This special episode of Film Center we sit down with SAG actor Cassiphias Guerrero as he gives us his take on the strike now that the WGA has a tentative deal. This episode was made on location at BJ's Restaurant & Brewhouse in downtown Burbank.
This is Film Center, your number one show for real entertainment industry news.
Speaker:No fluff, all facts.
Speaker:Now, here are your anchors, Derek Johnson II and Nicholas Killian.
Speaker:Hey everyone, welcome to Film Center.
Speaker:My name's Derek Johnson II and I'm here with...
Speaker:Uh, Cass, Cassidious Guerrero, AKA Cass, AKA the man for the job, AKA Mr.
Speaker:Make it happen, AKA producer of the year, AKA Mr.
Speaker:You have to speak up a little bit, man.
Speaker:You're saying so much speak up a little bit.
Speaker:Oh man, I got to say it louder.
Speaker:AKA Mr.
Speaker:23, AKA Mr.
Speaker:BJ's himself, AKA Mr.
Speaker:Guerrilla Films.
Speaker:Yes.
Speaker:So, uh, we're here at BJ's in downtown Burbank.
Speaker:Um, for those of you who don't know, we take the show on the
Speaker:road, you know what I'm saying?
Speaker:And Cash is a, uh, uh, uh, actor himself.
Speaker:He's part of SAG.
Speaker:And currently, it is Tuesday, September 26th.
Speaker:And just recently, uh, the WGA has received, uh, well,
Speaker:they've reached a tentative.
Speaker:Tentative.
Speaker:Tentative being the main word.
Speaker:Tentative.
Speaker:A tentative deal with the producers.
Speaker:Yes.
Speaker:Producers Guild.
Speaker:And unfortunately though, SAG has not.
Speaker:So, Cass, you know, he's been on Blackish, he's been on a whole bunch of other
Speaker:stuff, a lot of big shows and big movies.
Speaker:So, since he is a member of SAG, I thought that, you know, he'd be
Speaker:perfect to, uh, give us his take on it.
Speaker:So, Cass, let me ask you something, man.
Speaker:When you first heard that SAG was joining the strike the same time
Speaker:that WGA was, way back when, what was your first thoughts, man?
Speaker:Okay, I want to be honest about this, uh...
Speaker:Okay.
Speaker:When I was, uh, when I first heard about the strike, I was working on
Speaker:a show called Grown ish, uh, we're streaming on Freeform, uh, Disney Plus.
Speaker:Yes.
Speaker:Um, we were one of two shows that were still shooting during the strike.
Speaker:Really?
Speaker:Uh, which was ourselves and Good Trouble.
Speaker:Okay.
Speaker:Uh, Good Trouble, uh, shoots on location at all times.
Speaker:They don't have a home base, so they were going anywhere.
Speaker:Really?
Speaker:I was that though?
Speaker:Cause it must've been like, they must've been staring daggers at you or something.
Speaker:I mean, cause I, you know, I was at the pickets on the picket lines myself.
Speaker:So that must've been very difficult.
Speaker:You know, it was the beginning.
Speaker:Uh, so at Disney in the beginning, you would see at least like 20
Speaker:people, 20 to 15 people at Disney.
Speaker:Yes.
Speaker:It was.
Speaker:So which, which, which Disney lot?
Speaker:Uh, Disney lot on Riverside.
Speaker:Riverside, okay.
Speaker:Yeah, Riverside Drive.
Speaker:So it wasn't too many people in the beginning.
Speaker:No.
Speaker:At all.
Speaker:I feel like people, they didn't believe it.
Speaker:I feel like people felt it was going to be resolved maybe in a week or two.
Speaker:Okay.
Speaker:But once grown ish ended and once good trouble ended and everybody knew that
Speaker:there were no more shows and no one was crossing the picking line, I feel like
Speaker:that's when everybody took to the streets, went to Netflix, went to Paramount.
Speaker:Why do you think that is?
Speaker:Why didn't you just hop on as soon as I heard it, man?
Speaker:My honest thing about that is I feel like a lot of people are bandwagon.
