Artwork for podcast The Dead Life with Allison DuBois
The Dark Astrology of the Menendez Brothers Revealed
Episode 21112th November 2024 • The Dead Life with Allison DuBois • Allison DuBois
00:00:00 00:44:41

Share Episode

Shownotes

The podcast delves into the complex and controversial case of the Menendez brothers, Lyle and Erik, focusing on their birth charts as interpreted by master astrologer Tom McMullen. With the resurfacing of their story on Netflix, the discussion explores the karmic implications of their actions, including the brutal murder of their parents. McMullen provides insights into Lyle's strong Capricorn energy, highlighting his desire for status and control, contrasted with Erik's more sensitive and dependent nature. The hosts also touch upon the psychological and emotional factors that played a role in the brothers’ lives, including their tumultuous family dynamics and alleged abuse. As they analyze these aspects, they raise questions about accountability, the nature of familial relationships, and the possibility of redemption for the brothers after decades in prison.

Transcripts

Alison Dubois:

Welcome to the Dead Life.

Alison Dubois:

I'm Alison Dubois.

Alison Dubois:

Today I'll be joined by master astrologer Tom McMullen with the resurfacing of the Menendez brothers, Lyle and Eric, on Netflix.

Alison Dubois:

And in the news, we're going to take a hard look at their case.

Alison Dubois:

Tom McMullen has read Lyle and Eric's birth charts and is going to tell us what the karma of the Menendez brothers looks like and what they're made of.

Alison Dubois:

What does the birth chart of sons who murdered their parents look like?

Alison Dubois:

After 34 years in prison for a double homicide, could the Menendez brothers be set free?

Alison Dubois:

-:

Alison Dubois:

Or you want to share a paranormal experience of your own, you can start calling in now to share your sentimental Thanksgiving and Christmas stories.

Alison Dubois:

For December's podcast episodes.

Alison Dubois:

I want to hear all about your spiritual encounters during the holidays of Christmas past.

Alison Dubois:

To book a reading with me, email us@bookinglisondubois.com you can follow me on Instagram at medium, Allison.

Alison Dubois:

Or you can Watch me on YouTube to see new and past episodes of the Dead Life.

Alison Dubois:

Don't forget to pick up a bottle of my money potion vodka divination 22 at 1.

Alison Dubois:

Handsome bastard in Old Town Scottsdale.

Alison Dubois:

Well, Tom, we can't get enough of you.

Alison Dubois:

Welcome back.

Tom McMullen:

I'm glad to be back.

Alison Dubois:

So you were literally just here, but this is so fascinating.

Alison Dubois:

And with the sun in Scorpio, it's so great just to have you here doing the birth charts of some of these more notorious killers that people wonder what they're made of.

Alison Dubois:

And with all the true crime shows that are out there, I think it's more interesting actually to have their birth chart looked at and really see the crux of the person, like who they really are.

Alison Dubois:

,:

Alison Dubois:

Lyle was 22 years old and Eric was 19.

Alison Dubois:

So where do you want to start?

Tom McMullen:

Well, I'll start with Lyle.

Tom McMullen:

Just an overall for both of them, and I'll break them down.

Tom McMullen:

Their charts are very interesting.

Tom McMullen:

They're in extreme oppositions in the making of a chart which is like the circle of a pie.

Tom McMullen:

Everything in Lyell's chart is on the top half of the pie, very little on the bottom.

Tom McMullen:

And in Eric's, everything's the opposite.

Tom McMullen:

It's in the bottom with very little on the top.

Tom McMullen:

So that one has very much a strong public identity.

Tom McMullen:

And then Lyle is chosen to be a very, very strong Capricorn energy.

Tom McMullen:

And so that alone is that his sort of nature is to seek a public life of status, achievement, money, social positions, which he craved.

Tom McMullen:

And so he comes in from a past life where he's going to want to be a part of a system.

Tom McMullen:

Capricorn is an organizational dynamic and system.

Tom McMullen:

And what I picked up from him because of his nature is he's not in charge of the system, the system is in charge of him.

Tom McMullen:

He did not have the ability to be in control.

Tom McMullen:

And he.

Tom McMullen:

What came to me most is that this would be somebody who's part of a Mafia or organized system of crime.

Tom McMullen:

So that that showed up whether I knew anything about his dad or their past or anything.

Tom McMullen:

But that was the first thing that's like, yeah, that's there because he's a follower, he's not a leader.

Tom McMullen:

He wants desperately to be achieved and statused and looked at in that way.

Tom McMullen:

So those classic money things.

Tom McMullen:

But his dad, his family, his dad's from Cuba and there's a lot of crime involved in his dad's story coming in in this lifetime.

Tom McMullen:

His dad was very poor and he got very successful because he was driven.

Tom McMullen:

So the signature of his dad is the closest signature to Lyle in terms.

Alison Dubois:

Of just an interruption there.

Alison Dubois:

In the documentary that I watched, his family actually came from means in Cuba.

Tom McMullen:

Oh, I read a different one.

Alison Dubois:

They hadn't.

Alison Dubois:

That's why I watched the documentary and not the Netflix.

Tom McMullen:

Oh, no, I watched the document.

Tom McMullen:

That's funny.

Tom McMullen:

Okay.

Tom McMullen:

Because I read it differently.

Alison Dubois:

Okay.

Tom McMullen:

So either way, he's the dad is driven like crazy and he is the one in charge.

Tom McMullen:

So he comes into a family where his dad is very much going to push his agenda on Lyle.

Tom McMullen:

And so now his dad is head of the Mafia, essentially, in terms of what he comes into, because he wants to please his father, because everything is about his success, is about being driven by a very controlling man.

Tom McMullen:

But it's interesting because the Capricorn Energy he came in with, we have to look at where Saturn is in his chart because that's the ruling planet and it's hidden in the 12th house in Taurus.

Tom McMullen:

So he never achieved his own status, he never achieved his own self sufficiency.

Tom McMullen:

Again, we talk about the dynamic we had last time we discussed Pluto and Mars in opposition creates a very violent energy and he came in with that.

Tom McMullen:

So there's another signature of Pluto and Mars in opposition.

Alison Dubois:

So just social for the record, Jose Menendez was born to a prosperous family in Havana.

Alison Dubois:

Cuba.

Alison Dubois:

His father was a well known soccer player who owned his own accounting firm.

Alison Dubois:

So the family did have means in Cuba.

Tom McMullen:

Okay.

Alison Dubois:

They used to actually.

Alison Dubois:

It used to be a great country.

Tom McMullen:

Well, yeah, but anyway, so.

