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Everything is Digital. Unless it’s Handwritten: Cue Card Wally, Part 2
Episode 82nd January 2024 • Snap Decisions • Brian Marks & John Young
00:00:00 00:28:57

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Digital and analog worlds collide! Again! Hear more great behind-the-scences stories from Cue Card Wally in Part 2, including commercials with Ryan Reynolds, writing jokes for Norm MacDonald and great interactions from the likes of Tom Cruise and Jon Hamm. Also learn more about how Wally built a multi-faceted cue card empire, for companies and direct to consumers. Don’t miss how Brian goes BIG for his Hopelessly Unattainable Guest.

Key topics & chapter markers 

(00:21) Making guests comfortable

(02:13) Commercial with Ryan Reynolds

(05:05) A cue card empire

(07:14) Wally’s side hustle

(11:49) Being on camera

(16:53) Unpleasant guests

(17:57) Wally’s favorite SNL cast era

(19:03) Starting as a writer/Wally’s shot at sketch writing

(25:26) Life is like a box of Hopelessly Unattainable Guests

Background content

Cue Cards by Wally

Connect with Brian and John on LinkedIn:

https://www.linkedin.com/in/brianmarks13/

https://www.linkedin.com/in/john-l-young/

Transcripts

Speaker:

Hey, welcome back to snap decisions.

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:

This is part two of our

conversation with Wally Farrison.

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AKA cue card Wiley coming up.

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We're going to hear from Wally more

stories behind the scenes on the set

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of Saturday night live and Seth Myers.

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Here we go.

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John: You talked about making , some of

the guests and the hosts comfortable.

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Clearly that works because man,

reading about you and just listening

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to I don't want to promote another

podcast, but they're already number one.

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So what the hell, you know, the guys on

smart list, Jason Bateman and Sean Hayes

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and Will Arnett often reference you.

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And it's clear that some really

big talent of all stripes.

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just rely on you when they

come on that show and have

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developed a comfort with you.

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Obviously there's some experience there.

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There's some chemistry there to

what do you attribute your ability

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to kind of make those connections

and make them feel comfortable?

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Wally: It's, you know, I mean, I

guess doing it so long, I think, you

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know, one of your questions, which

was interesting, was how long did it

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take to get good at what what you did.

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So I was naturally really good at

holding the cards when I first started.

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I wasn't running anything.

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I was just a worker and within 3

years, the guy that was running it.

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Left and there were three or four people

that had four years more experience

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than me and they picked me to run

the show because I was the coolest

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under pressure and I could handle

those pressure situations, making snap

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decisions very quickly without panicking.

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Can we get the changes done in time?

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Can we only do these amount of changes?

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Something like that.

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It probably took me three years to

get comfortable running that show.

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Because I didn't trust anybody to do it

because now I'm, now I'm responsible.

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So I think you guys may be

in those situations where

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you're in charge and you're doing all

the work or you're doing supervising

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everything and you won't do it

something without being involved

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with it, and then you get comfortable

with your workers and you say, oh,

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they can do it, they're trained well,

and then I can relax a little bit.

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So it took me about three

years to get really good.

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And then when I got comfortable,

then I could make the hosts.

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Comfortable.

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I think just by showing, Hey, this

is where I'm going to be on Saturday.

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And there's going to be a set over here

and you want to run cards, you know, if

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it's a sketch that really hard, I'll come

in your dressing room and cards, anything

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they want to make the experience, better.

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So I had a good experience this summer.

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With Ryan Reynolds.

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I did a commercial.

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They hired me to do a commercial

with him in Toronto, and he didn't

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know I was coming so that their

director flew me out, put me up, flew

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me on first class was really nice.

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And I got on set, and he

walks by me doesn't see me.

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And, and then I see him talking to the

director and then he runs over to me

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and he was like, what the hell are you

doing here and I was like, I'm here.

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Brian: Okay.

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Wally: And he was like, Brian, the

director, told me they had cue cards

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and they, he was like, they told me,

he's like, you won't believe who we got.

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And he told me, and he's like,

when he said your name, he

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was like, I instantly relaxed.

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My body relaxed.

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I, I was, he's like, I was, I'm at ease

and I'm not worrying about anything

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for the rest of the shoot today.

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It's just hearing my name made him relax

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and say, Oh, Oh, this is

going to be, this is great.

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So yeah, I guess I have that appeal

because I proved myself over the years,

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proving yourself and doing that right.

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But it was really nice to hear him say

that and instantly relaxing people.

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That's why I did cards for

Seth when Seth started.

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I was only working three days a

week, 21 weeks out of the year.

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I had a really nice,

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nice life,

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Brian: good gig there,

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Wally: time on it.

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But when Seth started, I wanted him to

relax and not worry about cue cards.

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I wanted to worry about the writing.

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That's why I took on that.

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John: So, obviously you're

putting people at ease.

