This week we interview award winning actress Rebecca Tarabocchia. With a resume including not only movies but 3D animation, we talk to her about living post-strike and how actors can be better prepared next time. It's all in this week's episode of Film Center News!

This is Film Center.

Your number one show for real entertainment industry news.

No fluff, all facts.

Now, here are your anchors, Derek Johnson II and Nicholas Killian.

Hey everyone, welcome to Film Center, your number one place for studio news.

My name is Derek Johnson II.

I'm Nicholas Killian.

And today we're here with an award winning actress.

We're here with...

Hi Rebecca, how you doing?

Hi, I'm good, how are you?

Doing pretty good, pretty good.

Good.

How was your morning?

It was really good, yeah.

It was a bit early, I had a wonderful morning.

Um, I was actually watching the new Spider Man Across the Universe.

Did you really?

Yeah, cause I fell asleep yesterday, so I finished it this morning.

And I loved it.

Yeah?

Yeah, did you watch it?

Yeah.

We did.

We actually went to go see it in theaters.

Yeah, we saw it in theaters.

It was really cool.

Um, We went to go see, what, at Regal that time?

Yeah.

Yes, yeah, and the same Regal we saw at 270 Degrees.

Yeah.

You ever seen 270?

I don't think so.

Uh, we went to go see the Forza Motorsport movie.

Uh, no, the, uh, uh, uh, Gran Turismo.

Gran Turismo.

Oh, okay.

I missed that, I gotta, yeah, I gotta catch up.

But anyway, um, basically what it was is, it was like the original screen and

then it had two screens off to the side.

So it...

It was almost like, uh, it was 270.

So it was like, it was on left side and right side.

But before we get into, you know, that we didn't do, you know, we used

to do, we should, we should do a, uh, uh, uh, get more into Rebecca a

little bit before we just started.

The reason why it's really casual if you're listening is because I happen to

have known Rebecca for some time now.

Yeah.

Yes.

Back when film school days.

Yes.

Back in the old film school.

Back in the old film school days.

2018.

Yeah, 2018.

We were neighbors.

Yes, but we lived at Park Point.

Yes.

Yeah, Park Point.

A lot has changed since then, hasn't it?

Huh?

A lot has changed since then, hasn't it?

Yeah, definitely.

I mean, your hair is completely different.

That's one thing that's changed.

Yeah, I didn't even recognize you the other week when we met for

the first time after a few years.

Yeah, we caught up at a, um, we caught up at a premiere,

one of our friends premiere.

Yeah.

And that's when we, I caught up with Rebecca.

So, thankfully, she had time to come.

on the show.

Yeah.

Which we, uh, appreciate.

And I didn't recognize him the other week, and then I figured out why,

because he used to wear glasses, and he didn't at the premieres.

Almost exclusively, actually.

Oh, really?

Yeah.

And it was not until And the big Malcolm X ones.

Yeah.

And it wasn't until he opened his mouth and started talking, because

he yeah, I recognized your voice.

I was like, hold up!

I know that guy.

Derek!

And then when we went to the premiere of that movie, you

were like, I think I know you.

I, yeah, it kills me that I still can't figure out or

remember where I know you from.

I swear that we've met before.

Well, Nicholas has been in LA for about, what, a decade now?

Yeah.

But when did you guys get to know each other?

Oh!

We're not in this interview.

This interview is not about us.

This interview is not about us.

She's so, see this is the thing.

Listen, Rebecca is a very interesting person.

She has this ability, when you start talking to her, you just

tell her all your secrets.

Right.

I want to know everything about you guys.

It's that charm that she has.

I'm gonna watch you now for that.

It's probably because she's Swedish.

She is Swedish.

So when did you come over to America for the first time?

Um, the first, well I came over for a quick vacation.

I think it was back in like 2016 or something.

And then...

Um, for school and then 2020, I had to go back to Sweden because of COVID and then

I came back last year about this time.

So I know that you heard that the strike is now over.

Yes.

Yes.

Yes.

The SAG strike is now over.

We definitely have to talk about that.

How excited are we?

As an actress, like, how does that make you feel?

That now the strike, they have reached some, um, Some verdict a tentative deal.

