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How Do You Price a Cigar? | RoMa Craft Tobac | Skip Martin | Box Press Ep. 147
Episode 15226th June 2026 • Box Press • Boveda Inc.
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Neanderthal, CroMagnon, Intemperance, Maestranza, and others. RoMa Craft is known for high-quality tobacco, premium cigars, and not charging an arm and a leg for them.

Ever wonder what goes into determining a cigar’s cost? Learn Cigar Econ 101 and more with Skip Martin, co-founder of the RoMa Craft Tobac. Skip and his business partner, Mike Rosales, started RoMa Craft in 2010 and established a factory in Nicaragua in 2012.

Episode features: Co-Founder, Skip Martin. Interview by Boveda’s Box Press Hosts Nate Beck and JP Awad.

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Transcripts

Speaker:

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6 months of consistent optimal humidity for your

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collection. No guesswork, no maintenance, just 

perfect storage. Learn more at bovedainc.com.

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Welcome to another episode of Box Press. I'm 

your host Nate Beck and I am your other host

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JP Awad. What's up everyone? Today we have on Skip Martin of RoMa Craft Tobac which is owned by Skip

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and Mike Rosales and they have their own factory 

in Nicaragua, NicaSueño and we are very excited

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to get to talk with Skip today. Welcome Skip. Hey 

guys, how are you all doing? We're doing good. So

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Skip, we've already been talking about a lot of 

really fun things. I think maybe first question

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we can start with is what what may be new and kind 

of interesting do you have coming up? I know I've

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seen on your Facebook page some really cool art or 

something maybe new and interesting. I don't know

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what you want to talk about or if it's something 

that's fair game, but tell us about anything new

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that you have coming out. Yeah, so you know, we're 

not a company that does new things, you know, very

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much. So when we do it's it's kind of notable. 

We did have a couple years ago we launched

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Maestranza, which has been doing really well. And 

I've been working on this brand called Visigoth,

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which is kind of the last of the CroMagnon 

brands. So, CroMagnon is CroMagnon, Aquitaine,

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Baka, and then now, and then the CroMagnon 

Pennsylvania, and now the Visigoth brand. I've

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been working on this kind of idea for a long time. 

It's one of those where kind of the name of it,

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it's been out there long before the the blend was 

ready. And we started this new program called,

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Craft Maquette. Uhhuh. A couple years ago and 

it's kind of where we explore these, you know,

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blends we're working on and Foreign & Domestic was one that we did I don't know maybe a year ago and

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it's a blend that I really really liked and then 

so we kind of decided kind of consistent with that

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Maquette process that that would end up being the 

Visigoth brand just the way one the one of the

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first Maquette became Maestranza brand. Oh, okay. 

Yeah. So, so yeah, the Visigoth it'll probably be,

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you know, sometime early next year. I mean, 

it takes a while to accumulate the tobacco

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and then it takes a while to to make the cigar 

and then, you know, we we generally will age a

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cigar for 4 to 6 months before we package 

it. Sure. And then when you launch a brand,

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you kind of want that brand to to have enough to 

kind of go to all your retailers. And so you have,

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excuse me, you have to accumulate some inventory. 

Excuse me. So it'll probably be you know trade

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show next year around when that that's released. 

Yeah. Sure. That's cool. Yeah. Dude, talk to us a

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little bit about the naming of your cigars because 

I personally think they're f*%#ing great names. I

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love I'm just curious to know like what's kind of 

the impetus behind like all of the naming of all

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of your cigars and how did that come about? Well, 

I mean our first brands in:

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Mike and I were we were kind of tossed around this 

idea of Neanderthal or CroMagnon. Yeah. And really

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it's just kind of, you know, you talk about the 

cigar culture and, you know, and then when you

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talk about culture, you're really talking about 

anthropology and you know, history and and so,

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we wanted to do a cigar called Neanderthal. It 

didn't seem as strong enough to be, you know,

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kind of Neanderthal. And and then I told Mike, 

you know, about, you know, kind of like the more,

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you know, cultured version of, you know, the 

Neanderthal, which was the the early modern human,

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the CroMagnon. Yeah. And and so that's that's what 

we, you know, that's kind of what we called it

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when it came out. We didn't have labels or boxes 

or or anything like that. So it, you know, it

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was just kind of a it was just kind of you know, 

something to call it. it wasn't so much a brand

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as it was just, you know, kind of what we wanted 

to refer to the line of cigars as. And then around

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around 6 months later, we you know, we wanted to 

do an extension of that with a different wrapper.

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The CroMagnon was discovered in Aquitaine. So 

that's or Aquitaine and so that's where that name

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came from was an extension of CroMagnon. Okay, 

that's really cool. Ah, that's awesome. Yeah. And

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then we wanted to do a Prohibition-themed 

one and around the same time there was

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a, there was actually a there was not a cigar 

thing released yet, but Prohibition as a brand

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hadn't been used, but there was a trademark out 

there that was owned by Rocky Patel. He ended up

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coming out with it a year or two later, but so you 

know I wanted to kind of do a Prohibition-themed

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thing and so we were going to call it Intemperance 

and then you know we started looking through it,

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you know, I was like, no I you know really it's 

kind of more Intemperance. Right It's kind of

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the opposite of the Intemperance movement. So, we 

did we did that brand and then kind of, you know,

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everything we've kind of done since then has 

really kind of been an extension of that.

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You know, anthropological or historical, 

kind of names. Dude, I love that. Yeah,

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dude, that's killer. Yeah. So Nate and I were 

talking about this before we got on today and

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one thing that we really admire about your brand 

is your pricing structure and how the

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quality of your cigars is as high as 

anyone else's. Yeah. And which we appreciate you

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don't have a price increase 6 months or 

every year. And you've made it so that the

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people that are into your brand, which has a 

rabid following, have really great cigars at

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a really great price point, so they never have 

to worry about essentially you know rationing

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cigars or wondering when they'll be able to buy 

their next box. Yeah. So, like what you know,

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like take us through that. Like what what's the 

reasoning behind why you aren't raising your

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prices as often as everyone else? Because there 

are a lot of brands out there that you know have

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raised prices quite a bit over the years and for 

people that were buying boxes of certain brands,

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they've maybe had to find themselves buying less 

of brands or they're buying, you know, value

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cigars in bundles rather than buying things that 

they were used to buying boxes of all the time.

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Yeah. So, so there's a couple of things. There's 

a couple, you know, things around around that.

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I think it's important for people to understand 

and and I I don't think this is something that

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that most people, I mean, like a Boveda pouch, 

I mean, probably costs pennies to make, right?

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Most people probably don't understand that the 

majority of what you end up paying as a consumer

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is less about about the what it costs in labor 

and materials to make something as what does it

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cost to get it to the place where they're going to 

buy it. Yeah. And I mean that's definitely true in

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cigars. And if you work backwards, whatever the 

price of a cigar is, generally because the the

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industry works on a concept called Keystone, the 

person who's selling it to you generally bought

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it for about half. Yep. And and by extension, 

because, you know, Boveda is a product that sells

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inside of the same environment. I assume the 

retailer kind of expects to also make Keystone

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on Boveda, right? Yes, that's exactly right. 