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Do you think you're, you've

done a bunch of writing?

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Do you think some of your writing

chops have helped you with, you

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know, timing and kind of being on

the same page with a performer?

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Wally: I think so.

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I think that's a really good,

that's a really good point.

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I grew up in comedy.

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My brother writes, my

brother writes comedy.

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My dad wanted to be a comedian.

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I really wanted to write comedy.

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I wanted to write funny movies.

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Yes, I think having a good sense of

humor helped me understand the sketch

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and maybe write it differently and, and,

you know, just, yeah, help them out.

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So yes, I think, I think that

having that sense of humor

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comes into play a lot, you know?

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Brian: So yeah, so when you're filming

both, both shows during a week, are

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you, are you going up and down 30 Rock,

like back and forth the whole time, or

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Wally: Thursday is the only day of

Seth tapes Monday through Thursday

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and SNL is Thursday, Friday, Saturday.

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So Monday, Tuesday, Wednesday, I'm

there from 2 to 5 nice cushy 3 hour

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day, you know, drive in our drive

home our Thursday is the tougher one

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where I have set that from 4 to 5.

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Well, SNL starts rehearsing at three.

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And the studios are right next

to each other on the same floor.

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So I'm just so it's really easy.

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So I'm just going back and forth wherever,

you know, Seth gets the preference

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because they're taping that day and I

said, well, it's just rehearsal, but

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I'm going in there and if it's a host,

I haven't met, I try to go talk to them

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and say, Hey, this is, I'm doing Seth.

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I'll be here, you know,

out in an hour or two.

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And they're like, okay, fine.

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You know, go ahead.

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The ones that are nervous would

be like, Oh, you're coming back.

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I say, yeah, I'll be back.

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I'm just.

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So yeah, it's a little bit of juggling

on thursday, but then friday I'm

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there all day and saturday there.

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I'm all day doing, you know, doing stuff

when amber, I don't know, amber ruffin,

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if you guys ever watched that show,

that used to take friday mornings, a

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rehearsal would start friday morning.

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So that was a tougher one.

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I have to be in at like 8 30,

which I hate mornings being 30.

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We tape at one and then we finished

around three and then I'd have to

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go over and press it down rehearsal.

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So it was a long,

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it was a lot.

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Brian: a long day.

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Wally: It was between two

shows on Thursday, two shows

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on Friday, and then Saturday.

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Yeah, it was long, but she's

not taping any shows right

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now, right now, so it's good.

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Brian: And then you, so you, you, you

mentioned around Reynolds special,

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you do pick up occasional things

here and there too, just to kind

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of stay busy in the off season, I

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Wally: Well, yeah, I mean, when

the strike was going, I was a

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commercial, so I could still do that.

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I mean, I used to do that a lot when I was

first starting out or when I was starting

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out with my company and I was younger

and I was like, yeah, they, I'm the only

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cue card company in town, basically.

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So if someone comes to town and

they need cue cards, they're

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thinking about getting cue cards.

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They have to come to me.

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So I get, you know, I would get a

lot of offers like, yeah, in the

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summer when I was off, I was off in

the summer when there was no Seth.

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And yeah, I'd get like, we do the parade.

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We do the Macy's parade.

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We, we do shows

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on New Year's Eve.

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We were in the, in Times Square.

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We don't do them anymore.

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We did the ones in Miami this lately.

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Cause Lauren produces

the one, the Miley Cyrus

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ones with Lauren produced those.

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So I did those.

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Yeah.

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It's things like that, you know

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John: So my big takeaway from all

that is that there's a, there's a cue

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card cartel that you're in charge of.

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Wally: pretty much

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John: No, no one else

can come in and do it.

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Huh?

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Wally: I mean, they could try, but

I own all the cue card workers.

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So, you know, good luck, good luck with

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that.

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It was like,

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John: you, you've got a full staff, right?

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You've got a full staff

at any time doing a bunch

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Wally: got 15 15 workers, 15 people,

guys and girls working for me.

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And yeah, I mean, it's just

it's something that, again, I

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didn't set out to have a company.

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It's just something that

turned into this opportunity.

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And I was really good at it.

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And know, it's my career now, you

know, it's what I'm known for.

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Brian: that.

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I love that.

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Cause you, you just, never know

where, where life's going to take you.

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And here you are.

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Yeah.

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Wally: I know people like this, people,

I tell them what I do, like that's a job.

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That's a thing.

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It's

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John: It's not just a

job, it's a whole business

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Wally: I say it's the, I, I say it's

the, it's the, I have the card company

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in the, in the, in the world, in

the, in the country, because cue card

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company in the country and people

are like, well, you couldn't say

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the world because there's not really

big cue card companies in the world.

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And I was like, yeah, that seems, even

for my ego, that seems really hard.

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I'm not going to,

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John: we'll say it for you.

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Wally: you guys can say it.

