Artwork for podcast Hourly to Exit
E73: Copyrightability Series, Part 3: What Is Public Domain?
Episode 7312th December 2023 • Hourly to Exit • Erin Austin
00:00:00 00:20:27

Share Episode

Shownotes

🎙 Just wrapped up the third part of the Copyrightability Series on the Hourly to Exit podcast, and I've got some valuable insights to share with you! 💡 In this episode, we explored the concept of public domain and what it means for copyright protection.

🔍 Key Takeaways:

- Public Domain Definition: Works in the public domain are not protected by intellectual property laws and can be freely used, modified, and distributed without needing permission or paying royalties.

- Ways Works Enter Public Domain: Copyright expiration, explicit dedication by the creator, government works, and failure to meet copyright formalities are some ways works enter the public domain.

- Public Domain ≠ Publicly Available: Just because something is publicly available does not mean it's in the public domain; it could still be subject to copyright protection.

Tune into the full episode for more in-depth discussions and insights on copyrightability, fair use, and avoiding copyright infringement. Remember, understanding copyright laws is crucial for creators and businesses alike.

#Copyrightability #PublicDomain #IntellectualProperty #PodcastInsights

Connect with Erin to learn how to use intellectual property to increase your income and impact. hourlytoexit.com/podcast.

Erin's LinkedIn Page: https://www.linkedin.com/in/erinaustin/

Think Beyond IP YouTube Page: https://www.youtube.com/channel/UCVztXnDYnZ83oIb-EGX9IGA/videos

Music credit: Yes She Can by Tiny Music

A Team Dklutr production

Transcripts

Speaker:

Hello, friends.

Speaker:

Welcome to this week's edition

Speaker:

of the hourly to exit podcast.

Speaker:

Also happy holidays,

Speaker:

as this is my last

Speaker:

solo episode of 2023.

Speaker:

And I am excited to close

Speaker:

out the year with the third

Speaker:

part of my three part series

Speaker:

about copyright ability.

Speaker:

So copyright ability simply

Speaker:

means that an asset is.

Speaker:

Capable of protection

Speaker:

qualifies for

Speaker:

protection under the U.

Speaker:

S.

Speaker:

Copyright laws.

Speaker:

Part one of this series

Speaker:

provided an overview

Speaker:

of the main requirement

Speaker:

for copyrightability,

Speaker:

and that is that the

Speaker:

asset must be original.

Speaker:

Original simply means not

Speaker:

copied from another source.

Speaker:

That it was Independently

Speaker:

created note that

Speaker:

original does not mean

Speaker:

innovative or novel.

Speaker:

It doesn't have to be the

Speaker:

most mind blowingly new idea.

Speaker:

The asset can be about

Speaker:

something that's a kind of

Speaker:

tried and true idea, but the

Speaker:

expression, the words that you

Speaker:

use to describe your take on

Speaker:

that idea must be original.

Speaker:

In part two, I dove a bit.

Speaker:

deeper into the originality

Speaker:

requirement by talking

Speaker:

about derivative works.

Speaker:

And it also included a brief

Speaker:

detour into fair use because

Speaker:

it's almost impossible to talk

Speaker:

about derivative works without

Speaker:

talking about fair use.

Speaker:

In part two, I answered

Speaker:

the question, what makes

Speaker:

something truly original

Speaker:

versus derivative?

Speaker:

So can find part

Speaker:

one in episode 71.

Speaker:

And part two in episode 72

Speaker:

this week, I answer this

Speaker:

question that I received

Speaker:

at a recent workshop.

Speaker:

How do we define the

Speaker:

public domain is posting

Speaker:

it to social media.

Speaker:

Consider the public domain.

Speaker:

The answer to this belongs

Speaker:

in the copyright ability

Speaker:

series, because an asset

Speaker:

that is in the public

Speaker:

domain is not protected by

Speaker:

intellectual property laws.