Tom McMullen:

And seeing that he didn't have the authority in his life and the authority was very violent in his past, so, you know, there's a lot of violence and disruption.

Tom McMullen:

And so he goes into a system because he's system oriented, that's anti government, it's social opposition.

Tom McMullen:

So therefore it goes into a crime or a mafia situation very easily.

Tom McMullen:

And he very much sacrificed his whole life for these things.

Tom McMullen:

So his sacrifice was for the system, always has been.

Tom McMullen:

And he has a moon in Pisces in the 11th House of the system.

Tom McMullen:

So he's easily swayed into a system.

Tom McMullen:

Very much so.

Tom McMullen:

And he's eager to want to belong.

Tom McMullen:

He's never a leader in a story, he's always a follower.

Tom McMullen:

And whoever he follows, he ends up in their world, if you will.

Tom McMullen:

And you know, that in itself is something he hates about himself.

Tom McMullen:

He has deep seated selfishness because he's taken from others in his past lives and the things that he's done, but others have used him.

Tom McMullen:

So he's a user and easily used in his storyline.

Tom McMullen:

And he has.

Tom McMullen:

The irony of this outcome is that he has enormous fear of confinement because Saturn in the 12th house is someone who fears being confined by a system.

Tom McMullen:

And so the irony of how he.

Alison Dubois:

Ends up being in jail.

Tom McMullen:

Yeah, being in prison because he needs to be out in the world succeeding and learning how to be in charge.

Tom McMullen:

And I pulled up Lyle's elements, the fire, earth, air and water.

Tom McMullen:

Element.

Tom McMullen:

And earth is very strong.

Tom McMullen:

The earth strong is the strongest energy, which is like he needs to be in systems and organized and planned.

Tom McMullen:

And this is.

Tom McMullen:

The dad wanted him to be a tennis player.

Tom McMullen:

And he wasn't naturally athletic, he wasn't naturally a tennis player, but he just built and pushed and pushed and pushed him.

Tom McMullen:

And his dad was very much in control of his thing, but he did not have the fire in the belly to be someone who would succeed in that area because he has one element in fire.

Tom McMullen:

So he doesn't know how to initiate himself.

Tom McMullen:

He has to be told what to do.

Tom McMullen:

And so he just follows whoever is in charge of him.

Tom McMullen:

And it was his dad.

Alison Dubois:

What was his son's sign again?

Tom McMullen:

Capricorn.

Alison Dubois:

So Capricorn rules father.

Alison Dubois:

So of course he emulated his dad.

Tom McMullen:

Okay, yes.

Tom McMullen:

And his dad was whoever was the father figure in his past life, you know, whoever he give the power To.

Tom McMullen:

He's giving his power to others to tell him what to do.

Tom McMullen:

And the things he did had severe, violent consequences, unfortunately.

Tom McMullen:

And so, you know, he comes in with a sense of no identity outside of the system.

Tom McMullen:

And that alone is like.

Tom McMullen:

He wants to break from it, which apparently is something he did when he was 22.

Alison Dubois:

Yeah, he broke from it, all right.

Tom McMullen:

Yeah.

Tom McMullen:

So the dad was very much someone who was in control of him and high expectations and standards.

Tom McMullen:

He could never reach them.

Tom McMullen:

He was a perfectionist in himself, but he is an 8 in numerology, which is essentially, again, recognition, success, achievement, money.

Tom McMullen:

But he has this perfectionism, and he always feels like he could do better or do more.

Tom McMullen:

And he seeks out all avenues to need to be appreciated.

Alison Dubois:

But if you're an 8, isn't it part of your karma to then go get that stuff on your own?

Alison Dubois:

Like, to earn it, to achieve it, to create your own wealth, your own fame.

Tom McMullen:

He didn't know how.

Alison Dubois:

He took the.

Alison Dubois:

While he was 22.

Alison Dubois:

If he'd given himself some time, maybe he would have figured it out.

Tom McMullen:

Exactly.

Tom McMullen:

Yeah, but that's the whole point.

Tom McMullen:

He wanted those things.

Tom McMullen:

He had them.

Tom McMullen:

But he was afraid that his.

Tom McMullen:

Well, he got in trouble.

Tom McMullen:

He and his brother got in trouble because they were breaking into people's houses in Burberry.

Tom McMullen:

Burglary.

Tom McMullen:

And when his dad found out, he threatened to disinherit them.

Tom McMullen:

That was it.

Tom McMullen:

That's all it took.

Tom McMullen:

Because that's what he's been doing for his dad.

Tom McMullen:

Because that's what he wants at the end of the rainbow.

Tom McMullen:

Because he doesn't know how to achieve it on his own.

Alison Dubois:

Right.

Tom McMullen:

You see?

Alison Dubois:

Well, he's lazy.

Alison Dubois:

He doesn't want to put the energy into achieving it on his own.

Alison Dubois:

He's 22.

Alison Dubois:

There's different pathways you can go down.

Alison Dubois:

Or your own creative pathway of creating wealth or making your own business, which he probably would have been fine with if he'd given himself time, but he wanted the money now.

Tom McMullen:

Right.

Tom McMullen:

And he fears asserting himself.

Tom McMullen:

He has a fear around asserting himself because of his perfectionism and his lack of trust and belief in what he can accomplish.

Tom McMullen:

So he has more of a victimization in his own nature and feels like it's never going to be enough.

Alison Dubois:

Well, I love my daughter, but Moon in Pisces does tend to be a little victimy sometimes.

Tom McMullen:

Well, that's exactly right.

Tom McMullen:

But he's a victim of the system.

Tom McMullen:

That's what he claims.

Alison Dubois:

That's what he feels.

Alison Dubois:

Sure.

Tom McMullen:

Exactly.

Tom McMullen:

So he has Jupiter in Scorpio and Sagittarius rules his eighth house.

Tom McMullen:

This can be where the secrets come from, the molestation from his dad.

Tom McMullen:

Because sexual control is obviously a part of the storyline with these boys.

Tom McMullen:

And so his dad, you know, had some deviant side to him or whatever in that part of his control.

Tom McMullen:

And it was something that, you know, he hid, something he'd never want anyone to know.

Tom McMullen:

And he just.

Tom McMullen:

He endured it very briefly in his childhood.

Tom McMullen:

Then it got passed to his brother Eric.

Tom McMullen:

And so.

Tom McMullen:

But he was supposed to be the star child.

Tom McMullen:

And we know what happened in terms of being objective in his world is the other weak element.

Tom McMullen:

He is very subjective, so he can't see outside of his own nature.

