It's all about the wild ride through the world of telemarketing in this episode! We dive into the hilarious chaos of unsolicited calls, with plenty of laughs and a sprinkle of frustration as we navigate the boundaries of what it means to be "voluntary." Our conversation takes a spin with the ever-dreaded Stats Canada surveys that come knocking at our doors—literally! We'll share our personal experiences and rants about how these calls feel more like harassment than helpful outreach, and trust me, there's no shortage of amusing anecdotes. Plus, we throw in some playful banter about music, including an unexpected detour into the saxophone world, where we argue about its rightful place in pop versus jazz. So grab your favorite drink, kick back, and join us as we pass or go through the ins and outs of telemarketing with a side of good humor!
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Takeaways:
Oh, I forgot what I was supposed to do.
Speaker A:I had a plan.
Speaker B:We just jumped on my bastard.
Speaker B:The claws, the claws.
Speaker B:They're calling you Wolverine.
Speaker A:Yeah, okay, there, I. I earmarked something for the intro.
Speaker A:Okay, I'm just trying to find it here.
Speaker A:Where is it?
Speaker A:Where is it, where is it, where is it?
Speaker A:I'm gonna find it.
Speaker A:Oh, this might be it.
Speaker A:Oh, no, that's you.
Speaker A:That's you.
Speaker A:I remembered because I said at some point this must be the one.
Speaker A:Okay, you ready?
Speaker A:Here's the new theme song.
Speaker A:Wait.
Speaker A:Oh, yeah.
Speaker A:I'm not sharing.
Speaker A:God damn it.
Speaker A:It's like a theme song.
Speaker A:Oh, yeah.
Speaker B:Okay.
Speaker A:Why can't I share?
Speaker B:Fuck.
Speaker A:The share button doesn't work anymore.
Speaker A:What the fuck?
Speaker A:Share.
Speaker B:This is the technical difficulty podcast.
Speaker A:Okay, now I'm sharing.
Speaker A:All right.
Speaker A:You should be able to hear anything I do.
Speaker A:Here's the new theme song.
Speaker A:Hopefully I'm grabbing the right audio clip.
Speaker A:You ready?
Speaker B:Okay.
Speaker C:Yeah.
Speaker C:It's a two hour show.
Speaker A:A two hour show.
Speaker C:I'm off to Syracuse today to have a doctor's appointment and I get to listen to Sean Geek and Fast fret.
Speaker C:Hit it.
Speaker C:Welcome to the Sean Sean Geek.
Speaker C:The Sean Geek and Fast F podcast.
Speaker A:Yeah, you got it, folks.
Speaker A:It's me again with a little aptitude for all you out here in white bread land.
Speaker C:Let's see, we're on 92 FM.
Speaker A:It feels like a nice, clean little bed so far.
Speaker A:No one else is using it.
Speaker A:Price is Right.
Speaker A:Did you find your Crusty Dave?
Speaker A:This is bigger than friendship.
Speaker B:This is what you call cosm.
Speaker A:The Buddhists call it, Let me see.
Speaker A:Reincarnation.
Speaker C:We see.
Speaker B:We see.
Speaker C:Hey, wait a minute.
Speaker C:Since when is Pismo beach inside a cave, I wonder.
Speaker C:You know, I just bet we should.
Speaker A:Have turned left at Albuquerque and then.
Speaker C:Maybe a right turn at La Jolla.
Speaker A:You control this.
Speaker A:What the hell shirt are you wearing?
Speaker B:Oh, this is the one I got for.
Speaker B:I think it was for Christmas one year.
Speaker A:So what does it say here?
Speaker A:Just another sexy ass bald guy.
Speaker A:I love it.
Speaker A:I love it.
Speaker A:Oh, my God, this is great.
Speaker A:Do you see mine?
Speaker A:My Value Village.
Speaker A:Fine.
Speaker A:Here.
Speaker A:I'm gonna stand up a little bit.
Speaker B:Well, I was getting.
Speaker B:When I wasn't.
Speaker B:I getting comments to say we gotta buy Todd more shirts because he keeps wearing the same ones.
Speaker A:There, you see mine?
Speaker B:Quebec Poutine.
Speaker A:Yep, Valley Village.
Speaker A:Fine.
Speaker A:So we bought, like, five or six shirts.
Speaker B:What the hell?
Speaker A:No, I'm, like, doing the Ziggy thing.
Speaker A:There we go.
Speaker B:Yeah.
Speaker B:What?
Speaker B:What?
Speaker B:Putin.
Speaker B:Is that.
Speaker B:Is that Putin, Robbie?
Speaker B:Or Is that.
Speaker A:No, no, it's a Putin Quebecois.
Speaker A:It's not a Putin Nouveau Brunswick.
Speaker B:Okay, so this is like a fake poutine.
Speaker B:Okay.
Speaker A:Controversial.
Speaker B:Yeah, I guess it's the same as when they call football soccer.
Speaker A:It's the same thing, isn't it?
Speaker B:They call it the same, but it's not.
Speaker A:What does Kevin Brown have to say about this?
Speaker B:It depends where you're from.
Speaker A:I. I do like soccer and it's the sport.
Speaker A:This is what I will watch.
Speaker A:I used to be a big baseball guy growing up, you know, with dad.
Speaker B:And stuff, but married into the Portuguese family.
Speaker B:Of course, that's.
Speaker B:That's a prerequisite now.
Speaker A:Yeah, it's soccer.
Speaker B:Oh, yeah.
Speaker B:Or.
Speaker B:Or is it soccer?
Speaker B:No, sorry, football.
Speaker B:Yeah, is it football or is it soccer?
Speaker A:It's definitely soccer.
Speaker B:Oh, it's soccer.
Speaker B:Okay.
Speaker B:Oh, yeah.
Speaker B:It's not football.
Speaker B:Well, who says.
Speaker B:Who plays?
Speaker B:Who says it's football?
Speaker A:No, no, sorry, they.
Speaker A:Sir, sorry.
Speaker A:They say it's football.
Speaker A:My mistake.
Speaker B:Okay.
Speaker B:They call it football, right?
Speaker B:Okay.
Speaker B:Yeah.
Speaker B:With a different type of ball.
Speaker B:The only ones you can do with.
Speaker B:Okay.
Speaker B:If you say they've got the ball and they have your foot.
Speaker B:Okay, so now if you went to the oblong football version, if you were to change the name, would.
Speaker A:Would you.
Speaker B:Would you call it pass ball, throw ball?
Speaker B:Because it throws better than it kicks.
Speaker B:Really?
Speaker B:I mean, it's not like you can.
Speaker B:Oh, yeah.
Speaker B:You try and run after what is ball.
Speaker A:You can't do anything with it.
Speaker A:It bounces.
Speaker A:It goes cockeyed when it lands.
Speaker B:Exactly.
Speaker A:It's.
Speaker A:It's like.
Speaker A:It's like a 12 year old.
Speaker A:12 Year old pubescent boy.
Speaker A:You get no coordination whatsoever.
Speaker A:That's a.
Speaker A:That's a oblong ball.
Speaker B:It's a Weeble Wobble.
Speaker B:It just.
Speaker B:Weevil wobbles everywhere.
Speaker A:Weeble Wobble Ball.
Speaker A:Wait, that has way, way more commercial appeal.
Speaker B:There we go, another nailing someone else's.
Speaker A:Name and sounding arrogant about your sport.
Speaker A:There.
Speaker B:We have another name for a shirt.
Speaker B:The Weeble Wobble Ball.
Speaker A:The Weeble Wobble Ball.
Speaker A:So when we get our notes off of this, the transcript, I'm gonna have to remember that one.
Speaker B:Yeah.
Speaker A:Oh, my word.
Speaker B:Yeah.
Speaker B:So.
Speaker A:So yesterday.
Speaker A:Oh, shit.
Speaker A:Okay, this is.
Speaker A:I know what you're gonna talk about because Sylvie said, have you talked to Todd yet?
Speaker B:I said, no, no, no.
Speaker B:I don't think anybody knows about this.
Speaker B:No.
Speaker B:Okay, yesterday, Monday.
Speaker B:So I.
Speaker B:We've been off.
Speaker B:This was our week off.
Speaker B:Right.
Speaker B:So this was Monday, was our first day back.
Speaker B:So we leave Here, first thing we see, I guess is a, I guess a cat or something got run over or something.
Speaker B:So that was like, okay, well that's not good.
Speaker B:So I'm getting towards work where I turn left at the lights and further up the street there's a crosswalk.
Speaker B:So as soon as someone hits a crosswalk, everybody stops.
Speaker B:Hey, I got all kind kinds of time.
Speaker B:I can turn right.
Speaker B:Some guy blasts out of the parking lot just on this side of the lights, guns it.
Speaker B:So now I have to wait.
Speaker B:And then he pulls out in front of me, trying to go into the parkade where I'm trying to go.
Speaker A:Good thing it wasn't slippery.
Speaker B:Yeah.
Speaker B:So I get behind him, he goes in and I guess before.
Speaker B:So the way it works now is with all the security that we have when you put your, your tag onto the, the thing to open up the gate.
Speaker B:So you have an arm that comes up and then you have an actual roll up gate that comes up, right.
Speaker B:And then you drive through.
Speaker B:So he went up to the, the thing, put his tag in, the gate came up, then the roller gate came up and then he drove through.
Speaker B:So I tapped my thing, the gate comes up, the roller gate comes down and I'm like, what the hell's going on?
Speaker B:So I try and creep up a little bit more maybe I thought it was a sensor thing, so I had to back up.
Speaker B:So I use my tag again.
Speaker B:It says, oh no, you can't use your tag.
Speaker B:You're already inside.
Speaker B:So.
Speaker B:So I guess that's so people don't back or whatever.
Speaker A:Yeah, yeah.
Speaker B:Here's my card.
Speaker A:Here's my card.
Speaker A:You can come in.
Speaker B:Yeah, yeah.
Speaker B:So there's like, oh, for frick's sake.
Speaker B:So I had to press the button to get a ticket for the, the thing to open.
Speaker B:So.
Speaker B:Okay, well that's fine.
Speaker B:So I was like, well, this is a great morning so far.
Speaker B:So I drive in, I was able to park.
Speaker B:Okay, that was fine.
Speaker B:We get to the elevator, it's all good.
Speaker B:We get to the doors, I go inside.
Speaker B:Now during my time off, we had bought bananas.
Speaker B:So you know, after a while, bananas, they start to, you know, they go from green to yellow to the spotty and then they get darker spotties.
Speaker B:And as it gets darker spotty, the skin gets, I want to say mushy, but just it's not as firm.
Speaker B:It's not, it's not held together as much as well.
Speaker B:Okay, so, so I get into my office, I put my stuff down, I grab my bananas and my lunch.
Speaker A:Now this Isn't a euphemism.
Speaker A:Right?
Speaker A:You grabbed your bananas.
Speaker B:Grab my bananas now from where I am, because there's two areas.
Speaker B:There's the area that I'm in and then there's the dispatch area, and that's where the.
Speaker B:That's where the fridge is.
Speaker B:So I take my key and I've got one of those retractable key things.
Speaker B:So it's like a fob on my.
Speaker B:On my side.
Speaker B:So I put the key in, I turn it, I open the door.
Speaker B:And then I noticed that one of my bananas has now peeled itself and now has hit the.
Speaker B:Hit the ground.
Speaker B:So the raw part of the banana hit the ground.
Speaker B:So an.
Speaker B:Oh for crap.
Speaker B:So I grab it and then the other one started rolling out, so I went to grab that.
Speaker B:And meanwhile, while this is happening, I'm walking in the door.
Speaker B:The door closes behind me.
Speaker B:My key is still in the lock on the other side of the door with the rope hanging on this side of the door.
Speaker B:And the only way to open it is to have the other key on the other side to open it with.
Speaker B:So then I had to.
Speaker B:I unbuckled myself, and then from there I threw myself in the fridge.
Speaker B:I says, oh, this is going to be a great Monday.
Speaker B:So then I go around on the outside of the area, and then I use my.
Speaker B:I've got a badge that I can scan in to my area.
Speaker B:So I scanned in, went back to the door where the key.
Speaker B:I left it in.
Speaker B:Then I had to open up the door, take it off, put it back on.
Speaker B:Yeah, it was.
Speaker B:It was quite the.
Speaker B:It was quite the morning.
Speaker B:You know, you have those mornings, like, well, there's three things.
Speaker B:It's like, well, what are the three things?
Speaker B:So I think that was it at that point.
Speaker B:And after that, I think I just locked myself in the office and did my emails because it, you know, when you're on holidays for a week, they tend to pile up.
Speaker B:So, yeah, so that's my story.
Speaker B:And I might have a couple pictures I can probably send you so you can kind of visualize what.
Speaker B:What had happened.
Speaker B:I've got a stringy banana peel and the keys are in the door with the lock on the wrong side.
Speaker B:So I'll.
Speaker B:I'll.
Speaker A:That'd be a great cover for the episode.
Speaker B:Y.
Speaker A:Great thumbnail for the episode.
Speaker A:Maybe that's what we need.
Speaker B:I'll send you those.
Speaker B:So what was it.
Speaker B:What was it you were saying that I was going to say, I don't.
Speaker A:Know if you're allowed to talk about this.
Speaker A:On air.
Speaker A:This might be a private.
Speaker A:Or not private based on where you work.
Speaker A:So apparently something happened today.
Speaker A:It's going to screw you over, I guess, until things are resolved.
Speaker B:Oh, they got hacked.
Speaker A:Are you allowed to talk about it or.
Speaker B:No, no one said I couldn't.
Speaker A:Okay.
Speaker A:It's in the news already.
Speaker A:Already.
Speaker B:Yeah, it's in the news.
Speaker B:I guess they.
Speaker B:I'm not sure.
Speaker B:They.
Speaker B:They hacked into the system somehow.
Speaker B:I guess it must have been a port open or something, so.
Speaker A:It's so easy to do.
Speaker A:Like anybody.