Speaker:A lot of people don't jump until everyone else jumps.
Speaker:The same question about joining SAG.
Speaker:There's a lot of non union actors out there with that same question.
Speaker:Every day doing background saying, should I join?
Speaker:I'm eligible.
Speaker:Should I join?
Speaker:Should I join?
Speaker:What's your.
Speaker:If you could get so, cause you know, a lot of people who listen to the show,
Speaker:they're in either in the film industry or trying to get into the film industry
Speaker:and why I got you here, you know, I got to grill you, you know, I got
Speaker:to, I got to ask a lot of questions.
Speaker:Let's do it.
Speaker:What is your, before we get back to SAG and the strike, what is your opinion?
Speaker:I'm going to show you like if someone, let's say I've been on, it's my first
Speaker:time as a background actor on a SAG set.
Speaker:Okay.
Speaker:Uh, how soon should I join SAG?
Speaker:It's just my first time.
Speaker:You know what I'm saying?
Speaker:So should I be thinking about it soon?
Speaker:Should it be way down the line?
Speaker:You know, talk to those people who, you know, they're not SAG
Speaker:yet, or maybe more SAG eligible.
Speaker:Okay, for the people that will say have been on set for the
Speaker:first time to the third time.
Speaker:Because I know it's gonna be some time in between the first and third.
Speaker:Uh, I would say take your time.
Speaker:Learn the job, understand what the commitment is because
Speaker:this is a lifelong commitment.
Speaker:Yes, a lot of people don't understand.
Speaker:When you're in an entertainment business, you're in it for good.
Speaker:You're in it for good.
Speaker:I'm sad to say that due to the strike, I've had to pick up a regular job.
Speaker:I'm a PE teacher now.
Speaker:Shout out to my kids at Magnolia Science.
Speaker:Um, but hey, but you're supporting the strike.
Speaker:Yeah, I am supporting the strike.
Speaker:I'm not crossing the picket line.
Speaker:I've gotten so many texts and so many job opportunities and auditions.
Speaker:Yeah, you know, myself included, I've gotten, well, not for SAG, I'm
Speaker:not part of it, I'm not an actor.
Speaker:But, um, a lot of, uh, studios have contacted me to write for them.
Speaker:A lot of studios have contacted me to work on some of their sets and, um,
Speaker:when people don't also don't understand it's not only studios, but production
Speaker:companies associated with those studios.
Speaker:Exactly.
Speaker:So I totally understand where you're coming from, but you
Speaker:can't, you can't do that.
Speaker:You can't.
Speaker:It's about solidarity, right?
Speaker:It's all about solidarity.
Speaker:And for those non union, uh, actors out there, I would say, take your time
Speaker:and understand what this commitment is and understand what you're, what
Speaker:you're dedicating your life to.
Speaker:Um, for those people that are SAG eligible that have been eligible for two,
Speaker:three years, what are you waiting for?
Speaker:Uh, the only way you'd be able to speak on television commercials is if you're SAG.
Speaker:Yes.
Speaker:It's a different thing if you're non union and they pick you to speak and
Speaker:then you become SAG, that's a one in a million chance, like joining the NBA.
Speaker:So I definitely suggest that if you are eligible, just pay the money, join.
Speaker:There's payment plans.
Speaker:There's a whole bunch of programs out there for you.
Speaker:I didn't even know they had payment plans.
Speaker:They have payment plans.
Speaker:Wow.
Speaker:You can put down 1500.
Speaker:Okay.
Speaker:And make, uh, make over, I think it's nine payments for
Speaker:the year and you'll be paid up.
Speaker:Oh, I didn't even know that.
Speaker:I didn't know they had payment plans like that.
Speaker:And, um, and also you get to have hard laid in.
Speaker:It's actually kind of affordable.
Speaker:Yeah.
Speaker:It's very, it's very affordable.
Speaker:People think 3, 500 is so much.
Speaker:It's not, it's not.
Speaker:It's cause it's over that period of time.
Speaker:So much.
Speaker:If you're, if you're paying right in LA, you could be sad.