Tom McMullen:

And so again, that creates another victimization.

Tom McMullen:

It's all about him and nobody else.

Tom McMullen:

And that's another part of how he was.

Tom McMullen:

But there is a inferiority complex.

Tom McMullen:

He comes in with a very subconscious sense of insecurity and inferiority and deception through trusting the wrong people is a big part of that journey.

Alison Dubois:

Doesn't moon in Pisces aspect of people struggle with that of seeing people that they feel something for, whether it be friendship or romantically, they're a little delusional in how they see him.

Alison Dubois:

They see him the way they want to see him.

Alison Dubois:

And it doesn't matter how many people say that person's not good for you or that they're not a good person.

Tom McMullen:

That's a very astute observation.

Tom McMullen:

Because his moon in Pisces makes a hard square to Neptune.

Tom McMullen:

Yes.

Tom McMullen:

And Neptune's in the house of others in relationships.

Tom McMullen:

So he's very easily deceived by being told what to do to make him feel better about himself.

Tom McMullen:

He's easily manipulated and he was, you see, for the gains of what he thought, you know, he wanted his status, his success, his achievements, you see.

Tom McMullen:

So.

Tom McMullen:

And he is the instigator of the murder because he's the one that blows from the violence of what his storyline is, he cracked.

Tom McMullen:

And when he was told that he wasn't going to inherit because he's going to manipulate and use his brother in this.

Tom McMullen:

I feel they have a very strong, karmic past life together.

Tom McMullen:

They've been through something like this before in their relationship.

Tom McMullen:

How it played out, I'm not sure exactly.

Alison Dubois:

I don't think Eric would have actually committed this crime had Lyle not been around.

Tom McMullen:

He would not have.

Alison Dubois:

I thought it was interesting in the documentary that Eric felt guilty and was blaming himself for ruining Lyle's life because he was the one that told the psychologist about what was going on and that they were part of the murder.

Alison Dubois:

And that's how this sort of unraveled was through that psychologist.

Alison Dubois:

But in reality, Lyle ruined Derek's life.

Tom McMullen:

Yes, it really is.

Tom McMullen:

Lyle ruined Eric's life and Eric again.

Tom McMullen:

Eric plays a different role in this because he feels everything.

Tom McMullen:

He is a sensitive.

Tom McMullen:

He came in a sensitive.

Tom McMullen:

He came in with an aspect that I have, which is he has Jupiter and the sun conjunct in the fourth house.

Tom McMullen:

Everything is dependency in his storyline and so he's dependent.

Tom McMullen:

Everything's home, family, independency with Eric.

Tom McMullen:

And so he's a pleaser.

Alison Dubois:

What's Eric's son?

Tom McMullen:

He's a Sagittarian.

Alison Dubois:

He's a Sag.

Alison Dubois:

Okay.

Alison Dubois:

And the moon.

Tom McMullen:

The moon is in Scorpio.

Tom McMullen:

And it's all the bottom of the chart.

Tom McMullen:

It's all family drama, crisis, darkness.

Alison Dubois:

Okay.

Tom McMullen:

He could have himself been an alcoholic in his past life because he has a hard time functioning because he's overly sensitive to his environment.

Tom McMullen:

And so he has abandonment issues and he moved a lot in his past life.

Tom McMullen:

There's a mutableness to him.

Tom McMullen:

He doesn't like moving.

Tom McMullen:

He wants to stay.

Alison Dubois:

He wanted roots.

Tom McMullen:

Yes.

Tom McMullen:

Because home is everything to him.

Tom McMullen:

And he comes in a sensitive.

Tom McMullen:

His nature is more like what we call the artist, the spiritualist, humanitarian.

Tom McMullen:

He's that kind of soul.

Tom McMullen:

He's very sweet, he's very innocent in his nature.

Tom McMullen:

And he never got to be out in the world like what his brother want or like what his dad did because he has Leo ruling the 12th house and his past is in the.

Tom McMullen:

In the 12th house of Leo.

Tom McMullen:

So he never was recognized.

Tom McMullen:

He's always in the background.

Tom McMullen:

So he gets a second born position.

Tom McMullen:

He has much more energy toward his mom and the sensitivity around his mom's nature and the understanding of that is that he feels he's supposed to be a protector of others, but no one's there to protect him.

Tom McMullen:

And I think in the thing that he did go in to play tennis and was very good at it because he's Sagittarian, because they're good at achieving in sports.

Tom McMullen:

He wasn't what we call a scholar person.

Tom McMullen:

He was someone that has communication skills and that would be more of a writer.

Tom McMullen:

And he's become a writer and a painter now.

Tom McMullen:

And his painting is without question.

Tom McMullen:

His artistic ability is very strong, very high.

Tom McMullen:

It wasn't encouraged.

Tom McMullen:

It wasn't.

Tom McMullen:

You know, I read that they said he could draw.

Tom McMullen:

Couldn't draw stick figures when he was a kid, but now he does these amazing paintings.

Alison Dubois:

Yeah, I saw some of those.

Tom McMullen:

Because he was free to be who he is.

Tom McMullen:

Now that he's sequestered in jail.

Alison Dubois:

Well, there's nothing else to do.

Tom McMullen:

Exactly.

Tom McMullen:

But that's the future.

Alison Dubois:

You're going to learn something.

Alison Dubois:

Yeah.

Tom McMullen:

And then he wants to write.

Tom McMullen:

He write.

Tom McMullen:

You know, he likes to write.

Tom McMullen:

But he had a hard time dealing.

Tom McMullen:

He wanted to die.

Tom McMullen:

After that happened, I'm surprised he didn't commit suicide, because he has every signature to do it.

Alison Dubois:

Well, I think it was because he had an older brother in his ear that was saying, it's them.

Alison Dubois:

If they're gone, everything's going to be fine and we can live the way we want to live.

Alison Dubois:

So I think he was feeling as though finally we're free, because Lyle's the one that really convinced him that this was the way out and the way to happiness, it seems.

Tom McMullen:

Well, but Eric's issue at the core level of his desire is literally survival.

Tom McMullen:

He's trying to survive, and he has a great fear of loss, a great fear of things leaving him.

Tom McMullen:

And that was a trauma from his childhood because his dad was never there.

Tom McMullen:

That's why he would.

Tom McMullen:

You know, the sex went on for so long because he goes, it's the only time I could see my dad.

Tom McMullen:

He said that.

Alison Dubois:

And it's like, okay, so I will say this.

Alison Dubois:

And this is why I watched the documentary and not the Netflix movie.

Alison Dubois:

No, I understand, but you've got both in your head.