Speaker A:Like, they're so freaking talented.
Speaker B:Yeah.
Speaker B:Just affecting the door access and.
Speaker B:And the ventilation.
Speaker B:So, I mean, whatever was online at the time is on.
Speaker B:Yeah, but you can't change anything.
Speaker B:So I guess they're working on that.
Speaker B:So that's.
Speaker B:That's.
Speaker B:That's what's happening there.
Speaker A:So that's happened at work before, too, for me.
Speaker B:Because Monday morning, it's crazy.
Speaker B:We have a management meeting in the mornings on Monday morning.
Speaker B:So that came about.
Speaker B:We're all.
Speaker B:We're all on Zoom, right?
Speaker B:There's about 18 people waiting and.
Speaker B:And the big boss is not there and the second in command is not there.
Speaker C:So.
Speaker B:So one of the other guys just called it.
Speaker B:I says, yeah, I think they're.
Speaker B:They're tending to this.
Speaker B:This.
Speaker B:This incident that happened.
Speaker B:So I guess we'll just cancel the meeting for now.
Speaker B:So.
Speaker B:Jeez.
Speaker B:Yeah, so that was my.
Speaker B:That was my Monday.
Speaker B:Today wasn't so bad, but it feels.
Speaker A:Like it's been like.
Speaker A:Like we're recording on Thursday or something.
Speaker A:Like it feels like it's been like four days this week so far.
Speaker B:Well, it's only Tuesday and we already have our libations.
Speaker A:Yeah, I'm already halfway through the first one.
Speaker A:This is going to be a rough episode.
Speaker A:Oh, geez.
Speaker A:So my.
Speaker A:My note taker thing kind of fumbled the ball here, it looks like, because what I've been doing is I've been taking the transcript and.
Speaker A:And basically up.
Speaker A:But we talked about this before.
Speaker A:What do we need to follow up on?
Speaker A:What have we not talked about?
Speaker A:What do we need?
Speaker A:Because we would every.
Speaker A:Every time we record Todd, and sometimes we'd have like a two, three week break between recordings.
Speaker A:We have no idea what we talked about last time.
Speaker A:Ongoing saga according to the.
Speaker A:The charts and.
Speaker A:And stuff.
Speaker A:People need to know what's going on and they need.
Speaker A:When we offer a cliffhanger like, I'm about to build my shed, and then you don't follow up with it.
Speaker A:You don't follow through.
Speaker B:Whatever happened to the Shed.
Speaker A:Yeah, there's called something called fan service.
Speaker A:And this you for fan service is to tell us where are you with your shed?
Speaker B:Well, as you know, like I said, I had last week off, so it was quite the busy week.
Speaker B:But every time I was going to go figure, well, maybe I should go and pick up, you know, the lumber and maybe start the base of it.
Speaker A:Sure.
Speaker B:And it's been overcast and it's, it's always been chances of thunderstorms.
Speaker B:And it's like, okay, well I don't want to start this because it's not pressured like the, the, the base isn't going to be pressure treated like the underneath.
Speaker B:Well, but not the actual floor.
Speaker B:So that's all I need is to get that built.
Speaker B:And then it starts pulling, pouring.
Speaker B:So I was like, ah, I'll wait.
Speaker B:So now it's to the point where I, I might wait till it's, you know, cooler weather and maybe some less, you know, less chances of rain because that's all they seem to be forecasting lately.
Speaker B:Although knowing now that it didn't really rain a whole lot on holidays, it was just kind of a sprinkler here.
Speaker B:Sprinkler that like the weather itself was great.
Speaker B:So we took advantage and, you know, sat outside.
Speaker B:We've got this squirrel.
Speaker B:My man got us a Winnipeg jets bird feeder.
Speaker B:So we use it as a nut dispenser for the squirrels.
Speaker B:So there's one squirrel, he's very vocal and you come out and he sees it, he gets all excited, especially first thing in the morning right where our window is.
Speaker B:As soon as we open up the window, he's on the fence looking in and he's going, I'm here, I'm waiting for my nuts.
Speaker B:So then we come out, we give him a handful of nuts and then the same thing when we come home, he's chirping away and he's running up and down the branches saying, hi, I guess you want to say.
Speaker B:So I'll give him some, some more nets and then Winston will go outside and then it won't bother him at all, which is weird because he'll just lay, he likes to lay under the truck.
Speaker B:And then one of the days I was off, I was just kind of sitting there and this brown squirrel comes up and fairly, fairly big.
Speaker B:He comes up beside me on the left hand side where the barbecue is and I see him there.
Speaker B:So, okay, so I went and grabbed some nuts and I gave him a nut.
Speaker B:And then you take off.
Speaker B:Then he'd come back, give him Another and take off.
Speaker B:And then he made the mistake of going around the other side of the house where the other squirrel is.
Speaker B:As soon as he saw him, he just chased him off.
Speaker B:But Winston just kind of watches the.
Speaker B:Watches the show.
Speaker A:How does he react to it?
Speaker A:Does he get like.
Speaker C:Oh, my God.
Speaker A:Does he get all, like, freaked out or what?
Speaker B:Well, he kind of gets the.
Speaker B:Like, his instinct kicks in where it's like, I should be doing something chasing him.
Speaker B:Like, he.
Speaker B:He gets kind of like a.
Speaker B:Okay, semi pounce.
Speaker B:Or he kind of gets down low to the ground, but he's more so watching.
Speaker B:He's not really, you know.
Speaker A:Sorry, I'm playing Come to my window.
Speaker B:Oh, okay.
Speaker A:I thought it was appropriate anyway.
Speaker B:Go on.
Speaker B:Yeah.
Speaker B:And then we have another squirrel that usually comes out to the front yard.
Speaker B:And the front yard we've got.
Speaker B:Well, the door we have in the front has glass all the way from the top to the bottom.
Speaker B:So Winston will sit there and he'll watch the squirrel as he comes and grabs one nut at a time.
Speaker B:He'll grab it, take off across the street, come back, grab another one.
Speaker B:So that's kind of his entertainment, too.
Speaker A:Simon would lose his.
Speaker A:He howls, he's crying.
Speaker A:He starts pouncing on the window to try to get through.
Speaker A:Oh, he loses his.
Speaker A:It's.
Speaker A:It's crazy.
Speaker A:It's not good.
Speaker A:Not good.
Speaker B:No.
Speaker B:Well, a little different.
Speaker A:So what else has been going on?
Speaker A:Let's see.
Speaker A:We need to get a reaction from Kevin Brown on this tribute song or the.
Speaker A:This song.
Speaker A:But that'll be next week.
Speaker A:We got him and Corey Morrissetter coming in next week to chat.
Speaker B:Sweet.
Speaker A:That should be fun.
Speaker B:Yeah, that should be great.
Speaker B:Yeah, I've got.
Speaker B:I've got a lawnmower I'm going to be selling.
Speaker A:Okay.
Speaker A:Oh, the electric one.
Speaker B:No, not the electric.
Speaker B:No, the.
Speaker B:The gas one.
Speaker B:But I want to get this shed done first so I can get stuff out of the garage.
Speaker B:Yeah, yeah, because my garage is getting smaller, and it's.
Speaker B:It's just a matter of just grabbing stuff and putting into a shed.
Speaker A:So mom was trying to get me to buy a gas lawnmower.
Speaker A:Like, why?
Speaker B:Why?
Speaker B:Well, I don't know.
Speaker B:What do you have right now?
Speaker A:I have an electric one.
Speaker A:You plug it into the wall, and Bob's your uncle.
Speaker B:Yeah.
Speaker B:I mean, they're.
Speaker B:They're.
Speaker B:You don't have to worry about gas.
Speaker A:Well, that's the thing.
Speaker A:I don't want to.
Speaker A:Like, we're going.
Speaker A:We're going into a gasless society, you know?
Speaker B:Well, more so.
Speaker B:Yeah.
Speaker B:Yeah.
Speaker B:I like my battery one.
Speaker B:That's.
Speaker B:That's good.
Speaker B:I used to have electric one.
Speaker B:I remember I used to have that stupid long cord like when.
Speaker B:Yeah, we were in Riverview.
Speaker B:I. I'd mow the lawn and I'd have to, you know, take the cord and flip it back.
Speaker B:And then you had to cut the lawn a certain way so you didn't run over the cord.
Speaker B:You had to keep moving all the time.
Speaker A:I have a question for you with your Nissan.
Speaker A:Sorry, I don't know why I'm thinking about this right now, but you're pulling up with the car.
Speaker A:We're talking about pulling the cord.
Speaker A:Talk about gas mowers.
Speaker B:Right?
Speaker A:So I was talking to some guy.
Speaker A:I'm not going to say who it was.
Speaker A:We'll just say he was a car guy.
Speaker B:Okay.
Speaker A:On the selling side.
Speaker A:And apparently the Toyota RAV4, no more gas.
Speaker A:Pure hybrids.
Speaker A:They're.
Speaker A:They're making them as hybrids only.
Speaker B:Oh.
Speaker B:So hybrid.
Speaker B:Yeah.
Speaker A:Yeah.
Speaker A:So basically the equivalent of your vehicle, but for Toyota and I think the Honda's CRVs are going the same way.
Speaker B:Which is the other equivalent.
Speaker B:Well, mine's full gas.
Speaker B:The Rogue is full gas.
Speaker B:It's it.
Speaker B:Out of all the ones that are gas, it probably has a higher miles per gallon or per liter, depending where you're from then the others.
Speaker B:It.
Speaker B:It's kind of closer to the hybrids, but not, you know, not that good.
Speaker B:But still.
Speaker B:Still pretty good.
Speaker A:Yeah.
Speaker A:Mine has an eco function on it.
Speaker A:This crazy thing which.
Speaker A:Which I realized when I'm on the highway driving a lack to Bonnie and I want to pass somebody.
Speaker B:Oh yeah.
Speaker A:Okay.
Speaker A:Let's slowly pass this car.
Speaker A:We'll take our time.
Speaker A:There's oncoming traffic.
Speaker A:It's only a two lane highway.
Speaker B:You don't have a switch.
Speaker A:Well, I gotta turn it off.
Speaker B:Oh, okay.
Speaker A:I got a big green button I can turn off.
Speaker B:Okay.
Speaker A:As opposed to the big red button.
Speaker B:But yeah, I had went jamming one day and my gas was.
Speaker B:I was like a quarter tank, maybe a little less.
Speaker B:I was like.
Speaker B:So I put it in eco mode and what it does is every time you stop the car, it tells you what the best trip was.
Speaker B:Right.
Speaker B:Okay.
Speaker B:So that one comes up every time because I put it in eco mode.
Speaker B:No balls whatsoever.
Speaker B:You know, limping your way home pretty much.
Speaker B:But it didn't use as much gas.
Speaker A:Are you suggesting ecologists have no testicles?
Speaker A:Todd.
Speaker A:What?
Speaker A:Ecologists have no testicles.
Speaker A:Well, you just said they got no balls.
Speaker A:You said your eco has no Balls.
Speaker A:So.
Speaker B:Oh, my.
Speaker A:So are you making a disparaging comment about ecologists or.
Speaker A:Or oncologists?
Speaker B:I don't know what the frick's an ecologist?
Speaker A:Just talking out of my ass.
Speaker A:Just like.
Speaker A:Just like normal.
Speaker B:So, like E stem.
Speaker B:What is that E.
Speaker A:What's this thing?
Speaker A:I. I've got all these things here, but unfortunately, I don't have my.
Speaker A:What's this Here.
Speaker A:Okay, so.
Speaker A:Oh, my God.
Speaker A:Okay, so that sound clip.
Speaker B:Yep.
Speaker A:I don't know if you heard it there or not, but I'm talking to Peachy Peach about Kissy Kiss.
Speaker A:One of my favorite lyrics of all time in a song.
Speaker A:Favorite, favorite, favorite.
Speaker A:It's the one I quote all the time.
Speaker B:Never heard you say it before.
Speaker A:Well, now you've heard it.
Speaker A:And this is.
Speaker A:I'm gonna play it again.
Speaker A:Take a look.
Speaker A:Well, you know what?
Speaker A:Fuck it.
Speaker B:I'm gonna play the song.
Speaker A:One of my favorite songs of all time.
Speaker B:Who's it by?
Speaker B:I don't think anybody else has probably heard it.
Speaker A:Oh, see, nobody likes my music.
Speaker B:You know what?
Speaker A:Okay, wait, hang it.
Speaker B:You have a different taste.
Speaker B:Can we.
Speaker A:Can we address some fucking controversy here again?
Speaker A:Do I need my rap music?
Speaker B:Okay, okay, your turn.
Speaker A:Where's my rap music?
Speaker A:Okay, so I've got.
Speaker A:This is extended 1 1/2 minutes.
Speaker A:I got 1 1/2 minutes.
Speaker A:The voicemaker plate.
Speaker A:Okay, so there's this chat, and I don't know if it's mixtapes from hell or from.
Speaker A:And the podcast where.
Speaker A:I don't know.
Speaker A:I'm in so many fucking chat rooms.
Speaker A:Okay?
Speaker A:This is my rant.
Speaker A:I'm in too many fucking chat rooms that half the time I don't know if I'm on.
Speaker A:We're on our channel or someone else's channel.
Speaker A:I have no fucking idea.
Speaker A:So anyway, they're talking about the greatness of saxomophones.
Speaker A:I don't like saxophone.
Speaker B:You don't like saxophone.
Speaker A:I don't don't like you.
Speaker B:Lewis in the news.
Speaker A:Yeah, but that's proper use of saxophone.
Speaker A:See, there's proper saxual satisfaction in a song.
Speaker A:Unfortunately, most of the time people are going for the quick pop on the saxual satisfaction quick.
Speaker A:You know, like in.
Speaker A:I don't know, a Madonna song with a saxophone in it.
Speaker A:Like, what's the point?
Speaker A:It doesn't service anything.
Speaker A:But generally, my complaint about saxophone is that you'll have a band to get together.
