In this episode of Blues Moments in Time, January 21 becomes a tour through the libraries, studios, and bandstands that prove the blues is both archive and engine. We start in 1982 with B.B. King’s quiet revolution: donating his massive personal collection of records to the University of Mississippi. In one move, “Blues Royalty” takes the music from juke joints to the stacks, insisting that these 78s and LPs be treated not as disposable entertainment, but as protected cultural heritage and serious history for scholars, students, and anyone willing to listen closely.

From there, we drop into Chess Records on January 21, 1957, as Chuck Berry cuts “School Days”—a rock and roll anthem built on blues riffs, storytelling lyrics, and a backbeat that would launch a thousand bands. We trace that same backbone through the drumming of Francis Clay, whose blend of jazz finesse and blues power with Muddy Waters helped define the feel of electric Chicago blues and quietly schooled a generation of British rock drummers.

January 21 is also a date of loss and lineage: the passing of Champion Jack Dupree, the New Orleans barrelhouse storyteller who kept the raw, rocking spirit of early blues alive; the death of Charles Brown, whose smooth West Coast sound proved the blues could be as elegant as it was earthy; and the birthday of Zora Young, a singer who threads traditional blues, gospel, and contemporary grooves into one living voice.

Taken together, January 21 shows the blues in all its rooms—archived in universities, roaring out of Chicago studios, rolling from New Orleans pianos, gliding through West Coast lounges, and carried forward by modern voices. It’s a reminder that the genre is not one sound but a whole house of styles, all built on the same deep foundation.

Hosted by: Kelvin Huggins

Presented by: The Blues Hotel Collective

Keep the blues alive.

© 2026 The Blues Hotel Collective.