In this episode, Amy is joined by Marketing Strategist Kira Pogge Brewka of Kira Pogge Creations. They talk about Disney’s 5 Keys of Customer Service and how they can transform your visitors’ experience with your museum.
Amy Kehs is a brand strategist and communications expert for museums. She has owned Kehs Communications since 2000 and has worked for the most renowned and well-loved museums in Washington, D.C. Her goal is to ensure that museums thrive into the next century and she hopes people will come to love museums as much as she does. Her proven process sets up proactive communication habits for museums, cultivating relationships with visitors who will want to return and bring a friend. Want to talk more? Click this link to book a call.
Today on the podcast, my friend Kira and I are talking about how to
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:transform your visitor experience using
Disney's five keys of customer service.
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:Let's get started.
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:Hello and welcome to the
Love My Museum podcast.
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:I'm your host, Amy Keys
and I love museums.
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:I'm also a brand strategist and
communications expert for museums, and
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:I am thrilled to welcome back to the
podcast my dear friend Kira Pogge Brewka.
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:Kira is a content strategist for
small businesses and theaters,
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:and she is the host of her own
podcast, the Authentic Communicator.
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:Kira is also a former Disney
cast member, so she is the
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:perfect guest for today's topic.
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:Today we're talking about Disney's
keys of customer service that
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:all of their employees learn and
how you can incorporate them into
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:your museum's visitor experience.
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:Welcome, Kira.
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:Kira: Thank you so much for having me.
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:I'm so excited about this topic.
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:Amy: I was thinking, I think that
you are my first repeat guest.
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:Oh, really?
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:I don't think.
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:I think so.
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:Kira: Thank you.
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:That's such an honor.
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:And actually when you texted me, you
know this, when you texted me about this
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:idea, I was like, oh my God, I love this
because I think Disney, we were just
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:talking about it, but there's something
to learn from Disney for every industry.
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:'cause they're just really great at what
they do, but especially customer service.
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:Amy: Yes.
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:one of my favorite quotes that I share
with my listeners and that I talk about
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:all the time, and I'm paraphrasing
here, but Walt Disney said, do what
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:you do so well, that they'll want to
come again and bring their friends.
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:And that is such a huge
takeaway for museums, for
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:theaters, for small businesses.
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:I think if you are trying to,
attract your ideal client, your ideal
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:customer, it's such a good lesson.
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:Kira: It's so true.
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:Yeah.
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:how many of us have left Disney from
a trip and come home and just said,
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:oh my God, it was the best experience.
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:Next time you go, you have to try
this restaurant or do this attraction
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:or see this show because you leave
and you take that experience with
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:you and you tell everyone about it.
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:Amy: Yes.
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:I even remember when I was really little,
my parents taking me to Disney and
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:my mom would point things out that of
course, I didn't recognize, but she would
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:say oh my gosh, look how clean it is.
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:Look how many, she would point out like,
you never see any trash around Disney.
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:Or she would point out like, oh my
gosh, the people here just seem like
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:they love their jobs and they seem
so happy to be here and so welcoming.
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:so first, before we get into Disney's
customer experience and the five
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:keys, can you tell us a little bit
just about, your journey about being
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:a Disney cast member and how that led
to your job as a marketing strategist?
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:Kira: Yeah, absolutely.
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:So I started writing to Disney in
like sixth and seventh grade and being
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:like, how do I get a job with you guys?
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:Which, they couldn't hire me then, but
I was determined to like someday have
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:that little oval name tag and just,
I just wanted to be a part of it.
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:Like it didn't matter what I did, I just
wanted to be a part of it because it
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:was such a heart space for my family.
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:And still is that just being a
small cog in that giant machine,
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:but knowing that literally everyone
there really does make a difference.
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:And I know it sounds really
cheesy, but it's so true.
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:Like everyone who does anything
there is part of the process that
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:makes it so special for people
like us who love it so much.
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:So I started writing to them about, when
you're, like, when you're little, you
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:don't even know what jobs are available,
so you're just like, I'm definitely
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:gonna be a imagineer or an animator.
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:I had like little.
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:Drawings of like a carpet bag, Mary
Poppins ride where you like rode in her
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:carpet bag and you were one of the things
I love that she has in her carpet bag.
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:I still have those like little drawings.
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:when I was little, that's what, you think
Disney and you're like, in order to work
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:there, I have to be an animator at first.
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:And then we went to the parks and
I was like, oh, you can do this.
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:I started writing to them and one of
the many letters that I sent, I got
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:back in the mail, like a picture of
Mickey Mouse in his Fantasia outfit.