Yeah. So, so and and you know, look, you know,

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buying something for $5 and selling it for $10 is 

is not really a common thing. You know, if you,

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if car makers priced that way or even grocery 

stores priced that way, things would be a lot

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more expensive. But, you know, at the same time, 

maintaining a retail shop that just carries one

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kind of very specialized product is not the most 

efficient way to to operate a retail business.

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So, you know, the margins really are necessary 

for a lot of the, you know, the kind of the

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smaller retailers to survive. Yeah. Now, if you 

run a really big retail business that, you know,

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that also happens to be a manufacturer of a lot 

of the products you sell, you don't need near

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those kinds of margins to survive. So that's why 

you find you know this competitive pressure of

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discounting and um because there is margin in 

the products to, you know, to have the room to

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do that. But the the the point the point I want to 

make though is if you go from $10 to $5 and then

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you start subtracting things like Federal Excise 

Tax for tobacco, what they call the S-CHIP tax,

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the FDA User Fee, now tariffs, freight, which 

is very expensive with fuel prices where they

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are. If you started if you started backing all 

those things out, even before the, you know,

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so the $5 in gross margin that the retailer 

is making there's not near 50% gross margin

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in that $5 for the brand. Right. Right. Right. 

If it really depends on what you categorize as

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cost of goods sold versus uh you know margin or 

expenses. But but you know you, I mean, on one

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end of the thing the brand is paying 15–20% to a 

sales organization, either their own or a broker

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or someone else, and then on the other end you 

know they're paying they're paying all these you

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know things to actually even get the cigar into 

the United States. I mean for us now it's about

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90 cents a cigar just in Excise Taxes, tariffs 

and freight. So, if you back that out, you know,

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the the the sales and administrative and and then 

the just the the regulatory stuff. Sorry, it's a

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little bit windy here. You're you're talking about 

now, you know, somewhere between $2 and $2.50. So,

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there goes half of the gross margin or here goes 

half of the the sales price in the first place.

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Yeah. you know, for uh so most cigar manufacturers 

on a $10 cigar are probably only making 50 cents,

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60 cents, or brand owners, I should say. And then 

so let's say for example that cigar was, you know,

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made for $1.50 and then has, you know, 65–70 

cents worth of box, label, Boveda, cellophane,

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all that stuff, you know. What you start realizing 

pretty quickly is and this all goes to how do we

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why do we price the cigars the way we do. So what 

what you what you realize pretty quickly is you

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know every cigar in the world costs somewhere 

between 75 cents and $2.50 to make. Mhm. I mean,

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you you use the the quote unquote best tobacco 

in the world, you know, and all of that stuff,

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you know, we aged this for 20 years and all that, 

you know, kind of marketing fluff, but at the end

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of the day, I could use, you know, short filler 

and it cost me 15–20 cents a cigar or I could use

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the best long filler in the world and it cost me 

65–75 cents. So you're talking about, you know,

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less than a half of a dollar one way or the other 

based on the best possible quality of material and

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the worst material, right? Sure. Yeah. Yeah. And 

if and if you own the farms and if you own the the

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processing facilities, you know, you're making 

cigars in an even lower kind of real hard cost

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perspective. So, you know, someone like Padrón 

can probably make a Padrón, a 50-year Padrón,

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even if you include capital carrying costs 

of keeping tobacco for some some amount of

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time. They're probably making that $50 cigar for 

less than a $1.50, right? We make our CroMagnon

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Cranium probably somewhere around a$1.50. The 

difference is we don't grow tobacco. So we

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someone has to make money when we buy tobacco. 

Yeah, for sure. So, so we're actually paying a

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little bit more for tobacco. We pay a little bit 

more for labor. You know, kind of our overhead in

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general is a little bit more because we're not 

as big in, you know, in terms of efficiencies

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as as the larger guys. But so what what our 

what our kind of ethos has always been though

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is figure out where to put the money, right? 

So, like for example, if you look at our boxes,

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you got a couple of in front of you right there. 

Yeah. There it's really kind of a box inside of

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a box, right? So the inside kind of section of 

the box is just as thick and high quality as the

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outside section. It's not a cheap plywood insert 

or a cheaper version, a thin kind of insert. The

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bottom, and this is the first conversation we had 

about our boxes, the bottom is not a sheet of MDF

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or plywood. It's actually the same wood as the 

the other parts of the boxes made out of. If you

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look at most cigar boxes, most cigar boxes, 

especially if they're painted or lacquered,

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are not even real kind of solid wood, right? Yep. 

But cabinet boxes like thin kind of solid wood

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generally won't have a solid wood base because it 

it'll it expands and contracts and and it's not

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good to use. You have to use kind of MDF to keep 

the structure in the box. But because we're using

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wood that's a quarter inch or or or you know 3/8 

inch thick. Oh yeah. At least that. Yeah. Right.

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We obviously can use higher quality wood. And it 

turns out that you can use all real high quality

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wood and it costs less than if you make a a really 

cheap box and you put hinges and paint and stuff

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like that on it. Interesting. Hinges themselves 

cost, you know, 75 cents a piece or a dollar,

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you know, for the closures. So, and I'm talking 

about just cheap inexpensive wood boxes. Yeah. So,

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so we, you know, said, "Hey, how do we leave the 

hinges and stuff off but use higher quality wood?"

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And that kind of philosophy is kind of the way we 

do everything, right? Like how do we how do we use

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higher quality tobacco and pay our people better, 

but then where do we make that money up in the

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value chain, right? Well, what's the lowest what's 

the lowest from a consumer perspective? What's

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the lowest value? That's a big cost. And it's for 

us, it was you know advertising or for us it was,

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you know actually paying people to go on the 

road and and you know sell the cigar. Yep.

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So but when you when you don't have people 

on the road selling the cigar and you don't

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have advertising then you also are you're not 

going to sell 30 million cigars a year. Right.

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If you're specifically if you're if you're if 

you're picky about what kind of retailers you

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sell to also you you limit how many cigars you 

can sell but then at the same time the higher

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quality materials you select if you want to make 

consistent lines of cigars you also limit how many

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cigars you can make. So when you start putting all 

these different inputs together, what you end up

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with is how do we deliver the most amount of value 

at in the actual product that people are consuming

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and reduce all the other things that are not, you 

know, really adding value. They're really just

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there to make the company grow, right? Yeah. So 

when you take all those things out, you go, okay,

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well, I think we can make this many cigars and 

sell them at this price and and make and make a

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good living. And for us in the beginning, that 

was, you know, $7 or $8 for a, for you know,

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what we consider like a super premium cigar. Mhm. 

That's not necessarily in super premium packaging,

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but it's, you know, it's, you know, that box goes 

in the trash anyway. So why why should you you why

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should a customer pay $2 or $3 more per cigar just 

because of that, right? Actually, yeah. Nate and

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I were remarking about how beautiful your boxes 

are. Actually, they have a very classic look to

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them. They they're very well put together. And as 

far as opening some cigar manufacturer's boxes,

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it can be a, you know, a challenge to like get 

that lid. Well, one to get the lid off and then

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trying to get the lid back on can sometimes be a 

real challenge. But just being able to, you know,

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lift this lid and now you're at your cigars 

is fantastic. I mean, it's two cuts, you know,

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the Boveda seal and then the tobacco seal on here. 

