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EP 5 Mix Maestro Secrets: How to Train Your Ear Like a Pro!
Episode 197th June 2026 • The Best 5 Minute Music Podcast • Kamba
00:00:00 00:07:34

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Yo, let’s dive into the beats of today’s chat where we’re kickin’ it with the mix maestro himself! We’re spillin’ the tea on why having a good ear for sound trumps all the fancy gear you can stack in your studio. Seriously, if your mix ain’t hittin’, it’s not just about twistin’ knobs; it’s all about what you’re listening for and how you interact with the music. Precious breaks it all down,.

Takeaways:

  • Mixing isn't just about gear; it starts with having a good ear for sound.
  • The right equipment won't save a poor mix if the source isn't solid, my friend.
  • Listening to a range of music and asking questions can seriously train your ear.
  • Worship events should focus on pure worship without distractions or protocols, dude!
  • Creating a great sound is about understanding the source, not just manipulating the knobs.
  • Reverence Place aims to bring the vibe of worship to Calabar without any fluff!

Transcripts

Speaker A:

The Best five minute Music Podcast featuring Camp five Big vibes only.

Speaker A:

What's up?

Speaker A:

Welcome to the moment.

Speaker B:

Welcome back to the best five minute music podcast.

Speaker B:

I'm Kamba.

Speaker B:

We still have precious here and right now we're having a master class from the mix maestro himself.

Speaker B:

Let's go.

Speaker C:

If you don't have a good ear, you cannot use a good gear.

Speaker C:

The gear is simply doing what the ear wants you get.

Speaker C:

Because mixing first of all doesn't even start from you turning knobs, it's paying attention to the source.

Speaker C:

If your drum doesn't sound great, is the drum head good?

Speaker C:

Is the shell good?

Speaker C:

Is the drummer using the right stick?

Speaker C:

Is the drummer good?

Speaker C:

Is the drummer strength?

Speaker C:

So there are a lot of factors.

Speaker C:

So.

Speaker C:

But when you just move from, you have never heard the drum like what I see some engineers do, they have.

Speaker D:

Never heard the drum.

Speaker C:

They are loading plugins, they are eqing already.

Speaker D:

That's not right.

Speaker C:

Sometimes you might not even need to EQ some things.

Speaker C:

I've done some shows where my inputs,.

Speaker D:

Most of them are like they are flat.

Speaker D:

Flat, you understand?

Speaker C:

So the gear basically does what the ear.

Speaker C:

Now the ear helps you do a lot of things more than people that actually even have the gear and know.

Speaker D:

How to use the gear.

Speaker D:

Why for example now for some things.

Speaker C:

Not to even sound harsh, it might just be from how you set your compressor.

Speaker C:

Just your simple attack and release can.

Speaker D:

Change a lot in the tone of the sound.

Speaker C:

So but you need to first of all know what to listen for, which is important.

Speaker C:

Why you have to listen to even.

Speaker D:

Other songs, other engineers, you have to ask questions.

Speaker C:

There's nothing you cannot learn like to train the ear.

Speaker C:

Because the ear just needs to know what it's listening for.

Speaker C:

So for example, I'm going to even mix a show.

Speaker C:

I first of all have to listen to music that is in line with.

Speaker D:

That genre that probably I didn't even mix.

Speaker D:

Why?

Speaker C:

Just to give me a visual representation.

Speaker D:

In my head imagination of what I want the tone to sound like.

Speaker C:

So walking into that venue, seeing that.

Speaker D:

Decks and everything, I know what I'm looking for.

Speaker D:

And if I don't get it, I.

Speaker C:

Go to the source.

Speaker C:

If the source is not giving, then there's something wrong in between.

Speaker D:

The microphone might not be right or something.

Speaker D:

And I'm easy to find because I.

Speaker C:

Know what I want to listen for.

Speaker C:

You get.

Speaker C:

So the ear very important to me.

Speaker C:

Top on the list before gear.

Speaker C:

But unfortunately, even with the best years, the worst gears will not still, will not still perform.

Speaker B:

There's actually no balance.

Speaker C:

There's no balance.

Speaker C:

Yes.

Speaker C:

Because you can have the best year, have all the skill if you're using crappy equipment.

Speaker C:

Crappy equipment to give you crappy.

Speaker C:

Not for.

Speaker C:

For this whole tricks that people use.

Speaker D:

To come and say I can make $10,000 a comment sound like $1,000,000.

Speaker C:

My brother, you lie.

Speaker C:

Gear is good.

Speaker C:

Yeah.

Speaker C:

Is also very good.

Speaker B:

That's true.

Speaker B:

Let's talk about trp.

Speaker C:

Okay, so TRP basically is the Reverence Place.

Speaker D:

The Reverence Place was bettered from the.

Speaker C:

Fact that most churches do not pay attention to worship.

Speaker D:

Everybody goes for praise.

Speaker D:

Praise, Praise God.

Speaker D:

Praise God.

Speaker D:

Praise God.

Speaker D:

And I'm from a school of thought that worship is very important and even the Bible talks about that a lot of times.

Speaker D:

Yes, I might be doing stuff for the secular world, but I'm a proper church boy.

Speaker D:

You get.

Speaker D:

I'm a brook church member and my church is the Bible believing church.

Speaker D:

So worship is something that was very important to me.

Speaker D:

And even when my then partner and I came together to form the Reverence Place.