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John: Maybe, we'll redo the intro and

introduce you as the world's, running

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the world's largest cue card company.

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You also run a side business,

a cue card business.

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So Brian mentioned this, that

during, during COVID, you started

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selling cue cards directly

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Wally: Yeah.

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personalized cue cards.

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Now, these are, there's a two really

good snap decisions in this story.

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And it's not ones that I made.

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It's one that my business wife

made that you guys know, Deborah

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Feresten, a year before that 2019.

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Brian: Brilliant, brilliant woman.

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John: Brilliant

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Wally: up with this idea.

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I had the idea to do personalized

cue cards for people.

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I can't, I was thinking about it one

night and I remember walking into the

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kitchen and she was, she was sitting

doing something, probably work.

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And I told her, I go, I get this

idea for this, for this company.

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What do you think?

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And I told her the idea and within

three seconds, she said, nope.

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Nope, not the time for it.

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It's not going to work.

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You know, you'll go away.

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It was like that.

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I swear it was that quick.

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And I, and whether it was, I don't

know what she based her decision

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on probably based it on that.

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I was already working a

lot, and she knows me.

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I don't like to do work.

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She made she made me that was part

of the decision whatever it was,

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it was, it was quick and I didn't

challenge her on it because she's

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she knows her she knows her stuff.

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Year later, COVID's here.

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It's probably three months in the COVID.

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I think it was like May and

I've been doing nothing.

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I'm, and I'm sitting on a couch

gaining weight, not doing anything.

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And she's, she's watching a

show and she said, I think I

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need to start a new company.

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And I was like, Hey, what about that?

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Cue cards by Wally.

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We think that personalized cue card.

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And again, snap decision.

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Yes.

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How's the time

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to do it?

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Brian: Just as fast as that now.

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Right.

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Wally: Yeah, it was really fast again.

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And she was like, yes,

now's the time to do it.

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You can't, people can't go to weddings.

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They can't go to birthdays.

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This is, this is perfect.

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So again, even though I wasn't working,

I didn't want to do a lot of work.

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So it took a couple of

weeks for her to figure out.

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And she came up with, I know you

guys have done this MVP, minimal

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viable

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John: Mm

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hmm.

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Wally: It was like, she's like,

get a Venmo account and get

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an Instagram account and go.

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And that's what I did.

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That was easy.

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And then it, it took off.

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I got some press within like two weeks

of opening and it was on its way.

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And she,

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again, was right again.

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So really smart snap decisions by her from

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her business, all the stuff

she learned in business.

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You know,

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John: So I, I hadn't thought of

this before, but now I know I'm

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going to get Brian for his birthday.

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I'm going to get him a, a, a

personal handwritten cue card by

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Wally: yeah.

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Brian: fantastic.

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John: going to say something

nasty, but it will be from you.

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Wally: So yeah, so, so she, she

used her business acumen and, and

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knowing her husband to say no.

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And then to say, yes, that

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Brian: now's the time.

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Timing's

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everything.

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John: true marketer, assessing

the market predicting when

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things are ripe for opportunity.

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That's great.

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Wally: Yeah.

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Yeah.

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Yeah.

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Yeah.

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It was really, really smart.

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And I, and that, that was something.

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That I didn't expect to

bring me so much joy.

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I thought it was just something to keep

me busy, but it was the feedback I was

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getting from people that they couldn't

go to a birthday party or an anniversary

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and that they were giving this original

gift that went over really well.

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And everyone was like, Oh my God,

this is fantastic was, was kept money

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coming in and just kept me happy.

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You know, and it made me, made me

feel like I was doing something to,

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to bring joy to people during this.

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Pandemic that we all suffered

through, you know, is it was

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it was really, really fun, fun.

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And it just felt, made me feel really

good about what I do, you know?

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John: Very cool.

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Does anyone ever pay

you to come do an event?

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Like that's not like a recorded, not

a professionally produced thing, but

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Wally: that's the, that's the

next business we're launching.

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Now, no, no, we were, we're doing

research, I'm very, very slowly, but

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doing research on like, I speak at a

lot of colleges, like for free, I'll

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go to like the colleges that my kids

went to, but also local colleges like

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Montclair State I've been to with,

with friends of my sons that go there.

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And I'll go and speak to

classes or groups of people.

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And I get a lot of really,

really good feedback from that.

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I get a lot of good stories and I give

out cue cards and they have a great time.

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So, yeah, so we're looking into that

down the road as another income stream.

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When I get closer to maybe not doing as

much cue cards, but going and speaking

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to colleges or you know, she thinks

I would do well with at businesses.

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I don't know if I would do as well

with the, with the, you guys would

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know, like, like a company thing.

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I just don't know if, if that's

my audience, you know, maybe some

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of them would be my audience,

but not all of them, you know,

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Brian: think you can figure it out.

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John: Yeah, I think you

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Brian: there's

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something there.