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:And then, a pamphlet for
the Disney College program.
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:So I, I put that on my desk
in seventh grade and was like,
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:this is what's gonna happen.
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:I loved Disney so much.
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:So getting to do the college
program was an absolute joy for me.
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:But I know other people who weren't,
like they had never been to the
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:parks, maybe they weren't, didn't
grow up being obsessed with it,
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:but they still had a really great
experience on the college program.
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:I would recommend it to anybody who
wants to work in any sort of business,
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:whether you're going for entrepreneurship
or going to work in corporate
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:America, or whatever it might be.
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:the customer service training, the
storytelling training, everything that
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:are, that's part of these five keys,
teach you how to treat clients and
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:just how to be really good at your job.
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:But customer service is
important no matter where you
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:are and what industry you're in.
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:And they really focus super heavily
on that because the entire time you're
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:at Disney you're having an experience
that's what they want it to be.
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:So I went through all to make
this long story less long.
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:'Cause it's not short yet.
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:It's not short, but I, every school
project in college and in high school,
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:I tried to tie to Disney somehow.
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:So I found like some connection.
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:I went and Disney did the interview.
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:Like they did phone interviews and then
I went to the Rochester City Ballet is
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:where they had the, like upstate New York.
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:Auditions for entertainment, for
character performers and like
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:parade performers and things.
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:So I went and did that and
loved every minute of that.
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:And my family was super supportive.
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:I don't know if you're, if whoever's
listening, or Amy if you watch the
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:old disneylands thing along ever.
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:I practiced that Main Street dance,
like multiple different performers for
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:months before I went to the audition.
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:Not that dance was gonna be in the
audition, just because it gave me vibes.
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:So like I would watch it like daily.
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:And I was so blessed to get a call
back and to be able to do like parade
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:performances as that's what I was
doing while I was there and I, and
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:meet and greets and things like that.
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:And I loved every moment of it.
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:but.
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:To like bridge that, to go into marketing.
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:I was studying theater, music history.
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:That's what I was studying my undergrad.
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:And I was actually, I have to give like
a thousand percent credit to my mom who
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:said okay, you're looking at theater.
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:I actually was looking at some
museum science stuff at the time.
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:Oh, cool.
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:Because I took art history and loved
art history and like theater history,
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:music history, like that's what I loved.
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:but it would all take me away from home.
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:And I loved doing the internship,
but I knew I was going back and
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:we had a really close family.
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:even when I was applying for
jobs at Disney during college for
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:marketing, I don't know, there was
something like calling me to stay.
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:So she's have you thought about marketing?
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:Because that's, still storytelling
in all of the best ways.
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:De and depending on where you do
it, it could be like super creative.
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:So is.
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:All credit to my mom that I went and
got a master's in communications,
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:and that was really the bridge.
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:But I use, what I learned at Disney,
and not just in my internship, but
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:like my whole life watching Disney
movies, going and in theater, like
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:going to the theater, those core
elements of storytelling is what
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:really great marketing is made out of.
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:so that's how I went from
Disney to storytelling.
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:But I will say it again, like
anybody who's interested in doing
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:an internship, Disney will give
you the most amazing experiences.
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:they're just the best at what they do.
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:Amy: I did not know that story, my Disney
story is a little bit like yours, and I
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:don't think that we've ever talked about
this, but for my whole life I wanted to
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:work at Disney and when I was a junior
senior in college, they were talking
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:about opening a new Disney park outside
of Washington DC called Disney's America.
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:And I had the same feelings.
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:I wanted to go and work at Disney.
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:I wanted to apply for jobs there, but I.
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:Wasn't sure I wanted at that
age to move far away from home.
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:And so this Disney's America
was like the holy grail.
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:I was so excited.
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:I was, had my resume ready and.
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:I was volunteering at the Smithsonian
National Air and Space Museum.
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:I had an amazing team that I worked with
my office, like we still keep in touch,
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:we still have little reunions, and my
boss knew that is actually what I really
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:wanted to do was go work at Disney.
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:And he even got to go to that
press conference and he brought
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:me back like buttons and the press
release for Disney's America.
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:And then when they announced that it
wasn't going to happen, I was crushed.
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:And he was like, I know that's what
you really wanted to do, but could we
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:be your second pick because we have
a job opening and it would be really
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:great if you could be on the team.
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:So I went from volunteering to being
on the team, but it was all because.
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:Disney's America broke my heart.
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:Kira: Aw.
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:Amy: But I agree, like I learned
so much from watching the movies,
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:visiting the parks, about that
immersion, about that experience.
