We move into 1983 — MTV is turning videos into hits, synth-pop is fully mainstream, and Sparks are as close as they ever get to a real U.S. breakthrough. After the Munich-made band trilogy of Whomp That Sucker (1981) and Angst in My Pants (1982), Ron and Russell take the same core lineup into a new setting and a new sound: lighter, more electronic, more pop-forward — but still unmistakably Sparks.

This time the sessions shift from Musicland in Munich to Brussels, recorded at Telex’s Marc Moulin’s home-based studio (Sin Sound). For the first time, Ron and Russell produce the album themselves, aiming for less guitar and more synth, with Ron’s growing arsenal of keyboards (including a Roland Jupiter-8) driving the sound. The result is often described as Sparks “going pop,” with more youthful, party-leaning topics on paper — but filtered through their usual strange humor and lyrical twist.

A major change is the presence of Jane Wiedlin (The Go-Go’s), who duets with Russell on two tracks, including the lead single “Cool Places.” The single becomes Sparks’ highest-charting U.S. hit, peaking at #49 and also landing on the dance charts — giving them a genuine moment of 1983 visibility. Other singles follow (“All You Ever Think About Is Sex,” “Please Baby Please”), and the album itself reaches #88 on the Billboard 200, their best U.S. album showing since the mid-70s.

Critical response is mixed — embraced in places as fun synth-pop Sparks, dismissed elsewhere as overly coy or repetitive — but the live year is huge. Sparks spend much of 1983 on the road, including a major U.S. arena run opening for Rick Springfield, who personally chose them as support. At the same time, they’re increasingly pulled into film-related work and side projects, contributing songs to multiple soundtracks and continuing their odd pop-culture detours (including the Disney-connected “Minnie Mouse”).

This episode sets the scene for a pivotal Sparks year — bigger stages, sharper pop instincts, more synths, and a band still firing behind the Mael brothers as they push deeper into the 1980s. Next up: track-by-track, starting with “Cool Places.”