776

Katie: cinematographer Julio Mcat.

:

01:21:08,896 --> 01:21:13,121

And a nod to recently covered home

alone two where Macaulay Culkin

:

01:21:13,151 --> 01:21:19,671

uses a talk boy, and we see it in

The Shopper's Express entrance it's

:

01:21:19,671 --> 01:21:21,441

a purposeful nod to this movie.

:

01:21:21,491 --> 01:21:22,061

Ryan Rebalkin: That's right.

:

01:21:22,466 --> 01:21:25,346

Katie: a talk boy, so that's a

purposeful nod to another John.

:

01:21:25,661 --> 01:21:28,050

Ryan Rebalkin: The, the universe

you could argue of home alone,

:

01:21:28,781 --> 01:21:31,841

Katie: So Mary McCormick

has her debut role in this.

:

01:21:31,841 --> 01:21:35,681

She plays the Secretary of Dorie,

and I completely missed her.

:

01:21:36,141 --> 01:21:41,331

But her character has a name

Myrna Foy in this movie.

:

01:21:41,571 --> 01:21:45,561

I guess she's credited as that, which

apparently is a clear reference to

:

01:21:45,561 --> 01:21:52,101

actress Myrna Loy, who was just a

very popular actress of the:

:

01:21:52,221 --> 01:21:53,811

That was like a purposeful thing they did.

:

01:21:54,001 --> 01:21:58,181

The also, there was a character

in the original he plays Santa.

:

01:21:58,811 --> 01:22:00,161

What is his name in this?

:

01:22:00,221 --> 01:22:04,711

Oh, Alfred, he plays Alfred being

like a little protege of Santa.

:

01:22:04,761 --> 01:22:10,071

He works at the store and his name

is Alan Greenman in the original, and

:

01:22:10,161 --> 01:22:12,651

in this movie he plays the doorman.

:

01:22:13,461 --> 01:22:13,906

Ryan Rebalkin: Oh, okay.

:

01:22:14,181 --> 01:22:16,461

Katie: So little crossover there.

:

01:22:17,661 --> 01:22:18,291

Ryan Rebalkin: yeah, that's great.

:

01:22:18,291 --> 01:22:20,571

That's, yeah, the John

Hug averse, I guess.

:

01:22:20,691 --> 01:22:21,231

HU averse.

:

01:22:21,231 --> 01:22:21,526

There you go.

:

01:22:21,556 --> 01:22:21,976

Katie: Mm-hmm.

:

01:22:22,056 --> 01:22:22,066

Mm-hmm.

:

01:22:23,371 --> 01:22:24,300

I liked your thoughts.

:

01:22:24,300 --> 01:22:27,451

I don't know if there's anything

additional that you wanna add in closing.

:

01:22:27,946 --> 01:22:33,616

For John Hughes,:

of the classic Christmas

:

01:22:34,486 --> 01:22:36,286

movie, miracle on 34th Street.

:

01:22:36,811 --> 01:22:37,591

Ryan Rebalkin: Is it a classic?

:

01:22:37,591 --> 01:22:39,841

Well, I guess after 25 years

it could be called a classic.

:

01:22:39,841 --> 01:22:40,411

Is that the rule?

:

01:22:40,936 --> 01:22:42,646

Katie: It's a remake of the classic.

:

01:22:42,781 --> 01:22:43,141

Ryan Rebalkin: sure.

:

01:22:43,141 --> 01:22:43,501

Okay.

:

01:22:43,501 --> 01:22:43,921

Fair enough.

:

01:22:44,011 --> 01:22:46,531

Well, look, it's a, I'll say this,

:

01:22:47,581 --> 01:22:48,931

watch as an adult for sure,

:

01:22:49,741 --> 01:22:51,751

because I think you'll get

into the Christmas spirit.

:

01:22:51,751 --> 01:22:55,921

I think it's a great

philosophical discussion of both.

:

01:22:55,921 --> 01:23:00,511

God, Santa Claus, all those things

about what's more important.

:

01:23:00,511 --> 01:23:01,111

There you go, Katie.

:

01:23:01,111 --> 01:23:03,631

What's more important, the

messaging or the messenger?

:

01:23:04,081 --> 01:23:09,781

So the idea is, is it, is it

terrible to say show love?

:

01:23:10,171 --> 01:23:11,221

Be charitable.

:

01:23:11,311 --> 01:23:12,601

Be kind to your neighbor.

:

01:23:13,261 --> 01:23:17,401

Be forgiving whether it's the

Christ message or be good.

:

01:23:17,731 --> 01:23:18,961

Listen to your parents.

:

01:23:19,231 --> 01:23:20,461

Be kind to your friends.

:

01:23:20,461 --> 01:23:21,691

That's a Santa message now.

:

01:23:22,441 --> 01:23:23,971

could say the messengers are fake.

:

01:23:24,061 --> 01:23:28,050

They're not real people,

but the messaging is valid.

:

01:23:28,050 --> 01:23:28,501

It's good.

:

01:23:28,501 --> 01:23:29,611

That's a good way to be in society.