I mean, it's a relief for everyone It means that we can all go back to

work and not just for the actors for everyone in the industry Like the writer

strike affected everybody the the the actor strike the sack strike affected

everybody so I think everyone is just very relieved and Excited to go back

to work And for like new adventures and also for fair wages, you know, because

that's something that's been apparently bothering everybody, but also with

it, like AI and everything that's been scaring, that's been scaring everybody.

So as a, as an actress, so I'm sure you've heard a lot about the AI,

what they were planning on doing and then they would scan you once.

Pay you that once and then use you in the background in perpetuity throughout the

universe right in perpetuity throughout the universe fall of time And you know

they have some AI scans even though this whole strike They're having there's a

lot of talks of them using some AI scans They have already of dead celebrities for

to use them in the background of other movies and their basis for this Is that

they used, uh, uh, for Star Wars, uses a lot of face clones for people who were

passed away in the more recent movies.

How does that make you feel, that possibly As an actress.

Right, as an actress.

Or do you even think that's right?

No, I would feel, um, I don't know if this is the right word, I would feel violated.

Um, that they're using my appearance.

Um.

Possibly without even your consent.

Yeah, exactly, cause they have it in their database, so they, and we're

probably will never know, you know, if we, if somebody doesn't really find it

for you and like show it to you, like, Hey, this is you, were you on this set?

And then you realize, no, I wasn't.

Yeah.

They, they literally stole my appearance.

They wouldn't even let you know.

No, and, and I think, well, it, yeah, I don't, I really don't

think they would let you know.

Yeah.

Because they're, they're Slytherin.

Like that.

Yeah.

Um.

Have you been, have you been scanned so far or no?

Cause I know some people who have actually been scanned already.

I haven't, but I am, um, it's for a video game.

And I did Oh, I guess that's different, isn't it?

Yeah, but they do scan, like, through pictures.

They scan you and then they make you into an avatar and then we will be doing

the voiceover for these characters Which is super, you know, it's a video game.

It's called Well, are you are you able to say it?

I'm not sure Once again everyone a film center is on the road, you know

that we go everywhere We're here in Starbucks chilling right now And also

I would like to remind our viewers those who are not in the industry that

in Hollywood There's a lot of NDAs, so that's why sometimes we cannot mention

all the shows and things that we work on.

And everything that we're talking about.

Right, but that's why we talk mostly about experiences.

So, I mean, if you've already been scanned in the game, right, do you have any

worry that this might come up sometime later in like a film or a TV show?

A little bit.

Yeah.

Um, but it wasn't really anything.

I know I'm allowed to say this because we've been posting everything

about it, but it doesn't matter.

Um, a little bit.

Yes.

Um, but it wasn't anything that we were thinking about once we, once

we sent the photos, because this was like months and months ago.

And this was like, this is before the strike.

No, I think it was in the beginning of the strike.

It was the beginning?

Oh, because in the beginning the TV, uh, because this is a video game.

Yeah, this So technically they were not under, they were not

being striked at at first.

Yeah, no.

Which is correct.

So, um, yeah, we just sent our pictures and everything, um, and they were gonna

send us the examples of the avatars.

But here's the thing, I also know how to do all this in 3D.

So you just take the scans and you put it on like a type of a...

inside the program and then it kind of forms out.

It's not going to be exactly the same.

Um, but if they're using AI, it's probably going to be different.

Oh, well, it is AI.

So, um, Rebecca, you do more than just, just be an actress.

You want to tell the audience a little bit more about all the things that you do?

Yes.

So I, I found a new hobby during COVID.

Yeah.

When was that?

And it was 3d animation.

I love animated movies.

I'm obsessed with, like, Disney, Pixar, Dreamwork.

Which one would you say is your favorite?

Frozen.

Frozen?

Yeah, but I'm also a huge fan of Spirits.

You kind of look like Elsa, too.

Right?

She does.

That's what I keep telling people, but they don't agree.

Oh my gosh.

You could don the costume and...

Oh, I have.

Trust me, I have.

I remember when I worked at Disney World when that movie came out.

Yeah.

And, oh, they shut down the, they basically had shut down the park.

The line to meet Elsa was an actual five hours long.

The line was so long, some people couldn't get into other rides.

Like, crazy.

You look, you do look just like her.

You do look just like Elsa.

Wow, I should apply.

You should.

Yeah.

You definitely should.

Easily gets the part.

Yeah.