I think they're beautiful. And then, you know,

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it's it's nice for your retailers that they can 

then refill these boxes with bundles that they

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can buy from you and they don't have to buy 

everything in boxes. Well, again, there go,

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you know, it's waste, right? So, for sure. So like 

how do we give our retailer a little bit extra

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margin and also help offset the discount that they 

give when they sell by the box? Yeah. But also

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eliminate you know consumed waste. So, you know, 

the short answer to your question that's the long

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answer. The short answer is the way you keep the 

way you deliver value in any product is you remove

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all the cost that exists that don't add value to 

the experience and then you figure out also how

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to make the company efficient enough where it can 

still make a decent, you know, kind of ROI without

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constantly increasing prices. Now there's been 

things out of our control, right? So so if it cost

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me $2.50 to import a cigar and then the government 

wants to take 18% on top of that or 10% on top of

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that. You know, you can do the math. If if they 

take 10%, that's a that's 25 cents a cigar. And

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if and if I make zero money and I just pass that 

25 cents on to the retailer, that cigar just went

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from whatever it was to 50 cents more. Right. 

Right. Yep. So you so when you start adding,

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you know, the airlines you know it used to cost us 

you know 2 1/2 or 2.9 something cents to import a

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cigar from terms of air freight. Now that that's 

something like, you know, 9 1/2 cents , right? So

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that adds that adds, you know, that adds something 

like 15 cents on the cigar. The the cost of of

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wood, the taxes in Nicaragua, the all this stuff, 

you know, most of our price increases over the

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years. Actually, we make we make a lot less money 

than we used to. We used to, you know, I I'll tell

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you the numbers because we don't really keep it 

a secret. I appreciate that about you actually,

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Skip. I think that's one of the rare things in 

this industry or in any industry. We sell about

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a million cigars a year. We make a little bit more 

money on the cigars we sell to Europe just because

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of the structure of the way because in Europe it 

isn't Keystone. The way it works in Europe is if

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a cigar cost 9 Euros, the manufacturer gets $3, 

the importer distributor gets $3, and the retailer

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gets $3. Right. Yeah. Which seems like a really 

fair process. But so, you know, the same cigar

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that we we you know RoMa pays you know $2 before packaging, you know in Europe, they may be paying

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$3 for the importer. Right. Sure. Sure. Yeah. So 

but the but also in Europe, we don't have tariffs,

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so it kind of evens out. But, you know, so on 

a million cigars we do about 4.3–4.5 million

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it depends on the mix of you know how much 

Neanderthal and how much Intemperance but so

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let's say we make $4 million, the cigars used to 

cost us a little less than 40%, you know all in,

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now they cost us about 65 cents so our costs have 

gone up from our COGS have gone up as a percentage

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of our revenue almost you know 35–40%. Wow. So 

where so where our expenses have have remained

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pretty much the same maybe a little bit lower. So 

you know on $4 million, Mike and I used to split a

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million dollars and now Mike and I really kind of 

more split like $400,000 or $500,000. Yeah. So, I

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mean, we've always been profitable, but you know, 

you figure, you know, you make two or $200,000

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or whatever, $250,000, you make $500,000, all you 

end up doing is just paying more in taxes anyway.

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But yeah, yeah, exactly, dude. But I mean, you 

know, I mean, pretty much for the last, you know,

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15 years, Mike and I've made, you know, in in 

the first years, we didn't make any, you know,

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we didn't pay ourselves anything. But, you know, 

you make a couple hundred thousand dollars. And,

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fortunately, you know, I had a good career before 

cigar. I always say I I used to make money,

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now I make cigars. Yeah. Right. But, but, you 

know, where we used to do 25% net income and

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and now we do something more like 10% and, 

you know, it's a good living, right? So,

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and you know the point the point the reason why 

I tell you those numbers is to say that you know

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every dollar we pay ourselves is more money that 

we have to charge for the cigar or vice versa.

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And and you know what value does that add to it, 

right? Like if if I was if I had to be out on the

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road every single week and and away from my family and you know shaking hands and and selling the

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cigar for the retailer, I would probably demand 

that I made more, right? And so I would probably

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charge more for the cigar. But then if the cigar 

costs more, maybe you sell less of them and you

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have to work harder. So it's like this circle 

you get into where the more you want to sell,

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the more you have to discount, the more you have 

to work. And it's like I just want to focus on,

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you know, for me, I just like creating. So I 

just wanted to make good cigars. Okay. And and

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you know, I smoke cigars. You know, like like I 

cook. I, you know, our Maria just set out what

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we're going to make for dinner and, you know, I'm 

already thinking about how I'm going to make it

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and but I don't want to run a restaurant you know. 

No. Yeah. For sure. So, you know, the other thing

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was I told Mike in the beginning is is like I've 

worked in a company where I wasn't really directly

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connected with the work. I was mainly my job was 

running the business, right? And so, you know,

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I don't want to work, you know, on the business. 

You know, I want to be in the business. I want to

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I want to be blending cigars. I want to be, you 

know, doing the artwork for the for the label. I,

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you know, I want to be doing those things. You 

know, working with the people and developing

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people and seeing them grow from, you know, this 

to that. And so, that's what I enjoy doing. and

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and that's how we built the company to do that. I 

love that. That's really cool, dude. Thank you for

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explaining that. That's really insightful. Well, 

and and kudos to you. I'll get the the phrasing

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wrong, I'm sure. But it's you can make very 

little money and have a very rich life and you

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can make a lot of money and be very very poor in 

so many things because you're constantly chasing

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that work and you're gone and you're never with 

your family. And so you're making all this money

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for this group of people that you're supposed to 

care about and then you're never there. And then

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at what point is that a win? You know, it's fun 

to be able to see your posts on on Facebook and

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you know, you're having this delicious breakfast 

looking out over the water, beautiful scenery,

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:

and enjoying a spectacular cigar. That's that's 

a life. I mean, and I've always been a fan of

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brands and individuals that appreciate creating 

new and interesting art and a cigar for sure.

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:

Anything can be art, but that creative process is 

the most. Sure. And appreciating the small things,

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:

right? Yeah. Those those are the wins. Well, 

yeah. And this it shows through as well, Skip,

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:

to you how you treat your staff and how you treat 

your employees and the culture that you've created

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:

there especially at your factory. I have to think 

that's more rare in the industry, maybe not. I

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:

don't know or don't have any factual basis on 

that, but I know it's unique in a lot of business

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:

how much care and attention you give to your staff 

and your employees. Yeah. I mean it's important.

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:

I think, you know, I think that you know you 

treat other people how you want to be treated.

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:

I, you know, for us, you know, we like I mean it's 

a small again it's small so you know I can walk

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:

in the factory and I know I know most of them you 

know there may be a one or two new people that I'm

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:

still getting to know but you know, I know them 

by name. I know in a lot of cases I know their

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:

family. I know, you know, in some cases I've been 

to their house and, you know, for whatever reason

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:

and yeah, and they know us, you know, we're not 

we're not just some, you know, rich, you know,

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:

person with a, you know, a long kind of, you know, 

family that walks in, you know, they clap and then

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:

they leave and they they don't really ever know 

anything about us, right? Yeah. Yeah. Well, I

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:

mean, the the handful of times that I've been able 

to spend time with you and Mike, either together

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:

or separately, you're both extremely generous and 

just absolutely easy people to be around, which

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:

is not super common. Yeah. Yeah. Kind of freeing 

yourself of ego is difficult to do in a lot of

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:

industries, you know, and the cigar industry is 

no different, you know what I mean? Like every

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:

industry is this way, right? Like it it's really 

hard to like leave the ego at the door and just be

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:

a human and you know what I mean and just Yeah. 