Alison Dubois:

Which is why I just wanted to watch the documentaries, so that I could be that sort of voice as to what I actually saw them say.

Alison Dubois:

And when it comes to any alleged abuse that happened, nothing was ever proven that had happened.

Alison Dubois:

There was one aunt who said that when he was 8 years old, which.

Alison Dubois:

Which brother was it at 8 years old that had told her that he was being molested by his father.

Alison Dubois:

So there.

Alison Dubois:

And I have it here.

Alison Dubois:

I'll find it.

Alison Dubois:

But one of the boys had told her that, and that is the only person that I found in the documentary that had said anything such as that.

Alison Dubois:

So you saw a version where it said they were molested up to the age of 18, which is highly unusual for children who are molested, much less a boy.

Tom McMullen:

I think it's all he knew.

Tom McMullen:

What I saw when he confessed on the stand, they asked him, when did it start?

Tom McMullen:

And he said, eight years old.

Tom McMullen:

And they go, how did it last?

Tom McMullen:

He said, 12 years.

Alison Dubois:

So that was this after the first trial.

Alison Dubois:

So you're talking about the second trial?

Alison Dubois:

Because the first trial, I don't believe.

Tom McMullen:

None of it came up.

Alison Dubois:

But I found that interesting because the first trial was a hung jury.

Alison Dubois:

The second, a second jury, just so people know is.

Alison Dubois:

Are more likely to convict when you go to court.

Alison Dubois:

And I'm sure that their lawyers let them know that.

Alison Dubois:

But they needed something to sway the jury to feel sorry for them.

Alison Dubois:

And then this story surfaces.

Alison Dubois:

So I just want to be clear about that.

Tom McMullen:

Oh, yeah.

Tom McMullen:

Whatever the dynamic is, is that he didn't want to lose his father, his family, his everything.

Tom McMullen:

I think one of his issues with his mother is that it was going on and she didn't do anything.

Tom McMullen:

No one protected him.

Tom McMullen:

His brother was the one he thought was going to be his protector.

Tom McMullen:

Surprise.

Tom McMullen:

Yeah, because his brother's.

Alison Dubois:

But he didn't kill his brother.

Tom McMullen:

No, it's like.

Tom McMullen:

Okay, like you said, I don't think Eric wanted to do this at all.

Alison Dubois:

No, I don't think so.

Tom McMullen:

And so when it happened, he had so much guilt because of his sensitivity in his nature about that.

Tom McMullen:

He did that.

Tom McMullen:

And like I said, I'm surprised.

Alison Dubois:

So he was the one that shot his mom, Kitty in the face.

Alison Dubois:

Yeah.

Alison Dubois:

Went back reloaded.

Alison Dubois:

Shot her in the face.

Alison Dubois:

Yeah.

Alison Dubois:

So I guess she would feel guilt.

Tom McMullen:

Oh, absolutely.

Alison Dubois:

Yeah.

Tom McMullen:

And at the same time, it was like, then he was the one that told his cousin that it came out.

Tom McMullen:

And so.

Tom McMullen:

And we told.

Tom McMullen:

Well, first he told his therapist.

Tom McMullen:

It came out through his therapist, and then that's when it came out.

Tom McMullen:

So he has to confess.

Tom McMullen:

This is his nature, you see, because he will take responsibility for what he did.

Tom McMullen:

But he was.

Tom McMullen:

I can't say coerced.

Tom McMullen:

It was just something.

Tom McMullen:

He loved his brother because his brother was the only one that was there for him.

Tom McMullen:

That's how he looked at it.

Tom McMullen:

There was no.

Tom McMullen:

His dad was gone.

Tom McMullen:

And the only time he said he was alone with him was when he was playing tennis or essentially being molested, if that's the case.

Tom McMullen:

And so when his mom isn't intervening in any of this, she seems to be out of the picture in the story.

Alison Dubois:

So in the documentary, I found it interesting because Eric was quoted as saying they asked him why he admitted to the psychologist that they had killed their parents.

Alison Dubois:

And they said they included the mother because she'd be a witness or she couldn't live without their dad.

Alison Dubois:

So he saw it as a form of euthanasia because she'd be in pain from the loss.

Alison Dubois:

And I found.

Alison Dubois:

So he didn't say that they killed her because she didn't protect them.

Tom McMullen:

You were right.

Tom McMullen:

No, I know that.

Tom McMullen:

But I'm just saying that's how I kind of look at maybe how he saw his.

Alison Dubois:

I'm saying this for more of the listeners so that they.

Alison Dubois:

If they didn't watch it, they understand what was actually said, what was actually quoted.

Alison Dubois:

Because I looked at things that were direct quotes that they actually have evidence of, not things that are purported or alleged that we can't prove.

Tom McMullen:

Okay.

Alison Dubois:

Okay.

Tom McMullen:

But the sense of loss of his home and his family does tie to his mom's nature of not wanting to lose her husband.

Tom McMullen:

And that's why he connects with his mom's energy so much.

Tom McMullen:

And he has trying in this lifetime to break from this.

Tom McMullen:

I mean, I think he's better in confinement than he is, obviously, his brother.

Alison Dubois:

Yeah.

Alison Dubois:

He's just shining.

Tom McMullen:

Yeah, he is.

Tom McMullen:

He's shining.

Tom McMullen:

And he started writing, and he got all these letters from people and conversing, and he met his wife by correspondence and got married.

Tom McMullen:

And he's a guy who wants to have a family.

Tom McMullen:

It's so sad.

Alison Dubois:

Oh, please now.

Alison Dubois:

Please now.

Tom McMullen:

I don't think he would do it again.

Alison Dubois:

What a legacy.

Alison Dubois:

So I thought it was interesting, though, I.

Alison Dubois:

I couldn't find it anywhere on the Internet or any sources at all.

Alison Dubois:

If Jose Menendez had a history of molesting any other children other than his sons, because pedophiles usually have multiple victims.

Tom McMullen:

He did.

Alison Dubois:

I didn't find it anywhere.

Tom McMullen:

Yes.

Tom McMullen:

One of the Menudo boys was the one that came out and said that he had molested him, and that kind of threw everything back out.

Alison Dubois:

When did that happen?

Tom McMullen:

What?

Alison Dubois:

, I think:

Alison Dubois:

He came out.

Alison Dubois:

I'm not that.

Tom McMullen:

Whenever the Menudo was.

Tom McMullen:

Yes, he did.

Tom McMullen:

He said he was 14 years old and Jose Menendez molested him.

Alison Dubois:

He did, yes.

Alison Dubois:

Okay.

