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Bonus: Dagon - IT GOES DEEPER
Bonus Episode30th October 2020 • Making a Monster • Lucas Zellers
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Lucas, Alex, and James revisit Dagon, Lovecraft's first eldritch horror, to discover how some monsters have origin stories stretching back to the beginning of time itself.

Read the transcript and get more from the show: https://scintilla.studio/monster-bonus-dagon/ 

Get stat blocks, bonus content, and other monstrous perks: www.patreon.com/scintillastudio

Join the conversation: www.twitter.com/SparkOtter

Meet my guests: https://twitter.com/Aclippinger 

Music by Audionautix: www.audionautix.com

Transcripts

Alex Clippinger:

Hi.

Alex Clippinger:

Wow.

Alex Clippinger:

Hello.

Lucas:

Hey Alex!

Lucas:

Welcome back.

Lucas:

have you listened to the episode?

Alex Clippinger:

Yeah.

Lucas:

What'd you think?

Alex Clippinger:

Good, it came out great.

Lucas:

I'm excited to have you back, because there is more that needs to

Lucas:

be said about Dagon and, I wanted to have you here to, work through it.

Lucas:

at the risk of going beyond the limits of our own expertise, let's get into it.

Lucas:

So when we did our episode, we talked about how Dagon is one of these

Lucas:

legacy monsters that's in Dungeons & Dragons that the company has tried

Lucas:

to make a bit more Dungeons and dragons in each subsequent iteration.

Lucas:

and I thought that was a really interesting point.

Lucas:

and it was well-made and I'm glad it's part of the conversation now,

Lucas:

so I was satisfied.

Lucas:

I was like, excellent.

Lucas:

Now people will hear this podcast about thinking more deeply about

Lucas:

your monsters and not forsaking the history that's behind them.

Lucas:

And then I put it on Reddit.

Alex Clippinger:

which is always a mistake.

Lucas:

Reddit pointed out to me my own shortcomings.

Lucas:

Actually before we get into that,

Lucas:

I've done some research.

Lucas:

And by that I mean furious Googling.

Lucas:

I want to trace Dagon's journey as we discovered it so far.

Lucas:

So, first came out.

Lucas:

In, 2006 Fiendish Codex 1, Hoards of the Abyss, that was published in June.

Lucas:

And then after that James Jacobs, who was an editor and writer for

Lucas:

Paizo started publishing a series of, articles in Dragon Magazine.

Lucas:

He called them the Demonomicon of Iggwilv and they were supposedly

Lucas:

excerpts from that book.

Lucas:

So we got Dagon in issue 349, that was November 2006 was when we

Lucas:

got Dagon in Dungeons & Dragons.

Lucas:

Cthulhu, the eponymous cosmic deity, appeared first in first edition.

Lucas:

I think I have the title of that book as well.

Alex Clippinger:

Was that Deities and Demigods?

Lucas:

It was!

Alex Clippinger:

Yeah, that's actually, I know that little bit of trivia, cause

Alex Clippinger:

I know that's a controversial thing that he was originally in that book.

Alex Clippinger:

And then in other editions of that book was removed because there were some,

Alex Clippinger:

I think some copyright clash maybe with, the people who make Chaosium.

Alex Clippinger:

They pushed back a little bit sometimes on big companies using Cthulhu and some

Alex Clippinger:

other stuff, since they're like the Call of Cthulhu people,

Alex Clippinger:

they're very protective.

Lucas:

that's how Lovecraft got into Dungeons and Dragons.

Lucas:

So we have, as Morrell is encyclopedia, we have fiendish codex.

Lucas:

We have the demon Omnicon , we have dailies and Demi gods and that's

Lucas:

the whole story back to Lovecraft.

Lucas:

It goes deeper.

Alex Clippinger:

Oh, no.

Lucas:

Dagon was not the first story that Lovecraft published there was one before

Lucas:

I think it was called the Alchemist.

Lucas:

but this one was the first one to really embrace the themes

Lucas:

that he became known for.

