Year three of the Love my Museum starts today! The podcast gets a makeover and Amy talks about strategic partnerships for your museum.
Amy Kehs is a brand strategist and communications expert for museums. She has owned Kehs Communications since 2000 and has worked for the most renowned and well-loved museums in Washington, D.C. Her goal is to ensure that museums thrive into the next century and she hopes people will come to love museums as much as she does. Her proven process sets up proactive communication habits for museums, cultivating relationships with visitors who will want to return and bring a friend. Want to talk more? Click this link to book a call.
Today's episode starts year three of the Love My Museum podcast, and we're
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:getting a little bit of a makeover.
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:There's some new graphics, some new music.
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:We have a new topic to talk about today.
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:Let's get started.
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:I.
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:Hello and welcome to the
Love My Museum podcast.
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:I'm your host, Amy Keys,
and I love museums.
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:I'm also a brand strategist and
communications expert for museums,
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:and I, I have to admit, I'm, I'm a
little nervous about today's episode.
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:Today starts year three of
the Love My Museum podcast.
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:And I've got a couple of fun things
planned, if you noticed, where, wherever
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:you are listening to this podcast,
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:our graphics have gotten a,
a little bit of a makeover.
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:There was also some new
music at the beginning.
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:There's going to be a theme song, which
I'll play for you towards the end.
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:And we have a new topic to talk
about today, and we're talking
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:about a phrase that I, I hear a lot.
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:The hidden gem.
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:It could be even something that
you've heard recently or that you
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:have said yourself about your museum.
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:I've heard this from museum directors,
staff board members, visitors,
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:journalists who come through a museum
and they couldn't believe that they
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:have never heard of you before.
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:And in the moment, it probably
felt like a compliment.
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:Like, oh, they just discovered us.
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:How charming.
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:But here's what I want you to hear today.
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:Being a hidden gem is not a compliment.
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:It is a symptom.
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:And if your museum has been called
a hidden gem more than once,
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:something in your communication
strategy needs our attention.
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:Now, if you're new here, let
me tell you a little bit about
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:why this matters so much to me.
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:We live in a really noisy world.
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:People are overscheduled.
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:They're overwhelmed.
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:They are absolutely bombarded with
messages from the moment they wake
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:up to the moment they fall asleep.
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:And in that environment, asking someone
to give your museum, their most precious
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:commodity, their time is really hard.
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:It requires clarity.
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:It requires consistency, and it requires
showing up in the right places with
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:the right message at the right moment.
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:And when your messaging is
cluttered or your visitor
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:experience feels disconnected.
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:Even the best museums, the ones
with extraordinary collections and
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:passionate staff, and, Real community
value struggle to get the attention
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:that they deserve, and they struggle
to get visitors through the door.
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:Here's what's at stake.
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:If nothing changes, it's not just
about ticket sales, although yes, that
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:matters, but it's something deeper.
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:When your museum stays a
secret, your staff keeps working
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:harder than they have to.
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:You stay stuck in a
cycle of temporary fixes.
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:A social media push here, a
flyer there, none of it really
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:adding to actual momentum.
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:Those fixes create what I call a.
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:Energy leaks Efforts that don't reach
your audience and are quietly draining
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:the people trying to make them work.
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:Your museum should not be a secret.
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:It should be a community hub
with loyal, lifelong supporters.
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:Who show up, bring their kids, bring
their neighbors, and become the
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:kind of fans who will advocate for
you when you are not in the room.
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:And that is what we wanna build towards.
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:So if you're new here, let me tell
you a little bit about who I am and
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:why I believe so deeply in this work.
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:For over three decades, I have
worked in and alongside some of
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:the world's most renowned museums
right here in Washington, dc.
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:I was first an employee and then started
my own business and have since been
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:brought in as an extra set of hands.
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:On some pretty high stakes PR projects
and I love every minute of it.
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:In my work of museums of all sizes,
even the best museum teams often fall
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:into a cycle of reactive thinking.
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:A crisis happens, they respond,
an opportunity comes up, they
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:scramble the path forward feels.
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:Like guesswork.
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:They're just trying to keep up.
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:They're just trying to put one
foot in front of another and
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:the team, they're exhausted.