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:So for people that either haven't been
to Disney or don't really know how the
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:Disney Parks work or even the term cast
member, can you tell us a little bit
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:about Disney's keys to customer service?
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:Kira: Yeah.
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:So when you go through Disney
training, and I went through it
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:many a year ago, almost 20 years,
next year will be 20 years.
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:So I went in 2007, the year
of a Million Dreams, one of
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:the years of A Million Dreams.
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:And when you first go through training,
you have two or three days of traditions.
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:They teach you about the history of
the company and then they go really
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:deep into customer service and then
they go into training you for whatever
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:the role that you're doing is.
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:and like we said, customer service
is the most important thing.
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:So their five keys are safety, courtesy,
inclusion, show, and efficiency.
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:and inclusion is a newer one that
they didn't have while I was there.
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:It felt inclusive.
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:My experience felt really beautiful and
everyone was welcome on the team, but I'm
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:really proud of them that they've made it
this official thing that, that they do.
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:so these five keys are really
important and the order's also
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:really important because you'll
notice that efficiency is last.
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:Amy: Yes.
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:Kira: at Disney, you don't sacrifice
safety for speed and you don't sacrifice
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:kindness and courtesy for speed like
you're those other, the first three
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:are super important and show is super
important too, but like none of those get
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:sacrificed in order to something quicker.
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:So they're very intentional in how
they train you about them and that
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:the order that they put them in.
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:But when you enter Disney Park
for the first time, if you've
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:never been you'll have five people
asking you if you need anything.
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:People say hi right away, the experience
happens immediately, whether you're
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:getting on a bus or a monorail or
you're entering a park, like I said.
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:And each of the cast members
there, the reason we're called cast
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:members is because you don't need
to be part of a show or a parade
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:to be part of the cast, right?
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:People think of movies or theater, and
the cast members are the people who are
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:on stage, the crew are backstage, and
they, and the audience is the audience.
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:And at Disney, literally everyone
who works there is part of the
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:cast, because wherever you are is
considered on stage or backstage.
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:If you're a cast member, If you're
on Main Street, you're on stage.
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:It doesn't have to be a performance
as it were because we're all part
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:of that immersive experience.
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:Amy: I love that so much, and I should
say a lot of this I learned because my
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:daughter also did the Disney College
program, and I loved quizzing her
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:and asking her about her training.
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:Disney spends so much time training
and preparing their either college
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:interns or their employees,
that alone is just impresses me.
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:So much.
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:And so I was thinking that we could
go through each of the keys and maybe
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:talk about them a little bit and maybe
give some ideas for, if you aren't a
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:Disney Park, if you are a museum, or
even a theater or a small business or
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:a entrepreneur, how you can use these
five keys when you are working with your
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:customers, your clients, your visitors.
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:And I really love what you just said
about the first key about safety.
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:So we'll talk about that one first.
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:you look at the five keys, safety is not.
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:The fun, shiny one.
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:Kira: Totally.
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:Amy: And so I love what you said
about that one is first for a reason.
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:So let's talk about that one a little bit.
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:Kira: Yeah.
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:So we, when we did our training,
and I don't know if this is so a
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:couple of disclaimers 'cause I,
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:Amy: yeah,
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:Kira: I don't work for the
company and I don't speak for
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:the company, so I'm definitely
not speaking on behalf of Disney.
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:I'm just, sharing my experience with them.
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:Which was, like overly positive.
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:Like truly.
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:And I'm biased, but also every day
was a dream and I'm not even lying.
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:So I am biased but I don't
speak for the company and my
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:experience was like 2007 to 2012.
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:So people who are more recent might
have more in depth things to say about
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:the training that they're doing now.
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:And just to be fair, to cast members.
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:Now there are things that I might miss,
'cause I'm sure things have been updated.
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:But we used to have cards and
I still have the, my paperwork
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:and everything saved away.
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:That said safety begins with
me like it was a big deal.
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:And the d it was safe.
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:D like a Disney D begins with me and.
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:It is so important.
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:Every day when the park shuts down,
a third shift of engineers come in
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:and rides are tested, things are
fixed and worked on for future things
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:future attraction shows, et cetera.
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:And safety is the most important thing.
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:Whether you are a guest at Disney,
they want you to feel safe and secure.
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:Growing up it was one of the only
places we would go as a family where,
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:you know, my, my elderly great aunt
would come with us and sometimes at
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:night my mom would say, okay, we're
gonna take her back to the hotel, but
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:you kids, stay and take the monorail
back or take the bus back, or whatever.
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:And they felt really
comfortable doing that.