Speaker B:Careless Whisper.
Speaker C:Hell,.
Speaker A:I might have to insert some sound clips later.
Speaker A:But anyway,.
Speaker B:It's like an orchestra.
Speaker A:Okay, Anyway, generally.
Speaker A:See, this is My thing in the 80s, right?
Speaker A:So in the 70s, you had all these Leonard Skinner and all these Southern fried rock bands, you know, dual guitar, sometimes three guitar players in a band, you know?
Speaker A:But then you get bands like old ZZ Top, like, very guitar.
Speaker A:Like it's not just chunky, like stanky guitar, you know?
Speaker A:And that is the hook.
Speaker A:The guitar that.
Speaker A:There's a little hook in that.
Speaker A:In that.
Speaker A:In that guitar line.
Speaker A:That's the hook of the song.
Speaker A:That's the meat of the song.
Speaker A:And it's ballsy and it's sexy and it's stanky.
Speaker A:Right?
Speaker B:Not like Harris Wilfred.
Speaker A:Not like Carolus Whisperer.
Speaker A:That is so limp.
Speaker A:One is an erection, one is a flaccid penis.
Speaker A:That's the difference between.
Speaker B:It's catchy.
Speaker B:It's got a hook.
Speaker A:It is catchy.
Speaker A:It is a hook.
Speaker C:That's.
Speaker B:That's the hook for the song.
Speaker A:But the hook doesn't change.
Speaker A:It remains constant through the whole song.
Speaker A:So there's no variation.
Speaker B:Well, that's true.
Speaker B:I must put on.
Speaker A:Now, if.
Speaker C:If we.
Speaker A:If we hear Careless Whisper and compare it to Panama, which has the better hook?
Speaker B:I don't think Panama has saxophone phone.
Speaker B:No, no.
Speaker A:Although.
Speaker A:And which was that comment that I sent to you?
Speaker A:I said, what was that great.
Speaker A:Was that great Van Halen song with the sax solo?
Speaker A:You remember the one?
Speaker A:No, no, because there wasn't one.
Speaker B:The clarinet.
Speaker A:Yeah, through the clarinet.
Speaker A:But that is possibly one of the best solos of any kind on any Van Halen album, because it was Jan Van Halen playing.
Speaker A:And if there was no Jan Van Halen, there would be no Eddie Van Halen or Alex Van Halen island for that matter.
Speaker A:So, you know, it was his.
Speaker A:Their dad.
Speaker A:Because of their dad, they had the chops.
Speaker B:Yeah.
Speaker B:What was the mom's name?
Speaker A:Oh, I can't remember now.
Speaker B:Trivia.
Speaker B:Trivia question.
Speaker B:What's Ellie, Eddie and Alex's mother's name?
Speaker A:All right, you know what talks about.
Speaker A:I'm sure Dwayne is yelling at the radio right now.
Speaker B:Wow.
Speaker A:Or Josh.
Speaker A:No, sorry, it'd be Josh.
Speaker A:I think it'd be Josh.
Speaker A:Josh be like, what the hell are you doing?
Speaker A:Okay, so I'm just trying to find this song.
Speaker A:Oh, my God.
Speaker A:Where's this album?
Speaker A:See, we totally went off on it.
Speaker A:We totally went off, and I totally forgot what I was doing.
Speaker B:Oh, talking about Josh.
Speaker B:Yeah, I was talking to him quite a while back regarding the Tonx pedal, and I couldn't really get it to work properly.
Speaker B:So our spin.
Speaker B:Spin the wheel.
Speaker B:Little Clip that we have.
Speaker B:That's.
Speaker B:That's what I actually used.
Speaker B:I use a Tonx pedal for that.
Speaker B:But just a little blurb.
Speaker B:You got a lot of springs in your area.
Speaker B:Every time you type, it sounds like you're in a.
Speaker B:You get like shock absorber springs that are in the background.
Speaker B:Ringing.
Speaker B:Or is it.
Speaker A:That's that this thing typing.
Speaker B:Oh, okay.
Speaker A:Okay.
Speaker A:So apparently someone's gonna.
Speaker A:We can.
Speaker A:Okay, they're recording now.
Speaker A:Those that end the podcast will rock.
Speaker C:We start.
Speaker A:I started earlier so I didn't interrupt someone else's flow.
Speaker A:So I could maybe shot you show up on their show or something.
Speaker A:But now they're recording early today.
Speaker A:You're like, what the hell?
Speaker B:Well, what time do they normally record?
Speaker B:7 O'.
Speaker B:Clock.
Speaker A:7 O'.
Speaker B:Clock?
Speaker A:Oh, yeah.
Speaker A:We started half an hour late because Ellie lost her Tamagotchi.
Speaker B:Well, it was gonna be earlier, but.
Speaker B:Oh, well, anyway, that's all right.
Speaker A:Okay.
Speaker A:So I was trying to find this song.
Speaker A:Okay, this is a passer passer go.
Speaker A:So I've got to go back.
Speaker B:Okay.
Speaker A:You can vamp or something now.
Speaker B:Is this the one that you just played, bag boy?
Speaker A:Yeah, that's the one I just played.
Speaker B:Okay, let's.
Speaker B:Let's hear.
Speaker B:Hear what?
Speaker B:The sound song sounds.
Speaker A:Okay, you ready?
Speaker A:Okay.
Speaker B:Y.
Speaker C:All day you're so pretty when you're thankful to me get some pretty dreaming you're faithful to me.
Speaker C:Your bones gotta let all my shame.
Speaker A:Here comes the line.
Speaker A:Hang on.
Speaker C:I was talking to peachy peach about kissy kiss.
Speaker A:Totally your cup of tea.
Speaker A:Obviously in your wheelhouse.
Speaker B:You definitely have different taste in music.
Speaker B:I don't even.
Speaker B:What.
Speaker B:What.
Speaker B:How many BP.
Speaker B:What was the beat like?
Speaker B:How many BPMs was that?
Speaker A:It wasn't very fast.
Speaker B:I. I couldn't even figure out what kind of a beat that was,.
Speaker A:Which was emulated by.
Speaker A:On a song by the Dandy War.
Speaker C:Or.
Speaker A:Wait, Dandy Warhols.
Speaker A:No, Dandy Warhol by Spoon Spoon emulated that beat on one of their other songs.
Speaker A:Except they didn't.
Speaker A:The drummer wasn't there for whatever reason.
Speaker A:I'm not sure why, but instead they.
Speaker B:Played the bucket or something.
Speaker A:No, they.
Speaker B:They.
Speaker A:They mouthed.
Speaker B:They mouth the mouth.
Speaker B:They mouthed both the drums.
Speaker B:Wow.
Speaker A:Wait, come.
Speaker B:I mean, I've heard of someone, like, humming, you know, a tune or you know the lyrics, but not humming the drums.
Speaker A:Okay, well, here we go.
Speaker A:Here's the.
Speaker A:Here's the other song.
Speaker A:Emulates the beat I'm making up, by the way.
Speaker A:Oh, no, that's wrong.
Speaker B:What?
Speaker A:I don't want A live clip.
Speaker A:I want the actual album.
Speaker B:This is their voices emulating the drums.
Speaker A:Oh, here we go.
Speaker A:Hang on.
Speaker B:Okay,.
Speaker A:Can you hear the bass?
Speaker A:I think someone's going.
Speaker B:Instruments.
Speaker B:We don't need no stinking instruments.
Speaker A:We got a live mic.
Speaker A:That's all we got.
Speaker A:Can we use the live mic?
Speaker B:You know?
Speaker B:Yeah, that's like the.
Speaker B:That's like the guy from Police Academy.
Speaker B:He was.
Speaker B:Who was doing the.
Speaker B:Oh, yeah, yeah.
Speaker B:Doing the whole thing.
Speaker B:Yeah.
Speaker B:Holy whole band.
Speaker A:Your cat's loud.
Speaker B:Oh, yeah.
Speaker A:Well, what's he.
Speaker A:What's he pissed off about?
Speaker A:Oh, because I'm.
Speaker B:Because, I mean, here he likes to sit in my lap and give you.
Speaker B:Sometimes he.
Speaker B:He lays on my.
Speaker B:On my stomach and falls asleep.
Speaker B:But he can do that later.
Speaker A:Oh, boy.
Speaker A:So you don't like either one of those songs?
Speaker A:I'm.
Speaker B:Not something I'd have on my ipod playlist.
Speaker B:Let's just put it that way.
Speaker A:No.
Speaker B:Yeah.
Speaker B:Or pay money to go see.
Speaker C:Wow.
Speaker B:Yeah.
Speaker B:Although there's not very many bands that I would pay to go see now because it's just.
Speaker B:It's just astronomical.
Speaker A:The price tag.
Speaker A:Yeah.
Speaker B:Crazy.
Speaker B:It's like, oh, wow.
Speaker B:Rush would have been a good one if I would have went to one.
Speaker B:But it's like you have to pay for accommodations.
Speaker B:You have to pay for the flights, then you have to pay for the exhaust tickets.
Speaker B:Yeah.
Speaker B:And you're in a whole different place.
Speaker A:It's in Toronto where everything is like four times the price.
Speaker A:Because we're Toronto.
Speaker A:I don't understand the appeal of Toronto.
Speaker A:Like, everything's so expensive.
Speaker B:Why?
Speaker A:Because we're Toronto.
Speaker A:Yeah, but what's the appeal?
Speaker A:Because we're Toronto.
Speaker B:Well, yeah, it's the biggest.
Speaker B:You know, it's the biggest city in Canada.
Speaker B:I'm sure.
Speaker A:But I don't know, it's kind of a turn off.
Speaker B:You're paying for.
Speaker B:You're paying for being in the.
Speaker B:In the heart of it all, I guess.
Speaker A:You know what Toronto is the equivalent of?
Speaker A:It's me wearing a suit.
Speaker B:Right?
Speaker B:You're wearing a suit.
Speaker A:Wearing a suit.
Speaker A:Hang on.
Speaker A:And then I take the suit off, you're like, oh, that's all.
Speaker A:That's equivalent of Toronto.
Speaker A:It's dressed up really nice.
Speaker A:But why?
Speaker A:I'm going to get a lot of hate mail now.
Speaker B:Or as they say in the U.S. the man from Toronto.
Speaker A:Toronto, Ontario.
Speaker A:L45QA.
Speaker B:Have you seen that?
Speaker B:Yeah.
Speaker B:Have you seen that movie?
Speaker B:Which one?
Speaker B:From Toronto.
Speaker A:No, I haven't.
Speaker A:Is it any good?
Speaker A:No, I watched it.
Speaker B:I don't Remember?
Speaker B:So it couldn't have been that.
Speaker A:Yeah.
Speaker B:Memorable.
Speaker A:Not memorable at all.
Speaker B:Yeah.
Speaker A:So neither one of those songs appealed to you?
Speaker A:Didn't like the fake drums that I got.
Speaker B:Good.
Speaker B:You know what, if I had to pick between both of them, I would say the second one.
Speaker A:Yeah, it is a little more commercially appealing.
Speaker A:Trying to think.
Speaker A:Okay, well we're on this same bent here.
Speaker A:So let me know if you like this one.
Speaker A:And this will be the last.
Speaker A:So these are all Skelly songs, I guess, songs that Skelly introduced me to.
Speaker A:So I'm gonna play this one.
Speaker A:You may have heard this one.
Speaker A:So let me know if you like this one.
Speaker B:Y5O Nice.
Speaker C:The original.
Speaker B:The stones.
Speaker C:Wow.
Speaker B:They don't have keyboards.
Speaker C:Fit today.
Speaker C:I used to have one too.
Speaker C:Maybe I'll come and have a look.
Speaker C:I really love.
Speaker C:Yeah, I do.
Speaker C:Yeah.
Speaker C:I'm glad you like mine too.
Speaker C:See we're looking pretty cool.
Speaker C:Get you.
Speaker C:Somebody to tell oh yeah, I wait tables too No, I haven't heard your band Cuz you guys are pretty.
Speaker C:Seen you.
Speaker A:But if you dig on vegan food.
Speaker C:Welcome over to my work I'll have them cook you something that you really love.
Speaker C:Cuz I like you yeah, I like you and it feeling so bohemian like you yeah, I like you yeah, I like you and I feel.
Speaker C:Wow.
Speaker B:Pleased to meet you.
Speaker B:Won't you guess my name?
Speaker C:Wait, who's that guy just hanging at your pad?
Speaker C:He's looking kinda.
Speaker C:Yeah, you broke up.
Speaker C:That's your bad.
Speaker C:I guess it's better if he always pays a rent.
Speaker C:And he doesn't get bit about sleeping on the couch when I'm there.
Speaker A:You have not put your hand up once, sir.
Speaker A:So I get a feeling you're actually enjoying this one.
Speaker B:This one's a head bopper.
Speaker B:Yeah, it's out of all three of them I listened to so far, this is the best one.
Speaker A:Yeah, it's actually got pulled into the Flushed Away movie.
Speaker A:The animated movie about rats that live in the sewer.
Speaker A:They actually had a very alternative soundtrack.
Speaker A:So this is a very alternative band.
Speaker A:So that was the.
Speaker A:That was Bohemian.
Speaker A:Bohemian like youe by the Dandy Warhols.
Speaker A:The song before was Stay, Don't Go by Spoon King.
Speaker A:And the reason I'm saying this is because Mighty K, also known as Gibraltar, is going to complain that we didn't list the song titles.
Speaker A:And then she.
Speaker A:What song was it?
Speaker A:And then the first song was Bone Machine by the Pixies.
Speaker A:So the reason that we started with this whole thing was the Pixies.
Speaker A:The first song was the Pixies.
Speaker A:Yeah.
Speaker B:Oh, wow.
Speaker A:It was their really less commercial outing, which is my favorite album.
Speaker B:Oh, okay.
Speaker A:Surfer Rosa is the name of the album with a nude lady on the front in a Mexican dress.
Speaker A:You know, the flamenco.