Speaker:Yeah.
Speaker:You could say, right.
Speaker:Yeah.
Speaker:I had to say it guys.
Speaker:I had to say it.
Speaker:Right.
Speaker:Yeah.
Speaker:Um.
Speaker:So getting back to the strike.
Speaker:Okay.
Speaker:As an actor who in the beginning saw that the writers were going
Speaker:on strike, did you know, cause I know there was a vote that happened
Speaker:before SAG actually went on strike.
Speaker:So did you, did you get a feeling that it was going to happen?
Speaker:I mean, you knew it was was up.
Speaker:So I'll tell you this.
Speaker:So on Grown ish I, uh, I was standing for little Yachty, Drewski
Speaker:and a couple other characters.
Speaker:Um, The AD told us, oh, he told you, she, oh, she told you, excuse me.
Speaker:She told you, she told you.
Speaker:So you had a little like heads up.
Speaker:Yes.
Speaker:So when you, I mean like, I mean, acting, this is your life, man.
Speaker:Yes.
Speaker:And that's what pays your bills.
Speaker:Yes.
Speaker:So, I mean, what goes through your mind when you're like, okay, well,
Speaker:because it's not like, it's not like, you know, it's not like, you
Speaker:know, we're talking, it's not like.
Speaker:You have billions and millions of dollars for everything like The
Speaker:Rock, but The Rock has paid like 10 million dollars for everything.
Speaker:Exactly.
Speaker:You're like a SAG member who's done a whole bunch, right?
Speaker:But even still, it's like...
Speaker:No one has such a large of a nest egg until they're a millionaire because in L.
Speaker:A.
Speaker:it costs so much, the cost of living is high.
Speaker:Gas right now is like at 6.
Speaker:39.
Speaker:6.
Speaker:39 it was 6.
Speaker:79 at the corner, right in no, you're right.
Speaker:We're here in, uh, by the way, once again, we're in the BJ's at Burbank.
Speaker:Uh, quick shout out to the, uh, manager, David.
Speaker:David, who's letting us record here.
Speaker:Yeah.
Speaker:Um, but, so.
Speaker:I mean, since that's your livelihood, that's where your bills get paid,
Speaker:what goes through your mind when you're like, I had to stand in
Speaker:solidarity, but then I need money.
Speaker:Cause like you said, now it's like, you got to take a sign job
Speaker:to cover that until sag is over.
Speaker:That's what it becomes.
Speaker:It becomes a honing in on your other skills you had before acting,
Speaker:which is for me, it was sports.
Speaker:So being a PE teacher was, it was right around the corner for me.
Speaker:Um, I know fellow actors, um, a couple of people that were on
Speaker:Netflix shows on, um, Outer Banks.
Speaker:My boy was on Outer Banks, All American, and now he's doing Amazon Flex.
Speaker:I have another guy that was on All American Homecoming.
Speaker:He had two guest starring roles on there, and he did some other stuff on Grown ish.
Speaker:And now he's a server at a restaurant.
Speaker:You know, a lot of people don't understand this.
Speaker:There is a significant amount...
Speaker:Not everyone in SAG and WG is rich.
Speaker:That's not the...
Speaker:That's not...
Speaker:You know, there's a lot of money to be made there.
Speaker:There's a lot of money.
Speaker:But what happens is, with a lot of these strikes, is that...
Speaker:The unions are really there to protect you from when, when you're active, exactly.
Speaker:When you're not active, there's not a whole lot of nothing.
Speaker:There's nothing there for you.
Speaker:I do appreciate the fact that they have a food drives.
Speaker:There's actually 50 percent off at Tocala.
Speaker:Tocala.
Speaker:Yeah.
Speaker:And Tender Greens right now.
Speaker:Oh, for my SAG members, get out there.
Speaker:Tocala, Tender Greens, 50 percent off everything.
Speaker:You can bring up to eight people to your party.
Speaker:Wow.
Speaker:I, I, Hey.
Speaker:Sag members.
Speaker:Hey, say, say one more time just in case they didn't hear you.
Speaker:For my sag members, go out to Tokala.
