In this episode, the girls welcome back Caitlyn, talk about those cool Air Force jumpsuits, and rename helicopter parts.

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Welcome to Cool Girls Don't Look at Explosions, where we

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watch macho TV from the 80s, 90s,

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and other time periods.

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That's not our intro.

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Laura: I really thought you were

gonna say 80s, 90s, and today, like

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those now that's what I call music.

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Beth: I really thought about it.

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I should've.

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Welcome to Cool Girls Don't Look at

Explosions, where we watch DudeTV quickly.

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Because Henry starts school tomorrow.

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And Laura's a PhD candidate.

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So,

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Laura: don't

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think I'm a candidate

till I've passed comps.

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I'm not sure how that works.

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Beth: Oh,

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yeah, I

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Glo: Beth you're in school too.

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So we're just all busy ladies

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Laura: hmm.

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Mm

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Beth: in school too, it's

just not as cool, so.

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Yeah,

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Glo: Beth is gonna be saving animals.

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So I don't know how that's not cool

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Laura: Yeah,

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yeah.

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There's

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very little animal saving

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in any sort of accounting.

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I'm so sorry, guys.

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Beth: Yeah, but it's cool, if I need

math doing, I am going to call you.

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Laura: Well, I'm not feeling

so great at the math doing with

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the first class that I'm

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taking, but we'll see.

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Beth: is behind me, and uh, He just gave

me the, what am I, chopped liver look?

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So,

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uh,

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Glo: a slow

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Beth: will call Jaffer.

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And if Jaffer is not available for

math problems, then I will call Laura.

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Laura: I mean, you could

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just call me so We can hang.

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Beth: We can also just hang.

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I'm okay with that.

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Okay, well, we're watching Airwolf still.

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Laura: still.

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yeah.

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Glo: Season two

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Beth: Season 2.

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Because the nightmare

persists, but so do we.

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Glo: This episode was not

as bad as the last episode.

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I actually kind of enjoyed this one.

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Beth: Yeah, this one was

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Laura: much, much much less gang rape.

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Beth: Yeah, I think this is

our first non rapey episode.

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Like, I don't, there's not

really a trigger, I don't know.

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Warning, probably

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maybe mentions of a dv, um,

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Glo: but, yeah, but,

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Beth: a spider,

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Glo: want to, yeah, spider warning.

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Beth: that's it.

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Laura: I have thoughts about the spider.

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I can't

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wait.

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Glo: yeah, because I don't

want to give away there's a

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Beth: the spider

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Glo: twist in this episode,

guys, so stay tuned.

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Beth: My god.

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Ah, no.

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Laura: Mm hmm.

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Yeah,

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and we kind of open in media like

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something else, as Glo was saying.

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Glo: Yeah, so I was, I was talking and

saying that I thought that this was

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maybe the second half of a two parter,

but the other ladies think that this

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just kind of opens and we're supposed

to piece together what's been happening.

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Laura: yeah.

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that's kind of what I thought,

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Beth: Cause like, everything

kind of like, is explained

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throughout the episode, you know?

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You're not left like, oh crap, I

feel like I missed half the story,

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you know?

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Laura: yeah, the only thing I didn't

really get just from this episode

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is, in the, , what do they call that?

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Like the teaser, the tagline,

whatever it is we read before

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we actually watch the episode,

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Beth: Oh, I don't read that, I just

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Glo: Yeah, I don't do that

because isn't that cheating?

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Am I wrong?

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Laura: oh, I don't know,

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but they

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referred to like

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That Santini niece was being rescued

from a drug kingpin and I didn't really

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get like anything, drugs from this guy.

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Did we talk about any drugs at any point?

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Glo: You get the idea that he

is like ambiguously a white

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dude down in the southern

hemisphere doing baddie guy stuff.

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Beth: And at some point, a

detective, talks to them,

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and is like, , we can get this guy on

drug charges, we can get this guy on,

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racketeering, we know, we suspect him of

all of these things, but we can't do it.

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So it's kind of like an Al Capone

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thing, if we can catch him on

this, small potatoes thing,

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Laura: Tax fraud.

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Glo: Tax fraud.

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Beth: Follow the taxes.

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Laura, but Yeah, Actually, Funny story,

so my mom is a tax lawyer So every

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single year since I started doing taxes

I have called her And we've had the

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same conversation Mom, I'm pretty sure

I've accidentally committed tax fraud.

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Beth, you can't accidentally

commit tax fraud.

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Intent has to be in there.

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You know this.

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It's so fun.

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It's like, you know, a holiday.

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Glo: Hmm.

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Laura: as long as you filed that return

and got that Statute of Limitations

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rolling, that's all I care about.

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Is

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Beth: 13th, 1984.

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She's a Scorpio, I think.

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I don't know.

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And, It was directed by

our old friend Alan J.

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Levy, who also directed last

week's episode of Airwolf, and

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something called She Spies.

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I don't know what it is, but

it looks like it involves spies

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whose pronouns are she, her.

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Laura: it the knockoff

Charlie's Angels, perhaps?

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Beth: Perhaps.

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It did have a Charlie's Angels feel to it.

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Yes, yes.

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It was written by Phil Combest,

who also wrote a bunch of Magnum P.

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I.

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episodes, and is notably not a

woman, which I think is important,

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considering what we're about to

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dive into.

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So the episode opens on our string fellow.

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Hiding in some bushes in the dark.

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Glo: He's makeuped.

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Beth: yeah, I said he did something

different with his foundation.

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It's giving covert ops or

I'm being a weirdo stalker,

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depending.

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Laura: I called it camo face.

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Beth: Camo face!

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Yeah!

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Laura: But

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ladies, he has on his camo face, right?

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But he's wearing a gray suit.

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What does this do for you then?

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Glo: And did you guys notice he

just goes through the front door?

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Laura: Yeah, he like lock

picks the front door.

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Glo: Yeah.

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Beth: you can't see him!

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You can only see disembodied clothes!

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Laura: listener, it's not a dark gray,

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even.

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It's like a light gray suit.

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Beth: that shit is like, we're

going on safari, don't forget

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your camo face in case we run into

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predator.

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Glo: Come on, Stringfellow.

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Laura: Weird choices.

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After he lock picks the front door,

he goes around in the mansion

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and overhears this American guy

in a suit bribing the mayor, I

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Glo: Yep.

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I put mayor and shady deals going down.

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Beth: Oh, I just put, he almost walks

in on some dudes doing quotation

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marks, business, end quotes, nefarious

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Glo: Nefarious.

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Yes.

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Very nefarious.

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Beth: And then, he hides in a closet,

Stringfellow, not the mayor, and scares

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the shit out of this poor elderly servant

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Glo: The Spanish speaking,

adorable little man.

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Beth: Right, who's just trying to

do his job, getting bullied by his

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boss, and then he gets, yanked

into this, like, hostage situation.

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Glo: And Stringfellow is

like, donde esta la señorita?

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Laura: I thought.

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As this janitor is, taking Stringfellow

to her room, that he seemed weirdly

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calm all of a sudden about this.

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And I also watch this with subtitles on.

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I watch pretty much everything

with subtitles on, because I don't

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process very quickly sometimes

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when it's just audio.

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Beth: Same.

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Laura: And I really wanted the

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Spanish stuff to be, like, translated,

but it just said, Speaking Spanish.