Speaker:

Therefore it's

Speaker:

not copyrightable.

Speaker:

And so public domain.

Speaker:

Concept does apply to not

Speaker:

just copyrights, but also to

Speaker:

trademarks and the patents.

Speaker:

But, of course, we're talking

Speaker:

about trademarks here, but

Speaker:

I just wanted to make the

Speaker:

comment that public domain

Speaker:

does apply to other areas

Speaker:

of intellectual property

Speaker:

laws on the patent side.

Speaker:

I'm sure you're familiar with

Speaker:

drugs that become generic and

Speaker:

that means they passed into

Speaker:

public domain and the patent

Speaker:

no longer applies to it.

Speaker:

When a work is in the

Speaker:

public domain, it is freely

Speaker:

available for anyone to

Speaker:

use, modify, and distribute

Speaker:

without needing permission

Speaker:

from the original creator,

Speaker:

or paying royalties for it.

Speaker:

So recall that the exclusive

Speaker:

rights held by a copyright

Speaker:

owner Are the rights to

Speaker:

use it, reproduce it,

Speaker:

distribute it, modify it,

Speaker:

perform it, display it.

Speaker:

And when it's in the public

Speaker:

domain, now those rights that

Speaker:

are usually exclusively held

Speaker:

by the copyright owner can

Speaker:

be exercised by the public.

Speaker:

How does a work enter

Speaker:

the public domain?

Speaker:

Well, there are a number

Speaker:

of ways it can happen.

Speaker:

1st, it may be just

Speaker:

the expiration of the

Speaker:

protection period in the U.

Speaker:

S.

Speaker:

copyright protection expires

Speaker:

after a certain period.

Speaker:

And that period depends

Speaker:

upon who created it.

Speaker:

I'll talk a little bit

Speaker:

about it, but not all

Speaker:

the intricacies of it.

Speaker:

So, once the copyright.

Speaker:

Expires the work enters

Speaker:

the public domain.

Speaker:

So here in the U.

Speaker:

S.

Speaker:

January 1st of every year

Speaker:

is public domain day.

Speaker:

And on the January

Speaker:

1st, a new crop works

Speaker:

will enter the public

Speaker:

domain January 1 of 2023

Speaker:

copyrighted works from 1997.

Speaker:

entered the public domain.

Speaker:

January 1, 2024, copyrighted

Speaker:

works from 19, 29 will enter

Speaker:

the public domain and so on.

Speaker:

Of course, the ones that

Speaker:

were already in the public

Speaker:

domain remain in the public

Speaker:

domain, but a new class of

Speaker:

works enter the public domain

Speaker:

every year as the passage

Speaker:

of time occurs and the

Speaker:

protection period expires.

Speaker:

So, for instance, among the

Speaker:

works that enter the public

Speaker:

domain in 2023 are works by

Speaker:

Ernest Hemingway, Virginia

Speaker:

Wolf, and Agatha Christie,

Speaker:

which is pretty interesting.

Speaker:

I think if you're interested,

Speaker:

you can Google that and

Speaker:

see the number, what

Speaker:

works are coming into the

Speaker:

public domain every year.

Speaker:

So that means that, you

Speaker:

know, you can write a.

Speaker:

sequel to 1 of those works,

Speaker:

you can use the characters and

Speaker:

put them in new circumstances.

Speaker:

you can create a play or a

Speaker:

movie based on those works

Speaker:

without requiring permission

Speaker:

from the, originator.

Speaker:

there are a number of nuances

Speaker:

to works published before

Speaker:

1978, because things have

Speaker:

changed a lot in the last 100

Speaker:

years about the protection

Speaker:

period and how that is

Speaker:

calculated and what causes it

Speaker:

to go in the public domain.

Speaker:

But for works published

Speaker:

or registered.

Speaker:

from 1978 onwards, the

Speaker:

copyright term is the

Speaker:

life of the author plus

Speaker:

70 years, which is pretty

Speaker:

long and for works with

Speaker:

corporate for, like,

Speaker:

something like a software

Speaker:

company, create software.