Speaker:sag member.
Speaker:Yeah, you have to be a sag member.
Speaker:You need three golden tickets.
Speaker:Yes.
Speaker:At 3, 500.
Speaker:Um, and go out to Tendergreens.
Speaker:You get 50 percent off uh, now on your order.
Speaker:So, you know, you're thinking like, okay, we'll have to rely on my other skills.
Speaker:And now it's been several months since, um, you know, that happened.
Speaker:And very recently, what, yesterday or the day before?
Speaker:WGA finds a tentative agreement with, um, the 24th, the 24th, Sunday,
Speaker:Sunday is currently Tuesday, which is crazy that they call it a tentative
Speaker:agreement because I've never, I've never really heard of this before.
Speaker:I've always heard like, cause, uh, so there've been five of the strikes
Speaker:previous to this one, 2008 is the one people have recent memories,
Speaker:but really, uh, and those of you listened to the show before, you know.
Speaker:That when we first looked at the strike all the way back in uh, may
Speaker:april That usually strikes happen with a change in technology Exactly.
Speaker:They have been always timed with a change in technology and with this ai stuff.
Speaker:It's time with the change in technology right and uh, i'm going
Speaker:to reference one in the 80s right with a wj strike in the 80s because
Speaker:With that one they were getting it.
Speaker:It was like striking about digital.
Speaker:Now.
Speaker:This is technically specifically wga But they did not have a
Speaker:tentative, uh, agreement back then.
Speaker:Didn't have a tentative agreement in 08.
Speaker:And now, for some reason, modernly, they have a tentative agreement.
Speaker:Uh, which to me just sounds temporary.
Speaker:It's just a band aid on an open wound.
Speaker:Yeah, that's all they keep doing is the band aid.
Speaker:But I've never, like, so what, like, like, Do you think SAG is
Speaker:gonna have a tentative agreement?
Speaker:Okay.
Speaker:Or...
Speaker:Ah, my opinion on that is very off the wall because...
Speaker:When the strike happened in May, April, May, when we found out, um, AI wasn't
Speaker:the forefront of why they were going on strike, but once all the information
Speaker:started to come out, SAC started saying, this is the reason why we're
Speaker:on strike, because of AI, because they wanted to keep everybody in solidarity.
Speaker:Let me ask you a question.
Speaker:, you, I mean, you obviously support the strike, right?
Speaker:What is the main reason that you support, support the strike?
Speaker:Uh, got, 'cause I know this is a whole bunch of, okay.
Speaker:Hey, the reason why I support the strike is, is the ai, the AI clause,
Speaker:because this is how I got my vouchers.
Speaker:I was doing background, I was background on show called Never
Speaker:had re stream me on Netflix.
Speaker:Four Seasons straight.
Speaker:Yeah.
Speaker:I got all my vouchers in a.
Speaker:Wow.
Speaker:That's rare.
Speaker:That is rare.
Speaker:That's very rare.
Speaker:So that's because he's, he's good at what he does.
Speaker:He's like, Hey, I gotta, he's good at what he does.
Speaker:I got all my vouchers in a month.
Speaker:Right?
Speaker:So knowing that, and knowing that there was guys on set and women that
Speaker:were doing background for five, six years and only have a one voucher.
Speaker:Wow.
Speaker:Two vouchers.
Speaker:Yeah.
Speaker:That's why I'm against AI because there's people out there
Speaker:that are busting their butts.
Speaker:To get these vouchers to become sex so they can get those auditions.
Speaker:So they can get signed to that agency to get that audition.
Speaker:So they can speak on that TV show, their favorite show, whether it's general
Speaker:hospital, all American, uh, all my children grown ish, whatever it can be,
Speaker:sex in the city, whatever it is, right.
Speaker:People bust their butts doing background for these
Speaker:opportunities and for you to just.
Speaker:Take a, uh, a scan of us for a hundred dollars and give us a
Speaker:hundred dollars and save that scan.
Speaker:Well, I, I'm apologizing right there.