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Glo: I can translate for you because they

were doing super, super simple Spanish.

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Laura: okay.

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What did they say?

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Beth: I know that he said, where's

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the

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Glo: He says, where's the girl?

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And like, he says, the lady's over here.

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And then when they find the lady,

she's happy to see string fellow.

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And then the guy says, and

that's like, go with God.

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Laura: Yeah, okay.

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So nothing giveaway

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here, but he seemed weirdly calm, which

we kind of understand at the end of

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this episode.

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Beth: Yeah, like I feel like an idiot.

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Cause I saw that he was weirdly

calm and I just thought, well, I

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mean, I guess he works for that guy.

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So maybe he just gets taken hostage

once a week and he's, it's just old

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hat

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Glo: no, don't take her,

please, please don't,

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Beth: No, don't.

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Or he was like, pulling

for her to make it

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out or something, you know?

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Laura: Yeah.

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I really quibble with Stringfellow's

choice of words when he sees

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Holly and says, Don't be

afraid, I came to take you out.

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Glo: ah, mm,

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Laura: the phrase that

we would use these days.

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I don't know, maybe it

was different in the

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Beth: Anyway, this old guy who's maybe

been holding her hostage chases after

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them as they, like, run away and across

the beach and think the beach might

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be rigged with explosives because when

have guns ever exploded like that?

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Glo: yeah.

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There's like jeeps chasing

them and they trip an alarm

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Beth: and everything blows up,

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Laura: We see Dom in the

helicopter, in the Airwolf, and he

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is anxious.

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He's ready to get these

people on board and go.

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Glo: It's also, I think, really important

that , to gain her trust, Stringfellow

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says, I'm a friend of Dominic Santini

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Laura: Mm.

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Glo: we, because that's important

once we find out who this lady is.

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Beth: And, I did think it was weird

that when they all flew off in Airwolf,

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old dude, goes, Ah, well, shucks.

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You know, and then just kind of puts

his hands on his hips and shakes those

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crazy kids in their crazy helicopter

doing shenanigans on my beach.

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Like,

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Laura: lawn.

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Beth: yeah.

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Yeah,

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Laura: Mm hmm.

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Beth: where Irwulf flies off, we

cut to the next day when the girl

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is being questioned by the police.

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And Dom's a little spicy.

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Laura: He's protective

of his little niece.

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Yeah.

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Glo: His acting here

is really fun, I think.

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Laura: Mm hmm.

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Beth: Cause he does

angry but also comedic.

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Which is interesting.

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Cause she's like

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20, right?

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Maybe at

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most 19.

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Like she's

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she's a youngster.

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Yeah.

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And then we find out that the dude

on the beach who's doing nefarious

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business dealings and who's A million,

compared to her, was her lover.

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Laura: Yeah.

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Ugh.

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Glo: And she's like, no, I wasn't forced

against my will to go there, and they're

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trying to build a case against the guy

who we find out his name is Aarons.

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His last name, at least.

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Beth: And

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Laura: she went willingly, that

totally negates the fact that

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she was forced to stay there.

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Beth: Yeah, dude, that's

what I was about to say.

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The fact that, the cop is just

like, What you're describing

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is a lover's quarrel, sir.

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What?

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Laura: right off

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with that.

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Beth: What the fuck kind of lovely

quarrel has that guy been in?

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Please therapy, please go to

therapy, and then to jail.

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Maybe therapy in jail, I don't

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Glo: Airwolf, colon, police therapy.

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Laura: Holly gets done being questioned by

the lady cop and, comes in in a jumpsuit.

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I guess they gave her one of the airwolf

jumpsuits and Dom is going to take her off

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to buy clothes because women be shopping.

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Beth: And they totally aren't gonna

think about asking dudes who are

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actually in the Air Force at the Star

Trek convention they happen to be at,

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where they got their cute costume.

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That

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Glo: we have to explain

this for the audience, guys.

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Beth: didn't happen.

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Laura: I mean, so I don't know,

did we figure out what was

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going on at the

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Glo: did.

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So, at the beginning of Star Trek

Las Vegas, where Laura, Beth, and

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myself, Glow, went, we, at the

beginning of the conference, saw

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these guys in just amazing jumpsuits.

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And being in jumpsuits are,

is not out of Star Trek canon.

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Laura: Right,

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like, Enterprise is all

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Glo: Right.

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Beth: I thought they were like dudes

who were cosplaying as Enterprise.

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And the first guy I saw was very

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handsome.

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Glo: were good looking

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Beth: thought he was I thought they were

the paid cosplayers who take the actors

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out on stage during their panels, right?

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Glo: The vibe was just off enough

where you're like, no, these guys

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seem like they mean business.

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Yes.

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Laura: Yeah, they

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Beth: and then I saw one putting a

gun into a safe at the front desk

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And I was just like, oh no.

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Glo: I did see, because they were

good looking men, I did recognize one

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that was out of the outfit and in, an

army shirt, so they were definitely in

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sort, some sort of army or air force

or something like that, and It was

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just funny because, you never know

who's cosplaying and who has their

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actual big boy work pants on that day.

310

Beth, what was the coolest

part about their jumpsuits?

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Please tell our audience.

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Beth: Listen to me right now.

313

Come here.

314

Come closer to the mic.

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This is so exciting.

316

Okay, so on their jumpsuits they

had these giant ass cargo pants.

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You could fit like three

books in there a piece, right?

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And they were mid calf

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and they zipped up.

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They were gorgeous.

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Gorgeous.

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Glo: Why was there a cargo

pocket on, like, their ankle?

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Who knows?

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But it looked really cool.

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Beth: On both

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sides too.

327

I mean, it was like dual pockets.

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Glo: I'm sure somebody is pushing

up their glasses right now and

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being like, um, actually that's the

pocket for their dispatch manual

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Beth: yes.

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Which is totally cute and fun.

332

Honestly it's probably Vic.

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Vic probably

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knows.

335

But,

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Laura: though.

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Beth: yeah, he'd say it in a nice way.

338

And you know what?

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We can pretend they put manuals in there.

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But we all know, we all know that

they put at least like five or six

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Batman comics in one of those pockets.

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You

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never know You never know when you're

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Glo: in a monster and I don't

know fluffy blanket for later.

345

I don't know.

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Laura: some snacks.

347

Yeah,

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Glo: snack pocket

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Beth: mini Squishmallow.

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long flights and cuddles

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Glo: to Airwolf, though.

352

Beth: Then, let's see, I got so

distracted by the jumpsuit's cargo

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pockets that I forgot where we

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Glo: As one does.

355

Laura: So, Caitlyn shows

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up.

357

Well.

358

String

359

is doing some maintenance, and she

hassles him about his maintenance skills.

360

I thought, I

361

got so excited, I thought she

was doing the Javert, because she

362

says that, she took her FMLA leave

to go find Airwolf, basically.

363

Beth: Yeah, I believe her exact

words were, Since you shot up the

364

town, , I took a leave of absence.

365

Laura: Mhm.

366

Beth: And she's so chill about it,

367

Glo: And it also shows us, too,

that for the last couple of

368

episodes, she's not been in them.

369

Laura: Mhm.

370

Glo: So I wonder

371

Beth: Yeah, and that we just

Shot back in to Aerowulf.