Speaker:

It's not based on the human

Speaker:

who created it, but based

Speaker:

on the corporation that owns

Speaker:

it, the term is either 95

Speaker:

years from publication or

Speaker:

120 years from creation,

Speaker:

whichever is shorter for

Speaker:

anonymous pseudonymous or

Speaker:

works for higher the term

Speaker:

is 95 years from the 1st

Speaker:

publication or 120 years from

Speaker:

the year of creation as well.

Speaker:

All right, so the other way,

Speaker:

some works are simply not

Speaker:

eligible for cover protection.

Speaker:

As I have addressed in my

Speaker:

other places in the copyright

Speaker:

ability, series works that

Speaker:

are never eligible for

Speaker:

copyright protection, such as

Speaker:

facts, ideas and systems are

Speaker:

always in the public domain.

Speaker:

Works that consist entirely of

Speaker:

commonly known information or

Speaker:

self evident facts containing

Speaker:

no original authorship, such

Speaker:

as standard calendars or

Speaker:

directory of members, while

Speaker:

the facts and names might be

Speaker:

copyrightable under certain

Speaker:

circumstances, typically.

Speaker:

They are not copyrightable,

Speaker:

and therefore in the public

Speaker:

domain, only the unique

Speaker:

expression or presentation

Speaker:

of that information

Speaker:

would be copyrightable.

Speaker:

For instance, the raw data

Speaker:

or facts in a research

Speaker:

paper can't be copyrighted,

Speaker:

but the way they are

Speaker:

presented, analyzed

Speaker:

or articulated can be.

Speaker:

Another group of, public

Speaker:

domain works government

Speaker:

works any work created by an

Speaker:

officer or employee of the U.

Speaker:

S.

Speaker:

government as part of

Speaker:

their official duties

Speaker:

is automatically in

Speaker:

the public domain.

Speaker:

Now that this.

Speaker:

Exception does not apply

Speaker:

to work created by state

Speaker:

government employees.

Speaker:

So don't assume something that

Speaker:

is created by state government

Speaker:

is in the public domain.

Speaker:

But if it is created by the U.

Speaker:

S.

Speaker:

government, or its employees,

Speaker:

of course, that would be

Speaker:

public domain works failure

Speaker:

to meet copyright formalities.

Speaker:

Now, this was

Speaker:

more of an issue.

Speaker:

prior to 1989, the copyright

Speaker:

notice with C with the date

Speaker:

on it, a date was required

Speaker:

for all works published

Speaker:

in order for the copyright

Speaker:

protection to apply.

Speaker:

People ask about that

Speaker:

requirement to put the

Speaker:

copyright notice on there.

Speaker:

That isn't since 1989.

Speaker:

It's no longer required,

Speaker:

but prior to 1989,

Speaker:

It was required.

Speaker:

And so if the notice was

Speaker:

admitted, or somehow there was

Speaker:

a mistake made with respect

Speaker:

to that copyright notice,

Speaker:

generally, there are some

Speaker:

exceptions, but generally,

Speaker:

that work lost copyright

Speaker:

protection, and therefore

Speaker:

passed into the public domain.

Speaker:

And then you can have

Speaker:

explicit dedication,

Speaker:

a creator can choose.

Speaker:

To relinquish their

Speaker:

copyrights and place their

Speaker:

work in the public domain.

Speaker:

there are some tools

Speaker:

like Creative Commons

Speaker:

Zero, that can do that.

Speaker:

I will talk briefly about

Speaker:

Creative Commons as well.

Speaker:

Creative Commons are

Speaker:

copyright licenses.

Speaker:

Except they're simple,

Speaker:

standardized licenses that

Speaker:

have preset conditions and you

Speaker:

can simply apply those preset

Speaker:

conditions to your work.