Tom McMullen:

Yeah.

Alison Dubois:

I wish that was in the court transcripts.

Alison Dubois:

That would have helped.

Alison Dubois:

Okay.

Alison Dubois:

Because 70% of pedophiles have between one and nine victims, and 20% of pedophiles have 10 to 40.

Alison Dubois:

So it would be interesting to see a pattern, because it would.

Alison Dubois:

It makes it more believable, I guess, is what I'm saying.

Tom McMullen:

Right.

Tom McMullen:

So that's why another signature is like, this guy did have an issue.

Tom McMullen:

He had a problem.

Alison Dubois:

Well.

Alison Dubois:

And 75% of rapists were sexually abused as kids.

Alison Dubois:

So that would worry me.

Alison Dubois:

If they let these guys out, they'd fall into this 75%, that they might end up offending other people.

Tom McMullen:

Yeah, that would be.

Tom McMullen:

I would think if anyone would, it'd be Lyle, not Eric.

Alison Dubois:

Right.

Alison Dubois:

Well, I mean, you Just never know because it just changes their psyche when they're young and something like that happens to these poor kids.

Tom McMullen:

But I understand that it's a possibility that Eric wanted to kill himself in his past life because he's got Chiron in the eighth house of Scorpio.

Tom McMullen:

And there's a fear of loss.

Tom McMullen:

And so again, it comes with a fear of like, I'm going to be alone.

Tom McMullen:

I'm abandoned.

Tom McMullen:

And so then I think the worst thing for Eric, when they got separated, they were only reunited recently.

Alison Dubois:

Right.

Tom McMullen:

And so they were separated was the worst thing for him because he didn't want to be away from family.

Tom McMullen:

Family was everything.

Alison Dubois:

Yeah, I know, but that's the best prison.

Tom McMullen:

Oh, okay.

Alison Dubois:

I'm just saying you're not supposed to be, like, accommodated in prison.

Alison Dubois:

You're being punished.

Alison Dubois:

Yeah.

Tom McMullen:

That was the worst thing for him.

Alison Dubois:

On soul level.

Alison Dubois:

It would be the worst thing for him.

Alison Dubois:

Absolutely.

Alison Dubois:

So it was Diane Vandermolen that was the.

Alison Dubois:

I believe she was the aunt that Lyle, at 8, told her that dad had touched his penis.

Alison Dubois:

And that was it.

Alison Dubois:

That's everything that she said that he had said to her.

Alison Dubois:

And I just don't know if how that was said because I've sat in the courtroom many times for cases that involve sexual abuse and murder.

Alison Dubois:

And you have to see the context of if she was leading him with questions, like, was she asking him these things?

Alison Dubois:

Did he volunteer it?

Alison Dubois:

Did he just come out of nowhere?

Alison Dubois:

Was he being helped on with a bathing suit?

Alison Dubois:

Like, we just don't know.

Alison Dubois:

That's the problem.

Alison Dubois:

Because it wasn't documented right back then.

Alison Dubois:

e say back then, like, it was:

Alison Dubois:

We had, like, video cameras and, you know, people with memories and such as.

Alison Dubois:

Well, so I just.

Alison Dubois:

There was so much information in the documentary, if anybody's interested to watch it and judge for themselves.

Alison Dubois:

I thought it was interesting that you said that Eric was the one that should be a writer.

Tom McMullen:

Yeah.

Alison Dubois:

Because Lyle, I believe before they figured out it was him.

Alison Dubois:

And this would be in the interim of the parents are dead, but I don't believe they've been arrested yet.

Alison Dubois:

I'm not sure.

Alison Dubois:

People can email me and let me know, but Lyle wanted to know if a writer wanted to help him write a book about his dad because he was such a quote unquote, great man.

Tom McMullen:

Yes, that's true.

Alison Dubois:

So I thought that was interesting.

Alison Dubois:

So his brother would have excelled at writing.

Alison Dubois:

And actually, Lyle didn't even want to write the book.

Alison Dubois:

He wanted another person to write the book.

Alison Dubois:

And he'd just get the money, the royalties.

Alison Dubois:

Yeah.

Tom McMullen:

And Eric wanted to write a screen play on the murder of parents.

Tom McMullen:

I know.

Alison Dubois:

I mean, no offense to Capricorns, but what a Capricorn move.

Alison Dubois:

In a sense, it's like, how am I going to make money?

Alison Dubois:

How am I going to make money?

Tom McMullen:

Eric wanted to write the screenplay.

Alison Dubois:

Oh, Eric.

Tom McMullen:

Yeah, it was Eric.

Tom McMullen:

Eric wanted to write a screenplay.

Alison Dubois:

I wonder how much Arrested Development they have, being that they've been going through this since 22 and 19.

Alison Dubois:

Because I would think a fully developed mind who.

Alison Dubois:

Who was part of a life that murdered his parents, especially shooting his mom in the face, which is so personal, while she was still conscious that he wouldn't want to write a screenplay.

Tom McMullen:

Oh, I understand what you're saying about Arrested Development because it's certainly obvious, right?

Alison Dubois:

I mean, it very well could be.

Alison Dubois:

And there was a reporter that said Lyle became his father overnight.

Alison Dubois:

So this is before they were arrested.

Alison Dubois:

They became.

Tom McMullen:

They became his father.

Alison Dubois:

They became his father overnight.

Alison Dubois:

He went shopping for a porsche, a jeep, three Rolexes, a restaurant clothes and a $50,000 per year tennis coach.

Alison Dubois:

And so for somebody who would feel any sense of guilt, that doesn't speak to it.

Tom McMullen:

Lyle finally got what he wanted.

Tom McMullen:

The easy way.

Tom McMullen:

Yeah, that's all he wanted.

Alison Dubois:

See, I think a lot of this is from selfishness and the money, no question.

Alison Dubois:

I don't think it had anything to do with protecting themselves from the parents.

Alison Dubois:

Because at 22 and 19 years old, they could have left.

Alison Dubois:

They could have gotten in their vehicles and taken off.

Alison Dubois:

If we were Talking about a 12 year old and maybe a 15 year old, I could almost understand that more.

Alison Dubois:

Where they can't leave the house.

Alison Dubois:

You know, they're under their parents rule.

Tom McMullen:

Right.

Alison Dubois:

They don't have the capacity to make enough money to eat and survive.

Alison Dubois:

But at 22 and 19, they could have packed up a car and taken off.

Alison Dubois:

There are a lot of young people around the country that we've always heard songs written about.

Alison Dubois:

Jumped on a bus with five bucks in my pocket and gave it a go, you know, but that's not where their heads were.