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:I have worked with museum teams of two 10.
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:2200.
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:I know what that exhaustion feels like.
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:I have also been there.
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:I know what it's like to care
deeply about a place and still
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:feel like you're running on empty
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:when 2020 happened and my museum
clients had to shut their doors
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:for a bit, and the rest of the
world paused, I didn't, I couldn't.
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:I had to keep my business afloat,
so I jumped headfirst into the fast
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:moving world of online business.
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:Also, I was taking some time to really
study and research what was working in
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:and the latest thinking in communications
and marketing and audience engagement.
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:And while I was helping those
online businesses, I was
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:also learning from them too.
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:And the things that I was learning, I.
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:Discovered those same tools and strategies
that were driving these real results for
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:online business owners, all over the world
could be applied to cultural institutions.
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:The psychology, the
principles are the same.
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:The platforms are similar.
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:The psychology of how people make
decisions and where to spend their
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:time is completely transferable.
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:I began integrating what I learned
back in the museum world when my museum
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:clients opened up their doors again, and
that shift was immediate years later.
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:I still hear from those
clients who tell me that now.
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:Six years later, what we built together
is still driving their success.
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:And that's not an accident.
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:That's what happens when you stop patching
problems and you start building systems.
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:So what does that actually look like?
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:Let me walk you through the framework
that I teach, the Love My Museum Method.
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:Has three parts and each
one builds on the last.
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:This is something that I use
with my implementation clients.
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:Now.
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:It's something that I use
with my consulting clients.
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:It's something that I've written
about in an ebook, and it is working
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:The three parts, I call
them the three keys.
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:The first key is brand messaging.
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:Brand messaging needs to be
clear, consistent, and confident.
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:It is the foundation of everything.
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:When visitors land on your website,
scroll past your social media or
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:hear someone mention your museum at a
dinner party, they should immediately
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:understand who you are and why you
matter, and why they should care.
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:That clarity is what builds the marketing
cornerstones of know, like, and trust.
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:And without it, even the most beautiful
museum can feel like a stranger.
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:The pushback that I often get on this
is Amy, we're just a little museum.
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:We are not a big brand.
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:That doesn't matter.
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:The psychology works the same.
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:I also hear, well, we have
brand messaging, but it's
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:not really working well.
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:Then you're probably
not doing it correctly.
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:You probably haven't onboarded
your team to the brand messages.
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:You're probably not
using them consistently.
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:Maybe they aren't clear.
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:And maybe you haven't been
using them confidently.
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:It also could be that you think you have
brand messaging, like a mission statement,
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:but that's not quite what we mean.
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:The second key is visitor experience.
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:Here's something that surprises
a lot of museum leaders.
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:The visitor experience doesn't begin
when someone walks through your doors.
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:It begins the moment they
encounter you online.
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:It begins with a Google search,
a website visit, scrolling.
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:Through your Instagram, and if that online
experience is confused or outdated or just
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:forgettable, you are losing people before
they even step foot in your building.
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:I help museums design a visitor journey
that starts online and carries all the
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:way through the in-person experience,
one that makes every visitor want
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:to come back and bring a friend.
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:You do not want to have a museum where
people leave unimpressed, underwhelmed,
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:and feel like, okay, I check the box.
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:I don't need to go here again.
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:You want them to have such an amazing
experience, and you want to have programs
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:and events that are seasonal that they
want to incorporate into their lives.
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:Every museum needs to be a community
museum, and every visitor that comes to
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:your museum needs to be thinking about
when they're going to come back next.
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:The third key is media relations,
and this one is where a lot of museum
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:communicators have a huge untapped
opportunity because here's the truth, the
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:world trusts what others say about you
far more than what you say about yourself.
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:There's actually research to back this
up, That is why the third key of the
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:love my museum method is about building
authentic relationships with media,
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:earning third party endorsements, and
creating the kind of credibility that.
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:No ad budget is going to replicate.
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:You do not need a PR firm to do this,
and actually, as somebody who has
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:been that PR firm that gets called in
for an exhibit opening, I will argue
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:that media relations cannot just start
three months before your exhibit opens.
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:It needs to be year round.