Speaker:

If you want to find

Speaker:

out more about them,

Speaker:

go to creative commons.

Speaker:

org.

Speaker:

But basically creative common

Speaker:

licenses can be restrictive.

Speaker:

From, requirements

Speaker:

to give credit to the

Speaker:

creator, you can't use it

Speaker:

for any commercial use.

Speaker:

I mean, you can't sell it and

Speaker:

you can't make any derivatives

Speaker:

or adaptations of it, but

Speaker:

you can use it as is, giving

Speaker:

credit, not selling it.

Speaker:

Versus a pretty permissive

Speaker:

license, which is simply that

Speaker:

you just have to give credit

Speaker:

and that's all you need to do.

Speaker:

And then there are other

Speaker:

licenses that fall between

Speaker:

the 2 give credit, but you

Speaker:

can use commercially, you

Speaker:

can make derivatives, but

Speaker:

you have to give, you know,

Speaker:

all those combinations.

Speaker:

Right?

Speaker:

A creative comments

Speaker:

0, although it's.

Speaker:

Sometimes referred

Speaker:

to as a license.

Speaker:

It's not a license, right?

Speaker:

Because it's a dedication

Speaker:

to the public domain.

Speaker:

if you elect the creative

Speaker:

common 0, then you are

Speaker:

waiving all copyright and

Speaker:

related rights in the work.

Speaker:

So.

Speaker:

might use this if they want

Speaker:

to dedicate their work to

Speaker:

the public domain because

Speaker:

it's, data or educational

Speaker:

content, scientific work,

Speaker:

maybe even artwork, but

Speaker:

something where they want

Speaker:

to facilitate the free

Speaker:

distribution and utilization

Speaker:

of that resource globally.

Speaker:

That is a more, the

Speaker:

merrier, the wider spread.

Speaker:

And repeated that

Speaker:

information is the better

Speaker:

it is for, the world.

Speaker:

And so people may elect

Speaker:

to dedicate their work

Speaker:

to the public domain.

Speaker:

the main attributions

Speaker:

are, there are no

Speaker:

copyright restrictions.

Speaker:

When you have that creative

Speaker:

domains, zero dedication,

Speaker:

you can use the work

Speaker:

for any purpose without

Speaker:

seeking permission, even

Speaker:

commercial purposes.

Speaker:

You can take something that

Speaker:

someone's given away free

Speaker:

and slap a price on it.

Speaker:

If someone will pay

Speaker:

for it and they wait.

Speaker:

So the creator waves

Speaker:

all rights to work.

Speaker:

No attribution is required.

Speaker:

that's a different thing

Speaker:

than pretending it's your

Speaker:

own idea, but it is not a

Speaker:

copyright infringement to

Speaker:

not provide attribution.

Speaker:

there are, other ethical

Speaker:

obligations that you still

Speaker:

have, to not claim somebody

Speaker:

else's, uh, Work as your own

Speaker:

and you can use it worldwide

Speaker:

and it cannot be revoked

Speaker:

when someone dedicates

Speaker:

their work to the public

Speaker:

domain that is permanent

Speaker:

and it cannot be revoked.

Speaker:

However, it is provided as

Speaker:

is, without any warranty.

Speaker:

So, in the event that work.

Speaker:

infringes somebody else's

Speaker:

copyright, because it's been

Speaker:

dedicated to public domain.

Speaker:

It could be that, there are

Speaker:

problems within that work.

Speaker:

so using that, creative

Speaker:

commons zero work is

Speaker:

not completely without

Speaker:

liability or risk.

Speaker:

Here's what public

Speaker:

domain is not.

Speaker:

So to answer the original

Speaker:

question, something that

Speaker:

is publicly available

Speaker:

doesn't mean it's in

Speaker:

the public domain.

Speaker:

Publicly available and public

Speaker:

domain are not synonymous.

Speaker:

Publicly available simply

Speaker:

means it is not being,

Speaker:

held in confidence.