Speaker B:She wearing a dress or was she naked?
Speaker A:No, she's wearing the dress bottom and not the top.
Speaker B:Oh, okay.
Speaker A:It's like very risque cover.
Speaker B:Now everyone's gone to check the.
Speaker A:Chaz Charles is going to be whacking off to this episode because that's what he does.
Speaker B:They're all googling the album cover now.
Speaker A:Yeah, Pixie surferosa.
Speaker B:Anyway, don't Google hemispheres.
Speaker A:It's Todd's ass, Canada's ass on the back of that cover.
Speaker A:Are you gonna grab it?
Speaker A:You're gonna show people.
Speaker A:I'm sure Chaz Charles has never heard that album.
Speaker B:No, you think?
Speaker A:No, probably not.
Speaker A:And he wasn't just in Toronto watching Rush in Toronto.
Speaker A:I'm so jealous he was there.
Speaker A:And Kevin from In Obscuria was there too.
Speaker B:Oh, my daughter got me a for Christmas one year.
Speaker A:It was.
Speaker B:Well, back when I guess albums were kind of going out of style.
Speaker B:People were taking albums and they were making clocks out of them.
Speaker B:Kind of similar what they're doing with the CDs and DVDs.
Speaker B:So I've got.
Speaker B:I get the COVID Like an album cover.
Speaker B:It's like shows the back in the hemisphere as well.
Speaker B:You've seen it, so.
Speaker A:Yeah, it's like.
Speaker B:Okay.
Speaker B:I don't even know where I put it.
Speaker A:It's not on the wall.
Speaker A:I noticed.
Speaker A:No, but you get that Marky Mark Wahlberg poster on your wall.
Speaker B:No, no.
Speaker A:Okay, one more song because it reminded me of something else.
Speaker A:Yeah, I don't know.
Speaker A:Hanes.
Speaker A:Okay, here's one more.
Speaker B:Oh, wow.
Speaker C:Yeah.
Speaker C:Tim, me and Ollie have problems.
Speaker C:Justin has none.
Speaker C:Ex girlfriends in black Jennas Everywhere I go there it is When I take a stroll there she is When I'm out the door what I'm looking for Same looking car that I saw 12 seconds ago they're so popular you can't get away Girls drive them in Encino and they drive them in LA Some are different, some are older and the boy body style has changed but my heart was still shut because to me they look the same Ex girlfriends, black chedas Ex girlfriends, black chedas Ex girlfriends, black shadows Ex girlfriends, black chedd.
Speaker A:What do you think of that?
Speaker A:It's another scaly pick.
Speaker B:Okay, so what is the chorus?
Speaker B:What did he see?
Speaker B:What's he saying?
Speaker A:Ex girlfriends in black Jettas.
Speaker B:Black Jettas.
Speaker B:Okay.
Speaker B:I didn't understand what he was saying.
Speaker A:So it's making a photo.
Speaker A:His ex girlfriend drives a black Jedi.
Speaker A:I guess I. I guess and I guess it's a common thing.
Speaker A:You date.
Speaker A:You date girls, they break up with you and then they get.
Speaker A:They buy a black Jetta.
Speaker A:Like they're kind of like their breakup victory party, something.
Speaker A:I don't know.
Speaker B:They rent them.
Speaker B:When you.
Speaker B:When you split up.
Speaker A:Skelly sent me this song.
Speaker A:I'm like, what the fuck?
Speaker A:This isn't you.
Speaker A:This is nothing like you.
Speaker A:What the heck is going on?
Speaker A:So that was.
Speaker A:I'm a Robot.
Speaker B:Well, at the very beginning, it was like a car going from one ear going, you know, through the other ear.
Speaker B:So I was like, that's pretty cool.
Speaker A:Yeah.
Speaker B:And then.
Speaker B:And then the techno stuff come up and it's like, okay, well, this would be good.
Speaker B:This would be a good song for the bar, you know, with the lights and the whole thing going.
Speaker A:Yeah, yeah.
Speaker B:But yeah, it's more of a rappish.
Speaker B:And that's.
Speaker B:Rap isn't really my.
Speaker B:My bad.
Speaker B:But it was.
Speaker B:I mean, it was like white rap.
Speaker A:So it was like.
Speaker B:But for, you know, for a song, for song sakes, it was.
Speaker B:It was decent song.
Speaker A:I like it.
Speaker A:I don't know why.
Speaker A:It was one of, I think Skelly's daughter and brought that song into the house.
Speaker B:Or.
Speaker B:No, this is more.
Speaker B:This would be an 80s.
Speaker A:It feels 80s, but it's not.
Speaker A:It's a 80s.
Speaker A:Two thousand and tens.
Speaker A:Two thousand and tens or 22 thousands.
Speaker A:I don't know.
Speaker A:Let's look.
Speaker A:It actually gets to the year, doesn't it?
Speaker A:Let's see.
Speaker B:Oh, no.
Speaker B:What type of album cover?
Speaker B:Does this have anything worse?
Speaker A:It's just the name now.
Speaker B:Oh, okay.
Speaker A:No, but that's the thing.
Speaker A:Skelly would.
Speaker A:Would bring interesting things to the table.
Speaker B:Black Jeddah.
Speaker A:Yeah, maybe.
Speaker A:No, it just says I'm a robot.
Speaker A:I am a robot.
Speaker B:Okay.
Speaker B:Like a movie.
Speaker B:I am robot.
Speaker A:Yeah, pretty much.
Speaker A:Yeah.
Speaker B:But this is the knockoff.
Speaker B:I am a robot.
Speaker B:Yes.
Speaker B:Yeah.
Speaker B:Like Sony and Sanyo and San Yono and Panasonic and, you know, all the knock Bait men.
Speaker A:Bait Man.
Speaker A:Instead of Batman.
Speaker B:Bateman, You, Mary.
Speaker A:They always have those action figures, those.
Speaker A:Those knockoffs.
Speaker A:Instead of Batman it was B A T E Man.
Speaker A:Or instead of Batman it was Spidey man or something.
Speaker A:Or they'd always have like bad knockoffs.
Speaker A:Yeah.
Speaker A:Like borderline, like legal, I guess.
Speaker B:And those are the ones where they had the plastic.
Speaker B:It Was toxic plastic.
Speaker B:Plus it had, like, the arms and stuff.
Speaker B:They would have that big seam down the middle, like where they would fuse the plastic together.
Speaker B:Yeah.
Speaker B:Oh, yeah.
Speaker B:And it was really sharp.
Speaker B:So then you'd end up cutting yourself.
Speaker A:You know the ones that sell the doll of all the.
Speaker B:Yeah, those ones.
Speaker A:Yeah, those ones.
Speaker B:Remember, dad used to chew the hands off them and the fingers.
Speaker B:By the time he was done, the fingers were like this long.
Speaker A:Spaghetti.
Speaker B:What are you doing?
Speaker B:Like you didn't have his ice.
Speaker B:He didn't have his ice.
Speaker B:That's why.
Speaker B:Because when he has his ice, he was a cruncher.
Speaker B:Yeah, he broke.
Speaker B:I don't know how many teeth he broke just by.
Speaker B:Because he had softer teeth, too, on top of that.
Speaker B:But yeah, he liked to crunch his ice, but then he liked to gnawing the fingers of.
Speaker B:Or what do they call it?
Speaker A:Which basically translate as men.
Speaker A:Men.
Speaker A:Men.
Speaker B:The English.
Speaker B:In French.
Speaker A:Yeah, Men.
Speaker B:Or in English would be.
Speaker B:Or men.
Speaker B:Oh, man.
Speaker B:In English.
Speaker B:Because French and English is back.
Speaker A:Well, that's.
Speaker A:That's a woman.
Speaker A:In Portuguese.
Speaker A:Is all men.
Speaker B:Really?
Speaker A:Yeah.
Speaker A:Well, isn't that weird?
Speaker B:Or man.
Speaker B:Woo.
Speaker B:Woo.
Speaker B:Man wool.
Speaker A:Holy.
Speaker A:We're totally off, off track here.
Speaker A:Okay, what do we want to do?
Speaker A:Oh, wait.
Speaker A:Is there a topic recently that you added that you really want to talk about, or do we want to just go and spin the wheel of spite?
Speaker B:Let's spin the wheel so it comes up.
Speaker C:Get up on Adrian and so you can write and on all your topics.
Speaker C:Aren't you all wheel.
Speaker A:Oh, yes.
Speaker A:The best wheel spin song in the business.
Speaker A:Not.
Speaker A:It was good.
Speaker A:Todd.
Speaker A:Todd.
Speaker A:Stuff's awesome.
Speaker A:Especially that dive bomb.
Speaker A:This what gets me every time.
Speaker B:Oh.
Speaker B:Oh, that beat.
Speaker B:Which one?
Speaker B:The last one.
Speaker B:The beat.
Speaker B:The middle one.
Speaker B:The down or the up?
Speaker B:The wheel or the grunt?
Speaker A:Is it the elephant or the.
Speaker B:The horsey?
Speaker B:The man horses at the end.
Speaker B:The manatee.
Speaker A:I don't know.
Speaker A:Oh, God.
Speaker A:I remember the first.
Speaker A:When I.
Speaker A:You were playing at LJR school.
Speaker A:I think the curtain was drawn.
Speaker A:The curtain had been pulled back.
Speaker A:And I'm sitting in the front row because I can sit in the front row.
Speaker A:It's excited.
Speaker A:You know, I'm sitting in the front row.
Speaker B:Well, you're.
Speaker B:You're with.
Speaker B:With Brian and.
Speaker B:And Richard and everybody at the time.
Speaker B:No.
Speaker B:Yeah, yeah, yeah, yeah.
Speaker A:But I remember you're behind stage and you're doing all these, like, sound effects and.
Speaker A:And I remember you doing, like, the.
Speaker A:You're doing all.
Speaker A:A whole bunch of different animals.
Speaker A:I think you did an elephant.
Speaker A:You did the Horse.
Speaker A:And everyone's like, what the hell is.
Speaker B:That the race car?
Speaker A:Or actually in France.
Speaker A:Noise level.
Speaker A: I got the Willy Waller: Speaker A:All right, let's spin this wheel.
Speaker A:So I gotta see if I can find the last time I hit the F9 button.
Speaker A:The last time I hit the F9 button on the wheelo spite, it turned off my touchpad on my computer.
Speaker A:Oh, yeah.
Speaker A:So I gotta make sure I do it very carefully here.
Speaker B:There's a glitch.
Speaker A:So the F9 key is northwest of the 9 button.
Speaker A:You can probably hear the background.
Speaker B:Do you say the F9 key is northwest?
Speaker A:Northwest, yeah.
Speaker B:Be northeast, wouldn't it?
Speaker A:That's actually northwest of my number nine button.
Speaker B:My number nine.
Speaker B:Above my number nine is F8.
Speaker A:And to the right, see?
Speaker A:Yeah, mine.
Speaker A:Mine is staggered to the left.
Speaker B:I got one of these wireless logitech keyboards.
Speaker A:Yeah, see, that's better than what I got.
Speaker A:Mine's cry.
Speaker A:I got it.
Speaker A:I should actually plug a. I much prefer.
Speaker A:That's good.
Speaker B:Very thin.
Speaker B:And it's got the little pad here.
Speaker B:Very thin too.
Speaker B:Especially if you're gaming.
Speaker B:Having on your lap.
Speaker B:Like, I've got a gaming1.corsair1.
Speaker B:It's.
Speaker B:It's made out of metal.
Speaker B:It's like a tank.
Speaker B:What.
Speaker B:What the hell did I buy that for?
Speaker B:And it has this huge cord that comes on it.
Speaker B:And it's.
Speaker B:It's one of those.
Speaker B:Oh, let's put a heavy duty cord on it, make it really thick.
Speaker B:And then they've got this material over it, like old.
Speaker B:Old wiring where they have the knob and tube.
Speaker B:It's got that material, like it had that all over it.
Speaker B:And it's all frayed just by moving it around.
Speaker B:I should have just kept this to use in the.
Speaker B:On my gaming computer in the living room.
Speaker B:Okay.
Speaker A:I found it.
Speaker A:I found one.
Speaker A:So I. I spun the wheel.
Speaker B:Okay.
Speaker A:Spun the wheel.
Speaker B:Oh, okay.
Speaker B:I didn't hear it, but okay.
Speaker A:Well, no, there's no sound.
Speaker B:Oh, okay.
Speaker A:I'm working on it.
Speaker A:I'm working on it.
Speaker A:I gotta come up with a. I need.
Speaker A:I need a sound.
Speaker A:A sound effect for that.
Speaker A:But that's probably as close as it gets.
Speaker B:Yeah.
Speaker B:Grab the one off of A Price is Right when they're spinning the wheel.
Speaker B:Yeah, yeah, I'm sure there's a sound bite out there for that.
Speaker A:Okay, so this is topic 20 on the board.
Speaker A:Oh, and the category is Rant.
Speaker B:Okay.
Speaker A:Which means Todd entered this into our to do.
Speaker B:Oh, my God, Am I gonna remember this one?
Speaker A:Okay.
Speaker A:I don't know.
Speaker A:I better open up to do.
Speaker A:Because there might be a better spelling.
Speaker A:Oh, it's one of those.
Speaker A:You get mad and then you're just typing so fast that you can understand.
Speaker B:What the hell is saying.
Speaker A:So here, here's what it says.
Speaker A:Stats Canada asking for a survey voluntarily, but keep calling to.
Speaker A:They call.
Speaker A:Sorry, they call my work, which is unprofessional.
Speaker A:Call other residents in the same house.
Speaker A:Now it's just harassment.
Speaker B:Yeah, well, okay, so you get Stats Canada, okay?
Speaker B:Sometimes they send out a survey and it's mandatory, right?
Speaker B:So they send this in the mail because everybody in Canada or wherever, they all have to fill out the census.
Speaker B:You have no, you have no option.
Speaker B:You have to do this because I, you know, against the law, apparently.