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Wally: There's definitely something there.

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and I, you know, going to I think

colleges would be really fun.

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And yeah, I don't know, you know, there's,

there's, that's going to be the next step.

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The next thing, you know,

speaking, speaking things with a

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whole presentation and one thing.

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Yeah.

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Brian: was your what was your

reaction to being on camera?

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You know, I know that it started year

or two into when you were in SNL,

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but like, is that, I mean, that's

gotta be like icing on the cake.

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But were you, nervous were you

in those types of situations?

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And it's gotta be so much fun.

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Wally: it's, you know,

I was, I was an actor.

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I did acting in high school.

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I always wanted to be a writer.

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I did.

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I didn't, I got, I liked being on

camera, but it wasn't my focus.

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So anytime SNL said, Hey,

we put you in the monologue,

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we put you in the cold open.

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It was fantastic.

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It was really fun.

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And I get to, you know, you have

enough time to rehearse, even though

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it's SNL, you have time to rehearse.

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And then when Seth started doing

it more and more and more Yeah.

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I think I was, you know, I was nervous

at first and I don't think I was great,

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but the more and more I did it, the

more and more I would relax about it.

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Because the thing is sometimes

I won't know I'm on camera until

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an hour before the show starts.

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We'll get a closer look.

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At two 30, I start printing it.

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I see I'm in it.

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So as I'm printing it, I'm

trying to learn my lines

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John: So wait, they write you

into it and you don't even know?

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Wally: No, I have no idea.

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And so I get the script, you know,

an hour and a half before the show

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while I have to print the script.

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So I don't really have time to be nervous.

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I just kind of like, take

it like, and it's fun.

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Like they don't set that Seth has

the confidence to put me in it and

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keep on putting me in, into it.

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And let me add, I'm Mike every

day, whether I'm in the show

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or not, we had a mistake.

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We had a misspelled word, Pennsylvania.

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We misspelled on a, on a monologue joke.

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And he called me out on it

and then called himself on it.

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Cause I was like, I read this.

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During rehearsal and I didn't see it and

we just started talking about it in the

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process of what happened and it was really

funny and it was, you know, really good.

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So they feel free with letting

me ad lib something like that.

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And I feel it feels fun, you know?

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Brian: I love when they had

you look like George Santos.

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That

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Wally: Oh, yes.

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I'm very upset.

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I didn't, I was going to text the writer

to see if I could, you know, have a

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reference to me or at least play him

one more time, you know, when he was

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ousted, but it didn't, it didn't happen.

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Brian: was a good one

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Wally: that was, that was fun.

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John: So as you, as you get more and

more on camera time, especially on Seth,

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like you just said, and you're, you've

got kind of some celebrity status.

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Wally: Yeah.

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John: Do you feel like you have

to make decisions like how to walk

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that line between being behind the

camera and in front of the camera?

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What is that?

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Or is it just like kind of thrust

upon you and you just go with it?

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Wally: It's trying to keep my ego,

you know, so that smaller so that I

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don't annoy my coworkers, my wife.

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John: Well, that's what your

wife is for to keep your

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Wally: Any anybody around me and it's

harder and harder like, you know, like I

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said, I did that Ryan Reynolds commercial

He put me in instagram post last week.

379

:

I don't know if you guys if you saw

it there were there were leaked photos

380

:

from the set of his superhero movie

381

:

so the shooting deadpool 3 and I guess

a cameraman Big lens got shots of

382

:

set and leaked them to some websites.

383

:

So he, two days after, leaked his

own on set photos, but they were

384

:

photoshopped, really bad photoshopped,

like Mickey Mouse was in one and Urkel

385

:

was in the background of another one.

386

:

And then he put me in one holding

a card that said, Wally put the

387

:

cards down that he got from,

that he photoshopped in from SNL.

388

:

Now I think he did it because the

commercial we worked on released

389

:

the day before this happened.

390

:

That is crazy.

391

:

Mike, Seth Meyers was calling me.

392

:

He was like, did you see what

Ryan Reynolds just posted?

393

:

My brother was calling me from Hollywood

saying, what, what's going on with this?

394

:

You know, like it was, it was really, so

when things like that start happening.

395

:

That's crazy.

396

:

You know, that's really,

397

:

John: I, I love that your brother

who wrote for Seinfeld is now, is

398

:

now jealous of your celebrity status.

399

:

Wally: Oh, no doubt.

400

:

I can tell you the stories of hanging out

with my brother at a cast party early on

401

:

in my career and Nicole Kidman hosted me.

402

:

She was still married to Tom Cruise.

403

:

And we were hanging at the bar and

Nicole Kidman and Tom Cruise walk in and

404

:

they're trying to get to the table and

Tom Cruise is like, hold on a second.

405

:

And he did a beeline for me and came up.

406

:

Shook my hand.

407

:

He's like, thanks so

much for helping her out.