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:It, that wouldn't happen everywhere.
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:Yeah, they wouldn't have
let us do that everywhere.
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:They want you to feel safe there.
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:They want you to feel secure.
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:And they definitely, Disney doesn't want
any accidents or anything to happen,
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:whether you're a guest or a cast member.
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:And safety's so important because I
think whether it's in business and
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:an experience like Disney or just
in life, let's get like really deep.
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:But when you're with, when you're
with your people that are safe,
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:you feel more comfortable and
you're able to be more yourself.
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:If you're walking into a situation
for vacation where you feel safe Then
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:you can let your guard down and just
be totally yourself and just enjoy.
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:And that's the point.
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:Like it helps you.
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:Jump into that immersion if you are
not like constantly looking around you.
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:Amy: Yeah.
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:Kira: They just want you to like, sit
there, watch the parade and be a human.
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:Yeah, just enjoy existing.
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:Amy: I think too, the fact that safety
means so much to them and that it is
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:the first key also shows great care.
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:when you're thinking about a museum
I think having clear signage.
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:doing a walkthrough of your space.
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:I know for my daughter's job, one
of the first things that they would
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:do when they opened in the morning.
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:Like you do a safety check.
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:So thinking about safety in a
different way at a museum and also.
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:Another thing that I always notice
at Disney is preparing your staff
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:for the human side of safety.
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:So training like that frontline staff
on how to respond calmly to, a mom
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:who's lost her kid, or to the lost
kid, or to overwhelmed guests or if
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:someone has an accessibility need.
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:So not just in emergencies or like
safety of rides, but also just how
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:you're taking care of people too.
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:Kira: I think that's such a good point.
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:I think even in a moment of.
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:Maybe momentary crisis.
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:the cast members are a safe,
supportive space you can go.
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:That's a really beautiful point and
I hadn't even thought about that.
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:I think too, that, that.
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:I will say, like we were talking
about like safety emotionally, also
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:safety for cast members to feel open
to going and providing feedback.
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:So we used to have, I don't know if they
still have these, and I would love to ask
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:your daughter if they still have this,
but they had in break rooms and in some
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:of our like rehearsal rooms and things,
they would have a big whiteboard that
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:would say like what you've said and what
we fixed and cast members could be like,
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:Hey, the sink in this bathroom hasn't
been working for the last two months.
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:And management would come
in and be like, we fixed it.
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:Like you, even though even if you
didn't interface with like higher
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:up management every day, you could
see that they were listening.
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:Oh, I love that.
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:And that was such just a small
thing, but I use it as an example
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:all the time because I would read
those boards and be like, oh.
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:People ask for more power aid
in the break room and they put
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:it in there like somebody's
listening and they actually care.
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:Yeah.
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:And it's back to what you
said about like really caring.
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:Yeah.
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:And if you feel cared for and taken care
of as an, as a cast member, that will
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:trickle out into how you take care of
the people that you're serving every day.
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:Amy: Yes.
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:Okay.
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:So what is the next key
that we should talk about?
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:Kira: Yeah, so the next one is courtesy,
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:Speaker: which kind of goes hand in
hand what we were just talking about.
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:Kira: Totally like that how you
care for people and how they
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:care for their cast members.
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:So courtesy is that like feeling
of, you walk into a Disney park and
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:somebody says like, how are you today?
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:Where are you going?
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:How can I help you?
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:Do you have any questions?
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:Did you get a map?
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:And they, make sure that you have what
you need to set you up for success.
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:And just that kindness.
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:It's very rare that you'll walk into a
gift shop at Disney and somebody will.
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:Be behind the counter being put something
away and not take a moment to welcome
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:you into the space or talk to you.
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:If you get near them you're never ignored.
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:And I think that's another really
important thing too, right?
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:Like you, you know those people that
when you're with them, they make you
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:feel like they're just looking at you
like they're really listening to you.
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:And I feel like Disney cast members
put so much love and heart into that.
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:And I would like to call out one of our
friends, mutual friends, Julie Vore,
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:who is a photographer at Disney right
now and an incredible cast member.
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:'cause she does care so much and
she shares so many of these stories.
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:But the other day she shared a story
that I was like, this is what it's about.
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:And Walt would be so proud that she
talks about taking photos of people
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:and that there's always someone in the
family who's like a kid or an adult
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:who's like hanging back and be like,
oh, maybe not me, or just doesn't.
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:Come to the forefront and
she's always like, why don't I
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:take a picture just with you?
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:Yes.
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:I'm just gonna give you
your own little photo shoot.
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:And that is the perfect example of this.
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:Speaker: Yes.