Speaker B:Yeah.
Speaker B:So they sent this other one which was.
Speaker B:And it says right on there, it's voluntary.
Speaker A:Wait, does it really?
Speaker B:Yeah, well, this particular one was a voluntary one.
Speaker B:So it wasn't myself, actually done.
Speaker B:I had gotten it and.
Speaker B:So the hell are you drinking?
Speaker A:Sorry, I can't hear it.
Speaker B:That's good.
Speaker A:Sorry.
Speaker B:Yeah.
Speaker A:So it's like being waterboarded.
Speaker B:Yeah.
Speaker B:So.
Speaker B:So, so basically it comes in the mail, okay.
Speaker B:So you open it up and it says it's totally voluntary.
Speaker B:Okay.
Speaker B:So she threw it out.
Speaker B:So then she gets another letter in the mail while back later, I don't know, a couple weeks maybe or so, and then she sees it, it says voluntary.
Speaker B:So she throws out again.
Speaker B:So then about a week or so later, they.
Speaker B:She gets a phone call saying that they want to do this survey, and then she says no, it says it's.
Speaker B:It's.
Speaker B:Says it's voluntary, I'm not going to be doing.
Speaker B:Well, you need to do it.
Speaker B:And you know, they're basically pushing for her to do it, and she says, no, I don't have time right now.
Speaker B:Anyway, so that was it.
Speaker B:So then they called back again later on and asked her to do it again.
Speaker B:She says, listen, it says, it says it's voluntary.
Speaker B:I don't have to do the survey.
Speaker B:Stop harassing me.
Speaker B:So then a couple weeks later, I.
Speaker A:Get a call asking, so which phone number were they calling?
Speaker A:Sorry.
Speaker B:Now, is it me?
Speaker B:Did they call me or, you know, this was a while back.
Speaker B:They either call me or I got a letter or something rather, saying that they wanted her to fill in this thing.
Speaker B:And that's when I, that's when I wrote it down.
Speaker B:I was pissed off is, what the hell's this got to do with being voluntary?
Speaker B:You know, like, do not.
Speaker B:You know, when someone calls you One of those solicitors you say, put me on the do not call back list because I don't want to hear from you again.
Speaker B:You know damn well I'm not going to give you dick.
Speaker B:All.
Speaker B:So all you're doing is you're wasting your time and you're wasting my time.
Speaker B:So to send these surveys in the mail.
Speaker A:Right.
Speaker B:What's that?
Speaker A:So they called you at work, though.
Speaker B:Was it work?
Speaker A:Yeah, they called my work, which is unprofessional.
Speaker A:What?
Speaker B:Yes, they called my work number.
Speaker B:How did hell did they get my.
Speaker B:What, did they go into her file and go, oh, who lives with her?
Speaker B:Oh, okay, let's see.
Speaker B:He lives with her.
Speaker B:Oh, what phone numbers do we have for him?
Speaker B:Oh, let's call him at work during the day.
Speaker B:I don't think.
Speaker B:I think that's more than unprofessional.
Speaker B:That, that is.
Speaker B:That's harassment, too, because they're pulling you.
Speaker A:They're pulling you away from your work.
Speaker B:Well, it's just.
Speaker A:Which you get in trouble for slacking off.
Speaker B:Unethical, regardless.
Speaker B:Yeah.
Speaker A:How'd you get number.
Speaker B:Like, if we had a third person, like, say, when Tegan was here, if they would have gotten a hold of her to try and do the same thing.
Speaker B:It's like, what are you doing?
Speaker B:What does.
Speaker B:Voluntarily.
Speaker B:What does.
Speaker B:You know, what does that mean to you?
Speaker B:Because I think I had.
Speaker B:Because I had heard what was going on and I. I told him.
Speaker B:I says, this is harassment.
Speaker B:I says, why are you calling me?
Speaker B:First of all, the survey's got nothing to do with me.
Speaker B:Plus, it says it's voluntary.
Speaker B:Told you not to call back.
Speaker B:Didn't mean that you could call me.
Speaker B:It should have been just dropped and says, you know what?
Speaker B:Move on.
Speaker B:And that's my rant.
Speaker A:I have.
Speaker A:I have a lot, not a lot of issues, not with what you're saying.
Speaker A:I actually.
Speaker A:I wholeheartedly agree.
Speaker A:Now, I. I do have devil's advocate.
Speaker A:Devil's advocate?
Speaker A:Is that what it's called?
Speaker B:Okay.
Speaker A:Where you have the.
Speaker A:The.
Speaker A:The other.
Speaker B:See the other side.
Speaker A:Yeah.
Speaker A:Sorry, I'm tired and I'm drinking.
Speaker A:Neither of them are good on a Tuesday night.
Speaker A:But a friend of mine, very good friend of mine, he worked for a company that called people to get information exactly like we're talking about here.
Speaker A:And he worked.
Speaker A:It was.
Speaker A:So they get contracts for the government to randomly call people, usually related to political things, not necessarily for politicians, but it might be for an upcoming change that's going to happen to the city.
Speaker A:Are you in favor of.
Speaker A:Are you against can we ask a few questions, like that sort of thing.
Speaker A:So he worked for a company and he would hire the people to do the phone calling and reach out and get as many calls.
Speaker A:And they would have protocol.
Speaker A:You have to call so many people.
Speaker A:We need so many responses.
Speaker A:It needs to be enough.
Speaker A:You need to get enough answers to support it, Right?
Speaker A:So he would tell me his side, what it was like being on that side of the call center and calling people.
Speaker A:And it's one of those things that, look, the government hired your company to solicit all of us to get the information, okay?
Speaker A:And it's a job.
Speaker A:And it's one of those things like if you don't follow through on this, right?
Speaker A:If you get you or me going the hell off, this is my private number.
Speaker A:Don't call me again.
Speaker A:They still have to meet their quote.
Speaker A:They have a quota to meet because this is paid for by the government.
Speaker A:And it's information that we as taxpayers, we as citizens of Canada, we are asking the government for stats on this particular issue and they need to report those stats of do we.
Speaker A:Are we in favor of them building the bridge on Abinoji Makana or whatever?
Speaker A:Like, were we in favor of that or are we against that?
Speaker A:Like, they need to get this information because sometimes these things require a public vote, right?
Speaker A:So.
Speaker A:So he's.
Speaker A:So he's on the side.
Speaker A:I gotta get these answers, but nobody wants to talk to these people, right?
Speaker A:So.
Speaker A:So I.
Speaker A:He would tell me the frustrations, like, look, this is something we have to do.
Speaker A:It's not.
Speaker A:You're not obligated to answer the questions.
Speaker A:But if we don't get enough answers to the survey, and you guys really want this bridge built, we can't build that bridge.
Speaker B:So where does information and harassment line meet so well?
Speaker A:Okay, so that's that side.
Speaker A:The other side of it is if someone has my phone number and is calling me a.
Speaker A:How'd you get my number?
Speaker A:You like, I keep getting calls from Telus.
Speaker A:I haven't been with Telus.
Speaker A:I've never been with Telus.
Speaker A:Never been with Telus.
Speaker A:But I get calls from Telus.
Speaker A:How do they have my number?
Speaker A:And it is Telus.
Speaker A:It's not fake, it's not phony.
Speaker B:Right?
Speaker A:Telus.
Speaker A:It shows up as Telus.
Speaker A:Like, it's not the scam call, but I get these calls all the time, selling me to, trying to get me to switch over.
Speaker A:How do you get my number?
Speaker B:Good question.
Speaker B:Call center.
Speaker B:I don't know, because, I mean, Danica used To work for a call center.
Speaker B:And that was her job.
Speaker A:Did she really?
Speaker A:Okay, yeah.
Speaker B:And she, you know, at night she'd, she'd work.
Speaker B:I can't remember for what, what company.
Speaker B:But yeah, they, they'd cold call people and, and she would get that all the time.
Speaker B:Like the hang up on her or yell at her or whatever.
Speaker B:I mean it's like, it's like someone showing up at your door nowadays.
Speaker B:Who the hell's gonna answer the door?
Speaker B:Like door to door salesman.
Speaker B:No one answers the door.
Speaker B:I, it's just by the neighborhood.
Speaker B:Like you don't want to open the door anyway.
Speaker A:No, this is the nature of societies.
Speaker A:You don't answer your door unless you know who's at the door nowadays because of, I mean there's home invasions going on.
Speaker A:You get these, these porch pirates stealing your shit.
Speaker A:Like there's.
Speaker A:It's not safe.
Speaker A:It's not, it's less safe nowadays because people are more desperate to pull shit and people are more elaborate in the ruses to get into your house.
Speaker A:So are you going to answer your door?
Speaker A:You know, they've got their ID, which anybody can create ID, ID, doesn't mean anything.
Speaker B:Yep.
Speaker A:You know, but some places,.
Speaker B:Well, they'll have the person that comes by for the, the water reading.
Speaker B:Yeah, hey, I send it in all the time.
Speaker B:It's accurate.
Speaker B:If you don't like it, then you know what, make an appointment and then yeah, sure that this drop in shit, it could be anybody.
Speaker B:Oh, guess what?
Speaker B:They're doing this area between this, this, this date and this date.
Speaker B:So we're going to canvas that area as pretending but hang on with a water meter.
Speaker A:So you, you raised an issue there is that if they're going to come by, if they're going to make an appointment to come by, they're going to call you to make that appointment.
Speaker A:Are you going to take that call?
Speaker A:Fuck no.
Speaker B:Probably not.
Speaker A:I don't recognize the number.
Speaker B:But if it shows up in your bill and the bill says, you know, such and such a person, whatever, call.
Speaker A:Them and schedule an appointment to have it looked at, I guess.
Speaker B:And then have.
Speaker B:Yeah, so you're calling them now with all the spoofs and all the AI and the voices.
Speaker B:I mean just if someone went online and just took your voice and my voice make a whole thing.
Speaker A:They make a ton of money with our voices, let's be honest.
Speaker B:Called mom and said, oh, you know, I'm in jail or whatever, I need money right away.
Speaker B:But we've already, we've already kind of half Spoke that saying that if that ever happens, the family needs a password.
Speaker B:So that's.
Speaker B:That's.
Speaker B:That's the only out.
Speaker B:So if anybody out there gets that frantic because I think I had it one time, or Donna had it one time saying, oh, such and such is, you know, in trouble.
Speaker B:Or the car broke down and they've got a thing there and they don't have the card.
Speaker B:So can you wire me some money right away?
Speaker B:It's always now, now, now, now.
Speaker A:Yeah, yeah.
Speaker B:Always talk to the person that is supposed to be in your family that that's doing this and ask them for the password.
Speaker B:If they don't know the password, then obviously it's bogus.
Speaker A:Yeah, Yeah.
Speaker A:I hate that scam.
Speaker A:That's the worst.
Speaker B:Yeah, that's my public announcement.
Speaker A:On the.
Speaker A:On that same vibe.
Speaker A:We're gonna play another Skelly song.
Speaker A:You ready?
Speaker B:Yep.
Speaker A:Okay.
Speaker A:Related to exactly what you're saying.
Speaker B:So this will be against the other one, the last one.
Speaker A:Oh, shit, I fucked it up.
Speaker A:My apologies.
Speaker A:This from the Pump up the Volume soundtrack.
Speaker B:Really?
Speaker C:Hello, dad, I'm in jail hello, dad, I'm in jail hi, dad, I'm calling you from jail hi, dad, happy birthday I'm in jail Jail, jail Good use of socks.
Speaker A:Do you know.
Speaker A:You know what band that is?
Speaker A:Was not.
Speaker C:Was.
Speaker B:Was Not.
Speaker B:Was is the name of the band.
Speaker A:Yeah.
Speaker B:No, never.
Speaker B:Never heard of them.
Speaker A:Oh, yes, you have.
Speaker B:Was not.
Speaker B:Was.
Speaker A:Okay, you ready?
Speaker A:Okay, here's a big hit.
Speaker B:O.
Speaker B:Is this brick House?
Speaker A:Sure sounds like it.
Speaker C:House.
Speaker A:I'm gonna guarantee there's no guitar solo in the song, but I was just probably a sax solo.
Speaker B:Oh, yeah, Horns.
Speaker B:It's got a horn section for sure.
Speaker A:You know, I don't know what the need is to have a guitar to song.
Speaker A:I think it'd be much better if everything was replaced with a sax.
Speaker A:The sax is an unsexy sex.
Speaker B:That's kind of like a cool in the gang type of groove to it.
Speaker A:Well, cool in the gang.
Speaker A:See, that was proper use of horn.
Speaker B:Yeah.
Speaker A:See, that's probably James Brown.
Speaker B:Today I saw someone on YouTube create a song.
Speaker B:They had a pen that clicks, right?
Speaker B:So they did the click, click, click thing.
Speaker B:And then he had a scrape or something and scraped something by the speaker where the computer was.
Speaker B:And then that was kind of the beat of the song.
Speaker B:And then they looped it.
Speaker B:Oh, nice guitar.
Speaker B:And they.
Speaker B:So you can make music with anything.
Speaker B:You can't.
Speaker B:Pretty much.
Speaker B:Yeah.
Speaker B:Yep.
Speaker B:Okay.
Speaker B:Be creative.
Speaker B:Because.
Speaker A:Because you said that.
Speaker A:Proper use of.
Speaker A:So there is the Impractical use of sax.
Speaker A:And there's the practical use of sax.
Speaker A:And when sax is used correctly, sax can be sexy.
Speaker A:Whoa, that rhymed.
Speaker A:Okay, this is proper use of sax.
Speaker A:You read.
Speaker B:James brown.
Speaker C:I don't care.
Speaker B:Oh, yeah.
Speaker C:Jump back.
Speaker B:The James saying.
Speaker B:I don't care.
Speaker C:We're getting paid.
Speaker B:Keep singing.
Speaker C:I just won't.
Speaker A:Oh, my God.
Speaker A:He's such a good singer.