Lucas:

it's in the public domain, it being 1919.

Lucas:

So you can find the full text online.

Lucas:

Alex, I didn't read this story.

Lucas:

Before I published the episode.

Lucas:

if I had, there's a couple of things that I would have found.

Lucas:

In brief, this story is about a castaway who is lost in a storm and comes on this

Lucas:

Island in the middle of the Pacific.

Lucas:

that is impossible to find again, but on which is a huge, obelisk carved

Lucas:

with images of Protean men worshiping something, and then he sees it.

Lucas:

This is what he writes about the creature that he sees:

Lucas:

"With only a slight churning to mark its rise to the surface, the thing

Lucas:

slid into view above the dark waters, vast, Polyphemus-like, and loathsome,

Lucas:

it darted like a stupendous monster of nightmares to the monolith about

Lucas:

which it flung its gigantic scaly arms.

Lucas:

The, while it bowed its hideous head and gave vent to certain measured sounds.

Lucas:

I think I went mad then."

Alex Clippinger:

That's a Friday night for me.

Lucas:

Polyphemus is the son of Poseidon who was a Cyclops, which is where I

Lucas:

think we got those, giant clawed arms that we saw in that portrayal of Dagon.

Lucas:

So already we've got like the same things you described - this undersea monolith,

Lucas:

these grotesque carvings, these arms, blurring the line between human and

Lucas:

fish creature, this vast size - and I thought, all right, we've got him.

Lucas:

That's where he came from.

Alex Clippinger:

Right.

Lucas:

It gets deeper.

Alex Clippinger:

It's like the Marianas Trench of origin stories.

Lucas:

It really is.

Lucas:

It really is.

Lucas:

one of the last lines in this story, and this is where I should have really

Lucas:

picked up on this, it says, "Once I sought out a celebrated ethnologist and amused

Lucas:

him with peculiar questions regarding the ancient Philistine legends of Dagon

Lucas:

the fish, God, this is the moment.

Lucas:

This is the thing that I missed.

Lucas:

I can't let this go because they can't introduce Dagon into this Pantheon

Lucas:

and say he's a D&D creature but also a Lovecraft creature, without recognizing

Lucas:

that Lovecraft has stolen this idea of a primeval fish God straight

Lucas:

from ancient Canaanite religions.

Lucas:

Now we have to talk about that.

Lucas:

I'm hoping to get someone who can speak a little bit more to Canaanite religion.

Lucas:

Obviously not a topic for a layman.

James Harrington:

My name is, James Harrington.

James Harrington:

did my undergrad, in the Torrey Honors College at Bayola University.

James Harrington:

My major is history - European history.

James Harrington:

Went on to do a master's degree in history at California state

James Harrington:

university for 10 focusing on the ancient world and, the, colonial

James Harrington:

world of Southeast Asia and China.

James Harrington:

also, I guess you could add, I got Bible minor aside from that, I've

James Harrington:

been a high school teacher for 12 years now, I work freelance.

James Harrington:

that's kinda how I come by my chops.

Lucas:

I'm working backwards from Dagon's publication history in

Lucas:

Dungeons and dragons, which is a yeah.

Lucas:

Do you play.

James Harrington:

yeah, he used to, just having any way to play

James Harrington:

a game with in a while, but yep.

James Harrington:

TSR, I can remember being at camp and we all play Dungeons and dragons

James Harrington:

and, I've had some fun playing in all their different worlds.

James Harrington:

Lovecraft's first story about day gone all day gone.

James Harrington:

was written in 1917.

James Harrington:

And saw printed in 1919.

James Harrington:

So you have to remember, he's only a generation away from a lot

James Harrington:

of the great Indiana-Jones-type archeologists of the 19 hundreds.

James Harrington:

heinrich Fleeman had , just discovered Troy in the late 18 hundreds.

James Harrington:

Arthur Evans was doing his work on Crete.