372

We shot out of Aerowulf at the first

episode, Shot back in when she happens to

373

return, Which I think is very fun.

374

Laura: Mhm.

375

Glo: don't really want

Airwolf without her anymore.

376

She is lovely.

377

Laura: Yeah.

378

Beth: Yeah, she handles

this whole episode very

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chilly, considering what

380

happens.

381

Laura: Did you notice the,

super melancholy, sad music that

382

immediately cuts in when she tells

him that they found the plot device

383

friend dead in the desert and they

384

brought back his remains?

385

Beth: Yeah, that was so

intense, especially because

386

right before that, right?

387

He recognizes who she is, and his

face fucking lights up, dude.

388

He is hype.

389

He looks like me every time Jafar comes

through the door at the end of the day.

390

Like, Hell yeah, dude!

391

Glo: So his friend has been

most dangerous gamed, I assume.

392

yeah,

393

Beth: yeah,

394

Laura: makes me

395

Beth: Yeah, his friend dead.

396

But she brought back the body for

397

him.

398

, then the melancholy music comes in.

399

Glo: She says, I don't want to

be a flying meter maid anymore.

400

That stupid sheriff got to her head.

401

Beth: yep.

402

Glo: Mm hmm.

403

Laura: ceilinged in

404

Texas, but I'm not surprised.

405

For

406

Beth: Yeah, seriously,

especially in that town.

407

My

408

god.

409

Laura: sure.

410

For

411

Beth: So then she changes the subject

and is just like, So, where's that

412

black battleship with the rotors?

413

And he's like, I don't know

what you're talking about.

414

And she's like, Wink!

415

I got it.

416

Okay.

417

And they drop it.

418

Laura: She's just great.

419

Beth: Dom and his niece are having lunch.

420

And, I think this is a

secret feminism a little bit.

421

Laura: Oh.

422

Oh.

423

Do tell.

424

Beth: well, I was pleasantly surprised

by how this conversation went.

425

Because,

426

Laura: Yes.

427

Mm hmm.

428

Mm

429

Beth: so her uncle's like, Well,

how'd you get into that situation?

430

And I'm sitting there like, Oh, I'm

so ready to hate this fucker for

431

the victim blaming that's totally

about to come out of his mouth.

432

And instead she's just like, Well, you

know, at the beginning he was super

433

charming, and he was really nice, and

he seemed really put together, and

434

then once, he had me basically in his

clutches and I was under his control,

435

he switched up and turned abusive,

436

and, , I feel dirty, and he was just

like, you're not dirty, You're young

437

and you didn't know any better and it's

438

So I think that that

was pretty progressive

439

Laura: Mm hmm.

440

Beth: the time period Yeah, especially

because we've seen him go i'm

441

old fashioned and ladies cook and

442

Glo: Mm

443

Laura: Mm hmm.

444

Yes.

445

No.

446

I did.

447

I was pleasantly surprised there.

448

Mm

449

Beth: Yeah

450

Glo: she was aggressively eating a salad.

451

So I'm not sure if women in this

universe only eat vegetables.

452

Going back to Gabrielle, right?

453

So we might want to watch for that.

454

Are women allowed to eat anything

but vegetables in this universe?

455

Laura: Great

456

Beth: Although, like, we don't we It might

have been like a chicken caesar situation.

457

We don't know.

458

Glo: Man, such progress in one scene.

459

Beth: Yeah, dude.

460

Laura: She bolts when she

sees somebody enter the

461

restaurant, that she thinks is Aaron's.

462

Glo: response.

463

Beth: Yeah.

464

Hello, PTSD, it's me, Holly.

465

But, yeah.

466

She runs out of there, and then she

says how, she thought she saw him, and

467

her uncle's like, No, it wasn't him,

and you're safe, and she's like, I feel

468

like I'm living this nightmare over and

over, and I want to know when it ends,

469

and Dom says, Little by little, in time.

470

Glo: Ooh.

471

Who hurt you, Dom?

472

Beth: Well, the war,

473

probably.

474

Laura: Yeah.

475

Beth: in like five

476

wars, you know, Cause it's 1980s,

and he's kind of older, and

477

yeah.

478

Laura: But it's also very

progressive of him at

479

this point in the 80s to, acknowledge

that and say little by little and

480

not just oh, you're going to be

fine, honey, pat, pat, pat, pat.

481

Beth: Yeah, or hey, have you

tried electroshock therapy?

482

Bite down on this popsicle stick , and

jam this knife into the outlet.

483

Let's go.

484

Laura: Yeah.

485

At this point, after this scene,

I wrote, she's doing some first

486

class, , repression, because when we

see Holly, like, when she greets Dom

487

and they're about to go get clothes

and they're here in this restaurant.

488

She has a very, happy go lucky thing going

489

on, like, hee hee hee.

490

Oh, I'm so happy to be free.

491

I'm happy to be back in America.

492

Or,

493

I don't even know if she's

back in America, because she's

494

supposedly from Argentina.

495

But,

496

Beth: Yeah, that's a

497

Laura: she's like, oh,

everything's so great, but then

498

she has her little freak out.

499

And I was like, okay, so

she's just, doing a real.

500

I'm fine

501

act, I guess, you know, but,

502

we'll, we'll see about that.

503

Mm

504

Beth: Caesar salads are fucking bomb?

505

I don't know.

506

Also it's kind of dancing

around PTSD, not just from war.

507

Which I think is pretty

508

Laura: Yeah.

509

That a woman could experience it

from her situation with a man.

510

Maybe not the most widely

acknowledged idea at this time.

511

Beth: Yeah, because I think that

they just stopped calling PTSD

512

not too long before the 80s.

513

It used to be shell shock and

514

Laura: Mm hmm.

515

Mm hmm.

516

Beth: so, I think it's pretty

cool that they put that in there.

517

But anyway, This is Airwolf, so of

course we go from PTSD to a funeral.

518

Glo: Diagnosis was first given in 1980.

519

Beth: yeah, so super new.

520

Super new.

521

Laura: Yeah, good to

522

know.

523

Mm hmm.

524

Beth: So of course we're

immediately going to a funeral.

525

It's the funeral for, Stringfellow's

friend o who got shot by the sheriff.

526

Laura: Who we haven't even

mentioned his name in this

527

episode, have we?

528

Beth: know.

529

Yeah.

530

Glo: I have to go back to my old notes.

531

Laura: I think it's

Blake, James, James Blake.

532

Beth: Jimmy

533

Blake.

534

Yeah, James Blake.

535

Mm

536

Laura: Yeah, we

537

put it together.

538

But they never actually say

that in this episode, guys.

539

Beth: No, they don't.

540

And then Holly kinda This

is I feel like, the first red

541

flag with Holly a little bit.

542

Laura: Yeah.

543

Beth: That she's like,

sorry your friend's dead.

544

You want to come out and party me?

545

Laura: You should keep on living.

546

With me.

547

Beth: Yeah, and it was one of those

where I ignored it as a red flag

548

because I was like, maybe she's just

being like a weird, she's like 20

549

and maybe she's just sheltered and

doesn't know what to do other than,

550

hey, maybe we go hang out or something,

551

Laura: Yeah.

552

No, I was like, mm, she's not okay.

553

This is a not okay person, but I mean,

554

Beth: Yeah.