Speaker:For our listeners who aren't really fully understanding what the scope
Speaker:of this AI is, because we've said it before on our show, exactly what it is.
Speaker:But I want you guys to hear it from the mouth of someone who's
Speaker:actually being, uh, affected by this.
Speaker:I've been scanned on All American, actually.
Speaker:They scanned you?
Speaker:So, I'm sorry, explain to the listeners what's going on with this AI scan.
Speaker:Because they might not know, even though we've said it before.
Speaker:Just to reiterate.
Speaker:Yeah, so I'll give you guys an example of the day.
Speaker:You get to set.
Speaker:They put you in wardrobe.
Speaker:You stand in front of a green screen.
Speaker:And you stand face front.
Speaker:You stand left sideways, right sideways, and back.
Speaker:And then you do a dance move, but do the dance move spinning.
Speaker:And they have you on footage and they scan your body, scan your movements,
Speaker:they scan everything about you.
Speaker:They can duplicate you about 7 to 8 times on the television.
Speaker:And you only get paid once.
Speaker:You only get paid once, 100.
Speaker:When originally you would be paid every single time you were on set.
Speaker:And it's not only 100, it's significantly more.
Speaker:And living here in Los Angeles and being an actor yourself, this is money that you
Speaker:are going to need to survive out here.
Speaker:So before the strike, prior to the strike you were getting paid 187.
Speaker:If you're Union.
Speaker:If you're 180, uh, for eight hours, but now once the strike started, uh, because
Speaker:we have big name actors like Angelina Jolie, Brad Pitt, all these other guys,
Speaker:A list guys that need to be working, SAG signed the quote unquote under the table
Speaker:tentative deal that allowed SAG actors to continue working on sets that have
Speaker:already written scripts and have already had hired directors prior to the strike.
Speaker:So how does it make you feel exactly?
Speaker:You know, because like it's, it's, it's, you know, it's like, do you
Speaker:feel like they're like, oh, my point about that was the pay went up.
Speaker:So instead of 187, now it's 208.
Speaker:So it's like 30, a 30.
Speaker:Do you want to keep it higher?
Speaker:I think we can go even higher because the non union.
Speaker:Give me a, number that, I mean, cause I'm not an actor.
Speaker:I mean for, I'm going to, I'm going to be honest with you.
Speaker:To make, to have six figures, to be considered a six
Speaker:figure caliber human being.
Speaker:In our tax bracket.
Speaker:You need to, you need to make $236 a day.
Speaker:236 could be a day, be six figures, so can be considered six figures.
Speaker:Okay?
Speaker:That's a day though.
Speaker:Yeah, it's true.
Speaker:And you're only gonna get back, well work three to four times a week.
Speaker:So what people understand that as an actor, You only
Speaker:get paid when you get hired.
Speaker:It's not like a, uh, it's not like a nine to five where it's like,
Speaker:Oh, I'm gonna be there tomorrow and the day after and the day after.
Speaker:It's not, it's not as guaranteed.
Speaker:If you're, the show gets canceled or something like that, you don't know
Speaker:where the next job's coming from.
Speaker:This could be the last gig you get for a minute.
Speaker:So this money is important because you might have to sit on it for a while.
Speaker:Yeah, it's something you need to remember too, whether it's background,
Speaker:standing work, whatever it is.
Speaker:You're only as good as your last job.
Speaker:Yes.
Speaker:You're only as good as your last job.
Speaker:So, where do you see, um, How do you think Cause WGA, there's this
Speaker:huge thing all over the news about the tenant deal and da la la.
Speaker:How does that make you feel as a SAG actor?
Speaker:Don't you guys feel like you're kind of being pushed to the side a little bit?
Speaker:I mean, cause I mean, I would, I would feel that way.
Speaker:Not, you know, it might not be true.
Speaker:I honestly, because I'm somebody that's following it, um, not under a microscope,
Speaker:but I'm actually following it in the life.
Speaker:I'm not reading articles.
Speaker:I'm actually in the life.
Speaker:I'm actually getting, still getting texts from Central Casting.
Speaker:So that's how I knew that the price of pay went up.