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:Kira: Is that cast members take
time to notice their surroundings.
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:They take time to notice if one
child is really interacting with a
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:character and another child is really
afraid and they'll respond to that.
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:We had situations as a guest where
one of our great family friends had
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:like a teeny tiny, he was maybe eight
years old and we were at Crystal Palace
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:and they didn't have any hot dogs.
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:The waiter went to Casey's
and got him a hot dog.
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:Like they take the time to understand
what it is you need to really enjoy
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:yourself and they try to make it happen.
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:Amy: And really to see you.
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:One of our favorite things When
it's your birthday or a special
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:anniversary, you can stop and get
a button that's like happy birthday
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:and they'll write your name on it.
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:And they usually will draw
some little Mickey ears.
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:And then while you're wearing the button
for the whole day, all the cast members
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:and also guests will yell, happy birthday.
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:Happy birthday.
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:it makes it magical, but it's
also a really small thing that
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:just helps people feel seen.
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:Especially on their special day.
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:Kira: Oh my gosh.
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:I love, that's such a good example.
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:I remember the first time
ever that Damien, my husband
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:came to the parks with me.
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:We went to Hollywood
studios our first day.
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:He had the first day
button on as an adult.
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:And like people make a really
big deal about kids first days.
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:Yes.
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:But he didn't know what to expect.
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:I knew they would make it a big
deal for an adult too, because at
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:Disney everybody is a kid, right?
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:Yes.
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:We'll talk about inclusion next, but Yes.
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:But but the minute we entered the
park the person right at the gate
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:was like, oh, it's your first time.
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:And then we went to the crossroads to get,
to get his map and he, that person was
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:like, oh my God, it's your first time.
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:And then we got lunch somewhere
and he got a free brownie
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:'cause it was his first time.
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:And he was like, what is this place?
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:And what's funny, a funny story about
that is if you're a cast member.
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:Sometimes that follows you home.
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:People are used to being
talked at like that at Disney.
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:Speaker: Yes.
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:Kira: Like you said, sometimes it catches
you off guard, but as a cast member,
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:if you see like an 8-year-old in a
princess dress, you're gonna, oh oh my
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:god, little princess, how's your day?
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:Or if you see someone wearing
like this cool Mickey Mouse
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:shirt you're gonna be like, oh my
God, where did you, I love that.
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:It's amazing.
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:And then you come home to upstate New York
and you are in Walmart and you're like,
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:little princess I love, and people are
like, what is, what's the matter with you?
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:What's wrong with you?
411
:Or you tell someone you like their
glasses and it's nice, but they're
412
:like, why are you talking to me?
413
:So that's an interesting
thing when you get home also.
414
:Speaker: Yes.
415
:Kira: I think it's a the fact that
it's catches people off guard.
416
:More of the world should be like
Disney, I guess is what I'm saying.
417
:Yeah.
418
:Is it shouldn't be so surprising
when people are like, kind and have
419
:courtesy outside of that space.
420
:But they really focus on it for
421
:Amy: that.
422
:I also love that during the training you
are given almost like a carte blanche of,
423
:be you, be creative, use your imagination.
424
:And that is also why I love some
of Julie's stories of how you
425
:can make someone's day special.
426
:So lots of times when I'm talking to
museums that I'm talking to them about,
427
:training their volunteers or training
their visitor experience, they're stumped.
428
:What do we even talk about?
429
:What do we even put here
in, in a welcome script?
430
:I love that the Disney way of
training gives you that creativity
431
:and gives you those ideas.
432
:I imagine that having little things
like the buttons helps to spark your
433
:ideas for other ways that you can on
your own or even oh, hello Princess.
434
:What a beautiful dress gives you
some ideas of how to think about
435
:making someone's day special.
436
:inspire them to make it their own
and make it authentic and encouraging
437
:staff to go off script and have
these small moments of kindness or.
438
:Another thing that Disney cast
members will do and that you could
439
:do in a museum or in a theater or in
a brick and mortar store, is instead
440
:of pointing oh, where is this ride?
441
:Or where are the bathrooms, instead of
pointing, they don't point, first of all
442
:but they will also walk you e even if
they can't walk you the whole way there,
443
:they will walk with you in the direction
of, so if someone is looking for a
444
:museum gallery or a particular artifact,
even if you can't walk them all the way
445
:there, you could walk with them for a few
feet, like in the ge general direction.
446
:And it's like a nonverbal thing, but
that just means so much to people.
447
:Kira: Yeah, I think too like
showing an interest in your guests.
448
:Speaker: Yeah.