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:Those relationships with the
media need to be an ongoing,
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:consistent thing that you do.
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:So those are the three keys.
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:Brand messaging, visitor
experience, media relations.
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:That's the method.
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:I have worked with so many museum
teams that have incredible content.
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:They have deeply committed staff.
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:They have real community roots, but I.
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:Maybe their messaging was scattered.
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:Maybe different team members were
communicating different things.
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:Maybe their visual brand and their brand
messaging and, and their digital presence
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:didn't match the in-person experience.
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:Staff sometimes is constantly reinventing
the wheel because there was no shared
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:system for how communications got done.
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:We do not want to work
in departmental silos.
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:We don't wanna keep things
really close to our chest.
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:The People that are coming to visit
your museum does not know the difference
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:between the education department and the
communications department and visitor
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:services when we start working together.
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:I take everything back to the basics.
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:We clarify the message.
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:We build consistent processes.
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:We give the staff a shared roadmap so
that everyone knew the priorities and how
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:their piece fit into the bigger picture.
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:And here is what one of the
leaders told me years later.
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:The success I have today is because
of the foundation Amy built years ago.
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:She encouraged me to take it back to
the basics, to help staff stay on course
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:with their task and to be consistent.
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:Years later.
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:That's the kind of result that happens
when you stop doing temporary fixes and
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:you start building something that lasts.
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:Let's talk about how we could
actually do this together, because
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:in addition to people saying we are a
hidden gem, they will also say to me.
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:Amy, this sounds like
a nice thing to have,
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:and I am going to argue
it isn't a nice to have.
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:It's something that you need.
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:and that means starting to do
things a little bit differently.
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:If you've ever heard the
saying, give Amanda a fish.
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:He will eat for a day.
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:Teach man to fish.
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:He will eat for a lifetime.
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:That is how I run my business now.
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:I love being the person
who can give you a fish.
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:I love the implementation
work that I do for museums.
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:I love.
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:Writing the press releases and
making the media calls and getting
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:people excited about your latest
and greatest exhibit or program.
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:I love that work, but there's
also only one of me, in addition
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:to giving museums the fish.
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:Now, I also want to teach you how to fish.
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:I wanted to create a better way.
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:To work with museums.
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:I have one project that
I would do every year.
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:I've actually been working on this
project on and off for 20 years now,
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:and every year that I would come
back, they would still be struggling.
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:In between their big project
for the other 11 months of the
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:year, nothing was happening.
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:There was no media relations being done.
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:There was no work on
communications strategy.
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:There was no communication strategy.
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:And do you know what the other thing
that's happened in those last 20 years?
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:They've gone from a full robust
team to a skeleton of a team.
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:They've gone from having multiple
donors and partners to having a
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:really hard time getting donors and
really struggling to find partners
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:If they had had a really
good communication strategy,
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:this would not be happening.
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:I don't think they're going to be
around much longer, and I don't want
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:that to happen to other museums.
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:Seeing this happen to them is one of
the reasons why I want to help more
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:museums and because there's only
one of me, it's one of the reasons
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:why I created a new way to work.
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:It's the teaching the Museum
to Fish part of my business.
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:But I wanna be really
clear about something.
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:I am not a typical consultant.
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:I don't come in hand over a
big report and then disappear.
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:I've spent too much time inside
museum teams to do that to anyone.
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:My goal is always to leave your
museum better than I found it.
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:With systems that keep working long
after our time together ends, what
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:I offer are strategic partnerships.
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:We work side by side.
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:Here's what that looks like
at three different levels.
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:So the tier one of strategic
partnerships is called the residency.
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:This is the highest level of support
and it's designed for teams who are
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:ready to do a full communications
recalibration inside and out.
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:We work together for six months across
three different phases in phase one.
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:I evaluate your current systems.
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:I'm looking for those energy leaks,
the places where your efforts aren't
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:reaching your audience, where your staff
is burning time and capacity on things
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:that aren't really moving the needle.
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:I do a.
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:Thorough analysis of both your
external messaging and your
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:internal communication protocols.
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:We end this phase with two reports
and a concrete 90 day plan.
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:In phase two, we build, we create what
I call a digital communications hub.
