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Soho Bites 4: Secrets of Windmill Girl (1966)
Episode 43rd October 2019 • Soho Bites Podcast • Dominic Delargy
00:00:00 00:40:30

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Episode 4: Secrets of a Windmill Girl (1966) and Tales from Tin-Pan Alley

In Episode 4 we welcomed Dr Adrian Smith to discuss ‘Secrets of a Windmill Girl’, an exploitation film produced by the infamous Compton-Cameo team Michael Klinger and Tony Tenser. The two were fierce property magnets in their own right and owned, alongside their film production arm, a number of casinos and porn cinemas in Soho. They bought the Windmill Theatre in 1964 and converted it into a cinema.

The film is an attempt to ‘exploit’ their new purchase of the theatre and to ‘exploit’ what, beyond a surface level, appears to be the aftermath of the Profumo affair and the exponential explosion of porn magazines and seedy Soho. Filmed in glorious colour – the film follows a pair of friends who are desperate to be ‘windmill girls’.

As Adrian elaborates on his wonderful article here, the filmis naive and quaint, depicting the lives of young people in the mid-sixties as filtered through the contradictory viewpoint of middle-aged men, who both gaze with desire at these sexualised women whilst simultaneously condemning them for choosing that lifestyle.”

Adrian brought a whole load of Compton film related ephemera he picked up a few years ago. There are some examples HERE

To kick off the programme Dom attended a screening of the critically-acclaimed and award-winning documentary, “Tales from Tin-Pan Alley”, which is about the history of the UK’s only music street, Denmark Street. The alley has been devastated in recent years by the expansion of Tottenham Court Road station as part of the Crossrail project and Dom chatted to film-maker Henry Scott-Irvine about his groundbreaking film and about the historical significance of the street, one of the most important locations in London’s music history.

Watch the filmmakers discuss their journey on London Live

Dr Adrian Smith on Twitter and his blog

Henry Scott-Irvine on Twitter and the film’s official website

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