Easily.

Definitely have the hair.

One thing that I would ask you.

is, since the strike had gone on so long, there were pe there were people

in two camps that were saying, we need to push the strike as fa you

know, as long as it needs to be.

And then there were some people that were saying, hey, we're

definitely for the strike, but we still haven't recovered from COVID.

Yeah.

And so they were like, we need to end it right now.

But then there were some people who were like, Well, if you don't

end it right now, this is going to be basically the end of us.

So, which camp did you, they were like, I, I agree about all of the

fears of AI and everything like that, but I also can't pay my rent.

Yeah.

And I can't, I can't live.

So, which, what do you, as an actress.

And you're also, uh, you also produced things before.

So you kind of also have like this dual perspective.

Well, I was COVID was really tough for everyone.

Um, but the fact that I, um, literally had to like leave the country and

like get a completely different job that I really didn't want.

Um, I was in a visa process and that was like the worst time of my life.

And all I wanted was just to come back to California where there's sun,

there's palm trees, there's film people.

And I just wanted to work, you know?

And so once I got my visa in my hand and then flew back

here, I was like, yes, finally.

I've been waiting two years for this.

I've been working so hard in order for, you know, there's so many

expenses with lawyers and you know, Oh, I'm imagining the American visa.

It's so difficult.

It's so difficult.

Um, so I finally got it.

And I got here, and just like a couple of months in, this strike happened.

And I was like, Oof.

That's crazy.

That's rough.

Can't we just all just take a break, please?

A break?

Can't we just go back?

To work.

Put a pause on the crazy for a second.

Yeah, yeah.

Wonder please.

Let's just chill for a second and do our work.

Maybe we can do the strike in like two years or something.

That's what I was gonna ask you.

So there was a big consensus, two people in two camps, schools of

thought that they were like, okay.

We definitely agree with you.

That I do agree.

I really do do, and I'm happy that, that we need the strike.

I'm, I'm happy that the strike happened and I'm happy that it's over, but right

when it happened, I was just so sick.

Right.

Because a lot of.

People were saying that COVID just happened.

We haven't recovered from COVID and then you're going to strike.

I mean, that's almost like a one, two punch for some people.

We had a WGA and a SAG strike this year.

IANCE, there are talks of IANCE striking next year, which previously

on a previous episode of Film Center, our listeners know, we talked about a

lot of the reasons why IANCE probably won't strike mainly because, um,

they get a lot of business, right?

They get a lot of business and then every time, you know, when there's productions,

uh, IAASI has the most people hired on set, right, because they do so much stuff.

However, now because of the events of this year, they are now

planning on doing their strike.

I remember talking to, um, some coordinators from IAASI, which I will not

name drop anyone, obviously, but I have, I've had conversations with them, um, in

which they're like, yeah, they're even gearing up their press for the strike.

They're gearing up their, and there's like, their, uh, contract isn't open

until like mid next year, and there are Already looking for, um, well,

I can't say too much, but they're already gearing up their press for it.

Right.

So I mean, WJ and SAG is over this year.

You as an actress, someone who, uh, when you have a new found

passion of three animation right.

But also you do, uh, produce things.

What is, what is your thoughts on that?

Where do they go to, where do they strike next year?

Because then we're gonna be back to where we were.

Right?

Wake.

Yeah.

What, what if an IE strikes next year, how do you think that

would affect you as an actress?

I don't even want to start thinking about that.

Like, the SAG strike just ended, and um, yeah.

Um, like I understand it, I really do.

Um, and I will support it, whatever it takes.

Um, but, as for now, I just really want to enjoy the fact that the

strike is over, and I just want to go back to work like it's crazy.

Already, just a couple of days before the strike ended, how many

auditions, like, just blew in to...

I bet it has been a flood, huh?

Yeah.

Just a gigantic flood of auditions.

Yes, just a couple of days before the strike ended, and now the strike is

over, we're, we're like looking for, we're like looking towards the, the

busiest year in the industry ever.

So, praise yourselves.

Everybody's trying to get everything done now.

Yes, and every...

Everything that was put on hold because of the strike, everything that was,

has been postponed are like ready to film because they have everything.

They might have made some changes and stuff, but they're like so ready for,

for this to just blow up and everybody just wants to get back to work.

Everybody wants to make money.