555

Laura: as far as we know, PTSD,

556

she's motivated by weird things at this

time, so I didn't think anything of it.

557

I did get kind of mad at Dom for getting

mad at Caitlin calling a spade a spade.

558

Beth: Yeah, she wasn't being a

dick and he acted like she said

559

the most offensive thing ever

560

Laura: basically all she said

about Holly was like, Oh,

561

she's clearly hitting on him.

562

And Dom got pretty mad about it.

563

Beth: Yeah.

564

And Tom's just like, How dare you

insinuate what's happening is happening?

565

Ah!

566

Laura: Exactly.

567

How dare you have eyes that can see?

568

Beth: How dare you be perceptive

and use critical thinking skills?

569

Laura: Women aren't supposed to do that.

570

That's upsetting to Dom.

571

Beth: that's true.

572

I don't know.

573

I feel like he's growing in this episode.

574

Maybe not.

575

Laura: do.

576

No,

577

I think, , growth is

an incremental process.

578

For

579

Beth: It is.

580

And it's not linear, I think.

581

Laura: Right, right.

582

So Caitlyn and Holly talk for a bit while

Caitlyn is setting up to do a stunt.

583

Her

584

first stunt.

585

Holly uses this time to make sure

that Caitlyn and String aren't dating.

586

Uh

587

Glo: thing that I put down for this too,

is does this, episode or honestly the

588

entire show past the Bechdel test at all.

589

And I don't think this

episode does at all.

590

I don't think this episode does because

they're only talking about Stringfellow.

591

Beth: Yeah.

592

Laura: I don't think

that's Caitlyn's choice.

593

I think Holly keeps

594

doing it

595

Holly is the reason it fails.

596

Beth: I think Caitlyn would

pass the Bechdel test.

597

I think Holly will never.

598

Glo: You heard it here, guys.

599

Let's wait for Caitlin to break through

and pass the Bechdel test for us.

600

Laura: Alright, we're

601

Beth: But then

602

Laura: a watch.

603

Beth: Yes, but then Dom rolls

up in the most iconic yellow

604

jumpsuit I have ever witnessed.

605

It's shiny and gold.

606

Laura: Still not clear

why he's wearing it.

607

It doesn't get a mention

of being part of the

608

movie or the Yeah.

609

Beth: and he's not even the one flying the

610

copter.

611

Laura: Nope.

612

Yeah.

613

Beth: I do want one though.

614

I need it.

615

And then Caitlin and Stringfellow

are taking a set to prep

616

for Caitlin's first stunt.

617

They want it done in one take.

618

and then, this worker bee who was

questioned by Aaron's henchmen earlier,

619

gets to set and wants to talk to

Dom urgently, but Dom waves him off.

620

Laura: Mm hmm.

621

Of course.

622

Dom is busy.

623

Beth: Yes.

624

But then, my favorite trope of

all time, like one of my very

625

favorite tropes, happens.

626

Caitlin and Stringfellow are forced

to make out for the sake of the movie

627

TM.

628

Laura: It's still not totally clear.

629

Why

630

Beth: I,

631

Glo: Because I don't think

632

Beth: you know what?

633

I love it so much.

634

Glo: Like

635

Beth: No.

636

No, they're

637

Laura: guys.

638

Beth: And they're like, oh, really, sell

it, and then, oh, god, my favorite part.

639

When, in the trope, they're kissing

and then they realize, they really

640

enjoy kissing each other and then,

the music swells and the director's

641

yelling cut and they don't hear it

because they're just so into each other.

642

Oh,

643

Glo: and Holly be creepin

644

Beth: Holly.

645

Be creepin

646

yeah, there's some scrote face,

647

you know, she, she looks

sprinkled and angry.

648

Then, Caitlin, gets in her

helicopter and takes off, and

649

the director's all like, Dive!

650

Dive!

651

Yeah.

652

Laura: What does she call

653

it?

654

She calls it cyclic.

655

Glo: that

656

Beth: I was just referring to it

657

as a

658

stick

659

Glo: like

660

Laura: Yeah, the stick

661

shift.

662

I mean, we can

663

call it that for sure.

664

The stick shift doesn't, it,

she says when she gets in it,

665

Oh, it feels a little tight,

666

And then,

667

Beth: Let me see, yeah.

668

Which, you know, I'm no mechanic,

but I thought that the stick

669

thingy would

670

jam

671

if the

672

bolt was

673

Glo: We kind of see

674

the

675

bolt.

676

Beth: loose.

677

Laura: The, the

678

Beth: But I don't know

anything about helicopters.

679

Cause they scare me.

680

Laura: Yeah,

681

same.

682

But the director is loving it.

683

He is loving her mortal

684

peril.

685

Glo: cuz it looks good It's

looking really good.

686

Laura: She manages to get the chopper down

687

Beth: Anything for the shot, baby!

688

Laura: like

689

Glo: like a, a Roman period piece

or something, cause there's,

690

being, you know, servants,

691

Laura: yeah, fun.

692

Exactly.

693

Beth: Yeah.

694

and who are, you know, flee.

695

Uh.

696

Yeah, and then she kinda, And

then she gets out, and she's

697

like, upset, and know, she

698

And Dom and Stringfellow come like,

what the fuck are you like, you know,

699

well, This was clearly, tampered

And he's like, you're wrong.

700

of

701

him.

702

Glo: But then they find

703

wrench

704

Beth: you know, I'm, I'm perfect and

nothing I do is, can ever be wrong.

705

How dare you?

706

Um, and so on this.

707

tampered Um, you know, then

the henchmen, of course, show

708

up, so you're like, Ah, yeah.

709

It was the errands guy.

710

Of course it was the errands guy.

711

Shady cryptkeeper.

712

Always the Um,

713

But yeah, and uh, yeah, so then, you know,

714

Laura: It was a good through

the, through the sets.

715

Beth: they hop in their car

716

and they zoom off

717

Laura: Um, so,

718

Dominic go

719

to like, known business?

720

He has, like, a

721

known business in

722

town.

723

Glo: It was so weird.

724

why are they at, like, these docks or or

725

Laura: Right?

726

Beth: Which is weird,

727

right?

728

Yeah, especially because like

the detective was like, yeah that

729

dude's shady and we a single like

plainclothes officer anywhere

730

like

731

Laura: Uh huh.

732

Yeah, yeah, and so they just

733

tell him,

734

Beth: I'm an associate!

735

I'm an associate of

736

Laura: to do

737

Beth: You can talk to me!

738

Glo: Yeah, and it just so happens that

they, the second person they talk to is

739

somebody who can directly talk to Aaron's.

740

I don't

741

Beth: yeah, for somebody with a large

corporation, or a large nefarious business

742

dude is very close with

a lot of his people.

743

Which is like, good for him, I guess.

744

Like,

745

Glo: Mm

746

Laura: I guess.

747

I don't know.

748

It's not clear what this business

749

does.

750

It's just some

751

Beth: Yeah.

752

Are they?

753

We don't know.

754

Swallow this balloon.

755

Laura: So,

756

Holly,

757

Beth: balloon, you get

a pizza party on me.

758

Laura: Caitlin on her ability

to play it cool in front of

759

Holly's obvious superiority.

760

She's just like, Oh, you know,

you're taking it so well that

761

I'm

762

here.