449
:Kira: So if you have somebody that's, you
see a child at a museum that's like really
450
:just like sitting at an exhibit and like
staring at something, making sure that
451
:you walk up to that family and be like,
Hey, do you have any questions about this?
452
:'Cause I'm sure there's reading
the plaque, which is there and it's
453
:enriching, but then there's the person
who like maybe has more fun facts and
454
:interesting things to say about it.
455
:'cause there's so much more than
what you can fit on Signage.
456
:Speaker: Yes.
457
:Kira: So walking up to
somebody who's interested and
458
:I'm in like Disney mode now.
459
:'cause I said a child.
460
:'cause you're like, oh.
461
:They're like, you wanna engage
youth in learning and like
462
:being interested in museums?
463
:'cause it's like the
future of your visitorship.
464
:Yeah.
465
:But for anyone that you see that's
engaged in something to walk over
466
:and be like, do you wanna hear
a really cool story about that?
467
:Yeah.
468
:And 'cause that's what they'll remember.
469
:They're gonna remember what they read
maybe, but they'll remember if you
470
:go over it and share something that's
not on the plaque, they'll go home
471
:with that and be like, I have no idea.
472
:Yeah.
473
:So I think like finding those little
moments and or if you, if somebody's like
474
:really seems engaged and has questions.
475
:We went to see Crazy for you at Ogunquit
Playhouse in Maine and my niece.
476
:Loves watching the pit orchestra.
477
:And there you can see
they have like video.
478
:They have a screen of the director in the
back of the theater so that the actors can
479
:see like the the conductor do his thing.
480
:And she would watch that half the
time she turned around and watched.
481
:So we waited at the stage door
for him to leave and she was
482
:like, I just love watching you.
483
:It's so interesting.
484
:He spent like 10 minutes with us talking
about orchestration and all this stuff.
485
:He didn't have to do that.
486
:It was like 10 at night
at the end of an evening.
487
:He's working six days a week or whatever,
but she'll never forget that moment.
488
:Yeah.
489
:So I think that's part of courtesy
is like you have people who are here
490
:and they love it and they're engaged,
so engage them a little bit further
491
:and they'll become your biggest fans.
492
:it's like taking that time
and care to see people.
493
:Speaker: Yeah.
494
:Okay.
495
:The next key, what should
we talk about next?
496
:Kira: Yeah.
497
:I feel like they all bleed into
each other in this really deep.
498
:Speaker: They do.
499
:Yeah.
500
:Kira: So inclusion is the
new key re more recent.
501
:And that is all about making sure everyone
really does feel welcome and people are
502
:feel seen in the stories that Disney is
telling and the attractions that they're
503
:presenting in the experience that anybody
walking into the park can see themselves
504
:in one way or another in the storytelling.
505
:Representation is so important
and I think Disney has continued
506
:to try to, IM improve on that.
507
:Because it makes a difference, right?
508
:Yeah.
509
:And for people at the most base
level, for people who are asking the
510
:question of oh why is it important?
511
:There's a reason when I was little that
Belle was my favorite princess because she
512
:was one of the only ones with brown hair.
513
:Speaker: Yes.
514
:Kira: You see yourself Who liked
515
:Speaker: to read.
516
:Kira: Yeah.
517
:And I just, yeah, I felt like connected
to her 'cause I'm like, oh, she's like me.
518
:Like she's shy and she just wants
to like, sit with her books.
519
:And she has brown hair and a lot
of princesses had blonde hair.
520
:And so it was like.
521
:That's such a small, tiny example.
522
:Yeah.
523
:But I'm sure every single person listening
has a story that they've read with a
524
:character who went through something
they've been through or looks like
525
:them or likes something that they like.
526
:When you see a character that
represents something that you love that
527
:maybe isn't the most popular thing,
you feel seen and you feel valued.
528
:And so Disney having a wide breadth of
types of characters who are from all
529
:different demographics and backgrounds,
who see themselves in all different
530
:kind of ways, who enjoy different
experiences, gives every child and
531
:child at heart the opportunity to
see themselves in a Disney film.
532
:or in the parks.
533
:So I think it's such an important one.
534
:And as wa always said you can
design and create the most beautiful
535
:places in the world, but people
are what make a difference.
536
:Paraphrasing, that wasn't a perfect quote,
but people really do make the difference.
537
:And so it's for the guests and
it's also for the cast members.
538
:You wanna feel seen and valued
at the place that you're working.
539
:You wanna feel that you belong.
540
:And so even though technically
these keys are for customer service,
541
:it's for the cast members too.
542
:Everybody feels welcome.