Speaker A:He's such a good singer.
Speaker A:Okay, so.
Speaker A:Okay, so the sax in this song, this isn't.
Speaker A:What's that?
Speaker A:Who's that?
Speaker A:Sax player G. Kenny G. Kenny G. This is not Kenny G. No, no.
Speaker A:This is ballsy.
Speaker A:This is sexy socks.
Speaker B:This is swinging sacks.
Speaker B:Because they're not just standing there.
Speaker B:They're moving.
Speaker A:No, no.
Speaker A:And it's percussive.
Speaker A:Like it.
Speaker A:It's.
Speaker A:There's something going on.
Speaker A:It's not just.
Speaker B:Blowing in it there.
Speaker B:Yeah, they're blowing hard in it.
Speaker A:They're just blowing on it.
Speaker A:You don't always want to just blow on it.
Speaker A:Sometimes they're blowing hard.
Speaker C:Oh, my God.
Speaker B:And abruptly stopping and blowing again.
Speaker A:And just.
Speaker B:Just like a.
Speaker B:It's like a car horn.
Speaker A:We were talking about saxophones, right?
Speaker B:Yeah, saxophones.
Speaker A:See, that sucks to me.
Speaker A:That's a horn section.
Speaker A:Three horns usually is pretty good.
Speaker A:We.
Speaker A:When we had on Apollo Sons.
Speaker A:Remember the.
Speaker A:The.
Speaker A:The horns in that?
Speaker A:Yeah, like, that was great.
Speaker A:See, that's proper use of horn.
Speaker A:I feel often in pop music, we'll just throw.
Speaker A:We'll have a bunch of keyboards and program drums, and then we'll just throw some sax in there just to overlay.
Speaker A:Because we don't really need a guitar.
Speaker A:We just need, you know, like.
Speaker A:I don't know.
Speaker B:Well, Pink Floyd did, and they still had a guitar.
Speaker C:Yeah.
Speaker A:But dude, when they play.
Speaker A:When they.
Speaker A:The sax in.
Speaker A:That is not the sax in Tiffany.
Speaker B:No.
Speaker A:You know.
Speaker B:No, it's.
Speaker B:It's a whole different.
Speaker B:It's like you talk different genres.
Speaker B:Different genres for sax, different genres for guitar, different genres for bass.
Speaker B:You know, you get the popping bass, a slap base, or, you know, jazz bass.
Speaker B:Just regular, you know, walking bass.
Speaker B:It's all different styles, same instrument.
Speaker B:You can have multiple different styles.
Speaker B:I don't know if I've ever heard sax in a country song, because I.
Speaker A:Don't think this doesn't.
Speaker B:Yeah, that would.
Speaker B:That would blow up, wouldn't it?
Speaker A:No.
Speaker A:Steel guitar.
Speaker A:Yeah.
Speaker B:Yeah.
Speaker B:So the video he ran, he runs over his dog and the socks.
Speaker C:So.
Speaker A:So I have a question.
Speaker A:Like, I don't know how much James Brown, you know, but I have I have a whole bunch of James Brown in my collection.
Speaker A:I've listened to a lot of James Brown.
Speaker A:Were you familiar with that song we were playing?
Speaker B:I think I may have heard it.
Speaker A:Okay, so I'm gonna play for a second more.
Speaker A:I want you to focus on the drums and the bass, okay?
Speaker A:It kind of absorb it.
Speaker B:Okay.
Speaker C:To satisfy your balls.
Speaker C:Ow.
Speaker C:When you kiss me when you mask me hold my hand make me understand I break up in a.
Speaker A:Okay, so do you have it there in your medulla?
Speaker A:On blangata.
Speaker B:Was that Nika Niles playing drums there?
Speaker B:That's kind of.
Speaker A:See, See, she does a lot of that, right?
Speaker B:She does the.
Speaker B:The stuff that she played before she was with Rush.
Speaker B:Yeah, it's good.
Speaker B:Oh, very good.
Speaker A:It's so good.
Speaker B:Yeah, yeah.
Speaker A:I listened to a whole bunch after we played it on our episode.
Speaker A:Okay, so.
Speaker A:So you.
Speaker B:That's not Getty Lee bass, though.
Speaker B:That's a whole.
Speaker B:No, no, no.
Speaker B:That's a whole different style.
Speaker A:Okay, so you get the rhythm section.
Speaker A:You get.
Speaker A:You got it absorbed, and it's in your medulla obliganda or whatever.
Speaker A:Okay, so now.
Speaker A:Okay, now keep it going.
Speaker B:Can you.
Speaker A:Can you hear it?
Speaker A:Can you hear it going?
Speaker A:Okay, keep it going.
Speaker A:Keep it going, keep it going, keep it going, keep it going.
Speaker A:Now I'm gonna play something.
Speaker A:You're gonna keep that beat going.
Speaker B:You ready?
Speaker A:Keep that beat going.
Speaker A:And superimpose it.
Speaker C:Ah.
Speaker B:Wow.
Speaker A:Doesn't go, eh.
Speaker B:Now, if you had AI and you said, you know what?
Speaker B:This.
Speaker B:And put it.
Speaker A:Okay, so after you and Todd off of Classic Empires, when you guys took off, I was stupid and stayed with the band, right?
Speaker B:Me and who?
Speaker A:You and dad took off from Classic Embers.
Speaker A:And I stayed in the band because I was having.
Speaker A:Even though I wasn't exactly happy in the band, I did enjoy performing, and I did have a lot of frustrations in the band because I wanted my YouTube.
Speaker A:Let's play more Van Halen.
Speaker A:Let's play some more Rocky songs, and let's play, you know, maybe a little less of this and a little more of that.
Speaker A:Like, we always wanted to play a little bit more rock in there, right?
Speaker A:Because we weren't playing any Journey.
Speaker A:We weren't playing any Van Halen, and we weren't playing.
Speaker A:It was like John Cougar, and it was like kind of the old standard, like 60s stuff.
Speaker A:Like, we couldn't seem to get to a good.
Speaker B:Classic Embers.
Speaker B:Like, it's older stuff.
Speaker A:Yeah.
Speaker A:You know, the new stuff.
Speaker B:Classic Hot Rod or something.
Speaker A:Yeah.
Speaker A:What's that the new stuff from the 70s?
Speaker B:Yeah, we put a classic hair or something.
Speaker A:Yeah.
Speaker A:So I kind of felt like.
Speaker B:Classic.
Speaker A:I wanted to take it to the next level.
Speaker A:So I stayed with the band.
Speaker A:When you.
Speaker A:So this.
Speaker A:No, nobody probably knows this story.
Speaker A:So you.
Speaker A:And.
Speaker A:So who left first you and then dad or dad, then you.
Speaker A:What was the story?
Speaker B:I. I think I did.
Speaker B:Or did.
Speaker A:I think you did first, then that dad said, if Todd's not there, I'm gonna take off.
Speaker B:Yeah.
Speaker B:Because my kids were young and it was just too hard.
Speaker A:So how did that make me feel.
Speaker B:When we both left?
Speaker A:Well, no, no, if you leave.
Speaker A:Right.
Speaker A:And dad says, well, if Todd's gone, I'm gone.
Speaker A:And I'm like, I'm still here.
Speaker B:You're the one who started it.
Speaker A:Dad's the one who dragged me there, lied to them, said I could sing and said I could front the band.
Speaker B:He was one of the founding members.
Speaker A:Yeah, yeah.
Speaker A:So I stayed in the bend because I'm like, okay, you know, like maybe.
Speaker A:I don't know, maybe things will change because.
Speaker A:Because Dick was gone as well.
Speaker A:So it was three.
Speaker A:So it was Embers.
Speaker A:Mbr.
Speaker A:Ember.
Speaker A:Would that stand for Todd?
Speaker B:E, M, B, E, R, S. Yeah, yeah.
Speaker A:But the abbreviation was MBR, as in McGinnity's Bane and Richard.
Speaker A:Ah, that's where the name came from.
Speaker B:Oh, I thought it was just a fire.
Speaker B:Embers.
Speaker A:Well, he took the initials and then he kind of spoke it out.
Speaker A:Right.
Speaker A:So Ember.
Speaker A:Right.
Speaker A:So that's who it is.
Speaker B:Overload.
Speaker B:Yeah.
Speaker A:What was Overload?
Speaker B:Is it Overload, which was the one that.
Speaker A:My Toma.
Speaker B:My Toma.
Speaker A:That's Mitoma.
Speaker A:I still love that band name.
Speaker B:Todd and Mark.
Speaker B:Mark.
Speaker B:Oh, that was before Norm.
Speaker A:Yeah, it was before.
Speaker B:Okay.
Speaker A:Yeah, Right.
Speaker A:Is that right?
Speaker A:Mike, Todd, Mark, My Toma.
Speaker A:But anyway, so.
Speaker A:So the three.
Speaker A:So like the three like original, original members.
Speaker A:Cuz I wasn't an.
Speaker A:Was not.
Speaker A:But the, you know, three guys leave.
Speaker B:Right.
Speaker A:And the only one left is B. Bane.
Speaker A:Right, right.
Speaker A:But I'm still in the bank is.
Speaker A:I'm like, well, you know, we get some other guys in here, you know, I mean, dad was a bit stodgy with like his picks, like with the songs you want to play.
Speaker A:He was really pushing for country and I'm like, maybe there was a new people in here.
Speaker A:Like maybe, maybe I can finally get, you know, have a bit more say and stuff.
Speaker A:But we lost a drummer, so I had to drum, so I wasn't going to sing as much.
Speaker A:I mean, I could I. I don't know if I could do four sets of singing and drumming.
Speaker A:It's very, very difficult.
Speaker A:Your cardio has to be real good.
Speaker A:So I ended up being the.
Speaker A:The singer on like 25 of the songs at that point.
Speaker A:So anyway, so we brought new songs in, brought some interesting stuff, some, you know, interesting 90s stuff.
Speaker A:We brought in ahead by a century, by the.
Speaker A:By the hip.
Speaker A:So I sang and played on that one, which I will tell you is probably the most complex song I ever sang in Drumdon.
Speaker A:Was that song incredibly difficult to pull off because the singing the way.
Speaker A:Because he's singing really weird in that song.
Speaker A:You remember that song?
Speaker B:Yeah, we play that one actually.
Speaker A:Oh yeah, that's right.
Speaker A:You guys do.
Speaker A:So anyway, so it's a bit.
Speaker A:It's a bit different.
Speaker A:The.
Speaker A:The beat does not go with the vocal at all.
Speaker B:Right.
Speaker A:They're either opposite of each other.
Speaker A:So it's very, very difficult.
Speaker A:Difficult.
Speaker B:So.
Speaker A:But anyway, so we're in this band, we got this bass player and Whose name still escapes me.
Speaker A:I can't remember, but he was a great guy.
Speaker A:Super funk jazz background.
Speaker B:Right?
Speaker A:And at this time, I'm playing a lot of James Brown.
Speaker A:I've got.
Speaker A:I've.
Speaker A:I've got like six James Brown CDs.
Speaker A:And I'm playing in my practice time.
Speaker A:I'm playing and playing along and playing along and learning how to play this stuff, learning really, really well.
Speaker A:And Cold Sweat, I remember just because of the Eddie Murphy, you know, Hot Tub.
Speaker A:Because it's basically.
Speaker A:He's doing that song, Hot Tub is Cold Sweat.
Speaker B:Right.
Speaker A:So I, I know that.
Speaker A:I know that song.
Speaker A:And you're pulling up on the hi hat.
Speaker A:Anyway, get it all figured out.
Speaker A:I know how to play it.
Speaker A:And during jam sessions when.
Speaker A:When the other guys were plugging all their pedals and trying to get everything.
Speaker C:Oh, I can't figure it out.
Speaker A:Like, they could figure out the technical stuff.
Speaker A:And me, the bass player, they're like, we're just jamming while they're trying to get their shit figured out, right?
Speaker A:And.
Speaker A:And he.
Speaker A:We would just jam, just him and I.
Speaker A:Because the bass player comes in plugs in.
Speaker A:He sets like he's ready to go.
Speaker A:And the same with me, like, there's no around when I play.
Speaker A:I'm like, full pedal board to set up.
Speaker A:No, no, very in.
Speaker A:At the time, Bane had his Variax, which was super fun.
Speaker A:Like, you gotta know what you're doing.
Speaker A:Like.
Speaker B:One thing and then the whole thing.
Speaker B:Yeah, it takes an hour to figure it out.
Speaker B:Yeah.
Speaker A:But anyway, so we played.
Speaker A:So you remember we played Falcon Lake, or fucking, like, as we called it, fucking Lake.
Speaker A:We played.
Speaker A:We played first night, there was nobody there.
Speaker A:Second night, word of mouth got around that there was a band there, and we were there, and we're actually pretty good.
Speaker A:And then the crowd, like, it was packed.
Speaker A:I was actually watching video.
Speaker A:I found some video on Facebook of, like, worse.
Speaker A:I don't know who it was.
Speaker A:One of the people, one of our girlfriends or whatever, or wives, kind of panned the crowd.
Speaker A:And this place was packed and everybody was dancing and danica was like 10 years old.
Speaker B:Yeah.
Speaker A:Or whatever it was.
Speaker B:It's a long time ago.
Speaker A:Crazy.
Speaker A:But anyway, so, I mean, my Van.
Speaker B:Halen shirt, that doesn't fit me anymore.
Speaker A:Yeah.
Speaker A:I had my D. I had my Dirty Rotten imbeciles don't mosh shirt on.
Speaker A:And it was.
Speaker A:It was great.
Speaker A:We had fun.
Speaker A:The year following that, and I've told part of this story before, so the year following that, the embers had dissolved.
Speaker A:All that was left was me and Bane and a whole bunch of new people.
Speaker A:Right, right.
Speaker A:And it was tough.
Speaker A:I don't remember how the auditions happened, but we brought this Roger guy in, and we brought that bass player whose name I can't remember.
Speaker B:Right.