763

Yeah.

764

Yeah.

765

Beth: Like, Even?

766

And Caitlyn

767

She really, yeah, she does give pick

768

me.

769

and Caitlyn is girl.

770

Like, to the end, you know?

771

Um, yeah, and like, you know, that

772

Glo: and because

773

Beth: I don't like that trope.

774

The women themselves

775

against each for a man thing.

776

That's my

777

Glo: just like, I met him like a

778

week ago.

779

clear that.

780

Like even at

781

this point, you know, even after the kiss

782

and whatever she's still

like, I don't know.

783

I just met the

784

dude

785

Laura: and Holly, sorry, and Holly is so

young that Caitlin's just kind of like,

786

I've been a state trooper,

787

like I don't, I don't need this man,

why are you, what, what are you doing?

788

Beth: Holly is just focused

on this man and nothing

789

else.

790

And yeah, and Caitlin almost like hyper

focuses on their professional relationship

791

in a so hard that, she can't even figure

out what Holly's trying to say half

792

the time,

793

Glo: Mm

794

Laura: Dom and Strain get back

just the same time about as a

795

mysterious delivery arrives.

796

And it's so funny to me that

Holly and Dom both, we know why

797

Holly

798

doesn't, but Dom

799

does not clock this as a bad

800

thing.

801

You know, Holly's supposed to

802

be like in hiding, who's sending her

803

packages,

804

like,

805

Glo: was only Stringfellow who was

like, mm, hold back, don't open

806

Laura: uh huh.

807

Glo: from someone we don't know, and

Dom's like, oh, let me sign for it.

808

Beth: And like, yeah, Strickfellow's

like shaking it around and stuff and

809

I was like, oh my god, give me it.

810

And she opens it and it's this

poor little tarantula who's been

811

shipped from Mexico in a dark ass box

812

Laura: Mm hmm.

813

is a beautiful tarantula.

814

This is the Mexican red kneed tarantula.

815

It is They're actually endangered now.

816

I don't know if they were in the 80s,

but they've become endangered because

817

of, uh, they're so pretty, right?

818

That people take them from the

wild and try to raise them and

819

stuff, and now they're endangered.

820

So It hurt my feelings when

Dom stomped the spider.

821

Hehehehe

822

Glo: are you a tarantula

person or did you just

823

look that up for us?

824

Laura: no, my son

825

was hyper fixated on spiders

at a very young age, so I know

826

a lot about various spiders.

827

Glo: Wow That's so

828

Beth: on surviving my nightmare.

829

That is also very cool.

830

though.

831

Laura: I mean, it's really pretty

cool when your four year old is

832

like telling you the parts of the

spider and can say cephalothorax like

833

with

834

very understandably.

835

Glo: That is really cool.

836

Laura: So you kind of lean

into it, you let them have the

837

thing, you know?

838

Glo: So he was a spider kid.

839

All

840

Laura: Mm hmm.

841

He's the weird kid a little bit.

842

Glo: it's okay.

843

Laura: All right.

844

Somebody's gotta do it.

845

Beth: We love the weird kid.

846

I think all of us were the weird kid.

847

Laura: Yeah.

848

Yeah, yeah.

849

Beth: So,

850

Laura: This podcast loves the weird kid.

851

Beth: yeah.

852

Glo: Thank you weird kids for listening in

853

Beth: Yeah,

854

Glo: Stringfellow says,

I'll take her to the

855

cabin.

856

Laura: Yeah.

857

Let's go to the eagle cabin.

858

Glo: Oh.

859

my gosh guys, I literally put

in my notes this effing eagle.

860

Like we know they're back at the

cabin because that stupid eagle

861

is flying overhead, wondering

where his cello is or whatever.

862

Yeah.

863

Beth: who is now a main character.

864

I don't make the rules, man.

865

Laura: You know who else is there?

866

Tet.

867

Tet.

868

we don't see anywhere but the

869

cabin.

870

Beth: the f does he just live at the

871

cap well, we do yeah, cause

he can make his own dinner or

872

whatever.

873

Glo: yeah, I literally put in my notes.

874

Oh, look the neglected

875

dog.

876

Laura: He

877

looks pretty good for all the neglect.

878

Beth: steak.

879

Yeah.

880

He's no longer looking up women's

881

skirts, so, there's been

growth for Tet as well.

882

Glo: They're at a romantic fire.

883

Laura: Yeah, why

884

Beth: And they're like, real close.

885

Laura: Why are

886

we sitting on pillows by the fire, Hawk?

887

what are you doing?

888

What are you doing?

889

Uh

890

Beth: a little around her,

891

Laura: huh, uh huh.

892

Mm

893

Glo: Right and like she's in he

like she goes in for a kiss and

894

he's like, what are you doing?

895

Beth: Well before, though, before

we get there, they have an exchange

896

where he says something about, Dom or

something like completely unrelated to

897

Caitlin and she says you have nice

friends and he says I do you know

898

and it's kind of like hell yeah my

899

life's pretty cool

900

Laura: mm hmm.

901

Beth: and she's just like especially

Caitlin and he's like yeah she's

902

very nice you know and she's

like well she's not for you

903

Laura: huh.

904

Glo: Yeah.

905

And he's like, I wasn't

even thinking that, my dude.

906

Beth: yeah and then she leans

in for the kiss like what

907

Laura: Yeah, yeah, all of Hawk's,

alarm bells should be going off here.

908

Doo doo doo doo doo

909

Glo: Because our alarm bells

are going off now, right?

910

Laura: Mm

911

Beth: Now, at this point, I'm

sitting here like, Holly, you wild!

912

Glo: Yeah.

913

What's going on with this girl?

914

Beth: Um, and he does kind of like,

handle it very classily, especially

915

for him.

916

Laura: hmm.

917

Glo: hmm.

918

Laura: But I do feel like he led her on a

little bit with this whole setup in here.

919

Like, she is,

920

Glo: by the fire?

921

Laura: yes.

922

And she's like half his age, because

Stringfell is in his 40s, right?

923

Right?

924

Like, he's gotta

925

be, right?

926

And

927

Glo: up while we talk.

928

At least what, what the main what

the main character or the actor's

929

Laura: Yeah.

930

That'll be fine for me.

931

I

932

just I feel like he's supposed to

be in his 40s, but you never know.

933

Sometimes, they aged differently

back then, it felt like, you know?

934

Beth: Yeah, everyone, everyone

who's in their 20s look like they

935

were in their 40s, so I just don't

936

Laura: Mm

937

Glo: Okay, Airwolf went on the air when?

938

Beth: 84.

939

Glo: so he's, he's exactly 40 in

940

this show.

941

Beth: Okay.

942

Laura: So, she is about

half his age, like,

943

if she's having wine, she's

probably at least 21, right?

944

But, he's been,

945

, keeping her a tiny bit at arm's

length throughout the show.

946

So, why would you set this up in

this cabin this way, unless you were,

947

keeping your options open, you know?

948

Glo: Mm

949

Beth: Yeah.

950

And like, he, okay, and when they kiss,

951

Laura: Mm hmm.

952

Beth: it's not like he

blows away immediately.

953

He's clearly, seeing where

it goes for a minute there.

954

Laura: He doesn't immediately push

her away, like he should have.