James Harrington:

the whole era of Greece bronze age, it was all supposed to be fictional until

James Harrington:

Arthur Schliemann went around with a copy of the Iliad and the Odyssey and

James Harrington:

just dug where they were supposed.

James Harrington:

Those places were supposed to be , the golden age of biblical archeology was

James Harrington:

going on when Lovecraft was in his thirties and forties and even later,

James Harrington:

so if you can imagine all that swirling round, that's one of the reasons he

James Harrington:

could leap on a figure like D agon and bring it out of the pages of the Bible.

James Harrington:

And out of, obscure temple inscriptions, this is something

James Harrington:

about the way ancient religion works.

James Harrington:

we way to systematize this thing the big thing is we're used

James Harrington:

to pantheons of gods, right?

James Harrington:

We know that the Greeks have 12: Zeus, there's Hera,

James Harrington:

there's Apollo, there's Artemis.

James Harrington:

They all have these, these teammates is the Greek word for it.

James Harrington:

These honors, these, boundaries that, uh, writers like Homer

James Harrington:

and Hessiod set for them.

James Harrington:

Artemis is the goddess of the moon and the hunt.

Lucas:

Dungeons & Dragons would use the word "domains" for the same idea.

James Harrington:

yeah.

James Harrington:

And that's a good translation of, of TMA.

Lucas:

what would have been the team us, or the domain , of Dagon at the time?

James Harrington:

Now here's where it gets tricky.

James Harrington:

So as Sumerians, remember that there are just a whole bunch of city States.

James Harrington:

and they're a successive culture.

James Harrington:

You've got the Babylonian empire, you've got the Assyrian empire.

James Harrington:

these emperors are destroyed and rebuilt in the Neo-Babylonian Empire,

James Harrington:

and they're never connoisseur.

James Harrington:

we can't really say a lot about, they gone, , dig on maybe Lord fish for a buck.

James Harrington:

Have you seen those pictures?

James Harrington:

Like children's Bibles with the Ark of the covenant and all that so we don't know

James Harrington:

if Dagon is Lord fish or a butter or not.

James Harrington:

to one of these cultures, you may event others, not, and it's really frustrating

James Harrington:

because you know, we want an archetype.

James Harrington:

One of the reasons we use the classical model, of a Pantheon of

James Harrington:

gods each have distinct domains, we really like that sense of order

James Harrington:

and archetypes, we like that.

James Harrington:

It's nice and orderly.

James Harrington:

those were what you do when you don't believe in the gods anymore.

James Harrington:

Polytheistic culture has many different ways of interacting

James Harrington:

with the divine or the spiritual.

James Harrington:

Only one of those is going to be written down in the formal mythologies.

James Harrington:

And that may tell you absolutely nothing about what people

James Harrington:

actually believe about the gods.

James Harrington:

It may tell you a lot about their ideals.

James Harrington:

It may tell you a lot about.

James Harrington:

State religion.

James Harrington:

And that's the point.

James Harrington:

Lovecraft could pick up a god like Dagon who hasn't gone through the

James Harrington:

machine of literature - this is where Gregory Nosh comes in the gods of Epic.

James Harrington:

The gods of literature should not be confused with the gods

James Harrington:

of everyday worship, just because they have the same name.

James Harrington:

they're different functions in society.

Lucas:

so then it would be fair to say that, he chose Dagon in

Lucas:

order to maximize his ability to embody the fear of the unknown.

James Harrington:

Yes, and remember, can you see the racism behind that?

James Harrington:

Remember that this is a Semitic deity.

James Harrington:

So it doesn't come from Western culture.

James Harrington:

it has, terror to it.

James Harrington:

That for the racists of that time period, is associated with

James Harrington:

racial stereotypes about Semites being spiritual versus rational,

James Harrington:

emotional rather than analytical.

James Harrington:

decadent, money-loving instead of self controlled,

James Harrington:

so if you see that underlying racist, Stangle there.

