In this episode of Off The Lot, Ken Kabatoff and Anthony Epp check in at the end of week two of production on Remnant — officially crossing the halfway mark of the shoot.

They unpack working with veteran actor Kim Coates (Sons of Anarchy, Waterworld), what it’s like directing a performer with 40+ years of experience, and how preparation — without rehearsal days — becomes critical on an indie schedule. Ken reflects on adapting his directing style to different actors, capturing multiple tonal variations for the edit, and why casting truly is 90% of directing.

The conversation also dives into the logistics of shooting in a single house location, managing large lighting setups, building a distinct “nightmare world” look through lenses, LUTs, haze, and camera movement, and surviving one of the most difficult seven-page finale days of the shoot — complete with practical fire gags and major technical pivots.

Real-time look at navigating performance, pressure, production constraints, and creative problem-solving halfway through a feature in this week's episode of Off the Lot

Follow Ken's Indie Horror Feature Remnant here:

www.remnantmovie.com

Follow Ken Kabatoff's newsletter The Film Founder here:

https://kenkabatoff.substack.com/about

Follow Anthony Epp's newsletter The Filmmaker's Notebook here:

www.anthonyepp.com

Follow Ken & Anthony on Instagram here:

@ken_kabatoff

@epptri