Speaker:

It is something that is

Speaker:

available to the public.

Speaker:

So think of a course.

Speaker:

Or a movie or a song publicly

Speaker:

available, but copyright

Speaker:

protection remains on that

Speaker:

work, according to the

Speaker:

things we just talked about.

Speaker:

So, the question about

Speaker:

publishing something

Speaker:

on my social media

Speaker:

does not put something

Speaker:

in the public domain.

Speaker:

It is publicly available,

Speaker:

but it is still subject to

Speaker:

my copyright protections.

Speaker:

The other thing that public

Speaker:

domain isn't, it isn't.

Speaker:

Free now, it might be, but

Speaker:

if you go on Amazon right now

Speaker:

and search for a tale of 2

Speaker:

cities, you'll see copies of

Speaker:

the book that are for sale.

Speaker:

Right?

Speaker:

So, when we talked

Speaker:

about some of the books.

Speaker:

You know, Virginia Woolf

Speaker:

and Ernest Hemingway.

Speaker:

I can't remember

Speaker:

Agatha Christie books.

Speaker:

You will find those books.

Speaker:

Now, by the way, their

Speaker:

whole catalog of books

Speaker:

is not in public domain.

Speaker:

The ones that they published

Speaker:

before 1927 are, so

Speaker:

you will find all those

Speaker:

books on Amazon for sale.

Speaker:

So you can't.

Speaker:

get the Kindle copy that

Speaker:

you bought and just copy it

Speaker:

and then start selling it.

Speaker:

that particular book.

Speaker:

Is for sale and subject

Speaker:

to whatever the terms of

Speaker:

that sale are, conversely,

Speaker:

something that is free.

Speaker:

Is not necessarily

Speaker:

in the public domain.

Speaker:

Think about most of the

Speaker:

content that you come

Speaker:

across daily on your phone.

Speaker:

It's free, but the

Speaker:

vast majority of it is

Speaker:

protected by copyright.

Speaker:

So that is super important

Speaker:

because too many people

Speaker:

think that's something

Speaker:

that's Published on the

Speaker:

internet is public domain.

Speaker:

That is not what that is.

Speaker:

And it is not just because

Speaker:

you can access it for

Speaker:

free does not mean that it

Speaker:

is in the public domain.

Speaker:

It is still protected

Speaker:

by copyright.

Speaker:

People ask me about

Speaker:

open source software.

Speaker:

So free and open software

Speaker:

is not in the public domain.

Speaker:

It is still protected

Speaker:

by copyright law.

Speaker:

So similar to those

Speaker:

creative common licenses.

Speaker:

If you offer something,

Speaker:

as open source software,

Speaker:

the copyright owner of

Speaker:

that software chooses

Speaker:

to grant specific rights

Speaker:

to the public through a

Speaker:

general public license.

Speaker:

just because it's

Speaker:

free and it's, not

Speaker:

in the public domain.

Speaker:

So there are still

Speaker:

conditions for using it.

Speaker:

It is still protected,

Speaker:

but subject to this public

Speaker:

license that allows you to

Speaker:

use it in specific ways.

Speaker:

And so whatever those terms

Speaker:

of that license are, you

Speaker:

still need to comply with it.

Speaker:

So if you don't comply with

Speaker:

that, the terms of that free

Speaker:

open source license, then you

Speaker:

are infringing the copyright.

Speaker:

It is still protected

Speaker:

by copyright law.

Speaker:

You still need to comply with

Speaker:

the terms of that license.

Speaker:

And if you don't,

Speaker:

then you are guilty of

Speaker:

copyright infringement.

Speaker:

Other people will ask,

Speaker:

why we do even have a

Speaker:

domain, like, why doesn't

Speaker:

protection last longer?

Speaker:

And, if you follow what

Speaker:

has happened over the

Speaker:

last 100 years with the.