Alison Dubois:

They wanted the money.

Alison Dubois:

Well, Lyle wanted the money and the parents gone.

Tom McMullen:

Yeah, I don't think Eric did.

Tom McMullen:

I think the money was all Lyle.

Tom McMullen:

I think he ran this whole thing.

Alison Dubois:

I think Eric helped spend the money.

Tom McMullen:

You know, there is no question, but I don't think he was about the money.

Tom McMullen:

He just did everything his brother told him to do.

Alison Dubois:

It almost seemed like he became his brother.

Tom McMullen:

He almost.

Tom McMullen:

He almost had that's all he had left.

Tom McMullen:

The family was just he and his brother.

Tom McMullen:

So he didn't want to lose his brother, so he just went along and.

Tom McMullen:

But he isn't that guy.

Tom McMullen:

He.

Tom McMullen:

You know, Lyle's past is money and success and achievement and wanting those things.

Tom McMullen:

And so he didn't know how to get him himself.

Tom McMullen:

And he wasn't going to leave that cash cow of a family inheritance until his dad threatened him.

Alison Dubois:

Then it comes down to the money.

Alison Dubois:

So when they try and separate it out and say they killed him because of the abuse.

Alison Dubois:

The abuse.

Alison Dubois:

If this abuse actually happened, this alleged abuse, it wasn't.

Alison Dubois:

It was part of the reason.

Alison Dubois:

The fuel to give themselves permission to murder their parents because they did want the money.

Tom McMullen:

Yeah.

Alison Dubois:

It wasn't to protect themselves.

Tom McMullen:

Yeah.

Alison Dubois:

As I see it, they're grown men.

Alison Dubois:

Well, so, I mean, they could have left, become grown men when it was 19 and 22.

Alison Dubois:

They've gone to war by those ages and actually won a particular world war that we're pretty proud of.

Tom McMullen:

Eric's used to adapting.

Tom McMullen:

He's a very mutable nature.

Tom McMullen:

So when he adapts to situations that he's in, he doesn't take a stance.

Tom McMullen:

He doesn't have the drive or initiative.

Tom McMullen:

He's someone that just, again, follows.

Tom McMullen:

They're both followers in their own ways, in their own different ways.

Alison Dubois:

I didn't actually know that Jose Menendez, I mean, he was only 45 when this happened.

Alison Dubois:

And Kitty Menendez, the mom, she was 48.

Tom McMullen:

Yeah.

Alison Dubois:

She's a couple years old when this happened.

Alison Dubois:

And I thought the documentary was really fascinating because it showed her.

Alison Dubois:

She was like a pageant girl and a beauty queen.

Tom McMullen:

And her sisters were, too.

Tom McMullen:

They're very attractive.

Alison Dubois:

Very, very beautiful.

Alison Dubois:

And.

Alison Dubois:

But it was.

Alison Dubois:

I mean, she's a generation from a different time, but it was just interesting because she was the ideal trophy wife for him.

Tom McMullen:

Yes, she was.

Tom McMullen:

And that's what he wanted.

Tom McMullen:

All the.

Tom McMullen:

Lyle and his dad want the same thing.

Tom McMullen:

They want the status of whatever it is society says this is your status.

Alison Dubois:

But his dad would work for it and knew how to get it.

Tom McMullen:

Yes.

Tom McMullen:

Yes.

Alison Dubois:

Yeah.

Alison Dubois:

Yeah.

Alison Dubois:

Wow.

Alison Dubois:

Yeah.

Alison Dubois:

I mean, just watching the whole documentary, I just.

Alison Dubois:

I mean, I was obviously, I was one of those nerdy Court TV people back in the 90s because I was in college for.

Alison Dubois:

To get my degree in political science and history and then law school.

Alison Dubois:

And so I watched all of that.

Alison Dubois:

So I can't go into it ever, because I'm tainted, because I saw the whole thing unfold.

Alison Dubois:

Same with OJ Simpson.

Alison Dubois:

Even though we all kind of know what happened.

Alison Dubois:

Yeah.

Alison Dubois:

And I remember looking at them on TV for the first time and they looked so.

Alison Dubois:

This was the first court case.

Alison Dubois:

They looked so smug and so disconnected emotionally.

Alison Dubois:

And there was something cold about them.

Alison Dubois:

And I find it interesting that since.

Alison Dubois:

And I think it was good for Eric that they had been separated in prison all those years, actually.

Tom McMullen:

Oh, I agree.

Tom McMullen:

He needed that.

Tom McMullen:

That was his fear anyway.

Alison Dubois:

It was his fear, but it was in his best interest because you see Eric sort of become himself and be able to articulate his feelings and emotion and.

Tom McMullen:

Sure.

Alison Dubois:

And Lyle stayed the same, in my opinion.

Alison Dubois:

He's figuring out, how do I get out of here and how do I make money from this still.

Alison Dubois:

I have no doubt he would do that.

Tom McMullen:

Yes, he would.

Alison Dubois:

I have no doubt.

Alison Dubois:

There's no shame there.

Alison Dubois:

And I've lived in Beverly Hills, which is where this murder happened, in Beverly Hills.

Alison Dubois:

And so I do understand the climate, the energy of the people.

Alison Dubois:

I get the game, the money.

Alison Dubois:

And I do see how people become so disconnected and it becomes about power and what you have.

Alison Dubois:

And it's this big competition amongst the.

Alison Dubois:

The cool kids to see who can amass the biggest fortune.

Alison Dubois:

But I will say I knew a lot of kids there who were raised by famous parents and very wealthy parents who didn't.

Alison Dubois:

Didn't have the energy of Lyle and Eric.

Alison Dubois:

So I don't even think it is that it was Beverly Hills.

Alison Dubois:

I think that the father had the money was just the incentive to go this far.

Alison Dubois:

Or Lyle and Eric, if they were born to poor parents, would have popped out of there as soon as they could have.

Tom McMullen:

Absolutely.

Tom McMullen:

It is about the money.

Alison Dubois:

Yeah.

Alison Dubois:

Lyle would have married somebody that had money, so that.

Alison Dubois:

That'd be his way of getting money because he's got the Capricorn sun moon in Pisces.

Alison Dubois:

And so some people that are Capricorn, actually, even though they love the financial stability and the money, and they really need that in their life to feel okay.

Alison Dubois:

And I read a lot of Capricorns, and no matter how much money they get, it's never enough.

Alison Dubois:

It's still their worry.

Alison Dubois:

They always worry about money down the road.