:

01:23:29,611 --> 01:23:30,601

That's my hot take.

:

01:23:30,601 --> 01:23:32,521

I think being a good

person is a hot Is is.

:

01:23:32,550 --> 01:23:32,941

I know.

:

01:23:32,941 --> 01:23:33,571

Isn't that weird?

:

01:23:34,276 --> 01:23:35,896

Katie: I mean, nowadays it is a hot take.

:

01:23:35,896 --> 01:23:39,286

I think, you know, anytime somebody

requests that of you, you're woke.

:

01:23:39,571 --> 01:23:40,501

Ryan Rebalkin: That's true.

:

01:23:40,621 --> 01:23:41,851

So I guess I'm woke.

:

01:23:41,851 --> 01:23:42,361

'cause I just want

:

01:23:42,401 --> 01:23:42,821

Katie: Mm-hmm.

:

01:23:42,991 --> 01:23:43,081

Ryan Rebalkin: be

:

01:23:43,521 --> 01:23:43,941

Katie: Mm-hmm.

:

01:23:44,041 --> 01:23:44,371

Ryan Rebalkin: people to

:

01:23:44,371 --> 01:23:45,691

be nice and fair and

:

01:23:45,691 --> 01:23:46,111

kind.

:

01:23:46,111 --> 01:23:46,771

I'm crazy.

:

01:23:46,771 --> 01:23:46,891

I

:

01:23:47,141 --> 01:23:47,986

Katie: I you it is.

:

01:23:47,986 --> 01:23:49,126

It's wild.

:

01:23:49,321 --> 01:23:49,621

Ryan Rebalkin: I

:

01:23:49,846 --> 01:23:50,206

Katie: Wild.

:

01:23:50,206 --> 01:23:50,626

Take.

:

01:23:51,361 --> 01:23:53,821

Ryan Rebalkin: if you want to get that

kind of, but it's a great philosophical

:

01:23:53,821 --> 01:23:56,911

discussion, but, you know, are we

mad at the messenger or the message?

:

01:23:56,941 --> 01:23:58,381

So I, I like that idea.

:

01:23:58,381 --> 01:24:02,421

So it's yeah, it's actually a lot more,

put it this way, I went in thinking this

:

01:24:02,421 --> 01:24:06,021

was gonna be a hokey and knowing kid

wanted to believe in Santa's story, I

:

01:24:06,021 --> 01:24:09,381

left thinking, oh, there's actually a

lot here to take in and to figure out.

:

01:24:09,381 --> 01:24:12,651

So I actually like the

philosophical courtroom drama of it.

:

01:24:12,651 --> 01:24:12,891

Yeah.

:

01:24:13,776 --> 01:24:14,346

Katie: I like it.

:

01:24:14,376 --> 01:24:15,486

I, I think I would agree.

:

01:24:15,516 --> 01:24:18,636

There were some parts that were really

elevated, like you said, some of the

:

01:24:18,636 --> 01:24:22,816

philosophical things, and then some

things that just weren't crisp like

:

01:24:22,816 --> 01:24:24,616

it just needed a maybe one more pass.

:

01:24:25,096 --> 01:24:27,916

I did wanna point out what

Chris Kringle tells Dory.

:

01:24:27,916 --> 01:24:32,686

I, I specifically made a note, Chris

Carla says to Dory, I'm not just a

:

01:24:32,686 --> 01:24:36,675

whimsical figure, I'm a symbol of

the human ability to suppress the

:

01:24:36,675 --> 01:24:42,046

hateful and selfish tendencies that

rule the major part of our life.

:

01:24:42,675 --> 01:24:46,036

If you can't accept anything

on faith, you are doomed.

:

01:24:46,036 --> 01:24:48,016

A life dominated by doubt.

:

01:24:48,901 --> 01:24:49,231

Ryan Rebalkin: Yeah.

:

01:24:49,361 --> 01:24:50,651

I remember that one that

happened in the film.

:

01:24:50,651 --> 01:24:51,761

That's a very poignant moment.

:

01:24:51,761 --> 01:24:52,181

That's what I mean.

:

01:24:52,181 --> 01:24:52,571

There's a lot of

:

01:24:52,601 --> 01:24:52,721

Katie: I.

:

01:24:52,991 --> 01:24:54,581

Ryan Rebalkin: here that a kid might hear

:

01:24:54,581 --> 01:24:54,851

them be.

:

01:24:56,161 --> 01:24:56,581

Katie: Mm-hmm.

:

01:24:57,071 --> 01:24:57,191

Ryan Rebalkin: Yeah.

:

01:24:57,416 --> 01:24:59,486

Katie: Yeah, he kind of goes

on and there's a lot of things

:

01:24:59,486 --> 01:25:02,216

like, they point out, oh, I think

you've made believers of everyone.

:

01:25:02,216 --> 01:25:06,116

And Chris k Cringle hasn't quite made a

believer yet of Dory and the daughter.

:

01:25:06,116 --> 01:25:08,786

So there's one last tidbit that

needs to be taken care of, and

:

01:25:08,786 --> 01:25:10,136

they do wrap it up perfectly.