Speaker:Cause Central Casting is actually a show that's, I can send
Speaker:you now, I got a text today.
Speaker:Uh, there's a show that's actually shooting currently.
Speaker:So you can see with your own eyes.
Speaker:Um, Central Casting availability.
Speaker:Oh, he famous.
Speaker:Right?
Speaker:What does it say here?
Speaker:Union, BG.
Speaker:Oh no, I am, I am looking at this message ladies and gentlemen.
Speaker:What's the show that's shooting?
Speaker:It says, Howlin Harper.
Speaker:Uh, uh, date, Thursday, September 28th, 2023.
Speaker:It's for Jesse's brother.
Speaker:It is union.
Speaker:It is here in LA and they are, the rate is being per background, 208 for a day.
Speaker:So seeing that in under the pay went up, I know that the writers
Speaker:are getting what they wanted.
Speaker:So basically what the writers got on the tentative agreement is, um, residual pay.
Speaker:Yes.
Speaker:So that means they're getting residual pay on streaming networks.
Speaker:Yes.
Speaker:I don't know if that means for the old projects, for like Different World and
Speaker:all these other projects, I don't know if that's what that means for them.
Speaker:They haven't released enough details about it, uh, as of this moment.
Speaker:But, from what we've read, we know that it's just new projects
Speaker:that are gonna be coming out and writers will get what they want.
Speaker:Yes.
Speaker:So that makes me feel good.
Speaker:Cause if they got what they wanted, we'll know we're gonna get what we wanted.
Speaker:Yeah.
Speaker:And I feel like 208...
Speaker:But how long?
Speaker:How long, how long till that happens?
Speaker:I'm, I could be honest with you because actors, actors, actors have
Speaker:historically been, I don't wanna say oppressed, 'cause this is a little much
Speaker:oppressed because it's not really true.
Speaker:We're in some hiatus of though, but like historically, actors are always the first
Speaker:ones to be, uh, put on the spotlight.
Speaker:Yes.
Speaker:When it comes to this kind of stuff.
Speaker:But we're in the time of hiatus, so the time of hiatus for the people that don't
Speaker:know, normally prior to covid things, things changed up due to Covid, but
Speaker:prior to Covid, You would, we would, any show would go until November.
Speaker:So we'll say November 17th, you'll go on a break for Thanksgiving
Speaker:until December 7th or 8th.
Speaker:You'll come back to work and you'll work until December 20th, and then
Speaker:you'll go on break from December 20th all the way till January 7th.
Speaker:Well, January 7th is when the shows come back.
Speaker:So between November and January, you're only on set maybe about three weeks.
Speaker:So no shows.
Speaker:Really?
Speaker:I mean, well, actually, no, that's, that's the shutdown time.
Speaker:Holiday time.
Speaker:Everybody shuts down.
Speaker:Yeah, so there's three weeks of just, of work.
Speaker:We'll say there's three to four weeks in between those three months
Speaker:where you're actually gonna be on set working for a full week to get paid.
Speaker:Correct?
Speaker:Yeah.
Speaker:Making a decision now won't affect anything.
Speaker:The people who make the decisions, they're holding out.
Speaker:So that way the holiday time, people have no money to buy stuff.
Speaker:That's why the tentative agreement is coming right before the holiday.
Speaker:Think about it.
Speaker:It's coming up for the holiday.
Speaker:People are already losing their houses.
Speaker:They're, they're, they're actors.
Speaker:Now you can do research on it.
Speaker:There's actors now selling memorabilia.
Speaker:There's actors now saying I walk your dog for 500.
Speaker:There's an actor that was like, uh, I think it's a apartment wrecks.
Speaker:I can't remember his name, but he's walking, he's walking dogs for 500.
Speaker:So, I mean, it's 500 an actor walking my dog.
Speaker:That's ridiculous.
Speaker:It's crazy because you, you, I mean, you don't, you don't, and it just shows
Speaker:the fickleness of this industry, but a lot of people think that like, oh,
Speaker:once I get in once, I'm in for good.
Speaker:No.