Speaker A:And I think we were down to, like a four piece maybe at the time.
Speaker A:We had no keyboard player.
Speaker A:Roger sang and played guitar.
Speaker A:Not then.
Speaker B:No.
Speaker A:No.
Speaker A:So anyway, so it was a new band, and Roger wanted to bring in a lot of the same sort of songs that you guys play in your current band, the guys from work.
Speaker B:Yep.
Speaker A:A lot of kind of 90s stuff, which was nice.
Speaker A:Which.
Speaker A:I'm like, hey, I like this.
Speaker A:You know, we did.
Speaker A:We did Kryptonite, which was kind of fun.
Speaker A:We did, like, the Odds and, like, kind of bands like that.
Speaker A:So it was.
Speaker A:It was kind of fun, but it was a downgrade because you and dad were really, really good, and these guys were good, but they were like, you know, they were not as good as you guys were.
Speaker A:So it wasn't fun.
Speaker A:But the bass player, on the other hand, was fantastic.
Speaker A:So anyway, so we're playing Lying Eyes, and I've decided at this point, Sylvia and I talked about it.
Speaker A:She bought me the T shirt, which I still have.
Speaker A:It says on the front, it says I am the band on the front of the T shirt.
Speaker A:And on the back, it says drummer.
Speaker A:Sort of like.
Speaker A:Like a jersey would be, you know, where it says the person's name on the back.
Speaker B:Yep.
Speaker A:So she made that T shirt for me, with the idea that.
Speaker A:Look, used to.
Speaker A:You used to front the band, used to sing for the band.
Speaker A:You're, you know, you're the show person.
Speaker A:You brought the crowd in, and you talk to the crowd and get the crowd going.
Speaker A:You know, all that sort of stuff.
Speaker A:And now I'm just the drummer.
Speaker A:I was kind of relegated to just the drummer.
Speaker A:So I had that.
Speaker A:I am the band.
Speaker A:As in, I'm actually more important than you guys give me credit for.
Speaker A:And the drummer on the back said, yeah, I am.
Speaker A:I don't even have a fucking name.
Speaker A:I'm just the drummer.
Speaker B:The drummer.
Speaker A:So it was a horrible gig.
Speaker A:Absolutely horrible gig.
Speaker A:And when I was mingling.
Speaker A:I'm not mingling with the crowd, kind of walking around the crowd, and they were like, well, I thought this was the Embers.
Speaker A:These guys suck.
Speaker A:They just used their name.
Speaker A:It's not even the same band anymore, you know, they really suck.
Speaker A:They're not any good.
Speaker A:So people came out to see the Embers, expecting the spectacle from the year before.
Speaker A:And now I was like, wow.
Speaker A:They're actually calling themselves the Embers.
Speaker A:And it's not even the same, guys.
Speaker A:Like, this is worse than the Guess who or Foreigner, I guess.
Speaker A:But anyway, so the bass player wasn't happy either.
Speaker A:He was like, wow.
Speaker A:Like, I can't believe I joined this band.
Speaker A:Like, they're like, you know, I feel like I'm just.
Speaker A:You know, this is my day job.
Speaker A:I don't like my day job.
Speaker A:And we had kind of butted heads a little bit with the other guys in the band going like.
Speaker A:Like, come on, let's step it up.
Speaker A:Like, let's.
Speaker A:Let's try some stuff.
Speaker A:Like maybe change some arrangements and stuff.
Speaker A:But there was no changing arrangements because, you know, everybody'd be lost.
Speaker A:Everybody would be lost.
Speaker A:And he and I as a rhythm section.
Speaker A:And I'm gonna say this now, and no offense to dad or anything, but he and I gelled better than dad and I did.
Speaker A:Because dad often played with you and I played with you.
Speaker A:But dad didn't always play with me, if that makes sense.
Speaker A:He was more locked in on what the guitar player was doing.
Speaker B:I. I do.
Speaker B:Now that I'm playing bass with the band.
Speaker B:Warren and I, we set the groove.
Speaker B:Yes.
Speaker B:And I was used to playing with.
Speaker B:Say, I'm following Dan, right?
Speaker B:I'm like, I'm not supposed to be following him.
Speaker B:I was following with.
Speaker B:And when you switch from guitar to bass, it's like, okay, I'm.
Speaker B:I'm in the rhythm section now.
Speaker B:I've got to, you know, lay down the groove, I guess you could say.
Speaker B:So it is a different thing.
Speaker B:And I've never played drums, so I don't know that aspect of it.
Speaker B:I always wanted to try it to see, like, even to get an electronic drum kit or something, just to be able to do that.
Speaker B:I just don't have.
Speaker B:I mean, I don't.
Speaker B:I don't play the guitar as much as I used to or as much as I should.
Speaker B:So to find time for that and, you know, it's just.
Speaker B:It's too bad, but when you switch instruments, it's.
Speaker B:It's.
Speaker B:It's amazing how different it is in the overall song, like, what you contribute.
Speaker B:And I'm sure when you play keyboards, it's like a whole different mentality again,.
Speaker A:Because, well, singing versus drumming, too.
Speaker A:Completely different sides of the paradigm.
Speaker B:Yeah.
Speaker A:Like, it's not the same.
Speaker A:It's not the same.
Speaker A:It's.
Speaker A:You have a different role.
Speaker A:You have a different thing to fulfill.
Speaker A:And in some bands I was in, when I was singing, I was singing and drumming.
Speaker A:So again, the dynamic was different.
Speaker B:Right.
Speaker A:So.
Speaker A:But when I played with this guy, I think his name might have been Dan, to be honest, now I think about it, and he played with me the whole time on stage.
Speaker A:We're looking at each other the whole time, and then his like, okay, I'm gonna do something here.
Speaker A:You know, kind of looking at and just feeding off each other.
Speaker A:So he does something and I follow along and then I do something and he falls on it.
Speaker A:I never had that before except when I play with Dan, like, from Salty Bear.
Speaker A:Dan and I always had to lock in because there's only two of us most of the time.
Speaker A:Right.
Speaker A:So it was.
Speaker A:It was so much fun.
Speaker A:And I loved.
Speaker A:I stayed with that band for a whole year because I loved playing with this guy.
Speaker A:He was so much fun.
Speaker A:So anyway, so we're playing Lion Eyes.
Speaker A:Possibly the longest song ever recorded.
Speaker B:Yep.
Speaker B:Or, sorry, it's a long one.
Speaker A:It's the longest song ever recorded if you're playing it live in front of a Whatever.
Speaker B:Right.
Speaker A:It is the most boring song ever to play.
Speaker A:It's the most boring song ever to sing.
Speaker A:Nothing happens in the song.
Speaker A:All they're doing is telling a story.
Speaker B:Right?
Speaker A:Telling a story.
Speaker A:And it moves really slow.
Speaker A:The story moves really slow.
Speaker A:Really slow.
Speaker A:And it.
Speaker A:There's not a lot going on in the story.
Speaker A:It's really boring song.
Speaker B:Yeah.
Speaker B:If you have to go pee, that's the time to go.
Speaker B:Totally gonna go grab a drink now.
Speaker A:As a band, we always did that song as the first song, always.
Speaker A:Because was a good way to find our rhythm.
Speaker A:Right?
Speaker A:So anyway, so me and this Dan guy are playing and we're like, like we're into verse seven.
Speaker A:There's like 17, there's 10 more verses to go.
Speaker A:I don't think we're gonna make it.
Speaker A:We're so fuckin bored.
Speaker B:So train is not gonna make the station.
Speaker A:Well, I mean we can, like.
Speaker B:I could walk more coal in the fire.
Speaker A:I could just put a loop on and walk away.
Speaker A:Don Henley, he gets praised as this great drummer and come up with the most boring drum beat ever.
Speaker A:In that song.
Speaker A:There's nothing going on.
Speaker A:So anyway, the seventh verse in, however many verses are on that song, seventh verse comes in and I'm making up that number.
Speaker A:I don't know how many verses it is.
Speaker A:I just.
Speaker A:I just know when it's done.
Speaker A:Sometime after the guitar solo.
Speaker B:Yeah.
Speaker A:And let me tell you, Roger couldn't guitar solo like you.
Speaker A:But anyway, so seventh verse in, I look at Dan and Dan looks at me like, this is like.
Speaker A:This is like water.
Speaker A:This is water.
Speaker A:What do you call it?
Speaker A:Waterboarding.
Speaker A:This is waterboarding.
Speaker A:This is the worst.
Speaker B:Yeah.
Speaker A:And then to hear the singer not even remotely pull it off and it's.
Speaker A:Glenn Fry is not a great vocalist.
Speaker A:He sounds good, but there's no dynamic range to him.
Speaker A:And our singer couldn't even pull that off.
Speaker A:So it was painful, right?
Speaker A:It's like, like, like verse after verse and verse after verse of those guys making mistakes and it doesn't sound good.
Speaker A:And.
Speaker A:And then you can tell the crowds like, who the are these guys?
Speaker A:Because it's the first song of the night.
Speaker A:So we.
Speaker A:During practice a couple times, while we were waiting for those bozos to get their gear plugged in, we would, you know, start playing some funk and start playing some jazz.
Speaker A:Backing off of each other, having some fun.
Speaker A:Like we're killing time.
Speaker A:And they'd always get mad when we do that.
Speaker A:It's like, well, fuck, we're waiting around.
Speaker A:You guys weren't ready when we showed up, right?
Speaker A:You know, it's like we got to do something to kill the time.
Speaker A:Like we might as well leave and come back in an hour, you know.
Speaker A:So anyway, so we knew, we looked at each other and we're like.
Speaker A:So I'm playing and I start like lifting up the hi hat a little bit and say, you know, So I start doing that and it's like, that's not part of the song.
Speaker A:But then it's Like, I start doing that and he's like, boom, boom, boom, boom, boom, boom, boom, boom, boom.
Speaker B:Oh, it's offbeat stuff.
Speaker A:All of a sudden, the crowd stops, goes, oh, this suddenly got interesting.
Speaker A:And now we actually have.
Speaker A:The crowd is actually like, oh, okay.
Speaker A:Now they're actually interested.
Speaker A:So we, you know, we.
Speaker A:We play a line, maybe two lines, maybe.
Speaker A:Maybe we got into three lines.
Speaker C:And.
Speaker A:And it sounds good, man.
Speaker A:Lying eyes with that rhythm section in it.
Speaker A:All of a sudden, it becomes a good song.
Speaker A:And the lyrics actually mean a little bit more because when you funkify things, it's a little bit dirtier.
Speaker A:Right?
Speaker A:You know.
Speaker B:Yeah.
Speaker A:The singer or the singer.
Speaker A:The Bane, whatever.
Speaker A:And no offense, Bane.
Speaker A:And this is a long, you know, water at the bridge and all that.
Speaker A:But Bane turns around at me, but he turns around like you can see me here.
Speaker A:He turns around like this.
Speaker A:So his mouth is still on the mic.
Speaker B:Yeah.
Speaker A:And he goes play the song.
Speaker A:And me and Dan are like, oh, all right.
Speaker A:He was so fucking lost.
Speaker B:Oh.
Speaker B:I bell just trying to strum the.
Speaker A:Good.
Speaker A:Because.
Speaker A:But all of a sudden, how do you.
Speaker A:You could play the guitar to that and it would sound really good.
Speaker B:Yeah.
Speaker B:But you'd have to have practiced.
Speaker B:It, of course, changes.
Speaker A:But that's the thing too.
Speaker A:And I was.
Speaker A:I was.
Speaker A:I'm going to come out and say I'd never said this before, but I was an asshole about the whole thing.
Speaker A:I was pissed off.
Speaker A:I was.
Speaker A:I was not enjoying it like I did when you and dad were in the band.
Speaker A:And even though dad and I clashed from time to time because dad do fucking loud.
Speaker A:Yeah, yeah.
Speaker A:You're too fast, too slow, too loud to this, to that.
Speaker A:Right.
Speaker A:All the time.
Speaker A:But he was just trying to make me.
Speaker A:Help me get better.
Speaker A:Right?
Speaker A:That's.
Speaker A:At the end of the day, that's what it was about.
Speaker B:Yeah.
Speaker A:And I did get better because of it.
Speaker B:So flashback your childhood.
Speaker A:I was.
Speaker A:Yeah, but I was like, I get it.
Speaker A:Like, this is what dad was trying to show me.
Speaker A:Because when I was in a band, when the other people were not maybe pulling their weight as much as I thought they should be, I was that guy before.
Speaker A:I wasn't pulling my weight in the bend like I should have been.
Speaker A:I should have been playing a little bit better.
Speaker A:Should have been playing a little bit tighter.
Speaker A:I should have been flying following the direction of what the other guys were doing.
Speaker A:I should have been doing a lot of things better.
Speaker A:And it was in that moment where it coalesced into like, I.
Speaker A:You know, dad was right Like, I should have not been like, hey, I'm.
Speaker B:Playing on a stage.
Speaker C:Woohoo.
Speaker A:I should have been doing the work, you know, doing the work better.
Speaker A:It was at that point that I saw like me and the base player, the only ones doing the work here.
Speaker A:You know, we're not just playing to the crowd, but.
Speaker A:But you got to play to the song.
Speaker B:Yeah.
Speaker B:You know, it's amazing when you're, when you're playing with a bass player and a drummer, when they, when they lock in.
Speaker A:Yeah.
Speaker B:That is magical.
Speaker B:Oh, it is.
Speaker B:And then usually when, like when we lock in and then Dan and Randy lock in, it's like.
Speaker B:Yeah.
Speaker B:Because usually if, when you're, when you're guitar player and say you've got, you're.
Speaker B:You're trying to practice a song and you have the original song playing in the background, you're playing with it.
Speaker B:I mean, it's on a record or tape or whatever.
Speaker B:It's, it's tight because that's the, it's the perfect take.
Speaker B:Correct.
Speaker B:So the drummer and the bass player are locked in.
Speaker B:Then it's up to you to lock in with them.