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:It is an organized, centralized home
for all of your communication tools.
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:There are templates and processes
that I share, and here's what I'm
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:especially proud of with this piece.
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:We build it so that anyone
on the team can run it.
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:If someone is out sick,
the system doesn't stop.
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:If there's turnover, the
roadmap is still clear.
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:You get to go away on vacation.
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:You are using all of your resources.
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:This is something that we build together
and it is customized for your museum.
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:In phase three, While your team puts
everything into practice, I'm still there.
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:I'm helping you fine tune it in real time.
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:I'm helping you do some troubleshooting
when things are getting kind of
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:sticky or messy, and I'm making sure
that the momentum doesn't stall.
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:I want this to become a habit.
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:I don't want it to end up on
a digital shelf somewhere.
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:So that is tier one.
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:Tier two is the advisory.
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:This is a three month partnership
where I come in and I work one-on-one
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:with the lead contact on your team.
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:We do a strategic audit first
of your external communications.
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:So whereas tier one also had the
internal communications piece.
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:Tier two is only external communications,
and we align my recommendations
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:with your specific goals, and
we turn your top priorities into
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:a concrete 90 day action plan.
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:And then we meet by weekly to
review progress, keep things moving.
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:And that lead contact gets access
to my trainings and resources.
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:This is really great if you are working
with a smaller team where people are
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:wearing a lot of hats and maybe somebody
is wearing the communications hat that
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:doesn't have the experience or the
training with communications, and so.
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:This really is me teaching them to fish,
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:teaching them a method and a
system and a strategy that they are
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:going to be able to use long term.
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:The result is that your team member
walks away with a very professional
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:framework for museum communications
and that confidence to you execute
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:on your most urgent priorities.
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:because three months
isn't a very long time.
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:We usually pick something that's
timely, so it could be that you have
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:an exhibit opening coming up, and
so that is what our focus is on.
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:It could be that you need a communications
plan for an upcoming event or project,
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:and so that is what we work on.
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:The third strategic partnership offer
is the museum digital assessment.
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:If you're not quite ready for a full
package, a full partnership, but you know
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:that your digital presence needs some
work, this is a great starting point.
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:In one focused month, I conduct a thorough
review of your entire online presence from
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:your website to social media engagement.
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:We look at email marketing
and we meet twice.
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:We meet once to go over the
recommendation, and then we will pick sort
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:of your your highest impact priorities.
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:And then you go away and you work on
those things, and then we meet again
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:at the end of the month to review
your progress, make sure you are
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:still set up for continued success.
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:The result is a digital presence
that's intentionally designed to build
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:that know, like, and trust factor.
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:That first part of the visitor journey.
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:Where we are removing friction so that
we're moving from, I found you online
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:to, I'm walking through your doors
and that feels effortless for people.
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:Sometimes when I talk to museums
about the Love My Museum method,
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:they will say, well, Amy, our museum
is unique, or, I don't think what
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:you're talking about is going to work.
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:The Love My museum method
is flexible, customizable.
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:And whether your museum is a
small historic home or a large
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:scale institution, whether you
,:
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:method adapts to where you are
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:You need a strategic partner who is
really invested in your long-term success.
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:So where do we go from here?
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:I want you to Imagine your museum
is a known beloved community hub.
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:People talk about it.
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:You have signature programs
that sell out every year.
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:Your staff shows up with clarity about
their roles and confidence in the
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:systems that you've built together.
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:your communications run consistently,
not because one heroic person is
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:holding everything together, but because
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:You have a real infrastructure in place
for communications and communication
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:strategy you stop being a hidden
gem and you start showing up like
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:the community hub that you are.
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:Running a museum is hard, but
getting expert support shouldn't be.
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:The simplest thing that you can do
today is book a discovery call with me.
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:It's 20 minutes.
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:We'll talk about your museum's
specific challenges and goals, and
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:I'll share how I might be able to help.
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:It might be the beginning of something
really great for your museum.
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:I will leave the link to schedule
a call in the show notes.
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:I would love to hear about your museum.
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:Thanks so much for joining me today.
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:Now, before I sign off, I am
going to play for you the New
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:Love My Museum podcast theme song.
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:I'll see you next time.