Everybody wants to take back whatever was taken from them because of the strike.

So do you anticipate a huge workload coming in the, in

the beginning of the year?

I do.

Yeah.

Yeah.

Yeah.

And I, I think.

What do you anticipate, you know, coming your way a whole lot?

Do you have something in the pipeline?

Uh, auditions, stuff like that?

A lot of auditions.

Um, I'm doing one just this afternoon.

I'm doing one tomorrow.

I'm doing one on Monday 3.

So...

You hear that?

So, if you find her, that's where...

If you find her.

So, if you find her, you know she's going to be somewhere Monday at 3.

So, if you can somehow...

If you can somehow find Elsa.

Right.

Monday at 2.

50, stop her and be like, Hey, don't you have something in 10 minutes?

And remind her that she has something in 10 minutes.

So that way she can be there on time.

And then tell her I've got an audition for you.

Don't go to this one.

Right.

Um, don't you have a, uh, uh, you've produced a movie before

that's won some awards, correct?

Um, I, it's called move.

Yes.

Yeah.

So, so actually, you know, the writer.

Oh yeah.

Yeah.

Marie.

Oh, yellow.

Yeah.

From Denmark.

Yes, that's so cool!

Yeah, so, um.

Those of you listening, networking is everything.

Yeah, it's all about me, you know.

So, um, me and Derek, we have a mutual friend.

And her name is Marie.

And, uh, she lives in Denmark.

She's a writer.

She's a great writer.

And so me and my...

Me and a good friend of mine who is a, uh, director and DP in Sweden.

We, he told me a little true story about his mom's best friend.

Uh, it was like a dating thingy that turned into a,

like a complete horror movie.

Really?

Yeah, like he, he was trying to kill her and stuff.

It was crazy.

Wait, really?

Yeah, and it's, it's based on a true story, this film.

So we, we started to Is it still available?

Yeah, I can send it over to you.

What, uh Is there any way that our listeners might be able to check it out?

Any, any film festivals it might be in recently?

Cause it came out like a, it came out a little bit ago, didn't it?

Yeah, um, it's still in a few, um, film festivals.

So I can't really share the link to everybody.

Cause it's like, oh, if it's shared or it's posted

anywhere, you get disqualified.

It'll get overexposed.

Yeah.

Yeah, it's like a lot of, a lot of the film festivals has that as a

rule that it can't be like public.

Right, exactly.

Yeah.

Because it premieres at the actual film festival.

So if they find it, you, you'll get disqualified.

Because then nobody would be interested.

Right.

Exactly.

So, um, but it's called Move.

Yes.

Uh, is there any area or location where people might be able to look out for it?

Like are there going to be some premieres that might be here in LA?

There's some premieres that might be here in maybe other

places in the United States?

Not that I have planned right now.

No.

The goal with this film.

was to, um, just to make a short film because I had never made

a film as a producer before.

Right.

And then I happened to find great people in Sweden, um, and then I

asked my friend Marie if, or our friend Marie, if she would, she would

like to be on board and she was.

And then I also had a guy who would love to give us music for the film.

So we had like, What made you want to scratch this producer itch?

Um, I think it was just the fact that, uh, there was no acting jobs.

So it was almost like I was being forced into it.

I was like, I want to make a film.

Yes.

I want to make a film.

And I would love to give a great performance.

I would like to get recognized for my performance because what I've learned

now, if you're in a film, they might not.

And it's going into a film festival.

They might not submit your category.

It costs money for every category.

Yes.

Yeah, I know.

I've been in great films before where I have been having like a great role

and I'm like, I feel like I would have a shot, you know, and some films

it's like, no, no, this was terrible.

I get it.

Um, right.

But I don't think they were ever.

Like, that category was ever submitted because the filmmaker

wants recognition for their work.

Or not necessarily the work for the actress.

Yeah, and sometimes, uh, one submission for one category

can cost hundreds of dollars.

Right, right.

Depending on what, like, what film.

Was this a surprise to you?

Like, because I've been a filmmaker for a while.

Yeah.

Um, and that's...

I had no idea.

Yeah, that's something that I always, like, when I'm making my films, the,

like, once again, it does cost money to submit them to these other categories.

And I tell a lot of people, don't just submit to film festivals, just randomly

choose ones that you're like, this is a good genre because you don't, you're like,

you know, don't spend your money unwisely.