955

Ha, ha.

956

Glo: Mm hmm.

957

Beth: Yeah, he gets into it a

958

little.

959

And then he

960

pushes her

961

away.

962

And then she

963

Says, Okay, uh,

964

Let's not do this.

965

And she, goes, Oh, it's

because of Caitlin, isn't it?

966

And then she storms off.

967

Laura: Yeah, she just , runs into the

woods, but he follows and tries to

968

apologize.

969

Kind of.

970

Glo: Yeah.

971

Laura: But she just walks away and we cut

to Dom and Caitlin starting to head out.

972

Beth: And he's going, hey, this is

a no fly zone, so like, don't fly in

973

there.

974

And then she's like, cool, I forgot this

thing, can you start the helicopter up?

975

And, she runs inside for whatever,

and he starts it up, and it's

976

clear that it's been tampered with

977

again?

978

Glo: Mm hmm.

979

Beth: We think.

980

Glo: It's like gasoline or oil

dripping somewhere that's hot

981

and then it starts smoking.

982

Beth: And then FIGA.

983

Yeah.

984

And then

985

she just comes out just in time

and is all like, Dom, get the

986

fuck out of there, whatcha doin?

987

And he's like, oh no!

988

Apparently I can't spell anything!

989

COVID was alive in 1984!

990

And he gets out just in time

for, the helicopter to explode.

991

So you're running a helicopter business.

992

Laura: Oh, sure.

993

Beth: Those are expensive,

994

one

995

would think.

996

And, you're now down two

helicopters, essentially, right?

997

Glo: And, I mean, side note as well, in a

998

meta sense, they must have had a

decent budget for this show because

999

that was a really cool explosion

and there was at least a helicopter

00:38:57,865 --> 00:38:59,845

shell on fire, which was pretty

00:38:59,845 --> 00:39:00,385

sweet.

00:39:01,390 --> 00:39:11,150

Beth: One could say in this episode that

cool girls do in fact look at explosions.

00:39:12,809 --> 00:39:14,629

Laura: And analyze them in detail.

00:39:15,800 --> 00:39:16,410

Beth: Yes.

00:39:17,100 --> 00:39:18,260

Over and over again.

00:39:18,310 --> 00:39:22,760

We cut to Dom and Stringfellow

yelling at the same detective as

00:39:22,760 --> 00:39:26,620

they were yelling at before, saying

that he should arrest Aarons for the

00:39:26,620 --> 00:39:29,060

helicopter tampering, part one and two.

00:39:29,060 --> 00:39:34,140

So, detectives says they have no

proof that he did this, and so he

00:39:34,140 --> 00:39:39,070

can't, you know, and the detective's

whole thing is, he's, this dude's

00:39:39,080 --> 00:39:40,760

doing like nefarious gangster

00:39:40,760 --> 00:39:41,650

things, right?

00:39:42,080 --> 00:39:47,360

And so, he needs an airtight case

on something this guy has done.

00:39:47,430 --> 00:39:51,865

And it has to be airtight because

he's slithery and he's got a

00:39:51,865 --> 00:39:54,655

ton of people who will get him

out of the bind if he needs it.

00:39:55,355 --> 00:39:58,835

So he can't just go on, oh I

suspect this dude blew up a couple

00:39:58,835 --> 00:40:02,755

helicopters, it's got to be like

there was murderous intent here.

00:40:03,104 --> 00:40:04,004

Laura: I'm just saying.

00:40:04,944 --> 00:40:05,724

Taxes.

00:40:05,724 --> 00:40:07,444

Somebody Look at the taxes!

00:40:08,550 --> 00:40:10,150

Beth: Look at this man's text.

00:40:10,460 --> 00:40:12,260

Follow the numbers.

00:40:12,920 --> 00:40:16,730

Glo: Follow Laura's new

podcast, Look at the Taxes.

00:40:17,110 --> 00:40:17,490

Beth: Yes.

00:40:17,960 --> 00:40:19,240

Forensic accounting with

00:40:19,260 --> 00:40:20,030

Laura.

00:40:20,184 --> 00:40:22,704

Laura: there's probably, that podcast

is probably already out there.

00:40:22,714 --> 00:40:23,834

Go, just go find that one.

00:40:24,097 --> 00:40:25,490

Glo: Mm hmm.

00:40:25,610 --> 00:40:26,680

Beth: I kind of want to find it.

00:40:26,690 --> 00:40:27,790

This is really interesting.

00:40:27,790 --> 00:40:30,100

Laura: So they get a call from Mr.

00:40:30,140 --> 00:40:36,040

Aarons and just decide to accept

it and he wants to meet them, which

00:40:36,040 --> 00:40:38,110

they also accept for some reason.

00:40:38,110 --> 00:40:40,960

Beth: Yeah, everyone's real chill about

this whole, , Oh, you've been trying to

00:40:40,960 --> 00:40:41,530

kill us?

00:40:42,130 --> 00:40:45,990

Yes, so come meet me at

this undisclosed, isolated

00:40:46,000 --> 00:40:46,650

location.

00:40:46,650 --> 00:40:47,200

And They're like,

00:40:47,205 --> 00:40:47,955

Glo: police!

00:40:48,660 --> 00:40:51,210

Beth: They're like, Okay, what

kind of coffee you want, girl?

00:40:51,480 --> 00:40:54,540

Like, we're gonna stop for fraps, so

00:40:57,754 --> 00:40:58,154

Laura: Yeah?

00:40:58,204 --> 00:41:03,064

we're just going to take our super

secret military grade helicopter to this

00:41:03,074 --> 00:41:06,204

meeting with a drug kingpin bad guy.

00:41:06,224 --> 00:41:07,024

What could go wrong?

00:41:07,894 --> 00:41:09,584

In a

00:41:09,730 --> 00:41:13,800

Beth: installed, , a gel light, so if

you want mani pedi time, while we discuss

00:41:13,800 --> 00:41:17,555

how you keep trying to kill us and

we'd really appreciate it if you didn't

00:41:17,555 --> 00:41:18,005

anymore.

00:41:18,255 --> 00:41:19,395

That's totally doable!

00:41:19,395 --> 00:41:24,405

They go to meet and Holly's like, where

everybody go, and then the assistant

00:41:24,405 --> 00:41:28,895

guy tells her and Caitlyn that they

went to meet with Aaron's and she

00:41:28,955 --> 00:41:32,575

kind of overreacts in a weird shady

00:41:32,575 --> 00:41:33,075

way.

00:41:33,304 --> 00:41:33,954

Laura: weird way.

00:41:33,954 --> 00:41:36,164

Beth: And Caitlyn's like, no,

it'll be fine, don't worry.

00:41:36,474 --> 00:41:40,394

And she turns around and she's

Stringfellow and I got busy last

00:41:40,394 --> 00:41:42,574

night, and now he wants to marry

00:41:42,574 --> 00:41:43,114

me.

00:41:43,379 --> 00:41:44,699

Glo: Yeah.

00:41:45,694 --> 00:41:48,364

Beth: And

00:41:49,928 --> 00:41:54,198

Laura: Yeah, Katelyn is just like,

I don't think that's my business.

00:41:54,238 --> 00:41:56,018

Why are you telling me your business?

00:41:56,018 --> 00:42:03,178

Yeah,

00:42:03,374 --> 00:42:05,234

Beth: known each other for a day.