543
:And I think that in like museum
spaces, that's really important.
544
:Like history, sometimes we're only
focused on one aspect of it, but we
545
:were all here, like all demographics of
people have been here for beyond time.
546
:So can people walk into mus your
museum and either see themselves or
547
:history of themselves or can they
can connect with the history that
548
:you're sharing in some capacity?
549
:And how are you connecting it to.
550
:Modern day and where they are right now.
551
:Speaker: Yeah, definitely.
552
:Okay.
553
:What's our next key?
554
:Kira: Our next key is show.
555
:And so this is,
556
:Speaker: Ooh, that sounds fun.
557
:Kira: Yeah.
558
:This is what Disney is
known for, like safety.
559
:I feel like some of the other things,
safety, courtesy, inclusion, are things
560
:that just come to expect because it's
baked into everything that they do.
561
:Like you said, safety, people don't
talk about it or notice it, notice
562
:it to the point that they're like,
that rollercoaster was very safe.
563
:Speaker: Yeah.
564
:Kira: They don't, they get off and
they say, oh my God, that was the
565
:best rollercoaster I've ever been on.
566
:Yeah.
567
:But it's fun because it is safe.
568
:Yes.
569
:So those first three are just baked
into the process and then show
570
:is like Disney is entertainment.
571
:We talked about the fact that if
you're not backstage in a break room
572
:or on the roads somewhere backstage
driving from one place to another.
573
:You are on stage and show is not, again,
not just for people who are on the
574
:castle stage or in a parade or something.
575
:Show is for literally everybody
that's out as a cast member,
576
:Speaker: you are guest
facing or customer facing.
577
:I love this part.
578
:all of the keys are very important,
but this is the one that makes me
579
:the most excited when I think about
how museums can take these lessons
580
:from Disney and make them their own.
581
:Even things like staying on brand or
or just thinking of yourself as on a
582
:stage when you are talking to visitors.
583
:I think that this is the one that
museums could probably use the most.
584
:Kira: Yeah.
585
:I think that idea of and it it again,
it's like I don't wanna, I feel
586
:like a, maybe a broken record in
that they're all connected in a way.
587
:Speaker: Yeah.
588
:Kira: But show inclusion's a part
of that courtesy is a part of that.
589
:Like making a good show.
590
:That's part of it.
591
:Yeah.
592
:But at Disney, it's every little detail.
593
:I remember this book that I wish I
could remember the name of it now, but I
594
:read as a kid about how the costumes at
the Hall of Presidents, everything was
595
:stitched in a way that it would've been
in the time that president was alive.
596
:Speaker: Oh,
597
:that's
598
:Kira: so cool.
599
:You're gonna see, you're not gonna
see that like sitting in the theater.
600
:You're not gonna see Chester a
Arthur, it's like a certain type
601
:of cross stitch on his buttons.
602
:Like you and I can't see that.
603
:But it matters.
604
:Like every little detail matters and
it is the differentiator at Disney.
605
:at Disney it is, whether it's you
as the individual presenting or the
606
:environment around you and the d the
work and effort that the designers,
607
:the artists, the engineers put into
maintaining all of those spaces to the
608
:costumes that you wear on stage every day.
609
:And depending on which park you work
in, which attract kitchen you're at.
610
:And there's that famous story about how
the reason magic Kingdom has tunnels.
611
:One of the reasons, the water
tables, that's a thing in Florida.
612
:But they always say Walt Disney
and Disneyland saw a cowboy
613
:walking through Tomorrowland and
was like, that's terrible show.
614
:Speaker: That doesn't belong.
615
:Kira: Yes.
616
:That doesn't make sense.
617
:How did a cowboy get into space?
618
:Yeah.
619
:There's, that's very important at
Disney and it just goes back to
620
:the, every little detail that it's
how you interact with the guests.
621
:It's the smells that
you have on Main Street.
622
:It's the costumes that the
cast members are wearing.
623
:And it's the interactions too.
624
:So you'll go and if you talk to the
mayor of Main Street, he's not gonna know
625
:what an iPad is because he's from the
turn of the century and there's a reason
626
:you'll talk to him about it and he'll
be like, what's that newfangled thing?
627
:Because the character
doesn't know what that is.
628
:So I think, I think
that's really important.
629
:Like every little detail matters.
630
:And that's what show is.
631
:Speaker: let's talk about the last key.
632
:Efficiency.
633
:Kira: Yeah.
634
:So that, like we said,
is it's really important.
635
:my husband and I always say Disney's
the best city that's run in the country.
636
:Like it's its own Walt Disney
World is like its own little city.