Speaker:Like Cass says, you're only as good as your last job is a consistent grind.
Speaker:It's not like, Oh, I did this once.
Speaker:So I'm cool in forever.
Speaker:The industry is not like that anymore.
Speaker:Now we're going to do one commercial back in the eighties and be set forever.
Speaker:That's not how they do that.
Speaker:You know, he is, but a consistent grind.
Speaker:Right.
Speaker:And when the work dries up, you know, I mean, our, so our last
Speaker:episode Cass was on, uh, IOTC and they're not going to strike because.
Speaker:You know, first of all, their contract isn't up.
Speaker:And also there's tons of work for them.
Speaker:All right.
Speaker:Like tons of work when there's streaming, I tell a lot of people this, when
Speaker:you want to break into the industry.
Speaker:I mean, if you wanna be sag and you were an actor, and you were a writer,
Speaker:director, whatever, have those goals.
Speaker:But if you wanna get your foot in the door.
Speaker:Yep.
Speaker:Ii i ii, you wanna be on big name sets as soon one as possible.
Speaker:ii, learn how to grip.
Speaker:Dude ii learn how to be, and I don't even wanna be PAs.
Speaker:That's what everyone that's like, oh, I'll just get you a coffee.
Speaker:That's easy.
Speaker:No.
Speaker:Learn how to play with, I call the metal Legos, the C stands and all that stuff.
Speaker:Learn how to hang some lights.
Speaker:And be good at it.
Speaker:Yeah.
Speaker:PAs are the bottom of the totem pole.
Speaker:Right.
Speaker:But they're under background.
Speaker:Right.
Speaker:And no one even wants to be key grips.
Speaker:Nobody wants to And yet they're above PAs.
Speaker:Exactly.
Speaker:So I thought we would get into that.
Speaker:And you can even talk about the pay on that.
Speaker:I remember I was speaking with the locations guy on Snowfall and he
Speaker:was saying they get 24 an hour.
Speaker:Yeah.
Speaker:So then I said, how can I get higher?
Speaker:How can I get a higher pay?
Speaker:Took a walk around the block.
Speaker:I went to Crafty.
Speaker:Crafty makes 40 an hour to start.
Speaker:Yes.
Speaker:40 an hour.
Speaker:If you got the flick of the wrist, as they say, if you got the No, no, no, no.
Speaker:Crafty now post COVID, you don't do anything but hand them stuff now.
Speaker:Oh, that's true.
Speaker:You gotta think about it.
Speaker:So, so, cause when I started, they used to make it fresh.
Speaker:They used to make it fresh, but now nothing's fresh but the
Speaker:coffee and the tea that you drink.
Speaker:Yes, because of, because of health, newer health regulations.
Speaker:Everything is, everything is pre wrapped.
Speaker:You know, the person comes up, can I have a bag of chips?
Speaker:Here's your bag of chips.
Speaker:Hey, can I have this?
Speaker:I gotta be real, bro.
Speaker:I, I, I miss, I miss when it was hot.
Speaker:You get paid 4 an hour just to stand there.
Speaker:I miss it was hot when you get spaghetti and meatball and like, you know.
Speaker:Dude, I remember my first time on set, I was on, uh, Never Have I Ever.
Speaker:And it was like, you know, it's buffet style.
Speaker:You just walk up and you do it yourself.
Speaker:Right?
Speaker:Yes.
Speaker:Yeah, you just get it yourself.
Speaker:You can't do it no more.
Speaker:Dude.
Speaker:Can't do it no more.
Speaker:Uh, for our listeners who need to know, um, Cass and I have done some work before.
Speaker:Um, and I happen to know that Cass is a really great actor.
Speaker:Uh, and uh, I appreciate you.
Speaker:You, you're coming out.
Speaker:Oh, thank you.
Speaker:Thank you.
Speaker:But, uh, one thing that I know about CAST is that he's always doing something.
Speaker:There's always something that he's up to.
Speaker:always.
Speaker:I get you.
Speaker:Not, I've gone to, I've, I've started working on a set, well, not even.