00:42:05,274 --> 00:42:07,304

This is so weird.

00:42:07,509 --> 00:42:09,019

Glo: like me and Stringfellowhawk.

00:42:09,914 --> 00:42:10,504

Beth: Yeah.

00:42:12,984 --> 00:42:14,114

And just like you and Strickfellowhawk.

00:42:14,994 --> 00:42:16,304

So like, why is he trying to

00:42:16,304 --> 00:42:16,804

marry you?

00:42:16,979 --> 00:42:17,549

Glo: Yep.

00:42:18,798 --> 00:42:22,978

Laura: It's a wonder that Katelyn chooses

to stay and work with these people.

00:42:23,038 --> 00:42:23,428

What?

00:42:24,424 --> 00:42:26,624

Beth: Yeah, this is wild.

00:42:26,624 --> 00:42:29,544

This is a wild first week of work.

00:42:29,594 --> 00:42:30,664

Glo: For part time.

00:42:30,664 --> 00:42:32,094

She doesn't even get a full time

00:42:32,268 --> 00:42:32,828

Laura: Uh huh.

00:42:33,028 --> 00:42:33,408

Uh huh.

00:42:34,128 --> 00:42:37,808

Oh, and, Holly's like, oh, we

didn't, you and I didn't like each

00:42:37,808 --> 00:42:39,228

other at first, and it's like,

00:42:39,258 --> 00:42:41,918

I'm pretty sure that was

just one sided, girlfriend.

00:42:41,988 --> 00:42:43,598

I'm pretty sure that was just you.

00:42:44,574 --> 00:42:45,104

Glo: Yep.

00:42:45,489 --> 00:42:47,139

Beth: was neutral

00:42:47,378 --> 00:42:47,848

Laura: Uh huh.

00:42:48,348 --> 00:42:48,679

Yeah.

00:42:48,679 --> 00:42:50,999

Glo: Wasn't even thinking

about Holly, let's just be

00:42:51,342 --> 00:42:51,762

Laura: yeah,

00:42:51,833 --> 00:42:53,683

Beth: yeah, she was not a blip on the

00:42:53,683 --> 00:42:54,303

radar.

00:42:54,359 --> 00:42:57,259

She was transporting a body back to his

00:42:57,269 --> 00:42:57,889

friend,

00:42:59,749 --> 00:43:01,059

Glo: Very romantic.

00:43:01,188 --> 00:43:01,738

Laura: Yeah.

00:43:01,829 --> 00:43:02,289

Glo: friend.

00:43:02,868 --> 00:43:03,128

Laura: Yeah,

00:43:03,128 --> 00:43:06,518

Glo: but I also love that Caitlin,

when she shows up for Stringfellow,

00:43:06,528 --> 00:43:09,898

he's underneath the helicopter, right?

00:43:10,218 --> 00:43:14,548

And she makes fun of him, and she's

definitely not dressed up or anything.

00:43:14,548 --> 00:43:18,258

She has a Dallas Cowboys

hat on, and she's just her.

00:43:19,387 --> 00:43:21,577

Beth: And he doesn't even

recognize her at first.

00:43:21,587 --> 00:43:24,047

That's how little interaction they had.

00:43:24,047 --> 00:43:26,157

Ha Ha ha ha ha

00:43:26,258 --> 00:43:30,028

Glo: that, or maybe that's how many

hot girls he saves every couple of

00:43:30,028 --> 00:43:30,568

weeks.

00:43:30,621 --> 00:43:34,091

Laura: It's going through the mental

Rolodex of Oh crap, which one are you?

00:43:34,091 --> 00:43:44,581

So

00:43:44,778 --> 00:43:49,788

Glo: he, like, just turn around

and be like, eh, not this week.

00:43:49,788 --> 00:43:54,738

Oh,

00:43:54,757 --> 00:43:57,167

Beth: one of her eyes is

slightly off kilter.

00:44:00,017 --> 00:44:04,027

Caitlyn's, again, super classy about

it, and then she's like, I gotta go

00:44:04,027 --> 00:44:08,607

home, but first, I wanna say goodbye to

Stringfellow at his cabin, and Caitlyn,

00:44:08,617 --> 00:44:15,007

being a girl's girl, is like, sure babe,

hop in, I'll get you there, and then,

00:44:15,041 --> 00:44:16,071

Laura: also makes sense,

00:44:16,121 --> 00:44:17,501

to take her back to the cabin,

00:44:17,521 --> 00:44:17,941

right?

00:44:17,971 --> 00:44:24,106

That's where There's relative safety, so

I could see just being like, Okay, well,

00:44:24,276 --> 00:44:25,596

while they're figuring shit out,

00:44:25,606 --> 00:44:27,376

let's just go hide for a minute.

00:44:27,376 --> 00:44:30,536

Beth: And probably, were I

Caitlyn, and I'd heard all these

00:44:30,546 --> 00:44:31,686

tales about this really cool

00:44:31,686 --> 00:44:32,166

cabin,

00:44:32,305 --> 00:44:32,645

Laura: Mm hmm.

00:44:32,846 --> 00:44:34,426

Beth: and this coo and this dog.

00:44:35,097 --> 00:44:36,267

Glo: yeah, Caitlin hasn't been to the

00:44:36,267 --> 00:44:37,017

cabin.

00:44:37,235 --> 00:44:37,675

Laura: yet.

00:44:38,106 --> 00:44:41,466

Beth: I kinda, wanna go out

of curiosity to meet that

00:44:41,466 --> 00:44:42,086

dog.

00:44:42,146 --> 00:44:44,236

There's a lot of foliage and a dog to

00:44:44,236 --> 00:44:44,626

pet.

00:44:44,826 --> 00:44:45,866

Like, yeah.

00:44:46,025 --> 00:44:47,205

Laura: Mm hmm, mm hmm.

00:44:47,256 --> 00:44:47,756

Beth: But anyway.

00:44:47,756 --> 00:44:49,666

So they hop in, and take off.

00:44:49,666 --> 00:44:50,546

While they're doing that,

00:44:50,596 --> 00:44:52,416

We find out the story.

00:44:52,916 --> 00:44:57,866

, cause at this point, Stringfellow and Dom

have flown Airwolf out to meet Aaron's.

00:44:57,866 --> 00:45:00,476

And, to figure out what he wants.

00:45:00,506 --> 00:45:02,496

And he's like, listen,

this is what I want.

00:45:02,506 --> 00:45:07,596

I want my accounts book, and I

want to never see Holly ever again.

00:45:08,066 --> 00:45:09,226

Like, ever again.

00:45:09,236 --> 00:45:09,866

She cray.

00:45:09,866 --> 00:45:10,411

Okay.

00:45:10,442 --> 00:45:11,052

Glo: hmm.

00:45:11,801 --> 00:45:15,321

Beth: And they're like,

record scratch, hold on, what?

00:45:16,011 --> 00:45:16,221

Yeah.

00:45:16,392 --> 00:45:18,612

Glo: You're not obsessed with

her and trying to get her

00:45:18,612 --> 00:45:18,852

back?

00:45:19,531 --> 00:45:21,231

Beth: Yeah, and he's like, no!

00:45:21,261 --> 00:45:23,651

She cut the brake line on my car!