Alison Dubois:

And I just find it really interesting that some people will marry to get the money and have Capricorn in their chart.

Tom McMullen:

That is exactly Lyle's signature.

Tom McMullen:

He would have married someone already established.

Alison Dubois:

Right.

Alison Dubois:

And he was in a position to do that.

Alison Dubois:

He was in Beverly Hills.

Alison Dubois:

I mean, he could have played the game and done that because he would.

Tom McMullen:

Have gone to work for her father.

Alison Dubois:

Right.

Tom McMullen:

You know, had another dad in his life.

Alison Dubois:

Yes.

Tom McMullen:

That would tell him what to do.

Alison Dubois:

Exactly.

Alison Dubois:

Well, he could have distanced himself from his parents if there are so many painful memories tied to them.

Alison Dubois:

So I just.

Alison Dubois:

I don't know.

Alison Dubois:

It just seems that it was a perfect storm.

Tom McMullen:

I think Eric would have gotten married very early and started a family.

Tom McMullen:

I really do.

Tom McMullen:

I feel like he just.

Tom McMullen:

That's all he really wanted.

Tom McMullen:

He wants.

Tom McMullen:

He wanted to have that environment and didn't want to be alone.

Tom McMullen:

And so, you know, that's.

Tom McMullen:

I saw the huge difference in the two of them in that.

Tom McMullen:

Because Eric.

Tom McMullen:

I mean, survival is through money incessance, but he wasn't wanting to be super rich and the things that his family had.

Tom McMullen:

It was comfortable and it's fine, but he would have been happy with very modest means.

Tom McMullen:

It just seems the way he would have been.

Alison Dubois:

Yeah.

Alison Dubois:

So I thought it was interesting because Lyle, I feel he.

Alison Dubois:

I don't know if he was channeling his dad's power, trying to be him after the fact, but Lyle was quoted as saying to Eric in the Jeep, now how do we kill Ozil?

Alison Dubois:

Who was the psychologist?

Tom McMullen:

Psychologist, yeah.

Alison Dubois:

So he's like, okay, now we gotta take this guy out because he's the only person who you told.

Tom McMullen:

Classic mafia.

Tom McMullen:

Classic mafia.

Tom McMullen:

Who's the next guy we gotta take out?

Alison Dubois:

Yeah.

Alison Dubois:

But, you know, still a huge crime.

Alison Dubois:

Big crime, murder.

Alison Dubois:

People have become desensitized to it with all the true crime and documentaries and podcasts.

Alison Dubois:

And I just want people to remember when your life is being taken from you, the level of fear somebody feels knowing that everything they've had, everybody they loved, is about to come to an end and they can't do anything about it.

Alison Dubois:

That helplessness now layer onto it that you're a mother and you see your child who want to reload a gun, who now shoots her in the face, and you're being killed by your own children.

Alison Dubois:

So, you know, we become desensitized.

Alison Dubois:

But all of this is just the most.

Alison Dubois:

The grossest, most heartless way to murder anyone is in experience.

Alison Dubois:

For a parent to be killed by their child.

Alison Dubois:

Just as I think it's equally horrible, horrible for a child to be killed by their parent, which I almost feel is just a fraction worse because we're supposed to protect our children.

Alison Dubois:

But this was just a perfect storm.

Alison Dubois:

All of the layers that it took, those boys being together.

Alison Dubois:

Lyle got what he wanted.

Alison Dubois:

He got the fame.

Tom McMullen:

You sure did.

Alison Dubois:

So, you know, I think that people that can't come by it honestly will try and take it and do it illegally.

Alison Dubois:

And that's why we, you know, all the drug dealers, you know, they want to be rich, but they have no talent.

Alison Dubois:

So I'm just going to steal it.

Alison Dubois:

I'm going to, I'm going to hurt people.

Alison Dubois:

So they have a criminal mentality.

Tom McMullen:

Lyle definitely does.

Alison Dubois:

You know, at this age, okay, I remember being 19 years old.

Alison Dubois:

That would have been the year before I met Joe.

Alison Dubois:

There is nothing in this world that could have made me shoot somebody I know and reload the gun and then shoot her in the face.

Tom McMullen:

Yeah.

Tom McMullen:

Well, we're not these people.

Alison Dubois:

But at 19, I had been living on my own for years already and I had a job.

Alison Dubois:

So it's just a matter of taking a different path.

Alison Dubois:

He wasn't, he was young, but he wasn't a child.

Tom McMullen:

But they both take the victim role.

Alison Dubois:

Yeah, I don't give people passes on that.

Tom McMullen:

Well, I'm just saying.

Tom McMullen:

I don't either.

Tom McMullen:

I'm just saying that is their, you know, sort of agenda is to be the victim in this situation.

Alison Dubois:

Right.

Alison Dubois:

No.

Tom McMullen:

And you doesn't accuse, it, doesn't recuse it.

Alison Dubois:

And you see that.

Alison Dubois:

And now we have Macron who's like the worst of California, who lets criminals out left and right.

Alison Dubois:

He's a victim maker for sure.

Alison Dubois:

Who, in my opinion, who is the one that's listening to the Kardashians, wanting to now let them out of prison?

Alison Dubois:

Because 34 years is long enough.

Alison Dubois:

It's like, well, let's ask the people that are dead, is 34 years long enough?

Alison Dubois:

Because I don't know that it is.

Alison Dubois:

I don't care how old they were.

Tom McMullen:

Well, I've been listening to a lot of this stuff myself because it's resurfaced.

Tom McMullen:

And I, I took a close look at the prosecutor, especially the second time around, and I really liked her because she was you.

Tom McMullen:

She was so you.

Alison Dubois:

Because she was like, I guess I'll take that as a compliment.

Tom McMullen:

She's like.

Tom McMullen:

Because they said.

Tom McMullen:

Because I don't care what the excuses are.

Tom McMullen:

I don't care, you know, about how it's perceived.

Alison Dubois:

Right.

Tom McMullen:

The law is about the facts.

Alison Dubois:

Right.

Tom McMullen:

And the facts say this and it's like, exactly.

Tom McMullen:

Even have an opinion about a lot of things doesn't mean that it's something that should happen.

Tom McMullen:

Because it's your opinion.

Alison Dubois:

People make everything about emotion these days instead of what actually is reality.

Alison Dubois:

And especially with the law, the law has to be applied.

Tom McMullen:

Yeah.

Alison Dubois:

And even if something horrible and improper happened with these men when they were children which obviously I'm against.

Alison Dubois:

I mean, I initiated the Amber Alert for the state of Arizona.

Alison Dubois:

Like, kids mean a lot to me.