Yeah.

Right?

Right.

But one thing I always do as a filmmaker is that I'm always like, okay, I'm making

sure I'm not only submitting for, you know, possibly best director or, uh,

best screenplay, but I also try to submit for, um, You know, lead actress, right?

Uh, best, uh, elite actor.

And I also submit for, uh, sound mixing and I always submit for cinematography.

Those are the things that I told myself I always want to submit to.

And those of you who are filmmakers who are listening, the main reason I

do that, yeah, I mean, first of all, it's great that my friends can, and

people I work with, they can win awards, but more importantly, it allows the

actresses and actors and sound mix, whoever to showcase their work as well.

When they shine, you shine.

So that's great.

That's great that you found that out.

I mean, we basically wrote the main part for me because I wanted to work.

Right, you were writing your own work, basically.

Yeah, I was hiring myself.

It's the best way to do it, is to write your own work.

Yeah, because first of all, it was COVID, but then also the film

industry is much smaller in Sweden, so there's not as many auditions

out there for new actors like me.

Right.

So yeah, I was basically just looking to act and that was the

only way and we happened to win.

My, my other co actor also won as best actor.

Oh really?

That's awesome.

So yeah, and we won, um, so he won best actor.

So was this in Sweden?

Yeah.

And it was the same film festival.

So they like, um, You guys rocked that film festival.

Yeah, we, we did.

Yeah, you rocked it.

And this was won in London.

So that was.

Yeah.

Yeah.

Yeah.

That was amazing.

Can you, one of the things that I would ask you and our listeners, um, what kind

of perspective did you gain from being a producer as, versus being an actress?

Do you view acting differently now that you've been a producer?

I definitely have a bigger understanding of the producer parts.

Um.

What would be that understanding?

Probably budget.

I've been trying to write a story, like a, like, write, write a script.

Like, I'm not a writer, but I can always train to become a writer.

But because I understand the producer part, I have a budget in my hand,

in my head, while I'm writing.

And that is stopping you from...

Actually being creative because all you think about is money when you

write and you're limiting yourself instead of just taking that out and

just seeing yourself as a writer right now and just writing your story and

let the creativity and the art flow.

I have a mentee I tell that to, um, uh, because he wants to be a Hollywood

writer, you know what I'm saying?

I say Minty.

I ain't gonna lie.

It's my, uh, he's my cousin.

He lives in Australia.

Let me, we get real on this show.

He's my cousin.

He lives in Australia.

Um, but, um, something I tell him, and I tell a lot of people, uh, who are...

Who have smaller budgets.

Write it, just write it first.

And then let your creativity come out when you have to go to

that second draft and fix things.

That's when you like, okay, well, I can't have this giant explosion here, right?

But how else can I give off this emotional effect or give off

some sort of special effect that doesn't require all of that, right?

If you have a, uh, if you have a police chase scene...

Do you need to see every single car?

As a producer, you know, cause when you're an actor, you just

want everything to just happen.

You just want to see it, or especially as a writer too.

When you're a producer, you're like, I can do this scene with one police

car instead of a giant fleet of them.

I can do this scene while shooting the police car for a

day instead of the entire week.

I can get the same effect.

Right, exactly.

Right.

No, no, you're right.

You're absolutely right.

Absolutely right.

But yeah.

Yeah.

So, um, also, you're producing a play pretty soon, aren't you?

I'm not producing it.

I'm in it.

You're in it.

I'm in it.

Oh, can you tell us a little bit about it?

And I am super excited.

So this is a play that's called The Lion and the Panther and it's

going to run on the first, second, and third of December at the Hudson

Backstage Theater in Hollywood.

So it's coming out pretty soon.

Yeah, exactly.

So we're in the middle of the So you guys better get to it.

Right.

Yeah.

And it's written and directed by Ricky Cutter and Jad Ellis.

Can you say that one more time?

Ricky Cutter.

Ricky Cutter.

Ricky Catter.

Catter.

And Jad Ellis.

Oh, okay.

Yes.

And they have already been running this play up in Houston, Texas at the

Match Midtown Arts and Theater Center.

And it became very popular, so now they're bringing it down here.

So, which Which is amazing.

It became very popular.

What part do you play?

I can't tell you.