:

01:25:10,136 --> 01:25:16,016

And this is also a wrap

of Miracle on 34th Street.

:

01:25:16,376 --> 01:25:20,076

Ryan, don't forget to remind

us about some of your shows.

:

01:25:20,076 --> 01:25:22,716

Anything you have upcoming that

you want us, that you wanna,

:

01:25:23,056 --> 01:25:23,896

get people excited about.

:

01:25:25,296 --> 01:25:27,781

Ryan Rebalkin: I, I dunno if I get anyone

excited about anything, but I'll try.

:

01:25:28,031 --> 01:25:31,751

The, the Directors Chair Network,

again, Google the Directors Chair

:

01:25:31,751 --> 01:25:34,300

Network podcast available on YouTube.

:

01:25:34,511 --> 01:25:36,791

You get the visuals, you can actually

get the visuals of our discussions,

:

01:25:36,791 --> 01:25:40,571

but if you don't want that, it's also

available anywhere you listen to podcasts.

:

01:25:40,961 --> 01:25:44,171

And as of right now, I've already

got in the bank and you're one of

:

01:25:44,171 --> 01:25:45,161

those episodes that are banked.

:

01:25:45,161 --> 01:25:47,050

We're covering Terrence Malick films.

:

01:25:47,050 --> 01:25:48,611

That's the next film that I'm covering.

:

01:25:49,061 --> 01:25:51,491

And I've already got two

episodes recorded at the time.

:

01:25:51,491 --> 01:25:52,091

It's recording.

:

01:25:52,121 --> 01:25:54,611

I've got banked episodes of

Terrence Malick's journey.

:

01:25:54,971 --> 01:25:59,561

I'm really the discussion so far, and

you joined me for the first episode of

:

01:25:59,561 --> 01:26:01,901

that season where we covered Bad Lance.

:

01:26:01,901 --> 01:26:03,721

Speaking of Martin Sheen

with the West Wing.

:

01:26:03,721 --> 01:26:05,101

So yeah, bad lands.

:

01:26:05,221 --> 01:26:06,721

I can't wait for that

weather to go public.

:

01:26:07,096 --> 01:26:08,236

Katie: I am excited about it too.

:

01:26:08,286 --> 01:26:10,836

It's a wild ride of a movie

and I guess I'm learning more

:

01:26:10,836 --> 01:26:12,306

about myself that I kind of like

:

01:26:12,576 --> 01:26:16,356

seventies movies, so that's so we don't

cover seventies movies on man, guys,

:

01:26:16,356 --> 01:26:17,976

were strictly eighties and nineties, but

:

01:26:18,771 --> 01:26:20,091

Ryan Rebalkin: there's an

aesthetic to the seventies and

:

01:26:20,136 --> 01:26:20,616

Katie: mm-hmm.

:

01:26:20,661 --> 01:26:21,411

Ryan Rebalkin: that in our discussion.

:

01:26:21,411 --> 01:26:22,071

And the next one

:

01:26:22,071 --> 01:26:23,271

we covered days of Heaven.

:

01:26:23,271 --> 01:26:25,311

That was a big discussion

point too, the seventies film.

:

01:26:25,791 --> 01:26:26,781

So yeah, check that out.

:

01:26:26,781 --> 01:26:27,231

And yeah.

:

01:26:27,231 --> 01:26:28,701

Thank you so much,

Katie, for having me on.

:

01:26:28,701 --> 01:26:30,321

I hope I didn't derail it too much.

:

01:26:30,786 --> 01:26:34,606

Katie: Never, but you guys, if you

did enjoy this episode of Retro Made

:

01:26:34,606 --> 01:26:39,956

with Ryan the best gift that you can

give this season is, guess what, guys?

:

01:26:40,016 --> 01:26:41,636

It's a quick rating or review.

:

01:26:41,996 --> 01:26:45,326

Wherever you listen to this, it

does actually help the show grow.

:

01:26:45,326 --> 01:26:46,316

So if you could please do that.

:

01:26:46,316 --> 01:26:48,146

I I would very much appreciate it.

:

01:26:48,146 --> 01:26:49,226

Call it my Christmas gift.

:

01:26:49,526 --> 01:26:51,146

You can also subscribe on YouTube.

:

01:26:51,146 --> 01:26:53,816

You can leave a comment, join

the conversation on Facebook.

:

01:26:53,996 --> 01:26:55,136

There's so many things you can do.

:

01:26:55,166 --> 01:26:56,186

You can email me.

:

01:26:56,586 --> 01:26:58,866

I do actually really like

hearing from people directly.

:

01:26:58,916 --> 01:27:02,336

It allows you more to say than

just a quick comment on Facebook.

:

01:27:02,675 --> 01:27:06,486

But I like those two, so please feel

free to send an email and thank you for

:

01:27:06,486 --> 01:27:08,766

spending a little holiday magic with us.

:

01:27:08,766 --> 01:27:12,066

Until next time, be kind, rewind.

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