James Harrington:

If you know how to read the code to there is another sinister element

James Harrington:

from, to choose a Semitic deity, so to Rorschach, but whatever he wants on day

James Harrington:

gone, because he's not as formalized, but he can also insinuate a lot in the

James Harrington:

racist, colonialist culture of his day.

Lucas:

so by making dig on not just a monster, but a God of

Lucas:

monsters, he's declaring it.

Lucas:

And all things that he associates with it to be other and outside

Lucas:

and to be feared or rejected.

James Harrington:

Yep.

James Harrington:

I remember that.

James Harrington:

this was a time, especially in 1919, you have to remember that Woodrow Wilson,

James Harrington:

who was president, then he had actually segregated the federal government.

James Harrington:

Prior to Woodrow Wilson, the federal government was racially integrated.

James Harrington:

Woodrow Wilson being a southerner and ardent, ardent, ardent, believer

James Harrington:

in racial science and eugenics as a progressive, um, I mean, that's why he

James Harrington:

he's known his, name's no longer on the, the Woodrow Wilson Institute of public

James Harrington:

policy at Princeton and the guy was sick.

James Harrington:

he came in and segregated these, the civil service and had everything

James Harrington:

separate for whites and for blacks.

James Harrington:

again, the fear being that, people who were not like you might have diseases that

James Harrington:

you could get and it would wipe you out.

James Harrington:

yeah, this is why you were, you had a swimming pool for coloreds

James Harrington:

and yet the swimming pool for whites, they would've said,

James Harrington:

for guys like us, you know, this is just staggering.

James Harrington:

Our country has a lot of work to do, but we've also made some changes,

James Harrington:

since our parents generation or our grandparents generation.

James Harrington:

And if we go back to our great grandparents generation,

James Harrington:

which would be Lovecraft.

James Harrington:

you can just see how toxic these things were and that's one of

James Harrington:

the reasons to read Lovecraft.

James Harrington:

He can help you through story, get your mind into the warped, sick headspace.

James Harrington:

That was really just our, great grandparents generation.

James Harrington:

I mean, coming from Connecticut, I still know more ethnic slurs for different

James Harrington:

kinds of white people than to admit.

James Harrington:

we used to trade them like baseball cards when I was growing up.

James Harrington:

Um, so if you look at love craft, you really remember where this

James Harrington:

is coming from, and that maybe I could tell a half fat at it.

James Harrington:

to my mom.

James Harrington:

It wasn't funny.

James Harrington:

I mean, she got made fun of at school for being Quebecois.

Lucas:

Dagon shows up in at least three places in the Bible.

Lucas:

One is in judges 1623.

Lucas:

We're told that he's a God of the Philistines were constantly at war with

Lucas:

the Israelites in the old Testament.

Lucas:

he is in first Samuel five , Which is a fantastic story where the Philistines

Lucas:

captured the Ark of the covenant, which is meant to be you always presence

Lucas:

among his people, the Israelites, and they treat it with a lot of respect

Lucas:

by bringing it to the temple of Dagon.

Lucas:

And then their image of Dagon is found face down with its

Lucas:

hands broken off in the morning.

Lucas:

honestly, it's, it's great comedy by biblical standards.

Lucas:

it's also in first Chronicles, 10.

Lucas:

there's a mention of a temple of Dagon in which the head of King Saul was fastened.

Lucas:

So not only is Dagon, like a God of the Philistines, he's kind

Lucas:

of the god of the Philistines.

Lucas:

He's, he's the one to which they give the, best things that they get from battle,

Alex Clippinger:

King Saul's head and the Ark of the covenant are

Alex Clippinger:

pretty, capital B capital D big deals.

Lucas:

Here's the other place where he's not mentioned specifically, but

Lucas:

archeologists tell us that there were temples of Dagon and the fish got

Lucas:

goddess Nanshe in the city of Nineveh, which was the Syrian capital a little,

Lucas:

a little bit later in the Bible.

Lucas:

Nineveh of course, is the city to which Jonah was sent as a prophet.

