Yo, let’s dive into the beats of today’s chat where we’re kickin’ it with the mix maestro himself! We’re spillin’ the tea on why having a good ear for sound trumps all the fancy gear you can stack in your studio. Seriously, if your mix ain’t hittin’, it’s not just about twistin’ knobs; it’s all about what you’re listening for and how you interact with the music. Precious breaks it all down,.
Takeaways:
The Best five minute Music Podcast featuring Camp five Big vibes only.
Speaker A:What's up?
Speaker A:Welcome to the moment.
Speaker B:Welcome back to the best five minute music podcast.
Speaker B:I'm Kamba.
Speaker B:We still have precious here and right now we're having a master class from the mix maestro himself.
Speaker B:Let's go.
Speaker C:If you don't have a good ear, you cannot use a good gear.
Speaker C:The gear is simply doing what the ear wants you get.
Speaker C:Because mixing first of all doesn't even start from you turning knobs, it's paying attention to the source.
Speaker C:If your drum doesn't sound great, is the drum head good?
Speaker C:Is the shell good?
Speaker C:Is the drummer using the right stick?
Speaker C:Is the drummer good?
Speaker C:Is the drummer strength?
Speaker C:So there are a lot of factors.
Speaker C:So.
Speaker C:But when you just move from, you have never heard the drum like what I see some engineers do, they have.
Speaker D:Never heard the drum.
Speaker C:They are loading plugins, they are eqing already.
Speaker D:That's not right.
Speaker C:Sometimes you might not even need to EQ some things.
Speaker C:I've done some shows where my inputs,.
Speaker D:Most of them are like they are flat.
Speaker D:Flat, you understand?
Speaker C:So the gear basically does what the ear.
Speaker C:Now the ear helps you do a lot of things more than people that actually even have the gear and know.
Speaker D:How to use the gear.
Speaker D:Why for example now for some things.
Speaker C:Not to even sound harsh, it might just be from how you set your compressor.
Speaker C:Just your simple attack and release can.
Speaker D:Change a lot in the tone of the sound.
Speaker C:So but you need to first of all know what to listen for, which is important.
Speaker C:Why you have to listen to even.
Speaker D:Other songs, other engineers, you have to ask questions.
Speaker C:There's nothing you cannot learn like to train the ear.
Speaker C:Because the ear just needs to know what it's listening for.
Speaker C:So for example, I'm going to even mix a show.
Speaker C:I first of all have to listen to music that is in line with.
Speaker D:That genre that probably I didn't even mix.
Speaker D:Why?
Speaker C:Just to give me a visual representation.
Speaker D:In my head imagination of what I want the tone to sound like.
Speaker C:So walking into that venue, seeing that.
Speaker D:Decks and everything, I know what I'm looking for.
Speaker D:And if I don't get it, I.
Speaker C:Go to the source.
Speaker C:If the source is not giving, then there's something wrong in between.
Speaker D:The microphone might not be right or something.
Speaker D:And I'm easy to find because I.
Speaker C:Know what I want to listen for.
Speaker C:You get.
Speaker C:So the ear very important to me.
Speaker C:Top on the list before gear.
Speaker C:But unfortunately, even with the best years, the worst gears will not still, will not still perform.
Speaker B:There's actually no balance.
Speaker C:There's no balance.
Speaker C:Yes.
Speaker C:Because you can have the best year, have all the skill if you're using crappy equipment.
Speaker C:Crappy equipment to give you crappy.
Speaker C:Not for.
Speaker C:For this whole tricks that people use.
Speaker D:To come and say I can make $10,000 a comment sound like $1,000,000.
Speaker C:My brother, you lie.
Speaker C:Gear is good.
Speaker C:Yeah.
Speaker C:Is also very good.
Speaker B:That's true.
Speaker B:Let's talk about trp.
Speaker C:Okay, so TRP basically is the Reverence Place.
Speaker D:The Reverence Place was bettered from the.
Speaker C:Fact that most churches do not pay attention to worship.
Speaker D:Everybody goes for praise.
Speaker D:Praise, Praise God.
Speaker D:Praise God.
Speaker D:Praise God.
Speaker D:And I'm from a school of thought that worship is very important and even the Bible talks about that a lot of times.
Speaker D:Yes, I might be doing stuff for the secular world, but I'm a proper church boy.
Speaker D:You get.
Speaker D:I'm a brook church member and my church is the Bible believing church.
Speaker D:So worship is something that was very important to me.
Speaker D:And even when my then partner and I came together to form the Reverence Place.
Speaker D:Her name is Fumi Taiwo.
Speaker D:She was my partner then when we came together to form the Reverence Place,.
Speaker C:It was because we just wanted pure worship.
Speaker D:No man being glorified.
Speaker D:We just bringing professional things into the church.
Speaker D:Because the truth is that we as church people set the standards for the world to follow.