Yeah. I mean, I don't, I mean, I don't, I'm not I

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:

never really studied Freud so I don't know. I mean 

I think everyone has ego. I mean like you know

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:

I'm going to get up on the step ladder and fix you 

know and clean out the channels of what that takes

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:

a certain amount of chutzpah, right? To think, you 

know, I'm not, I shouldn't be getting up on any

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:

ladders. Yeah. Right. It takes a certain amount of 

ego to, you know, just even do certain, you know,

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:

get out of bed in the morning, right? And I think 

you have to be self-confident. I think you have

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to be really determined in what you believe in. 

And a lot of times people misread, kind of like,

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:

you know, when you have a very strong like for me 

I would say that I'm self-confident because you

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:

know the way I grew up, you know, I had to be self 

you know I had to be independent and dependent on

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:

myself. And then, I think you know, l do you 

believe that that your opinion is is kind of

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:

correct? Yes, because I put in the work to, you 

know, if you've put in the work and you've got a

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:

different opinion that you can present to me, I'm 

more than happy to listen to that. But most of the

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:

time, people who have a really strong opinions 

about things, really haven't put in the work to

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:

even form or substantiate that opinion, right? And 

then, you know, it's like, you can tell me about

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:

tobacco all you want, but I've I've lived down 

here for 15 years, right? I've I've actually put

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:

my hand on tobacco for, you know, you know, 30% of 

my life. I've been here buying tobacco and putting

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:

my hands on it. I've seen good tobacco. I've seen 

bad tobacco. You know, you know, I can look at it

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:

and I can tell you whether I think it's good or 

not. I could be wrong. I can look at it and say,

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:

you know, what I think it's going to taste like, 

how I think it's going to work in a blend. You

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:

know, you might can do that. If you're really 

good and smart, maybe you can make a couple of

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:

trips a year down here and then you can go on 

to podcast and explain to everybody, you know,

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:

about how you blend cigars. But that's right, 

right. And so my my point is saying that I don't

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:

think saying that I'm confident about my ability 

to create cigars that I like. I don't view that

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:

necessarily as ego or or saying, "Hey, there's 

things that I understand about this business

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:

that other people don't because I've done the 

work. I've put in the work." Um yeah. Yeah. No,

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:

totally. I think a lot a lot of what the negative 

aspects that you talk about when you say ego. I

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:

think a lot of times because because there 

there's this projection of what people want

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:

to someone said to me like you know the really the 

most important skill you can have in this business

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:

is being able to fake authenticity, right? Which 

is you can't fake authenticity. That's the whole

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:

entire definition of authenticity. Correct. 

But the thing about it is, if you can project

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:

this idea that you are that, you know kind of this 

credibility. If you can project this idea, that,

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:

you know, I've seen people slapping her name on 

a a cigar and then start doing events and they

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:

have to talk about the blends and they don't even 

really know what the blend is. They have to talk

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:

about the, you know, this. Let me tell you this 

story about this brand and it's like, it's it's

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:

like, they're overcompensating for the fact that 

in their head they know how insufficient they are,

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:

right? Because they know they haven't put in the 

work and I think the kind of negative aspects of

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:

egos is is that kind of projection trying to o 

overcompensate. Like if you talk to, you know,

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:

the guys who started, Tim and the guys who started 

Boveda, you know, you could say a lot of things

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:

about them. I think they're very self-confident 

and they're hardworking and they're accomplished,

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:

but I wouldn't say I wouldn't say they have ego. 

Yeah. You know, like they're very down to earth,

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:

but but they know what the f*%# they're doing 

because they put they've put the 25 years, they've

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:

learned it all the hard way, right? They've put 

the time and effort in. So when some, you know,

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:

new marketing person shows up or some new product person shows up, they're more than willing to look

293

:

and listen, but they also understand this business 

in the business that they're in a way that nobody

294

:

who shows up is really going to understand it. 

Yeah. And so especially the more competent and the

295

:

more capable you are, the less you have to project 

this idea that you're capable, right? Yeah. For

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:

sure. And I think that's confidence is a word that 

often gets confused with ego because you you have

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:

knowledge, you have that skill. Yeah, that's a 

great point you make. Speaking of Tim and Sean

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:

and Boveda, you know, you've got Boveda stickers 

here on all of your boxes and in all of your

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:

bundles. You have been one of the best partners 

with Boveda and putting your our packs into all

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:

of your cigars. How does Boveda help you and your 

business with cigars? Like, what does that offer

301

:

to you by including that in these boxes? Well, you 

know, I'm in my personal life, well, for here next

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:

to the ocean, I don't really have to use a lot of 

humidification. Yeah. Right. And really for me,

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:

and I say this, I say this, I've said it for a 

long time, is that I feel like over-humidification

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:

is a bigger problem than under-humidification. 

Sure. So, there is no, unless it's 2-way, there's

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:

no humidification system that for me really works 

for cigars because you know, if you keep cigars

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:

in a dark, cool place, it's amazing how long 

they'll hold on to the humidity without any help,

307

:

right? You know, you put cigars in a Ziploc bag 

inside of your sock drawer, they're going to

308

:

stay in pretty good condition for a long time with 

almost no humidification, right? Yep. For me, the

309

:

issue really is more around from the time they're 

made to to the environment that they pass through

310

:

is over-humidification. So, you know, people talk 

about aging cigars in the cigar factory.

311

:

There really is no aging cigars. I mean, cigar 

factories want to get the cigar out as soon as

312

:

it's made and it's packaged. They want to get it 

out of the factory as soon as possible because the

313

:

longer it sits there, the longer your money sits 

there. Correct. Yeah. But you can't send a cigar

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:

directly from the table. And why? It's it has 

nothing to do with marrying of flavors and all

315

:

the bullsh*t they tell you. What it really boils 

down to is is the humidification has to stabilize

316

:

in a cigar. So really what an what an aging room 

is is more than anything is a drying room. And

317

:

most factories use air conditioning, for example. 

Sure. Yeah. In the drying room. We don't. But when

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:

you do that you can accomplish that in a couple 

of weeks. As it dries, there's some off-gassing,

319

:

which is kind of like a a part of fermentation. 

And so that when when that cigar if it goes

320

:

properly properly humidified into a box, the, 

especially if your entire packaging area and

321

:

your factory is also air conditioned then then 

you can get that kind of into a box and into a

322

:

a crate and into a a shipping container and then 

it kind of goes over the ocean for three weeks,

323

:

so it picks up humidity again. So, so the danger 

of getting a cigar from production to the consumer

324

:

is less about it drying out and it's more about 

it being too wet. Right. That's the danger. Yeah,

325

:

you make a great point. So, for us, you know, the 

box does a lot of work of sucking humidity, excess

326

:

humidity out of packaged cigars because from the 

time it leaves the aging room to the time it's

327

:

packaged, it picks up a little bit of humidity, 

ambient humidity. Yeah. Yep. But the box does some

328

:

work. So, you'll notice when you open a box of our 

cigars, our Humidi-Pak is not sitting on the top

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:

of the cigars, you know, sucking, getting your 

humidity sucked out of it from the wooden lid.