Lucas:

And on the way he is swallowed by a great fish.

Lucas:

Everybody knows that part of the story.

Lucas:

The thing that I missed that this taught me, which like, how did I miss this?

Lucas:

After his three days in the fish, he was spat up by that fish onto the

Lucas:

dry land within sight of the city, to which he was to be a prophet, a city

Lucas:

that worships a great fish, a prophet.

Lucas:

Now that has been carried by a great fish by the icon of their God, to their door.

Lucas:

You think people are going to listen to this guy.

Alex Clippinger:

I mean, I'm not going to go.

Alex Clippinger:

Maybe it's so far as to say, Jonah great old one warlock pact, but.

Lucas:

it's like, you don't get that from a Sunday morning flannel graph.

Lucas:

And with this, I thought, for sure, surely now I have found.

Lucas:

The bottom, like this is the great truth at the bottom of Dagon

Alex Clippinger:

Don't say that, don't say the line.

Alex Clippinger:

Are you gonna, you're about to say the line.

Alex Clippinger:

Aren't

Lucas:

it goes deeper.

Alex Clippinger:

on.

Alex Clippinger:

No.

Lucas:

I'm going to go to the very end of the Bible.

Lucas:

There's a scene in revelations 13 where, at the end of time.

Lucas:

In the prophet John's account of that, a beast rises up out of the

Lucas:

sea to take dominion over the earth,

Lucas:

this is where we start to realize why.

Lucas:

The Canaanites and the Israelites may have been so diametrically opposed

Lucas:

because the sea in this instance represents the separation between the

Lucas:

Hebrew God and Shalom and the abyss and all that is not part of Shalom.

Lucas:

Am I way off.

James Harrington:

No, that's totally true.

James Harrington:

And Semitic, religion, especially as it's used as a metaphor in Genesis

James Harrington:

and later in the Hebrew Bible, all the way through revelation, the sea

James Harrington:

is, a symbol of chaos and you're going to see, you know, like TMR being the

James Harrington:

great abyss in some of the Semitic,

Lucas:

Well, hold on.

Lucas:

I'm sorry.

James Harrington:

Yeah.

James Harrington:

TMI from D and D you have the dragon

Lucas:

and that's the word?

James Harrington:

yeah, this is huge and submit it culture, that the sea is driven

James Harrington:

back by one of the gods, take your pick, who slays the great dragon Tiamat or Rahab

James Harrington:

or a Leviathan, and thus brings order.

Lucas:

so here, we've got like, surely this is, this is the basis.

Lucas:

Meaning we can find . It gets deeper.

Alex Clippinger:

cut that out.

Alex Clippinger:

Stop

Lucas:

if we go clear to the other end of that book in Genesis Genesis

Lucas:

one, the creation account given there is that, the earth was without

Lucas:

form and void and the spirit of God moved on the face of the deep.

Lucas:

The word for deep, there is also translated Abyss.

Alex Clippinger:

Nice.

Alex Clippinger:

Nice.

Alex Clippinger:

Nice.

Alex Clippinger:

Just, just hand it just now, just hand it to me with a little

Alex Clippinger:

bow, nice little bow on top.

Lucas:

And that I think is about as far down as we can possibly go

Lucas:

to the beginning of time itself.

Lucas:

my whole thing here is to, I consider it a conservation effort.

Lucas:

For people who only know Dagon or Tiamat from Dungeons & Dragons,

Lucas:

we're losing access to all of this rich meaning and context.

Lucas:

if we never look beneath that, and that's what I'm trying to

Lucas:

bring back with this project.

Alex Clippinger:

just like a, Hey wow.

Alex Clippinger:

There's like a whole second pizza under this pizza.

Lucas:

yeah.

Lucas:

Bonus pizza.

Alex Clippinger:

man.

Alex Clippinger:

That was wild.

Alex Clippinger:

That was, that was a journey.

Lucas:

Well, thanks for taking the time to go on that with me.

Lucas:

I appreciate it.

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