Speaker D:But the problem now is that the world is not setting standard for the church to follow.
Speaker D:So Reverend Place was supposed to be there to fix that.
Speaker D:Basically making people worship without we following any protocol.
Speaker D:So that's why in Reverence Place we do not acknowledge dignitaries, we do not stop for anybody.
Speaker D:We basically once we start by doing the call to worship.
Speaker D:Once we start worshiping, it is all the way to the end.
Speaker D:Because why we just want to let God do his thing.
Speaker B:I know it's currently held in Calabar.
Speaker B:Are there plans on taking it to Lagos, Abuja and wherever?
Speaker B:Because I'm sure we have people who are anticipating this event.
Speaker C:There were plans for us to tour.
Speaker D:But the thing is that Reverence Place.
Speaker C:Was supposed to fix not just a church worship problem.
Speaker D:Ryan's Place was supposed to be an avenue for tourism, Gospel tourism for Calabar.
Speaker D:So basically bring the woo is woo into Calabar.
Speaker D:So that was the idea of it.
Speaker D:So I don't need to come to Lagos to have a.
Speaker C:A proper worship event.
Speaker C:So whoever you want to see in.
Speaker D:Calabar, we will bring to Calabar.
Speaker D:That was one of the.
Speaker C:This is.
Speaker C:So we normally listen to the spirit.
Speaker D:And it Was like, it's not time yet.
Speaker D:That was not the vision.
Speaker D:And we're trying to stick with the vision.
Speaker C:We started from a small hall, we.
Speaker D:Move into bigger halls right now.
Speaker D:The vision is to do stadiums.
Speaker D:You get.
Speaker D:And the stadium is not just.
Speaker D:The plan is not for out of calabar.
Speaker D:The plan right now is calabar.
Speaker D:So basically everybody that wants to come here should come and experience it.
Speaker D:Now the only way we get out of calabar is with the content that's being recorded.
Speaker D:That's why we record content.
Speaker D:We don't record content because we are trying to earn from it.
Speaker D:We can content because we want other people to experience what is happening.
Speaker D:What better way to explain to them by just showing them videos of this is what we did.
Speaker D:And from the videos, most times you see the energy and what have you.
Speaker D:Someone stopped me the other day.
Speaker D:I was like, bro, this energy.
Speaker D:I'm like, no, no, no.
Speaker D:Whatever you watch, there is just 50% of whatever happens in the hall.
Speaker D:I can't even explain what happens in the hall.
Speaker D:I can say we plan, we design, we do this.
Speaker D:But I'll tell you for free, that day, once it comes to that day, I can tell you that it's God that's just doing his thing.
Speaker B:So, yeah, finally, every guest I've had has had to answer this question.
Speaker B:How do you handle rejection?
Speaker B:How do you handle no for an answer?
Speaker D:Okay.
Speaker D:For me, there's something I always say which a few persons used to see.
Speaker D:Like, I'm proud.
Speaker D:One is, I don't take no for an answer.
Speaker D:So for every time I'm rejected or for every time I don't get something, I feel there's something I'm not doing right and I look back and I go back and fix it.
Speaker D:And then my mantra has always been good, better, best.
Speaker D:I will never rest until my good is better, my better best.
Speaker B:This has been an incredible, very interesting con.
Speaker B:Thank you again, Precious.
Speaker B:And how do people reach you?
Speaker C:To reach me is very easy.
Speaker D:And Precious Tao everywhere, apart from Twitter, because I don't know how that thing works.
Speaker D:Sorry.
Speaker D:Or X. I've tried.
Speaker D:I don't know how that thing works.
Speaker D:But from Instagram, Snap, Facebook, Precious Towel.
Speaker D:I reply to my DMs for reverence place is at the Reverence place everywhere too.
Speaker D:Please subscribe to our channel.
Speaker D:We're a growing community.
Speaker D:Presently we have 10,000 subscribers and more.
Speaker D:Our goal is to hit millions.
Speaker D:Yes.
Speaker D:So we're working towards getting the plaque.
Speaker D:So we're looking at 100k.
Speaker D:So please, you guys should subscribe to make that possible.
Speaker D:So, yeah, that is it.
Speaker D:Thank you.
Speaker B:And it's a wrap.
Speaker B:Thank you so much, Precious, for being on the show.
Speaker B:I wish you the very best.
Speaker B:Have a wonderful tour and hopefully we get you on the show sometime in the nearest future.
Speaker B:Don't forget to, like, share.
Speaker B:Subscribe.
Speaker B:We are at the best music pod and at Kamba, the creator.
Speaker B:Kamba is spelled K A M B, A decorator.
Speaker B:And as Precious said, good, better, best.
Speaker B:Until your good is better and your better, best.
Speaker B:Please, please don't rest.
Speaker B:Don't rest.
Speaker A:One, two, three.