408

:

You are fantastic

409

:

tonight.

410

:

And my brother's there with his

mouth open going, what is going on?

411

:

Brian: Right.

412

:

And so he was a, he was a

receptionist first at saturday night

413

:

live, right?

414

:

Before he

415

:

became a

416

:

Wally: He worked.

417

:

Yep.

418

:

Yep.

419

:

He worked his way up.

420

:

I try to keep

421

:

John: Not Tom Cruise, your brother,

422

:

just to be clear.

423

:

Wally: No, my brother.

424

:

I try to keep that stuff in check.

425

:

Like I said, it's really

cool to hear that stuff.

426

:

And I have celebrities coming up and

telling me they watch me on the show.

427

:

And I think I'm really funny.

428

:

Like Jon Hamm.

429

:

I know who I know from SNL, but he

was like, you're so funny in the show.

430

:

That kind of blows me away when I,

when I have celebrities that will be

431

:

that, but like I said, I try to keep

it in check and I try to say, okay,

432

:

it's the fun part of the job, but

it's still, I'm still doing cue cards.

433

:

I'm still going to focus

on that and not that.

434

:

Brian: Well, you know, it's good.

435

:

Cause you have.

436

:

You, you know, when you look at your

team, you know how they need to be acting.

437

:

So you, you are able to be

able to, you know, see it

438

:

Wally: I have to balance.

439

:

It is a balance, though.

440

:

I do have to balance it.

441

:

I can think about it when the show's

over, but when the show's going on,

442

:

I'm focused on doing cue cards, unless

I'm in something, you know, for that,

443

:

for that moment, because you have to

be focused to do that job, you know?

444

:

John: Well, you've had some nice moments

to shine in the spotlight, but it

445

:

sounds like also from your description

that sometimes you're kind of working

446

:

in the bowels of Studio 8 H you know,

writing for hours, so I get that that

447

:

could be kind of the non glamorous side.

448

:

Curious to hear you don't have to

name names, but, you know, please do.

449

:

Like any of like really unpleasant

cast members or guests, like

450

:

any stories around, like just

a, just a crappy situation

451

:

regarding talent.

452

:

Wally: cast members know, and, you

know, it's the people that you would

453

:

imagine were not, were not nice.

454

:

You know, like George Steinbrenner,

when, you know, he comes to host.

455

:

He's

456

:

John: Okay.

457

:

Name names.

458

:

Wally: going to be a pleasant, he's not

going to be a pleasant guy, you know, it's

459

:

people like that.

460

:

I will say, you know, Donald Trump

wasn't the, wasn't the worst when

461

:

he was, this was before politics.

462

:

He was just a reality

host and a state guy.

463

:

And he was, he was fine.

464

:

He wasn't good, but he

was, you know, he was fine.

465

:

Usually it's not the non actors, you

know, that come in, the Elon musks

466

:

will come in and people like that,

that aren't used to this kind of thing.

467

:

So they don't know how to act,

468

:

Brian: different environment for them.

469

:

Wally: you know, they're

not an act on camera.

470

:

They don't know how to act off camera

kind of thing, you know, but most

471

:

of, I would say 97 percent of people

are really nice because they need me.

472

:

I'm, I'm helping them out, you know, so

not going to be mean to me or a jerk to me

473

:

because I'm there to help them, you know?

474

:

Brian: absolutely.

475

:

Wally: Yeah.

476

:

Brian: What was your what's

your favorite cast era?

477

:

Wally: Well, they say it's when

you started watching, right?

478

:

That's what they say.

479

:

Whatever you were watching,

or when you were a teenager, I

480

:

think when you were a teenager, that's,

481

:

that's that's probably your favorite.

482

:

So, I mean, I started watching when

I was 10, when the show started.

483

:

So, I mean, the original cast really

is what, how I grew to love the show.

484

:

I don't remember a lot when they left,

so I think I stopped watching that Eddie

485

:

Murphy, Eddie Murphy years, Billy Crystal.

486

:

I don't remember watching a lot,

but I was Probably in high school,

487

:

probably going out a lot on Saturdays.

488

:

And this was, did we have

VCRs in, in the early

489

:

eighties?

490

:

right.

491

:

John: Yeah.

492

:

Not everyone had them, but you know,

493

:

Wally: Yeah.

494

:

So, so it's the first cast.

495

:

And then when I started working, you

know, I started working with Adam Sandler

496

:

and Chris Farley and, you know, and

you know, those guys and David Spade.

497

:

So, you know, those, that's

my second favorite when I

498

:

started with those guys, you

499

:

John: Really putting him

on the spot there, Brian.

500

:

He's got, he's got to work with

these people, you know, not,

501

:

Wally: they know,

502

:

John: and I, and I'm guessing

the cast is listening,

503

:

Wally: maybe

504

:

John: cast.