Speaker:Knowing his name wasn't even on the call sheet and then he
Speaker:shows up and he's like, yeah.
Speaker:Yeah, I'm here I'm like, yo, where you at?
Speaker:Since when?
Speaker:When did they hire you?
Speaker:I saw the call sheet, you weren't here before.
Speaker:And he's always like, I'm here now.
Speaker:This is my mommy, right?
Speaker:Yeah, my mommy.
Speaker:Oh man.
Speaker:I'm sorry.
Speaker:That was great.
Speaker:That was great.
Speaker:My Molly was, uh, was a great experience.
Speaker:Uh, shout out to my boy Mike Iel and my boy Justin Alexander and, uh, Trinity.
Speaker:Gabrielle.
Speaker:Yeah.
Speaker:My, uh, Darla.
Speaker:Oh, Mike.
Speaker:Mike Darla.
Speaker:Mike Darr.
Speaker:Yeah.
Speaker:Sorry.
Speaker:Scratch Iel.
Speaker:That's not on the record.
Speaker:No, Mike say Mike Dar.
Speaker:Um, so.
Speaker:What other projects are you working on?
Speaker:Let the audience know what's happening.
Speaker:Cause I know, I know it's something.
Speaker:Give him a little, he has his finger on a pulse.
Speaker:He's on the inside.
Speaker:What's going on?
Speaker:What's coming up?
Speaker:Oh man, so I'm working on a play.
Speaker:Okay.
Speaker:I'm producing a play here in Los Angeles, California.
Speaker:It's called Corporate Dilemmas.
Speaker:Oh, I've seen that set.
Speaker:Yes.
Speaker:I've only seen a set.
Speaker:So it looks like it's big stuff going on.
Speaker:Very, very immersive play.
Speaker:Uh, definitely check event.
Speaker:Bright.
Speaker:Uh, October 13th is our opening night.
Speaker:Uh, corporate dilemmas.
Speaker:Check event bright for that.
Speaker:October 13th.
Speaker:October 13th.
Speaker:I can't give too many details.
Speaker:I signed in.
Speaker:No, you can't.
Speaker:You can't.
Speaker:Yes.
Speaker:This is the radio.
Speaker:You better watch out.
Speaker:Yeah, you can't do that.
Speaker:Um, where can they follow you?
Speaker:Oh, you can follow me on Instagram.
Speaker:Um, at Cassafias, C A S S I P H I A S.
Speaker:Once again, that's C A S S I P H I A S.
Speaker:Oh, and to finish the question of projects, I also have a
Speaker:project that I'm working on now, uh, called, uh, Candy Rain.
Speaker:It's about four assassins.
Speaker:They're women.
Speaker:So it's a twist on Charlie's Angels.
Speaker:Instead of them solving the problem.
Speaker:Yeah, they're creating the problem and Finishing the problem.
Speaker:Oh Hey, hey, keep a lookout for that.
Speaker:Is there any date that we might be able to uh, we're in we're shooting
Speaker:now We're actually in production.
Speaker:We're in production.
Speaker:Yeah, we're in production.
Speaker:I mean always check out Tubi.
Speaker:Shout out to Greedy Underdog Mafia, GPS Filmworks You know him, Love, Lust,
Speaker:and Money 2 and 3 My boy Derek was actually a cinematographer for that one.
Speaker:I was.
Speaker:Yeah, yeah, yeah, yes he was.
Speaker:Yeah, shooting dice at the park.
Speaker:Yeah.
Speaker:That was an interesting day.
Speaker:Very interesting.
Speaker:All right, great.
Speaker:Well, guys, this has been Film Center.
Speaker:My name is Derek Johnson II.
Speaker:And my name is Kasefius Guerrero.
Speaker:And we'll see you next time.
Speaker:This has been Film Center on Comic Con Radio.
Speaker:Check out our previous episodes at FilmCenterNews.
Speaker:com Sign up for our newsletter and get the Hollywood trade straight to you.
Speaker:You can follow the show at Film Center News on all major platforms.
Speaker:Tune in next week for a fresh update.
Speaker:Until next time, this has been Film Center.