Alison Dubois:

I didn't see a lot of proof backing up the fact that those crimes happened to them.

Alison Dubois:

And we can't ask the parents because they're dead.

Tom McMullen:

Right.

Alison Dubois:

So now where are we at?

Alison Dubois:

34 years they've spent in prison.

Alison Dubois:

My opinion is if you take someone's life, your life is gone.

Alison Dubois:

And they're like, well, they're not.

Alison Dubois:

They can be productive members of society.

Alison Dubois:

It's like the victims would have liked to have been productive members of society.

Alison Dubois:

So I just don't buy that.

Alison Dubois:

And I hope they don't let them out.

Alison Dubois:

And I don't know that Lyle especially would not reoffend.

Tom McMullen:

Yeah, I would agree on that one.

Tom McMullen:

I think Eric would just fade off somewhere in paint and maybe get married, or he is married, take his wife somewhere, and he'd go hide somewhere.

Alison Dubois:

He'd have to.

Alison Dubois:

But I would say, who?

Alison Dubois:

I mean, it'd be hard to find a partner, you'd think, but there's some crazy chicks out there.

Alison Dubois:

But, you know, anyone who would kill their mother in that fashion, what are they going to do to you if you make them mad or feel insecure?

Alison Dubois:

I mean, you'd have to ask yourself that question, I would think.

Tom McMullen:

Right.

Alison Dubois:

So do you have anything else to add to the Menendez brothers?

Tom McMullen:

No.

Tom McMullen:

It was a very interesting to see the relationship as they are, as coming in together in this scenario and having very different roles within it, in different perspectives to it, and how they have a very strong.

Tom McMullen:

And will come in again in a strong karmic connection.

Tom McMullen:

Probably.

Alison Dubois:

Yeah.

Tom McMullen:

Because they have to resolve this.

Tom McMullen:

This is coming back in again where you left off.

Tom McMullen:

And look where they left off.

Alison Dubois:

Okay.

Alison Dubois:

So if they happen, if they come back again, and I have to believe that when these things happen, it's for us to take a different path.

Tom McMullen:

Yes.

Alison Dubois:

Not to take the easy path, take the hard path.

Alison Dubois:

So for everybody out there, that's like, why isn't the universe dropping gifts in my lap?

Alison Dubois:

Go earn it.

Alison Dubois:

Go get it.

Alison Dubois:

Go get the gifts.

Tom McMullen:

But see, that's the difference between someone who takes charge of their own power and then one who doesn't.

Tom McMullen:

Because in that scenario, it's like being powerless creates the victimization.

Tom McMullen:

So until you say, I'm going to take charge of my life so this doesn't happen again, I can't depend on others because they're not there for me, then it's up to you.

Alison Dubois:

State of mind is only Something that each individual can control.

Alison Dubois:

And so we have to take responsibility for our actions.

Alison Dubois:

I agree completely.

Alison Dubois:

I just was born taking responsibility.

Tom McMullen:

I had no choice, so I did, too.

Alison Dubois:

Well, you're a Libra and I'm a Libra rising.

Alison Dubois:

So I think Libra in the chart, actually.

Alison Dubois:

You always are looking for that balance in life, and I think it helps me tremendously.

Alison Dubois:

And I know it helps you stay perfectly coiffed at all times.

Alison Dubois:

The aesthetic answers without question and might I add, well executed.

Alison Dubois:

Thank you so much for running their charts and doing all that work.

Alison Dubois:

And maybe we'll revisit this down the road after they make a decision on whether or not they're going to let people out for double murders.

Alison Dubois:

Not that I haven't heard it before, but, you know, we'd like to see a little justice in this world.

Alison Dubois:

Where can people find you to have their chart run and hear about their own personal karma and past lives?

Alison Dubois:

You do that, which is very cool.

Tom McMullen:

Well, you can go to my website, tom mcmullen.com or you can just email me directed tomommcmullen.com.

Alison Dubois:

All right, get on it, people.

Alison Dubois:

I've got a lot of moms coming to me for life readings, asking about their children, their grown children.

Alison Dubois:

And if you're.

Alison Dubois:

If your kids aren't listening to you because your mom or your dad, sometimes it's nice to have an impartial third party.

Alison Dubois:

So I've been telling everybody, call tomorrow when they need that impartial third party who can talk to the son or daughter, the grown son or daughter, if they're open to it.

Alison Dubois:

And I'm hearing from a lot of my clients, oh, yeah, my son would be really open to talking to Tom.

Alison Dubois:

So I give him your website and tell them to go there.

Alison Dubois:

I think sometimes people need to know what their energy makeup is in order to navigate it in their best interests the most effectively, you know?

Tom McMullen:

Well, everybody, you know, in their family has different characters that are playing their roles.

Tom McMullen:

And when I'm talking to a mom or a dad and they have some kids and I go, I'll ask the sign of their child.

Tom McMullen:

And just in generality, I go, well, this is what's living in your house.

Alison Dubois:

Yeah.

Tom McMullen:

And they'll go, it's not you.

Tom McMullen:

That's the whole point is being objective to what their nature is and why they chose the position.

Tom McMullen:

Like, you know, why Lyle's the firstborn and Eric's the second born.

Tom McMullen:

Those things are important to know because they take parts of different energies of the parents.

Alison Dubois:

That's why I've had you run all of my kids, so I know exactly what they're made of.

Tom McMullen:

Yeah.

Tom McMullen:

So it's like, well, that's what you got living in your house.

Alison Dubois:

You know, it helps me to navigate my relationship with them because I think sometimes mothers who have a little friction with a child think it's something they're doing and it's not.

Alison Dubois:

Often we have an opposing energy to that child and they us.

Alison Dubois:

And it's about learning how to navigate it, recognize, not taking it personal, that you don't take it personally and just say, okay, well, she's a moon in Leo.

Alison Dubois:

This is what she's going to need.

Alison Dubois:

And this is how she views things, how she sees things.

Alison Dubois:

And it really does help me in communication with my kids.

Alison Dubois:

So I highly recommend it.

Alison Dubois:

Thank you, thank you.

Alison Dubois:

And thank you to my listeners for tuning in.

Alison Dubois:

Tune in next week for a fresh episode of the Dead Life.

Alison Dubois:

I'm Alison Dubois.

Alison Dubois:

This is the Dead Life.

Alison Dubois:

To all of my believers out there, don't stop believing.

Alison Dubois:

Join us next week on the deadlight.

Alison Dubois:

And don't forget to subscribe now to get notified of every new episode.

Links

Chapters

Video

More from YouTube