505

:

Yeah,

506

:

Wally: they're not here,

they're not here right now,

507

:

John: no, no, but they will

be listening eventually,

508

:

Brian: when you came in when you

started SNL did you always see that as

509

:

kind of like uh, going to be here for

a couple of years and I'm going to do

510

:

something else and see that as, you

know, what point did you realize that

511

:

like, know, this is where I'm going

512

:

to

513

:

Wally: there.

514

:

I was gonna be stuck there for 33 years.

515

:

Yeah, I wanted to be a writer.

516

:

So I don't know if we covered that.

517

:

I

518

:

went to school, went to

Syracuse for writing.

519

:

. And I wanted to be a writer.

520

:

So I took the job to

get my foot in the door.

521

:

And I did.

522

:

I made contacts.

523

:

I was writing.

524

:

I started writing jokes for Norm

Macdonald on Weekend Update immediately.

525

:

And then.

526

:

I got hired to do some stuff for

Nickelodeon and Cartoon Network and MTV.

527

:

And I was writing episodes of things

here and there, nothing, you know, to

528

:

keep, nothing to pay the bills, you know,

it was just like 500 here, 800 there.

529

:

John: but you were actually,

you were actually a writer.

530

:

Wally: Yeah, oh yeah, I was hired to

write, I was doing that, so I was doing

531

:

the cue cards to keep, you know, the

money coming in, but I really, really

532

:

wanted to write, so I took, I took six,

four months off, I, I, I left the show

533

:

one year, my buddy took over, and I

think I had just got married, so I think

534

:

my wife was maybe a little bit of that,

I was like, well, you should, if you

535

:

want to write, why don't you, you know,

536

:

Brian: I mean, just go and do it.

537

:

Yeah.

538

:

Wally: I went out to LA with my brother.

539

:

My brother set me up with an agent and

I took like a bunch of meetings, you

540

:

know, people at production companies

and I pitched them ideas and, you

541

:

know, introduced myself kind of thing.

542

:

I did that for like three months,

like going out, flying out and

543

:

doing that and nothing came of it.

544

:

And she said, okay, you know,

don't have to give it up, but

545

:

we need to, we need some money.

546

:

We need somebody coming in my, her,

her city bank salary was not going

547

:

to pay for us living in the city.

548

:

So I went back to help out.

549

:

And in the meantime, while I was gone in

those four months, my buddy who I knew.

550

:

He was good at doing cue cards, but again,

like I said, it took me three years to

551

:

get the hang of , running the thing.

552

:

He was nowhere close to

knowing how to run it.

553

:

And they were missing me big time.

554

:

At the end of the season, he

decided to move to LA and the show

555

:

said we want Wally back to run it.

556

:

And I was, and I was

like, well, I don't know.

557

:

And they were like,

whatever you want, whatever

558

:

Brian: leverage, right?

559

:

Wally: I had serious leverage

560

:

because they saw what life was like

without me and they didn't like it.

561

:

So I went back.

562

:

I named my salary.

563

:

I said, I want to make this.

564

:

I want to do this.

565

:

And I want to write, I

wanted to write sketches.

566

:

And they said, okay,

we'll agree to all that.

567

:

They paid me what I wanted.

568

:

it was the first year of the

Will Ferrell all those guys.

569

:

It was a whole cast came in at the

same time and write all writers too.

570

:

They said, let us have the first three

months to get like our feel and then

571

:

we'll let you start submitting sketches.

572

:

And they did in January, they

went to me and said, okay, you can

573

:

submit a sketch to every show, you

know, one sketch to every show.

574

:

Brian: Wow.

575

:

Wally: I started writing sketches

576

:

and I almost got the first one I submitted

almost got on it was in the it was in the

577

:

show like four or five times it was out

it was in it was out it was in and word

578

:

came back from Lorne, Lorne loved it.

579

:

He was like you're you're you could

keep on writing, and that was like

580

:

a good boost I was like this is

really nice, and they were trying

581

:

to figure out if I did get one on.

582

:

I'm not in the Writer's Guild.

583

:

How are they going to pay me?

584

:

What am I going to do?

585

:

There was all this talk about that.

586

:

And I did it for three weeks.

587

:

I didn't get a sketch on, but

I was really close, and they

588

:

were really liking my stuff.

589

:

And then a guy in props, who'd been

there for 20 years, you know, longer

590

:

than me, went up to them and said,

Hey, why is Wally allowed to write

591

:

Brian: Oh yeah.

592

:

Wally: I want to write a sketch too.

593

:

And then they were like, all right, we

can't let Wally write sketches anymore.

594

:

And that guy is my mortal enemy.

595

:

I, he doesn't work on the show

anymore, but he ruined it.

596

:

Yeah.

597

:

He's like, okay, you can't do

598

:

it.

599

:

I know it did, but it was,

it was a good feeling.

600

:

And then again, I was getting to

the point where I think I started

601

:

the company in 2004 because we

were being treated pretty badly.

