Dante the pilgrim leaves Marco of Lombardy behind, but Dante the poet is not yet done with fundamental questions for his poem--particularly, how does he know what he knows? The answer lies in the imagination, the shaky ground that Dante posits is the basis of revelation.

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Here are the segments for this episode of WALKING WITH DANTE:

[01:54] My English translation of the passage: PURGATORIO, Canto XVII, lines 1 - 18. If you'd like to read along or continue the conversation with me, please find the entry for this podcast episode on my website, markscarbrough.com.

[03:26] The first canto in COMEDY that opens with a direct address to the reader may help us understand the reader that Dante has in mind for his poem.

[05:50] The smoke of anger becomes a fog and mist, which then becomes clouds, all of which happens as poetic space overlays poetic space in a metaphoric tour de force.

[10:08] Aristotle (and Aquinas) argued that the imagination is only based on sensory input.

[13:09] Dante may well disagree, offering the imagination as a mechanism of revelation.

[17:51] Dante begins to claim that his own poem is divinely inspired.

[20:58] Rereading the passage: PURGATORIO, Canto XVII, lines 1 - 18.