Speaker B:So when you're practicing at home, it's like, okay, I can lock in, no problem.
Speaker B:But if the bass player and the drummer aren't locked in, when you jam it, it doesn't feel as, I don't say satisfying, but it's.
Speaker B:But when you lock in, it's.
Speaker B:It's like no other thing.
Speaker B:It's like you can just.
Speaker B:Your eyes can roll back your head and you can just kind of sit back like you were, you know, just kind of enjoying the music because you can feel it.
Speaker B:Like it just, it's like an energy.
Speaker B:It's, it's, it's.
Speaker B:Unless you've played in a band where everything's locked in, it's, it's amazing.
Speaker B:It's an amazing thing.
Speaker A:I'm actually putting a poll in our discord here because I think.
Speaker A:How important is the rhythm section in a song?
Speaker A:100%, 50%, 10% Or 75%?
Speaker A:Because I think.
Speaker A:Here's the thing, because I've always been a drummer and I've always played to you or Dan.
Speaker A:Right.
Speaker A:I was always playing with a guitar player against the guitar player.
Speaker A:To me, it was always key to play with a guitar player because I always felt like the guitar is the most important part of the song.
Speaker A:It's more important than the vocal, more important than the bass.
Speaker A:More important because that is where the hook lies for me.
Speaker A:That's what I always felt it was until later.
Speaker A:And you've been in a few bands and you're like, you know, maybe the vocalist is actually more important than I give it credit for, you know?
Speaker B:Yeah, but the, but I mean the rhythm section alone, bass and the drums have to be tight because that's.
Speaker B:The guitar should be following that.
Speaker B:You shouldn't be following the guitarist.
Speaker B:You're, you're, you're the anchor.
Speaker A:Yeah.
Speaker B:You're there.
Speaker B:I'm the one that's gonna set the groove.
Speaker B:I'm the one that's gonna set the mood.
Speaker B:Everyone else has to follow.
Speaker B:Get in line or get the fuck out.
Speaker A:Yeah, yeah.
Speaker B:You know that kind of a.
Speaker A:But, but I didn't realize it till playing with this Dan guy because, I mean, I'm gonna.
Speaker A:Dan and I played, we were two piece, right.
Speaker A:So if he's playing bass or playing guitar, I'm always playing with him.
Speaker A:But when he's playing bass, he's playing it more melodically, like more guitar.
Speaker A:Like, I guess because he didn't know how to play bass.
Speaker A:Well, he didn't play guitar either.
Speaker A:But you know, he did the best he could and I think.
Speaker B:But that's where originality comes in and, and this is where you're, where both of your, what I call it, like the chemistry between the both of you when you're, when you guys are writing songs.
Speaker B:After a while it's just because it's only the two of you.
Speaker B:There's only that way to go.
Speaker B:You don't have to worry about anybody else.
Speaker B:You guys are the rhythm section as well as you know everything else.
Speaker A:Yeah, I just put the poll in her discord.
Speaker A:How important is the rhythm section of song?
Speaker A:I put 100%, 50%, 10% or 75%.
Speaker A:Kevin Brown put a new poll in.
Speaker A:How important is ordering the options in polls?
Speaker A:Very.
Speaker A:Sean Geek.
Speaker A:Not at all.
Speaker A:Or Squirrel.
Speaker A:Oh my God, that's great.
Speaker B:Oh my God, it's hilarious.
Speaker B:They're not listening to our podcast and then critiquing it as, as we're on, are they?
Speaker A:Oh my God.
Speaker B:Because that would be a whole different podcast altogether.
Speaker B:Let's watch a live podcast and we'll critique them in, in real time.
Speaker B:And then they can play it back later and go, hey, what the hell?
Speaker A:Oh my God, that was hilarious.
Speaker A:But you know what?
Speaker A:I guess I, I have a deep appreciation.
Speaker A:Playing with that Dan guy was like, was revelatory, you know?
Speaker B:Yeah.
Speaker A:It was like, ah, now then I get it.
Speaker A:And then going back and listening to James Brown after that, like everything but the Rhythm section wasn't just the bass and.
Speaker A:And drums.
Speaker A:It was the bass, drums and the horns were part of that rhythm section.
Speaker B:Section.
Speaker A:They all played together.
Speaker A:It was fantastic.
Speaker A:It was fantastic.
Speaker A:It was like really good.
Speaker B:Yeah, sweet.
Speaker A:But anyway, We did our passing goes.
Speaker B:Yep.
Speaker A:We did our Wheel of Spite.
Speaker B:Yep.
Speaker B:Did our rants.
Speaker A:We did our rants.
Speaker A:No one's coming over to join our show because they got more loyalty to fucking Corey Morissette and whoever.
Speaker A:Whoever's the fucking ringer.
Speaker A:Co host because Kamire's not there.
Speaker A:But no, you guys can go listen to his show.
Speaker A:It's fine.
Speaker A:You know, just because he records on our night anyway.
Speaker A:Whatever.
Speaker B:That's okay.
Speaker B:We'll have them.
Speaker A:George is like, listen.
Speaker A:Like even George is listening to the show right now.
Speaker B:Really?
Speaker A:Georgia Lynch.
Speaker A:Yeah, whatever.
Speaker B:George Lynch.
Speaker B:Whatever.
Speaker A:No Georgia Lunch.
Speaker A:The real Georgia.
Speaker A:George lynch is a piker.
Speaker A:Georgia lynch is the real deal.
Speaker A:But anyways.
Speaker A:Well, I think I'm tired.
Speaker A:I'm on my second drink.
Speaker B:I'm tired.
Speaker A:I'm ready to go.
Speaker A:Ready to call it quits.
Speaker B:We gotta do.
Speaker A:We gotta do our.
Speaker A:Not our homework, but our.
Speaker A:Our.
Speaker A:So Patreon, join us on our Patreon.
Speaker B:Yes.
Speaker B:We've got three tiers and I'm going.
Speaker A:To make a correction as you read these and I'll point it out when we get there.
Speaker B:Oh, okay.
Speaker B:So we have the tier one certified geek, which is $5 a month early access to episodes and full unedited video up to a month before public release.
Speaker B:Name mentioned on the show as a supporter.
Speaker B:Tier 2 is to True Geek, which is $10 a month.
Speaker B:Everything in Tier 1, exclusive access to the Discord server.
Speaker B:Behind the scenes correction.
Speaker A:This is.
Speaker A:This is where we're going to do the correction.
Speaker A:Okay, so I realize having a paywall to the Discord is not a good idea.
Speaker B:Actually.
Speaker B:No.
Speaker A:Because apparently that's what end in the podcast will rock will do.
Speaker A:And I wasn't on the Discord for a long time, but I'm like, well, I do want to support the show.
Speaker A:So I support the show.
Speaker A:And I got on their Discord and.
Speaker A:And the Discord for like, all kidding aside, I know we're taking shots at Corey and stuff, but I love Cory to death.
Speaker A:He's one of my favorite human beings.
Speaker A:He runs a great show, he's got a great community, all that sort of stuff.
Speaker A:This is all just in pun.
Speaker A:What he's built is fantastic.
Speaker A:Somehow he still built it behind a paywall.
Speaker A:But I don't want to.
Speaker A:I don't.
Speaker A:I don't want our Discord to be.
Speaker A:To be behind the paywall.
Speaker A:So I'm opening up the Discord to all but.
Speaker A:Continue reading but it's an invite only.
Speaker A:If you want to be on the Discord, let me know.
Speaker A:I've sent invites to a lot of people, but Continue reading?
Speaker A:The.
Speaker A:The $10 here.
Speaker B:So yeah, so that was exclusive access to the Discord server, which is a change behind the scenes content and bloopers.
Speaker B:Yep.
Speaker A:Which is basically.
Speaker A:So basically that is every episode we release, you're getting the unedited full version of the episode when I go in.
Speaker A:And after we're done recording after tonight, the episode is going to be edited down.
Speaker A:I'm going to take out stuff and try to tailor it and be a bit more professional.
Speaker A:But if you want the unedited raw version, that version in video format will be available on the patreon.
Speaker B:Okay.
Speaker B:Tier three supreme geek, which is $20 a month.
Speaker B:Everything in tier one and two, personal video message from the host recorded just for you when you join.
Speaker B:Name handle featured on the show.
Speaker B:Social media as a top supporter.
Speaker B:Mm.
Speaker B:Yes.
Speaker A:So some changes to that.
Speaker A:What we're going to do.
Speaker A:I'm just to.
Speaker A:Going.
Speaker A:Going to.
Speaker A:Oh, come on now.
Speaker A:There we go.
Speaker A:I don't know if I. I don't think I've changed this yet.
Speaker A:Okay, so basically we're offering access to the Discord server for free.
Speaker A:However, you have to get invited.
Speaker A:If you come in and disrupt everything more than Chaz Charles would disrupt things, we'll kick you off more than.
Speaker A:More than.
Speaker A:So up.
Speaker A:Up to Chaz level is fine.
Speaker A:But what was that sound like a baseline?
Speaker B:No, as a car went by.
Speaker A:Oh my God.
Speaker B:Muffler.
Speaker B:Muffler.
Speaker A:But we won't.
Speaker A:We want to have people on.
Speaker A:We want to have people in.
Speaker A:So.
Speaker A:So we're opening the Discord.
Speaker A:But basically what you're going to get on these tiers and I'm trying to see which the tears here benefits.
Speaker B:You know everybody's logged off by now, right?
Speaker A:Oh yeah, probably.
Speaker A:Anyway, so.
Speaker A:But anyway, so if.
Speaker A:If you pay.
Speaker A:If you pay to be part of our Patreon.
Speaker A:Yeah, you get all that free stuff, all the content.
Speaker A:But we're going to offer the pass and go is going to be open to, I believe the $5 tier,.
Speaker C:But.
Speaker A:The topics of conversation are going to be open to the next tier up.
Speaker A:So if you want.
Speaker A:If you want.
Speaker A:Basically the idea is like if you want to bring a topic for us to talk about on the show, a you gotta pay.
Speaker A:So it gets it Gets you.
Speaker A:Wow, I'm losing my train of thought here.
Speaker A:But basically, look, if you want a topic on the show and you want to talk about the topic on the show, we have people that we brought in other podcasters that are doing the work.
Speaker A:But if you're not a podcaster, you want to get on the show, you want to find a way to get on the show, and you get a really good topic, we'll bring you on at that higher tier, no problem.
Speaker A:I've extended this invitation to a number of people and we've had a number of these people on, but it'll be on the Patreon.
Speaker A:You can just go over there.
Speaker A:But I want to thank the patrons we currently have.
Speaker A:Let's see if my list is up to date.
Speaker A:We have Ronald George Moore, also known as Rigam.
Speaker B:Rigam.
Speaker A:We have Ruby from Living Through Extension.
Speaker A:Living Through Extinction.
Speaker A:Extension Extinction.
Speaker A:We've got the chairman, Tony Griggs.
Speaker A:We have the Kumpu, which is Corey Morissette from the CMPU.
Speaker A:The Kumpu.
Speaker A:Oh, Kevin Brown.
Speaker A:The.
Speaker A:With the moat.
Speaker B:Mr. Brown.
Speaker A:Mr. Donny Pops.
Speaker A:Danny Paps.
Speaker A:Danny Peppa Football.
Speaker B:Oh, my God.
Speaker A:Papa Beer.
Speaker B:Isn't it Paps?
Speaker B:No.
Speaker A:Yeah, Danny.
Speaker A:The type of beers that are Paps.
Speaker A:Blue Ridge.
Speaker A:Blue Ribbon.
Speaker B:Blue Ribbon.
Speaker A:Blue Ribbon.
Speaker A:Yeah.
Speaker A:We get Danny Pabst and we also get Dwayne, his co host, both on Mixtapes from Hell.
Speaker A:So thank you all for your support.
Speaker A:Appreciate it.
Speaker A:We're learning how to do this paid Patreon stuff, which I still feel is bullshit, but I know it's a necessity and it does help us go in the air.
Speaker A:And I do want to say, I do want to apologize because Gibraltar brought it up, but there will be ads on the show from here on out.
Speaker A:I decided to jump on the captivate ads thing because it is expensive to run this show.
Speaker A:It's very expensive to run a podcast.
Speaker A:There's lots of costs, but we have to find ways to mitigate those costs.
Speaker A:The Patreons, thank you very much for your sponsorship, but the ads will also bring some additional revenue.
Speaker A:It'd be nice to break even, maybe make a couple of shekels, so, you know, we can invest in some stuff.
Speaker A:I just invested in some equipment that came out of my personal funds.
Speaker A:But Todd needs to invest.
Speaker A:He needs to get the new podcast track P4.
Speaker A:I'd like to raise the funds to get taught a pod track P4 next.
Speaker B:Not schmickels.
Speaker A:But anyway, thanks for everybody.
Speaker A:I really appreciate everybody tuning in.
Speaker A:And I know you guys like and the podcast Will rock.
Speaker A:And if we stolen.
Speaker A:Not stolen, but some listeners over there come over here to listen to our show.
Speaker A:Thank you.
Speaker A:Yes, and the podcast Will Rock is phenomenal, but we're slightly.
Speaker A:But we're a slightly better show.
Speaker A:No, I'm just kidding.
Speaker A:Were marginally less than that show.
Speaker A:I do adore that show and Corey Morissette, but next week when he and Kevin Brown come on, we're going to be guns ablazing.
Speaker A:We're going to just shoot them down like crazy.
Speaker B:Oh, sweet.
Speaker A:Somebody just texted me.
Speaker A:I wonder if it's one of those yahoos.
Speaker B:Is it?
Speaker A:No, it's just Gibraltar again, Mighty K. Okay.
Speaker A:All right, we'll sign off.
Speaker A:Thanks, Todd.
Speaker A:And I'm going to hit stop and then you and I can talk about the stuff going on in a couple of weeks.
Speaker B:Sure.
Speaker A:Good night.
Speaker B:Bye.