637
:They run things very well.
638
:Things are very efficient.
639
:It's not just about speed,
it's about function.
640
:But it is the last one on the list
because if they just did things
641
:really efficiently but everything else
was missing, it wouldn't be Disney.
642
:So it's important, but it's the last
on the list But when you're waiting
643
:in line and it's just a line that's
going back and forth and you can see
644
:the rollercoaster and there's not a lot
of theming, but you're just waiting.
645
:That's one thing at Disney, everything
is designed right, like we talked about.
646
:So that, even waiting in
line is an experience.
647
:they're trying to improve, constantly
iterating on and evolving and
648
:improving the guest experience.
649
:So for people who have never been, they
might have this view of ah, you go and you
650
:wait in line for rides and then you wait
to see the fireworks and then you have to
651
:sit on the side of Main Street and wait
for the parade and there's this then idea
652
:that you're just like constantly waiting.
653
:But Disney has done so much.
654
:Over the last like decade to make
that experience more efficient.
655
:And they're constantly focused
on, on plusing that experience.
656
:So if you're going back to your
resort at the end of the night,
657
:how often are the buses running?
658
:When you're in the parks, the mobile
ordering I think is like just brilliant.
659
:you're getting really hungry, you can
put an order in for Pecos Bills and
660
:then let them know when you get there.
661
:And it saves you a ton of time.
662
:they're always trying to bake
things into the process that makes
663
:it really seamless for the guest.
664
:Amy: They try really hard
to see like where they can
665
:reduce friction, I feel like.
666
:And I think that is something
that museums can look for, like
667
:where can we reduce friction?
668
:If you go to Disney World, yes
you are going to wait in line,
669
:but most of the time it is
going to be fun to wait in line.
670
:And there are a lot of ways
to not have to wait in line
671
:Kira: Yeah.
672
:And I think there's a good, there's
a tricky but good balance that
673
:Disney has, which is sometimes you
think of efficiency and you think
674
:of processes like they have process,
a process in place for everything.
675
:Disney has spent decades creating the
processes that they have at the moment.
676
:But it really is like, how do we
get people in and out of the park?
677
:They have tens of thousands
of visitors every day.
678
:How do we get them through security?
679
:How do we get them through
the gates once they're there?
680
:are they all gonna get
stuck where the maps are?
681
:How do we get them past
that to the entrance?
682
:So there's not like a buildup of people
right there, every little thing is thought
683
:of how many trash cans they're like every
20 feet in a lot of, in the Disney parks,
684
:because you don't wanna be stuck somewhere
and not have somewhere to put your trash.
685
:everything is thought of
that goes back to show.
686
:It goes in a way back to
safety and courtesy as well.
687
:But it's, I know I've said it so
many times, it's every little detail.
688
:They're so data driven if you are a
museum and you're looking to be more
689
:efficient or improve that process
and reduce friction, which I think
690
:is like the best way to say it.
691
:What you said reduce friction,
like what data do you have?
692
:Do you have any feedback from your
guests on what their experience has been?
693
:What about your experience working there?
694
:Are there moments during the day or
during the week where you feel like,
695
:God, I'm answering that question.
696
:Every day, 15 times a day.
697
:Is there some better way for us to answer
that so people don't feel Absolutely.
698
:They can always ask you back to
courtesy, but is there a way we can
699
:preemptively answer that so they don't
feel like it's a point of friction?
700
:So Disney's like on this mega level,
all these data points, but you can
701
:take data just even qualitatively from
your experience with guests every day.
702
:Amy: Yeah.
703
:Oh, Kira, this has been so much fun.
704
:Thank you for taking
us through the course.
705
:Keys of Disney customer experience.
706
:This has been so fun.
707
:Kira: Thank you so much for having me.
708
:Disney is like one of my favorite topics
and you're one of my favorite people,
709
:Speaker: aw, thank
710
:Kira: you.
711
:It was wonderful.
712
:Thank you so much.
713
:Speaker: Can you tell everybody
where they can find you?
714
:Kira: Yeah.
715
:So right now you can
find me over on Substack.
716
:I have a new newsletter I just launched
called Backstage Marketing, and it's
717
:all about marketing specifically for
theater marketers who are just wearing
718
:a lot of hats and trying to do it all.
719
:And that's another heart
space for me is a theater.
720
:So you can find me over on Substack.
721
:Amy: I will have that
link in the show notes.
722
:So everybody go and check it out.
723
:Kira, this has been so much fun.
724
:Thank you for being here again,
and I think you're the best.
725
:Kira: Oh, thank you.
726
:Anytime.