Speaker:

Increase in the length

Speaker:

of copyright protection

Speaker:

in particular, there are

Speaker:

many people who think

Speaker:

it lasts way too long.

Speaker:

So, now, with the life of the

Speaker:

author, plus was it 70 years

Speaker:

or 95 years, basically the

Speaker:

value to the original owner.

Speaker:

Has probably, 0 to 9, right?

Speaker:

However, the value to

Speaker:

the world, because at

Speaker:

the end of the day, there

Speaker:

really aren't that many

Speaker:

original ideas anymore.

Speaker:

Right.

Speaker:

And so to be able to

Speaker:

build upon Shakespeare

Speaker:

to be able to build upon.

Speaker:

the odyssey to be able

Speaker:

to build upon, other,

Speaker:

classic materials.

Speaker:

That is the basis of so

Speaker:

much of what is, rich

Speaker:

in current culture.

Speaker:

Public domain is

Speaker:

intentionally created.

Speaker:

It was intentionally created

Speaker:

by Congress to make sure

Speaker:

that some works, even

Speaker:

creative works, there's a

Speaker:

balance for that exclusive

Speaker:

period of time that the.

Speaker:

Creator has exclusive rights

Speaker:

to it, but also to balance

Speaker:

it with the greater good

Speaker:

that we can have this body

Speaker:

of work that we can continue

Speaker:

to develop and to grow from.

Speaker:

I discovered in researching

Speaker:

this when I discovered the

Speaker:

Center for the Study of

Speaker:

Public Domain, which is

Speaker:

awesome, which advocates

Speaker:

for a balance between

Speaker:

protection and public domain.

Speaker:

And they had this to say.

Speaker:

Without the public

Speaker:

domain, there would be

Speaker:

little to protect with

Speaker:

intellectual property rights.

Speaker:

If copyright lasted

Speaker:

long enough to lock

Speaker:

up Shakespeare's work,

Speaker:

much of the literary

Speaker:

canon would vanish.

Speaker:

If data, theories, and formula

Speaker:

were subject to intellectual

Speaker:

property protection,

Speaker:

then scientific progress

Speaker:

would grind to a halt.

Speaker:

So the intellectual

Speaker:

property system needs to

Speaker:

provide both incentives.

Speaker:

Through exclusive rights and

Speaker:

the freedoms provided by the

Speaker:

public domain, and the key

Speaker:

is to find the appropriate

Speaker:

balance between them.

Speaker:

And I think that is a

Speaker:

great way to wrap up the

Speaker:

copyright ability series.

Speaker:

Again, please check out the

Speaker:

last 2 episodes as well as I

Speaker:

also had a 3 part series about

Speaker:

Copyright infringement or

Speaker:

talk about what is copyright

Speaker:

infringement, how to avoid

Speaker:

being a copyright infringer,

Speaker:

which usually happens by

Speaker:

accident, not with intent

Speaker:

and measures you can take

Speaker:

to, reduce the likelihood

Speaker:

that you will be a victim

Speaker:

of copyright infringement.

Speaker:

So please check out

Speaker:

those episodes as well.

Speaker:

And thank you again.

Speaker:

This series has been

Speaker:

sponsored by Think Beyond IP.

Speaker:

Think Beyond IP helps B2B

Speaker:

experts with corporate clients

Speaker:

lay the intellectual property

Speaker:

foundation required to build

Speaker:

new scalable revenue streams.

Speaker:

Think Beyond IP has the legal

Speaker:

expertise and the corporate

Speaker:

experience to provide

Speaker:

expert focus to the issues

Speaker:

that matter most to you.

Speaker:

and to your corporate clients.

Speaker:

And if you haven't already

Speaker:

head over to thinkbeyondip.

Speaker:

com to get your free

Speaker:

assessment to answer

Speaker:

the question, is your

Speaker:

expertise copyrightable?

Speaker:

Thanks guys.

Speaker:

Have a great holiday.

Video

More from YouTube