You're gonna have to come watch the show.

Oh, you're gonna tease us.

tried to get it.

Yeah, you're gonna have to come watch the show.

It's amazing.

Um, we're rehearsing, like, big time right now.

How long have you been rehearsing?

For like, a month?

Or like?

No, no.

We've only been rehearsing for like, uh, one and a half

week, two weeks or something.

Oh.

So you nailed this part this fast?

Jesus.

We will.

This is what makes her a professional.

I can't do all that stuff.

But, hey, I, I can't.

Swedish professionals are, are something different.

Right.

I cannot take all the credits.

I'm working with Anthony Solis and Sam Jacobs, and they're incredible actors.

Like, working with them, I feel so safe.

I feel so comfortable.

They're, they're just amazing.

And watching them work together when I'm not on stage, it's,

you, you get so drawn in.

It gives you a different perspective.

They're, the way they're embodying their characters, their voices and

accents and everything is just so incredible and the relationships

between the characters, incredible.

And it's funny because Ricky and Jad, they have played these parts themselves.

Oh really?

Yes, up in Houston, Texas.

So they're from Texas, or they did it in Texas?

They did it up there.

and now they're, now they're doing it in LA.

Yes.

Okay.

So they play these characters themselves up there in Houston, Texas.

So, and the fact that they're like so open minded and um, they allow us to play

around with the characters and the script and the, they're not so rigid about it.

Yeah.

Because they have already done one version of it, but they are allowing.

Completely new version.

Will you tell us a little bit about like what it's about?

Yes.

So it is a, it's a story about a troubled young man who believes that

he's physically becoming a lion.

So he is being sent to a therapist and there we discovered that they both may

have an extraterrestrial connection.

Oh.

So you made some interesting, like, mystery stuff going on here.

Mm hmm.

Yes, Derek.

So, um, this is a story that will be heard around the world.

In this cosmic experience you will embark a journey of enlightenment and explore

interpersonal paternal relationships as well as important topics such as

mental health, inner awakening, and what it really feels like to live in

a society that tries to define what...

Human nature is.

So where, where can people want?

Where, where can people get tickets to this?

You can , you can read more about this on stage four eleven.com and stage four 11.

Yes, and I will, I will see if I can swoop in a little link or something.

And it's called the Line and the Panther line and Showtime is

first, second, and 3rd of December.

So if you're ready, yes.

So if you're ready to be on the edge of your seat, come.

Come along and take the ride.

Take the journey and discover the mystery of why evolving through spiritual

nature in such a human yet animalistic way can lead you to your roots.

So come along and be you.

All right.

I highly recommend.

All right.

So, uh, what are the dates again for our listeners?

First second and third.

First second and third.

Derek, I said it like five times.

I know.

I know.

It's not me who needs to memorize it.

Yeah.

Yeah.

Our listeners want to know the dates.

Yeah, you're telling me.

I hear you.

It's like you're not listening, Derek.

I'm right here.

So, you know, Rebecca, it's been really great to, uh, to have you on the show.

Thank you for having me.

Yeah.

It's been a blast.

Is there any way that our audience can follow you or like anything like that?

Of course, you can follow me on Instagram and it's, um, very long.

It's Rebecca Tarabakia.

Rebecca Tarabakia.

Can you spell your last name for us?

It is T A R A B O C C H I.

Eighth.

Awesome.

Yes.

Italian.

And, um, yeah, go check out, uh, uh, uh, Rebecca in this new play, and, um, she's

gonna be in a whole bunch of other stuff.

Yeah.

Like Rebecca has been, I, I'm, I'm gonna flex a bit from Rebecca.

She's a seasoned actress.

I'm gonna flex a little bit.

Rebecca, Rebecca's a very smart person.

And you know, I know for a fact that she's gonna be in a whole bunch of

other stuff coming up this year.

She's, she's always doing, she's always busy.

Yeah.

She's always working, always doing something.

She's always doing something I love doing.

So Rebecca, I appreciate you coming on to the show and we'll see you soon.

Thank you so much for having me and I'll see you soon.

Well guys, this has been Film Center.

My name is Derek Johnson II.

I'm Nicholas Killian.

And Rebecca Cherubacchia.

And we'll see you next time.

See ya.

See ya.

This has been Film Center on Comic Con Radio.

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