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:

Yes. Our our Humidi-Paks are always in the middle 

of, the middle of the cigars. Yeah. And the layers

331

:

So, they touch the cigars first. Yes. Well, 

so if we have four layers of cigars of 6 each,

332

:

you'll have 12 cigars, then above it, and then 12 

cigars because the outside cigars are getting kind

333

:

of conditioned by the box and then really what 

you're concerned is that the kind of cigars in the

334

:

middle of the box are going to stay too, you know, 

too humid or are going to get too humid. So for us

335

:

you know like but you know if you send the cigars 

to Germany air freight and then it goes through

336

:

the cold weather and then it goes through the 

freezing for what they do for insect

337

:

control or whatever for tobacco beetles, by the and 

it sits in a warehouse because some of our cigars

338

:

sit over there for five or six months but it sits 

in a warehouse in, you know, in Germany by the

339

:

time it gets to a retailer, the Humidi-Pak may be a little bit kind of consumed. Yep. And then so a lot of

340

:

customers in Europe are like, "Well, you know, 

your Humidi-Pak is dry. That means your cigars

341

:

have dried out." I'm like, "No, that just means 

it did its job." That is right there. That is

342

:

exactly right. Save that and throw that on social 

media so people hear that. Thank you, Skip Martin.

343

:

Yes. Yeah. So, I mean, you know, if you put if you 

put just sucking the humidity out of the box, the

344

:

Humidi-Pak will be consumed. A 10-gram Humidi-Pak will be consumed, right? Yep. But, you know,

345

:

is this if you hold the cigar up, does it crack? 

No. Does it, you know, is it seem like

346

:

it's underhumidified? No. Well, it's like, well, 

how do I know? Well, how what the Humidi-Pak being

347

:

dried out means that it went through this really 

rough kind of dry period and and just because the

348

:

cigars kind of made its way back, they've lost all 

their flavor because it's like, I don't know who

349

:

told you that, but that's just not true. Yeah. If 

I open if I opened a box of our cigars in a retail

350

:

environment and the Humidi-Pak was, you know, 11 

grams, you know, or 12 grams and it just picked

351

:

up a lot of humidity, I would be really worried 

that the cigars themselves were over-humidified.

352

:

Yeah. Right. Just because the environments that 

was in were like heavily humidified. Correct.

353

:

Right. Yeah. And and believe me, having a cigar 

sitting your car at 125, 150 degrees, you know,

354

:

with with 0% humidity for a week will ruin a 

cigar. There's no question about that. Yeah.

355

:

But there is nothing that that hurts the 

smoking experience more. I would rather a cigar be

356

:

50% humidity than be 80% humidity. Agreed. 100%. 

Agreed. 100%. Yep. And especially heavier tobacos,

357

:

right? Yeah. So I I think humidification 

in general is one of these things that

358

:

I think we've we consumers way over worry about 

it and you know if in the and I'm telling this

359

:

on a humidification company podcast, but for me, the worry is more about cigars being over-

360

:

humidified than under-humidified and the 

point being if you take a, you know, a Ziploc

361

:

bag, you know, maybe a 4- or 5-mil Ziploc 

bag, like a good quality one, not a Ziploc,

362

:

but like a, you know, like like the bags you use 

for your Boveda packs. Yeah, for sure. If you

363

:

if you put a if you put a Boveda in there, there's 

no reason. And you keep it in a cool, dark place,

364

:

there's no reason why that one little, you know, 

kind of 18–20 gram pack can't last six months.

365

:

Oh, maybe even longer or more. Yeah. Yeah. Yeah. 

I mean, that's the whole that's the whole science

366

:

behind our, you know, our humidor bags. You could 

put I had a customer, a shop owner, who was

367

:

like reordering after a couple years of getting 

through a distributor of ours and I he's like,

368

:

"Is there anything new or something I haven't 

had before?" And I said, "Well, have you ever

369

:

tried the you know, the humidor bags? They 

can be a nice add-on to get your customer

370

:

to buy some more cigars because now they have 

something to store it in." And he said, "Well,

371

:

it's funny you should mention that.'" He said, 

"Because a buddy of mine just invited me to go

372

:

golf. And so I dug my golf clubs out from the back 

of the garage. Hadn't played in over 2 years.

373

:

And he got to the golf course and he's digging 

through the side pockets. And lo and behold,

374

:

in one of the side pockets was one of our small 

humidor bags that he hadn't touched for 2 1/2   years. And that pack was still easily half 

full of solution. And his cigars were perfect.

375

:

and he's like, "I had the best round ever cuz 

now I have cigars that I didn't know I had." So

376

:

now he's smoking on the golf course. It's just 

fantastic. Same exact thing happened to me this

377

:

year. And we live in Minnesota, so you know how 

I mean it gets cold and it and there's almost no

378

:

humidity in the winter time. It's dry. I had a 

small humidor bag in my golf bag in my garage,

379

:

which you know gets down to around 40ish degrees 

in the evenings. And I had it sitting in there

380

:

with 3 cigars and an 8-gram Boveda pack from 

I would have been November until I played for the

381

:

first time in March. So we're talking 5 months. 

And I opened up and thought, man, these are, you

382

:

know, the pack's going to be depleted. You know, 

it's going to be bad. These cigars are going to

383

:

be beyond repair. And I took it out of there and 

there was still there was still water, there was

384

:

still solution in that pack and the cigars were 

in perfect shape. I lit one up, smoked the entire

385

:

thing through, didn't have a single issue with it. 

Yeah. Yeah. So yeah. Yeah, they do their job. And you know,

386

:

I think one thing a lot of people a lot of people 

don't know because we're they're uneducated is,

387

:

you know, the relative aspect of relative 

humidity, right? So, right. Yeah. Your story your

388

:

story there being that it was 40 or 50 degrees 

in the garage, not 130 makes a big difference,

389

:

you know. Exactly. Yeah. Yep. All right. But my, 

you know, going back to my point is is that like

390

:

for me, you know, people, if you're going 

through a lot of, if you're having to replace

391

:

your Humidi-Paks on a on a a regular basis, to me, 

that is a signal that whatever container you're

392

:

storing it in is the problem, not the not the or 

or whatever ambient condition you're storing it

393

:

in is the problem. Yeah. Because if you put 

4 or 5, you know, kind of 69% packs in a

394

:

in a humidor. I mean, I think we have like 

an OpusX humidor at the office. We, or you know,

395

:

I come back to the office every 3, 4, 5 

months and you know, they can they can go in

396

:

our office they can sit you know for 8 months 

a year without the packs drying out. Right. For

397

:

sure. Yeah. So, yeah. So, I've always, you know, 

I've always been I've never I've never been

398

:

a person that collects a lot of cigars, like, you 

know, if you start getting into like tubs of boxes

399

:

of cigars and you have to kind of go to beads and 

all those things. I've never been that person.