00:45:23,811 --> 00:45:25,161

You keep her!

00:45:25,211 --> 00:45:28,621

Laura: I wish they had shown this

accounts book that apparently she

00:45:28,621 --> 00:45:33,551

stole, I guess the idea is that,

because she makes Stringfellow wait

00:45:33,571 --> 00:45:39,771

while she grabs her coat when they're

leaving the Mexican mansion, and I guess

00:45:39,771 --> 00:45:40,771

it was in the coat.

00:45:41,091 --> 00:45:41,711

I don't know.

00:45:41,818 --> 00:45:43,998

Beth: I would think,

because she probably at

00:45:43,998 --> 00:45:46,478

that point, knew that she

was going to be rescued or

00:45:46,478 --> 00:45:47,028

whatever.

00:45:47,618 --> 00:45:50,728

I went through this, because, , at

first I was picturing, a ledger.

00:45:51,162 --> 00:45:51,502

Laura: Mm

00:45:51,948 --> 00:45:54,438

Beth: But those are, big guys, you know?

00:45:54,788 --> 00:45:57,568

And then I was thinking, maybe he

means, different, like, , a little

00:45:57,568 --> 00:45:59,828

black book, of other nefarious

00:45:59,858 --> 00:46:00,548

business

00:46:00,558 --> 00:46:01,398

dudes

00:46:01,462 --> 00:46:01,942

Laura: It's all his

00:46:01,942 --> 00:46:02,812

passwords.

00:46:04,428 --> 00:46:08,488

Glo: did say his coded account

book, so I wonder if it was like the

00:46:08,488 --> 00:46:10,728

code breaking for his account book?

00:46:10,768 --> 00:46:11,038

I don't

00:46:11,038 --> 00:46:11,338

know.

00:46:11,572 --> 00:46:12,522

Laura: Yeah, okay.

00:46:12,812 --> 00:46:13,752

Yeah, maybe it's that.

00:46:15,048 --> 00:46:18,258

Beth: Maybe he has to have a password

if he wants to buy a lot of cocaine.

00:46:18,748 --> 00:46:21,288

I

00:46:21,558 --> 00:46:22,668

Glo: like an okay dude.

00:46:22,668 --> 00:46:23,028

Laura: Yeah.

00:46:23,864 --> 00:46:25,474

Beth: I feel like he's still a bad

00:46:25,474 --> 00:46:25,864

guy.

00:46:25,874 --> 00:46:27,634

He's just not trying to kill

00:46:27,634 --> 00:46:28,114

them.

00:46:28,134 --> 00:46:33,354

So he's less bad than we originally,

and he's not, hitting women.

00:46:33,454 --> 00:46:35,584

He's not going around

kidnapping and hitting women.

00:46:35,584 --> 00:46:36,734

So he's not as bad as he could

00:46:36,744 --> 00:46:38,044

be, maybe,

00:46:38,408 --> 00:46:38,848

Laura: Yeah.

00:46:38,948 --> 00:46:40,268

He tells us that

00:46:40,738 --> 00:46:42,278

Holly has always brought all the

00:46:42,278 --> 00:46:49,958

trouble upon herself, faked every threat

against her life, and uh oh, that doesn't

00:46:49,978 --> 00:46:51,938

seem good for what's happening right now.

00:46:52,498 --> 00:46:52,978

Uh,

00:46:53,224 --> 00:46:58,919

Beth: And that she tried to knife a

girl that he happened to, like, murder.

00:46:59,919 --> 00:47:04,469

Probably just make eye contact

with for five seconds or something.

00:47:05,308 --> 00:47:06,898

Laura: like a waitress or something.

00:47:07,574 --> 00:47:08,614

Glo: Yeah, a waitress.

00:47:08,634 --> 00:47:09,064

Yep.

00:47:09,694 --> 00:47:14,124

And sent herself fake

messages through mail.

00:47:14,719 --> 00:47:16,769

Beth: And a dead cat through the

00:47:16,994 --> 00:47:17,544

Glo: cat.

00:47:17,544 --> 00:47:17,624

Yeah.

00:47:17,624 --> 00:47:18,224

Yeah.

00:47:18,244 --> 00:47:22,434

So we now know, if we piece this together.

00:47:23,009 --> 00:47:26,119

that she probably sent

herself that tarantula.

00:47:26,119 --> 00:47:26,749

Still

00:47:26,749 --> 00:47:27,379

not

00:47:27,379 --> 00:47:28,009

passing

00:47:28,023 --> 00:47:28,353

Laura: Very

00:47:28,353 --> 00:47:29,093

possible.

00:47:29,229 --> 00:47:31,759

Beth: rude because it

didn't have to die like

00:47:31,883 --> 00:47:32,083

Laura: Nope.

00:47:32,133 --> 00:47:35,843

Dom gets one punch in on

Aaron's, on his way out.

00:47:35,843 --> 00:47:37,013

Beth: But , eh, fair.

00:47:37,223 --> 00:47:37,643

I mean,

00:47:38,383 --> 00:47:40,193

not fair, but you're a boomer in the

00:47:40,213 --> 00:47:41,003

80s.

00:47:41,003 --> 00:47:42,943

Talking to another boomer in the 80s.

00:47:42,943 --> 00:47:45,353

You probably, that's how,

like, they express feelings.

00:47:45,383 --> 00:47:45,713

I don't

00:47:45,857 --> 00:47:46,217

Laura: Sure.

00:47:46,357 --> 00:47:46,647

Yeah.

00:47:46,957 --> 00:47:47,187

Yeah.

00:47:47,237 --> 00:47:49,937

Beth: So then we cut to Caitlin

flying Holly to the cabin.

00:47:49,937 --> 00:47:52,977

And then Holly says some truly crazy shit.

00:47:53,027 --> 00:47:55,007

Glo: Bechdel test.

00:47:55,537 --> 00:47:55,797

Beth: No.

00:47:55,971 --> 00:47:58,131

Laura: about how men always leave her

00:47:58,171 --> 00:48:01,761

and worrying about Stringfellow too, so.

00:48:02,032 --> 00:48:07,162

Beth: Yeah, and how men always leave her

because of GIRLS LIKE you to Caitlyn.

00:48:07,361 --> 00:48:07,681

Laura: huh.

00:48:07,691 --> 00:48:10,971

Glo: I have a direct quote,

I've had a lot of men close to

00:48:10,971 --> 00:48:13,011

me, but they never stay close.

00:48:13,011 --> 00:48:13,291

Laura: Yeah.

00:48:14,131 --> 00:48:15,971

Caitlin has bigger fish to fry.

00:48:16,191 --> 00:48:19,231

She's talking to the military

about where their restricted

00:48:19,231 --> 00:48:21,251

airspace is and getting out of it.

00:48:21,251 --> 00:48:25,611

Beth: Yes, and , the guy she's

talking to, very condescendingly

00:48:25,611 --> 00:48:27,741

tells her that it's a no no zone.

00:48:28,480 --> 00:48:28,870

Laura: Yeah.

00:48:29,150 --> 00:48:29,440

Yeah.

00:48:30,061 --> 00:48:34,031

Beth: and then she has some,

very reasonable response to that.

00:48:34,541 --> 00:48:37,291

Like, oh, sorry, we'll,

head out or whatever.