602

:

And again, Deb making the decision.

603

:

I got her the, I got her the number.

604

:

She ran a number, she did a business

plan, which I didn't know what that was.

605

:

And she was like, yeah,

we can make some money.

606

:

We can move to a better

town, bigger, bigger house.

607

:

I go, I just bought a sports car.

608

:

You can have a sports car.

609

:

I'm like, okay, let's do it.

610

:

So we started the, and it's

19 and we've had it for 19

611

:

years now running pretty well.

612

:

So

613

:

John: Fantastic.

614

:

So, so you had a couple

of decisions there.

615

:

One was to not stay in L.

616

:

A.

617

:

and keep writing, and then

to start your own company.

618

:

Those are big decisions that kind of

got you to be the king of cue cards.

619

:

Wally: yeah, yeah.

620

:

John: What if you, what if those

decisions had been different and you'd

621

:

kind of gone down the writing track?

622

:

Do you think that would

have been as fulfilling?

623

:

Wally: I say, I talk

about it all the time.

624

:

No, I think, cause I see my

brother who's doing that.

625

:

My brother's a very

successful writer , but.

626

:

I think the experiences I have and

continue to have as a cue card guy would

627

:

far outweigh anything that I would have

had as a writer, even if I was writing

628

:

great movies or really funny movies.

629

:

I'm meeting these people and getting this

relationship with them and this thing

630

:

that no one else has, you

know, and it's fantastic.

631

:

Brian: maybe you would have

got five good years and then,

632

:

Wally: Yeah, maybe hit movies and

maybe, you know, I've been able to

633

:

live off that, but this is so much fun.

634

:

And I've got a, I've got

a really cool reputation.

635

:

A friend of mine like two

years ago said I Googled cue

636

:

cards and your picture came up.

637

:

I was like,

638

:

Oh,

639

:

that's that's, that's kind of cool.

640

:

John: Well, well, hearing you talk

about those connections and those

641

:

relationships and hearing the people

you're, you're connecting with talk

642

:

about their relationship with you,

, clearly you're doing something right.

643

:

So

644

:

Wally: Yes.

645

:

Well, thank you, I, I, I try, I try.

646

:

Yeah.

647

:

It's really fun.

648

:

And yes, when I get that feedback

from people like Alec Baldwin and

649

:

stuff, it's really, really, really

meaningful, you know, really great.

650

:

Brian: Awesome.

651

:

Awesome.

652

:

Well know, we really appreciate you

taking some time and talking to us.

653

:

We'd love hearing your story.

654

:

We'd love.

655

:

John: Great stuff.

656

:

Brian: Everything about it and,

you know, it's not marketing,

657

:

but it is, you know, and

658

:

it's uh, there's a lot of

crossovers here and it's great.

659

:

So

660

:

thank

661

:

Wally: No, I appreciate

you guys having me.

662

:

No, I've done, I've done some talks.

663

:

I have a friend that's in

the business world and I've

664

:

gone and talked to his group.

665

:

And they've asked me

questions, stuff like that.

666

:

And it's a lot of it's really

relatable to, to what you guys do.

667

:

I'm managing employees, but

it's a different kind of

668

:

thing, but it's the same.

669

:

It's the same kind of things.

670

:

It's communication and it's trust and

it's, you know, the communication thing

671

:

I think is probably one of the most

672

:

important things.

673

:

Right.

674

:

You guys, You

675

:

know, it's all, it really is all this.

676

:

John: Huge.

677

:

Yeah.

678

:

And when stuff isn't going,

going well, a lot of times

679

:

it's a communication breakdown,

680

:

Wally: Yeah.

681

:

I appreciate you guys having me.

682

:

John: no matter what

683

:

you're, what you're, doing.

684

:

Yeah.

685

:

Thank you so much.

686

:

It was great to see you.

687

:

Great talking to you.

688

:

And thanks so much for

sharing your stories.

689

:

Wally: guys too.

690

:

Thanks a lot.

691

:

Brian: you.

692

:

Wow, John, that was a great guest.

693

:

It's great talking to Wally.

694

:

John: Yeah.

695

:

What cool stories he has.

696

:

audioBrianMarks11605016190:

Yeah, second to none really.

697

:

audioJohnYoung21605016190: It's

fascinating to hear, not only the

698

:

stories, that he has from these iconic

TV shows, but, and you think about it's

699

:

him because he's on camera an awful

lot, but the fact that there's a whole

700

:

team that he is just orchestrating to

bring all this content to life, live,

701

:

every single week is just really cool.

702

:

audioBrianMarks11605016190:

yeah, and it seems like he, it

703

:

doesn't get old for him either.

704

:

He just loves it.

705

:

Good stuff.

706

:

Good stuff.

707

:

All right.