400

:

And I had a I had like a 50- or 75-count Diamond Crown humidor that I had for years. And you know, every

401

:

now and then I'd buy a box of cigars that kind 

of filled it up, but generally I would kind of

402

:

get bored of them, you know, because I'm the kind 

of guy who will pick up like two of these, two of

403

:

these and buy like 35 or 40 different cigars over 

a week, you know? Yeah, for sure. Same. So even

404

:

though I was smoking seven, eight, you know, 

6, 7, 8 cigars a day, I, you know,

405

:

I never really had a huge collection of 

cigars, until I had a store, until I had a factory,

406

:

until I had a, you know, a company. So for 

me, you know, a really good thick Ziploc bag that

407

:

can keep the cigars for 4 or 5 days was 

all, you know, 30 or 40 cigars was always more

408

:

than enough for me. And so, the Boveda, the white Boveda packs for me were kind of like, you know, the

409

:

early easy solution. Yeah, for sure. Yeah. Skip, 

what was the shop that you used to have,

410

:

is it still in operation run by a new owner 

or did you No, it got it got wiped out by

411

:

Hurricane Ike. Oh, you're kidding. Okay. Yeah. 

In in:

412

:

led to starting RoMa Craft because I was going to 

open a new store and then just decided, you know,

413

:

I I didn't want to really be chained to a register 

anymore. Yeah. Sure. How many years did you run

414

:

the own the shop? Uh, it was it it was uh about 

2 1/2 years, almost 3 years. Okay.

415

:

Yeah. Wow. All right. So, I told JP I was going 

to ask this question, so I'm I'm going to shift

416

:

gears. Uh, I'll use this word as a seeming 

connoisseur of flip flops. What is the current

417

:

flip flop gracing your feet nowadays? I have 

and when I say this number, you're going to say

418

:

it's bullsh*t but it's 100%. It's probably a low 

number. I have about 30 pairs of these OluKais. Oh,

419

:

is that what it is? Dude, I don't know why I 

thought you were gonna say OluKai. Yeah, they make

420

:

they make quality stuff, man. I like their stuff. 

Yeah. Uh I I went through I I don't even want to

421

:

admit I went through a Croc period because Jerry 

Cruz kind of got me into that for about a month

422

:

or whatever. And I figured if it was good enough 

for for nurses, it was good enough for me. Yeah.

423

:

Right. And then I did Birkenstocks for a little 

while, but they they hurt the top of my feet. So,

424

:

I really like these, especially when you have a 

bunch of them and you trade, you know, you kind of

425

:

trade in and out. They last a long, long time. 

Oh yeah. It's funny you say Birkenstocks. One of

426

:

the one of the careers I guess you could 

say I had before coming to Boveda was I ran

427

:

a Birkenstock store for 10 years and sold them 

more than 20 years at various retail shops. And

428

:

those OluKais when they first came out, the shop I 

worked for actually brought them in because they

429

:

had the similar, you know, feel on the bottom 

to what a pair of Birkenstocks feels like. So

430

:

that's funny you say that. I had at one point, 

I don't know, 45 different pairs of Birkenstocks

431

:

that I had. My kids wore them. You know, it's 

kind of a perfect plus plus you're in Minnesota,

432

:

so you wore them with socks. I sure did for quite 

a number of years. I sure did. And that's my kids

433

:

are now doing that again. Like that's a thing 

again. So it's like about every 10 years they come

434

:

come in and back around and then they're super 

popular again. That's awesome, man. You know,

435

:

one of the one of the things they teach in the 

military is take care of your feet, right? Oh,

436

:

yeah. Yeah, dude. Well, it's the guy that I worked 

for retired as a naval commander. He was, so

437

:

this shop owner got into Birkenstocks because he 

was just ruining his feet training for marathons

438

:

running on the decks of aircraft carriers. And so 

he discovered Birkenstock makes inserts for your

439

:

shoes. That was actually their original product. 

Yeah. And he put them in his shoes and his feet

440

:

didn't hurt anymore. And so when his mom wanted to start a business, he's like, "You know what? Let's

441

:

do this." And so he opened up these Birkenstock 

stores and did that for well over 30 years.

442

:

But yeah, he was, I think, part of the first 

graduating class of Top Gun School. So he flew,

443

:

you know, during Vietnam, but that's where he came 

out of the military and that's where he got into

444

:

that product. So all right, Skip with everybody 

that we bring on. It's more light-hearted. What

445

:

is a story or you can tell us multiple stories 

that have happened for you over the last you know

446

:

whatever 15, 16 years with RoMa that is a funny 

story, like a comical story that you like to tell

447

:

people about if you're you know having a cigar 

and or a drink and or having dinner or something

448

:

that you can tell us because we love hearing 

funnies. I don't know like, you know, it's like

449

:

jokes. It's like, if you, hey tell me a joke, it's 

hard to remember one but once the jokes start you

450

:

know one reminds you of the next one. Yeah. Yep. 

I mean you know there's a lot of there's a lot of

451

:

great, that's one of the things about this you 

know you go back to the trade show and then you

452

:

see people and then you, oh, you remember, hey back 

when this happened and um there's there's a lot

453

:

of really great stories. You know, I'll 

save one for the next, I'll save, I'll remember one

454

:

for the next. I'm sure we start drinking together 

somewhere. I'll start telling stories

455

:

and it up. We'll get the voice recorder out and 

then we'll we'll we'll I was trying to think I was

456

:

trying to think of a something that related to, I 

remember one of my first times in New Orleans with

457

:

with the Boveda guys. And I end up telling 

this story all the time to new guys at Boveda.

458

:

A friend of mine, he's a doctor. He's the 

one that actually introduced me to Tim and Sean.

459

:

um my my buddy, Joe Amet and they actually 

knew Joe before they knew me. This would have

460

:

been like early 2000s or maybe maybe like 05 

or 06. But so I got to know him and then we

461

:

had a trade show in New Orleans which I I don't 

remember when that was like:

462

:

And we ended up at this place with all the all 

the Boveda guys called Bourbon Cowboy and

463

:

they had they had a mechanical bull and Dellas 

I don't know if everybody knows Dellas but when Oh

464

:

dude Oh, we love Dellas, man. He's the best. Do 

was completely shitfaced and on this mechanical

465

:

bull and it's like surprised. There's not there's 

not even there's not even like a funny like story,

466

:

but every time everyone was there goes, "Oh man, 

I totally remember that and it was the one of the

467

:

funniest things ever when he rode the bull." Yeah. 

When he rode the mechanical bull. Did he go flying

468

:

off that thing or what? Or did he stay on for? 

Man, he did he did everything you can imagine.

469

:

He did it backwards, you know. He was humping it. 

He was, I think, I think at one part, I think

470

:

at one point, he took his shirt off. Oh, that's 

awesome. That is awesome, man. But you can you

471

:

can ask you can ask Tim or Sean about that. 

But that's one of my great memories with the

472

:

Boveda guys. Oh my God, dude. Thank you for telling 

us that because I'll never not tell Dellas about

473

:

it and bring it up to him when I see it. Ask him 

about Bourbon Cowboy. Bourbon Cowboy. Let's let's

474

:

text him about it right after this. We'll text 

him right after. Yeah. Oh, dude. That's awesome. Thanks

475

:

for sharing that. That's fantastic. Awesome. Tim 

is actually in the office with us here today.