Speaker D:

Her name is Fumi Taiwo.

Speaker D:

She was my partner then when we came together to form the Reverence Place,.

Speaker C:

It was because we just wanted pure worship.

Speaker D:

No man being glorified.

Speaker D:

We just bringing professional things into the church.

Speaker D:

Because the truth is that we as church people set the standards for the world to follow.

Speaker D:

But the problem now is that the world is not setting standard for the church to follow.

Speaker D:

So Reverend Place was supposed to be there to fix that.

Speaker D:

Basically making people worship without we following any protocol.

Speaker D:

So that's why in Reverence Place we do not acknowledge dignitaries, we do not stop for anybody.

Speaker D:

We basically once we start by doing the call to worship.

Speaker D:

Once we start worshiping, it is all the way to the end.

Speaker D:

Because why we just want to let God do his thing.

Speaker B:

I know it's currently held in Calabar.

Speaker B:

Are there plans on taking it to Lagos, Abuja and wherever?

Speaker B:

Because I'm sure we have people who are anticipating this event.

Speaker C:

There were plans for us to tour.

Speaker D:

But the thing is that Reverence Place.

Speaker C:

Was supposed to fix not just a church worship problem.

Speaker D:

Ryan's Place was supposed to be an avenue for tourism, Gospel tourism for Calabar.

Speaker D:

So basically bring the woo is woo into Calabar.

Speaker D:

So that was the idea of it.

Speaker D:

So I don't need to come to Lagos to have a.

Speaker C:

A proper worship event.

Speaker C:

So whoever you want to see in.

Speaker D:

Calabar, we will bring to Calabar.

Speaker D:

That was one of the.

Speaker C:

This is.

Speaker C:

So we normally listen to the spirit.

Speaker D:

And it Was like, it's not time yet.

Speaker D:

That was not the vision.

Speaker D:

And we're trying to stick with the vision.

Speaker C:

We started from a small hall, we.

Speaker D:

Move into bigger halls right now.

Speaker D:

The vision is to do stadiums.

Speaker D:

You get.

Speaker D:

And the stadium is not just.

Speaker D:

The plan is not for out of calabar.

Speaker D:

The plan right now is calabar.

Speaker D:

So basically everybody that wants to come here should come and experience it.

Speaker D:

Now the only way we get out of calabar is with the content that's being recorded.

Speaker D:

That's why we record content.

Speaker D:

We don't record content because we are trying to earn from it.

Speaker D:

We can content because we want other people to experience what is happening.

Speaker D:

What better way to explain to them by just showing them videos of this is what we did.

Speaker D:

And from the videos, most times you see the energy and what have you.

Speaker D:

Someone stopped me the other day.

Speaker D:

I was like, bro, this energy.

Speaker D:

I'm like, no, no, no.

Speaker D:

Whatever you watch, there is just 50% of whatever happens in the hall.

Speaker D:

I can't even explain what happens in the hall.

Speaker D:

I can say we plan, we design, we do this.

Speaker D:

But I'll tell you for free, that day, once it comes to that day, I can tell you that it's God that's just doing his thing.

Speaker B:

So, yeah, finally, every guest I've had has had to answer this question.

Speaker B:

How do you handle rejection?

Speaker B:

How do you handle no for an answer?

Speaker D:

Okay.

Speaker D:

For me, there's something I always say which a few persons used to see.

Speaker D:

Like, I'm proud.

Speaker D:

One is, I don't take no for an answer.

Speaker D:

So for every time I'm rejected or for every time I don't get something, I feel there's something I'm not doing right and I look back and I go back and fix it.

Speaker D:

And then my mantra has always been good, better, best.

Speaker D:

I will never rest until my good is better, my better best.

Speaker B:

This has been an incredible, very interesting con.

Speaker B:

Thank you again, Precious.

Speaker B:

And how do people reach you?

Speaker C:

To reach me is very easy.

Speaker D:

And Precious Tao everywhere, apart from Twitter, because I don't know how that thing works.

Speaker D:

Sorry.

Speaker D:

Or X. I've tried.

Speaker D:

I don't know how that thing works.

Speaker D:

But from Instagram, Snap, Facebook, Precious Towel.

Speaker D:

I reply to my DMs for reverence place is at the Reverence place everywhere too.

Speaker D:

Please subscribe to our channel.

Speaker D:

We're a growing community.

Speaker D:

Presently we have 10,000 subscribers and more.

Speaker D:

Our goal is to hit millions.

Speaker D:

Yes.

Speaker D:

So we're working towards getting the plaque.

Speaker D:

So we're looking at 100k.

Speaker D:

So please, you guys should subscribe to make that possible.

Speaker D:

So, yeah, that is it.

Speaker D:

Thank you.

Speaker B:

And it's a wrap.

Speaker B:

Thank you so much, Precious, for being on the show.

Speaker B:

I wish you the very best.

Speaker B:

Have a wonderful tour and hopefully we get you on the show sometime in the nearest future.

Speaker B:

Don't forget to, like, share.

Speaker B:

Subscribe.

Speaker B:

We are at the best music pod and at Kamba, the creator.

Speaker B:

Kamba is spelled K A M B, A decorator.

Speaker B:

And as Precious said, good, better, best.

Speaker B:

Until your good is better and your better, best.

Speaker B:

Please, please don't rest.

Speaker B:

Don't rest.

Speaker A:

One, two, three.

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