708

:

audioJohnYoung21605016190: right, well, to

close this out here, do you have a dear,

709

:

hopelessly unattainable guest for us?

710

:

audioBrianMarks11605016190: yes,

I got one to wrap it up here.

711

:

And, uh, you know, I was thinking

long and hard about, how we're

712

:

going to get somebody on here

that is, uh, one of our moonshots.

713

:

And so I decided to take a little bit

of a different approach on this one.

714

:

And so, who I am trying to attract this

time is, uh, none other than Tom Hanks.

715

:

audioJohnYoung21605016190: Ooh

716

:

audioBrianMarks11605016190: Yeah, so,

717

:

audioJohnYoung21605016190: Big name.

718

:

That's a true A lister.

719

:

audioBrianMarks11605016190: true A

lister, top actor of our generation.

720

:

so here we go, alright?

721

:

Let's get after it.

722

:

audioJohnYoung21605016190:

Moon shoot away.

723

:

audioBrianMarks11605016190: Dear

Tom, we are a new ish podcast that

724

:

really focuses on the hard and tough

choices professionals make that

725

:

lead to their inevitable success.

726

:

While we love to hear about the

highest of the highs and occasionally

727

:

talk about the lowest of the lows,

I'd love for you to join our show

728

:

to only talk about your lows.

729

:

You have a magnificent career

parallel to almost no one, including

730

:

giant consecutive hits in the 90s in

Philadelphia, Forrest Gump, and Apollo 13.

731

:

Your sweethearted rom coms with Meg Ryan.

732

:

Your portrayal of legends

like Walt Disney, Mr.

733

:

Rogers, Colonel Tom

Parker, and Ben Bradley.

734

:

I want to hear about whether you

have a floor piano like you danced on

735

:

in Big, or what it was like to work

with, and know, Steven Spielberg.

736

:

But I'm willing to give it all up and

sacrifice all those fun conversations

737

:

to dig into your rock bottom.

738

:

Moves like Joe vs.

739

:

The Volcano and the

Bonfire of the Vanities.

740

:

You're my favorite guest

ever on Saturday Night Live.

741

:

You're so likable and

make it look all too easy.

742

:

, especially in the legendary

skits like David S.

743

:

Pumpkins and the Mr.

744

:

Belvedere fan club.

745

:

But what the heck happened

with the movie Larry Brown?

746

:

Let's focus on those struggles.

747

:

I'm sure there's others I can't think of.

748

:

And the agony and stress it

brought upon your career.

749

:

And so much more on an

episode of Snap Decisions.

750

:

It's the thing that we do.

751

:

Behind the curtain with Tom Hanks.

752

:

I can't wait, and I have a

feeling you can't either.

753

:

Sincerely, Brian and John.

754

:

audioJohnYoung21605016190: I'm not

sure what you put my name on that one.

755

:

audioBrianMarks11605016190:

We're in this together, man.

756

:

We're in this together.

757

:

audioJohnYoung21605016190: I feel like you

really embraced the unattainable portion

758

:

of the dear, hopelessly unattainable

guest who we are offering an unattainably

759

:

impossible collection of questions for.

760

:

Tell us about how horrible things

have been for you at some time.

761

:

audioBrianMarks11605016190: I mean, I

think that it could be a short episode.

762

:

So maybe that'll track him, you know?

763

:

We only want to talk to you

for 45 seconds, because there's

764

:

not very many lows for you.

765

:

audioJohnYoung21605016190:

That's a good point.

766

:

There's not a lot of conversation

around things that haven't gone

767

:

well for Tom Hanks cause that guy

seems to spin most things into gold.

768

:

audioBrianMarks11605016190: He sure does.

769

:

He sure does.

770

:

audioJohnYoung21605016190: All right.

771

:

Well, you know, we.

772

:

know somebody who knows him, uh, you

know, I, I don't know what kind of

773

:

relationship Wally has with him, but.

774

:

We can start there.

775

:

audioBrianMarks11605016190: we should

have, we should have said something.

776

:

audioJohnYoung21605016190:

Let's call him back.

777

:

All right.

778

:

Well, let's call it a wrap.

779

:

Shall we?

780

:

audioBrianMarks11605016190: let's do it.

781

:

Let's close it up.

782

:

audioJohnYoung21605016190: All right.

783

:

Well, thank you all for joining next time.

784

:

We will, uh, we'll be even

better prepared because we'll

785

:

have cue cards in front of us.

786

:

audioBrianMarks11605016190:

One more thing, John.

787

:

Happy new year

788

:

audioJohnYoung21605016190: Oh yeah.

789

:

Happy new year.

790

:

audioBrianMarks11605016190: 2024.

791

:

audioJohnYoung21605016190: I'm going

to go work on my resolutions now.

792

:

audioBrianMarks11605016190: Come on.

793

:

I'm already done mine.

794

:

Goodbye.

795

:

audioJohnYoung21605016190: See ya.

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