476

:

We'll have to go down there and go. So, we heard 

a little bit about Bourbon Cowboy. Can you, well...

477

:

What's crazy is like for for 20 years, every 

time I see him, I I mention it, right? And so,

478

:

I'm sure he's like sick of hearing it was like, 

"Oh, yeah, Skip always tells that story." But,

479

:

and it's not even really a story. It's like, 

"Hey, do you remember that time with Dulles at

480

:

Bourbon Cowboy?" Like, every time I see him, like 

that that's where he's at in my memory, you know?

481

:

I wonder if, I wonder if that place is still 

around. Anybody know? I don't know. No,

482

:

it's been like three other things since then, 

I think. Okay, gotcha. I wonder if the bull's

483

:

still there? Yeah, right. It it just stayed with 

the bar. Yeah, you never know. I think maybe the

484

:

bull is with the insurance related to the bull 

is what closed the whole thing down. Yeah,

485

:

that's definitely possible. Probably because of 

Dellas in 05 or 06 or whatever. Yeah, right. God,

486

:

that's awesome. Remember that one guy? We had 

to close the bar because of that guy. It was

487

:

wild. Back then then no matter how 

you know rough the night was everybody was right

488

:

on the trade show you know the next next day you 

know for me now if if I stay out late I can come

489

:

into the trade show late you know I don't have 

to be there at... Yep. You know, well, I will tell you

490

:

Dellas still shows up right on time. Yep. Dressed 

to the nines, no matter how late we've been up

491

:

always rocking a bow tie yeah we love Dellas, he's 

he's he's good people man but you know we've had

492

:

a we've had a long you know you know I mean I 

a friendship really more than anything I was a

493

:

consumer and then when I had a store I, you know, 

I really was a believer in kind of, you know, back

494

:

then it was the I think it was just the 72% white 

Humidi-Pak. Yep. And I was believer in that and then

495

:

you know I had a friend of mine that made humidors 

and I would I think I before you guys even did

496

:

it, I was designing a thing that would hold 

Humidi-Paks. I was designing humidors around the

497

:

humidification. Yeah. Yeah. And then, you know, 

of course, when we started making cigars again,

498

:

because of the over-humidification problem, not 

the under-humidification problem, you know, we

499

:

we we were one of the first to really really push 

for you guys to to get because the Free Zones,

500

:

there were cigar people, I think, in, there 

may have been a manufacturer in Nicaragua that

501

:

was doing Bovedas before we were. I don't I don't 

know. But if they were, they were a Free Zone

502

:

and they were importing them themselves. Sure. But 

I know for a fact that we really really pushed, I

503

:

mean, this must have been 10 or 10 or 12 years ago. 

We really pushed to get you guys to distribute

504

:

Yep. to import and kind of distribute the Humidi-Paks

here. Yeah. And I tried a bunch

505

:

of different things, but I think I'm the one that 

maybe connected you guys with the 3A. Yeah,

506

:

that sounds right. Yeah, and that's been a great 

relationship. So, it's yeah, the gratitude

507

:

we have for you and Mike and RoMa Craft has been it goes it goes deep. So, we appreciate all that

508

:

you do for us. Thank you for coming on and taking 

the time out of your day to sit and have a cigar

509

:

and shoot the sh*t with us. We really 

appreciate it very much. Yeah, of course, man.

510

:

It was good seeing you guys at the trade show. 

We had a we had a great conversation with...

511

:

With Drew. With Drew. I think, I think it went 

long a lot longer than he had wanted it to, but I

512

:

could have gone for another 2 hours. We were we 

were in we were getting into a lot of subjects.

513

:

Yeah. So, appreciate you inviting me. Absolutely. Well, enjoy enjoy making your

514

:

dinner. It's always fun to see your pictures 

looking out over the water and enjoying a good

515

:

meal. So, uh, enjoy time with your family 

tonight and have a good weekend. Yeah,

516

:

you too, guys. Appreciate it, Skip. 

Thank you. Yeah, thanks. Appreciate it,

517

:

brother. And now that we're here at the end, 

Skip, I picked up the same cigar, but you know,

518

:

Saber Tooth and Aquitaine. Is the difference in the 

Saber Tooth just the barber pole on the wrapper,

519

:

or are there other differences in 

the cigar as well, just that wrapper?

520

:

The only difference is is there's about a half of 

a Connecticut wrapper underneath the Havana

521

:

wrapper. Gotcha. And then one more question 

because I smoke through it way faster than I

522

:

thought I would. I picked up from the shop 

that's right by my house, Ramsey Smoke Shop.

523

:

Omar is one of my, just become one of my closest 

friends, since taking this job at Boveda. So I picked

524

:

up a box of the CRAFT, this year's CRAFT. The 2026, yeah. And is that all apart from the differences in the

525

:

wrappers and the design, is are the internal 

guts of all those cigars the same? Yeah,

526

:

the filler's the same, but and and really the 

binder's the same, but the some of them have

527

:

double wrappers. You know, so all the everything 

you see on the outside is different. This

528

:

year's CRAFT, the actual inside of 

the cigar, is is the same blend as Maestranza. Oh,

529

:

it is. Oh, dude. That's awesome. Maestranza is f*#%ing great, man. Yeah. So, instead of using Broadleaf, we use

530

:

San Andrés and Connecticut and Candela and 

then there is some Habano and there is some,

531

:

there is some Habano and there is also some 

Pennsylvania Broadleaf, but for the most part

532

:

it's basically like a dressed up Maestranza. Oh, 

that's awesome. Yeah. Very good cigar by the way.

533

:

Nate shared one with me. Great. Yeah. Delicious. 

Yeah. I mean, that's an example of a cigar that,

534

:

it's weird because if it dries too much, then like 

the embellishments start to peel off. Sure. But

535

:

if it's too wet, it doesn't smoke good at all. 

So, that's one of those cigars where it really

536

:

has to be, you know, 67 kind of on the dot to 

to really smoke the right way. Yeah. Which is

537

:

actually about the atmosphere like when you when 

I smoked it. 100%. Yes. It burned perfectly. Yeah,

538

:

they were great. Yeah. But anyway, yeah, actually 

when I picked these up, these boxes from Omar,

539

:

I was like, "Do you happen to have any more of 

those?" He's like, "No, they're all the other

540

:

4 you had were already paid for and spoken 

for." Immediately. I'm like, "No worries." Yeah. Well, we have,

541

:

I don't know if they're all spoken for, but I 

know like today we're shipping another, because we

542

:

had a problem with the leather belts. Okay. So, 

and so we we ended up, so 2 things happened.

543

:

One we ended up having about 190 boxes that 

we couldn't ship that we were waiting on the

544

:

belts to be fixed. Okay. But then the other 

thing that happened was when cuz some of this

545

:

when you sort out the Segundos, you don't end up 

having equal numbers of all the designs. Mhm. So

546

:

I think there's like maybe 50 bundles of like you 

know this one design is all the, you know, the 10-

547

:

count bundle is all this one design. Yep. But I know Mike is getting some of those. So,

548

:

I would just tell your retailer, "Hey, call Mike 

and see, you know, whatever design you, you know,

549

:

whichever one." I like the one that's almost, 

you know, all dark. But you, you can say, "Hey,

550

:

you know, have your retailer call Mike and see if 

he can get, you know, a couple of those bundles

551

:

for you." Oh, that'd be awesome. I'm going to see 

Omar this afternoon, so I'll ask him. Yeah,

552

:

he'll pick some up. Yeah, you know, he will. Yeah, 

for sure. you know, to the point, you know,

553

:

the point about, you know, what humidity those 

cigars function really well at. I think there

554

:

it's another misconception around humidity that's 

worth saying is that different cigars perform

555

:

better at different humidity levels. For sure. 

Yeah. You know, I think there's a humidity you

556

:

make cigars at, there's a humidity you age cigars 

at, and there's a humidity you store them at,

557

:

and then there's a humidity you smoke them at, and 

all those numbers are different. But, for example,

558

:

you know how you would never put, you know, 

ACID Blondies in the same humidor as, you know,

559

:

Ashton. Yeah. Classics or whatever, right? 

Because, you know, then all your Ashtons would

560

:

taste like ACID, right? Yeah. You also probably 

shouldn't have, you know, your Ecuador Connecticut

561

:

cigars from the Dominican in the same humidor 

with your San Andrés cigars from Nicaragua. Yes,

562

:

because because one, I mean, you know, Ecuador

Connecticut cigars are a lot more delicate, but

563

:

they're also very, um, hygroscopic, meaning they 

absorb and release humidity really fast. And so,

564

:

if you have your Ecuador Connecticut 

cigars that are a little bit on the dry side,

565

:

you can get them humid pretty quickly. Or 

if they're a little bit on the wet side,

566

:

you can dry them out pretty quickly. But if 

a cigar if, like you have a really dense 60-ring

567

:

gauge, you know, Maestranza, for example or Neanderthal, it's not going to humidify really fast. You

568

:

know, it might get the outside humid but the cigar 

itself is not going to humidify quickly and it's

569

:

also going to release humidity pretty slowly, right?

So and also performs at a much lower humidity.

570

:

You know, you can keep a cigar at 70–72% in a 

retail humidor because, you know, you're picking

571

:

up cigars, you're handling them, you're moving 

them, you don't want them to be damaged. So, the

572

:

retailer will keep them actually over-humidified. 

Yep. But if you buy a Connecticut cigar, by

573

:

the time you cut it and light it and you walk into 

the lounge, it's already releasing humidity. Yep.

574

:

Yeah. For sure. So, by the time you get halfway 

through the cigar, it's already starting to dry

575

:

out, right? If the environment is dry. So, 

but if you, you know, you may need you, people

576

:

talk about dry boxing cigars. That's what they're 

saying is they're saying that the humidity

577

:

that a retailer stores a dense, heavy cigar at is 

intentionally high and you really need to kind of

578

:

leave it out on your dresser or in a dry box for a 

day or 2 before you smoke it to kind of get the

579

:

humidity down to a level that makes more sense. 

Yeah, for sure. And that's another thing I like

580

:

about Boveda, how they make different percentages, 

right? Yep. Because you could have a humidor that

581

:

has all real heavy cigars that has a 6[5]% or a 62% 

pack. And then you might have a humidor that

582

:

has a, you know, a [69]% pack. Yeah, for sure. 

Yep. Yeah. JP and I did an experiment. I,

583

:

I did it twice. And then we did it with 

me JP, Vlad Stojanov. Have you met

584

:

Vlad? And and then was it Dave from Small 

Batch. And we had stored Vlad's Connecticut cigar

585

:

in 3 different humidor bags at Small Batch 

with 65, 69, and 72%. We did it for about 6 weeks

586

:

and then everything got shipped out in like 

packs to us, all blind, in their own containers

587

:

and we smoked them all side-by-side to see which 

one had like the best flavor, kind of the best aroma, all

588

:

of those things. And so where is it? Where's that 

cigar made at? Uh, boy, that's a good question. I

589

:

forget where Vlad is having his cigars made. Is 

it KBF? Oh God, I'm not sure. I want to say it's

590

:

the Dominican. Yes, Dominican. Yeah. And it's, 

and it's, and where does he distribute them from?

591

:

Is he distributed out of...? That's a good question. 

Yeah. And that I'm not sure. So, so, so if you ask

592

:

me like what's which one of those 3 cigars 

performed better, I want to know where it was

593

:

made, what kind of tobacco was made of. Sure. How 

how it got from the factory to the United States,

594

:

and how long it took from the time it got to the 

United States to the time you put it in the Boveda

595

:

bag. Yeah. And that adds a lot to it. Yeah. Yeah. 

But my guess, and again, you know, hey, this cigar

596

:

is not burning, right? Well, like I 100% tell I'm 

telling you it happened after it left the factory,

597

:

right? Sure. Yeah. you know. Yeah. But but you 

know, so if I, this is an Ecuador Connecticut

598

:

cigar, you said. Yes. And what's the brand? Uh 

Somm cigars. Yeah. So my guess is is that it has a

599

:

lot of Dominican filler, right? Yep. Which is not 

super high priming. And it's a very hygroscopic

600

:

wrapper. So, I would say, I would say that I would 

want to make that cigar in a pretty high humidity.

601

:

Cuz if if the filler's too dry, for example, 

it'll break when you when you press it and it

602

:

turns into a short filler cigar, right? Sure. A 

lot of people don't realize that. So I would

603

:

say I would probably store that cigar at 70–72, 

but I would probably smoke it at 68. Right. Yep.

604

:

Yep. It's funny though, like we ended up finding 

that the... So, they they all burned wonderfully.

605

:

Yeah, they all did well. Yeah, they all burned 

wonderfully and I think we found that 72% was our

606

:

favorite. All 4 of us, I believe. Yeah. And I 

think when we like used that little HumidiMeter on

607

:

the foot of each of the cigars, it was closer to 

like 70, 70% and then the others a little bit lower

608

:

than that. But yeah, it was very interesting to 

kind of see how each one was very different. Yeah,

609

:

it was a cool experiment. Yeah, the exper the 

experience of smoking each of them. I think we all

610

:

ended up liking 72%. Also Ecuador Connecticut is more bitter the drier it is, right? Yep. And I think that's

611

:

what we found on that second go round. But 

yeah, it was an interesting experiment. I will say,

612

:

I tend to store like cigars with like cigars, like 

you were saying. You know, if it's... When people say

613

:

to me 70/70 is the rule, I'm like, well, you must 

n reading Cigar Aficionado in:

614

:

Exactly. The rule, really for me, I always say 

is 130 or 125. And what I mean is if you add your

615

:

temperature and humidity together, 125 is about 

where you want to be. Sure. Yeah. So, you know,

616

:

if you're the kind of, you know, you 

can go you can go over 125, but you don't really

617

:

want to go below 125. Sure. Interesting. I've 

never heard that. Yeah. Yeah. That's awesome.

618

:

Cool, man. Enjoy the rest of your day. I again 

appreciate your time, Skip. Yeah. Thanks a lot.

619

:

Yeah, absolutely, guys. I'm happy to fill in. 

And so now I have to spend the rest of the

620

:

day in the swimming pool and walking my 

dog. Oh, it sounds awful. Just terrible.

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